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Free Old Time Radio OTR Abbott & Costello Live Radio Shows

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The team’s first known radio appearance was on The Kate Smith Hour in February, 1938. “Who’s on First?” was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue “The Streets of Paris” in 1939.

In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including “Who’s on First?” The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.

Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.

In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.

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Old Time Radio Jack Benny 39-03-19 Jack Has a Cold|Free Old Time Radio

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Jack Benny (February 14, 1894 – December 26, 1974), born Benjamin Kubelsky[1] was an American comedian, vaudevillian, and actor for radio, television, and film. Widely recognized as one of the leading American entertainers of the 20th century, Benny played the role of someone comically “tight” with his money, insisting on remaining 39 years old despite his actual age, and often playing the violin badly.

Benny was known for his comic timing and his ability to get laughs with either a pregnant pause or a single expression, such as his signature exasperated “Well!” His radio and television programs, tremendously popular in the 1930s, 1940s, 1950s, and 1960s were a foundational influence on the situation comedy. Dean Martin, on the celebrity roast for Johnny Carson in November 1973, introduced Benny as “the Satchel Paige of the world of comedy.”

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The series began August 25, 1949, on NBC Radio. Set in the Midwest, it starred Robert Young as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by June Whitley and later by Jean Vander Pyl. The Anderson children were Betty (Rhoda Williams), Bud (Ted Donaldson), and Kathy (Norma Jean Nillson). Others in the cast were Eleanor Audley, Herb Vigran and Sam Edwards. Sponsored through most of its run by General Foods, the series was heard Thursday evenings on NBC until March 25, 1954.

The show is often regarded as an example of the conservative and paternalistic nature of American family life in the 1950s and it is also cited as an overly rosy portrayal of American family life.^[1]

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Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program’s format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday’s deadpan, fast-talking persona emerged,

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The George Burns and Gracie Allen Show, which premiered on 12 October 1950, was one of the first comedy series to make the successful transition from radio to television. Similar to the format of the radio program in which George Burns and Gracie Allen played themselves, the CBS domestic comedy was set in their home, the first television series to depict the home life of a working show business couple.

The half-hour series was broadcast live for the first two seasons. The first six episodes were broadcast from New York, but the show soon moved to Hollywood, making it only the third CBS series to emanate from the West Coast (after The Ed Wynn Show and The Alan Young Show). On Burns’ insistence, the show was broadcast on alternate weeks in order to provide sufficient time for rehearsals and alleviate some of the pressures of live broadcasts. During its bi-weekly period, the series alternated with the anthology series Starlight Theater and, later, with Star of the Family. After two seasons of live performances, the series switched to a weekly filmed broadcast. Although not filmed before a studio audience, the final filmed product was previewed to an audience and their reactions recorded. At a time when many series relied on mechanically reproduced (“canned”) laughter, Burns claimed that his series only “‘sweetened’ the laughter when a joke went flat and there was no way of eliminating it from the film. Even then we never added more than a gentle chuckle.”

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Burns and Allen met in 1922 and first performed together at the Hill Street Theatre in Newark, New Jersey, continued in small town vaudeville theaters, married January 27, 1926 and moved up a notch when they signed with the Keith-Albee-Orpheum circuit in 1927. Burns wrote most of the material and played the straight man. Allen played a silly, addle-headed woman, a role often attributed to the “Dumb Dora” stereotype common in early 20th-century vaudeville comedy. Early on, the team had played the opposite roles until they noticed that the audience was laughing at Gracie’s straight lines, so they made the change. In later years, each attributed their success to the other.

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The Adventures of Sam Spade was a radio series based loosely on the private detective character Sam Spade, created by writer Dashiell Hammett for The Maltese Falcon. The show ran for 13 episodes on ABC in 1946, for 157 episodes on CBS in 1946-1949, and finally for 51 episodes on NBC in 1949-1951. The series starred Howard Duff (and later, Steve Dunne) as Sam Spade and Lurene Tuttle as his secretary Effie, and took a considerably more tongue-in-cheek approach to the character than the novel or movie. The series was largely overseen by producer/director William Spier. In 1947, scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama from the Mystery Writers of America.

Before the series, Sam Spade had been played in radio adaptations of The Maltese Falcon by both Edward G. Robinson (in a 1943 Lux Radio Theater production) and by Bogart himself (in a 1946 Academy Award Theater production), both on CBS.

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34-03-18 An Arizona Western Jack Benny

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Benny Kubelsky was born in Chicago, Illinois, on February 14, 1894. He grew up in Waukegan, Illinois, and would later become Jack Benny. As a young boy, he was encouraged by his Jewish immigrant parents from Poland to achieve respectability as a violinist. He showed enough talent to hit the vaudeville stage, where he played popular songs, adopted a suave-but-fragile personality, and told self-deprecating jokes

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Radio America Free Old Time Radio

Free Old Time Radio OTR Abbott & Costello Live Radio Shows

Old Time Radio Jack Benny 39-03-19 Jack Has a Cold|Free Old Time Radio

Old Time Radio Father Knows Best 54-01-28 Trash Can Lids

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