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    <title>Razorcake RSS Record Reviews Feed</title>
    <link>http://www.razorcake.org/site/modules.php?name=News&amp;file=categories&amp;op=newindex&amp;catid=6</link>
    <description>Razorcake RSS Record Reviews Feed</description>
    <language>en-us</language>
    <pubDate>Wed, 02 Aug 2017 00:11:36 -0600</pubDate>
	<copyright>Copyright (C) 2017 www.razorcake.org</copyright>
    <item>
  <title>ABSOLUTE POWER</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[A debut LP on Youth Attack from a band with a
&#8220;members of&#8221; list that goes on and on and on (Failures, Charles Bronson,
Aerosols, Cut The Shit, Bones Brigade, Orchid, Ampere&#8230;); so it's easy to assume
a lot about this record. Most of the assumptions will probably be correct, but,
honestly, in this case that's not a bad thing. The record is more accessible
and straight-forward than previous efforts from affiliated bands, but still
retains a clean and clearly intentional presentation. The music doesn't point
to one direct influence, with heavy nods to classics like <i>Get It Away</i>, <i>My America, </i>and<i>Condensed Flesh</i> being offset by a
very modern approach. The songs are short&#8212;but each move in different
directions&#8212;and the guitar captures this perfect, just slightly overdriven tone
that I love. The main riffs are fairly straightforward but there are a lot of
very cool angular breakdowns that italicize sets of lyrics in the song
structures. What makes this record work best is the fact that while there is a
very dated influence, you get the impression that the individual members are so
beyond trying to define what the aesthetics of what hardcore <i>are</i>&#8212;that they are no longer trying to
impress themselves by trying to cop the sounds of others&#8212;and have simply moved
in a different direction.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/absolute-power-self-titled</link>
  <pubDate>Fri, 22 Jul 2016 16:56:40 PST</pubDate>
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<item>
  <title>ADAM HEALTON &amp; THE SITUATION</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Remember when Van Morrison
pooped out that utterly bizarre, nearly unlistenable <i>Contractual Obligation</i> session for Bang Records? The one with cuts
like &#8220;Ring Worm,&#8221; &#8220;Want a Danish,&#8221; and &#8220;The Big Royalty Check&#8221;? Yeah, Adam
Healton &amp; The Situation's album, <i>III,</i> is a lot like that. With nonsensical
lyrics, out of tune guitars, antiquated synths, and schizo samples, each
ear-grating track is certainly memorable, albeit difficult to digest. Adam
Healton specializes in a far-out, lo-fi style a la Ariel Pink, and ups the
creativity ante with each proceeding song. Love it or hate it, <i>III </i>is an
album that's unlike any other.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/adam-healton--the-situation-iii</link>
  <pubDate>Fri, 22 Jul 2016 16:55:47 PST</pubDate>
</item>

<item>
  <title>ADULTS</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Mix of garage, punk, art damage,&nbsp;and maybe
a smidge of proto-hardcore influences. Songs are short, loose, and just
the&nbsp;right kinda sloppy.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/adults-black-bile</link>
  <pubDate>Fri, 22 Jul 2016 16:55:00 PST</pubDate>
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<item>
  <title>ALICJA-POP</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[This is another synth project of Lost Sounds'
Alicja Trout. I haven't been following her career at all, but this is as good
an introduction as any. At its most rambunctious, it's sweet and hook-heavy
garage punk; sparkling pop melodies over lo-fi programming. But many of these
tracks are more subdued&#8212;pleasant
synth pop with enough post-punk grit to keep it from falling into that
mind-numbing twee hole that so often swallows bedroom recordings. Not
that I'm coming into this with any kind of personal bias. The songs and
performances are fully formed, &#8220;home recording&#8221; or not, and Alicja's buoyant
songwriting really drives this. This is party music for a very chill grown-up
party. I can get behind that.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/alicja-pop--rats-home-recordings-2009-2013</link>
  <pubDate>Fri, 22 Jul 2016 16:54:18 PST</pubDate>
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  <title>ALPHA STRATEGY</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[CHUCK BARRIS: Jaye P. Morgone, why did you gong
this band? JAYE P. MORGAN: Because they sounded like a mentally challenged
Minutemen. CHUCK BARRIS: I heard a clever Lard myself. <i>We'll be back with
more stuff!</i> BEST SONG: &#8220;All the Rest.&#8221; BEST SONG TITLE: The album title is
better than any given song title. FANTASTIC AMAZING TRIVIA FACT: &#8220;Don't pay for
it when you can download the darn thing for free.&#8221;&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/alpha-strategy-drink-the-brine-get-scarce</link>
  <pubDate>Fri, 22 Jul 2016 16:53:33 PST</pubDate>
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<item>
  <title>ALTE SAU / LIME CRUSH</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[I've read good things about Lime Crush and all
those things were right&#8212;they're good. &#8220;Never&#8221; bops along in basement show mode
with Veronika Eberhardt singing just a hair off-key before unleashing a brief,
screaming hell. Believe me when I tell you it's a hit. I wish my high school
German skills were stronger, but I do know that Alte Sau's &#8220;Becki Hat Ein Pferd&#8221; translates to &#8220;Becki has
a horse.&#8221; Whatever else they're saying, I'm not sure. There is an organ
sound running through it and that's enough for me.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/alte-sau--lime-crush-split</link>
  <pubDate>Fri, 22 Jul 2016 16:52:50 PST</pubDate>
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<item>
  <title>ANDY CALIFORNIA</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Proclaimed by his label Black Gladiator as the
&#8220;last true savior of rock'n'roll,&#8221; Andy California, nee Andy Macbain of Tunnel
Of Love and The Monsieurs, has unleashed the first recordings of a new solo
project with this 7&#8221;. Fusing rock'n'roll with a bit of bluesy folk troubadour
stylings, this immediately conjured vibes of late &#8216;80s to present-era Tom
Waits. With more jangly guitar stylings and less jazz influence than Waits, California is certainly
hitching a ride on a similar train and crashing in some of the same hobo camps
as Waits. It's weird, it's dissonant, but it's really damn catchy. If Andy
California is able to craft some narrative structures and stories into his
future material, he could very well achieve Waitsian levels of artistry.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/andy-california-my-dying-bed</link>
  <pubDate>Fri, 22 Jul 2016 16:52:01 PST</pubDate>
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<item>
  <title>ANGEL DUST</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Tight and to the point A/B side single from the
East Coast's Angel Dust. &#8220;Upside Down&#8221; feels like a one of the faster, poppier
Quicksand tunes, while the flip is similar, yet with tougher vocals; closer to
Murphy's Law. Glad to finally hear these guys, as I think I've been
subconsciously confusing them with label mates Coke Bust for a long time. Nab
it.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/angel-dust-upside-down</link>
  <pubDate>Fri, 22 Jul 2016 16:51:17 PST</pubDate>
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<item>
  <title>ANGRY ANGLES</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Angry Angles was Jay Reatard's post-Lost
Sounds/pre-solo career band, along with Alix Brown and a couple of different
drummers. They managed to release a few singles before disbanding, which are collected
here along with a number of unreleased tracks (and a live set if you use the
download card included). The music sounds appropriately transitional&#8212;a
distillation of both the dark new wave terrain Lost Sounds mined so well,
albeit sans synths, and the blown-out, shattered garage pop of his later work.
If you're looking for a quicker reference, one need look no further than some
of the covers they drop here&#8212;tunes by the Urinals, Devo, and a great take of
Wire's &#8220;The 15th&#8221;&#8212;to suss out the parameters they set out for themselves. Lots
of good ideas fly past as this spins, some that are pretty stunning, some that
probably could've used a few more weeks of gestation, but nothing that results
in an embarrassed wince. All told, this is a fine closing salvo and a
bittersweet rearview glance at what one could easily see as growing into one of
the great bands of the last twenty years.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/angry-angles-self-titled-2</link>
  <pubDate>Fri, 22 Jul 2016 16:50:34 PST</pubDate>
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<item>
  <title>ANTI-NOWHERE LEAGUE</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Brand new full-length from England's punk pioneers. This
lineup of the band has been intact for a few years now, and the tightness shows
in this recording. If straight-ahead, no-frills punk is what you crave, the
band delivers. There's even a tribute song to a certain frontman from another
long running U.K.
act. &#8220;God Bless Alcohol&#8221; and &#8220;The Last Cowboys&#8221; are my favorites here. Long
live Animal!&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/anti-nowhere-league-the-cage</link>
  <pubDate>Fri, 22 Jul 2016 16:49:44 PST</pubDate>
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<item>
  <title>ARCTIC FLOWERS</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[One of those bands I've heard much ballyhoo
about but haven't actually heard. Three tunes showcase a deft ability to mix
punk and death rock influences, which is often harder than it would seem at
first blush. Songs are punchy, full of drive, and yet danceable. This latter
trait explains the several remixes,&nbsp;predominantly of the opening track,
&#8220;Technicolor Haze,&#8221;&nbsp;that make up the remainder of wax time here, each of
which takes the track(s) in new directions. Daryl expressed some concern when I
plucked this from the pile, saying they were a good band but that maybe a remix
record might not be the best place to start my acquaintance with them. He was
right, but I don't think for the reason he might've thought&#8212;the remixes don't
bother at all, but I do wish there were more tunes on here, &#8216;cause this is
quite good.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/arctic-flowers-remix</link>
  <pubDate>Fri, 22 Jul 2016 16:49:00 PST</pubDate>
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<item>
  <title>ASOUND</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[On the bright side, this sounds a tiny bit like
the first Aerosmith album played on the wrong speed, although I am currently
unsure what speed that would be. 16 rpm would be my best guess. It also sounds
a bit like my Black Sabbath 8-track, but with a boy singing. There is a drawing
of a big hairy monster on the cover. He may be the singer. Today's best and
brightest clearly prefer the cassette format. BEST SONG, BEST SONG TITLE, and
FANTASTIC AMAZING TRIVIA FACT: &#8220;Moss Man,&#8221; &#8220;Moss Man,&#8221; and my friend's dad used
to be in a band from the &#8216;60s called Lord Beverly Moss And The Moss Men.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/asound-self-titled</link>
  <pubDate>Fri, 22 Jul 2016 16:48:22 PST</pubDate>
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<item>
  <title>ATTITUDE ADJUSTMENT</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[For those not keeping score, Attitude Adjustment
were one of the more venerated bands out of the 1980s Bay Area scene that was
mixing prodigious amounts of metal into their hardcore thrash, ultimately
resulting in their inclusion with similar bands into what became known as
&#8220;crossover.&#8221; Their&nbsp;<i>American Paranoia</i>&nbsp;album is considered
a&nbsp;classic of the genre, and rightly so. This latest release by a reformed
lineup apparently active since 2007 sees them working at the same velocities as
during their heyday, with maybe a smidge more of the hardcore ingredient in
evidence here. Tunes zip by, are well executed,&nbsp;and show that age hasn't
mellowed these cats one whit.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/attitude-adjustment-terrorize</link>
  <pubDate>Fri, 22 Jul 2016 16:47:40 PST</pubDate>
</item>

<item>
  <title>BACKSLIDER</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Collection of their EPs, <i>Reality #5</i> comp
track, and the <i>Skull Fracturing Fastcore</i> demo. There are fifty-one
tracks total, so you can either listen the whole way through, or for maximum
effect, bits and pieces at a time. This wonder duo cranked crushing
powerviolence kind of music&#8212;plodding tempos, a ton of low end, and drums that
sound like they're going to bust with every hit. I hear some Man Is The Bastard
in their sound, but this is played with more urgency and has a better groove
when called for. Then they mix in the likes of Infest and Crossed Out for extra
sonic brutality.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/backslider-2008---2013</link>
  <pubDate>Fri, 22 Jul 2016 16:46:58 PST</pubDate>
</item>

<item>
  <title>BAD BREEDING</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[If Bad Breeding is railing against life in
Stevenage (U.K.) then it must be one hell of a dreary shithole to bring forth
an outpouring that reeks of such despair and wretchedness. Blending together
Discharge, Black Flag, and Crass into a brutal and uncompromising delivery,
this four-piece comes across like it has the power to wipe the town off the
face of the map with its explosive offering. I was taken aback by the sheer
might of the sixteen tracks on this album which left me reeling from the aural
equivalent of assault and battery. To be fair, Chris Dodd's lyrics pick on more
targets than just the band's hometown as the Tory destruction of the U.K.
comes under fire, too. His vocals possess a palpable sense of anger as they are
spat out over a cacophonous musical carnage lasting just over half an hour.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/bad-breeding-self-titled</link>
  <pubDate>Fri, 22 Jul 2016 16:46:06 PST</pubDate>
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<item>
  <title>BAD MECHANICS</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[I can't believe these words are springing from
my lips, but this swarthy duo sound like a cross between Boris The Sprinkler,
They Might Be Giants, and Ministry. THERE. I REALLY SAID THAT. The dude's voice
sounds so annoyingly like my own in places that I don't know if I should slap him or give him a piggyback
ride and yell &#8220;woo!&#8221; Maybe I should just slap myself and have the pig
yell &#8220;woo!&#8221; Either way, this is clearly <i>cassette of the year! </i>WOO! BEST
SONG: &#8220;$5 Haircut&#8221; BEST SONG TITLE: &#8220;Adults with Wine.&#8221; FANTASTIC AMAZING
TRIVIA FACT: This is the first cassette I've ever obtained that came packaged
with a download card.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/bad-mechanics--demo-2015</link>
  <pubDate>Fri, 22 Jul 2016 16:45:23 PST</pubDate>
</item>

<item>
  <title>BARDUS</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Dooooom! Full disclosure: doom, stoner, and
sludge metal have been on heavy rotation in my life for the better part of the
last year. And while Bardus is not The Melvins or Conan, <i>Stella Porta</i> hits all the right proverbial buttons for me: the
psychedelic artwork, the droning guitars, the fantastical subject matter all
rounded out by drums too heavy for Sisyphus himself, and echoes upon echoes of
vocals. Fuck, I like this music a lot. In another five years, <i>Razorcake</i> will probably be sending my
mail to a monastery in Iceland
or a smoke-filled van in Seattle.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/bardus-stella-porta</link>
  <pubDate>Fri, 22 Jul 2016 16:44:36 PST</pubDate>
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  <title>BASEMENT RAT</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[I can't remember if someone told me this was a
riot grrrl band or if it was implied because they're mostly female and noisy.
What they really do, live and on this brutal cassette, seems outside category,
or I guess in between genres. When Basement Rat is catchy, they're catchy. And
when they're gnarled and slow and thoughtful, they remind me of Fisticuffs
Bluff and the good, underappreciated mid-'90s screamo highlights. More of this,
please.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/basement-rat-pura-mujer</link>
  <pubDate>Fri, 22 Jul 2016 16:43:52 PST</pubDate>
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<item>
  <title>BERNAYS PROPAGANDA</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Bernays Propaganda is a Macedonian electronic
new wave band whose sound on <i>Politika </i>is
reminiscent of New Order, but with female vocals singing in their native
tongue. The band utilizes a drum machine and some samples while keeping roots
in a slightly darker 1980s British sound. It's competently played and an
adequate length (thirty-five minutes), but for some reason the songs never
catch my ear. It might be the foreign language vocals caught me off guard, as
normally I like this kind of sound. If the description sounds like something
you'd be down with, though, I say go for it.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/bernays-propaganda-politika-2</link>
  <pubDate>Fri, 22 Jul 2016 16:41:30 PST</pubDate>
</item>

<item>
  <title>BERNAYS PROPAGANDA</title>
  <author>staff01@razorcake.org (Staff01)</author>
  <description><![CDATA[Bernays Propaganda is a Macedonian band that
makes synthy, melodic post-punk with drum machines, angular guitars, and
dynamic bass lines. Like if Suicide was fronted by a woman and made pop songs,
or a more electronic Wire. Thankfully, this cassette seems to have nothing to
do with Bernie Sanders or his propaganda; it's intense, sometimes dark, but
ultimately danceable. Definitely recommended.&nbsp;]]></description>
  <link>http://www.razorcake.org/record-reviews/bernays-propaganda-politika</link>
  <pubDate>Fri, 22 Jul 2016 16:40:41 PST</pubDate>
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