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<channel>
	<title>Record Ready</title>
	
	<link>http://www.recordready.com</link>
	<description>Music Production Tutorials and Blog</description>
	<pubDate>Tue, 21 Apr 2009 01:10:58 +0000</pubDate>
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		<title>OhmBoyz Delay Demo</title>
		<link>http://www.recordready.com/?p=82</link>
		<comments>http://www.recordready.com/?p=82#comments</comments>
		<pubDate>Tue, 21 Apr 2009 01:04:57 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Reviews]]></category>

		<category><![CDATA[delay]]></category>

		<category><![CDATA[Ohm Force]]></category>

		<category><![CDATA[Ohmboyz]]></category>

		<category><![CDATA[Plug-in]]></category>

		<category><![CDATA[pro tools]]></category>

		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=82</guid>
		<description>The folks over at Ohm Force were kind enough to send me their plug-ins to check out. All their products are all really unique and fun to use, but one stuck out as particularly useful to me. OhmBoyz (79.00 EUR) is a powerful delay plugin available in VST 2.0, RTAS and AU formats for Mac or PC. The [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=ECoyAD1UhSE:fgVkr0k-4CI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=ECoyAD1UhSE:fgVkr0k-4CI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?i=ECoyAD1UhSE:fgVkr0k-4CI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=ECoyAD1UhSE:fgVkr0k-4CI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?i=ECoyAD1UhSE:fgVkr0k-4CI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=ECoyAD1UhSE:fgVkr0k-4CI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/ECoyAD1UhSE" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=82</wfw:commentRss>
		</item>
		<item>
		<title>Roy Thomas Baker</title>
		<link>http://www.recordready.com/?p=72</link>
		<comments>http://www.recordready.com/?p=72#comments</comments>
		<pubDate>Mon, 06 Apr 2009 15:57:58 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[General]]></category>

		<category><![CDATA[Production Technique]]></category>

		<category><![CDATA[Grammy]]></category>

		<category><![CDATA[NARAS]]></category>

		<category><![CDATA[Prouction Technique]]></category>

		<category><![CDATA[Roy Thomas Baker]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=72</guid>
		<description>I attended the annual Pacific Northwest NARAS Studio Summit yesterday, at the Experience Music Project in Seattle. The really great day included a panel discussion of local studio owners and engineers on the topic of survival in today&amp;#8217;s music business, an interview with producer Johnny K and an interview with legendary producer/engineer Roy Thomas Baker. 
Mr. [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=pXC8US8xWbQ:7sevuW-4alo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=pXC8US8xWbQ:7sevuW-4alo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?i=pXC8US8xWbQ:7sevuW-4alo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=pXC8US8xWbQ:7sevuW-4alo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?i=pXC8US8xWbQ:7sevuW-4alo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=pXC8US8xWbQ:7sevuW-4alo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/pXC8US8xWbQ" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=72</wfw:commentRss>
		</item>
		<item>
		<title>Better Delay Feedback</title>
		<link>http://www.recordready.com/?p=60</link>
		<comments>http://www.recordready.com/?p=60#comments</comments>
		<pubDate>Sat, 14 Mar 2009 22:42:50 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Engineering Technique]]></category>

		<category><![CDATA[Tutorials]]></category>

		<category><![CDATA[delay feedback]]></category>

		<category><![CDATA[digidesign]]></category>

		<category><![CDATA[pro tools]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=60</guid>
		<description>In this tutorial I use a standard delay plug-in and the busses to create a more unique delay feedback than the standard feedback control usually offers. Also, automated aux sends are addressed.
The song in this video was performed, produced, and engineered by students of mine. The producer/engineers were Roger Lemmon and Stephen Findley. The performer/songwriters [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=pUAduhvxJ7I:W9r_V2TXwiY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=pUAduhvxJ7I:W9r_V2TXwiY:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?i=pUAduhvxJ7I:W9r_V2TXwiY:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=pUAduhvxJ7I:W9r_V2TXwiY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?i=pUAduhvxJ7I:W9r_V2TXwiY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/RecordReady?a=pUAduhvxJ7I:W9r_V2TXwiY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/RecordReady?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/pUAduhvxJ7I" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=60</wfw:commentRss>
		</item>
		<item>
		<title>Creative Gating, Part 3</title>
		<link>http://www.recordready.com/?p=52</link>
		<comments>http://www.recordready.com/?p=52#comments</comments>
		<pubDate>Sat, 21 Feb 2009 17:09:31 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Engineering Technique]]></category>

		<category><![CDATA[Tutorials]]></category>

		<category><![CDATA[digidesign]]></category>

		<category><![CDATA[Gating]]></category>

		<category><![CDATA[pro tools]]></category>

		<category><![CDATA[tutorial]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=52</guid>
		<description>In this last creative gating tutorial a gate is used to make the snare drum pop out in a room mic track, making the room mic cleaner sounding and more usable in the mix. I hope you&amp;#8217;ve enjoyed the series. Be sure to add a comment with any questions.
Once again, a special thanks to Max [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=bQAxh1bs"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=41" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=ooC4l1N5"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=ooC4l1N5" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=4FVP52cm"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=4FVP52cm" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=p3UdKH3e"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=52" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/shVEYqyhxYQ" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=52</wfw:commentRss>
		</item>
		<item>
		<title>Creative Gating, Part 2</title>
		<link>http://www.recordready.com/?p=47</link>
		<comments>http://www.recordready.com/?p=47#comments</comments>
		<pubDate>Mon, 16 Feb 2009 20:17:40 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Engineering Technique]]></category>

		<category><![CDATA[Tutorials]]></category>

		<category><![CDATA[digidesign]]></category>

		<category><![CDATA[Gating]]></category>

		<category><![CDATA[pro tools]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=47</guid>
		<description>In this second creative gating tutorial a high-hat track is used to apply a rhythmic pulsing effect on a synth pad. As in the previous tutorial, the gate&amp;#8217;s key input makes it happen.
A special thanks to Max Kunz of Jungle Maps for playing the drums.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=J097EUz5"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=41" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=XHneHcRt"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=XHneHcRt" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=tzejUJN6"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=tzejUJN6" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=0mkZqvOJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=52" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/zbxwaU8jlr4" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=47</wfw:commentRss>
		</item>
		<item>
		<title>20 Intermediate Pro Tools Tips</title>
		<link>http://www.recordready.com/?p=42</link>
		<comments>http://www.recordready.com/?p=42#comments</comments>
		<pubDate>Mon, 16 Feb 2009 04:47:56 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=42</guid>
		<description>Jonathan at Moozek.com posted a followup to his 10 Pro Tools Tips. Like his previous list, it&amp;#8217;s right on the money. 20 Intermediate Pro Tools Tips.
Stand by for another creative gating tutorial in the next couple days.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=34nSDb3n"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=41" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=xfoZu12x"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=xfoZu12x" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=UuJEtUXe"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=UuJEtUXe" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=QM5nmicC"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=52" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/g6QWpFkt-10" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=42</wfw:commentRss>
		</item>
		<item>
		<title>Creative Gating, Part 1</title>
		<link>http://www.recordready.com/?p=22</link>
		<comments>http://www.recordready.com/?p=22#comments</comments>
		<pubDate>Mon, 19 Jan 2009 23:49:25 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Engineering Technique]]></category>

		<category><![CDATA[Tutorials]]></category>

		<category><![CDATA[digidesign]]></category>

		<category><![CDATA[Drums]]></category>

		<category><![CDATA[Gating]]></category>

		<category><![CDATA[pro tools]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=22</guid>
		<description>This is the first if a three part series on the creative use of gates. All of them involve the use of a key or sidechain input. In this video, a low frequency tone is triggered by a kick drum in order to give the impression that the kick was deeper and/or recorded with more [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=1d0pflP1"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=41" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=maNyBGSt"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=maNyBGSt" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=IFMj9QMg"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=IFMj9QMg" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=jxZyOqtP"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=52" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/PG-d8898PpU" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=22</wfw:commentRss>
		</item>
		<item>
		<title>Reverse Reverb</title>
		<link>http://www.recordready.com/?p=21</link>
		<comments>http://www.recordready.com/?p=21#comments</comments>
		<pubDate>Mon, 17 Nov 2008 00:41:39 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Engineering Technique]]></category>

		<category><![CDATA[Tutorials]]></category>

		<category><![CDATA[digidesign]]></category>

		<category><![CDATA[effects]]></category>

		<category><![CDATA[pro tools]]></category>

		<category><![CDATA[tutorial]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=21</guid>
		<description>Sorry for the long stretch of time with no posts. Back on track now, at least for today. In this video tutorial I create a reverse reverb effect in Pro Tools on an electric guitar. Reverse reverb was first used on analog tape machines by flipping the tape backwards, applying reverb to a part (and [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=HpHNVG2o"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=41" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=LS9MIh6i"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=LS9MIh6i" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=kmcbB4m7"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=kmcbB4m7" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=GGZeYXcN"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=52" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/AIJDDrTfMa0" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=21</wfw:commentRss>
		</item>
		<item>
		<title>Ping Pong Delay</title>
		<link>http://www.recordready.com/?p=18</link>
		<comments>http://www.recordready.com/?p=18#comments</comments>
		<pubDate>Wed, 20 Aug 2008 20:32:49 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Engineering Technique]]></category>

		<category><![CDATA[Tutorials]]></category>

		<category><![CDATA[digidesign]]></category>

		<category><![CDATA[Ping Pong Delay]]></category>

		<category><![CDATA[pro tools]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=18</guid>
		<description>In this video tutorial I create a ping pong delay in Pro Tools using two mono delays and aux inputs. Although there are a bunch of ping pong delay plug-ins out there, creating your own is a great routing exercise. &lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=IRrNLH6w"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=41" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=JL4mFeBY"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=JL4mFeBY" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=i2iWlaaG"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?i=i2iWlaaG" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/RecordReady?a=Z3xTpRLz"&gt;&lt;img src="http://feeds.feedburner.com/~f/RecordReady?d=52" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/RecordReady/~4/pVdBgayW5d0" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.recordready.com/?feed=rss2&amp;p=18</wfw:commentRss>
		</item>
		<item>
		<title>10 Pro Tools Tips for the Newbie</title>
		<link>http://www.recordready.com/?p=17</link>
		<comments>http://www.recordready.com/?p=17#comments</comments>
		<pubDate>Mon, 18 Aug 2008 23:36:25 +0000</pubDate>
		<dc:creator>Matt Fordham</dc:creator>
		
		<category><![CDATA[Digidesign Pro Tools]]></category>

		<category><![CDATA[Links]]></category>

		<category><![CDATA[digidesign]]></category>

		<category><![CDATA[pro tools]]></category>

		<category><![CDATA[Tips]]></category>

		<guid isPermaLink="false">http://www.recordready.com/?p=17</guid>
		<description>Jonathan at Moozek.com has posted 10 Pro Tools Tips for folks just getting started. It is a great list and my top ten would look very similar. Check it out.
By the way, I have been either away or in the studio for the last month or so, hence the lack of posts. Look for a [...]&lt;div class="feedflare"&gt;
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