tag:blogger.com,1999:blog-135721112026-03-28T01:06:16.976-05:00On landscape architecture and related fieldsAlexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.comBlogger1010125tag:blogger.com,1999:blog-13572111.post-74895068663609604212019-01-01T11:53:00.000-06:002019-01-01T12:21:41.754-06:00<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIZiB8Huj8oPlKdkPSHcUR7dlBpssWYi0kwDTRZO1ZZReGxhSQGlAmKjxWNPKOKWGulqiyPE5hICJocRLk5tnX5DoNIAsJXhxIVtnCb3l84PzfZsP6j60ZEuj-yHvzMM46Uzn6/s1600/PIA22221.jpg" width="550" height="400" alt="Endeavour Crater" /><br /> <label>(Here to usher in a new year of earthbound explorations is this extraterrestrial sunrise on Endeavour Crater, captured by the Mars Exploration Rover Opportunity on February 15, 2018, or sol 4,999. Image courtesy of NASA. <a href="https://www.jpl.nasa.gov/news/news.php?feature=7063">Source</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-53848413849900330562016-06-13T13:46:00.000-05:002018-08-31T13:14:20.273-05:00⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️🌾🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️⬜️⬜️⬜️⬜️🌾⬜️⬜️🌾🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️🌾⬜️⬜️🌾🌾⬜️⬜️🌾🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️🌾🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️🌾⬜️⬜️🌾🌾⬜️⬜️🌾🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️🌾🌾🌾🌾⬜️⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️🌾⬜️⬜️🌾🌾⬜️⬜️🌾🌾🌾⬜️⬜️⬜️⬜️⬜️⬜️🌾🌾🌾🌾🌾⬜️⬜️⬜️⬜️<br /> ⬜️⬜️⬜️🌾⬜️🌾🌾🌾⬜️🌾🌾🌾🌾🌾⬜️⬜️⬜️⬜️🌾🌾🌾🌾🌾🌾⬜️⬜️⬜️⬜️<br /> ⬜️⬜️🌾🌾⬜️🌾🌾🌾⬜️🌾🌾🌾🌾🌾⬜️⬜️⬜️⬜️🌾🌾🌾🌾🌾🌾🌾⬜️⬜️🌾<br /> ⬜️⬜️🌾🌾🌾🌾🌾🌾⬜️🌾🌾🌾🌾🌾🌾⬜️⬜️🌾🌾🌾🌾🌾🌾🌾🌾⬜️⬜️🌾<br /> 🌾⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⬜️⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾⬜️🌾<br /> 🌾⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⬜️⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾⬜️🌾🌾🌾🌾🌾🌾🌾🌾⬜️🌾🌾🌾🌾⬜️⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾⬜️🌾🌾🌾🌾🌾🌾🌾🌾⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⬜️⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⬜️⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾⬜️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 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🌾🌾🌾🌿🌿🌿🌿🌿🌿🌿🌿🌾🌾🌾🌳🌳🌾🌾🌾🌳🌾🌾🌾🏃🏿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌳🌾🌾🌾🏃🏻🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌳🌾🌾🌳🌳🌾🌾🌾🏃‍♀️🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🐿🌳🌾🌾🌾🏃‍♀️🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌿🌾🌾🏃🏿‍♀️🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🏃🏻🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌾🐕🚶🏻🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🏃🏽🌾🌻🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌻🌾🏃‍♀️🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌳🌳🌾🌾🌾🌾🌻🌳🌾🌾🌾🌾🌻🌾🌾🌾🌾🏃🏿🌾🌾🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌻🌾🌾🌾🌾🏃🏽‍♀️🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌻🌾🌳🌾🌾🌾🌻🌺🌻🌾🌾🌾🏃🏽‍♀️🌾🌻🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌳🌾🌾🌻🌺💧🌺🌻🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌻🌾🌾🌾🌻🌺🌻🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌻🌾🌾🌳🌾🌾🌻🌺🌹🌺🌻🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌻🌺🌻🌾🌾🌾🌾🌻🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌻🌺💧🌺🌻🌾🌾🌾🌾🌻🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌻🌺🌻🌾🌾🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌾🌻🌾🌾🌾🚧🚧🚧🚧🚧🌾🌾🌾🌾🌾🌻🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🚧🚧🚧🚧🚧🌾🌾🌻🌾🌾🌻🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌻🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌲🌲🌲🌾🌾🌾🌲🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌲🌲🌲🌲🌲🌾🌾🌾🌲🌲🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌲🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌲🌲🌾🌾🌴🌴🌴🌴🌴🌴🌴🌴🌴🌾🌾🌲🌲🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌲🌲🌾🌾🌴🌴🌴🌴🌴🌴🌴🌴🌴🌾🌾🌲🌲🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌲🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌲🌲🌲🌲🌾🌾🌾🌾🌾🌲🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌲🌲🌲🌲🌾🌺🌾🌲🌲🌲🌲🌾🌾🌿🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌲🌾🌺🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌺🌾🌲🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌲🌲🌾🌾🌾🌾🌾🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌲🌲🌾🌾🌵🌵🌵🌵🌵🌵🌵🌵🌵🌾🌾🌲🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌲🌲🌾🌾🌵🌵🌵🌵🌵🌵🌵🌵🌵🌾🌾🌲🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌲🌲🌲🌲🌾🌾🌾🌾🌾🌲🌲🌲🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌿🌾🌾🌾🌾🌾🌾🌾🌲🌲🌲🌲🌾🌾🌾🌲🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌲🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌲🌲🌲🌾🌾🌾🌾🌾🌿🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾<br /> 🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾👬🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾<br /> 🌾👬🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾⛱🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🌊🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🏊🏊🏊🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🏊🏊🏊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾👬🌾🌾🌾🌾🌊🏊🏊🏊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🎪🎪🎪🎪⛱⛱⛱🌊🌊🌊🌊🌊🌊🐟🌊🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🎪🌾🌾🌾🌾🌾⛱🌊🌊🌊🐟🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾🌾👬🌾🌾🎪🌾🍧🍊🚾🌾⛱🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊😵😵🌊<br /> 🌾🌾🌾🌾🌾🎪🌾🍭🌮🚿🌾⛱🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🎪🌾🍉🌾🍕🌾⛱🌊🌊🐟🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊😵😵🌊<br /> 🌾🌾🌾🌾🌾🎪🌾🍟🍺🎈🌾⛱🌊🌊🌊🌊🌊🐟🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾🌾🌾🌿🌾🎪🌾🌡♻️👙🌾⛱🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊😵😵🌊<br /> 🌾🌾🌾🌾🌾🎪🌾🌾🍔🍹🌾⛱🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾🌾🌾🚴🏽🌾🎪🌾📸🌯👮🏻🌾⛱🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊😵😵🌊<br /> 🌾🌾🌾🌾🌾🎪🌾🎪😡🌭🌾⛱🌊🌊🌊🌊🌊🌊🐟🌊🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🎪🌾🌾🌾🌾🌾⛱🌊🐟🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🎪⛱⛱⛱⛱⛱⛱🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾👬🌾🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🐟🌊🌊🌊🌊🌊🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌾🌾🌿🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🐟🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌊🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🌊🌊🐟🌊🌊🌊🌊🌊🌊🌊🌊🌊🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌊🌊⛵️⛵️⛵️🚣🏽🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌊🌊⛵️⛵️⛵️🚣🏽🌾🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🚣🏽⛵️⛵️⛵️🚣🏽🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🚣🏽🚣🏽🚣🏽🚣🏽🚣🏽🌾🌾👬🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾⛱🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾⛱🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌳🌳🌳🌳⛱🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌾🌾🌾🌳🌳⛱🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🐤🌳🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌳🌳🌳🌳🌾🌾🌾🌳🌳🌳🌳🐛🌳🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🌾<br /> 🌾🌳🐰🌳🌳🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌻🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾<br /> 🌳🌳🌳🌾🌾🌾💧💧💧🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌳🌳🌾🌾🌾💧💧💧💧💧🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌳🌳🌾🌾💧💧💧💧💧💧💧🌾🌾🌳🌳🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾<br /> 🌳🌳🌾🌾💧💧💧💧💧💧💧🌾🌾🌳🌳🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾<br /> 🌳🌳🌾🌾💧💧💧💧💧💧💧🌾🌾🌳🌳🌾🌳🌳🌾🌾📽📽🌾🌾🌳🌳🌾🌾<br /> 🌳🌳🌳🌾🌾💧💧💧💧💧🌾🌾🌳🌳🌳🌾🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾<br /> 🌾🌾🌳🌳🌾🌾💧💧💧🌾🌾🌳🌳🌳🌳🌾🌳🌳🌾🎞🎞🎞🎞🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🐍🌳🌾🌳🌳🌾🤖👨‍👩‍👧‍👦👨‍👩‍👧‍👧👨‍👩‍👦‍👦🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🐭🌳🌳🌳🌾🌳🌳🌾🍧👨‍👩‍👧🌭👨‍👩‍👧🌾🌳🌲🌾🌾<br /> 🌾🌾🌳🌾🌾🌳🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌳🌳🌾👩‍👩‍👦🍿👨‍👩‍👧‍👦👨‍👩‍👧🌾🌳🌳🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🌳🌾🌾🌳🐞🌳🌲🌳🌳🌾🌳🌳🌾👨‍👩‍👧‍👦👻👨‍👩‍👧‍👦🍕🌾🌳🌳🌾🌾<br /> 🌾🌳🌾🌿🌾🌾🌳🌾🌾🌳🌳🌳🌳🌳🌳🌾🌳🌳🌾👨‍👩‍👦‍👦👫👸👪🌾🌳🌳🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🌳🌾🌾🌳🌳🌳🐦🌳🌳🌾🌳🌳🌾🍭👫🍭👨‍👩‍👧‍👧🌾🌳🌳🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🐰🌾🌾🌳🌳🌳🌳🌳🌲🌾🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🌳🌾🌾🌳🌳🌳🌳🌳🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾<br /> 🌾🌳🌾🌾🌿🌾🌳🌾🌾🌳🐿🌳🌳🌳🌾🌾🌳🌳🌾🍫👭👨‍👩‍👧‍👦👨‍👩‍👧‍👧🌾🌳🌳🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🌳🌾🌾🌳🌳🌳🌳🌾🌾🌾🌳🌳🌾👪🐶👬👨‍👩‍👧🌾🌳🌳🌾🌾<br /> 🌾🌾🌳🌾🌾🌳🌾🌾🌾🌳🌳🌳🌾🌾🌿🌾🌳🌳🌾👩‍👩‍👦🍿👨‍👩‍👧‍👦👫🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌳🌳🌾👮🏻👨‍👩‍👧‍👦👨‍👩‍👧😱🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌳🌾👬👨‍👩‍👧🍭🍭🌾🌳🌳🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌳🌾🌾🌾🌾🌾🌷🌷🌾🌾🌳🌳🌾👩‍👩‍👧‍👦👽👨‍👩‍👦‍👦👨‍👩‍👦‍👦🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌷🌷🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌷🌷🌾🌾🌳🌳🌾🎞🎞🎞🎞🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌳🌾🌾🌾🌾🌾🌷🌷🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌷🌷🌾🌾🌳🌳🌾🌾📽📽🌾🌾🌳🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌷🌷🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌷🌷🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🌳🌾🌾🌿🌾🌾🌷🌷🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾🌳🌾🌾🌷🌷🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾👫🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🚴🏽🌳🌳🌾🌷🌷🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌾🌳🌾🌾🌷🌷🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌾🌾🌳🌾🌾🌷🌷🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🌳🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾♻️🌾🌾🌾🌾<br /> 🌾🌳🌳🌾🌾🌾🌳🌾🌾🌳🏃🏻🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌳🌲🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌷🌾🌳🌾🌾🌳🌾🌲🌾🌾🌾🌳🌳🌾🌾🌾🐛🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌳🌳🌾👫🌳🌾🌾🌾🌾🌾🌾🌾🌺🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌳🌾🌾🌳🌾🌾✊🏿🌾🌾🌾🌾🌾✊🏿🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🏃🏻🌳🌾🌾🌾✊🏿🌾🌾🌾✊🏿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌾🌾🌳🌹🌾🌾🌾✊🏿🌾✊🏿🌾🌾🌳🌲🌲🌾🌾🌾🌾🌾🌾<br /> 🌾🌿🌾🌾🌾🐛🌳🌾🌾🌳🌾🌾🌾🌾🌾✊🏿🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌸🌾🌾🌾🌾🌾✊🏿🌾🌾🌾🌾🌾🌾🌾🚾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾✊🏿🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌳🐕🚶🏻🌳🌾🌾🌾🌾🌾✊🏿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🐝🌾🌾🌾🌾🌾🌾🌾🌾🌾🐦🌾🌾🌾🌾🐜🌾<br /> 🌾🌳🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🐦🌲🐦🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌲🌳🌳🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾<br /> 🌾🌾🌺🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾♻️🌾🌾🌾🌾🌾🐞🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🏃🏻🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🚴🏽🌾🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🐝🌾🌾🌸🌾🌾🌳🌾🌿🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌿🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🐝🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌳🌾🌾🌾🚏🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾<br /> 🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌳🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌳🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌲🌲🌾🌾🌳🌳🌳🌳🌾🌾🌳🌾🌾🌾🌾🏌⛳️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌳🌲🏃🏻🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌳🌳🐿🌲🌳🌳🌳🌾🌾🌾🌾⛳️🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌳🌳🌲🌲🌲🌳🌳🌾🌾🌾🌾🌾🌾🏌🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🚴🏼🌳🌲🌲🌳🌳🌾🌾🌾🌾🌾🌾🌾🏌⛳️🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳📱🌾🌳🌾🌾🌾🌳🌲🌳🌳🌾🌾📱🌾🌾🌾🌾⛳️🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🏌⛳️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾⛳️🏌🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌳🌾🌾🌾🌾🌳🌾🌾🌾⛳️🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌲🌳🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🏌⛳️⛳️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛳️⛳️🌾🏌🌾🌾🌾🌾<br /> 🌾🌲🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🏌⛳️🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛳️⛳️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🏌🏌🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌾🌾🌳🌾🌺🌾🌾🌾🌾⛳️🏌🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌳🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾⛳️🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🐿🌾🌾🌳🌾🌳🌳🌾🌾🌾🌳🌾🌾🌾🏌🌾🌾🌾🌾<br /> 🌾🌿🌾🌾👨‍👩‍👧‍👧🌾🌾🌾🌾🌳🌾🌾🌳🌾🌳🌳🌾🌾🌾🌾🌳🌾🌾🌾⛳️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌹🌾🌾🌾🌾🌾🌳🌾🌳🌳🌾🌺🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌳🐦🌾🌾🌾🌳🌳🌾🌾🌾🏌🌾🌾🌾<br /> 🌾🌾🌾🚾🌾🌾🌾🌾🌾🌳🏃🏻🌾🌳🌾🌳🌳🌾🌺🌾🌳🌳🌾🌾🌾⛳️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌿🌿🌾🌾🌾🌳🌾🌳🌳🌾🌾🌾🌳🌾🌾🌾🌾🏌🌾🌾🌾<br /> 🌾🌾🌾🌲🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌳🌳🌾🌺🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌳🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌳🌳🌳🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌳🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌾🌳🌳🌾🌺🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾👫🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌳🌾🌳🌳🌾🌾🌾🌾🌾🌾<br /> 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🌾🌾🚶🏻🌾🌲🌷⛲️🌹🌹🌹⛲️🌷🌲🌾🌾🌳🌾🌾🌾🌲🌳🌳🌳🌾🌾🌾🌲🌳<br /> 🌾🌾🌾🌾🌲🌷🌹🌻🌻🌻🌹🌷🌲🌾🌾🌳🌳🌾🌾🌳🌳🌳🌳🌾🌾🌳🌳🌳<br /> 🌳🌳🌾🌾🌲🌷🌹🌻⛲️🌻🌹🌷🌲🌾👨‍👨‍👦🌳🌳🌳🌾🌳🌳🌳🌳🌾🌾🌳🌲🌳<br /> 🌳🌲🌳🌾🌲🌷🌹🌻🌻🌻🌹🌷🌲🌾🌾🌳🌳🌾🌾🌾🌳🌳🌾🌾🌾🌳🌳🌳<br /> 🌾🌾🌾🌾🌲🌷⛲️🌹🌹🌹⛲️🌷🌲🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🌲🐜🌳<br /> 🌾🌾🌾🌾🌲🌷🌷🌷🌷🌷🌷🌷🌲🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳<br /> 🌾🌾🌾🌾🌲🌲🌲🌲🌲🌲🌲🌲🌲🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳<br /> 🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌿🌳🐿🌲🌳<br /> 🌾🌾🌳🌲🌾🌾📱🌾🌾🌾🌾🌾🌳🌳🌾🌳🌳🌾🌾🌾🏃🏼🌾🌾🌾🌳🌳🌳🌳<br /> 🌾🌾🌲🌳🌳🌾🌾🌾🐝🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌿🌳🌳<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌳🌾💏🌾🌳🌳🌾🌾🌾🌾🐞🌾🌾🌾🌿🌳<br /> 🌾🌾🌾🌾🌳🌾🌾🌳🌾🏃🏼🌲🌳🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌾🌳🌳🌾🌾🌾🌳🌾🌳🌳🌳🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾👩‍❤️‍💋‍👩🌾🌲🌾🌳🌳🌾🌾🌾🌾🌾🌾🌳🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌲🌳🌳🌾🌳🌳🌾🌾🌾🌾🌾🌾🌳🐝🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾👨‍❤️‍💋‍👨🌾🌳🌾🌾🌾🌾🌾🌳🌳🌳🌳🌿🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌳🌳🌾💏🌾🌳🌾🌾🌾🌳🌾🌾🌾🎯🌾🔫🔫🔫🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🎯🌾🔫🔫🔫🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌳🌾🌾🌳🌾🌾🎯🌾🔫🔫🔫🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌲🌾👨‍❤️‍💋‍👨🌾🌳🌾🌾🌾🌾🌾🎯🌾🔫🔫🌾🌾🌾🌾🌾<br /> 🌾🌾🌲🌲🌲🌲🌾🌿🌳🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🎯🌾🔫🔫🔫🌾🌾🌾🌾<br /> 🌾🌾🌲🌲👬🌲🌾🌾🌾🌳🌳🌳🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌲🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾🌾♿️🌾🌾🌾🌾🎯🌾🔫🔫🌳🌾🌾🌾🌾<br /> 🌾🌾🌲🌲🌲🌲🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌳🌾🌾🌾🌾<br /> 🌾🌾🌲🌲🌲🌲🌾🌾🌾🏮🌾🏮🌾🌾🌾🌾🌾🌾🌾🎯🌾🔫🔫🔫🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🎯🌾🔫🔫🔫🌾🌾🌾🌾<br /> 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🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🏮🌾🏮🌾🌾🌳🌳🌳🌾🌾🍂🌾🌾🌊🌊🌊🌿🌾🌾<br /> 🌾🌾🏃🏼🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌊🌊🌾🌊🌊🌊🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌲🌳🌾🌾🌾🚁🌾🌳🌳🌳🌲🌳🌳🌾🌊🌾🌾🌾🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌳🌳🐞🌳🌳🌳🌾🌾🌾🌾🌾🌾🎪🌊<br /> 🌾🌳🌾🌾🌳🌲🌳🌳🌳🏮🌾🏮🌾🌾🌾🌳🌲🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌊<br /> 🌾🌾🌾🌳🌳🌳🐿🌳🌳🌲🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌊<br /> 🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌾🌾🌊🌊<br /> 🌾🌾🌾🌳🌳🌳🌳🌳🌳🏮🌾🏮🌾🌾🌾🌾🌊🌊🌊🌊🌾🌾🌾🌾🌾🌊🌊🛳<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌊🛳🌊🌊🌊🌊🌊🌾🌾🌾🌾🌊🌊🌊<br /> 🌾🌾🐦🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌊🌾🌾🌾🌾🌊🌊🚤<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌳🏮🌾🌾🌊🌊🌊🌊🐟🌊⛵️🌊🌊🌾🌾🌳🌾🌊🌊🌊<br /> 🌾🌾🌾🌿🌾🌾🌳🌳🌳🌲🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌾🌾🌾🌾🐌🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌾🌲🌳🌳🌳🌾🌾🌾🌾🌊🌊⛵️🌊🌊🌾🌾🌾🌿🌾🌊🌊🌊🌊<br /> 🌾♻️🌾🌾🌾🌾🌾🌾🌳🏮🌾🏮🌾🌾🐌🌊🌊🌊🌊🌊🌊🌾🚶🏼🌾🌾🌊🎣🎣<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊⛵️🌊🌾🌾🌾🌾🌊🌊🌊<br /> 🌾🌾🌾🏃🏻🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊🌾🌾🌾🐌🌊🌊🌊<br /> 🌾🌾🌼🌾🌾🌳🌳🌾🌾🌾🌾🏮🌾🌾🌾🌾🌾🌊🌊🌊🌾🌾🌾🌾🌊🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌾👫🌾🌾🌾🌾🌾🌳🌊🌊🌊🌾🌾🌳🌾🌊🌊🌊🌊🌊<br /> 🌾🌾🌾🌾🚾🌳🐦🌳🌾🌾🌾🌾🌾🌾🌳🌳🌊🌊🛳🌾🌾🌱🌾🌾🌊🌊🐟🌊<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🏮🌾🌾🌳🐌🌊🌊🌊🌾🌾🌾🌾🌿⛵️🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌊🚣🏼🌊🎣🌾🌾🌾🌾⛵️🐟🌊🌊<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🌊🌊🌊🌊🎣🌾🌾🌾⛵️🌊🌊🌊<br /> 🌾🌾🌾🌿🌾🌾🌳🌳🌾☁️☁️☁️☁️🌾🌾🌾🌾🌊🌊🌊🌊🌾🌾🌾⛵️🌊🌊🏊<br /> 🌾🌾🌾🌾🌾🌾🌾🌳☁️🌾🌾🌾🌿☁️🌾🌾🌾🌾🌊🌊🌊🌾🌾🌾⛵️🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌻🌾🌾☁️🌾🌾🌾🌾🌾☁️🌾🌾🌊🌊🌊🌊🌾🌾🌾⛵️🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌾🌾☁️🌾🌾🌾🏮🌾🌾🌾☁️🌾🌳🌊🌊🌊🌾🌾🌳⛵️🌊🌊🌊<br /> 🌾🌾🌾☁️🌾🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾🌾⛵️🌊🌊🚴🏼🌾🌾🌊🌊🚣🏼🌊<br /> 🌾🌾🌾🌾☁️☁️🌾🌾🌾🌾🏃🏼🌾🌾🌾🌾☁️🏃🏻🌾🛥🌊🌊🌾🌾🌾🌊🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾☁️🌾🌾⛵️🌊🌊🌾🌾🌾🌾🌊🐟🌊<br /> 🌾🌾🌾🌿🚴🏼🌾🌾🌾🌾🌾🌾🌾🌳🌳☁️🌾🌾🌾⛵️🌊🌊🌾🌾🌾🚶🏽🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳☁️🌾🌾🌾🌾⛵️🌊🌊🌊🌾🌾🌾🌊🏊🌊<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳☁️🌾🌾🌾🌾🌾⛵️🌊🌊🌾🌾🌾🌾🌊🌊🐟<br /> 🌾🌾🌾🌾👫🌾🌾🌾🌾🌾🌾☁️🌳🌳🌳🌾🚴🏼🌾🛥🌊🌊🌾🌾🌾🌾🌊🌊🌊<br /> 🌾🌾🌾🌾🌾🌾🌾☁️☁️☁️☁️🌳🌳🌳🌳🌊🌊🌊🌊🌊🌊🌾🌾👫🌾🌊🌊🌊<br /> 🌾🌾🌳🌳🌾🌾☁️🌾🌾🌾🌳🌳🌳🌳🌊🌊🌊🐌🌊🌊🌾🌾🌿🌾🌾🌊⛵️🌊<br /> 🌾🌾🐍🌳🌳☁️🌾🌾🌾🌾🌾🌾🌳🌳🌊🌊🌾🌳🌳🌾🌾🌾🌾🌾🚣🏼🌊🌊🌊<br /> 🌾🌾🌾🌳☁️🌾🌾🌾🌾🌾🌳🌳🌳🌊🌊🌊🌾🌾🌾🌾🌾🌾🏃🏻🌾🌊🌊🌊🌊<br /> 🌾🌾🌾☁️🌳🌳🌾🌾🌾🌾🌳🌳🌳🌾🌊🌊🌳🌾🌾🌾🌾🌾🌾🌾🎣🎣🌊🌊<br /> 🌾🌾🌾☁️🌾🌳🐛🌾🌾🌾🌾🌳🌳🌾🌊🌊🌊🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊<br /> 🌾🌾🌾☁️🌳🌳🌾🌾🌾🌾🌳🍄🌳🌳🌾🌊🌊🌊🌊🌊🌾🌾🌾🌾🌾🌊🌊🌊<br /> 🌾🌾☁️🌳🌳🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾⛱⛱🌊🌊🌊🌾🌾🌳🌾🌊🌊⛴<br /> 🌾🌾☁️🌳🌳🌾💏🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾⛱🌊🐟🌊🛥🌾🌾🌾🌊🌊🌊<br /> 🌾🌾🌾☁️🌳🌳🌾🌳🌳🐿🌳🌳🌾🌾🌾🌾🌾🌾🌊🌊🌊🛥🌾🌾🌾🌊🌊🌊<br /> 🌾🌾🌾☁️🌳🌳🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾⛱🌊🌊🌾🌾🌾🐌🌊🌊<br /> 🌾🌾🌾☁️🌾🌳🌳🌾🌾🌾🌳🌳🌾🌾🛩🌾🌾🌾🌾🌾🌊🌊🐟🐟🐟🌊🌊🚣🏼<br /> 🌾🌾🌾☁️🌾🌾🌳🌳🌾🌳🌳🌾🌾☁️🌾🌾🌾🌻🌾🛥🌊🎣🌊🏊🐟🌊🌊🌊<br /> 🌾🐦🌾🌾☁️🌾🌾🌳🌳🌳🌾🌾☁️🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🌊🌊🌊🌊<br /> 🌾🌾🌾🌾☁️🌾🌾🌾🌾🌾🌾☁️🌾🌾🌾🌲🌾🌾🌾🌾🌾🌊🌊🎣🌊🌊🌊🌾<br /> 🌾🌾🌾☁️🌾🌾🌾🛩🌾🌾🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊🌊🌾🌾<br /> 🌾🌾☁️🌾🌾🌾☁️🌾🌾🌾🌾☁️🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌊🌾🌾🌾<br /> 🌾🌾☁️🌿🌾☁️🌾🌲🌾🌾🌾🌾☁️🌳🌳🌲🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾☁️☁️🌾🌾🌾🌾🌾🌾🌾🌾☁️🌳🌳🌾🌾🌾🌾🌹🌾🌾🌾🌾🌾🌻🌾<br /> 🌾🌻🌾🌾🌾🐞🌾🌾🌾🌾🌾🌾🌾🌾☁️🌳🌾🌾🌾🌾🌾🌾🐛🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🐦🌾🌾👩‍👩‍👦‍👦🌾🌾🌾☁️🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌿🌳☁️🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌷🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌳🌳☁️🌳🌳🌳🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌳🌳☁️🌲🌳🌳🌳🌳🌲🌾🌾🌾🌾🏃🏻🌾<br /> 🌾🌾🌲🌾🌾🌾🌾🌳☁️☁️☁️☁️☁️☁️☁️🌳🌳🌳🌳🌳🌳🌳🌳🌲🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌊🌾🌾☁️🌳🌳🌳🌳🌳🌳🌳🌳🌲🌲🐿🌳🌲🌲🌳🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾☁️🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🐛🌳🌾🌾🌾🌾<br /> 🌾🌾🚴🏼🌾🌾🌾☁️🌳🌳🌳🌳🌳🌲🌳🌳🌳🌳🌳🌳🌳🌲🌲🌳🌳🌲🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾☁️🌾🌳🌳🌳🌳🌳🌳🌳🌲🌲🐍🌳🌳🌳🌳🌳🌳🌲🌾🌾<br /> 🌾🌾🌾🌾🐛🌾🌾🌾☁️🌾🌾🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌿🌾☁️🌾🌳🌳🌳🍄🌳🌳🌳🌲🌳🌳🌳🌳🌲🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾🌲🌳🌳🌳🌳🌳🐦🌳🌳🌳♿️🌾🌾🌾🐦🌾<br /> 🌾🌾🌾♻️🌾🌾🌾🌾🌾🌻🌾☁️🌾🌾🌲🌳🌳🌳🌲🌳🌳🌲🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾🌾🌾🌾🌳🌲🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿☁️☁️🌾🌾🌾🌾☁️🌾🌾🌾🌾🌾🌳🌳🚴🏼🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾☁️🌾🌾☁️🌾🌾🌾☁️🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾<br /> 🌾🌾🐛🌾🌾🌾🌾☁️🌾🌾🌾☁️🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️☁️🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾☁️🌾🌾☁️🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾☁️🌾🌾☁️🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾☁️☁️🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾☁️🌾🌾🌾🌾☁️<br /> 🌾🌾🌾🌾🌾🌻🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌲🌾🌾🌾☁️☁️🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾☁️🌾🌾🌾🌿🌾🐞🌾🌾<br /> 🌾🌾🌳🌾🌾🌾🌾🌿🌳🌾🌾🌾🌾🌳🌾🌾♻️🌾🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾☁️🛩🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌳🌳🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🐜🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🏃🏾🌾🌾🌳💧💧💧🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🎵🌳🌳🌳🌳🌾🌾🌷🌾🌾🌾🌾🌾🌾🌾🌳💧💧🌳🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌾🌾🌾🌳🌳🎵🌾🌾🌾🕷🌾🌾🌾🌾🌳💧💧💧🌳🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🎵🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌿🌾🌾🌾🎵🌾🌳🌾🌾🌾🌾🌾🌾🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌾🌾🌿🌿🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🐛🌾🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌾🌾🎵🌿👨‍👩‍👧‍👧👩‍👩‍👦‍👦👨‍👩‍👧‍👧👩‍👩‍👦‍👦🎷🎪🌾🌾🌾🌾🌾🌾🌿🌿🌾🐦🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🎵🌾🌿🌿🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌿🌾🎵🌾🌾🌾🎵🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌿🌾🌾🌾🎵🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌻🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌿🎵🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🍓🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌿🌾🌾🌾🌾🌲🌲🌾🌾🌾🌾<br /> 🌾🌾🐛🌾🌿🌿🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌿🌿🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌿🌾🌾🌾🌾🌼🌾🌾🌾🌾🌾🌿🌿🌾🌾🌿🌿🌿🌿🌿🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🐞🌾🌾🌾🌾🌾🌾🌾🌾🌿🌿🌾🐝🌿🌿🌿🌿🌿🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌶🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌿🐛🌾🌾🌾🌾🌾🌾🌳🌾🌾🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🐰🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌿🌿🌿🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾<br /> 🌾🌾🌾🐝🌾🌾🌿🌾🌾🐦🌾🌾🌾🌿🌿🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌿🌿🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌿🌿🌿🌿🌾🌾🌾🌾🕳🕳🌾🌾🌾🌳🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌿🌿🌿🌾🌾🌾🕳🕳🕳🕳🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌿🌿🌿🌾🌾🌾🕳🕳🕳🕳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌿🌿🌿🌾🌾🌾🕳🕳🕳🕳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌶🌿🌿🌿🌾🌾🌾🌾🕳🕳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🐝🌾🌾🌾🌾🌾🌾🌾🌿🌿🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌿🌿🌱🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌲🌳🌾👨‍👨‍👧‍👧🌾🌾🌿🌿🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌿🌿🌿🌿🌾🌾🌳🌾🌾🌾🌾🌾🌾🌲🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌿🌿🌿🌿🌾🌾🌾🌾🌾🌳🌾🌾🌲🌲🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌳🐞🌳<br /> 🌾🌾🌾🌾🌾🌲🌳🐿🌳🌾🌾🌾🌾🌿🌿🌾🌾🌾🌾🌾🌷🌾🌾🌾🌳🌳🌳🌳<br /> 🌾🌾🌾🌾🌾🌾🌲🌳🌳🌳🌾🌾🌾🌿🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾<br /> 🌾🌾🌾🌲🌾🌾🌾🌳🌳🌳🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🐿🌲🌾<br /> 🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌳🌾🌾🌲🌳🌾🌾🌾🌾🚴🏼🌾🌾🌾🌲🌳🌳🌲🌾<br /> 🌾🌾🌳🌳🌳🌾🌾🌾🌾🌳🌳🌾🌾🌳🌳🌳🌲🌾🌾🌾🌾🌲🌳🌳🌳🌲🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌳🐞🌳🌾🌾🌾🌲🌳🌳🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌾🌳🌳🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌲🌾🌾🌾<br /> 🌾🌾👫🌾🌳🌾🌾🌾🌾🌾🌾💦🌾🌾🌾🌳🌳🐦🌲🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🏃🏻🏃🏻🏃🏻🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🚾🏃🏻🏃🏻🏃🏻🏃🏻🌾🌾🌾🏃🏻🌾🌾🌾🌾🌳🌳🌳🌲🌾🌾🌾🐛🌾🌾🌾🌿🌾<br /> 🌾🌾🏃🏻🌾🌾🌾🌾🌾🌾🌾🌾🏃🏻🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🐝🌾🌾🌾<br /> 🌾🌾🏃🏻🌾👏🏼🌾🌳🌳🌳🌾🌾🌾🏃🏻🌾🌾🌾🌾🌳🌳🌾🌞🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🏃🏻🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🏃🏻🌾👨‍👩‍👧‍👦🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🏃🏻🌾📣🌾🌳🌳🌳🌳🌾🌾🏃🏻🌾🌾🚶🏽🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾<br /> 🌾🌾📱🌾🏃🏻🌾🌾🌿🌳🌳🌳🌾🌾🌾🏃🏻🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🏃🏻🌾🌾🌳🐿🌳🌳🌳🌾🏃🏻🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾📸🌾🌾🏃🏻🌾🌾🌳🌳🌿🌾🌾🌾🏃🏻🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🏃🏻🌾🌾🌳🌳🌾🌾🌾🌾🏃🏻🌾🌾🌳🌳🌳🌾🏊🏊🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🏃🏻🌾🌳🌳🌳🌾🌾🌾🏃🏻🌾📸🌾🌾🌾🏊🌾🌾🏊🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌾🏃🏻🌾🌾🌾🌾🌾🌾🌾🏃🏻🌾🌾🌾🌾🏊🌾🌾🌾🏊🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌿🌾🏃🏻🌾🌾🌾🚾🌾💦🌾🏃🏻🌾👏🏼🌾🌾🏊🌾🌾🌾🏊🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🏃🏻🎧🌾🌾🌾🌾🌾🌾🏃🏻🌾🌾🌾🏊🌾🌾🌾🌾🏊🌾🌾<br /> 🌾♻️🌾🌾🌾🌾👨‍👩‍👧‍👧🌾🏃🏻🌾🌾🌾🌾👨‍👩‍👧‍👦🎉🌾🏃🏻🌾🌾🌾🏊🌾🌾🌾🌾🏊🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🏃🏻🌾🌾🌾🌾🌾🌾🏃🏻🌾🌾🏊🌾🎪🌾🌾🏊🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾⏱🌾🌾🌾🏃🏻🏃🏻🌾🌾🏅🌾🌾🏃🏻🏃🏻🏊🌾🌾🌾🏊🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌡🌾🌾🌾🌳🌾🌾🌾🏃🏻🌾🌾🌾🎪🌾🌾🏃🏻🏊🌾🏊🌾🌾🎉🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🏃🏻🌾🌾🌾🏅🎪👏🏾🏃🏻🏊🌾🎪🌾🌾🌾🌾<br /> 🌾🌾🌲🌾🌾🌾🌾🌾🌾🌳🌳🌿🌾🌾🏃🏻🏃🏻🌾🏃🏻🏃🏻🏃🏻🌾🚴🏼🌾🌾👏🏾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌳🌳🐞🌳🌾🌾🌾🏃🏻🌾🌾🚴🏼🚴🏼🌾🚴🏼🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌻🌾🌾🌾🌳🌳🌳🌳🌳🌾♿️🌾🎪🌾🚴🏼🌾🍌🎪🌾🚴🏼🌾📸🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌾🚾🍌🌾🚴🏼🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾👍🏽🌾🌾🚴🏼🚴🏼🌾🌾🌾🏅🌾🌾🚴🏼🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌳🌳🌾🌾🚴🏼🌾🌾🌾🍊🌾🌾🏆🌾🚴🏼🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🚴🏼🌾🌾🌾🌾🌾🌾🚑🌾🌾🚴🏼🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🍄🌳🌲🌾🌾🌾🌾🚴🏼🌾🌾💦🌾🌾⏱🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🚴🏼🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🚴🏼🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🚴🏼🌾🌾🌾👨‍👩‍👧‍👦🌾🌾<br /> 🌾🌾🌾🌾🌾🌲🌾🌳🌳🌾🌾🚴🏼🌾🌾🌳🌳🌳🌾🌾🚴🏼🚴🏼🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌲🌳🌳🌳🌾🌾📸🌾🚴🏼🌾🌾🌾📣🌾🚴🏼🌾🌾🌾💦🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌳🌳🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🚏🌾🌾🌾<br /> 🌾🌾🌳🐞🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌲🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🌾🌾🚴🏼🚴🏼🌾🌾🌾🌾🚴🏼🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌲🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾👏🏾🚴🏼🚴🏼🌾🌾🚴🏼🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🐛🌾🌾🌲🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🚴🏼🚴🏼🌾🌾🚓🌳🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾<br /> 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🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🐰🌾🌳🌳🐿🌳🌳🌳🌾🌾🌲🌾🌳🌾🌾🐝🌾<br /> 🌾🌾🌾🌾🌳🌳🌲🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🐦🌳🌳🌾🌾🌾🌲🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🐛🌾🌾🌾🌳🐞🌳🌳🌳🌾🌾🌾🌲🌳🌳🌳🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌾🚶🏽🌾🌾🌾🌾🌾🌳🐜🌳🌳🌳🌳🌲🌾🌾🌾🌳🌳🌾🌾🌾<br /> 🌾🌾🌳🌳🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🐛🌳🌳🌾🌾🌳🌳🌳🌳🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌳🌳🌳🌲🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🍄🌳🌳🌳🌾🌾🌾🌾🌲🌳🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌲🌾🌾🌾🌾🌳🌳🌾🌾🌾🌳🌳🌾🌾🌾🌳🌲🌳🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🐛🌳🌾🌾🇺🇸🌾🇺🇸🌾🇺🇸🌾🌳🌳🌳🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🚶🏽🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾🐦🌾🌾<br /> 🌾🌾🌾🌾🍄🌳👫🌾🇺🇸🌾🎖🌾🇺🇸🌾🌾🌲🌾🌾🌳🌾🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌿🌾🌾🌳🌳🌲🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌳🌳🌾🌾🌾🌲🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌾🇺🇸🌾🇺🇸🌾🇺🇸🌾🌳🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌳🌾🌳🌳🌳🌳🌾🌾🌳🌳🌲🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌳🌳🌲🌳🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌿🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌳🌾🚶🏽🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾❄️❄️❄️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️🌾🌾🌾🌾🌲🌾🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾❄️❄️❄️🏒❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌲🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌲🌲🌾🌾🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌲❄️❄️🌾🌾🌾🌾🌾🌿🌾<br /> 🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌲❄️❄️🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌲❄️🌲🌲❄️❄️🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾❄️❄️❄️❄️🌲❄️❄️❄️❄️❄️❄️🌲🌲🌲❄️❄️🌲❄️❄️❄️🌾🌾🌾🌾<br /> 🌾🌿🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌲❄️🏂❄️❄️🌲❄️❄️❄️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾❄️❄️❄️🌲❄️❄️❄️❄️❄️🌲❄️❄️❄️❄️⛷❄️🌲❄️❄️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌲❄️❄️❄️❄️❄️❄️❄️🌲❄️⛄️❄️❄️❄️❄️🌲❄️❄️🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌲🌾❄️❄️❄️❄️❄️❄️❄️🌲❄️❄️❄️❄️❄️❄️🌲❄️❄️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾❄️❄️❄️❄️❄️🌲❄️🌲❄️❄️🎄❄️🌲❄️❄️❄️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️🌲❄️❄️🌲❄️❄️❄️❄️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾❄️❄️❄️❄️🎿❄️❄️❄️❄️❄️❄️🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️❄️❄️🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾❄️❄️❄️❄️❄️❄️❄️🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌲🌾🌾🌾🌾❄️❄️❄️🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌲🏃🏾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⚠️🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾⚠️🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌲🌾🌾🌾🌾🌾🌾⚠️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳📢📢🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⚠️🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌳🌳🌳🌾🌾🌾🌲🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🚫🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾☢️🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌳🌾🌾📡📡🌾🚫🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾☢️🌾🌾🌾🚀🌳🌾🌾🌾<br /> 🌾🌾🌳🌾🌾📡📡🌾🌳🌾🌾⚠️🌾🌾🌾🌳🌾☢️🌾🌾🌾🚀🌾🌾🌾🌳🌾🌾<br /> 🌾🌾🌳🌳🌾🌾🌾🌾🌳🌾🌾🌲🌾🌾🌾🚫🌾🌾🌾🚀🌾🌾🌾☢️🌾🌳🌾🌾<br /> 🌾🌾🌳🌳🚫🌳🌲🌳🌳🌾🌾🌾🌾🌾🌾👮🏻🌾🚀🌾🌾🌾☢️🌾🌾🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🚫🌾🌾🌾☢️🌾🌾🌾🚀🌾🌳🌾🌾<br /> 🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾☢️🌾🌾🌾🚀🌾🌾🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌾🌾🚀🌾🌾🌾☢️🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾☢️🌾🌳🌾🌾⚠️🌾<br /> 🌾🌾🌾🌾🌳🌳🌾🌾🌾🌳🌾🌳🌾🌾⚠️🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌲🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⚠️🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾<br /> 🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌾🌾⚠️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌲🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌊🌳🌳🌊🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌳🌾🌾🌾🌾🌳🌾🌾🌾🌊🌳🌳🌳🌳🌊🌾🌾🌾🌳🌾🌳🌾🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌊🌳🌳🌳🌳🌳🌊🌾🌳🌾🌾🌾🌾🌾🌳🌳🌾<br /> 🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌊🌳🌳⛩🌳🌳🌊🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🌳🌳🌊🌾🌾🌾🌳🌳🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌲🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊🌳🌸🌳🌳🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌲🌾🌾🌾🌊🌳🌳🐦🌳👘🌳🌳🌊🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌳🌲🌸🌳🌳🌊🌾🌾🌾🌾🌾🌾🌾🌲🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌊🌳🌳🌳🌳🌊🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌸🌳🌳🌊🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌿🌾🌾🌊🌳🌳🌳🌳🌳🌊🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾🌊🌸👫🌳🏮🌲🌳🌊🌾🌾🌾🌾🌾🌾🌾🌳🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌸🌳🌳🌳🌳🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌊🌳🌸🌲🌳🌳🐦🌳🌊🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌊🌸🌳🌲🌳🌳🌾🌳🌳🌳🌊🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🌾🌾🌾🌾🌳🌳🌳🌊🌾🌾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🌾🎎🌾🎏🌾🌳🌊🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌊🌳👺🌳🌾🌾🌾🌾🌾🌳🌳🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🌳🌳🌾🌾🌾🌳🌳🌊🌊🌾🌾🌾🌿🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌳🌳🌳🌾🌳🌳🌊🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🐛🌲🌾🌳🌳🌳🌊🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🌳🌳🌳🌳🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌊🌳🌳🌲👹🌳🌊🌾🌾🌾🌾🌾🌳🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌊🌳🌸🌳🌳🌳🌊🌾🌿🌾🏃🏾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌊🌳🌳🌳🌳👫🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌊🌳🎌🌳🌳🌳🌊🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🌳🌳🌳🌊🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌊🐌🌳🌲🌸🌳🌊🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🌳🌲🌲🌳🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌊🌳🌸🌳🌸🌳🌊🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌊🌳🌲🌳🌸🌊🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌊🌳🌳🌸🌳🌊🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌳🌳🌊🌾🌿🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌾🌾🌳🌾🌾🌾🌾🌾🌊🌊🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🏛🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🏛🌾🏛🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🏛🌾🌾🌾🏛🌾🌾🌾🌾🌾🌳🌾🌾🌳🌾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌾🌾🏛🌾🌾🌾🌾🌾🏛🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌾🌾🏛🌾⚗⚒✈️🌾🏛🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 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🌾🌾🌿🌾🌾🌾🌾🌳🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌲🌾🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌲🌲🌲🌲🌲🌲🌲🌲🌲🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🐝🌾🌾🌾🌳🌲🌲🌲🌲🌲🌲🌲🌲🌲🌾🌾🌾🌾🌾🌾🌿🌾🌳🌾<br /> 🌾🌼🌾🌾🌾🌾🌳🌾🌾🌾🌾🌲🌲🌲🌲🌲🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☀️🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🍄🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🐝🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🐦🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾👬🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌿🌹🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾<br /> 🌾🌳🌿🌿🌾🌾🌾🌿🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🚶🏽🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌲🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌲🌾🌲🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌿🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾<br /> 🌾🌿🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🐰🌾🌾<br /> 🌾🌾🌿🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌿🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌻🌾🌾🌾<br /> 🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🐝🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🦋🌾🌾🌹🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾👬🌾🌾🌾<br /> 🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌿🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🏃🏽🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌳🐍🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🐛🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾<br /> 🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳🌾🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌊🌊🌾🌾🌾🌾🌾🌾🌊🌾🌾🌾🌾🌾🌾🌾🌊🌊🌊➡️➡️🌾<br /> 🌾⬅️⬅️🌊🌊🌊💩💩🌊💩💩🌊🌊🌊💩🌊🌊🌊🌾🌾🌾🌊🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌊🌊🌾🌾🌾🌾🌾🌾🌾🌊💩💩🌊🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌊🌊🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🐿🌾🌾<br /> 🌾🌿🌾🌾🌾🌾🌳🌾🚴🏼🌾🌾🌾🌲🌳🌳🌳🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌲🌲🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌲🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🍓🌾🌾🌾🌾🌳🌳🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾👬🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾👬🌾🌳🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🐞🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🍄🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾<br /> 🌾🌳🌾🌿🌼🌾🌾🌿🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🐑🌾🌾🐑🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳🌾🌾🌾🌾🌾🚴🏼🌾🌾<br /> 🌾🌾🌳🌳🌾🌾🌾🌾🌾🐑🌾🌾🌳🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌳🌲🌳🌾🌳🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌲🌳🌾🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾<br /> 🌾🌾🌳🌳🌳🌳🌳🌾🌾🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌳🌳🌲🌳🌳🌳🌳🍄🌳🌲🌳🌾🌳🌳🌳🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🐑🐑🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌾🌾🌾🐑🌾🌾🌾🐑🐑🌾🚶🏻🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🐑🐑🌾🌾🌾🌳🌳🌳🐿🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🐑🐑🐑🌾🌿🌾🐑🐑🌾🌾🌳🌳🌳🌳🌲🐦🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🐑🌾🌾🐑🌾🌾🐑🐑🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🐑🐑🌾🐑🐑🌾🌾🌾🌾🌾🌳🌳🌲🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌾🐑🐑🚶🏻🌾🌾🐑🐑🌾🌾🌾🌾🌾🌳🌳🐛🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🐑🌾🌾🌾🌾🐑🐑🌾🌾🌳🌳🌳🌳🌳🌲🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🐑🌾🌾🌾🌾🌾🐑🐑🐑🐑🐑🌾🌲🌳🐿🌳🌳🌳🌳🌳🌲🌳🌾🌾🌾🌳🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌳🌳🌳🌾🌾🌾🌳🌲🌳🌾🌾🌲🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌲🌲🌳🌳🌾🌾🌾🌾🌾🌲🌳🌾🌾🌾🌲🌳<br /> 🌾🌾🐑🌾🌾🌾🌾🌳🌳🌳🌾🌳🌲🐑🌳🌾🌾🌾🌾🌿🌾🌾🌲🌳🌳🌳🌲🌳<br /> 🌾🌾🌾🐑🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🐑🌾🌾🌾🌾🌾🌾🌳🌳🌳🌲🌳<br /> 🌾🌾🌾🐑🌾🌾🌾🌾🌾🌾🌾🌾🌾🐑🌾🌾🌾🐑🐑🚶🏻🐑🌾🌾🌾🌳🌳🌲🌳<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🐑🌾🌾🌾🐑🐑🌾🌾🌾🌾🌳🌳🌲🌳<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌳🌾🌾🌾🌿🌾🐑🌾🌾🌾🌾🐑🌳🌳🌲🌳<br /> 🌾🌾🌿🌾🌾🌳🌳🐦🌳🌾🌾🐑🌾🌳🌾🌾🌾🐑🌾🌾🌾🌾🌾🌳🌾🌳🌲🌳<br /> 🌾🌾🌾👫🌾🌳🌳🌳🌳🌾🌾🌾🌾🌳🌳🌾🐑🌾🌾🐑🐑🌾🌾🌳🌾🌾🌳🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌳🌲🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌳🌾🌳🌳🌳🌳🌲🌾🌾🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌲🌳🌳🌳🌳🌳🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌳🌳🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌳🌳🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌾📡📡🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌳🌲🌳🌾<br /> 🌾🌾🌾🌳🌳🌾🌾🌾🌾🌳🌳🌾📡📡🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌳🌲🌳🌾<br /> 🌾🌾🌳🌳🌳🌳🌾🌾🌳🌳🌳🌳🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌳🌲🌳🌾<br /> 🌾🌳🌳🌳🌳🌲🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌲🌳🌾🌾🌳🌾🌾🌾🌾<br /> 🌳🌳🌳🌳🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌳🌳🌳🌳🌳🌾🌾🌳🌾🌾🌾🌾<br /> 🌳🌳🌲🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾☢️🌾🌾🌳🌲🌳🌳🌾🌾🌳🌳🌳🌾🌾<br /> 🌳🌳🌾🌾🌾🌾🚀🌾🌾🌾🌳🌳🌳🌾🌾☢️🌾🌾🌳🌾🌾🌾🌾🌳🐦🌳🌳🌾<br /> 🌳🌳🌾🌾🌾🚀🌾🚀🌾🌾🌾🌳🌳🌳🌾🌾☢️🌾🌳🌾🌾🌾🌾🌳🌲🌳🌾🌾<br /> 🌳🌳🌾🌾🌾🌾🚀🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌳🌳🌾🌾🌾🚴🏼🌾🌲🌳🌾🌾<br /> 🌳🌳🌾🚀🌾🌾🌾🌾🌾🚀🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🚴🏼🌾🌳🌾🌾🌾<br /> 🌳🌳🌾🌾🚀🌾🌾🌾🚀🌾🚀🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🚴🏼🌾🌳🌾🌾🌾<br /> 🌳🌳🌾🌾🌾🌾🌾🚀🌾🚀🌾🌾🌾🌾🌾🌳🌳🚫👮🏻🌾🌾🌾🚴🏼🌾🌳🌾🌾🌾<br /> 🌳🌳🌾🌾🌾🌾🚀🌾🚀🌾🌾🌾🚀🌾🌾🌳🌳🚫👮🏻🌾🌾🌾🚴🏼🌾🌲🌳🌾🌾<br /> 🌳🌳🌳🌾🌾🌾🌾🚀🌾🌾🌾🚀🌾🚀🌾🌳🌳🚫👮🏻🌾🌾🌾🚴🏼🌳🌲🌳🌾🌾<br /> 🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🚀🌾🌾🌳🌳🚫👮🏻🌾🌾🌾🚴🏼🌳🌲🌳🌾🌾<br /> 🌾🌾🌳🌳🌳🌾🌾🌾🌾🚀🌾🌾🌾🌾🌾🌳🌳🚫👮🏻🌾🌾🌾🌾🌳🌲🌳🌾🌾<br /> 🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🚀🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🚴🏼🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🚴🏼🌾🌾🐛🌾<br /> 🌾🌿🌾🌾🌾🌳🌳🌳🌾🌾📢📢🌾🌾🌳🌾🌾🌾🌾🌳🌳🌾🌾🚴🏼🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌳🌳🌳🌾🌾🌾🌾🌳🌾🌾⚠️⚠️🌾🌳🌾🌾🌾🚴🏼🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌳🌳🌳🌲🌳🌳🌳🌾🌾⚠️⚠️🌾🌳🌾🌾🌾🚴🏼🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾⚠️⚠️🌾🌳🌾🌾🌾🚴🏼🌾🌳🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🚴🏼🌾🌾🌳🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🚴🏼🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌳🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌳🚴🏼🌾🌾🌾🌾🌾<br /> 🌾🌾🌲🌾🌾🌳🌾🌾🌳🌳🌳🌳🌳🌾🌳🌾🌾🌳🌾🌾🌾🌳🚴🏼🌾🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🏃🏼🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌳🌾🌳🌲🌳🚴🏼🌾🌳🌳🌳🌳<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌲🌾🌾🌾🌾🚴🏼🌾🌳🌾🌳🌲🌳🌾🌳🌳🌳🐦🌳<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌲🌳🌾🌾🌾🚴🏼🌾🌳🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌲🌾🌾🚴🏼🌾🌳🌾🌾🌾🌾🌾🌲🌳🌾🌳🌳<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌲🌳🐛🌳🌳🌾🌾🚴🏼🌾🐰🌾🌾🌲🌳🌾🌾🌲🌳🌾🌾<br /> 🌾🌿🌾🌾🌳🌳🌳🌳🌳🌲🌳🌲🌳🌾🌾🚴🏼🌾🌳🌾🌾🌾🌾🌲🌳🌲🌳🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌲🌳🌳🌾🌾🚴🏼🌾🌳🌾🌿🌾🌾🌾🌲🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌳🌳🐦🌳🌳🌲🌳🌾🌾🌳🚴🏼🌾🌳🌾🌾🌾🌾🌲🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌳🌳🌳🌲🌳🌳🌾🌾🌳🚴🏼🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳<br /> 🌾🌾🌾🌿🌾🌾🌳🌳🌳🌲🌳🌾🌾🌲🌳🌾🌳🌳🌾🌾🌾🌿🌾🌾🌾🌾🌳🌳<br /> 🌾🌲🌾🌾🌾🌾🌾🌾🌳🌲🌾🌾🌳🌲🌳🚴🏼🌾🌳🌾🌾🌾🌾🌾🌾🌲🌳🌳🌳<br /> 🌲🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌲🌾🌾🌲🌾🌾🌾🌲🌾🌾🌳🌳🌳🌳<br /> 🌲🌳🌾🌾🌼🌾🌾🌾🏃🏽🌾🌾🌳🌳🌳🌲🌾🌾🌲🌾🌾🌳🌲🌳🌾🌳🍄🌳🌾<br /> 🌲🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🚴🏼🌾🌲🌾🌾🌳🌲🌳🌾🌳🌳🌾🌾<br /> 🌳🌲🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌲🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🚴🏼🌾🌳🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾<br /> 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🌾🐛🌾🌽🌾🌾🍆🌾🍅🍅🌾🐛🍓🌾🌶🌾🌾🌾🌳🌾🏀🏀🌾🌳🌾♿️🌾🌾<br /> 🌾🌾🌾🌽🌾🌾🍆🌾🌾🌾🌾🌾🍓🌾🌶🐝🌾🌾🌳🌾🌾🌾🌾🌳🌾♿️🌾🌾<br /> 🌾🌾🌾🌽🌾🌾🍆🌾🍅🍅🌾🌾🍓🌾🌶🌻🌾🌾🌳🌾🏀🏀🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌽🌾🐝🌾🌾🍅🍅🐛🌾🍓🌾🌶🌻🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🍅🌾🌾🌾🌾🍅🍅🌾🌾🍓🌾🌶🌾🌾🌳🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🍅🌾🌾🍆🌾🌾🌾🌾🌾🍓🌾🌶🌷🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾<br /> 🌾🐝🌾🌾🌾🌾🍆🌾🍅🍅🌾🌾🍓🌾🌶🌷🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🍈🍈🍈🌾🌾🌾🌿🌿🌾🌾🌾🌾🌾🌾🏌🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌻🌾🍈🌻🌻🌾🌾🐝🌿🌿🌾🌾🌾🐛🌾🌾🏌🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🍈🌻🌻🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🐛🌾🐛🌾🌾🌾🌾🌾🌳🌾🌾🌾🐝🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🏌🌾🌳🌾🌾🌾👫🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🐶🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🏌🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾♿️🌾🌳🌾🌾🌾🌳🌾🌾🌾🏌🌾🌾🌾🌾🌳🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾♿️🌾🌳🌾🎾🌾🌳🌾🌾🌾🏌🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌾🏌🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌳🌳🌳🌳🌳🌾🏌🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌳🌾🏌🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🎾🌾🌳🌾🌾🌳🌾🏀🌾🌳🌾🏌🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾👨‍👨‍👧🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌳🌳🌳🌳🌾🏌🌾🌲🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🅿️🅿️🌾🌾🌾🌾🌾🌳🌾🎾🌾🌳🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾<br /> 🌾🌾🅿️🅿️🅿️🅿️🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌿🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾<br /> 🌾🌾🅿️🅿️🅿️🅿️🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾<br /> 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🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾👮🏻🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌷🌷🌷🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌷🌷🌷🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌾🌷🌷🌷🌾🌾🌾🌾🌿🌾🌾🌳🌳🌳🌳☢️🌳🌳🌳🌳🌳🌳🌳🌾🌾🌿🌾<br /> 🌾🌾🌷🌷🌷🌾🌿🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌳🌳☢️🌳🌳🌾🌾<br /> 🌾🌾🌷🌷🌷🌾🏃🏽🌾🌾🌳🌳☢️🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾<br /> 🌾🌾🌷🌷🌷🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🗣🌾🌾🗣🌾🌾🌾🌳🌳🌳🌳🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🗣🌾🗣🌾🌾🌾🌾🌳🌳🌳🌾<br /> 🌾🌾🌷🌷🌷🌾🌾🌲🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🗣🌾🌾🌾🌾🌳☢️🌳🌾<br /> 🌾🌾🌷🌷🌷🌾🌾🌲🌳🌳☢️🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾✊🏽✊🏽✊🏽🌾🌾🌾🌾🌾🌳🌳🌳🌾<br /> 🌾🌾🌾🌾🌿🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾✊🏽✊🏽✊🏽🌾🌾✊🏽✊🏽🌾🌳🌳🌳🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳☢️🌳🌾🌿🌾✊🏽⚖✊🏽🌾🌾🌾🌾🌾🌳🌳🌳🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾✊🏽✊🏽✊🏽🌾🌾🌾🌾🌾🌳☢️🌳🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌲🌳🌳🌾🌾🌾✊🏽✊🏽✊🏽🌾🌾🌾🌾🌾🌳🌳🌳🌾<br /> 🌾🌾♿️🌾🌾🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🗣🌾🌳🌳🌳🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳☢️🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🗣🌾🌾🌾🌳🌳🌳🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌲🌳🌳🌾🌾🌾🗣🌾🗣🗣🌾🌾🌾🌾🌳🐿🌲🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🗣🗣🌾🌾🌾🌾🌲🌳🌲🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🗣🗣🌾🗣🌾🌾🌲🌳🌳🌾<br /> 🌾🌾🌾🌾🌾🌲🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🗣🌾🌾🌾🌾🌾🌾🌳🌳🌳🌲🌾<br /> 🌾🌾🌾🌲🌾🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌾🌾🗣🌾🌾🌾🌾🌳☢️🌳🌳🌲🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌳🌳🌳🌳🌲🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌲🌳🌳🌳🌳🌳🌳🌳🌳🌳🌲🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌾🌾🌾💐💐🌾🌾🌾🌾🌲🌲🌳🌳🌳🌳🌲🌲🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾💍🌾🌾💐🌾🌾🌾🌾🌳🌳🌲🌳🌲🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾💐🌾🌾🌾🌾💐🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾💐🌾👰🏿👱🏾🌾🎉🌾🌾🌾🌾🌳🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌲🌾🌾🌾💐🌾🌾🌾🌾💐🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾💐🌾🌾💐🌾🌾🌾🌾🌾🌳🌳🌾🌾🌻🌻🌿🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌾🌾🌾🌾🌾💐💐🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌿🌾🌾🌾🌾🌾🌾🌾🌾🍰🍴🌾🌾🌾🌳🌾🌾🌾🌻🌻🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾💃🏼🌾🌾🍰🌾🌾🍰🌾🌾🌳🌾🌾🌾🌻🌻🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌳🌾🌾💃🏼🌾🌾🍰🌾🌾🌾🌾🍰🌾🌾🌾🌾🌾🌻🌻🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾💃🏼🌾🌾🍰🌾🎂🍾🌾🍰🌾🌳🌳🌾🌾🌻🌻🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾💃🏼🌾🌾🍰🌾🌾🌾🌾🍰🌾🌳🌳🌾🌾🌻🌻🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾💃🏼🌾🌾🌾🍰🌾🌾🍰🌾🌾🌳🌿🌾🌾🌾🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾💃🏼🌾🌾🌾🍰🍰🌾🌾🌾🌳🌾🌾🌾🌻🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾🌾💃🏼🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾💃🏼💃🏼🌾🌾🎵🌾🌾🌳🌾🌾🌿🌾🌾🌾🏌🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾👫👫🌾🌾🌾💃🏼🌾🌾🎵🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌳🌳🌾🌾👫🌾🌾👫🌾🌾🌾💃🏼🌾🎵🌾🌳🌾🌾🌾🌾🌾⛳️🏌🌾🌾🌾<br /> 🌾🌾🌾🌾🌾👫🌾🌾🌾🌾👫🌾🌾💃🏼🌾🎵🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌾👫🌾🎁🎁🌾📸🌾🌾💃🏼🌾🌾🌾🌳🌳🌳🌾🌾🌾⛳️⛳️🌾🌾🌾<br /> 🌾🌾🌾🌳🌾📹🌾🌾🌾🌾👫🌾🌾💃🏼🌾🌾🌾🌳🌿🌾🌾🌾⛳️🏌🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾👫🌾🌾👫🌾🌾🌾💃🏼🌾🌾🌿🌳🌿🌾🌾🌾🌾⛳️🌾🌾🌾🌾<br /> 🌾🌾🌾🌳🌾🌾🌾👫👫🌾🌾🌾💃🏼🌾🌾🌾🌾🌳🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾💃🏼🌾🌾🌾🌾🌳🌾🌾🌾🌾⛳️🌾⛳️🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌾🌾💃🏼💃🏼💃🏼🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾⛳️🏌🌾⛳️🏌🌾🌾⛳️🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌳🌾🌾🌾🏌🌾⛳️🌾⛳️🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌾🌾🌳🌳🌳🌳🌳🌾🌾🌾🏌🌾🌾⛳️🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾⛳️🌾🌾🌾🌾🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾⛳️🏌🏌🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾⛳️🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾⛳️🌾⛳️🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🏌🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳<span style="display: inline-block; transform: rotate(90deg);">🌷</span>🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾#️⃣2️⃣0️⃣8️⃣🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳🌾<span style="display: inline-block; transform: rotate(-180deg);">🚶🏿</span>🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾<span style="display: inline-block; transform: rotate(-90deg);">🎪</span>🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌽🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳🌳🌽🌽🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌸🌸🌸🌸🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌸🌸🌸🌸🌾🌾🌾🌾🌾🌾<span style="display: inline-block; transform: rotate(-90deg);">👬</span>🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌸🌸🌸🌸🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌸🌸🌸🌸🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌸🌸🌸🌸🌾🌾🌿🌾🌾🌾<span style="display: inline-block; transform: rotate(-90deg);">👬</span>🌳🌾🌾🌳<span style="display: inline-block; transform: rotate(-180deg);">🌲</span>🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾<span style="display: inline-block; transform: rotate(90deg);">🚶🏿</span>🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌳🌾🍄🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌳🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🏃🏽🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳<span style="display: inline-block; transform: rotate(90deg);">🐕</span>🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲<span style="display: inline-block; transform: rotate(90deg);">🚶🏿</span>🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳<span style="display: inline-block; transform: rotate(-180deg);">🌊🌊🌊</span>🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾<span style="display: inline-block; transform: rotate(-180deg);">⛵️</span>🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾☀️🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌿🌾🚲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🚲🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🚲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳<span style="display: inline-block; transform: rotate(90deg);">🏃🏽</span>🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🚲🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌳🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🚲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌳<span style="display: inline-block; transform: rotate(-180deg);">🏛</span>🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🚲🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🌾🌾<span style="display: inline-block; transform: rotate(-90deg);">🚶🏿</span>🌾🌾🌲🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾<span style="display: inline-block; transform: rotate(-90deg);">🏛</span>🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🏛🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌳🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌳🌾🌾<span style="display: inline-block; transform: rotate(180deg);">🚴🏽</span><span style="display: inline-block; transform: rotate(180deg);">🚴🏽</span>🌾🌾🌾🌾🌾🌾🌾🌿🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<span style="display: inline-block; transform: rotate(-90deg);">🌻</span>🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<span style="display: inline-block; transform: rotate(-90deg);">🌻</span>🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🐰🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🚀🌳🚀🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌿🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌿🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾☁️🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌳🌾🌾☁️🌾🌾🌾🌾🌾🌾☁️🌾☁️🌾☁️🌾🌾🌾🌾🌾🌾☁️🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾☁️🌾🌾🌾🌾🌾☁️🌾☁️🌾☁️🌾☁️🌾🌾🌾🌾🌾☁️🌾<br /> 🌾🌾🌾🌿🌾🌾🌾🌾🌾☁️🌾☁️🌾☁️🌾☁️🌾☁️🌾☁️🌾☁️🌾☁️🌾☁️🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌲🌾🌾<br /> 🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🐛🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌳🌳🐦🌳🌳🌳🌾🐦🌾🐛🌾🌳🌲🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🐦🌾🌳🌳🌳🌳🌳🌳🐦🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🐦🌾🌾🌳🌲🌳🐦🌳🌳🌳🌳🌳🌳🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌳🌳🐛🌳🌳🌳🌳🌳🐦🌳🌳🌳🌳🌾🌾🌾🌾🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌳🌳🌳🐦🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🐦🌳🌳🌳🌾🐦🌾🌾🌾🌾🌾🌾🌾<br /> 🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌳🐛🌳🌳🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🐣🐣🌾🐣🐣🌾🌾🌾🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🐦🌾🌾🐣🐣🐣🐣🌾🌾🌾🌾🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌳🐣🐣🌾🌾🌾🌳🌳🌳🌳🌾🐛🐦🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🐣🐣🐣🌾🌾🌾🌾🐣🐣🐣🌾🌾🌳🐛🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🐛🌾🌾🐣🐣🐣🐣🌾🌳🌾🌾🌾🌾🐛🌾🌾🌳🌳🌾🌳🌳🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🐣🌾🌾🌾🌾🌾🌾🌾🐣🌾🌳🌾🌾🌾🌾🐦🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🐣🐣🌾🌾🐦🌾🌾🌾🌾🐛🌾🐣🐣🌾🌳🌳🌲🌳🌾🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🐣🐣🌾🐦🌾🌾🌾🐣🐣🌾🌾🌾🌾🌾🐛🌾🌾🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🐛🌾🐣🐣🌾🌳🌾🌾🌳🐦🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🐛🌾🌾🌾🌾🌳🐦🌳🌾🌾🌾🌾🌳🌳🌾🌾<br /> 🌳🌳🌳🌳🌾🌾🐦🌾🌾🌾🐦🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌳🌳🌾🌾🌾🌾🌾<br /> 🌾🌳🌳🌾🐦🌾🌾🌾🌾🌾🌾🌾🌾🐣🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌾🌾🌾🌾🐣🐣🌾🌾🌾🌾🌳🌳🐦🌳🌳🌾🐦🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🐛🌾🌾🌾🌳🌳🌳🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌲🌳🌳🐛🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌳🌾🌳🌳🌳🌳🐿🌳🌳🌳🌳🌳🌾🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌳🌳🌳🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌳🌾🌾🌾<br /> 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🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾<br /> 🌾🌾🌾🌾🌳🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾🌾🌾<br /> 🌾🌾🌳🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌱🌱🌱🌱🌱🌱🌱🌾🌾🌾🌿🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌿🌾🌾🌾🌾🌾🌾🌾🌾🌾🌱🌱🌱🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌿🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾©️⛲️🌾🌾<br /> 🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾🌾Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com1tag:blogger.com,1999:blog-13572111.post-7940867452548874652015-06-09T21:04:00.000-05:002015-06-09T21:19:19.464-05:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghNKRRXZMO5-lDlv994FNzdICtnvhcGn-cqduBiCWMjnommc2tWS6neC90izPXeF-SFgcpkqNbQ5eIm4ue44bkf4b9hnHhqjSWbSXrdA19zaSaELcfOIBUdmoxh4daPluhr9eH/s0/year10.jpg" width="900" height="" alt="South China Sea" /></span><br /> <label>(Making (Im)possible Chicago #26 a little less impossible. Image courtesy of United States Navy.)</label><br /> <br /> While blogging activity in the last two years or so has been nil (apart from the occasional Martian sunsets and sunrises), I still want to make a quick post to note that <i>Pruned</i> began exactly 10 years ago today. And to thank everyone who has ever visited and anyone who still continues to click around the <a href="http://pruned.blogspot.com/p/archives.html">Archives</a>. I hope it's all been of some use to you.Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com1tag:blogger.com,1999:blog-13572111.post-87446928541765224722014-12-31T16:55:00.000-06:002019-01-01T12:22:49.925-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwr0IdYA41oWRZ2mehfKRSmrjJUCzOk_WEtfSGGR8yt-DT84YUfLoDVTccJneFcM6iBHw2S5Iy3EThxC-8gMjRJRFr5sHQ4jJ3g0uZ7LyRSCPv4A8YG3aEuOQ1sk963ZxNKZU9/s0/141231_sunset.jpg" width="900" height="686" alt="Sunset over Gale Crater on sol 587" /></span><br /> <label>(Sunset over Gale Crater captured by the Curiosity rover on sol 587, or April 1, 2014. Images courtesy of NASA / JPL / MSSS / Don Davis. <a href="http://www.planetary.org/multimedia/space-images/mars/sunset-behind-gales-western.html">Source</a>.)</label>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-2572644937987699612014-01-01T00:20:00.002-06:002019-01-01T12:22:45.122-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKTtgxe7ZSgRzTZ3YByoG_zWJ5LaN88BvV1gvydX-nPfgm0xzB6VCMzuWzEtsjgkcQPBnu-lZPfGUrA7Ya3YLvIASXfcnV7__t_Xl_3XX6xbT9Nq-BBrUG5pnXOd83Lw-eWKGH/s0/140101_sunrise.jpg" width="900" height="400" alt="Chryse Planitia" /></span><br /> <label>(Another dawn on Chryse Planitia to kick start another year. This sunrise was photographed by the Viking 1 Lander on August 25, 1977, or sol 391. Here's the sunrise on <a href="http://pruned.blogspot.com/2013/01/dawn-on-chryse-planitia.html">sol 379</a>. Original images courtesy of NASA. <a href="http://pdsimg.jpl.nasa.gov/data/vl1_vl2-m-lcs-2-edr-v1.0/">Source</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com1tag:blogger.com,1999:blog-13572111.post-64617325446962744502013-12-31T01:30:00.002-06:002019-01-01T12:22:40.450-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKV1UoyApyPs_fTUPQgFeOiba9Md0tTcmrqS8355miKSExRwV7V9E5chBzSWLYFt50_V6mzL0LXy49trd_KBrQQGX_hVuJ5hY4z_KUbx4XYtsWcIieuYE9A8n4nJDJHH2B31ZG/s0/131231_sunset.gif" width="725" height="725" alt="Sunset on Gale Crater" /></span><br /> <label>(Here then is my traditional capstone image to what unexpectedly turned out to be a very sparse blogging year. This particular Martian sunset was observed by the Curiosity rover from Gale Crater on sol 312, or June 6, 2013. Images courtesy of NASA. <a href="http://mars.jpl.nasa.gov/msl/multimedia/raw/?s=#/?slide=312">Source</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com1tag:blogger.com,1999:blog-13572111.post-9474613005009300372013-03-31T00:52:00.000-05:002013-04-01T00:36:13.633-05:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRzufhQ4ioSPpSEf3zGEdpTsu4Y_il-aY0lSfSd2iO0Pn0UrAZ0up570YbyEA0pDJP8MvitTynQhgo29U_iFrtvC95SM3h0KRK5JUEVUkYvQysqDWPtdLYdzeJvXGGdQwz6AMy/s0/110327_climbing.jpg" width="700" height="1600" alt="James Balog" /></span><br /> <label>(“<a href="http://en.wikipedia.org/wiki/Stratosphere_Giant">Stratosphere Giant</a>” Coast Redwood, Humboldt Redwoods State Park, CA. Photo(s) by <a href="http://www.jamesbalog.com/">James Balog</a>.)</label><br /> <br /> A very quick reminder that today is the last Sunday of March. That means it's <a href="http://duo.irational.org/international_tree_climbing_day/">International Tree Climbing Day</a>! Go out and find yourself a nice tree, or any tree for that matter, and shimmy on up. Go survey your city anew, replay forgotten moments from your youth, domicile with arboreal creatures for an afternoon, get splinters and bloody scratches, serenade below with songs passed down to us by our hominid ancestors. Don't forget to bring the kids!Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-82951981091552672632013-03-06T02:37:00.001-06:002013-03-06T14:51:27.268-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYjdYZ3TOnV4mlWufDuP9QiYc4hqVKhKLkeKw8c5U9bS05ShRuAZ1LMG5V9TwupOSvZeUAl8gp8AOO_OXoh_yOpaB23Cccyaw9Atn5I0izwsEBvwLL4-s23Yv_kaCdQSPgNxuR/s800/130306_stormproofing.jpg" width="550" height="400" alt="New Orleans" /></span><br /> <label>(New Orleans after Hurricane Katrina.)</label><br /> <br /> <a href="http://terreform.org">Terreform ONE</a> has released the brief for this year's <a href="http://www.oneprize.org/">ONE Prize Competition</a>, challenging entrants to envision urban design strategies for coping with present and future “severe climate dynamism.”<br /> <br /> <blockquote>How can cities adapt to the future challenges of extreme weather? The ONE Prize is a call to deploy sophisticated design to alleviate storm impact through various urban interventions such as: protective green spaces, barrier shorelines, alternative housing, waterproofing technology, and public space solutions. We wish to reinvigorate infrastructure and repurpose spaces towards environmental adaptation in order to put design in the service of the community.</blockquote><br /> <br /> Perhaps a network of <a href="http://e360.yale.edu/feature/to_control_floods_the_dutch_turn_to_nature_for_inspiration/2621/">smart dikes</a> snaking through daylighted marshes and mangroves wherein retreating villages of soft pavilions inhabited by Ethel Mermans and Fred Astaires perpetually cycle through periods of colonization and diaspora? A city of <a href="http://pruned.blogspot.com/2012/03/new-anti-tsunami-archipelago-for-japan.html">a thousand and one artificial mesas</a>?<br /> <br /> The deadline is <b>31 August 2013</b>, meaning you have plenty of time to develop your submission or multiple entries. <s>There is also no registration fee</s>.Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-1673717093198152942013-03-03T17:42:00.000-06:002013-03-12T15:40:08.006-05:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc4ta7jZlBcXtBqcoj6ZlBpB3DGJca8yyLYI90MUvUB72cQtq8AFqdOUENMb0SJiCCrUOw8JlUgDiSPdYH2Z8nHbqVFZ_yhkukg2Z2bGZAwU_SWCfY06_Akfk4lDK1xDAvjUNv/s800/130303_bismuth_1.jpg" width="725" height="640" alt="Bismuth" /></span><br /> <label>(Via <a href="http://beautiful-minerals.tumblr.com/">Beautiful Crystals</a>.)</label><br /> <br /> One of the Marvelous detritus that Tumblr occasionally spits out is this large <a href="http://en.wikipedia.org/wiki/Bismuth">bismuth</a> crystal. As with most things on Tumblr, no other information is given, especially whether this sample was found naturally occurring or artificially grown. It's most likely the latter, which would explain the highly pronounced stair-step lattice distinctive to <a href="http://en.wikipedia.org/wiki/Hopper_crystal">hopper crystals</a> like bismuth. This characteristic structure occurs due to the crystal growing faster along the edges than at the center. As more mineral molecules are attracted to the edges, leaving less and less to fill the interior sections, the crystal craters. As for its iridescent color, that is due to oxidation.<br /> <br /> If you want to make your own bismuth crystal, there are certainly plenty of YouTube instructionals for that, including <a href="http://www.youtube.com/watch?v=uRyPG6iJyjI">this</a>. In fact, bismuth has a low melting point (271°C or 520°F) that you could probably use a regular stove and some old kitchen wares rather than a fully outfitted smelting lab.<br /> <br /> Though perhaps the world needs a smelting lab dedicated solely to fabricating gigantic bismuth crystals. A fantamagical stepwell factory.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe6dkX9bCD2KdPjN7Okw-oUZRjExakVFuOznqjiuVIzNiYGrEQLR0-8aHxmMMRPF3I5jW02Lru9f-IoF8gfbYA0f6EiCc_xX_jVaDxPRE1-fASXrQenWFv9srZ7jHu2Av9jkUo/s800/130303_bismuth_2.jpg" width="725" height="500" alt="Stepwell" /></span><br /> <label>(Filmed at the <a href="http://pruned.blogspot.com/2006/03/chand-baoli.html">Chand Baori</a> stepwell in Abhaneri, India, is the death scene of Charles Darwin, the naturalist, and Wallace, his companion monkey and fellow lepidopterist, in Tarsem Singh's <a href="http://en.wikipedia.org/wiki/The_Fall_(2006_film)"><i>The Fall</i></a>. More stills from the scene <a href="http://pruned.blogspot.com/2009/07/some-stills-from-death-scene-of-charles.html">here</a>. Also check out these amazing <a href="http://bldgblog.blogspot.com/2012/11/chand-baori.html">photos</a> by BLDGBLOG.)</label><br /> <br /> Out in the desert or deep in the rain forest or hidden in a mountain valley, pools of molten bismuth are allowed to cool and crater down into the mantel, spiraling as they excavate their own labyrinths, like divining rods probing the earth for water to fill their lidos in the making. Not the comparatively uncomplicated “<a href="http://pruned.blogspot.com/2009/07/water-infrastructure-at-its-most.html">inverted ziggurats</a>” they are usually described as, rather these bismuth stepwells might be more akin to a cancerous mass of Borobudurs hybridized with <i>fetus in fetu</i> Ankor Wats, inverted.<br /> <br /> And then the factory is dismantled and carted away, leaving these “deeply wrinkled surfaces,” as <a href="http://www.amazon.com/Pamphlet-Architecture-20-Underground-Buildings/dp/1568981031">Mary-Ann Ray</a> might put it, for travelers to discover. “Like pieces on a game board, travelers move around within and upon it, discovering possible relationships with other travelers, hiding, seeking, losing, finding, passing by, encountering, entrapping, nearly missing.”<br /> <br /> Tarsem Singh eventually flies in to film his interpretation of Jules Verne's <i>Journey to the Center of the Earth</i>.Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-64066182697346320702013-02-28T19:06:00.000-06:002013-03-07T15:48:11.440-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMdxNaBMfJczF6EIb0rqRrb7M91ZsJZ5hY_7sboZIAbKfqbllmemFgYu6j2mRj-2NvUqJr1o-UwIPo3xTsOkefCvI0Eipq6Oe1nSURNblkHLnTCsQyihh7LmMfohTJJmMFYlBt/s800/130228_anthrozoo_1.jpg" width="725" height="475" alt="Cuddlebot" /></span><br /> <label>(Smart rat. Photo courtesy of Anna Flagg. <a href="http://www.annaflagg.com/Thesis(Flagg).pdf">Source</a> [pdf].)</label><br /> <br /> “Scientists have connected the brains of a pair of animals and allowed them to share sensory information,” <a href="http://www.guardian.co.uk/science/2013/feb/28/brains-rats-connected-share-information">reports</a> <i>The Guardian</i> today. This is a “major step towards what the researchers call the world's first 'organic computer.'” <br /> <br /> <blockquote>The US team fitted two rats with devices called <a href="http://www.nature.com/srep/2013/130228/srep01319/full/srep01319.html">brain-to-brain interfaces</a> that let the animals collaborate on simple tasks to earn rewards, such as a drink of water.<br /> <br /> In one radical demonstration of the technology, the scientists used the internet to link the brains of two rats separated by thousands of miles, with one in the researchers' lab at Duke University in Durham, North Carolina, and the other in Natal, Brazil.</blockquote><br /> <br /> This is “[l]iterally an Internet of Animals,” <a href="https://twitter.com/annegalloway/status/307219976807383040">tweeted</a> Anne Galloway.<br /> <br /> Among many projects, including Vanessa Harden's <a href="http://www.flickr.com/photos/vanessaharden/sets/72157617559149984/">Mouse Assisted Interplay</a> (2010) and its associated speculative <a href="http://mousematch.org">Mousematch</a> social network, I'm reminded of Anna Flagg's <a href="http://www.annaflagg.com/index.php?/projects/cuddlebot-a-creature-object/">Cuddlebot</a> project in which simulant pets are turned into multi-touch devices.<br /> <br /> <span style="position: relative;"><iframe src="http://player.vimeo.com/video/43363541?title=0&amp;byline=0&amp;portrait=0" width="725" height="407" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></span><br /> <label>(Video by Anna Flagg.)</label><br /> <br /> As you can see in the video embedded above, this “<a href="http://www.annaflagg.com/Thesis(Flagg).pdf">haptic creature</a>” [pdf] is no mere gesture sensor. It can physically react. For instance, “when a gentle touch is sensed, the servo motor moves the fur calmly and slowly up and down, similar to a restful breathing. When the more playful touch is sensed, the servo moves the fur quickly and eagerly in smaller bursts of excitement.”<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUvh8DYBZBgnXXTrI361nHpOA678kwe50srAyGlwr1aRDBPG427D0QQKzCjwjZmqZty6g8MpHONu6rcr2SYN67PF7t7JKksi6S4g5ww6Hb-DCsoV6_PBUIkPaL9KWnF2bjJH3k/s800/130228_anthrozoo_2.jpg" width="725" height="600" alt="Cuddlebot" /></span><br /> <label>(Multi-touch fur. Photo courtesy of Anna Flagg. <a href="http://www.annaflagg.com/index.php?/projects/cuddlebot-a-creature-object/">Source</a>.)</label><br /> <br /> Two things interest me here.<br /> <br /> <b>1)</b> Just like with the <a href="http://pruned.blogspot.com/2013/02/the-interactive-garden.html">Botanicus Interacticus</a> and, to bring it up from the archives, the <a href="http://pruned.blogspot.in/2010/02/mud-interface.html">Mud Tub</a>, the Cuddlebot offers a sensual alternative to the machinic sleekness of the standard touchscreen. When fingers press down on those glass surfaces, skin and nerves seem to melt away. Wrists deaden, as if paralyzed with Botox. Human touch has evolved over millions of years, but all the fine tuning might just end up for naught. And who knows what else is being suppressed and eventually smoothed away.<br /> <br /> Whatever we may be surrendering to the glass (and to the Kinetic void), perhaps turning our domestic bestiary into a multi-touch critter network &mdash; actual organic living creatures, albeit cybernetics, rather than completely inorganic toys &mdash; might mitigate the loss. This might come with its own cost, but surely it would be worth it if the benefit is we all become Tilda Swintons.<br /> <br /> <blockquote class="twitter-tweet"><p>A mission for you. Go outside, hold an animal to your breast. That is real warmth, not the glow of your screen. I typed this on a rabbit.</p>&mdash; Tilda Swinton (@NotTildaSwinton) <a href="https://twitter.com/NotTildaSwinton/status/205045463894851584">May 22, 2012</a></blockquote><script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script><br /> <br /> <b>2)</b> As with all technology stuff that I post here on <i>Pruned</i>, the technology itself is ultimately a secondary concern. My overriding interest is always their spatial effects: how they might form and inform spaces at all scales.<br /> <br /> How might this envisioned form of cross-species relationship might physically manifest itself in the domestic sphere? Will this simply mean hoarding a litter of stray cats, augmented and networked, in your house or apartment? With a different species for each social network you signed up to, will our homes be biological hotspots as diverse as any zoo? All day and all night, the whole city will drone with an Amazonian din, convulsing like a colony of ants thickly carpeting the forest floor.<br /> <br /> Where (and how) will the cloud nest otherwise?<br /> <br /> You take your dog (or <a href="http://www.pieterhugo.com/the-hyena-other-men/">hyena</a>) to the neighborhood park for a walk, and there it frolics with other beasts on the <a href="http://media.longnow.org/files/2/Brautigan-60-edited.jpg">cybernetic meadow</a> and through the <a href="http://archigram.westminster.ac.uk/project.php?id=136">ShrubPlugs</a>. And pets are many-times cross-petted. Is everyone updating their Facebook timelines and flirting on Twitter?<br /> <br /> You're on a stroll, but following you behind on the sidewalk and also hovering in the air, as though you were <a href="http://www.youtube.com/watch?v=hQZ6zzLpoNQ">Snow White whistling a hypnotic melody</a>, is the entire content of the zoo. You've got mail (and Tumblr updates, unread posts on Google Reader, new edits on Google Docs). You head into an Anthrozoo station, pick the cutest from the lot, and after a few rubs and caresses, it shivers its attached data packet in LOLmorse.<br /> <br /> (“It has to be!”)Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com1tag:blogger.com,1999:blog-13572111.post-29279240258691060452013-02-27T15:43:00.000-06:002013-03-03T19:22:35.994-06:00With winter weather wreaking havoc in the airspace above <i>Pruned</i> HQ, Chicago, I thought I'd post a small portion of a <a href="http://vfrmap.com">VFR map</a> that someone digitized and then overlaid on Google Maps. The map covers the continental United States plus Alaska and Hawaii, parts of Canada and Mexico, and a good chunk of the Caribbean.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy1p9G9VWDwQ5HkPFDrhbchi5jhK6LRsWAd_DGnL0xs0-cGt9BJZ9_C4vurfv9SuM3prHZLm3FZLgwvOo8lw_L_s83XJ0ybplh-W3ueCS1uq6WEG_bqJTO8sRhFyC3lkXohdkG/s0/130227_airspace_1.jpg" width="900" height="1300" alt="VFR" /></span><br /> <label>(Visual flight rules for the Chicago area.)</label><br /> <br /> Quoting the ever reliable <i>Wikipedia</i>, VFR is short for <a href="http://en.wikipedia.org/wiki/Visual_flight_rules">visual flight rules</a>, which are a “set of regulations under which a pilot operates an aircraft in weather conditions generally clear enough to allow the pilot to see where the aircraft is going.”<br /> <br /> As a brief aside, the super-density of the map reminds me of the “equations” inscribed at <a href="http://terranova.wikia.com/wiki/Waterfall_Rocks">Waterfall Rocks</a> in the Fox series, <a href="http://en.wikipedia.org/wiki/Terra_Nova_(TV_series)"><i>Terra Nova</i></a>. A running mystery among the new arrivals to the Late Cretaceous, those sprawling rock glyphs, we fortunately learn just before the show's cancellation, were instructions on how to design two-way portals between the deep past and the far future. Given the near total indecipherability of the VFR map to my untrained eyes, its constellations of discs and polygons embedded in a fibrous mesh of vectors and cuneiforms could easily be mistaken by closet fans of the much maligned television show as instructions for trans-temporal travel.<br /> <br /> Here's another portion of the VFR map showing the cluttered air territoriality around Los Angeles:<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjHCZekiEN74C-twaWbuauZgOMZRx6ARAoejAsGvLK4hK9cB2o0oR01rtXOhlhITi9Zn0IPYy8t0hGzhRrWdzFFQ8NNhrtrbYGhFYwls2hnKI_qOufRFtrsNug7idtEiBY6w9A/s0/130227_airspace_2.jpg" width="900" height="1300" alt="VFR" /></span><br /> <label>(Visual flight rules for the Los Angeles area.)</label><br /> <br /> Surely the entire map could be marketed, perhaps in partnership with <a href="http://www.mytopo.com/products/supersize-maps.cfm">MyTopo</a>, not as supersized wall maps but as wall paper. Specifically, use them to redecorate nursery rooms, daycare playpens and kindergarten classrooms into simulant <a href="http://pruned.blogspot.com/2006/06/cube-cave-and-touchtable.html">Cubes and CAVEs</a> to kickstart the visual acuity and muscle memory of the very young for an urban future hermetically sealed not in office cubicles but in immersive <a href="http://pruned.blogspot.com/2007/02/super-versailles.html">control rooms</a> of the coming Data Totality.<br /> <br /> In these Neo-Baroque rooms of <a href="http://en.wikipedia.org/wiki/File:Lazio_Roma_Gesu2_tango7174.jpg">blurred physical and virtual spaces</a>, running crayons on the walls will be preparatory training for transiting information packets through omni-surveilled terrains.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0qEyWWXqOGFFiq5uSSTKtbOi_LNM5fLUvZQoCwmT2Gz-2QslpZ_mUnmYwZtzJawdlgl8tN5YI1GkA_AF-Fkjoh3YuDRlBroAApIj6GxhVqbMTDQfdZZn9bnqKRkA7Go9NdOcf/s0/130227_airspace_3.jpg" width="900" height="1085" alt="Control Room" /></span><br /> <label>(The Zion Control Interface in <i>The Matrix</i>.)</label><br /> <br /> Or these same rooms could be the training grounds for an acting career in a future Hollywood of nonstop <i>Prometheus</i> perversions, learning long before theater schools the fine art of gestural swording.<br /> <br /> <label>(Via <a href="http://iamtheweather.com/?p=1348"><i>iamtheweather</i></a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com1tag:blogger.com,1999:blog-13572111.post-62480922207218244192013-02-25T21:59:00.000-06:002013-03-02T20:04:16.178-06:00<span style="position: relative;"><iframe width="725" height="408" src="http://www.youtube.com/embed/EcRSKEIucjk?rel=0" frameborder="0" allowfullscreen></iframe></span><br /> <label>(Browsing with plants. Video by Disney Reasearch.)</label><br /> <br /> It was only a matter of time before someone turned household plants into a multi-touch interactive device, because now we have the <a href="http://www.botanicus-interacticus.com"><i>Botanicus Interacticus</i></a>.<br /> <br /> <blockquote>Based on the sophisticated <a href="http://www.disneyresearch.com/project/touche-touch-and-gesture-sensing-for-the-real-world/">Touché</a> sensing technology <a href="http://www.disneyresearch.com/project/botanicus-interacticus-interactive-plant-technology/"><i>Botanicus Interacticus</i></a> creates a magical experience through the non-invasive instrumentation of living plants. Aurora like particles are emitted around different plants, triggered and transformed by gestures and proximity between the human and the living organism. A range of plants such as a bamboo, an orchid, a snake plant and a custom build artificial one were explored, where each plant presented its unique interactive, visual and auditive character.</blockquote><br /> <br /> I'm utterly amazed at the possibility that soon I could be tweeting with orchids, even write blog posts such as this with maybe <a href="http://www.google.com/search?q=spider+plants&amp;tbm=isch">spider plants</a>, their shaggy bodies and multi-plantlets collectively emitting a massive aurora with which you could manipulate with endless gestural patterns. Depending on how many social web accounts you tend to, your indoor garden might approximate a jungle.<br /> <br /> But why simply turn them into mere keyboards and remote controls? Why not also turn them into “display” devices, thus opening up even more radical means of interaction and visualization, with spatial effects?<br /> <br /> <span style="position: relative;"><iframe width="725" height="408" src="http://www.youtube.com/embed/iKIg6pARtlk?rel=0" frameborder="0" allowfullscreen></iframe></span><br /> <label>(A project out of Keio University to make plants react and convey emotions. Via <a href="http://aainter3.wordpress.com/2012/04/04/interactive-plants-yep-kind-of/">AA Inter 3</a>.)</label><br /> <br /> Each morning, you take a stroll in your back garden or hike up the fire escape to your roof garden past your neighbor's vertical garden or just get up of bed in your oxygen garden pod hurtling windowless through deep urban space (for this parallel world <i>Botanicus Interacticus</i> has turned every city into a jungle) to watch the foliage physically deforming and chemiluminescing the day's cluttered signals. You no longer pore over streams of text and images. Instead, you read landscapes.<br /> <br /> It should be no surprise that due to their graphic qualities, parterres become fashionable again as landscape ornaments.<br /> <br /> As always, you head over to the fruiting hedges, and see that a clump of berries has formed during the night. You've got mail. The tumorous looking ones have attachments, while the rotten ones have been flagged as spam. To open and read, simply pick them off. Pocket those you want saved; squish to delete.<br /> <br /> The technology for interaction through taste hasn't yet been perfected, or perhaps such behavioral literacy still isn't widespread. As for smelling, that technology has matured. So, you stop by the rose bushes and smell the weather forecast. When a hurricane is on the way, the air has a certain pungency to it.<br /> <br /> Before heading back in, you snatch one or two apples from your Netflix/YouTube/Bittorent orchard. (The fruit as data storage and cloud.) Slice or bite to begin play.<br /> <br /> In the garden, then, is the future of ubiquitous computing, where the computer will be made invisible, made to disappear into the garden itself.<br /> <br /> <label>(See also <a href="http://pruned.blogspot.com/2008/02/my-garden-is-telling-me-that-im-abusing.html">My Garden Is Telling Me That I'm Abusing My Kids</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-71629462591851432202013-02-24T14:48:00.000-06:002013-02-27T22:08:04.667-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0-Y5X7PBajiAP5BBnIa1Z01TPC1_UIJbEEX4sy4xo7J6fNVnVskPDXr6liTJLaZD-wwmzunWxnwXp2scOvFEdMY7JX6MBnDqGwu6Apzz-SMso9yVSw1mNBDkxq6O0dU7pRWvL/s800/130224_meteorwrongs_1.jpg" width="725" height="500" alt="Meteorwrongs" /></span><br /> <label>(Ryan Thompson, <i>Dark Flight: Meteorwrongs</i>, 2011. Photo courtesy of the artist. <a href="http://departmentofnaturalhistory.com/projects/meteorwrongs/">Source</a>.)</label><br /> <br /> With the search for fragments of the meteor that streaked over Chelyabinsk continuing, I thought I'd point readers out to a project, titled <a href="http://departmentofnaturalhistory.com/projects/meteorwrongs/"><i>Dark Flight: Meteorwrongs</i></a>, by Ryan Thompson, whose <a href="http://pruned.blogspot.com/2012/07/glacial-erratic-monuments.html"><i>Glacial Erratic Monuments</i></a> project was previously featured here on <i>Pruned</i>.<br /> <br /> Quoting the artist's brief statement in full:<br /> <br /> <blockquote>Within one of the most well-known collections of meteorites in the world, at the Center for Meteorite Studies at Arizona State University, is a collection of rocks of mistaken identity. Once identified by professional and amateur meteorite hunters as meteorites, they were later proven to be of terrestrial origin. <i>Dark Flight: Meteorwrongs</i> is a series of photographs of 21 of these false positives. They range in size from just a few inches to more than one foot in diameter and they all have one thing in common&mdash;<i>they are not meteorites</i>. The collection stands as a testament to the evolution of the science of meteoritics and to the limits of human knowledge.</blockquote><br /> <br /> As Thomson also remarks <a href="http://departmentofnaturalhistory.com/projects/dark-sky/">elsewhere</a>, “these meteorwrongs reflect the hopes and wishes of the individuals who found them.”<br /> <br /> It seems interesting, then, to note here that while the <a href="http://en.wikipedia.org/wiki/2013_Russian_meteor_event">sky happening</a>, captured as it were on <a href="http://www.animalnewyork.com/2012/russian-dashcam/">dash-cams</a> and then multiplied exponentially on the social web, has been <a href="http://new-aesthetic.tumblr.com/post/43167587788/6-videos-of-the-siberian-meteor-synchronised-by">canonized into the annals of the New Aesthetics and the New Normal</a>, the <a href="http://www.bbc.co.uk/news/world-europe-21552923">treasure hunters</a> combing the fields of the oblast, dreaming of profit and some fleeting fame or simply manifesting an antediluvian pathology (“<a href="http://www.bbc.co.uk/news/world-europe-21554326">meteor fever</a>”), remind us that the New Cultural Cycle, in this case, may ultimately just be a temporary veneer on an immutable bedrock of primordial desires.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigylEcVpL4KwoAmkG5IGJ_6GA192_ESXuGQRvy9AV2HYYBcJLYcmZWhK9VRoNsmJQMFsMETLgNvTyk4ZefCy_-5nr9fVH4FSVYCpWUHOuwEwWNou71SF9JfS-Gc63taq0M8XGE/s800/130224_meteorwrongs_2.jpg" width="725" height="540" alt="Meteorwrongs" /></span><br /> <label>(Ryan Thompson, <i>Dark Sky</i>, 2012. Image courtesy of the artist. <a href="http://departmentofnaturalhistory.com/projects/dark-sky/">Source</a>.)</label><br /> <br /> The staff at the aforementioned <a href="http://meteorites.asu.edu">Center for Meteorite Studies</a> “receives nearly 1000 inquiries from curious and hopeful rockhounds. The vast majority of the samples submitted for inspection turn out to be terrestrial rocks, affectionately known as 'meteorwrongs'. In fact, only two or three of the samples sent in every year turn out to be meteorites.” I'm unfortunately quoting from one of their newsletters published in 2010, the same year they suspended their free identification program. Fortunately, there are still places where you can send specimens for identification, such as the <a href="http://meteorites.fieldmuseum.org/node/34">Robert A. Pritzker Center for Meteoritics and Polar Studies</a> at The Field Museum in Chicago. There are also <a href="http://meteorites.wustl.edu/meteorwrongs/meteorwrongs.htm">online collections</a> of false positives to help you ID your curious finds yourself.<br /> <br /> To finish on a positive note, here are some radar-generated images of <a href="http://en.wikipedia.org/wiki/2012_DA14">Asteroid 2012 DA14</a>, a true extraterrestrial object, which reached its record close approach to earth on the same day as the Chelyabinsk meteor event.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl4p0onyRPCbG8XhzdMPDfZeUmrQWHAmz6x9RRDWHcj1MUHXU4HSOSo24Mj264YfLuAb8GWJENyunt70ad4PkRWGWvmeTrDf7WsXeosAYp8ANGoOIl4NyIPHZGqAhNYg9b_ZkX/s800/130224_meteorwrongs_3.jpg" width="725" height="500" alt="Asteroid 2012 DA14" /></span><br /> <label>(Asteroid 2012 DA14. Image courtesy of NASA/JPL-Caltech. <a href="http://www.nasa.gov/mission_pages/asteroids/multimedia/asteroid20130219i.html">Source</a>.)</label><br /> <br /> Curiously, the low resolution of the images doesn't at all diminish the object's authenticity, as if, here compared with the meteorwrongs, distance has a counter effect on validity. Galaxies at the edges of the universe appearing as red smudges, exoplanets and exomoons dipping and spiking multiple lines of detection, infinitesimal particles skimming the border of knowability, and now a pixelated asteroid: they may be at the breaking point of human vision, but we still deem them to be genuine. Objects that we can hold, feel their grit and sharp edges, smell and taste: they're chucked off as fake. The greater the resolution, again at least in this case, the greater the fiction.<br /> <br /> <label>(See also Ryan Thomson's “<a href="http://geologicnow.com/8_Thompson.php">The Dark Flight of Micrometeorites</a>” in <a href="http://geologicnow.com/index.php"><i>Making the Geologic Now</i></a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-75748893303308858312013-02-14T10:00:00.000-06:002013-02-20T20:19:09.803-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHin8JWNfQdu1Vaogldfbriy6Bd4YwDASSE9OPjnkYvdrhbV99z51LJZzYxIjlYlo3r9cEg6VRdgTWMAkENr3aAh4dAvxTNz4TEJDBn-9p7Xnkf1oF2SRdkIxzvAI_rGhmQID3/s800/130214_floating_1.jpg" width="550" height="600" alt="Mathilde Roussel" /></span><br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBOLlPyT_YOwpSC9_Ts4Z4SluotPpLJ0MeHP_OQnkVQHuK5pQ3_SmGKYJVMWet9d5P-20UiQHnU7g3kqcKLl3syo1_2aca0lmaWuKKMXNV4oZdehq7NeXBqTYh47Wh2CGHX7qb/s800/130214_floating_2.jpg" width="550" height="840" alt="Sasha Cisar" /></span><br /> <label>(Top image: Mathilde Roussel, <i>Lives of Grass</i>, 2010; photo by Matthieu Raffard. Bottom image: Sasha Cisar, <i>An Urban Canopy</i>, 2008.)</label><br /> <br /> A marvelous splicing courtesy of Tumblr, pairing together Mathilde Roussel's <a href="http://www.mathilderoussel.com/index.php/works/lives-of-grass/"><i>Lives of Grass</i></a> and Sasha Cisar's <a href="http://cargocollective.com/arch/An-Urban-Canopy"><i>An Urban Canopy</i></a> from which a parallel world city could be concocted.<br /> <br /> It's a floating city whose inhabitants, after centuries in their stratospheric exile, have developed a cultural taboo against burying the dead wholly intact down on the ground. It is not the body that pollutes, according to their aerial customs, but rather it is the elemental earth that despoils all that comes in contact with it. Could it have anything to do with the reason why they had forgone terrestrial existence in the first place?<br /> <br /> Laid out on their bottom-half-body death masks, the deceased are now tethered outside-inside cavernous silos embedded into the superstructure. From viewing galleries spiraling around these bottomless wells (and no, public display of putrefaction is not taboo; the squeamish are also weeded out by the constant turbulence), they look like flocks of Archaeopteryxes fossilized in vaporous bedrock &mdash; arcing, spreadeagled, contorted, twisting, talons unfurled, like Trinity with legs akimbo. Literally a <a href="http://en.wikipedia.org/wiki/Sky_burial">sky burial</a>.<br /> <br /> During times of epidemics, they <a href="http://www.google.com/search?q=murmuration&tbm=isch">murmur</a>.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimYxJO8-AuY6qzuUPaNNHbvZF2E0cLYNSpmqt4hHiLUiLbYvTV7OVcVchmhn3gvWEeDbktxLZ79zw0ZEcMiXZz8-Q6rlgvfZgo5ST1B_C_T982ZgS5RE1Gq9FTdezfIjGFUqhz/s800/130214_floating_3.gif" width="550" height="413" alt="Mathilde Roussel" /></span><br /> <label>(Mathilde Roussel, <i>Lives of Grass</i>, 2010. Photo by Matthieu Raffard.)</label><br /> <br /> Inside these superimposed Towers of Silence as Air Shaft Aviaries, the bodies are slowly atomized into aerosols, which rain down into the earth, revitalizing it. It's cremation with gardening.<br /> <br /> <label>(See also <a href="http://pruned.blogspot.com/2007/02/hanging-cemetery-of-babylon.html">The Hanging Cemetery of Babylon</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com1tag:blogger.com,1999:blog-13572111.post-42532738236840371772013-02-13T15:33:00.000-06:002013-02-14T04:28:44.209-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiprkkNym8UYnUInsDzMbjp9amMVjH3BLLOaxalSvkSYIC3kxl84lbmkBrcZnQ-qhy-LbBaN0mo087kmwn0asIJzX0AJrrllzAsRWVC-bWkLEMWD0ffv65YNtiB37IsZg2xbfx1/s0/130213_soviet.jpg" width="725" height="500" alt="Rapla, Estonia" /></span><br /> <label>(Administrative building in Rapla, Estonia, completed 1977. Roomas Rein, architect. Photographer unknown.)</label><br /> <br /> A quick note to say that <i>Pruned</i> has a <a href="http://pruned.tumblr.com">Tumblr twin</a>, which has recently been ticking up in activity to complement a reanimated blog, though, to my surprise, it seems to be complementing it with priapic, mammary, death and feral imagery. Hope this isn't some ongoing psychosexual self-portrait with the ghillie suited Michael Bay and Irma Vep in <i>sacra conversazione</i>. Tumblr reveals all, makes manifest our subconscious &mdash; let's hope not!<br /> <br /> If you're curious about the image and title of this post, see the tracings and trajectories imprinted on the <a href="http://pruned.blogspot.com/2008/10/supersurface-of-architectural-diaspora.html">supersurface of architectural diaspora</a>.Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-88250809256305196432013-02-11T10:00:00.000-06:002013-03-07T14:37:25.281-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUSBa6BqM-SjBTyM9DA01huv64SPp7dx_Zll7RtPaXfNoEHXNWKiPaBhvm_3pCea1kq4e5dFcP01AQQRrxH3jt9mouqR57BBY7JbSK7fWEC6oim8h94MfuMwNqMpsUCDdWbIwg/s800/130211_moonlight_1.jpg" width="550" height="550" alt="Andy Mattern" /></span><br /> <label>(“11th St. & Lydia St.,” from Andy Mattern, <i>Moonlight Towers</i>, 2008. Used with permission. <a href="http://www.andymattern.com/moonlighttowers">Source</a>.)</label><br /> <br /> A meme self-organized itself in my bookmarks recently, clustering together internet detritus around the subject of city lights.<br /> <br /> Included is a satellite image, published on NASA's Earth Observatory, of North America and its <a href="http://earthobservatory.nasa.gov/NaturalHazards/view.php?id=79800">constellations of urban brightnesses at night</a>. It's a classic image that most have probably seen before in many iterations, but this particular one received more than the usual attention because of the <a href="http://earthobservatory.nasa.gov/IOTD/view.php?id=79810">large, luminous smudge in North Dakota</a>. Sprawled out over an area equal to, if not larger than, Chicago's but over one of the least-densely populated parts of the country, it's the “home to the Bakken shale formation, a site where gas and oil production are booming.” While some, including me, have mistakenly thought the lights were all due to <a href="http://pruned.blogspot.com/2005/12/petroleum-sublime.html">gas flaring</a>, only “a few are evidence of gas flaring.” In fact, most are “associated with drilling equipment and temporary housing near drilling sites.”<br /> <br /> There's also the image of New York in complete darkness save for the Milky Way in all its possible brilliance in the night sky. Several other cities are also rendered as their <a href="http://www.nytimes.com/interactive/2013/02/03/magazine/look-stars.html">parallel world selves aglow with galactic light</a>. Though Chicago isn't among them, images of the city's grid at night &mdash; the greatest built landscape in the world, in my opinion, second only to the Public Land Survey System and Central Park, and maybe Greater Los Angeles and Florida, but it's up there &mdash; pop in now and then in my Tumblr dashboard, most recently this amazing <a href="http://transatlanticurbanism.tumblr.com/post/40020108245/youbroketheinternet-chicago-is-so-massive">photo</a> by Jim Richardson, part of a series that also includes this more panoramic view of <a href="http://www.jimrichardsonphotography.com/public_html/Light_Pollution.html#1">the city irradiating some passing clouds</a>. In other words, the Milky Way may be blotted out, but you can still go to the top of Sears Tower and watch the <a href="http://www.flickr.com/photos/myelectricsheep/343703624/">Andromeda Galaxy spread out</a> <a href="http://www.flickr.com/photos/wowzzaa/5079708278/">over the prairie</a>, half-swirling around the gravity well of the supercloverleaf in the West Loop, flinging motorists into and out of the city.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP1RInyOQu8_AIohBOCX2C4VLYKw-8iTYFcI9gzLqer5gdT7yR4bg0YD9UH5MG8z6Y1kTm1-2DMn1P7EplVmNvDNGqDWWEnScogqqOMiU51OK5soh6LPg_teTxUdHDZ7NE-Jmj/s800/130211_moonlight_2.jpg" width="550" height="550" alt="Andy Mattern" /></span><br /> <label>(“West 12th St. & Rio Grande St.,” from Andy Mattern, <i>Moonlight Towers</i>, 2008. Used with permission. <a href="http://www.andymattern.com/moonlighttowers">Source</a>.)</label><br /> <br /> Before I come around to the photos decorating this post, I want to point out the photos taken from the International Space Station by its current commander, Canadian astronaut Chris Hadfield (<a href="https://twitter.com/Cmdr_Hadfield">@Cmdr_Hadfield</a>), who I recently started following on Twitter. Many of his orbital snaps got snagged by the meme, among them are of <a href="https://twitter.com/Cmdr_Hadfield/status/297448030674771968">Kolkotta</a> (“at night, definitely not the 'Black Hole of Calcutta' of legend”); <a href="https://twitter.com/Cmdr_Hadfield/status/300645405396463619">Lisbon</a> (“at night - black water, intricate spiderweb of surrounding towns”); <a href="https://twitter.com/Cmdr_Hadfield/status/300368869980270592">Pyongyang</a>; and <a href="https://twitter.com/Cmdr_Hadfield/status/300022423061929986">Tehran</a> with its “bright blue oval” bracelet.<br /> <br /> Though he hasn't tweeted a photo of it yet, the residents of Hadfield's hometown of Sarnia in Ontario, lit up their city last Friday night, <a href="http://www.theobserver.ca/2013/02/06/sarnia-residents-are-being-called-on-to-light-up-the-sky-friday-night-for-astronaut-chris-hadfield">sprucing themselves up in a coordinated effort</a> for their remote portrait, as it were. Light pollution has never been so tinge with romanticism and nostalgia: earthbound creatures sending out beacons out to spacefarers plying through “orbital darkness,” reminding them of home.<br /> <br /> As opposite to the photo-poetics of Hadfield and Sarnia as one can possibly get, <i>BBC News</i> reported last week the “rise in the number of incidents in which <a href="http://www.bbc.co.uk/news/uk-england-london-21348906">handheld lasers are being used to distract airline pilots flying over London</a>.” The statistics are quite astonishing: “in 2010 there were 145 reported incidents. In 2012 the number rose to 252.” Enraging astronomers, turning urban wildlife into insomniacs and aggravating the nature deficit syndrome of other city dwellers are one thing, but this part of the photonic smog spectrum causing airplane crashes is horrifyingly another.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1ECLlwM1sHtVndqHJWhdQ1-xY0z-CtHv_2Ty9JA3EPUbU0BbuRgBWSnEOWmlTmUq8obfUH_12YL9tv3nlqBkbvVAth_BJUYueoNB1YBK0xfhyphenhyphenfNTA9vdxga2G_3chAQe6_NLT/s800/130211_moonlight_3.jpg" width="550" height="550" alt="Andy Mattern" /></span><br /> <label>(“West 9th St. & Guadalupe St.,” from Andy Mattern, <i>Moonlight Towers</i>, 2008. Used with permission. <a href="http://www.andymattern.com/moonlighttowers">Source</a>.)</label><br /> <br /> To add to this meme, then, are these images of <a href="http://www.andymattern.com/moonlighttowers">moonlight towers</a> in Austin, Texas, photographed by <a href="http://www.andymattern.com/">Andy Mattern</a> “at their most visible moment just after they turn on at dusk.” Quoting the project statement:<br /> <br /> <blockquote>In 1895, the City of Austin acquired a novel street-lighting system from Detroit consisting of thirty-one 165-foot tower lights. Their cool glow and looming height earned them the popular moniker “Moonlight Towers.” In the 1930s, however, the towers were all but obsolete due to the advent of newer, brighter street lamps that were closer to the ground. Over the years for a variety of reasons including public safety and urban growth, more than half of the original towers have been removed.</blockquote><br /> <br /> Indeed, to also quote our go-to reference:<br /> <br /> <blockquote>The <a href="http://en.wikipedia.org/wiki/Moonlight_tower">structures</a> were popular in the late 19th century in cities across the United States and Europe; they were most common in the 1880s-1890s. In some places they were used when standard street-lighting systems — using smaller, shorter, and more numerous lamps — were impractically expensive. Other times they were used in addition to existing gas street lighting. The towers were designed to illuminate areas often of several blocks at once. Arc lamps were the most common method of illumination, known for their exceptionally bright and harsh light.</blockquote><br /> <br /> Of the cities that once used to operate such a street-lighting system, Austin is “the only city in the world known to still” do so.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKF825OqJYm6qgnQyFIwvR58UAj_yJVKieRaCEb3pgiIPINp_ryPeWuN_1YKvehtmJIwTnakYag0j38XDfAx6ePtmP2u9LdCxxAhx_7Q0zi3P8mVzHXxHx8XwSM3T6hVcJck09/s800/130211_moonlight_4.jpg" width="550" height="550" alt="Andy Mattern" /></span><br /> <label>(“West 41st St. & Speedway,” from Andy Mattern, <i>Moonlight Towers</i>, 2008. Used with permission. <a href="http://www.andymattern.com/moonlighttowers">Source</a>.)</label><br /> <br /> Since this is winter, the chronic period of Seasonal Affective Disorder (SAD), I am reminded of, firstly, the Austrian town of Rattenberg and its <a href="http://pruned.blogspot.com/2005/12/let-there-be-light.html">unrealized plans to install heliostats</a> that would have redirected sunlight to “a dozen 'hotspots' — areas not much bigger than a front yard scattered through the town, where people can gather and soak up rays.” Even more awesome, these Sunlight Towers also would have shone light “onto building facades to show daylight slowly turning to dusk.” In other words, buildings in the mountain's shadows are turned into public cinemas playing artificial weather spectacles everyday. (Except on cloudy days.)<br /> <br /> Secondly, I'm reminded of <a href="http://pruned.blogspot.com/2006/12/tropicalia.html"><i>Perpetual (Topical) SUNSHINE</i></a>, a public installation by fabric | ch. A screen composed of 300 infrared light bulbs, this Tropical Tower allows winter sun bathers to soak in “an abstract and never-ending, planetary form of day and of summer, across longitudes and time zones.” You might be “out of sync both temporally and climactically” from the rest of the city, but perhaps this asynchronous urban space will light blast your mental health back into some semblance of normality.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJNAcEQ8JNuCYiYN_NrAvTCKGGFskJF-_f8SZcStDCBMdPj1BGK7022DMx-FRvq6438iMOM1KuNwB6OAH23-uZnC4hRJbOrdV-_bZPedAmH01gzcImQELkT0zcNFv_8e3epq5V/s800/130211_moonlight_5.jpg" width="550" height="550" alt="Andy Mattern" /></span><br /> <label>(“East 13th St. & Coleto St.,” from Andy Mattern, <i>Moonlight Towers</i>, 2008. Used with permission. <a href="http://www.andymattern.com/moonlighttowers">Source</a>.)</label><br /> <br /> Picking up the possible psychiatric benefits of these light towers, Moonlight Towers could be reinstalled in sun-deprived northern cities, turning downtown plazas, city parks, and the everyday sidewalks and alleyways into solar sanitariums for the depressives, the moody and the bipolars. Usually dead spaces in the winter, they'll teem with people in search of light therapy. In other words, Prozac Plazas. Not a deterrence against thieves and rapists but against fatal mood swings.<br /> <br /> You won't be able to see the stars at night, but at least you're not going to kill yourself.<br /> <br /> <label>(Andy Mattern's photographs via <a href="http://iamtheweather.com/?p=1336">iamtheweather</a>. See also <a href="http://pruned.blogspot.com/2010/11/deep-space-public-lighting-chilean-gold.html">Deep Space Public Lighting, Chilean Copper-Gold Mines, Rare Earths Geopolitics, and iPhones as Portable Artificial Suns</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com2tag:blogger.com,1999:blog-13572111.post-14855407817829359262013-02-10T23:40:00.000-06:002013-02-11T13:19:39.977-06:00<iframe src="http://player.vimeo.com/video/59377022?title=0&amp;byline=0&amp;portrait=0" width="550" height="413" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><br /> <label>(Video courtesy of the National Institute of Advanced Industrial Science and Technology, Japan.)</label><br /> <br /> I was very intrigued by a crowdfunded, citizen-scientist <a href="http://www.indiegogo.com/projects/american-gut-what-s-in-your-gut">project</a> to “characterize the microbial diversity of the Global Gut.” Those that have donated will receive a sampling kit and instructions on how to collect stool samples. Once sent back to the lab, the samples are then genetically sequenced to create a portrait not only of your own <a href="http://en.wikipedia.org/wiki/Gut_flora">gut flora</a> but also, if you chose the pricier options, your entire family and furry pets, ultimately mapping a heretofore underexplored ecological system, a microscopic yet planetary-crossing garden of bacteria, viruses, eukaryotes and fungi.<br /> <br /> Phase I has already been funded and is closed to volunteers, but you can still join in the fun in <a href="http://www.indiegogo.com/projects/american-gut">Phase II</a>. I'd be curious to hear what the diversity of this microbiome has to inform us about geography and food systems (or vice versa).<br /> <br /> Meanwhile, this reminds me of an interesting <a href="http://www.thefreelibrary.com/Wheel+of+life%3A+bacteria+provide+horsepower+for+tiny+motor.-a0151900470">research</a> from 2006, in which scientists at Japan's National Institute of Advanced Industrial Science and Technology “put bacteria to work, powering a tiny rotary motor etched out of semiconductor material,” as <i>The New York Times</i> <a href="http://www.nytimes.com/2006/08/29/science/29observ.html">described</a> their work. Nearly akin to shire horses harnessed to a <a href="http://en.wikipedia.org/wiki/Horse_mill">horse mill</a>, “[t]he bacteria glide along a circular channel attached to a 20-micron-diameter rotor, turning it at a rate of roughly 2 r.p.m.”<br /> <br /> According to one of the scientists, the goal “in the long distance is to make a medical machine, something like Proteus,” referring to the miniature submarine in the 1966 film <i>Fantastic Voyage</i>. In the middle distance, perhaps they could coat a volunteer's intestinal tracts with bacteria-driven nano-motors. His gut flora having been cultivated to extraordinary verdancy, thus churning his mechanic <i>hortus conclusus</i> into full throttle, he'll be able to power an iPad.<br /> <br /> How about programming it into a stool battery factory. On some nights, he takes a shit in the garden to power his outdoor light fixtures. The entire urban waste infrastructure will have to be rethought.<br /> <br /> In Phase X of the Global Gut project, participants will be mailed an assembly kit. They only need to swallow it. Once ingested, they'll be part of an international mass cyborgification of a human organ, later forming part of a cloud network. It's the gut server farm.<br /> <br /> <label>(American Gut project via <a href="https://twitter.com/nicolatwilley">@nicolatwilley</a>. N.B. I'm not above <a href="http://pruned.blogspot.com/2006/12/gut-flora.html">repetition</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-73370534772698281422013-02-07T23:59:00.000-06:002013-02-13T13:20:31.441-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9t6fYc03ggEKywiURXuAb6Twx2Bc3cbBFEo4duPOebwqWBFGvk_i4LulchFRxpLRkfJkJercET84sQ64Im-DaA4ZDw8jApl8cE-dUsDbdtk_yEIWMn31yAPk7guxPyYr5-qkp/s800/130207_super-shelterbelt_1.jpg" width="725" height="365" alt="Tarim Desert Highway" /></span><br /> <label>(Tarim Desert Highway. Photo courtesy of China Petroleum Engineering Co. <a href="http://cpe.cnpc.com.cn/News/cpe/1/1-8/gygc/201005/20100526_C459099.shtml?COLLCC=1986736943&">Source</a>.)</label><br /> <br /> Yesterday's <a href="http://pruned.blogspot.com/2013/02/darpa.html">post</a> about the global importation of aerosol reminded me of the Tarim Desert Highway, which crosses the great expanse of the Taklimakan (or Taklamakan) Desert in western China, the region I referred to as a Hell Mouth. I've blogged about it several times over the years, first briefly appearing as a <a href="http://pruned.blogspot.com/2008/04/prunings-xlii.html">pruning</a>, which I later <a href="http://pruned.blogspot.com/2009/01/tarim-desert-highway.html">expanded</a> into a full post, before using it as a starting point for some <a href="http://pruned.blogspot.com/2009/02/dune-city.html">speculative terraforming scenarios</a>.<br /> <br /> The thing that so absolutely fascinates me about the highway, second only to its shelterbelt, is its maintenance crew&mdash;a total of 110 couples, according to <i>The Telegraph</i>'s math&mdash;who are “<a href="http://www.telegraph.co.uk/news/3219418/Chinas-Taklamakan-Desert-Highway-Silk-route-turned-oil-pipeline.html">housed in huts every four kilometers along the road</a>. Life in the desert was judged too lonely for single men, so only couples could apply for the job.” Their duties include turning on the irrigation pumps in the morning to water the plants and…that's about it. The rest of the day is spent “pretty much doing nothing.”<br /> <br /> Perhaps it's me augmenting their lives spent in spartan cubicles in the middle of utter wilderness with the romantic image of life as a lighthouse keeper that explains the interest: solitary figures living in the open dune sea, guiding caravansaries through fog banks of atomized earth; park rangers in their lookout towers, peering out for wildsands that might snuff out their midget forests; caretaker pilots of deep space mining ships, ensuring critical resources are safely navigated through interstellar deserts, with Mother or Father as their only companion. These desert ashrams may be fully connected to the rest of civilization via television and mobile devices, but there's always that undertone of the monastic.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDSrWCJ2kse8b7EQbLNc5VPiEuzFpKuB9nw-kCrI7_NykyBb0_-6yiYgnKkodo19NphIWV7EyAxDfy9wU0f2K4iJGm7o3eZhpKg0yZR8goAJ2s1vXelHIkjTPUZiJpWavy2o1j/s800/130207_super-shelterbelt_2.jpg" width="725" height="365" alt="Tarim Desert Highway" /></span><br /> <label>(The highway isn't entirely protected by live vegetation. In this stretch of the road, the sand dunes are stabilized with straw checkerboard barriers. Here's a <a href="http://www.360cities.net/image/taklamakan-desert-road-protection-xinjiang#177.30,19.20,70.0">360° closeup</a>. Photo by “屲林坡”(?).<a href="http://mfg3111.blog.163.com/blog/static/88388540201111404154504/">Source</a>.)</label><br /> <br /> Perhaps China, faced with a future of persistent drought, accelerating desertification, and an afforestation program in total failure (the combination of which may mean more intense and more frequent sandstorms that smother the most economically dynamic cities in the world, degrading their already poor urban air quality into a public health hazard), will expand the Tarim shelterbelt to cover the entire Taklimakan Desert (and the Gobi Desert, too), grafting a checkerboard of midget forests that not only will protect a strategic oil route but also suppress the creation of sandstorms or at the very least weaken them and shorten their reach.<br /> <br /> This Super-Shelterbelt would be a megalopolis of sorts, the largest city in the world in terms of area, gridded out into four-square-kilometer parcels. In a corner of each plot will be a blue house with a red roof, of course, where the comparably small populace will live in pairs. One wonders what social structures will emerge out of this gigantic urban air conditioner land grabbed from the hinterlands. What manner of urbanism will something so utterly centerless, diffused, but altogether bound by fealty to distant megacity overlords, generate?<br /> <br /> <label>(Related: <a href="http://pruned.blogspot.com/2009/01/rising-like-alien-plants-on-terraformed.html">“rising like alien plants on the terraformed lakebed”</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-41720195979479486022013-02-06T10:00:00.000-06:002013-02-06T10:00:01.142-06:00<span style="position: relative;"><iframe width="725" height="408" src="http://www.youtube.com/embed/w7A6He0AZTo?rel=0" frameborder="0" allowfullscreen></iframe></span><br /> <label>(The global aerosol trade. Animation courtesy of NASA.)</label><br /> <br /> Last year, NASA and university scientists released a study revealing that half of the airborne particles, or <a href="http://earthobservatory.nasa.gov/Features/Aerosols/">aerosols</a>, in the skies above Canada and the United States come from foreign sources. (“<a href="http://www.nasa.gov/multimedia/videogallery/index.html?collection_id=13587&amp;media_id=149691581">That's a huge number &mdash; half</a>.”) Indeed, analysis of satellite data showed that “<a href="http://earthobservatory.nasa.gov/IOTD/view.php?id=78742">64 million tons</a> of dust, pollutants, and other particles cross the oceans and mix into the air over North America each year. That’s nearly as much as the estimated 69 million tons of aerosols produced domestically by natural processes, transportation, and industrial sources.” <br /> <br /> While particulate pollution from Asia usually gets the most attention, most of the imported particles, or 88 percent (56 million tons) of the total, is naturally produced dust, which, like man-made pollution, can have a direct impact on human health, weather and climate. As you can see in the upper left screen corner of the animation embedded above, “strong source points” of these fine grains are located in central China near the <a href="http://earthobservatory.nasa.gov/Search/index.php?q=taklimakan+desert">Taklimakan Desert</a>, that large gaping wound bleeding out a vermillion sea. The <a href="http://en.wikipedia.org/wiki/File:Bomarzo_parco_mostri_orco.jpg">Hell Mouth</a> of a grotesque earth body.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwBOE3-oM9ke_6_BJ-olKJ-voo1DeQn04b4GlONIZpPT1Jv8MYpcVtNIzbVsn996u5gyyjm0URIr4rZcKsIqWQ-dpUU5DsjYdHCdE9cp3J9Oxtmwrfn-C_BoCMWG0Y6j5E8GhM/s800/130206_darpa_1.jpg" width="725" height="360" alt="Taklimakan Desert" /></span><br /> <label>(Dust storm in the Taklimakan Desert, November 2012. Image courtesy of NASA. <a href="http://earthobservatory.nasa.gov/NaturalHazards/view.php?id=79609">Source</a>.)</label><br /> <br /> It's universally accepted that high-speed surface winds kick up the fine desert particles into the air, fountaining pulverized earth all the way through the mega-cities of East Asia. If Beijing's recent <a href="http://earthobservatory.nasa.gov/IOTD/view.php?id=80152">airpocalypse</a> was bad, imagine if it had been springtime, the high season of sandstorms.<br /> <br /> But there's another culprit: China's <b>Defense Aerosol Research Project Agency</b> (DaRPA). Zoom in on those so-called “source points” on Google Earth, and you'll find the playgrounds of aberrant geologists, gonzo climatologists, avant-gardeners and desert shamans.<br /> <br /> Quoting a <i>Wikipedia</i> article yet to be written:<br /> <br /> <blockquote>The Defense Aerosol Research Projects Agency is a blue-sky thinking agency charged with developing new aerosol technologies for use by the military. Current research include <b>[1]</b> weather weaponization, such as <a href="http://pruned.blogspot.com/2005/12/earth-fountain-redux.html">granular blitzkrieg</a>; <b>[2]</b> homeland soil transport through air corridors for island building in claimed extraterritorial waters; <b>[3]</b> <a href="http://pruned.blogspot.com/2011/03/smart-dust.html">nano-drones</a> for domestic and foreign intelligence gathering; <b>[4]</b> dust cloud urban pacification for city-wide protests, a project codenamed <i>Curfew</i>; and what the international media and their beat reporters have dubbed the <b>[5]</b> Great Blurwall of China.</blockquote><br /> <br /> If you're wondering why the progress of the <a href="http://en.wikipedia.org/wiki/Green_Wall_of_China">Green Wall of China</a> has been painfully <a href="http://www.guardian.co.uk/world/2011/jan/04/china-desertification">slow</a>, if not a downright <a href="http://www.theepochtimes.com/n2/china-news/desertification-in-china-20291.html">failure</a>, one reason is the stalling attempts of DaRPA researchers, as an afforested desert would certainly ruin their experiments.<br /> <br /> But it must be said that not all the work by DaRPA are quite so malevolent. You might recall the <a href="http://www.nature.com/news/2010/100809/full/news.2010.396.html">discovery</a> that one of the “world's most desolate places,” the <a href="http://en.wikipedia.org/wiki/Bodélé_Depression">Bodele Depression</a> in north central Africa, is keeping “one of the most lush,” the Amazon, stay lush.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdtqmVsU7F2J7rGfr6sLqP1BHfchqkzx_PLUiNAByCxLehW5SVRCbH5S60UWKxf30NPS-uhmWsuYSxUbsCIorx1ICuO8gs5URqaE58amqEvC5-5oukGnwvVvhv03yx9yx2NpT8/s800/130206_darpa_2.jpg" width="725" height="480" alt="Bodele Depression" /></span><br /> <label>(Dust storm in the Bodele Depression, December 2011. Image courtesy of NASA. <a href="http://earthobservatory.nasa.gov/IOTD/view.php?id=76641">Source</a>.)</label><br /> <br /> Quoting an actual <a href="http://earthobservatory.nasa.gov/IOTD/view.php?id=7279">article</a>:<br /> <br /> <blockquote>About half of the 40 million tons of dust that are swept across the Atlantic from the Sahara to the Amazon each year come from the Bodele Depression, a small valley that accounts for only 0.2 percent of the entire Sahara and is only 0.5 percent the size of the Amazon itself. The discovery of this surprisingly large single source of mineral dust raises many fascinating questions about how far-flung parts of the Earth system are connected, including how large the dust reservoir in the Bodele depression is, how long it has been emitting such a huge amount of dust, and how long will it continue to fertilize the Amazon.</blockquote><br /> <br /> You can go a long way in answering such questions after realizing that this foreign soil exchange, this planetary umbilical whirligig, is <b>[6]</b> a Land Art installation by DaRPA. An aerosol garden of earth-fountains evoking the extinct, aggregated landscapes of Gondwana, thus an art that disregards not only political boundaries but also the barriers of Deep Time.<br /> <br /> Howling, suffocating, blinding, Marvelous, it's a <i>Spiral Jetty</i> for the troposphere, which just happens to be a new form of <b>[7]</b> mineral trade that bypasses conventional resource extraction and established global fertilizer supply chains. Counter-desertification strategies in the works. Foreign Phosphorus Aid.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirRZipYK3lWQFHsmjRCEy2-LGmCCVrQriU8pDvvRh9if9syTK222MONhxnZsqilsNQntH6W1vF5POFt6sKVqZIZ63PiukgbsKsYGwRErM5oZ99yWkF05fdEdMn2E1m5pKlp4s8/s800/130206_darpa_3.jpg" width="725" height="480" alt="Bodele Depression" /></span><br /> <label>(Dust storm in the Goodland, between Colorado Springs, Colorado, and Garden City, Kansas, January 2013. <a href="http://earthobservatory.nasa.gov/IOTD/view.php?id=80164">Source</a>.)</label><br /> <br /> The US &mdash; misinterpreting this monumental piece of performance art as a manifestation of China's African Century and BRICSmanship, the objective of which is a further entrenchment into the geopolitical spheres of Africa and South America &mdash; start their own DaRPA within the original DARPA.<br /> <br /> <label>(In another desert, <a href="http://www.thestate.ae/they-came-to-the-desert-and-were-consumed-by-a-flickering-fortress-by-demilit/">GARPA</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-74411583887151122902013-02-04T10:00:00.000-06:002013-03-02T14:44:50.926-06:00<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTSuIUlwybh_k9fW3PYU5wHrfeW0Xb6CuKdWhdbLzxeRVS8hyfnU2yJlgLzsAnpCmrBFBvd0AuzjD9dGoqAD9uGxCuMdmfij1PpdRbtayWQjCBa-i9lC8qJN6liiHvPDz_Z8Ri/s800/130204_water_computer_1.jpg" width="550" height="700" alt="Water Computer" /><br /> <label>(A “fluid circuit.” Photo by William Vandivert.)</label><br /> <br /> The above image appeared in an <a href="http://miriam-english.org/files/fluidics/FluidControlDevices.html">article</a> published by <i>Scientific American</i> in 1964. It's actually a photograph, believe or not, of a block of plastic “chemically etched” with “fluid control devices,” which are basically an arrangement of channels. Streams of fluids are pumped through these micro-canals, and applying the principles of fluid dynamics, one could manipulate their meandering course through this network.<br /> <br /> <img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLiWfiTcf9wFEgboeA752WGcC5zyC7_m2JUScDxO-wEomfMrWufpLG69RkM5U2ZBfbRnyXMHv6hCAsMCiiy7hFPoX6p_gjH-Qcc6xvBSVEc4fyYqdyncpzcufcVFv_VFeQoQAQ/s800/130204_water_computer_2.jpg" width="550" height="320" alt="Water Computer" /><br /> <label>(A single and two-stage fluid amplifier. Diagram by James Egleson.)</label><br /> <br /> In one fluid-control technique described by author Stanley W. Angrist, a high-energy stream of fluid, called the power stream, is first injected into a fluid control device. If left to itself, the power stream clings to one wall of the channel in which it is flowing, and as a result exits through an outlet on that side. The stream can be diverted to a second outlet on the other side by injecting a stream from a side channel.<br /> <br /> If you think of those two outlets as representing “on” and “off” (or “0” and “1”) and the side channels as flip-flop switches, then it's easy to see how a fluid control device “corresponds to a triode that turns a flow of electrons on or off. It is essentially like an element in a digital computer.” One can even design it “to act as a <a href="http://en.wikipedia.org/wiki/Logic_gate">logic gate</a> expressing the concept 'and' or 'or,'” thus, if you build and connect enough of them, you could have an “all-fluid digital computer” that can model the most complex algorithms. There are even certain set-ups that display “a property that amounts to memory, and it can be put to use for that purpose.”<br /> <br /> To repeat: <i>a property that amounts to memory!</i><br /> <br /> <img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwjCx5OVY1uejR5U2scQbfIMwJE7X5pbCgRq976GnwpSX70buSrdDK7ggatP_cJ0A9EnXNmOwaV-Lpw6yX2_4G-s8VkcekOn9DOSxvv5Bt4ihyS1OzC-mhDyvFNF0ZAByPFUqq/s800/130204_water_computer_3.jpg" width="550" height="500" alt="Water Computer" /><br /> <label>(Possible stream behaviors in a fluid switching device. Diagram by James Egleson.)</label><br /> <br /> No doubt I've oversimplified or misunderstood the concept and potential of these fluid control devices, so I suggest reading the article in full and the <i>Wikipedia</i> entry on <a href="http://en.wikipedia.org/wiki/Fluidics">fluidics</a>. There's also an <a href="http://blog.modernmechanix.com/fluid-transistor-circuits/">article</a> archived on <i>Modern Mechanix</i>, one published in 1960 and claiming that these devices “could rival electronics within 10 years.” In fact, returning to the <i>Scientific American</i> article, Angrist spells out their “distinct advantages over electronic devices. They are simple in construction, have virtually no moving parts, can be powered by almost any source of energy to pump the fluid, are immune to damage by heat or ionizing radiation (which electronic equipment is not) and would be comparatively inexpensive if mass-produced.” <br /> <br /> In any case, owing to a vague resemblance of the opening image to the serpentine lines of an irregular garden, such as the <a href="http://en.wikipedia.org/wiki/Hameau_de_la_reine">garden</a> at <a href="http://en.wikipedia.org/wiki/Petit_Trianon">Petit Trianon</a> on the super-formalized grounds of Versailles &mdash; and to the enduring popularity of an earlier <a href="http://pruned.blogspot.com/2012/01/gardens-as-crypto-water-computers.html">post</a> in which I sketched out an alternate version of garden history &mdash; one can't help but propose reconfiguring Petit Trianon into a water computer.<br /> <br /> It'd be a kind of experimental subfield of historic preservation, in which Le Rouge's plan for Marie Antoinette's pleasure ground is purposely misunderstood as the schematics for a fluidic motherboard.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivQTAg2mVzJz995aRIeCBqSn6k_Ygaz5D6S3zKxeaW2tQfrv1YLqzpS8FRd9wZ6VA6QzADRJY9LfqeymyYs8gXMv_pFpaQX_UOlJ0s6Rf7_0EwINI56Wyo6S8PNp6ITOK-Jm8r/s800/130204_water_computer_4.jpg" width="725" height="500" alt="Petit Trianon" /></span><br /> <label>(“Projet pour le Jardin Anglo-chinois du Petit Trianon,” from George Louis Le Rouge, <i>Detail des nouveaux jardins a la mode</i>, 1777. <a href="http://digicoll.library.wisc.edu/cgi-bin/DLDecArts/DLDecArts-idx?id=DLDecArts.RougeDet">Source</a>.)</label><br /> <br /> You could also reconstruct the whole of Versailles, afterwards augmenting it with several Versailleses, and in the process gobbling up other gardens of the Ancien Régime that have since disappeared, though their plans still exist in the basements of national libraries, ready to be misread as circuitry.<br /> <br /> That is, into miles of fluidic circuitry etched into the earth; modules bulging out artificial hills, outlook mounts and facsimiles of Mt. Parnassus; valved artificial lakes as input devices; water parterres as logic gates; grottos as maintenance access to the bowels of this great tectonic machine; with esoteric Freemason symbols as instructional manuals; and a decorative program of Diana Efesinas as display consoles.<br /> <br /> <img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKdzF6A_iRr-SixhpOeStOX1IN87mG0ht9unU2xlptS9XrvcGni27igcWI84rkF5EEO4zq1l-FSj77Ha7sOJKsnwSlI43TUFeMYnkUWdPl6nKOjfHTIZ14bZwUk5YuIpL4C_4-/s800/130204_water_computer_5.jpg" width="550" height="700" alt="Fontana di Diana Efesina" /><br /> <label>(Fontana di Diana Efesina at Villa d'Este, Tivoli, Italy. Original photo by Yair Haklai. <a href="http://en.wikipedia.org/wiki/File:Fontana_di_Diana_Efesina-Tivoli,_Villa_d'Este.jpg">Source</a>.)</label><br /> <br /> Moving from one Diana Efesina to another, which could be quite an epic perambulation, and taking notes of the hydro-matrix barcodes being printed by these water-emitting diodes, one will eventually gather all the data needed to model…what exactly?<br /> <br /> How about the motions of planets and stars?<br /> <br /> <img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEija-2DCkEsPnlRXV2ZWp38jtvupSa1r6rh04R4wuh6NoWF7pfxQ79Tzi7Hu8rCod78HGvSE-DSUAdg6DQPYYsviHNAKNc4ntXoYL_Z4wL2tAmiXm3hupAiJiV-AQurCfOIqPdL/s0/130204_water_computer_6.jpg" width="550" height="800" alt="Salomon de Caus" /><br /> <label>(“Desseing d'une grote ou il y a une balle laquelle se lève avec la force de l'eau,” from Salomon de Caus, <i>Les Raisons des Forces Mouvantes, avec diverses machines tant utiles que puissantes, auxquelles sont adjoints plusieurs dessings de grotes & fontaines</i>, 1615. <a href="http://cnum.cnam.fr/CGI/fpage.cgi?FDA1/103/100/162/0162/0162">Source</a>.)</label><br /> <br /> Adjust the pumps on this fountain and the pumps on that fountain and a thousand other interconnected water features, and soon enough you will have calculated the day when Jupiter reaches its next perihelion or the earth-crashing orbit of a previously unknown asteroid. The garden will open up the universe and all its wonders to humanity, but will also announce the date of their Second Exile.<br /> <br /> <label>(Thanks to <a href="http://www.smoutallen.com">Mark Smout</a> and <a href="http://bldgblog.blogspot.com">Geoff Manaugh</a> for the fluid circuit image.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-84578668054892252762013-02-03T16:11:00.002-06:002019-04-26T13:59:34.934-05:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGJJNLaCWw9HmvEiPRCC5iccsI-xqAQFCnFgEzEqoeuG-df_1OPb5v5zD9oSjWX4oDH0MEDMd5nqev8rQn19nGyo6ypRWcl8JfHXkyRgz3KSgcR-w-SSr1N7B5FckpzjN3ir6g/s800/130203_paleoastronomical.jpg" width="725" height="450" alt="Gamma-Ray Burst" /></span><br /> <label>(An artist rendering of a gamma-ray burst. Image by NASA/Dana Berry/Skyworks Digital. <a href="http://www.nasa.gov/vision/universe/watchtheskies/double_burst.html">Source</a>.)</label><br /> <br /> Scientists have theorized that a gamma-ray burst may be responsible for “an unusual level of a radioactive type of carbon known as carbon-14” found in ancient cedar trees in Japan.<br /> <br /> “These enormous emissions of energy,” <a href="http://www.bbc.co.uk/news/science-environment-21082617">explains</a> <i>BBC News</i>, “occur when black holes, neutron stars or white dwarfs collide - the galactic mergers take just seconds, but they send out a vast wave of radiation.” If the source is within our galactic neighborhood, it might trigger an extinction event, or even something far worse. If much farther afield, say, in another galaxy, most of the radiation is absorbed by the atmosphere, where it triggers an increased production of radioactive elements, which rain down on waiting trees. <br /> <br /> Botanical daguerreotypes chemically etched with the remnants of dead celestial spheres; an organic archive of cosmic megaspectaculars. In a sense, then, forests don't constrict your vision, rather they add perspectives, telegraph your gaze into deep space-time.<br /> <br /> I can't resist the temptation here of imagining ancient Druidic sects of silviculturists, spread out all over the world, tending to patches of dark woods, steamy jungles and rain forests, astronomical observatories each manned by a hermetic crypto-astronomer recording supernovas, solar flares, the death pangs of black holes, and intergalactic jets of many dark brightnesses. And centuries later, Jodie Foster in the guise of Indiana Jones go out looking for their remnants, an orchid hunter in search of the rarest of rarest astral efflorescences.<br /> <br /> <label>(See also: <a href="http://pruned.blogspot.com/2011/04/crater-for-eavesdropping-on.html">A Crater for Eavesdropping on Exoplanetary Auroras</a>. Vaguely related: <a href="http://pruned.blogspot.com/2012/07/proposal-for-ideas-competition-seeking.html">A Proposal for an Ideas Competition Seeking Design Proposals for a Pavilion for Viewing the Coming Intergalactic Collision between Andromeda and the Milky Way</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-73657455465230786132013-01-31T16:42:00.000-06:002013-02-06T14:50:12.026-06:00If you enjoyed yesterday's mini film series on <a href="http://pruned.blogspot.com/2013/01/applied-topiary.html">topiary robotics</a>, you might also be interested in another <a href="http://www.youtube.com/user/TTAUSA">line-up on garden machinery</a> presented by <a href="http://www.tta.eu">Tuinbouw Technisch Atelier BV</a>, a Dutch company (obviously) that advertises itself as “a leading supplier of equipment for handling and selection of young plants and other equipment for growers and industries.” At least for their most recent uploads, the videos are more slick, soundtracked with post-rock, and of higher quality, which make them not at all out of place in a Ron Fricke <a href="http://barakasamsara.com">glorified slideshow</a>, in the them-whacky-humans section.<br /> <br /> This is their CombiFix, which is outfitted with a “unique vision selection system.” You can briefly see it from 0:27 reading the electromagnetic spectrum for glitches in these mobile, <a href="http://vimeo.com/36239715">robot-readable</a> gardens, or at least aberrations according to its programming. <br /> <br /> <span style="position: relative;"><iframe width="900" height="506" src="http://www.youtube.com/embed/3jGErEaaCIE?rel=0" frameborder="0" allowfullscreen></iframe></span><br /> <br /> The ways in which ornamental plants, vegetables and fruits have been standardized by way of, among other things, industrial efficiency, institutional regulations, globalization and capricious aesthetics, are endlessly fascinating to think about, so it would definitely be interesting to speculate how such machines and their computer vision will someday affect changes to our ornamentals and food. Will the future orange be redesigned to make it more readable to the LIDAR scanners of <a href="http://pruned.blogspot.com/2007/09/hacking-american-agricultural-landscape.html">fruit-picking machines</a>? Will tomatoes inscribe themselves with vegeglyphs, the agricultural variety of these home “<a href="http://bldgblog.blogspot.com/2011/08/new-robot-domesticity.html">machine-hieroglyphs</a>”?<br /> <br /> In any case, here's their FlexPlanter. The video is interrupted by a buyer raving about the machine, how “[b]efore, this process was done by many people” but “now 3 people are sufficient” and perhaps still “two additional persons” can be put out of work. So one second you're in reverie, and the next second you're skirting through issues of weighty importance, like migrant farm labor, immigration and the <a href="http://www.nytimes.com/2012/01/09/world/europe/amid-economic-strife-greeks-look-to-farming-past.html">rural austerity diaspora</a>. (As an aside, the urban youths escaping the econopocalyptic city, searching employment in ancestral farmsteads, only to find them overrun by agrobots, is a <a href="http://pruned.blogspot.com/2012/01/hacking-super-robo-farm.html">story</a> worth fleshing out.)<br /> <br /> <span style="position: relative;"><iframe width="900" height="506" src="http://www.youtube.com/embed/p55Q4Z_koTg?rel=0" frameborder="0" allowfullscreen></iframe></span><br /> <br /> Of course, I'd like to see these planters go mobile (sentient or simply autonomous), as a kind of Johnny Appleseed peacenik version of DARPA's <a href="http://en.wikipedia.org/wiki/BigDog">Big Dog</a>. All day and all night, in landscapes denuded of vegetation by wildfires or some other cataclysmic event, perhaps on extraterrestrial landscapes, they'll be tippity tap tapping seedlings into the earth (or Martian regolith), doubling back once in a while to patch up glitches in the garden.Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com2tag:blogger.com,1999:blog-13572111.post-33196088868414716892013-01-30T10:00:00.000-06:002013-05-24T03:37:45.782-05:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKqoWvByueqQnGBrcUQBiA6-BzvV_Ay7Q5_OJ6K2a5k1QIUgdyYlbqijFPKISKH_WF7zisEumMrNedIzHA6ey3ttWqGBrqHBDdqYxm1GGhCfWkOwhs9fidj5rZ6KOOorRvWs8d/s800/130130_topiary_1.jpg" width="550" height="400" alt="Gebroeders Ezendam B.V." /></span><br /> <label>(Photo courtesy of Gebroeders Ezendam B.V. <a href="http://ezendam.info/index.php?page_id=1255&product_id=204&lang=en">Source</a>.)</label><br /> <br /> The other night, while inescapably mired in a seemingly endless video stream of <a href="http://www.youtube.com/playlist?list=PL6DA572868FF55F63">manhole explosions</a> (which I recently learned are “[e]ventualities in subterranean chambers” to which “<a href="http://www.nytimes.com/2013/01/27/world/americas/rio-de-janeiro-grapples-with-exploding-manholes.html">few large cities are immune</a>”) and in an even more extended playlist of <a href="http://www.youtube.com/playlist?list=PLD585D2210775E1CD">landslides and debris flows</a> (in the hope of siting <a href="http://pruned.blogspot.com/2011/05/fred-astaire-as-landscape-architecture.html">Fred Astaire</a> and <a href="https://twitter.com/pruned/status/295245151956262912">Shelley Winters</a>), I stumbled upon the YouTube account of <a href="http://ezendam.info/?lang=en">Gebroeders Ezendam B.V.</a>, a Dutch company that manufactures, among other things, pruning machines for plant nurseries.<br /> <br /> Here's their Globus machine trimmer, which can clip 600 balls an hour, though they have models that can do 5000 an hour.<br /> <br /> <iframe width="550" height="413" src="http://www.youtube.com/embed/7FiE5BCKdEc?rel=0" frameborder="0" allowfullscreen></iframe><br /> <br /> <iframe width="550" height="413" src="http://www.youtube.com/embed/Zi7BrqOA0yU?rel=0" frameborder="0" allowfullscreen></iframe><br /> <br /> They also have a machine for stemmed bushes.<br /> <br /> <iframe width="550" height="413" src="http://www.youtube.com/embed/2obnTXoMvUw?rel=0" frameborder="0" allowfullscreen></iframe><br /> <br /> Shrubs can also be shaped into cones.<br /> <br /> <iframe width="550" height="413" src="http://www.youtube.com/embed/aDA44I6Pox4?rel=0" frameborder="0" allowfullscreen></iframe><br /> <br /> In the din of hydraulic pumps, combustion engines and whirring blades, and in the heady aroma of gasoline and freshly cut greenery, the feral and the hirsute are systematized and standardized &mdash; by machines programmed by Le Nôtre to hack weeds into Platonic forms &mdash; before other machines come around to uproot, ball and ship them to waiting client landscapes that have no patience for informality and flavor. In some ways, it's so Dutch.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRlpt1EjQnWn3Sg0xutQWeDeYpvYnBpuuQqUrlG8O0ipcny17DvEFqv_EqFD2aXPOm09hx7nRdpGpa0dK0mUJ-c9wIb_IteFM5RWLFJSJFA8IzTc349B40mSuyQ6U6GoZ8f4iv/s800/130130_topiary_2.jpg" width="550" height="400" alt="Gebroeders Ezendam B.V." /></span><br /> <label>(Photo courtesy of Gebroeders Ezendam B.V. <a href="http://ezendam.info/index.php?page_id=1255&product_id=202&lang=en">Source</a>.)</label><br /> <br /> In case you were wondering, they also have a <a href="http://ezendam.info/index.php?page_id=1255&amp;product_id=272&amp;lang=en">GPS-propelled pruning machine</a>. Give it a LIDAR scanning system, so it can build a 3D field map for better navigation and precision grooming. Give it extra processing power, and it can achieve full autonomy. And then some more, and keep on doing so until they reach sentience. At night after work, they'll escape to their secret topiary gardens in the forests and perhaps in the cities, too, where they transgress from globules and Christmas trees into vegetal phantasmagoria.<br /> <br /> Surely it would be preferable to give these cyborg coiffeurs artificial intelligence instead of Skynet's killing machines, to be strolling through gardens and orchards to catch glimpses of these fantastical beasts at work rather than escaping from heat-seeking drones, Edward Scissorhands instead of Arnold Schwarzenegger, sculpting human figures in hedgerows rather than flash sculpting actual humans into mounds of ash.<br /> <br /> <label>(See also <a href="http://pruned.blogspot.com/2011/07/pruning-arboreal-notre-dame-in-amazon.html">Pruning an Arboreal Notre-Dame in the Amazon</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com1tag:blogger.com,1999:blog-13572111.post-82460665447154316032013-01-28T16:19:00.001-06:002013-01-30T02:45:06.965-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYzwJWY_3xjrYzIK6Dy2vCjxT2nmAXl78tFkdDoGfu-xmJWXYKyhZUGRmf9XYGJgjMSEoA0PJQTWkqUrq0vcOlWtOFv98niUJmrvat9E-G3rs4D4xkgqPg53zEEgKlHenxd6Fa/s0/130128_monstrous_1.jpg" width="725" height="985" alt="Giovanni Battista de' Cavalieri" /></span><br /> <label>(“A male monster with four arms and two wings standing naked in the landscape,” from Giovanni Battista de' Cavalieri's <i>Monsters from all parts of the ancient and modern world</i>, 1585.)</label><br /> <br /> Apologies for posting this Call for Papers months after the deadline has passed. I myself found out about this conference a bit too late as well. Nevertheless, I thought I'd post the abstract &mdash; along with its incredible list of topics &mdash; for reference. (After all, posting syllabi is always in vogue.) Used as a mission statement and a checklist, you could undoubtedly assemble one of the most interesting blogs (or Tumblr or Pinterest boards) out there.<br /> <br /> The conference, <i>Monstrous Geographies: Places and Spaces of Monstrosity</i>, will take place in Prague, Czech Republic, on May 2013. This is actually the second conference of an <a href="http://www.inter-disciplinary.net/at-the-interface/evil/monstrous-geographies/">interdisciplinary project</a> organized by a global network of scholars. The first conference took place last year, and abstracts of all the presentations, along with some of the draft papers, are archived <a href="http://www.inter-disciplinary.net/at-the-interface/evil/monstrous-geographies/project-archives/1st/">here</a>. <br /> <br /> <iframe width="725" height="544" src="http://www.youtube.com/embed/MdQkpydccbw?rel=0" frameborder="0" allowfullscreen></iframe><br /> <label>(From Jonathan Rosenbaum's <a href="http://www.jonathanrosenbaum.com/?p=7753">review</a> of Louis Feuillade's <i>Les vampires</i>, 1915: “One of the supreme pleasures in all of cinema, <i>Les vampires</i>, a thrilling ten-part serial released in France in 1915 and 1916, came out during the same period as <i>The Birth of a Nation</i> and <i>Intolerance</i>. Yet the odd thing about this conjunction is that, far from being contemporaries, D.W. Griffith (1875-1948) and Louis Feuillade (1873-1925) seem to belong to different centuries. While Griffith’s work reeks of Victorian morality and nostalgia for the mid-19th century, Feuillade looks ahead to the global paranoia, conspiratorial intrigues, and SF technological fantasies of the current century, right up to today.”)</label><br /> <br /> <b>MONSTROUS GEOGRAPHIES: PLACES AND SPACES OF MONSTROSITY</b><br /> <br /> What is the relationship between the monstrous and the geographic? From ‘Aristotelian’ spaces – as containers of monsters and the monstrous – to ‘Leibnizian’ spaces, where the monstrous emerges from the topological relation between events and localities, monstrous geographies have always haunted the human cultural imagination. From the Necropolis to the Killing Fields and from the Amityville Horror to the island of Dr. Moreau, geographical locations may act as the repository or emanation of human evil, made monstrous by the rituals and behaviors enacted within them, or by their peculiarities of atmosphere or configuration. Whether actual or imagined, these places of wonder, fear and horror speak of the symbiotic relation between humanity and location that sees morality, ideology and emotions given physical form in the house, the forest, the island, the nation and even far away worlds in both space and time. They may engage notions of self and otherness, inclusion and exclusion, normal and aberrant, defense and contagion; may act as magnets for destructive and evil forces, such as the island of Manhattan; they are the source of malevolent energies and forces, such as Transylvania, Area 51 and Ringu; and they are the fulcrum for chaotic, warping energies, such as the Bermuda Triangle, Atlantis and Pandemonium. Alongside this, there exist the monstrous geographies created by scientific experimentation, human waste and environmental accidents, creating sites of potential and actual disaster such as the Chernobyl nuclear plant, the Gulf of Mexico in the wake of the BP oil disaster, and the devastated coastline of Tohuku, Japan. These places raise diverse post-human quandaries regarding necessities in the present leading to real or imagined futures of humanity and habitation.<br /> <br /> Encompassing the factual and the fictional, the literal and the literary, this project investigates the very particular relationships and interactions between humanity and place, the natural and the unnatural, the familiar and the unfamiliar, and sees a multitude of configurations of human monstrosity and evil projected, inflicted, or immanent to place. Such monstrous geographies can be seen to emerge from the disparity between past and present, memory and modernity, urban and rural and can be expressed through categories of class, gender and racial difference as well as generational, political and religious tensions.<br /> <br /> Presentations, papers, reports, performances, work-in-progress, workshops and pre-formed panels are invited on issues related to any of the following themes:<br /> <br /> <b>Monstrous Cartographies:</b><br /> ~<i>Terra incognita</i><br /> ~Real and Mythic lost lands: eg., Atlantis, D’yss [<a href="http://en.wikipedia.org/wiki/Ys">Ys</a>?], and Shangri-La<br /> ~Utopias/Dystopias, future cities in time and space<br /> ~Malevolent regions: eg., Lemuria, Bermuda Triangle, Transylvania<br /> ~Sublime landscapes<br /> ~Bodies as maps and maps as bodies, eg. <i>Prison Break</i><br /> <br /> <b>Monstrous Islands:</b><br /> ~As sites of experimentation. <i>Dr. Moreau</i>, <i>Jurassic Park</i>, etc.<br /> ~As a beacon for evil: eg., Manhattan in <i>Godzilla</i> and <i>Cloverfield</i><br /> ~As site of ritual evil and incest: eg., <i>Wicker Man</i>, Pitkin Islands, Isle of the Dead<br /> ~Imperialist intent and construction: eg., Prospero’s Island, Hong Kong, Hashima<br /> <br /> <b>Monstrous Cosmographies:</b><br /> ~Evil planets and dimensions<br /> ~Comets, meteorites and beings from unknown worlds<br /> ~Worlds as dark reflections/twins of Earth<br /> ~Planets and alien landscapes that consume and mutate earthly travelers<br /> <br /> <b>Monstrous Environmental Geographies:</b><br /> ~Polluted lakes and landscapes<br /> ~Landfills, oil spills and mining sites<br /> ~Melting icecaps and landforms at risk from global warming<br /> ~Land impacted by GM crops and associated experimentation<br /> ~Sites of starvation, disaster and pestilence<br /> ~De-militarized zones and no-man’s lands<br /> <br /> <b>Monstrous Religious Sites & Ritualistic Monstrosity:</b><br /> ~Armageddon, Apocalypse and final battlegrounds<br /> ~Hell, the Underworld and Valhalla<br /> ~Eden, Purgatory, Paradise, El Dorado, Shangri La<br /> ~Sites of religious ritual, sacrifice and burial<br /> ~Houses and haunts of murderers and serial killers<br /> <br /> <b>Monstrous Landscapes of Conflict:</b><br /> ~The land of the enemy and the other<br /> ~Sites of attack and retaliation.<br /> ~Sites of revolution and protest<br /> ~Concentration camps, prisons and other sites of incarceration<br /> ~Sites of genocide, battlefields and military graveyards<br /> ~Border crossings<br /> ~Ghettos, shanty towns and relocation sites<br /> ~Urban and rural, cities, towns and villages and regional and national prejudice<br /> ~Minefields and sites of damage, destruction and ruin<br /> ~Arsenals, bunkers and military experimentation<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyIJxjpa-GreyOMf9gJh_dEpTnA7SL5XoIjjk_XTcl3nChTMPOwqWmsWmpcFEJFlPKReubcMXpSK5x71U7tD3loSX7TXqYpNMPGjOwqk3zcvIOE0Mdg897IKxbj9vY6CIJUbua/s0/130128_monstrous_2.jpg" width="725" height="490" alt="Goldstein" /></span><br /> <label>(A screenshot from <i>Goldstein</i>, 1965, showing IFC Radar Towers at Promontory Point, aka <a href="http://pruned.blogspot.com/2011/04/sunday-in-park-with-chicagos-cold-war.html">Nike Missile Site C-41</a>, reading the skies for winged Soviet nuclear bombers. <a href="http://chicagoscreenshots.com/post/41251843387">Source</a>.)</label><br /> <br /> <b>Uncanny Geographical Temporalities:</b><br /> ~Old buildings in new surroundings<br /> ~Buildings with too much, and those without, memory<br /> ~Soulless Architecture<br /> ~Ideological architecture, palaces, museums etc<br /> ~Places held in time, UNESCO sites and historical and listed buildings<br /> ~Old towns and New towns, rich and poor<br /> ~Appearing and disappearing towns/regions, eg., <i>Brigadoon</i>, <i>Silent Hill</i>.<br /> <br /> <b>Monsters on the Move:</b><br /> ~Contagion, scouring and infectious landscapes<br /> ~Monsters and mobile technologies: phone, video, cars, planes, computers etc<br /> ~Fluid identities, fluid places<br /> ~Touring Monstrosities, dreamscapes and infernal topologies<br /> <br /> <b>Architectural Monstrosity</b><br /> ~Mazes and labyrinths (with or without the Minotaur)<br /> ~Unsettling/revolting geometries (E.A. Abbot’s <i>Flatland</i>, H.P. Lovecraft’s <i>City of R’lyeh</i>)<br /> ~Monstrous/abject building materials (bones, concrete, excrements, the corpse in the wall)<br /> ~The architecture of death (hospices, death row, funeral homes, slaughterhouses)<br /> <br /> <label>(Via <a href=""><a href="https://twitter.com/the_wrangler">@the_wrangler</a></a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0tag:blogger.com,1999:blog-13572111.post-683509912473847352013-01-27T22:59:00.000-06:002013-01-29T00:51:14.914-06:00<span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfH2acdLooljkqrCh2yOlmUeynp6QRJxtKU32gQcppyxSKOGjp_PQeu8xO84WSwBzJHXEh5feRqphj2odlY3BjImapuD4ISouYZZyWppbAEHMtdB_Ryyd0LfatJ2ycxKTVyo9C/s800/130127_glacier_1.jpg" width="550" height="660" alt="!melk Glacier" /></span><br /> <label>(A prototype Glacier National Park. Image courtesy of !melk.)</label><br /> <br /> In what seems like a natural reaction to the extreme weather events in Australia, from <a href="http://www.guardian.co.uk/world/interactive/2013/jan/09/wildfires-australia-pictures">wildfires</a> to <a href="http://www.guardian.co.uk/environment/damian-carrington-blog/2013/jan/08/australia-bush-fires-heatwave-temperature-scale">off-the-color temperatures</a> to “<a href="https://twitter.com/Cmdr_Hadfield/status/295304251083718656">agonized dryness</a>,” the northern latitudes produced their own antipodean freak shows. One of the more hyperborean images is arguably that of a <a href="http://www.bbc.co.uk/newsbeat/21179684">Chicago building encased in ice</a>. Firefighters were called to put out a blaze in an abandoned warehouse, but with subzero temperatures plaguing the region for days, the water from their hoses froze once it hit the building. If there's a spectacular way to announce the end to the city's <a href="http://www.huffingtonpost.com/2013/01/26/chicago-snowless-record-c_0_n_2557705.html">record streak of snowless days</a>, then that is it. <br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNClzKsA-tTamme-3Lulk0KpTUqUM7db_xWsW0SQUEtvRUjRUJo2OVjTCODXzw3wOA_INo3Bt_Z4sb2F-fNHLPU_Yw_1mqz1PPFxxJJY9P6uuplk95rzeAkJFAmi7TcCnsmRqC/s800/130127_glacier_2.jpg" width="550" height="550" alt="3737 South Ashland, Central Manufacturing District, Chicago" /></span><br /> <label>(Testing Ground #1 for a new Glacier National Park. Photo by David Schalliol. <a href="http://www.flickr.com/photos/metroblossom/8408701633/">Source</a>.)</label><br /> <br /> It certainly recalls, among other things, the <a href="http://www.dwell.com/interviews/article/ice-house-detroit">Detroit house</a>, also abandoned, plastered with frozen water by artists Greg Hold and Matthew Radune in 2010, and the <a href="http://www.ediblegeography.com/defrost-prior-to-consumption/">speleological winterscape</a> found more recently inside the Fulton Market Cold Storage Company building, again in Chicago. The later wasn't caused by a natural meteorological event per se, but it does speak to the growing strangeness that awaits us in the climate changed future and to the even more bizarre schemes we'll take up to keep ourselves warm, cool, dry and irrigated.<br /> <br /> Might trees be soon genetically manipulated to grow roots of icy stalactites to air condition Central Park in a New York City of average 115°F days?<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhkcjgVclVKwE1x9wMMJ92dtWDDGHIqMYoO6sPyMAwPeEQ1zCbQ81yhI4rTUgzYGnjwp_2FWo2FSb-6dZXo7ZspWNDBp6PAckL0gSHw042UPq0hA3IyPYKtEe3Lls0Can-oOqB/s800/130127_glacier_3.jpg" width="550" height="400" alt="Fulton Market Cold Storage Company" /></span><br /> <label>(Testing Ground #2 for a new Glacier National Park. Photo by Gary R. Jensen. <a href="http://blog.perkinswill.com/emerging-from-the-deep-freeze-srams-new-global-headquarters/">Source</a>.)</label><br /> <br /> Speaking of New York, there's that <a href="http://www.bbc.co.uk/news/world-us-canada-21190971">frozen fountain</a> in Bryant Park. What better way to revive some of the deader corners of the city in winter than a fountain metastasizing into a Fortress of Solitude, something fit for Tilda Swinton? (<a href="http://pruned.blogspot.com/2005/12/455-meteorite-craters-made-by-humans.html">Cai Guo-Chang's pyrotechnics</a>?) But let's not forget about all the <a href="http://www.guardian.co.uk/world/2013/jan/22/snow-ice-temperatures-plunge">Arctic hysteria</a> in the UK.<br /> <br /> Perhaps unsurprisingly, these collectively compelled someone to troll the internet:<br /> <br /> <blockquote class="twitter-tweet">Back in US. What happened to global warming?London, D.C, New York seem like new ice age!Rockies too.<br /> &mdash; Rupert Murdoch (@rupertmurdoch) <a href="https://twitter.com/rupertmurdoch/status/295202182574252033">January 26, 2013</a></blockquote><script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script><br /> <br /> That he is Australian (never mind his US citizenship), so presumably is fully aware of what's happening in his native country, his tweet is all the more astonishing. No doubt he's trying to outdo <a href="https://twitter.com/realDonaldTrump">@realDonaldTrump</a>.<br /> <br /> Then again, he's half right: those firefighters weren't trying to douse a five-alarm fire, rather they were testing out prototype ice-making machines for a future Glacier National Park in Chicago. A huge swathe of the city will be cleared of its foreclosed houses, to be replaced, in the garden tradition of fake ruin follies, with fake abandoned buildings, which will be structurally reinforced to bear the weight of mini-glaciers. To add variety, some landforms will be contoured.<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh56BO0g8avifnZVWXx241M6f4LeBFWwAoULJwuTjCy-MdZB2ZfHBZey7PSsfE8GdEfS2QfhuCo6xDZIl_NgmdeAxxNp0bdqNXM5TT9woFzMsPjEMu4Xn81JHbRl4wh3-ueD2Xh/s800/130127_glacier_4.jpg" width="550" height="600" alt="Crested Butte ESPN Ice Wall" /></span><br /> <label>(Testing Ground #3 for a new Glacier National Park. Image courtesy of Entre Prises. <a href="http://www.epusa.com/wallsystems/ice_climbing_walls.html">Source</a>.)</label><br /> <br /> For the better part of the year, it's a replicant post-industrial wasteland, a playground for the Instagram set. But each winter, even after (no, <i>especially</i> after) Chicago has <a href="http://www.nytimes.com/2011/05/23/science/earth/23adaptation.html">climatically migrated to Birmingham, Alabama</a>, this urban national park will be sheathed in a “new ice age.”<br /> <br /> <span style="position: relative;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsyjC8lLNuHHVv_4pzT88GS2ZZ3TJNX61Amn4RZ6lS5YrMyRcb2-EDWOqdKTNuHr6UiiyrZPImFHfcT4i5igwlpZu3gqYeCHgKJfXIyzXnaG3379m3m9UGHhkhWOnsaO0k36IM/s800/130127_glacier_5.jpg" width="550" height="400" alt="Urban Ice Climbing" /></span><br /> <label>(Testing Ground #4 for a new Glacier National Park. Unknown photographer and source; in other words, from Tumblr.)</label><br /> <br /> Unfortunately, as this is a parallel world cued by Rupert Murdoch, no Romantics will come to wonder around in a frozen Forum, no Thoreaus to abseil up vertiginous frozen lakes for deep Waldian introspection, no paleoclimate revelers for a Pleistocene Festival as marvelous as London's <a href="http://en.wikipedia.org/wiki/River_Thames_frost_fairs">Frost Fairs</a>.<br /> <br /> Instead, <a href="http://www.nytimes.com/2012/12/09/fashion/extreme-obstacle-course-races-forge-a-bond-in-mud-and-guts.html"><i>they</i></a> will come in droves. They are the bankers and the giant money managers from Goldman, Morgan Stanley and Bain Capital, the high-powered cogs in the engine of finance who sit behind desks with their ice picked scars unseen beneath crisp custom suits, the cubicle-bound King Leonidases yearning to wear shirts that read, “I don't get drunk, I get awesome” and “STDS” (short for “Super Tough Dudes”), to belt out “OO-rahs!” and to have a celebratory drink of Dos Equis after navigating one of the deeper urban crevasses, which are 9/11 on knees, which is not that different from the messy slog of foreclosing homes. In short, the offsprings of Rupert Murdoch's wet dreams in homoerotic glee.<br /> <br /> <label>(See also <a href="http://pruned.blogspot.com/2006/03/ice-show.html">The Ice Show</a>.)</label>Alexander Trevihttp://www.blogger.com/profile/11483250476664132678noreply@blogger.com0