<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-12733255</id><updated>2006-12-27T11:15:08.506-06:00</updated><title type='text'>reviews @ tengrrl.com</title><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/index.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default'></link><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.tengrrl.com/reviews/atom.xml'></link><author><name>tengrrl</name></author><generator version='7.00' uri='http://www2.blogger.com'>Blogger</generator><openSearch:totalResults>17</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>17</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-12733255.post-111552888148421107</id><published>2005-03-26T20:26:00.000-06:00</published><updated>2006-12-27T11:15:08.557-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='technological literacy'></category><category scheme='http://www.blogger.com/atom/ns#' term='technology'></category><category scheme='http://www.blogger.com/atom/ns#' term='children&apos;s literature'></category><category scheme='http://www.blogger.com/atom/ns#' term='book reviews'></category><category scheme='http://www.blogger.com/atom/ns#' term='juvenile fiction'></category><category scheme='http://www.blogger.com/atom/ns#' term='computers in fiction'></category><title type='text'>The Worry Web Site by Jacqueline Wilson (Dell Yearling, 2003)</title><content type='html'>&lt;div class="blogPost"&gt;&lt;img src="http://www.tengrrl.com/graphics/blog/worry-web-site.jpg" alt="The Worry Web Site" hspace="21" vspace="21" border="0" align="left"&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;The
Worry Web Site&lt;/i&gt; is comprised of linked
short stories about students in a British classroom and the various worries that
affect them&amp;#8212;problems with parents and step-parents,  self-esteem
issues, and first loves. The book is well-suited for fourth and fifth grade students
who face similar worries. Its portrayal of Natasha, a student with an unidentified
disability who uses a wheelchair and a 
&amp;#8220;special speaking machine,&amp;#8221;  alongside the worries of all the other
students nicely addresses the many similarities between Natasha&amp;#146;s worries
and those of the others in the class. &lt;br&gt;
&lt;br&gt;
The Worry Web Site,
set up by teacher Mr. Speed, links the stories in the book, as each featured
student writes about a particular worry on the Web site. At most, the technology
sounds like an anonymous Web form that students can fill out. After a student
posts, other students in the class can respond. The site seems to be
something like an anonymous blog. Anyone can post, and anyone can reply. There
are classroom netiquette rules, but we don&amp;#146;t really learn anything
about the technology that the teacher has set up to make it all work . Technology
plays the role of connecting the stories, but readers have to guess about what
that technology actually is.  There&amp;#146;s no indication, for instance, that
students can access the site outside of the classroom. Readers might guess then
that the Worry Web Site is a local site, available only on this one classroom
computer. There is not enough detail about the technology, however, for readers
to be sure. &lt;br&gt;
&lt;br&gt;
Perhaps the undefined nature of the  Worry Web Site is an attempt to keep the
book, originally published in Great Britain in 2002, from appearing dated. If
written today, the technology might be described as an anonymous blog, but there&amp;#146;s nothing else in the few details that
would cause a problem. &lt;br&gt;
&lt;br&gt;
In fact, there&amp;#146;s nothing really special about the Worry
Web Site. The same sharing of worries and classroom feedback could easily be
achieved with a shared classroom journal. The only benefit of the Worry Web Site
over such a handwritten journal is the posture of anonymity&amp;#8212;there is no
handwriting on the Web site to betray the author. Of
course, Mr. Speed knows who writes every message in spite of the anonymous
postings. There is no way to know if Mr. Speed is simply very clever or there
is a backdoor that lets him check the author&amp;#146;s name. It&amp;#146;s likely the
former, however, as even the students are able to guess who posts which worries:&lt;br&gt;
&lt;br&gt;
&lt;blockquote&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;One of the boys wrote that he liked one of the girls a lot. That made everyone
giggle&amp;#8212;and Greg went very pink. Hmm! I wonder who he fancies?&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Someone else went
on and on. &lt;i&gt;Oh boo hoo, it&amp;#146;s so sad, I miss my dad, etc, etc.&lt;/i&gt; We all
know who &lt;i&gt;that&lt;/i&gt; was. (p. 4) &lt;br&gt; 
&lt;br&gt;
&lt;/blockquote&gt;
&lt;p&gt;Technology plays a role in the stories, then, but a subtle one. The messages
  that the students write are always the focus, rather than the technology that
  the students use to write those messages. Perhaps, then, the book shows that
  technology has become more of a commonplace element of students&amp;#146; lives.
  It just &lt;i&gt;is&lt;/i&gt;. There is a classroom computer, and students use it matter-of-factly
  during their school day. &lt;br&gt;
  &lt;br&gt;
  Jacqueline Wilson, the book&amp;rsquo;s author, is a two-time runner-up for the &lt;a href="http://www.carnegiegreenaway.org.uk/carnegie/carn.html" target="_blank"&gt;Carnegie
  Medal&lt;/a&gt;, so I was expecting a bit more from the book. Terry Pratchett won the
  Carnegie for &lt;i&gt;&lt;a href="http://www.amazon.com/exec/obidos/ASIN/0060012358/qid=1111884570/sr=2-1/ref=pd_ka_b_2_1/104-0213757-3495162" target="_blank"&gt;The
  Amazing Maurice and His Educated Rodents&lt;/a&gt;&lt;/i&gt;, and Wilson&amp;#146;s book
  doesn't really compare to Pratchett&amp;#146;s&amp;#8212;yes, I know that Pratchett
  doesn't really compare to anyone :) In many ways, &lt;i&gt;The Worry Web Site&lt;/i&gt; is predictable
  and the stories rather simplistic. It is a good book, but not a great one. &lt;br&gt;
  &lt;br&gt;
  I
  would recommend it to students facing worries similar to those in the book,
  but those readers with more complex anxieties would certainly need more support
  than this book provides. There are suggestions of domestic violence and alcoholism,
  for instance, but the student&amp;#146;s worries are treated rather superficially
  and the bigger issues are not dealt with. It is not a book to give to readers
  looking for stories about technology. The computer and Web site do not play
  a significant role, and students looking for something akin to video game action
  will be disappointed.
      &lt;br&gt;
      &lt;br&gt;
&lt;b&gt;Details&lt;/b&gt;
  &lt;ul&gt;
    &lt;li&gt;&lt;b&gt;Reading level:&lt;/b&gt; Ages 9-12&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Book Format&lt;/b&gt;: short chapter book &lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Paperback:&lt;/b&gt; 112 pages&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;ISBN:&lt;/b&gt; 0440419298&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Rating:&lt;/b&gt; &lt;b&gt;&lt;font color="#333366"&gt;*****&lt;/font&gt;&lt;/b&gt;&lt;font color="#999999"&gt;*****&lt;/font&gt; (5
    of 10 stars) &lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Stores:&lt;/b&gt; &lt;span class="tag"&gt;&lt;a href="http://www.amazon.com/exec/obidos/redirect?link_code=ur2&amp;amp;camp=1789&amp;amp;tag=tengrrl-20&amp;amp;creative=9325&amp;amp;path=tg/detail/-/0440419298/qid=1115572730/sr=8-1/ref=sr_8_xs_ap_i1_xgl14?v=glance%26s=books%26n=507846"&gt;Amazon&lt;/a&gt; | &lt;a href="http://service.bfast.com/bfast/click?bfmid=2181&amp;sourceid=41464247&amp;bfpid=0060012234&amp;bfmtype=book"&gt;Barnes and Noble&lt;/a&gt; | &lt;a href="http://www.powells.com/cgi-bin/partner?partner_id=29709&amp;cgi=product&amp;isbn=0440419298"&gt;Powells&lt;/a&gt;&lt;/span&gt;
    &lt;li&gt;&lt;span class="tag"&gt;&lt;b&gt;Technologies Included&lt;/b&gt;: web | discussion forum&lt;br&gt;&lt;br&gt;&lt;/span&gt;&lt;/li&gt;
   &lt;/ul&gt;
&lt;/div&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/03/worry-web-site-by-jacqueline-wilson.html'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111552888148421107'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111552888148421107'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111800257292217718</id><published>2005-06-05T15:18:00.000-05:00</published><updated>2006-12-27T11:05:43.055-06:00</updated><title type='text'>From Danny to Raisin -&gt; Student Explorations -&gt; Close Readings</title><content type='html'>&lt;br&gt;&lt;br&gt;
&lt;img src="http://www.tengrrl.com/books/technolit-children/kid-comp-picts/girl-numbers.jpg" width="266" height="276" hspace="21" vspace="15" align="right"&gt;Everything starts with close reading. Whether we are exploring the vision of technology included in these texts ourselves or we are asking students to analyze the technology, the process begins with asking specific questions about how technology is presented in the book. &lt;br&gt;
      &lt;br&gt; 
  To start, readers might consider such questions as the following:&lt;br&gt;
  &lt;br&gt;
  &lt;ul&gt;
    &lt;li&gt;What are the features of the technology mentioned in the text? What does the technology do?
    &lt;li&gt;How does the technology compare to the real-world equivalents? 
    &lt;li&gt;Who would use the technology? What assumptions are made about the characters who would use the technology?
  &lt;/ul&gt;
  These questions can lead to relevant observations even in texts that do not foreground the technology.  The young adult novel&lt;i&gt; Geography Club&lt;/i&gt; (HarperTempest, 2003) by Brent Hartinger, for instance,  tells the story of a group of students who form a geography club&amp;#151;"a club that's so boring, nobody would ever in a million years join it" (63). Discouraging people from joining the club is actually a goal for the characters in the novel. "Geography Club" is code for a budding Gay-Straight-Bisexual Alliance, a society so secret that not even its advisor doesn't knows what it's about. &lt;br&gt;
  &lt;br&gt;
&lt;img src="http://www.tengrrl.com/graphics/blog/geography-club.jpg" width="138" height="200" hspace="21" vspace="12" align="left"&gt;As the naming of the club demonstrates, the novel
  deals with the much more serious issue of when the characters can name themselves. As the book begins, Russel, the protagonist hides who he is from his family, his friends, and other students. It is only online that Russel can identify himself, but even then he must hide his name:&lt;br&gt;
&lt;br&gt;

  &lt;table&gt;
  &lt;tr&gt;
  &lt;td width="12"&gt;&amp;nbsp;&lt;/td&gt;
  &lt;td valign="top"&gt;There was only one other person in the room, which made sense to me, since I figured there was only about one other gay person in my whole hometown. His handle was GayTeen, which wasn't the most original name I'd ever seen. Mine was Smuggler, for no reason I can explain. (13) &lt;/td&gt;
  &lt;/tr&gt;
  &lt;/table&gt;
&lt;br&gt;
        &lt;br&gt;
        The technology mentioned in this text is never described explicitly. It's a simple, generic chatroom, much like any other chatroom. What is significant is not the technology, but how it creates a social space for the characters. It is in this online space that they are first able to identify themselves to others. Even though the technology itself in Geography Club is fairly generic, then, its ability to create a &lt;b&gt;social network&lt;/b&gt; is important to recognize. &lt;br&gt;
        &lt;br&gt;
        In texts that include details on more prominent technologies, closer reading is often an important way to discover underlying meanings in the text. The ReadWriteThink lesson plan &lt;a href="http://www.readwritethink.org/lessons/lesson_view.asp?id=323" target="_blank"&gt;Paying Attention to Technology: Exploring a Fictional Technology&lt;/a&gt; demonstrates one possible method for structuring such deeper readings. In this lesson plan, students complete a short survey to establish their beliefs about technology then compare their opinions to the ideas in a novel that depicts technology (such as &lt;i&gt;1984, Brave New World, Fahrenheit 451, REM World&lt;/i&gt;, or &lt;i&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/05/feed-by-m-t-anderson-candlewick-2004.shtml" target="_blank"&gt;Feed&lt;/a&gt;&lt;/i&gt;). 
      Class discussion focuses on the overarching question &amp;ldquo;What is the author of this story saying about technology?&amp;rdquo; By exploring the fictional technology, students are urged to  pay attention to the ways that technology is described and used.&lt;br&gt;
      &lt;br&gt;
      &lt;a href="http://www.tengrrl.com/graphics/reviews/arthur.jpg" target="_blank"&gt;&lt;img src="http://www.tengrrl.com/graphics/reviews/arthur-thb.jpg" alt="Arthur's Computer Disaster" width="179" height="250" hspace="21" vspace="12" border="0" align="right"&gt;&lt;/a&gt;Picture books and other texts with visual representations can also lead to interesting close readings. Questions such as the following can be the basis for deeper conversations:
      &lt;ul&gt;
&lt;li&gt;How  is the technology pictured? 
&lt;li&gt;What relevant details are present, and what details are missing?
&lt;li&gt;What is the relationship between the pictures of the technology and what the way it is described in the text?
&lt;li&gt;How do the characters in the images interact with the technology?
&lt;li&gt;What text appears? What relevant information is missing? 
&lt;li&gt;What assumptions are made about the characters who would use the technology based on the image? 
&lt;/ul&gt;
  
&lt;br&gt;
Even without knowing the plot of the story, readers can learn much by simply looking at the cover of &lt;i&gt;Arthur's Computer Disaster&lt;/i&gt; (click on the thumbnail to see a larger image). The computer featured on the cover is a generic PC with a color monitor. Readers with more technology experience may recognize that the machine is dated&amp;#151;more modern representations would probably show a flat-panel monitor, a CPU with a smaller footprint, and at the very least a two-button mouse (if not a three-button or scroll-wheel mouse). Young readers approaching this book, however, probably see only the computer. &lt;br&gt;
&lt;br&gt;
The relationship between Arthur, the pictured character, and the technology also reveals details about the book and the character's understanding of technology. Arthur's face and the book's title reveal that there is a problem, and the visual details of the technology contribute to this message. The colors on the screen and the highlight in its middle mimic the look of an explosion, but more importantly, Arthur doesn't seem to know how to use a mouse&amp;#151;the mouse is backwards, and the character is holding it up in the air (like a remote control) rather than sliding it along on the desktop. Readers can conclude from this image then that Arthur may not understand much about technology, and they can therefore predict that Arthur's misunderstandings lead to the disaster that the title warns them about.&lt;br&gt;&lt;br&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-close-readings.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800257292217718'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800257292217718'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-114809471486790426</id><published>2006-05-19T22:10:00.000-05:00</published><updated>2006-05-19T22:11:54.880-05:00</updated><title type='text'>So many books, so little time. Even when I'm in th...</title><content type='html'>So many books, so little time. Even when I'm in the middle of a book that seems to have nothing to do with technology, it creeps in. &lt;br&gt;&lt;br&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2006/05/so-many-books-so-little-time.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/114809471486790426'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/114809471486790426'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-113245771305751732</id><published>2005-11-19T21:33:00.000-06:00</published><updated>2005-11-19T21:38:05.136-06:00</updated><title type='text'>I've created a slightly updated version of the tec...</title><content type='html'>I've created a slightly updated version of the &lt;a href="http://www.tengrrl.com/reviews/bibliography.shtml"&gt;technology booklist&lt;/a&gt;. Still many books that I need to add, but I'm hoping an HTML version will be more accessible, since I can link to reviews.&lt;br&gt;&lt;br&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/11/ive-created-slightly-updated-version.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/113245771305751732'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/113245771305751732'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111802035847478341</id><published>2005-06-05T20:12:00.000-05:00</published><updated>2005-06-07T16:18:55.266-05:00</updated><title type='text'>From Danny Dunn and the Homework Machine to The Secret Blog of Raisin Rodriguez</title><content type='html'>&lt;br&gt;&lt;br&gt;
&lt;b&gt;Introduction&lt;/b&gt;&lt;br&gt;
    &lt;br&gt;
&lt;img src="http://www.tengrrl.com/graphics/reviews/danny-detail.jpg" alt="Detail from Danny Dunn and the Homework Machine" width="270" height="175" hspace="21" align="left"&gt;Over the last 3 years or so, I've been gathering children's and young adult texts that include some level of  technology interaction, typically involving computers and other digital technologies. My goals are two-fold: to examine how these texts present and situate technology as well as to explore ways to use these texts with pre-K to 12th grade readers.&lt;br&gt;
    &lt;br&gt;    
      This presentation
      has been an  opportunity to begin sharing the information
      that I have been gathering on my bookshelves.
      My ultimate goal is to develop an ongoing source of information for K12 teachers who may use these texts in their classrooms as
      well as for college teachers who are exploring how students' literacy skills are
      shaped by children's literature before they reach
      the college classroom. &lt;br&gt;
      &lt;br&gt;

      Several basic questions  frame my exploration:  &lt;/p&gt;
  &lt;ul&gt;
  &lt;li&gt;What technology  resources are students  likely to encounter in the
    texts that they read?
  &lt;li&gt;What do these books teach students about technology? What messages do they
    communicate?
  &lt;li&gt;What experiences with technology do students bring to these books?  
  &lt;li&gt;How does
      their prior knowledge affect their reading of these books? 
  &lt;li&gt;How can we tap this knowledge of technology in the composition and language arts classroom?
    &lt;/ul&gt;  
Working from these questions, I've gathered ideas that urge students to think more deeply about their own beliefs and to pay attention to
the ways that technology is described and used.&lt;br&gt;&lt;br&gt;
This presentation is broken into the following sections: &lt;br&gt;
  &lt;br&gt;
  &lt;table&gt;
  &lt;tr&gt;
  &lt;td width=24&gt;&amp;nbsp;&lt;/td&gt;
  &lt;td valign="top"&gt;
&lt;b&gt;Books&lt;/b&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-picture-books.shtml"&gt;Picture Books&lt;/a&gt;
&lt;li&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-chapter-books.shtml"&gt;Chapter Books&lt;/a&gt;
&lt;li&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-young-adult-books.shtml"&gt;Young Adult Books&lt;/a&gt;
&lt;/ul&gt;
&lt;b&gt;Student Explorations&lt;/b&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-close-readings.shtml"&gt;Close Readings&lt;/a&gt;
&lt;li&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-role-of-games.shtml" target="_blank"&gt;Role of Games&lt;/a&gt; (working notes)
&lt;li&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-social-networks.shtml" target="_blank"&gt;Social Networks&lt;/a&gt; (working notes)
&lt;li&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-future-visions.shtml" target="_blank"&gt;Future Visions&lt;/a&gt; (working sentence)
&lt;/ul&gt;
&lt;b&gt;Conclusions&lt;/b&gt;&lt;br&gt;
&lt;br&gt;
&lt;b&gt;&lt;a href="http://www.tengrrl.com/books/technolit-children/tech-booklist.pdf"&gt;Working Book List&lt;/a&gt;&lt;/b&gt; (PDF) &lt;br&gt;
&lt;br&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
  &lt;br&gt;
  &lt;br&gt;
  &lt;b&gt;Some Preliminary Notes/Warnings&lt;/b&gt;&lt;br&gt;
&lt;ul&gt;
&lt;li&gt;Rather than a polished presentation, these pages share my current, working vision of these children's and young adult texts. The information is a simple and preliminary impression, one which will expand as I explore more of these texts more deeply. This presentation is just the beginning.&lt;br&gt;
  &lt;br&gt;
&lt;li&gt;Parts of this text were conceptualized in Michigan at CIWIC. Examples are limited in places to the texts that I have on hand in Houghton. Most notably, I have no picture books on hand to refer to for specific details. I'll expand the information when I have all my books available.  &lt;br&gt;
  &lt;br&gt;
&lt;/ul&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/06/from-danny-dunn-and-homework-machine_05.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111802035847478341'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111802035847478341'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111800247454155063</id><published>2005-06-05T15:05:00.000-05:00</published><updated>2005-06-07T16:11:07.786-05:00</updated><title type='text'>From Danny to Raisin -&gt; Student Explorations -&gt; Future Visions</title><content type='html'>&lt;b&gt;Future Visions&lt;/b&gt;&lt;br&gt;
 &lt;hr&gt;
This section will one day talk about sci-fi sorts of discussions of technology in children's and young adult literature. 
&lt;hr&gt; 
&lt;!-- &lt;img src="http://www.tengrrl.com/books/technolit-children/kid-comp-picts/at-sign-baby-thb.jpg" width="266" height="208" hspace="21" vspace="12" align="right"&gt; --&gt; Books to consider in this section will include &lt;i&gt;&lt;a href="http://www.tengrrl.com/reviews/2005/05/feed-by-m-t-anderson-candlewick-2004.shtml" target="_blank"&gt;Feed&lt;/a&gt;&lt;/i&gt; and &lt;i&gt; Be More Chill&lt;/i&gt;.&lt;br&gt;
&lt;br&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-future-visions.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800247454155063'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800247454155063'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111800253920947879</id><published>2005-06-05T15:16:00.000-05:00</published><updated>2005-06-07T15:41:22.363-05:00</updated><title type='text'>From Danny to Raisin -&gt; Student Explorations -&gt; Social Networks</title><content type='html'>&lt;div class="blogPost"&gt;
&lt;b&gt;Social Networks&lt;/b&gt;&lt;br&gt;
  &lt;hr&gt;
Just some working notes. This section has the most interesting potential, given the number of books that now include faux messages ranging from e-mail messages to instant messages and blogging. To be developed eventually...&lt;hr&gt;
&lt;img src="/books/technolit-children/kid-comp-picts/notepassing.jpg" alt="Passing Notes" width="268" height="173" hspace="21" align="left"&gt;In many young adult books, text messages and e-mail messages replace the note passing of the past. Students without computer access may first experience the format of
instant messages and e-mail in these novels, and students' experiences with the
 netiquette and social issues surrounding technology issues may stem
just as often from picture books and novels as it does from what they see
on television or at the movies.&lt;br&gt;
&lt;br&gt;
&lt;img src="/books/technolit-children/kid-comp-picts/girl-cell.jpg" alt="Girl Text Messaging" width="266" height="173" hspace="21" align="right"&gt;So much of the young adult audience's world focuses on cliques and social networks that
it's little surprise that books such as &lt;i&gt;TTYL&lt;/i&gt; (Amulet, 2004) and &lt;i&gt;p:&amp;not;)
ChaseR &lt;/i&gt;(Candlewick, 2002) have evolved.
In these books, we see the characters' social networks at work as we are invited to read their instant messages and e-mail messages. &lt;br&gt;

&lt;/div&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-social-networks.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800253920947879'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800253920947879'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111800255925394889</id><published>2005-06-05T15:17:00.000-05:00</published><updated>2005-06-07T15:31:41.906-05:00</updated><title type='text'>From Danny to Raisin -&gt; Student Explorations -&gt; Role of Games</title><content type='html'>&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Role of Games&lt;/b&gt;&lt;br&gt;
      &lt;br&gt; 
      &lt;i&gt;For the purposes of this section, games refers to video and computer games. To limit the exploration to a reasonable area, I won't consider fan-fiction sorts of role-playing games (RPGs). The books I'm exploring have characters who may play games of some sort; however, the plot of the books is not following a character in a role-playing game. &lt;/i&gt;  
  &lt;hr&gt;
This section is limited to a few notes on books that include game references. I didn't conceptualize this section of the presentation until I was far away from my bookshelf. &lt;hr&gt;
&lt;img src="http://www.tengrrl.com/books/technolit-children/kid-comp-picts/purple-space-invaders.jpg" alt="Computer Gamer" width="214" height="173" hspace="21" vspace="12" border="0" align="left"&gt;&lt;br&gt;
                    Games come into play frequently in books for younger readers. In books such as &lt;i&gt;Arthur's Computer Disaster&lt;/i&gt; (in Spanish as &lt;i&gt;Arturo y el Desastre de la Computadora&lt;/i&gt;) and &lt;i&gt;Franklin and the Computer, &lt;/i&gt;computer games are the seductive element that ultimately leads to conflict for the protagonist.
          &lt;br&gt;
          &lt;br&gt;
    For Arthur, the temptation to play the game Deep, Dark Sea leads to trouble when he and friend Buster play the game even though they were instructed not to touch the computer. In the process, they break the computer in the process. In &lt;i&gt;Franklin and the Computer&lt;/i&gt;, protagonist Franklin becomes so obsessed with his friend Beaver's computer game Dam Builders that he forgets promises made to his real-world friends. &lt;br&gt;
    &lt;br&gt;
In Susan Cooper's &lt;i&gt;The Boggart&lt;/i&gt;,  main character Jessup and friends are developing their own computer game over the course of the story. The group dresses as characters from the game for Halloween:&lt;br&gt;
    &lt;br&gt;
  &lt;blockquote&gt;
Four of the five members of the Gang of Five were waiting for Emily at the Volniks' house, dressed as characters from their new computer game. This game, which was called Black Hole, was in a constant state of development; the Gang never seemed to finish it, because one or other of them was always having a new idea. It was all about spaceships which discovered numbers of different worlds while trying to avoid being dragged through black holes in space. Emily's vampire came from one of these worlds, adn so did the spider-like creature represented by Chris's costume, which had a round black body fitted over his head and most of his own body, and six extra legs the same size and shape as his own. (86)
  &lt;/blockquote&gt;
Other characters from the novel dress as the spaceship that game players travel in and as the hazards that game players encounter, Fire Burst and Ice Death. For these characters, the real world blends with the game design&amp;#151;and it is this blend between real and game worlds that solves the problem that the characters encounter. &lt;br&gt;
&lt;br&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-role-of-games.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800255925394889'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800255925394889'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111800259914699485</id><published>2005-06-05T15:19:00.000-05:00</published><updated>2005-06-05T22:44:35.353-05:00</updated><title type='text'>From Danny to Raisin -&gt; Books -&gt; Young Adult Books</title><content type='html'>&lt;div class="blogPost"&gt;&lt;br&gt;&lt;br&gt;
&lt;img src="http://www.tengrrl.com/graphics/reviews/feed.jpg" alt="Feed" width="117" height="200" hspace="21" align="left"&gt;Recently
    published young adult books  (generally, books for teenagers) not only include
    computer technologies as part of the setting, but they also include faux
    computer-mediated messages and texts as part of the story. &lt;i&gt;&lt;/i&gt;Many
    young adult books  blend technology tools
    throughout the narrative. &lt;a href="http://www.tengrrl.com/reviews/2005/05/feed-by-m-t-anderson-candlewick-2004.shtml"&gt; M.T.
    Anderson's &lt;i&gt;Feed&lt;/i&gt;&lt;/a&gt; (Candlewick, 2004), for instance, shows readers
    a sci-fi vision where computers feed directly into the characters' heads,
    feeding these characters just-in-time facts and information. The story includes
    traditional narrative, which is interrupted with various informational and
    persuasive messages from the Feed and personal messages from the protagonist's
    friends. &lt;i&gt;&lt;br&gt;
    &lt;br&gt;
    &lt;/i&gt;Another example, &lt;i&gt;The Dating Game&lt;/i&gt; (Little, Brown, 2004) by Natalie
    Standiford, tells of three sophomores who design the Dating Game Web site
    for their Interpersonal Human Dynamics class&amp;#8212;complete with quizzes,
    dating tips, and details on various social problems (think &lt;i&gt; Cosmo Girl&lt;/i&gt; online).
    The story includes traditional narrative, e-mail messages, online quizzes,
    and Web pages. &lt;br&gt;
    &lt;br&gt;
    &lt;i&gt; &lt;img src="http://www.tengrrl.com/graphics/reviews/raisin-thb.jpg" alt="Raisin Rodriguez" width="141" height="200" hspace="21" align="right"&gt;&lt;/i&gt;What's
    particularly interesting about the evolving connections between technology
    and young adult novels, however, is their adoption of epistolary forms based
    on new technologies. The most recent of these books, &lt;i&gt;The Secret Blog of
    Raisin Rodriguez&lt;/i&gt; (Razor
    Bill, 2005) tells its story entirely through blog entries. The book opens
    with an explanation of the purpose of Raisin's blog: &lt;br&gt;
    &lt;br&gt;
  &lt;table&gt;
&lt;tr&gt;
&lt;td width=12&gt;&amp;nbsp;&lt;/td&gt;
&lt;td valign="top"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Welcome to TwoScoopsofRaisin.com. Aka my blog. I know there
  are many blogs out there to choose from. Your choice to read mine is much appreciated.&lt;br&gt;
  &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Why keep a blog? you ask. &lt;br&gt;
  &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Excellent question, I answer. (1)  &lt;/td&gt;
  &lt;/tr&gt;
  &lt;/table&gt;
  &lt;br&gt;
Raisin goes on to provide expository details&amp;#8212;she's moved to Philadelphia,
far away from her best friends; and her new stepsister keeps the phone tied up
so she can't call her friends. Technology in &lt;i&gt;The Secret Blog of Raisin Rodriguez&lt;/i&gt; isn't
discussed explicitly. We never learn whether Raisin is using blogging software,
but it seems likely since her friends are able to post comments. The secrecy
of her blog is always foregrounded however. Her first entry ends with a warning
to her two best friends, her readers:
&lt;blockquote&gt;
  &lt;blockquote&gt;
  &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;I hope you enjoy my blog. Feel free to check for new updates as often as you
    like. Please do not feel free, under any circumstances, on pain of death,
    to give the address of this blog to anyone. This blog is very personal and
    confidential and deals with mature subject matter.&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Additionally, unauthorized reading could
potentially result in harmful side effects such as eye twitching, sudden memory
loss, dry mouth, and butt acne.&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Thank you for flying Raisin. (2)   &lt;/blockquote&gt;
&lt;/blockquote&gt;
The
    book reads like a girl talking to her friends. The protagonist records in
    more detail than most teens are likely to in real blogs, but the story is
    believable and the technology is generally absent from the plot. It's not
    the technology that ultimately causes her problems but her own forgetfulness.&lt;br&gt;
    &lt;br&gt;
&lt;img src="http://www.tengrrl.com/graphics/reviews/click-here.jpg" alt="Click Here" width="125" height="200" hspace="21" vspace="0" align="left"&gt; &lt;i&gt;Click Here: To Find Out
    How I Survived Seventh Grade&lt;/i&gt; (Little, Brown, 2005) explores a similar
    plot&amp;#8212;a secret Web site is meant to be a private diary, but things go
    awry. While &lt;i&gt;Raisin&lt;/i&gt; artfully weaves its tale without drawing attention
    to the underlying technology, the computer tools that seventh grader Erin Swift
    uses for her private blog are frequently (and sometimes unnecessarily) incorporated
    in the plot. Because of the influence of her Web designer mother, Erin knows
    a bit about creating Web pages, and her knowledge leads her to join an Intranet
    club that will create the school's newsletter.&lt;br&gt;
    &lt;br&gt;
    The Web pages that Erin creates are neatly interspersed with first person narration
    of the events in her life. Like the plot in &lt;i&gt;Raisin&lt;/i&gt;, the technology is
    not to blame for things that go wrong; personal mistakes are. Unfortunately,
    the book's &lt;a href="http://www.tengrrl.com/reviews/2005/05/metaphors-from-click-here.shtml" target="_blank"&gt;use
    of technology metaphors is frequently laughable&lt;/a&gt;. Further, the book often
    refers to unfamiliar technical terms that are never explained. One chapter,
    for instance, is titled, &amp;quot;TSR (Terminate and Stay Resident)&amp;quot;; yet teen readers,
    having used Windows or Mac all their lives, would almost universally be unfamiliar
    with the terminology. It's a meaningless reference for readers. &lt;br&gt;
    &lt;br&gt;
    &lt;br&gt;
&lt;img src="http://www.tengrrl.com/graphics/reviews/ttyl-thb.jpg" alt="TTYL" width="151" height="200" hspace="21" align="right"&gt;Young adult novels cover a range of technology tools in addition to blogging,
    and in each, the technology is simply a fact of the setting. Although many
    of the books include details on netiquette and social warnings about online
    safety, the following books all communicate their stories through a technology
    tool:&lt;br&gt;
&lt;br&gt;
&lt;table&gt;
 &lt;tr&gt;
 &lt;td width=12&gt;&amp;nbsp;&lt;/td&gt;
 &lt;td valign="top"&gt;&lt;ul&gt;
&lt;li&gt;&lt;i&gt;TTYL&lt;/i&gt; (Amulet, 2004) by Lauren Myracle is told  through instant
  messages.
&lt;li&gt;&lt;i&gt;p:&amp;not;) ChaseR &lt;/i&gt;(Candlewick, 2002) by Michael J. Rosen is told 
  through e-mail messages.
&lt;li&gt;&lt;i&gt;Heart on My Sleeve&lt;/i&gt; (Simon &amp;amp; Schuster, 2004) by Ellen Wittlinger is
  told through e-mail messages, letters, and instant messages.
  &lt;li&gt;  &lt;i&gt;Snail Mail No More&lt;/i&gt; (Scholastic, 2000) by Paula Danziger and Ann M. Martin
   is told through e-mail messages. 
    &lt;li&gt;&lt;i&gt;An Order of Amelie, Hold the Frie&lt;/i&gt;s (Annick, 2003) by Nina Schindler is a
   blend of letters, e-mail messages, post-it notes, and text messages. 
 &lt;/ul&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br&gt;
&lt;br&gt;


&lt;/div&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-young-adult-books.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800259914699485'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800259914699485'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111800261133948666</id><published>2005-06-05T15:20:00.000-05:00</published><updated>2005-06-05T20:11:08.580-05:00</updated><title type='text'>From Danny to Raisin -&gt; Books -&gt; Chapter Books</title><content type='html'>&lt;div class="blogPost"&gt;&lt;p&gt;&lt;img src="http://www.tengrrl.com/graphics/reviews/dannydunn.jpg" alt="Little Red Computer" width="134" height="200" hspace="21" align="left"&gt;&lt;i&gt;Danny
Dunn and the Homework Machine&lt;/i&gt; (Scholastic, 1958) is the first chapter book
including computers that I've found. The book targets readers aged 9&amp;#150;12,
children just beginning to read chapter books. The chapters are short, and the
book includes numerous illustrations by Caldecott winner Ezra Jack Keats. &lt;br&gt;
&lt;br&gt; 
The book's plot is similar to that of picture books such as &lt;i&gt;Arthur's Computer
Disaster&lt;/i&gt; (Marc Brown, 1999). My copy of the book is a more recent reprint
that situates the technology for readers on the back cover:&lt;/p&gt; 
&lt;table&gt;
&lt;tr&gt;
&lt;td width=12&gt;&amp;nbsp;&lt;/td&gt;
&lt;td valign="top"&gt;
In the 1950s, when Danny Dunn was a young boy, it was extraordinarily unusual
  to have a computer at home or at school. In fact, personal computers hadn't
  even been invented yet! But when Professor Bullfinch leaves for Washington
  and entrusts Danny with the care of his computer, Danny gets the bright idea
  of using the computer to do his homework. He reasons that working things out
  with paper and pencil is old-fashioned.&lt;/td&gt;
  &lt;/tr&gt;
  &lt;/table&gt;
&lt;p&gt;
  Naturally,
  Danny and his friends are found out, though they learn a great deal in the
    process as they determine what data to feed into the computer. Even
  though the computer in the book is an old, ENIAC-style mainframe, the book's
  final message could still be a great discussion starter in the classroom.
  In the book's
    last pages, after Danny's use of the computer has been discovered, Professor
    Bullfinch explains:
&lt;blockquote&gt;
  &lt;blockquote&gt;
  No matter how intelligent the computer is, it is only a machine. It can solve
  problems in minutes that would take a man months to work out. But behind it
  there must be a human brain. It can never be a creator of music or of stories,
  or paintings, or ideas. It cannot even do our homework for us&amp;#8212;&lt;i&gt;we&lt;/i&gt; must
  do the homework. The machine can only help, as a textbook helps. It can only
  be a tool, as a typewriter is a tool. (120)   &lt;/blockquote&gt;
&lt;/blockquote&gt;
  
  &lt;img src="http://www.tengrrl.com/graphics/reviews/boggart-thb.jpg" alt="The Boggart" width="132" height="200" hspace="21" vspace="0" align="right"&gt;Though
  the professor's message is another standard PSA-type lessons like those from
  the &lt;b&gt;picture
  books&lt;/b&gt;, it takes the lesson to a higher level, moving beyond basic values
  to asking readers to think about technology's abilities and limitations and
  the accompanying ethics. (Of course, the more interesting question the book
  raises may be why a college professor leaves children to watch his very expensive
  computer in the first place.)&lt;br&gt;
  &lt;i&gt;&lt;br&gt;
  &lt;/i&gt;Books for older children move beyond tapping technology to teach lessons
  to including the machines as a normal part of the setting. &lt;i&gt;The Boggart&lt;/i&gt; (Aladdin,
  1993) by Newbery Medal-winning author Susan Cooper draws on technology and
  an e-mail pen pal to solve the problem of a Scottish boggart that has been
  accidentally shipped to the Canada in a rolltop desk. &lt;br&gt;
  &lt;br&gt;
&lt;img src="http://www.tengrrl.com/graphics/reviews/nancy-drew-thb.jpg" alt="Nancy Drew, The E-mail Mystery" width="138" height="200" hspace="21" align="left"&gt;In Nancy
Drew #144, The E-mail Mystery (Aladdin, 1998), the young detective investigates
legal sabotage by tracing e-mail messages and log files. As was the case with
&lt;i&gt;The Boggart&lt;/i&gt;, technology is simply part of the setting,
just like the other office equipment. In the course of her detective work, Nancy
visits cybercafes and learns about chatrooms. The technology in the book
is at times dated (e.g., there's a reference to BITNET), and can be inaccurate
from an advanced perspective. It's unlikely, however, that the book's readers
will realize where the author's knowledge of technology is lacking. The book
is clearly aimed at readers with very little computer knowledge. Details are
always defined and explained (though not always with full accuracy): &lt;br&gt;
&lt;br&gt;
&lt;table&gt;
&lt;tr&gt;
&lt;td width=12&gt;&amp;nbsp;&lt;/td&gt;
&lt;td valign="top"&gt;
"FAQs is short for 'frequently asked questions,'" Bess explained. "Most
computer users ask the same things over and over, so it's easier to refer them to an answer sheet than reply 
personally to each one. The rest of the line tells people where to find the list." (51)
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;
&lt;br&gt;
It's likely that the realistic details and the natural place of technology in these books has to do with the 
assumed experience and knowledge of the readers. Older readers are more likely to know enough about computers and other 
technologies so they can more readily adopt them as part of the natural landscape of the novel.
&lt;br&gt;
      &lt;br&gt;
&lt;/div&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-chapter-books.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800261133948666'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800261133948666'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111800262381921515</id><published>2005-06-05T15:21:00.000-05:00</published><updated>2005-06-05T17:01:22.830-05:00</updated><title type='text'>From Danny to Raisin -&gt; Books -&gt; Picture Books</title><content type='html'>&lt;div class="blogPost"&gt;
&lt;br&gt;&lt;br&gt;&lt;img src="http://www.tengrrl.com/graphics/reviews/little-red-thb.jpg" alt="Little Red Computer" width="135" height="200" hspace="21" align="left"&gt;The
  earliest picture book that I've found, &lt;i&gt;The Little Red Computer&lt;/i&gt; (McGraw
  Hill, 1969) entertains
  listeners with the tale of a computer that doesn't understand numbers but ultimately
  succeeds because it is "a computer with a
  mind of its own" (27). The images and story demonstrate the tension between
  an objective, modern society and a humanistic desire for nature and emotions.
  Like many children's books, &lt;i&gt;The Little Red Computer&lt;/i&gt; weaves a didactic
  message, but it is one what really has little to do with technologies. Instead,
  the personified computer simply represents the value of the human over value
  of the machine. &lt;br&gt;
  &lt;br&gt;
  More
  recent picture books shift the focus to lessons about computers and technology.
  &lt;em&gt;Kermit
  Learns How Computers Work&lt;/em&gt; (Prima Publications, 1993) and &lt;em&gt;Kermit Learns
  Windows  &lt;/em&gt;(Prima Publications, 1993) set out to teach readers something
  about keyboards, mice, and software&amp;#8212;all from the perspective of everyone's
  favorite Muppet. Getting your documentation from Sesame Street may seem strange
  to readers today, but remember thatplenty of children, teenagers,
  and adults have gotten advice on how to use their computers from an animated
  paper clip.&lt;br&gt;
  &lt;br&gt;
  &lt;img src="http://www.tengrrl.com/graphics/reviews/arthur-thb.jpg" alt="Arthur's Computer Disaster" width="179" height="250" hspace="21" vspace="0" align="right"&gt;Picture
  books such as &lt;em&gt;Franklin and the Computer &lt;/em&gt;(Kids Can Press, 2003) and&lt;em&gt; Arthur's
  Computer Disaster&lt;/em&gt; (Marc Brown, 1999) focus on the kind of lessons you
  expect to hear on PSAs:
  &lt;ul&gt;
  &lt;li&gt;Don't monkey about with computers.
  &lt;li&gt;You may be playing a game, but a computer is not a toy.     
  &lt;li&gt;If you break something, tell an adult
.  
  &lt;li&gt;Too much time online make you a dull kid.
  &lt;/ul&gt;
  The &lt;I&gt;School Library Journal&lt;/i&gt; describes &lt;i&gt;Arthur's Computer Disaster&lt;/i&gt;:
  &lt;blockquote&gt;
  [T]his episode pits Arthur against his mother for computer time.
He wants to play Deep, Dark Sea, but she has forbidden him to touch her
    PC while she is at work. However, the silent machine proves to be more temptation
    than Arthur can withstand. Pal Buster encourages him; D.W. predicts doom.
    A tug of war, a crashing keyboard, and an inoperable computer follow. Desperate
    attempts to fix it fail; in the end, Mom returns home, Arthur confesses,
    suffers the consequences, and learns a valuable lesson when Mom offers, "Always
    call me with your problems."&lt;/blockquote&gt;
&lt;br&gt;
&lt;img src="http://www.tengrrl.com/graphics/reviews/nomouse-house-thb.jpg" alt="A House with No Mouse" width="210" height="200" hspace="15" align="left"&gt;While
these books focus on the troubles children can get into with computers, the plots
could just as easily be about anything that the child overuses or uses without
permission. These books follow the same structures as such titles as &lt;i&gt;The
Berenstain Bears and Too Much TV&lt;/i&gt; (Random House, 1984) and &lt;i&gt;Arthur's TV
Trouble&lt;/i&gt; (Marc Brown, 1997).&lt;br&gt;

&lt;br&gt;

      There are picture books that break out of this didactic focus, but they
      seem to be the exceptions. &lt;em&gt;Patrick's Dinosaurs on the Internet&lt;/em&gt; (Clarion,
      1999) presents a group of dinosaurs as &amp;quot;big brother.&amp;quot; They have
      traveled off into outer space, but Patrick finds in an Internet chat one
      night that the dinosaurs are still watching over him, appearing late at
      night on his computer screen. &lt;em&gt;A
      House with No Mouse&lt;/em&gt; (Mousetime Media, 2003) addresses the problems
      of the digital divide directly by exploring the many houses that do not
      have computers and showing the alternatives that these people use to get
      online. &lt;br&gt;
      &lt;br&gt;
&lt;/div&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/06/from-danny-to-raisin-picture-books.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800262381921515'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111800262381921515'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111613743544002004</id><published>2005-05-15T23:57:00.000-05:00</published><updated>2005-05-16T01:11:20.820-05:00</updated><title type='text'>Feed by M. T. Anderson (Candlewick, 2004)</title><content type='html'>&lt;div class="blogPost"&gt;&lt;img src="/graphics/reviews/feed.jpg" alt="Feed by M.T. Anderson" align="left" border="0" hspace="21" vspace="21"&gt;&lt;br&gt;&lt;br&gt;
This young adult novel explores the consequences of a technology out of control, one that ultimately reduces the mental abilities of the humans in this future world. The feed is a technology that is implanted in every baby's head, putting a world of information at every person's mental fingertips. The novel's protagonist, Titus, describes the background and use of the feed:&lt;br&gt;&lt;br&gt;
&lt;center&gt;
&lt;table&gt;
&lt;tr&gt;
&lt;td width="50"&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;I don't know when they first had feeds. Like maybe, fifty or a hundred years ago. Before that, they had to use their hands and their eyes. Computers were all outside the body. They carried them around outside of them, in their hands, like if you carried your lungs in a briefcase and opened it to breathe.&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;People were really excited when they first came out with feeds. It as all &lt;i&gt;da da da, this big educational thing, da da da, your child will have the advantage, encyclopedias at their fingertips, closer than their fingertips, etc.&lt;/i&gt; That's one of the great things about the feed&amp;#151;that you can be supersmart without ever working. Everyone is supersmart now. You can look things up automatic, like science and history, like if you want to know which battles of the Civil War George Washington fought in and shit. (47)
&lt;/td&gt;
&lt;td width="50"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/center&gt;&lt;br&gt;&lt;br&gt;
Anderson's irony is clear here: everyone is "supersmart" now that they can instantaneously look up the "battles of the Civil War George Washington fought in." In truth, these characters have become so dependent upon the feed that their own ability to think and understand the world around them has been lost. Everything is negotiated by the feed. Titus explains further, "the braggest thing about the feed, the thing that made it really big, is that it knows everything you want and hope for, sometimes before you even know what those things are. It can tell you how to get them, and help you make buying decisions that are hard. Everything we think and feel is taken in . . . and they make a special profile, one that's keyed just to you . . . so all you have to do is want something and there's a chance it will be yours" (48).&lt;br&gt;&lt;br&gt;

The  feed that is presented as a technology that combines the characteristics of computers, television, and radio and that provides just-in-time information keyed to the every experience of the person whose brain it resides in. The examples of the feed in the novel are extreme satire of the media onslaught that shapes life everyday on present-day earth:&lt;br&gt;&lt;br&gt;
&lt;center&gt;
&lt;table&gt;
&lt;tr&gt;
&lt;td width="50"&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;
&lt;i&gt;. . . attracted to its powerful T44 fermion lift with vertical rise of fifty feed per second&amp;#151;and if you like comfort, quality, and class, the supple upholstery and ergonomically designed dash will leave you something like hysterical. But the best thing about it is the financing&amp;#151;at 18.9% A.P.R . . . . &lt;br&gt;&lt;br&gt;
&lt;CENTER&gt;* * * &lt;/CENTER&gt;&lt;br&gt;
. . . ONLY ON SPORTS-VOX&amp;#151;TAKE A MAN, TAKE A GAS SLED, TAKE A CHLORINE STORM ON JUPITER&amp;#151;AND BOYS IT'S TIME TO SPIT INTO THE WIND WITH ALEX NEETHAM, THE HARDEST, HIPPEST, HYPEST . . . &lt;br&gt;&lt;br&gt;
&lt;CENTER&gt;* * * &lt;/CENTER&gt;&lt;br&gt;
. . . month's summer styles, and the word on the street is "squeaky." . . . &lt;/i&gt;(15)
&lt;/td&gt;
&lt;td width="50"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/center&gt;&lt;br&gt;&lt;br&gt;

Feeds like these provide suggestions throughout the story. At times, characters actively ask the feed for information; at other times, the feed simply suggests based on the character's profile and situation. More frightening than this complete control over the characters' thinking, however, is the close similarities between the feed and the broadcasts any reader might watch or hear on television or radio. Admittedly, my experience with the feed was influenced by the excellent production of the book on tape, which couples the Anderson's words with music, appropriate voice actors, and a smooth transition from the character's thoughts to the feed's suggestions.&lt;br&gt;&lt;br&gt;
Anderson's book is an excellent exploration of a science-fiction world that is far too close to our present-day experiences. Couple the book with the taped production for an amazing experience.
      &lt;br&gt;
      &lt;br&gt;
&lt;b&gt;Details&lt;/b&gt;
  &lt;ul&gt;
    &lt;li&gt;&lt;b&gt;Reading level:&lt;/b&gt; Young adult&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Book Format&lt;/b&gt;: Novel &lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Paperback:&lt;/b&gt; 320 pages&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;ISBN:&lt;/b&gt; 0763622591&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Rating:&lt;/b&gt; &lt;b&gt;&lt;font color="#333366"&gt;********&lt;/font&gt;&lt;/b&gt;&lt;font color="#999999"&gt;**&lt;/font&gt; (8
    of 10 stars) &lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Stores:&lt;/b&gt; &lt;span class="tag"&gt;&lt;a href="http://www.amazon.com/exec/obidos/redirect?link_code=ur2&amp;amp;camp=1789&amp;amp;tag=tengrrl-20&amp;amp;creative=9325&amp;amp;path=tg/detail/-/0763622591/qid=1116138397/sr=8-1/ref=pd_csp_1?v=glance%26s=books%26n=507846"&gt;Amazon&lt;/a&gt; | &lt;A HREF="http://service.bfast.com/bfast/click?bfmid=2181&amp;sourceid=41464247&amp;bfpid=0763622591&amp;bfmtype=book"&gt;Barnes and Noble&lt;/A&gt; | &lt;a href="http://www.powells.com/cgi-bin/partner?partner_id=29709&amp;cgi=product&amp;isbn=0763622591"&gt;Powells&lt;/a&gt;&lt;/span&gt;

    &lt;li&gt;&lt;span class="tag"&gt;&lt;b&gt;Technologies Included&lt;/b&gt;: &lt;a href="http://technorati.com/tag/instantmessaging+tengrrlreview" rel="tag" target="_blank"&gt;instant messaging&lt;/a&gt; | the feed&lt;/span&gt;&lt;/li&gt;
    &lt;li&gt;&lt;span class="tag"&gt;&lt;b&gt;Tags&lt;/b&gt;: &lt;a href="http://technorati.com/tag/book+reviews" rel="tag" target="_blank"&gt;book reviews&lt;/a&gt; |
&lt;a href="http://technorati.com/tag/computers+in+fiction" rel="tag" target="_blank"&gt;computers in fiction&lt;/a&gt; | &lt;a href="http://technorati.com/tag/science+fiction" rel="tag" target="_blank"&gt;science fiction&lt;/a&gt; | &lt;a href="http://technorati.com/tag/technology" rel="tag" target="_blank"&gt;technology&lt;/a&gt; |&lt;a href="http://technorati.com/tag/young+adult+literature" rel="tag" target="_blank"&gt;young adult literature&lt;/a&gt; 
                &lt;/span&gt;
      &lt;br&gt;
      &lt;br&gt;
        &lt;/li&gt;
  &lt;/ul&gt;
&lt;/div&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/05/feed-by-m-t-anderson-candlewick-2004.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111613743544002004'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111613743544002004'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111613244105788334</id><published>2005-05-14T23:20:00.000-05:00</published><updated>2005-05-15T00:33:55.210-05:00</updated><title type='text'>Metaphors from Click Here</title><content type='html'>&lt;i&gt;Click Here: (To Find Our How I Survived Seventh Grade)&lt;/i&gt; by Denise Vega (Little, Brown, 2005)&lt;br&gt;
&lt;br&gt;
Thrill in some worst technology metaphors ever:&lt;br&gt;
&lt;div class="blogPost"&gt; &lt;a href="amazonlink"&gt;&lt;img src="/graphics/reviews/click-here.jpg" alt="Click Here" align="left" border="0" hspace="21" vspace="21"&gt;&lt;/a&gt;
&lt;ul&gt;
&lt;li&gt;"The gossip superhighway at Molly Brown [Middle School] is wireless." (21).&lt;br&gt;&lt;br&gt;

&lt;li&gt;"The news spread like a computer virus...." (36).&lt;br&gt;&lt;br&gt;

&lt;li&gt;"I turned and glared at him. 'You can p align your butt to a different group,' I said. 'It doesn't matter to me.'&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;'Huh?'&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;'P align is an HTML code for aligning somethin on a page.' I looked up to see Mark Sacks standing in the cluster to our right, looking at the boy beside me. 'Positioning it. You know, like left, center, right.' He moved his hands to demonstrate each position. 'She knows her stuff,' he said, nodding at me." (50)&lt;br&gt;&lt;br&gt;

&lt;li&gt;"Her meanness couldn't penetrate my webmaster shield." (86)&lt;br&gt;&lt;br&gt;

&lt;li&gt;"Well, maybe because I'd rather have a virus attack my hard drive than have people staring at various parts of my body the way they were staring at Jilly." (94)&lt;br&gt;&lt;br&gt;

&lt;li&gt;"His face lit up like the DSL light on a modem." (107)&lt;br&gt;&lt;br&gt;

&lt;li&gt;"I took a breath, then let it out long and slow. I should have been completely embarrassed saying all of that to a complete stranger, but for some reason I felt . . . relieved. Lighter.  Like I'd just defragmented my hard drive." (112)&lt;br&gt;&lt;br&gt;
&lt;/ul&gt;
&lt;/div&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/05/metaphors-from-click-here.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111613244105788334'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111613244105788334'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111596264912351724</id><published>2005-05-13T00:30:00.000-05:00</published><updated>2005-05-13T00:38:43.613-05:00</updated><title type='text'>More to read</title><content type='html'>More books! Got copies of &lt;i&gt;An Order Of Amelie, Hold The Fries&lt;/i&gt; by Nina Schindler, &lt;i&gt;ChaseR : A Novel in E-mails&lt;/i&gt; by Michael J. Rosen, and &lt;i&gt;The E-mail Mystery: Nancy Drew Digest #144&lt;/i&gt;. &lt;i&gt;Amelie&lt;/i&gt; is visually the most interesting&amp;#151;lots of images and text intertwined. The Booklist review said: "Imagine Nick Bantock's Griffin and Sabine series with two young, urban Canadians. Now expand their communication to include e-mails, newspaper clippings, text messages on cell phones, and notes written on toilet paper, hotel registration forms, and take-out menus." It's very different. Very cool. Now if I'd just get finished with &lt;i&gt;Click Here: To Find Out How I Survived Seventh Grade&lt;/i&gt; by Denise Vega so that I can read it!
      &lt;br&gt;
      &lt;br&gt;
&lt;span class="tag"&gt;Tags: &lt;a href="http://technorati.com/tag/children's+literature" rel="tag" target="_blank"&gt;children's literature&lt;/a&gt; |
&lt;a href="http://technorati.com/tag/computers+in+fiction" rel="tag" target="_blank"&gt;computers in fiction&lt;/a&gt; | 
&lt;a href="http://technorati.com/tag/technology" rel="tag" target="_blank"&gt;technology&lt;/a&gt; | &lt;a href="http://technorati.com/tag/young+adult+fiction" rel="tag" target="_blank"&gt;young adult fiction&lt;/a&gt; 
&lt;/span&gt;
      &lt;br&gt;
      &lt;br&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/05/more-to-read.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111596264912351724'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111596264912351724'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111578939851386716</id><published>2005-05-11T00:15:00.000-05:00</published><updated>2005-05-13T00:36:47.693-05:00</updated><title type='text'>Another Day Full of Books</title><content type='html'>Today began with two new books: an autographed copy of &lt;i&gt;Boy Proof&lt;/i&gt; by Cecil Castellucci and a copy of Lauren Myracle's &lt;i&gt;Rhymes with Witches&lt;/i&gt;&amp;#151;both from &lt;a href="http://www.livejournal.com/users/literaticat/"&gt;LiteratiCat&lt;/a&gt;, my winnings from the contest on &lt;a href="http://www.livejournal.com/community/teenliterature/"&gt;teenliterature&lt;/a&gt;.
&lt;br&gt;&lt;br&gt;
Not exactly children's lit, but I also got a copy of &lt;i&gt;Literacy Moves On: Popular Culture, New Technologies, and Critical Literacy in the Elementary Classroom&lt;/i&gt;. Looks like a very promising book. Includes an excellent definition of multimodal literacy&amp;#151;very reader-friendly:
&lt;blockquote&gt;
Previously a text was seen as being "a passage of print or a slice of speech, or an image" (Lankshear et al. 2002: 45); that is, texts were seen as things written down&amp;#151;books,magazines, and newspapers. They are now perceived as being much more than this. A text is now seen as a unit of communication that may take the form of something written down but also a chunk of discourse, for example speech, a conversation, a radio program a TV advert, text messaging, a photo in a newspaper, and so on. Many of these texts are drawn from children's popular culture and have changed the ways in which young readers expect to read, the ways they think, and the ways they construct meaning. (p. 8)
&lt;/blockquote&gt;
And thanks to &lt;a href="http://www.vitia.org/"&gt;Mike &lt;/a&gt;on &lt;a href="http://kairosnews.org/"&gt;Kairosnews&lt;/a&gt;, I found out about what looks like an short chapter book from 1958 that focuses on computers, &lt;i&gt;&lt;a href="http://tedfelix.com/books/abrashkin-williams-1958.jpg"&gt;Danny Dunn and the Homework Machine&lt;/a&gt;&lt;/i&gt;. Illustrations are listed as by Ezra Jack Keats. I found a used copy online, and it's on its way!
&lt;br&gt;&lt;br&gt;
&lt;span class="tag"&gt;Tags: &lt;a href="http://technorati.com/tag/children's+literature" rel="tag" target="_blank"&gt;children's literature&lt;/a&gt; |
&lt;a href="http://technorati.com/tag/computers+in+fiction" rel="tag" target="_blank"&gt;computers in fiction&lt;/a&gt; | 
&lt;a href="http://technorati.com/tag/technological+literacy" rel="tag" target="_blank"&gt;technological literacy&lt;/a&gt; | 
&lt;a href="http://technorati.com/tag/technology" rel="tag" target="_blank"&gt;technology&lt;/a&gt; | &lt;a href="http://technorati.com/tag/young+adult+fiction" rel="tag" target="_blank"&gt;young adult fiction&lt;/a&gt; 
&lt;/span&gt;
&lt;br&gt;&lt;br&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/05/another-day-full-of-books.shtml'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111578939851386716'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111578939851386716'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111570746732098695</id><published>2005-05-10T01:36:00.000-05:00</published><updated>2005-05-11T00:54:32.846-05:00</updated><title type='text'>Currently Reading and New Books</title><content type='html'>&lt;div class="blogPost"&gt;I'm currently reading 
&lt;i&gt;Click Here: To Find Out How I Survived Seventh Grade&lt;/i&gt; by Denise Vega. I need to do a little research on Ms. Vega before I review the book because it has some questionably odd imagery. It's a fairly normal tale of young adult social woes of friendship and love, but some of the computerish references are flat-out odd.
&lt;br&gt;&lt;br&gt;
I need to return to &lt;i&gt;Feed&lt;/i&gt;, which I read months ago, and write up a review for it. And I need to decide whether to review non-computerish books here as well. But not tonight.
&lt;br&gt;&lt;br&gt;
Today's kind delivery included &lt;i&gt;The Secret Blog of Raisin Rodriguez&lt;/i&gt; by Judy Goldschmidt and &lt;i&gt;The Dating Game #1&lt;/i&gt; by Natalie Standiford (according to &lt;i&gt;Booklist&lt;/i&gt;, it's about the "Dating Game Web site, which [the characters] created for their Interpersonal Human Dynamics class." My pile of things to read grows and grows!
&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;span class="tag"&gt;
Tags: &lt;a href="http://technorati.com/tag/children's+literature" rel="tag" target="_blank"&gt;children's literature&lt;/a&gt; |
&lt;a href="http://technorati.com/tag/computers+in+fiction" rel="tag" target="_blank"&gt;computers in fiction&lt;/a&gt; | 
&lt;a href="http://technorati.com/tag/technological+literacy" rel="tag" target="_blank"&gt;technological literacy&lt;/a&gt; | 
&lt;a href="http://technorati.com/tag/technology" rel="tag" target="_blank"&gt;technology&lt;/a&gt; | &lt;a href="http://technorati.com/tag/young+adult+fiction" rel="tag" target="_blank"&gt;young adult fiction&lt;/a&gt; 
&lt;/span&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/05/currently-reading-and-new-books.html'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111570746732098695'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111570746732098695'></link><author><name>tengrrl</name></author></entry><entry><id>tag:blogger.com,1999:blog-12733255.post-111553458309355189</id><published>2005-04-24T21:51:00.000-05:00</published><updated>2005-05-08T15:27:11.070-05:00</updated><title type='text'>Geography Club by Brent Hartinger (HarperTempest, 2003)</title><content type='html'>&lt;div class="blogPost"&gt;&lt;img src="/graphics/blog/geography-club.jpg" alt="Geography Club" hspace="21" vspace="21" border="0" align="left"&gt;&lt;br&gt;&lt;br&gt;In this young adult novel, a group of students gathers to form a geography club, "a
club that's so boring, nobody would ever in a million years join it" (63). You
see, 
"Geography Club" is code for a budding Gay-Straight-Bisexual Alliance, a society
so secret that not even its advisor knows what it's about. Not only are its members
closeted, the club itself is in hiding. Chosen for its lack of appeal to the
student body, the name Geography Club highlights the importance of naming in
the book&amp;#151;what things are named and when we can name them. This book
focues on the geography of high school life.
&lt;br&gt;
&lt;br&gt;
Author &lt;a href="http://www.livejournal.com/users/brentsbrain/" target="_blank"&gt;Brent Hartinger&lt;/a&gt; maps
the terrain of Goodkind High School (which is, of course, anything but good and
kind) as he describes all the cliquish misfortunes of its student life. Russel
Middlebrook, the narrator of  &lt;i&gt;Geography Club&lt;/i&gt;, tries desperately to live
up to his name, straddling the middle of the stream, safe in (or more accurately,
from) all the cliques, but as the story progresses, his position becomes harder
and harder to maintain. Clearly, Hartinger is having fun with his names:
&lt;ul&gt;
&lt;li&gt;Geography Club allows Russel to learn more about Land (Kevin Land).
&lt;li&gt;What better way to describe a lesbian than to give her the last name Buckman?
&lt;li&gt;And Trish Baskin certainly "basks in" self-enjoyment.
&lt;li&gt;Homophobia and sexual repression at the school have taken their toll (Ms. Toles).
&lt;/ul&gt;
But beyond the play with naming, the book deals with the much more serious issue of when these characters can name who they are. As the book begins, Russel hides who he is from his family, his friends, and other students. It is only online that Russel can identify himself, but even then he must hide his name:
&lt;blockquote&gt;
There was only one other person in the room, which made sense to me, since I figured there was only about one other gay person in my whole hometown. His handle was GayTeen, which wasn't the most original name I'd ever seen. Mine was Smuggler, for no reason I can explain. (13)
&lt;/blockquote&gt;
Hmm. A smuggler, of course, moves goods from one country to another illegally, and our narrator is definitely on course to explore the border region of high school respectability, the Land of the Popular, the Landscape of Love, Outcast Island, and all the country in between. The challenge for Russel is to realize when his travels are false, when they are smuggling from one region to another, and more importantly, how to navigate the geography honestly and openly.
&lt;br&gt;&lt;br&gt;
&lt;i&gt;Geography Club&lt;/i&gt; is a realistic exploration of the challenges of high school life. At times, I was bothered that Russel wasn't smarter or quicker. How could he fail to realize what Kevin was really like for so long? Why hadn't he noticed that there were other gay students? Where is this boy's gaydar? But then again, if he knew all that, he wouldn't be a high school student, would he? Russel and his friends face a much bigger challenge than coming out or fitting in; they face the very real challenge of learning to be true to yourself. I'd recommend the book for students of any sexuality who navigate the same terrain.
      &lt;br&gt;
      &lt;br&gt;
&lt;b&gt;Details&lt;/b&gt;
  &lt;ul&gt;
    &lt;li&gt;&lt;b&gt;Reading level:&lt;/b&gt; Young Adult&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Book Format&lt;/b&gt;: novel &lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Paperback:&lt;/b&gt; 240 pages&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;ISBN:&lt;/b&gt; 0060012234&lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Rating:&lt;/b&gt; &lt;b&gt;&lt;font color="#333366"&gt;********&lt;/font&gt;&lt;/b&gt;&lt;font color="#999999"&gt;**&lt;/font&gt; (8
    of 10 stars) &lt;/li&gt;
    &lt;li&gt;&lt;b&gt;Stores:&lt;/b&gt; &lt;span class="tag"&gt;&lt;a href="http://www.amazon.com/exec/obidos/redirect?link_code=ur2&amp;amp;camp=1789&amp;amp;tag=tengrrl-20&amp;amp;creative=9325&amp;amp;path=tg/detail/-/0060012234?v=glance%26ref=ed_oe_p%26st=*"&gt;Amazon&lt;/a&gt; | &lt;A HREF="http://service.bfast.com/bfast/click?bfmid=2181&amp;sourceid=41464247&amp;bfpid=0060012234&amp;bfmtype=book" TARGET="_top"&gt;Barnes and Noble&lt;/A&gt; | &lt;a href="http://www.powells.com/cgi-bin/partner?partner_id=29709&amp;cgi=product&amp;isbn=0060012234"&gt;Powells&lt;/a&gt;&lt;/span&gt;

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&lt;/div&gt;</content><link rel='alternate' type='text/html' href='http://www.tengrrl.com/reviews/2005/04/geography-club-by-brent-hartinger.html'></link><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111553458309355189'></link><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/12733255/posts/default/111553458309355189'></link><author><name>tengrrl</name></author></entry></feed>