Revitalit

Death And Odysseus

2010-09-24T11:28:00.001-07:00

By Lord Dunsany

In the Olympian courts Love laughed at Death, because he was unsightly, and because She couldn't help it, and because he never did anything worth doing, and because She would.

And Death hated being laughed at, and used to brood apart thinking only of his wrongs and of what he could do to end this intolerable treatment.

But one day Death appeared in the courts with an air and They all noticed it. "What are you up to now?" said Love. And Death with some solemnity said to Her: "I am going to frighten Odysseus"; and drawing about him his grey traveller's cloak went out through the windy door with his jowl turned earthwards.

And he came soon to Ithaca and the hall that Athene knew, and opened the door and saw there famous Odysseus, with his white locks bending close over the fire, trying to warm his hands.

And the wind through the open door blew bitterly on Odysseus.

And Death came up behind him, and suddenly shouted.

And Odysseus went on warming his pale hands.

Then Death came close and began to mouth at him. And after a while Odysseus turned and spoke. And "Well, old servant," he said, "have your masters been kind to you since I made you work for me round Ilion?"

And Death for some while stood mute, for the thought of the laughter of Love.

Then "Come now," said Odysseus, "lend me your shoulder," and he leaning heavily on that bony joint, they went together through the open door.

- - -

The Songless Country

2010-09-24T11:27:00.001-07:00

By Lord Dunsany

The poet came unto a great country in which there were no songs. And he lamented gently for the nation that had not any little foolish songs to sing to itself at evening.

And at last he said: "I will make for them myself some little foolish songs so that they may be merry in the lanes and happy by the fireside." And for some days he made for them aimless songs such as maidens sing on the hills in the older happier countries.

Then he went to some of that nation as they sat weary with the work of the day and said to them: "I have made you some aimless songs out of the small unreasonable legends, that are somewhat akin to the wind in the vales of my childhood; and you may care to sing them in your disconsolate evenings."

And they said to him:

"If you think we have time for that sort of nonsense nowadays you cannot know much of the progress of modern commerce."

And the poet wept for he said: "Alas! They are damned."

- - -

The Messengers

2010-09-24T11:26:00.000-07:00

By Lord Dunsany

One wandering nigh Parnassus chasing hares heard the high Muses.

"Take us a message to the Golden Town."

Thus sang the Muses.

But the man said: "They do not call to me. Not to such as me speak the Muses."

And the Muses called him by name.

"Take us a message," they said, "to the Golden Town."

And the man was downcast for he would have chased hares.

And the Muses called again.

And when whether in valleys or on high crags of the hills he still heard the Muses he went at last to them and heard their message, though he would fain have left it to other men and chased the fleet hares still in happy valleys.

And they gave him a wreath of laurels carved out of emeralds as only the Muses can carve. "By this," they said, "they shall know that you come from the Muses."

And the man went from that place and dressed in scarlet silks as befitted one that came from the high Muses. And through the gateway of the Golden Town he ran and cried his message, and his cloak floated behind him. All silent sat the wise men and the aged, they of the Golden Town; cross-legged they sat before their houses reading from parchments a message of the Muses that they sent long before.

And the young man cried his message from the Muses.

And they rose up and said: "Thou art not from the Muses. Otherwise spake they." And they stoned him and he died.

And afterwards they carved his message upon gold; and read it in their temples on holy days.

When will the Muses rest? When are they weary? They sent another messenger to the Golden Town. And they gave him a wand of ivory to carry in his hand with all the beautiful stories of the world wondrously carved thereon. And only the Muses could have carved it. "By this," they said, "they shall know that you come from the Muses."

And he came through the gateway of the Golden Town with the message he had for its people. And they rose up at once in the Golden street, they rose from reading the message that they had carved upon gold. "The last who came," they said, "came with a wreath of laurels carved out of emeralds, as only the Muses can carve. You are not from the Muses." And even as they had stoned the last so also they stoned him. And afterwards they carved his message on gold and laid it up in their temples.

When will the Muses rest? When are they weary? Even yet once again they sent a messenger under the gateway into the Golden Town. And for all that he wore a garland of gold that the high Muses gave him, a garland of kingcups soft and yellow on his head, yet fashioned of pure gold and by whom but the Muses, yet did they stone him in the Golden Town. But they had the message, and what care the Muses?

And yet they will not rest, for some while since I heard them call to me.

"Go take our message," they said, "unto the Golden Town."

But I would not go. And they spake a second time. "Go take our message," they said.

And still I would not go, and they cried out a third time: "Go take our message."

And though they cried a third time I would not go. But morning and night they cried and through long evenings.

When will the Muses rest? When are they weary? And when they would not cease to call to me I went to them and I said: "The Golden Town is the Golden Town no longer. They have sold their pillars for brass and their temples for money, they have made coins out of their golden doors. It is become a dark town full of trouble, there is no ease in its streets, beauty has left it and the old songs are gone."

"Go take our message," they cried.

And I said to the high Muses: "You do not understand. You have no message for the Golden Town, the holy city no longer."

"Go take our message," they cried.

"What is your message?" I said to the high Muses.

And when I heard their message I made excuses, dreading to speak such things in the Golden Town; and again they bade me go.

And I said: "I will not go. None will believe me."

And still the Muses cry to me all night long.

They do not understand. How should they know?

- - -

Jabberwocky (Lewis Carroll)

2010-03-21T15:53:00.001-07:00

'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!"

He took his vorpal sword in hand:
Long time the manxome foe he sought—
So rested he by the Tumtum tree,
And stood awhile in thought.

And as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! and through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

"And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!"
He chortled in his joy.

'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

The Reward

2010-01-30T11:23:00.000-08:00

By Lord Dunsany

One's spirit goes further in dreams than it does by day. Wandering once by night from a factory city I came to the edge of Hell.

The place was foul with cinders and cast-off things, and jagged, half-buried things with shapeless edges, and there was a huge angel with a hammer building in plaster and steel. I wondered what he did in that dreadful place. I hesitated, then asked him what he was building. "We are adding to Hell," he said, "to keep pace with the times." "Don't be too hard on them," I said, for I had just come out of a compromising age and a weakening country. The angel did not answer. "It won't be as bad as the old hell, will it?" I said. "Worse," said the angel.

"How can you reconcile it with your conscience as a Minister of Grace," I said, "to inflict such a punishment?" (They talked like this in the city whence I had come and I could not avoid the habit of it.)

"They have invented a new cheap yeast," said the angel.

I looked at the legend on the walls of the hell that the angel was building, the words were written in flame, every fifteen seconds they changed their color, "Yeasto, the great new yeast, it builds up body and brain, and something more."

"They shall look at it for ever," the angel said.

"But they drove a perfectly legitimate trade," I said, "the law allowed it."

The angel went on hammering into place the huge steel uprights.

"You are very revengeful," I said. "Do you never rest from doing this terrible work?"

"I rested one Christmas Day," the angel said, "and looked and saw little children dying of cancer. I shall go on now until the fires are lit."

"It is very hard to prove," I said, "that the yeast is as bad as you think."

"After all," I said, "they must live."

And the angel made no answer but went on building his hell.

- - -

Childe Roland

2010-01-26T08:29:00.000-08:00

Childe Roland To The Dark Tower Came by EarlSWynn

Childe Roland to the Dark Tower Came
By Robert Browning

I.

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.

II.

What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare,

III.

If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed: neither pride
Nor hope rekindling at the end descried,
So much as gladness that some end might be.

IV.

For, what with my whole world-wide wandering,
What with my search drawn out thro' years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.

V.

As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bid the other go, draw breath
Freelier outside, (``since all is o'er,'' he saith,
``And the blow falIen no grieving can amend;'')

VI.

While some discuss if near the other graves
Be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves:
And still the man hears all, and only craves
He may not shame such tender love and stay.

VII.

Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among ``The Band''---to wit,
The knights who to the Dark Tower's search addressed
Their steps---that just to fail as they, seemed best,
And all the doubt was now---should I be fit?

VIII.

So, quiet as despair, I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.

IX.

For mark! no sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backward a last view
O'er the safe road, 'twas gone; grey plain all round:
Nothing but plain to the horizon's bound.
I might go on; nought else remained to do.

X.

So, on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers---as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind, with none to awe,
You'd think; a burr had been a treasure-trove.

XI.

No! penury, inertness and grimace,
In some strange sort, were the land's portion. ``See
``Or shut your eyes,'' said nature peevishly,
``It nothing skills: I cannot help my case:
``'Tis the Last judgment's fire must cure this place,
``Calcine its clods and set my prisoners free.''

XII.

If there pushed any ragged thistle-stalk
Above its mates, the head was chopped; the bents
Were jealous else. What made those holes and rents
In the dock's harsh swarth leaves, bruised as to baulk
All hope of greenness?'tis a brute must walk
Pashing their life out, with a brute's intents.

XIII.

As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupefied, however he came there:
Thrust out past service from the devil's stud!

XIV.

Alive? he might be dead for aught I know,
With that red gaunt and colloped neck a-strain,
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.

XV.

I shut my eyes and turned them on my heart.
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards---the soldier's art:
One taste of the old time sets all to rights.

XVI.

Not it! I fancied Cuthbert's reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm in mine to fix me to the place,
That way he used. Alas, one night's disgrace!
Out went my heart's new fire and left it cold.

XVII.

Giles then, the soul of honour---there he stands
Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good---but the scene shifts---faugh! what hangman hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!

XVIII.

Better this present than a past like that;
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.

XIX.

A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend's glowing hoof---to see the wrath
Of its black eddy bespate with flakes and spumes.

XX.

So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of route despair, a suicidal throng:
The river which had done them all the wrong,
Whate'er that was, rolled by, deterred no whit.

XXI.

Which, while I forded,---good saints, how I feared
To set my foot upon a dead man's cheek,
Each step, or feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
---It may have been a water-rat I speared,
But, ugh! it sounded like a baby's shriek.

XXII.

Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
Soil to a plash? Toads in a poisoned tank,
Or wild cats in a red-hot iron cage---

XXIII.

The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose?
No foot-print leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.

XXIV.

And more than that---a furlong on---why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel---that harrow fit to reel
Men's bodies out like silk? with all the air
Of Tophet's tool, on earth left unaware,
Or brought to sharpen its rusty teeth of steel.

XXV.

Then came a bit of stubbed ground, once a wood,
Next a marsh, it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood---
Bog, clay and rubble, sand and stark black dearth.

XXVI.

Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.

XXVII.

And just as far as ever from the end!
Nought in the distance but the evening, nought
To point my footstep further! At the thought,
great black bird, Apollyon's bosom-friend,
Sailed past, nor beat his wide wing dragon-penned
That brushed my cap---perchance the guide I sought.

XXVIII.

For, looking up, aware I somehow grew,
'Spite of the dusk, the plain had given place
All round to mountains---with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me,---solve it, you!
How to get from them was no clearer case.

XXIX.

Yet half I seemed to recognize some trick
Of mischief happened to me, God knows when---
In a bad dream perhaps. Here ended, then,
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts---you're inside the den!

XXX.

Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left, a tall scalped mountain... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!

XXXI.

What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counter-part
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.

XXXII.

Not see? because of night perhaps?---why, day
Came back again for that! before it left,
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay,---
``Now stab and end the creature---to the heft!''

XXXIII.

Not hear? when noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers my peers,---
How such a one was strong, and such was bold,
And such was fortunate, yet, each of old
Lost, lost! one moment knelled the woe of years.

XXXIV.

There they stood, ranged along the hill-sides, met
To view the last of me, a living frame
For one more picture! in a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. ``Childe Roland to the Dark Tower came.''

A Yeats Poem

2010-01-15T21:32:00.000-08:00

THE SONG OF WANDERING AENGUS
by: W.B. Yeats

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;

And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.

2009-12-09T11:25:00.000-08:00

HOW THE ENEMY CAME TO THLUNRANA
By Lord Dunsany

It had been prophesied of old and foreseen from the ancient days that its enemy would come upon Thlunrana. And the date of its doom was known and the gate by which it would enter, yet none had prophesied of the enemy who he was save that he was of the gods though he dwelt with men. Meanwhile Thlunrana, that secret lamaserai, that chief cathedral of wizardry, was the terror of the valley in which it stood and of all lands round about it. So narrow and high were the windows and so strange when lighted at night that they seemed to regard men with the demoniac leer of something that had a secret in the dark. Who were the magicians and the deputy-magicians and the great arch-wizard of that furtive place nobody knew, for they went veiled and hooded and cloaked completely in black.

Though her doom was close upon her and the enemy of prophecy should come that very night through the open, southward door that was named the Gate of the Doom, yet that rocky edifice Thlunrana remained mysterious still, venerable, terrible, dark, and dreadfully crowned with her doom. It was not often that anyone dared wander near to Thlunrana by night when the moan of the magicians invoking we know not Whom rose faintly from inner chambers, scaring the drifting bats: but on the last night of all the man from the black-thatched cottage by the five pine-trees came, because he would see Thlunrana once again before the enemy that was divine, but that dwelt with men, should come against it and it should be no more. Up the dark valley he went like a bold man, but his fears were thick upon him; his bravery bore their weight but stooped a little beneath them. He went in at the southward gate that is named the Gate of the Doom. He came into a dark hall, and up a marble stairway passed to see the last of Thlunrana. At the top a curtain of black velvet hung and he passed into a chamber heavily hung with curtains, with a gloom in it that was blacker than anything they could account for. In a sombre chamber beyond, seen through a vacant archway, magicians with lighted tapers plied their wizardry and whispered incantations. All the rats in the place were passing away, going whimpering down the stairway. The man from the black-thatched cottage passed through that second chamber: the magicians did not look at him and did not cease to whisper. He passed from them through heavy curtains still of black velvet and came into a chamber of black marble where nothing stirred. Only one taper burned in the third chamber; there were no windows. On the smooth floor and under the smooth wall a silk pavilion stood with its curtains drawn close together: this was the holy of holies of that ominous place, its inner mystery. One on each side of it dark figures crouched, either of men or women or cloaked stone, or of beasts trained to be silent. When the awful stillness of the mystery was more than he could bear the man from the black-thatched cottage by the five pine-trees went up to the silk pavilion, and with a bold and nervous clutch of the hand drew one of the curtains aside, and saw the inner mystery, and laughed. And the prophecy was fulfilled, and Thlunrana was never more a terror to the valley, but the magicians passed away from their terrific halls and fled through the open fields wailing and beating their breasts, for laughter was the enemy that was doomed to come against Thlunrana through her southward gate (that was named the Gate of the Doom), and it is of the gods but dwells with man.

- - -
Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

From Beyond (Lovecraft)

2009-12-08T00:00:00.000-08:00

From Beyond by ESWynn

Horrible beyond conception was the change which had taken place in my best friend, Crawford Tillinghast. I had not seen him since that day, two months and a half before, when he had told me toward what goal his physical and metaphysical researches were leading; when he had answered my awed and almost frightened remonstrances by driving me from his laboratory and his house in a burst of fanatical rage. I had known that he now remained mostly shut in the attic laboratory with that accursed electrical machine, eating little and excluding even the servants, but I had not thought that a brief period of ten weeks could so alter and disfigure any human creature. It is not pleasant to see a stout man suddenly grown thin, and it is even worse when the baggy skin becomes yellowed or greyed, the eyes sunken, circled, and uncannily glowing, the forehead veined and corrugated, and the hands tremulous and twitching. And if added to this there be a repellent unkemptness; a wild disorder of dress, a bushiness of dark hair white at the roots, and an unchecked growth of pure white beard on a face once clean-shaven, the cumulative effect is quite shocking. But such was the aspect of Crawford Tillinghast on the night his half-coherent message brought me to his door after my weeks of exile; such the spectre that trembled as it admitted me, candle in hand, and glanced furtively over its shoulder as if fearful of unseen things in the ancient, lonely house set back from Benevolent Street.

That Crawford Tillinghast should ever have studied science and philosophy was a mistake. These things should be left to the frigid and impersonal investigator, for they offer two equally tragic alternatives to the man of feeling and action; despair if he fail in his quest, and terrors unutterable and unimaginable if he succeed. Tillinghast had once been the prey of failure, solitary and melancholy; but now I knew, with nauseating fears of my own, that he was the prey of success. I had indeed warned him ten weeks before, when he burst forth with his tale of what he felt himself about to discover. He had been flushed and excited then, talking in a high and unnatural, though always pedantic, voice.

“What do we know,” he had said, “of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with a wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have. I have always believed that such strange, inaccessible worlds exist at our very elbows, and now I believe I have found a way to break down the barriers. I am not joking. Within twenty-four hours that machine near the table will generate waves acting on unrecognised sense-organs that exist in us as atrophied or rudimentary vestiges. Those waves will open up to us many vistas unknown to man, and several unknown to anything we consider organic life. We shall see that at which dogs howl in the dark, and that at which cats prick up their ears after midnight. We shall see these things, and other things which no breathing creature has yet seen. We shall overleap time, space, and dimensions, and without bodily motion peer to the bottom of creation.

When Tillinghast said these things I remonstrated, for I knew him well enough to be frightened rather than amused; but he was a fanatic, and drove me from the house. Now he was no less a fanatic, but his desire to speak had conquered his resentment, and he had written me imperatively in a hand I could scarcely recognise. As I entered the abode of the friend so suddenly metamorphosed to a shivering gargoyle, I became infected with the terror which seemed stalking in all the shadows. The words and beliefs expressed ten weeks before seemed bodied forth in the darkness beyond the small circle of candle light, and I sickened at the hollow, altered voice of my host. I wished the servants were about, and did not like it when he said they had all left three days previously. It seemed strange that old Gregory, at least, should desert his master without telling as tried a friend as I. It was he who had given me all the information I had of Tillinghast after I was repulsed in rage.

Yet I soon subordinated all my fears to my growing curiosity and fascination. Just what Crawford Tillinghast now wished of me I could only guess, but that he had some stupendous secret or discovery to impart, I could not doubt. Before I had protested at his unnatural pryings into the unthinkable; now that he had evidently succeeded to some degree I almost shared his spirit, terrible though the cost of victory appeared. Up through the dark emptiness of the house I followed the bobbing candle in the hand of this shaking parody on man. The electricity seemed to be turned off, and when I asked my guide he said it was for a definite reason.

“It would be too much . . . I would not dare,” he continued to mutter. I especially noted his new habit of muttering, for it was not like him to talk to himself. We entered the laboratory in the attic, and I observed that detestable electrical machine, glowing with a sickly, sinister, violet luminosity. It was connected with a powerful chemical battery, but seemed to be receiving no current; for I recalled that in its experimental stage it had sputtered and purred when in action. In reply to my question Tillinghast mumbled that this permanent glow was not electrical in any sense that I could understand.

He now seated me near the machine, so that it was on my right, and turned a switch somewhere below the crowning cluster of glass bulbs. The usual sputtering began, turned to a whine, and terminated in a drone so soft as to suggest a return to silence. Meanwhile the luminosity increased, waned again, then assumed a pale, outré colour or blend of colours which I could neither place nor describe. Tillinghast had been watching me, and noted my puzzled expression.

“Do you know what that is?” he whispered. “That is ultra-violet.” He chuckled oddly at my surprise. “You thought ultra-violet was invisible, and so it is—but you can see that and many other invisible things now.

“Listen to me! The waves from that thing are waking a thousand sleeping senses in us; senses which we inherit from aeons of evolution from the state of detached electrons to the state of organic humanity. I have seen truth, and I intend to shew it to you. Do you wonder how it will seem? I will tell you.” Here Tillinghast seated himself directly opposite me, blowing out his candle and staring hideously into my eyes. “Your existing sense-organs—ears first, I think—will pick up many of the impressions, for they are closely connected with the dormant organs. Then there will be others. You have heard of the pineal gland? I laugh at the shallow endocrinologist, fellow-dupe and fellow-parvenu of the Freudian. That gland is the great sense-organ of organs—I have found out. It is like sight in the end, and transmits visual pictures to the brain. If you are normal, that is the way you ought to get most of it . . . I mean get most of the evidence from beyond.”

I looked about the immense attic room with the sloping south wall, dimly lit by rays which the every-day eye cannot see. The far corners were all shadows, and the whole place took on a hazy unreality which obscured its nature and invited the imagination to symbolism and phantasm. During the interval that Tillinghast was silent I fancied myself in some vast and incredible temple of long-dead gods; some vague edifice of innumerable black stone columns reaching up from a floor of damp slabs to a cloudy height beyond the range of my vision. The picture was very vivid for a while, but gradually gave way to a more horrible conception; that of utter, absolute solitude in infinite, sightless, soundless space. There seemed to be a void, and nothing more, and I felt a childish fear which prompted me to draw from my hip pocket the revolver I always carried after dark since the night I was held up in East Providence. Then, from the farthermost regions of remoteness, the sound softly glided into existence. It was infinitely faint, subtly vibrant, and unmistakably musical, but held a quality of surpassing wildness which made its impact feel like a delicate torture of my whole body. I felt sensations like those one feels when accidentally scratching ground glass. Simultaneously there developed something like a cold draught, which apparently swept past me from the direction of the distant sound. As I waited breathlessly I perceived that both sound and wind were increasing; the effect being to give me an odd notion of myself as tied to a pair of rails in the path of a gigantic approaching locomotive. I began to speak to Tillinghast, and as I did so all the unusual impressions abruptly vanished. I saw only the man, the glowing machine, and the dim apartment. Tillinghast was grinning repulsively at the revolver which I had almost unconsciously drawn, but from his expression I was sure he had seen and heard as much as I, if not a great deal more. I whispered what I had experienced, and he bade me to remain as quiet and receptive as possible.

“Don’t move,” he cautioned, “for in these rays we are able to be seen as well as to see. I told you the servants left, but I didn’t tell you how. It was that thick-witted housekeeper—she turned on the lights downstairs after I had warned her not to, and the wires picked up sympathetic vibrations. It must have been frightful—I could hear the screams up here in spite of all I was seeing and hearing from another direction, and later it was rather awful to find those empty heaps of clothes around the house. Mrs. Updike’s clothes were close to the front hall switch—that’s how I know she did it. It got them all. But so long as we don’t move we’re fairly safe. Remember we’re dealing with a hideous world in which we are practically helpless. . . . Keep still!”

The combined shock of the revelation and of the abrupt command gave me a kind of paralysis, and in my terror my mind again opened to the impressions coming from what Tillinghast called “beyond”. I was now in a vortex of sound and motion, with confused pictures before my eyes. I saw the blurred outlines of the room, but from some point in space there seemed to be pouring a seething column of unrecognisable shapes or clouds, penetrating the solid roof at a point ahead and to the right of me. Then I glimpsed the temple-like effect again, but this time the pillars reached up into an aërial ocean of light, which sent down one blinding beam along the path of the cloudy column I had seen before. After that the scene was almost wholly kaleidoscopic, and in the jumble of sights, sounds, and unidentified sense-impressions I felt that I was about to dissolve or in some way lose the solid form. One definite flash I shall always remember. I seemed for an instant to behold a patch of strange night sky filled with shining, revolving spheres, and as it receded I saw that the glowing suns formed a constellation or galaxy of settled shape; this shape being the distorted face of Crawford Tillinghast. At another time I felt the huge animate things brushing past me and occasionally walking or drifting through my supposedly solid body, and thought I saw Tillinghast look at them as though his better trained senses could catch them visually. I recalled what he had said of the pineal gland, and wondered what he saw with this preternatural eye.

Suddenly I myself became possessed of a kind of augmented sight. Over and above the luminous and shadowy chaos arose a picture which, though vague, held the elements of consistency and permanence. It was indeed somewhat familiar, for the unusual part was superimposed upon the usual terrestrial scene much as a cinema view may be thrown upon the painted curtain of a theatre. I saw the attic laboratory, the electrical machine, and the unsightly form of Tillinghast opposite me; but of all the space unoccupied by familiar material objects not one particle was vacant. Indescribable shapes both alive and otherwise were mixed in disgusting disarray, and close to every known thing were whole worlds of alien, unknown entities. It likewise seemed that all the known things entered into the composition of other unknown things, and vice versa. Foremost among the living objects were great inky, jellyish monstrosities which flabbily quivered in harmony with the vibrations from the machine. They were present in loathsome profusion, and I saw to my horror that they overlapped; that they were semi-fluid and capable of passing through one another and through what we know as solids. These things were never still, but seemed ever floating about with some malignant purpose. Sometimes they appeared to devour one another, the attacker launching itself at its victim and instantaneously obliterating the latter from sight. Shudderingly I felt that I knew what had obliterated the unfortunate servants, and could not exclude the things from my mind as I strove to observe other properties of the newly visible world that lies unseen around us. But Tillinghast had been watching me, and was speaking.

“You see them? You see them? You see the things that float and flop about you and through you every moment of your life? You see the creatures that form what men call the pure air and the blue sky? Have I not succeeded in breaking down the barrier; have I not shewn you worlds that no other living men have seen?” I heard him scream through the horrible chaos, and looked at the wild face thrust so offensively close to mine. His eyes were pits of flame, and they glared at me with what I now saw was overwhelming hatred. The machine droned detestably.

“You think those floundering things wiped out the servants? Fool, they are harmless! But the servants are gone, aren’t they? You tried to stop me; you discouraged me when I needed every drop of encouragement I could get; you were afraid of the cosmic truth, you damned coward, but now I’ve got you! What swept up the servants? What made them scream so loud? . . . Don’t know, eh? You’ll know soon enough! Look at me—listen to what I say—do you suppose there are really any such things as time and magnitude? Do you fancy there are such things as form or matter? I tell you, I have struck depths that your little brain can’t picture! I have seen beyond the bounds of infinity and drawn down daemons from the stars. . . . I have harnessed the shadows that stride from world to world to sow death and madness. . . . Space belongs to me, do you hear? Things are hunting me now—the things that devour and dissolve—but I know how to elude them. It is you they will get, as they got the servants. Stirring, dear sir? I told you it was dangerous to move. I have saved you so far by telling you to keep still—saved you to see more sights and to listen to me. If you had moved, they would have been at you long ago. Don’t worry, they won’t hurt you. They didn’t hurt the servants—it was seeing that made the poor devils scream so. My pets are not pretty, for they come out of places where aesthetic standards are—very different. Disintegration is quite painless, I assure you—but I want you to see them. I almost saw them, but I knew how to stop. You are not curious? I always knew you were no scientist! Trembling, eh? Trembling with anxiety to see the ultimate things I have discovered? Why don’t you move, then? Tired? Well, don’t worry, my friend, for they are coming. . . . Look! Look, curse you, look! . . . It’s just over your left shoulder. . . .”

What remains to be told is very brief, and may be familiar to you from the newspaper accounts. The police heard a shot in the old Tillinghast house and found us there—Tillinghast dead and me unconscious. They arrested me because the revolver was in my hand, but released me in three hours, after they found it was apoplexy which had finished Tillinghast and saw that my shot had been directed at the noxious machine which now lay hopelessly shattered on the laboratory floor. I did not tell very much of what I had seen, for I feared the coroner would be sceptical; but from the evasive outline I did give, the doctor told me that I had undoubtedly been hypnotised by the vindictive and homicidal madman.

I wish I could believe that doctor. It would help my shaky nerves if I could dismiss what I now have to think of the air and the sky about and above me. I never feel alone or comfortable, and a hideous sense of pursuit sometimes comes chillingly on me when I am weary. What prevents me from believing the doctor is this one simple fact—that the police never found the bodies of those servants whom they say Crawford Tillinghast murdered.

The Book (Lovecraft)

2009-12-07T00:00:00.000-08:00

My memories are very confused. There is even much doubt as to where they begin; for at times I feel appalling vistas of years stretching behind me, while at other times it seems as if the present moment were an isolated point in a grey, formless infinity. I am not even certain how I am communicating this message. While I know I am speaking, I have a vague impression that some strange and perhaps terrible mediation will be needed to bear what I say to the points where I wish to be heard. My identity, too, is bewilderingly cloudy. I seem to have suffered a great shock—perhaps from some utterly monstrous outgrowth of my cycles of unique, incredible experience.

These cycles of experience, of course, all stem from that worm-riddled book. I remember when I found it—in a dimly lighted place near the black, oily river where the mists always swirl. That place was very old, and the ceiling-high shelves full of rotting volumes reached back endlessly through windowless inner rooms and alcoves. There were, besides, great formless heaps of books on the floor and in crude bins; and it was in one of these heaps that I found the thing. I never learned its title, for the early pages were missing; but it fell open toward the end and gave me a glimpse of something which sent my senses reeling.

There was a formula—a sort of list of things to say and do—which I recognised as something black and forbidden; something which I had read of before in furtive paragraphs of mixed abhorrence and fascination penned by those strange ancient delvers into the universe’s guarded secrets whose decaying texts I loved to absorb. It was a key—a guide—to certain gateways and transitions of which mystics have dreamed and whispered since the race was young, and which lead to freedoms and discoveries beyond the three dimensions and realms of life and matter that we know. Not for centuries had any man recalled its vital substance or known where to find it, but this book was very old indeed. No printing-press, but the hand of some half-crazed monk, had traced these ominous Latin phrases in uncials of awesome antiquity.

I remember how the old man leered and tittered, and made a curious sign with his hand when I bore it away. He had refused to take pay for it, and only long afterward did I guess why. As I hurried home through those narrow, winding, mist-choked waterfront streets I had a frightful impression of being stealthily followed by softly padding feet. The centuried, tottering houses on both sides seemed alive with a fresh and morbid malignity—as if some hitherto closed channel of evil understanding had abruptly been opened. I felt that those walls and overhanging gables of mildewed brick and fungous plaster and timber—with fishy, eye-like, diamond-paned windows that leered—could hardly desist from advancing and crushing me . . . yet I had read only the least fragment of that blasphemous rune before closing the book and bringing it away.

I remember how I read the book at last—white-faced, and locked in the attic room that I had long devoted to strange searchings. The great house was very still, for I had not gone up till after midnight. I think I had a family then—though the details are very uncertain—and I know there were many servants. Just what the year was, I cannot say; for since then I have known many ages and dimensions, and have had all my notions of time dissolved and refashioned. It was by the light of candles that I read—I recall the relentless dripping of the wax—and there were chimes that came every now and then from distant belfries. I seemed to keep track of those chimes with a peculiar intentness, as if I feared to hear some very remote, intruding note among them.

Then came the first scratching and fumbling at the dormer window that looked out high above the other roofs of the city. It came as I droned aloud the ninth verse of that primal lay, and I knew amidst my shudders what it meant. For he who passes the gateways always wins a shadow, and never again can he be alone. I had evoked—and the book was indeed all I had suspected. That night I passed the gateway to a vortex of twisted time and vision, and when morning found me in the attic room I saw in the walls and shelves and fittings that which I had never seen before.

Nor could I ever after see the world as I had known it. Mixed with the present scene was always a little of the past and a little of the future, and every once-familiar object loomed alien in the new perspective brought by my widened sight. From then on I walked in a fantastic dream of unknown and half-known shapes; and with each new gateway crossed, the less plainly could I recognise the things of the narrow sphere to which I had so long been bound. What I saw about me none else saw; and I grew doubly silent and aloof lest I be thought mad. Dogs had a fear of me, for they felt the outside shadow which never left my side. But still I read more—in hidden, forgotten books and scrolls to which my new vision led me—and pushed through fresh gateways of space and being and life-patterns toward the core of the unknown cosmos.

I remember the night I made the five concentric circles of fire on the floor, and stood in the innermost one chanting that monstrous litany the messenger from Tartary had brought. The walls melted away, and I was swept by a black wind through gulfs of fathomless grey with the needle-like pinnacles of unknown mountains miles below me. After a while there was utter blackness, and then the light of myriad stars forming strange, alien constellations. Finally I saw a green-litten plain far below me, and discerned on it the twisted towers of a city built in no fashion I had ever known or read of or dreamed of. As I floated closer to that city I saw a great square building of stone in an open space, and felt a hideous fear clutching at me. I screamed and struggled, and after a blankness was again in my attic room, sprawled flat over the five phosphorescent circles on the floor. In that night’s wandering there was no more of strangeness than in many a former night’s wandering; but there was more of terror because I knew I was closer to those outside gulfs and worlds than I had ever been before. Thereafter I was more cautious with my incantations, for I had no wish to be cut off from my body and from the earth in unknown abysses whence I could never return.

The Descendent (Lovecraft)

2009-12-06T00:00:00.000-08:00

Descendant by ESWynn

In London there is a man who screams when the church bells ring. He lives all alone with his streaked cat in Gray’s Inn, and people call him harmlessly mad. His room is filled with books of the tamest and most puerile kind, and hour after hour he tries to lose himself in their feeble pages. All he seeks from life is not to think. For some reason thought is very horrible to him, and anything which stirs the imagination he flees as a plague. He is very thin and grey and wrinkled, but there are those who declare he is not nearly so old as he looks. Fear has its grisly claws upon him, and a sound will make him start with staring eyes and sweat-beaded forehead. Friends and companions he shuns, for he wishes to answer no questions. Those who once knew him as scholar and aesthete say it is very pitiful to see him now. He dropped them all years ago, and no one feels sure whether he left the country or merely sank from sight in some hidden byway. It is a decade now since he moved into Gray’s Inn, and of where he had been he would say nothing till the night young Williams bought the Necronomicon.

Williams was a dreamer, and only twenty-three, and when he moved into the ancient house he felt a strangeness and a breath of cosmic wind about the grey wizened man in the next room. He forced his friendship where old friends dared not force theirs, and marvelled at the fright that sat upon this gaunt, haggard watcher and listener. For that the man always watched and listened no one could doubt. He watched and listened with his mind more than with his eyes and ears, and strove every moment to drown something in his ceaseless poring over gay, insipid novels. And when the church bells rang he would stop his ears and scream, and the grey cat that dwelt with him would howl in unison till the last peal died reverberantly away.

But try as Williams would, he could not make his neighbour speak of anything profound or hidden. The old man would not live up to his aspect and manner, but would feign a smile and a light tone and prattle feverishly and frantically of cheerful trifles; his voice every moment rising and thickening till at last it would split in a piping and incoherent falsetto. That his learning was deep and thorough, his most trivial remarks made abundantly clear; and Williams was not surprised to hear that he had been to Harrow and Oxford. Later it developed that he was none other than Lord Northam, of whose ancient hereditary castle on the Yorkshire coast so many odd things were told; but when Williams tried to talk of the castle, and of its reputed Roman origin, he refused to admit that there was anything unusual about it. He even tittered shrilly when the subject of the supposed under crypts, hewn out of the solid crag that frowns on the North Sea, was brought up.

So matters went till that night when Williams brought home the infamous Necronomicon of the mad Arab Abdul Alhazred. He had known of the dreaded volume since his sixteenth year, when his dawning love of the bizarre had led him to ask queer questions of a bent old bookseller in Chandos Street; and he had always wondered why men paled when they spoke of it. The old bookseller had told him that only five copies were known to have survived the shocked edicts of the priests and lawgivers against it and that all of these were locked up with frightened care by custodians who had ventured to begin a reading of the hateful black-letter. But now, at last, he had not only found an accessible copy but had made it his own at a ludicrously low figure. It was at a Jew’s shop in the squalid precincts of Clare Market, where he had often bought strange things before, and he almost fancied the gnarled old Levite smiled amidst tangles of beard as the great discovery was made. The bulky leather cover with the brass clasp had been so prominently visible, and the price was so absurdly slight.

The one glimpse he had had of the title was enough to send him into transports, and some of the diagrams set in the vague Latin text excited the tensest and most disquieting recollections in his brain. He felt it was highly necessary to get the ponderous thing home and begin deciphering it, and bore it out of the shop with such precipitate haste that the old Jew chuckled disturbingly behind him. But when at last it was safe in his room he found the combination of black-letter and debased idiom too much for his powers as a linguist, and reluctantly called on his strange, frightened friend for help with the twisted, mediaeval Latin. Lord Northam was simpering inanities to his streaked cat, and started violently when the young man entered. Then he saw the volume and shuddered wildly, and fainted altogether when Williams uttered the title. It was when he regained his senses that he told his story; told his fantastic figment of madness in frantic whispers, lest his friend be not quick to burn the accursed book and give wide scattering to its ashes.

* * *

There must, Lord Northam whispered, have been something wrong at the start; but it would never have come to a head if he had not explored too far. He was the nineteenth Baron of a line whose beginnings went uncomfortably far back into the past—unbelievably far, if vague tradition could be heeded, for there were family tales of a descent from pre-Saxon times, when a certain Cnaeus Gabinius Capito, military tribune in the Third Augustan Legion then stationed at Lindum in Roman Britain, had been summarily expelled from his command for participation in certain rites unconnected with any known religion. Gabinius had, the rumour ran, come upon a cliffside cavern where strange folk met together and made the Elder Sign in the dark; strange folk whom the Britons knew not save in fear, and who were the last to survive from a great land in the west that had sunk, leaving only the islands with the raths and circles and shrines of which Stonehenge was the greatest. There was no certainty, of course, in the legend that Gabinius had built an impregnable fortress over the forbidden cave and founded a line which Pict and Saxon, Dane and Norman were powerless to obliterate; or in the tacit assumption that from this line sprang the bold companion and lieutenant of the Black Prince whom Edward Third created Baron of Northam. These things were not certain, yet they were often told; and in truth the stonework of Northam Keep did look alarmingly like the masonry of Hadrian’s Wall. As a child Lord Northam had had peculiar dreams when sleeping in the older parts of the castle, and had acquired a constant habit of looking back through his memory for half-amorphous scenes and patterns and impressions which formed no part of his waking experience. He became a dreamer who found life tame and unsatisfying; a searcher for strange realms and relationships once familiar, yet lying nowhere in the visible regions of earth.

Filled with a feeling that our tangible world is only an atom in a fabric vast and ominous, and that unknown demesnes press on and permeate the sphere of the known at every point, Northam in youth and young manhood drained in turn the founts of formal religion and occult mystery. Nowhere, however, could he find ease and content; and as he grew older the staleness and limitations of life became more and more maddening to him. During the ’nineties he dabbled in Satanism, and at all times he devoured avidly any doctrine or theory which seemed to promise escape from the close vistas of science and the dully unvarying laws of Nature. Books like Ignatius Donnelly’s chimerical account of Atlantis he absorbed with zest, and a dozen obscure precursors of Charles Fort enthralled him with their vagaries. He would travel leagues to follow up a furtive village tale of abnormal wonder, and once went into the desert of Araby to seek a Nameless City of faint report, which no man has ever beheld. There rose within him the tantalising faith that somewhere an easy gate existed, which if one found would admit him freely to those outer deeps whose echoes rattled so dimly at the back of his memory. It might be in the visible world, yet it might be only in his mind and soul. Perhaps he held within his own half-explored brain that cryptic link which would awaken him to elder and future lives in forgotten dimensions; which would bind him to the stars, and to the infinities and eternities beyond them.

The Ruined Maid (Hardy)

2009-12-05T00:00:00.000-08:00

Ruined Maid by ESWynn

"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?"-
"O didn't you know I'd been ruined?" said she.

-"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!"-
"Yes: that's how we dress when we're ruined," said she.

-"At home in the barton you said 'thee' and 'thou,'
And 'thik oon' and 'theäs oon' and 't'other'; but now
Your talking quite fits 'ee for high compan-ny!"-
"Some polish is gained with one's ruin," said she.

-"Your hands were like paws then, you face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!"-
"We never do work when we're ruined," said she.

-"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!"-
"True. One's pretty lively when ruined," said she.

-"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town"-
"My dear - raw country girl, such as you be,

Cannot quite expect that. You ain't ruined," said she.

The Tyger (Blake)

2009-12-04T00:00:00.000-08:00

Tyger by ESWynn

Tyger! Tyger! burning bright
In the forest of the night
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And What shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

Meeting at Night (Browning)

2009-12-03T00:36:00.000-08:00

Meeting at Night by ESWynn

The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.

Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!

A Poem by W.B. Yeats

2009-12-02T12:23:00.000-08:00

An Irish Airman Foresees His Death

I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan’s poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public man, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.

This Living Hand (Keats)

2009-12-01T12:21:00.000-08:00

This living hand, now warm and capable
Of earnest grasping, would, if it were cold
And in the icy silence of the tomb,
So haunt thy days and chill thy dreaming nights
That thou wouldst wish thine own heart dry of blood
So in my veins red life might stream again,
And thou be conscience-calmed--see here it is--
I hold it towards you.

Pickman's Model (Lovecraft)

2009-11-30T01:00:00.000-08:00

You needn’t think I’m crazy, Eliot—plenty of others have queerer prejudices than this. Why don’t you laugh at Oliver’s grandfather, who won’t ride in a motor? If I don’t like that damned subway, it’s my own business; and we got here more quickly anyhow in the taxi. We’d have had to walk up the hill from Park Street if we’d taken the car.
I know I’m more nervous than I was when you saw me last year, but you don’t need to hold a clinic over it. There’s plenty of reason, God knows, and I fancy I’m lucky to be sane at all. Why the third degree? You didn’t use to be so inquisitive.
Well, if you must hear it, I don’t know why you shouldn’t. Maybe you ought to, anyhow, for you kept writing me like a grieved parent when you heard I’d begun to cut the Art Club and keep away from Pickman. Now that he’s disappeared I go around to the club once in a while, but my nerves aren’t what they were.
No, I don’t know what’s become of Pickman, and I don’t like to guess. You might have surmised I had some inside information when I dropped him—and that’s why I don’t want to think where he’s gone. Let the police find what they can—it won’t be much, judging from the fact that they don’t know yet of the old North End place he hired under the name of Peters. I’m not sure that I could find it again myself—not that I’d ever try, even in broad daylight! Yes, I do know, or am afraid I know, why he maintained it. I’m coming to that. And I think you’ll understand before I’m through why I don’t tell the police. They would ask me to guide them, but I couldn’t go back there even if I knew the way. There was something there—and now I can’t use the subway or (and you may as well have your laugh at this, too) go down into cellars any more.
I should think you’d have known I didn’t drop Pickman for the same silly reasons that fussy old women like Dr. Reid or Joe Minot or Bosworth did. Morbid art doesn’t shock me, and when a man has the genius Pickman had I feel it an honour to know him, no matter what direction his work takes. Boston never had a greater painter than Richard Upton Pickman. I said it at first and I say it still, and I never swerved an inch, either, when he shewed that “Ghoul Feeding”. That, you remember, was when Minot cut him.
You know, it takes profound art and profound insight into Nature to turn out stuff like Pickman’s. Any magazine-cover hack can splash paint around wildly and call it a nightmare or a Witches’ Sabbath or a portrait of the devil, but only a great painter can make such a thing really scare or ring true. That’s because only a real artist knows the actual anatomy of the terrible or the physiology of fear—the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness. I don’t have to tell you why a Fuseli really brings a shiver while a cheap ghost-story frontispiece merely makes us laugh. There’s something those fellows catch—beyond life—that they’re able to make us catch for a second. Doré had it. Sime has it. Angarola of Chicago has it. And Pickman had it as no man ever had it before or—I hope to heaven—ever will again.
Don’t ask me what it is they see. You know, in ordinary art, there’s all the difference in the world between the vital, breathing things drawn from Nature or models and the artificial truck that commercial small fry reel off in a bare studio by rule. Well, I should say that the really weird artist has a kind of vision which makes models, or summons up what amounts to actual scenes from the spectral world he lives in. Anyhow, he manages to turn out results that differ from the pretender’s mince-pie dreams in just about the same way that the life painter’s results differ from the concoctions of a correspondence-school cartoonist. If I had ever seen what Pickman saw—but no! Here, let’s have a drink before we get any deeper. Gad, I wouldn’t be alive if I’d ever seen what that man—if he was a man—saw!
You recall that Pickman’s forte was faces. I don’t believe anybody since Goya could put so much of sheer hell into a set of features or a twist of expression. And before Goya you have to go back to the mediaeval chaps who did the gargoyles and chimaeras on Notre Dame and Mont Saint-Michel. They believed all sorts of things—and maybe they saw all sorts of things, too, for the Middle Ages had some curious phases. I remember your asking Pickman yourself once, the year before you went away, wherever in thunder he got such ideas and visions. Wasn’t that a nasty laugh he gave you? It was partly because of that laugh that Reid dropped him. Reid, you know, had just taken up comparative pathology, and was full of pompous “inside stuff” about the biological or evolutionary significance of this or that mental or physical symptom. He said Pickman repelled him more and more every day, and almost frightened him toward the last—that the fellow’s features and expression were slowly developing in a way he didn’t like; in a way that wasn’t human. He had a lot of talk about diet, and said Pickman must be abnormal and eccentric to the last degree. I suppose you told Reid, if you and he had any correspondence over it, that he’d let Pickman’s paintings get on his nerves or harrow up his imagination. I know I told him that myself—then.
But keep in mind that I didn’t drop Pickman for anything like this. On the contrary, my admiration for him kept growing; for that “Ghoul Feeding” was a tremendous achievement. As you know, the club wouldn’t exhibit it, and the Museum of Fine Arts wouldn’t accept it as a gift; and I can add that nobody would buy it, so Pickman had it right in his house till he went. Now his father has it in Salem—you know Pickman comes of old Salem stock, and had a witch ancestor hanged in 1692.
I got into the habit of calling on Pickman quite often, especially after I began making notes for a monograph on weird art. Probably it was his work which put the idea into my head, and anyhow, I found him a mine of data and suggestions when I came to develop it. He shewed me all the paintings and drawings he had about; including some pen-and-ink sketches that would, I verily believe, have got him kicked out of the club if many of the members had seen them. Before long I was pretty nearly a devotee, and would listen for hours like a schoolboy to art theories and philosophic speculations wild enough to qualify him for the Danvers asylum. My hero-worship, coupled with the fact that people generally were commencing to have less and less to do with him, made him get very confidential with me; and one evening he hinted that if I were fairly close-mouthed and none too squeamish, he might shew me something rather unusual—something a bit stronger than anything he had in the house.
“You know,” he said, “there are things that won’t do for Newbury Street—things that are out of place here, and that can’t be conceived here, anyhow. It’s my business to catch the overtones of the soul, and you won’t find those in a parvenu set of artificial streets on made land. Back Bay isn’t Boston—it isn’t anything yet, because it’s had no time to pick up memories and attract local spirits. If there are any ghosts here, they’re the tame ghosts of a salt marsh and a shallow cove; and I want human ghosts—the ghosts of beings highly organised enough to have looked on hell and known the meaning of what they saw.
“The place for an artist to live is the North End. If any aesthete were sincere, he’d put up with the slums for the sake of the massed traditions. God, man! Don’t you realise that places like that weren’t merely made, but actually grew? Generation after generation lived and felt and died there, and in days when people weren’t afraid to live and feel and die. Don’t you know there was a mill on Copp’s Hill in 1632, and that half the present streets were laid out by 1650? I can shew you houses that have stood two centuries and a half and more; houses that have witnessed what would make a modern house crumble into powder. What do moderns know of life and the forces behind it? You call the Salem witchcraft a delusion, but I’ll wage my four-times-great-grandmother could have told you things. They hanged her on Gallows Hill, with Cotton Mather looking sanctimoniously on. Mather, damn him, was afraid somebody might succeed in kicking free of this accursed cage of monotony—I wish someone had laid a spell on him or sucked his blood in the night!
“I can shew you a house he lived in, and I can shew you another one he was afraid to enter in spite of all his fine bold talk. He knew things he didn’t dare put into that stupid Magnalia or that puerile Wonders of the Invisible World. Look here, do you know the whole North End once had a set of tunnels that kept certain people in touch with each other’s houses, and the burying-ground, and the sea? Let them prosecute and persecute above ground—things went on every day that they couldn’t reach, and voices laughed at night that they couldn’t place!
“Why, man, out of ten surviving houses built before 1700 and not moved since I’ll wager that in eight I can shew you something queer in the cellar. There’s hardly a month that you don’t read of workmen finding bricked-up arches and wells leading nowhere in this or that old place as it comes down—you could see one near Henchman Street from the elevated last year. There were witches and what their spells summoned; pirates and what they brought in from the sea; smugglers; privateers—and I tell you, people knew how to live, and how to enlarge the bounds of life, in the old times! This wasn’t the only world a bold and wise man could know—faugh! And to think of today in contrast, with such pale-pink brains that even a club of supposed artists gets shudders and convulsions if a picture goes beyond the feelings of a Beacon Street tea-table!
“The only saving grace of the present is that it’s too damned stupid to question the past very closely. What do maps and records and guide-books really tell of the North End? Bah! At a guess I’ll guarantee to lead you to thirty or forty alleys and networks of alleys north of Prince Street that aren’t suspected by ten living beings outside of the foreigners that swarm them. And what do those Dagoes know of their meaning? No, Thurber, these ancient places are dreaming gorgeously and overflowing with wonder and terror and escapes from the commonplace, and yet there’s not a living soul to understand or profit by them. Or rather, there’s only one living soul—for I haven’t been digging around in the past for nothing!
“See here, you’re interested in this sort of thing. What if I told you that I’ve got another studio up there, where I can catch the night-spirit of antique horror and paint things that I couldn’t even think of in Newbury Street? Naturally I don’t tell those cursed old maids at the club—with Reid, damn him, whispering even as it is that I’m a sort of monster bound down the toboggan of reverse evolution. Yes, Thurber, I decided long ago that one must paint terror as well as beauty from life, so I did some exploring in places where I had reason to know terror lives.
“I’ve got a place that I don’t believe three living Nordic men besides myself have ever seen. It isn’t so very far from the elevated as distance goes, but it’s centuries away as the soul goes. I took it because of the queer old brick well in the cellar—one of the sort I told you about. The shack’s almost tumbling down, so that nobody else would live there, and I’d hate to tell you how little I pay for it. The windows are boarded up, but I like that all the better, since I don’t want daylight for what I do. I paint in the cellar, where the inspiration is thickest, but I’ve other rooms furnished on the ground floor. A Sicilian owns it, and I’ve hired it under the name of Peters.
“Now if you’re game, I’ll take you there tonight. I think you’d enjoy the pictures, for as I said, I’ve let myself go a bit there. It’s no vast tour—I sometimes do it on foot, for I don’t want to attract attention with a taxi in such a place. We can take the shuttle at the South Station for Battery Street, and after that the walk isn’t much.”
Well, Eliot, there wasn’t much for me to do after that harangue but to keep myself from running instead of walking for the first vacant cab we could sight. We changed to the elevated at the South Station, and at about twelve o’clock had climbed down the steps at Battery Street and struck along the old waterfront past Constitution Wharf. I didn’t keep track of the cross streets, and can’t tell you yet which it was we turned up, but I know it wasn’t Greenough Lane.
When we did turn, it was to climb through the deserted length of the oldest and dirtiest alley I ever saw in my life, with crumbling-looking gables, broken small-paned windows, and archaic chimneys that stood out half-disintegrated against the moonlit sky. I don’t believe there were three houses in sight that hadn’t been standing in Cotton Mather’s time—certainly I glimpsed at least two with an overhang, and once I thought I saw a peaked roof-line of the almost forgotten pre-gambrel type, though antiquarians tell us there are none left in Boston.
From that alley, which had a dim light, we turned to the left into an equally silent and still narrower alley with no light at all; and in a minute made what I think was an obtuse-angled bend toward the right in the dark. Not long after this Pickman produced a flashlight and revealed an antediluvian ten-panelled door that looked damnably worm-eaten. Unlocking it, he ushered me into a barren hallway with what was once splendid dark-oak panelling—simple, of course, but thrillingly suggestive of the times of Andros and Phipps and the Witchcraft. Then he took me through a door on the left, lighted an oil lamp, and told me to make myself at home.
Now, Eliot, I’m what the man in the street would call fairly “hard-boiled”, but I’ll confess that what I saw on the walls of that room gave me a bad turn. They were his pictures, you know—the ones he couldn’t paint or even shew in Newbury Street—and he was right when he said he had “let himself go”. Here—have another drink—I need one anyhow!
There’s no use in my trying to tell you what they were like, because the awful, the blasphemous horror, and the unbelievable loathsomeness and moral foetor came from simple touches quite beyond the power of words to classify. There was none of the exotic technique you see in Sidney Sime, none of the trans-Saturnian landscapes and lunar fungi that Clark Ashton Smith uses to freeze the blood. The backgrounds were mostly old churchyards, deep woods, cliffs by the sea, brick tunnels, ancient panelled rooms, or simple vaults of masonry. Copp’s Hill Burying Ground, which could not be many blocks away from this very house, was a favourite scene.
The madness and monstrosity lay in the figures in the foreground—for Pickman’s morbid art was preëminently one of daemoniac portraiture. These figures were seldom completely human, but often approached humanity in varying degree. Most of the bodies, while roughly bipedal, had a forward slumping, and a vaguely canine cast. The texture of the majority was a kind of unpleasant rubberiness. Ugh! I can see them now! Their occupations—well, don’t ask me to be too precise. They were usually feeding—I won’t say on what. They were sometimes shewn in groups in cemeteries or underground passages, and often appeared to be in battle over their prey—or rather, their treasure-trove. And what damnable expressiveness Pickman sometimes gave the sightless faces of this charnel booty! Occasionally the things were shewn leaping through open windows at night, or squatting on the chests of sleepers, worrying at their throats. One canvas shewed a ring of them baying about a hanged witch on Gallows Hill, whose dead face held a close kinship to theirs.
But don’t get the idea that it was all this hideous business of theme and setting which struck me faint. I’m not a three-year-old kid, and I’d seen much like this before. It was the faces, Eliot, those accursed faces, that leered and slavered out of the canvas with the very breath of life! By God, man, I verily believe they were alive! That nauseous wizard had waked the fires of hell in pigment, and his brush had been a nightmare-spawning wand. Give me that decanter, Eliot!
There was one thing called “The Lesson”—heaven pity me, that I ever saw it! Listen—can you fancy a squatting circle of nameless dog-like things in a churchyard teaching a small child how to feed like themselves? The price of a changeling, I suppose—you know the old myth about how the weird people leave their spawn in cradles in exchange for the human babes they steal. Pickman was shewing what happens to those stolen babes—how they grow up—and then I began to see a hideous relationship in the faces of the human and non-human figures. He was, in all his gradations of morbidity between the frankly non-human and the degradedly human, establishing a sardonic linkage and evolution. The dog-things were developed from mortals!
And no sooner had I wondered what he made of their own young as left with mankind in the form of changelings, than my eye caught a picture embodying that very thought. It was that of an ancient Puritan interior—a heavily beamed room with lattice windows, a settle, and clumsy seventeenth-century furniture, with the family sitting about while the father read from the Scriptures. Every face but one shewed nobility and reverence, but that one reflected the mockery of the pit. It was that of a young man in years, and no doubt belonged to a supposed son of that pious father, but in essence it was the kin of the unclean things. It was their changeling—and in a spirit of supreme irony Pickman had given the features a very perceptible resemblance to his own.
By this time Pickman had lighted a lamp in an adjoining room and was politely holding open the door for me; asking me if I would care to see his “modern studies”. I hadn’t been able to give him much of my opinions—I was too speechless with fright and loathing—but I think he fully understood and felt highly complimented. And now I want to assure you again, Eliot, that I’m no mollycoddle to scream at anything which shews a bit of departure from the usual. I’m middle-aged and decently sophisticated, and I guess you saw enough of me in France to know I’m not easily knocked out. Remember, too, that I’d just about recovered my wind and gotten used to those frightful pictures which turned colonial New England into a kind of annex of hell. Well, in spite of all this, that next room forced a real scream out of me, and I had to clutch at the doorway to keep from keeling over. The other chamber had shewn a pack of ghouls and witches overrunning the world of our forefathers, but this one brought the horror right into our own daily life!
Gad, how that man could paint! There was a study called “Subway Accident”, in which a flock of the vile things were clambering up from some unknown catacomb through a crack in the floor of the Boylston Street subway and attacking a crowd of people on the platform. Another shewed a dance on Copp’s Hill among the tombs with the background of today. Then there were any number of cellar views, with monsters creeping in through holes and rifts in the masonry and grinning as they squatted behind barrels or furnaces and waited for their first victim to descend the stairs.
One disgusting canvas seemed to depict a vast cross-section of Beacon Hill, with ant-like armies of the mephitic monsters squeezing themselves through burrows that honeycombed the ground. Dances in the modern cemeteries were freely pictured, and another conception somehow shocked me more than all the rest—a scene in an unknown vault, where scores of the beasts crowded about one who held a well-known Boston guide-book and was evidently reading aloud. All were pointing to a certain passage, and every face seemed so distorted with epileptic and reverberant laughter that I almost thought I heard the fiendish echoes. The title of the picture was, “Holmes, Lowell, and Longfellow Lie Buried in Mount Auburn”.
As I gradually steadied myself and got readjusted to this second room of deviltry and morbidity, I began to analyse some of the points in my sickening loathing. In the first place, I said to myself, these things repelled because of the utter inhumanity and callous cruelty they shewed in Pickman. The fellow must be a relentless enemy of all mankind to take such glee in the torture of brain and flesh and the degradation of the mortal tenement. In the second place, they terrified because of their very greatness. Their art was the art that convinced—when we saw the pictures we saw the daemons themselves and were afraid of them. And the queer part was, that Pickman got none of his power from the use of selectiveness or bizarrerie. Nothing was blurred, distorted, or conventionalised; outlines were sharp and life-like, and details were almost painfully defined. And the faces!
It was not any mere artist’s interpretation that we saw; it was pandemonium itself, crystal clear in stark objectivity. That was it, by heaven! The man was not a fantaisiste or romanticist at all—he did not even try to give us the churning, prismatic ephemera of dreams, but coldly and sardonically reflected some stable, mechanistic, and well-established horror-world which he saw fully, brilliantly, squarely, and unfalteringly. God knows what that world can have been, or where he ever glimpsed the blasphemous shapes that loped and trotted and crawled through it; but whatever the baffling source of his images, one thing was plain. Pickman was in every sense—in conception and in execution—a thorough, painstaking, and almost scientific realist.
My host was now leading the way down cellar to his actual studio, and I braced myself for some hellish effects among the unfinished canvases. As we reached the bottom of the damp stairs he turned his flashlight to a corner of the large open space at hand, revealing the circular brick curb of what was evidently a great well in the earthen floor. We walked nearer, and I saw that it must be five feet across, with walls a good foot thick and some six inches above the ground level—solid work of the seventeenth century, or I was much mistaken. That, Pickman said, was the kind of thing he had been talking about—an aperture of the network of tunnels that used to undermine the hill. I noticed idly that it did not seem to be bricked up, and that a heavy disc of wood formed the apparent cover. Thinking of the things this well must have been connected with if Pickman’s wild hints had not been mere rhetoric, I shivered slightly; then turned to follow him up a step and through a narrow door into a room of fair size, provided with a wooden floor and furnished as a studio. An acetylene gas outfit gave the light necessary for work.
The unfinished pictures on easels or propped against the walls were as ghastly as the finished ones upstairs, and shewed the painstaking methods of the artist. Scenes were blocked out with extreme care, and pencilled guide lines told of the minute exactitude which Pickman used in getting the right perspective and proportions. The man was great—I say it even now, knowing as much as I do. A large camera on a table excited my notice, and Pickman told me that he used it in taking scenes for backgrounds, so that he might paint them from photographs in the studio instead of carting his outfit around the town for this or that view. He thought a photograph quite as good as an actual scene or model for sustained work, and declared he employed them regularly.
There was something very disturbing about the nauseous sketches and half-finished monstrosities that leered around from every side of the room, and when Pickman suddenly unveiled a huge canvas on the side away from the light I could not for my life keep back a loud scream—the second I had emitted that night. It echoed and echoed through the dim vaultings of that ancient and nitrous cellar, and I had to choke back a flood of reaction that threatened to burst out as hysterical laughter. Merciful Creator! Eliot, but I don’t know how much was real and how much was feverish fancy. It doesn’t seem to me that earth can hold a dream like that!
It was a colossal and nameless blasphemy with glaring red eyes, and it held in bony claws a thing that had been a man, gnawing at the head as a child nibbles at a stick of candy. Its position was a kind of crouch, and as one looked one felt that at any moment it might drop its present prey and seek a juicier morsel. But damn it all, it wasn’t even the fiendish subject that made it such an immortal fountain-head of all panic—not that, nor the dog face with its pointed ears, bloodshot eyes, flat nose, and drooling lips. It wasn’t the scaly claws nor the mould-caked body nor the half-hooved feet—none of these, though any one of them might well have driven an excitable man to madness.
It was the technique, Eliot—the cursed, the impious, the unnatural technique! As I am a living being, I never elsewhere saw the actual breath of life so fused into a canvas. The monster was there—it glared and gnawed and gnawed and glared—and I knew that only a suspension of Nature’s laws could ever let a man paint a thing like that without a model—without some glimpse of the nether world which no mortal unsold to the Fiend has ever had.
Pinned with a thumb-tack to a vacant part of the canvas was a piece of paper now badly curled up—probably, I thought, a photograph from which Pickman meant to paint a background as hideous as the nightmare it was to enhance. I reached out to uncurl and look at it, when suddenly I saw Pickman start as if shot. He had been listening with peculiar intensity ever since my shocked scream had waked unaccustomed echoes in the dark cellar, and now he seemed struck with a fright which, though not comparable to my own, had in it more of the physical than of the spiritual. He drew a revolver and motioned me to silence, then stepped out into the main cellar and closed the door behind him.
I think I was paralysed for an instant. Imitating Pickman’s listening, I fancied I heard a faint scurrying sound somewhere, and a series of squeals or bleats in a direction I couldn’t determine. I thought of huge rats and shuddered. Then there came a subdued sort of clatter which somehow set me all in gooseflesh—a furtive, groping kind of clatter, though I can’t attempt to convey what I mean in words. It was like heavy wood falling on stone or brick—wood on brick—what did that make me think of?
It came again, and louder. There was a vibration as if the wood had fallen farther than it had fallen before. After that followed a sharp grating noise, a shouted gibberish from Pickman, and the deafening discharge of all six chambers of a revolver, fired spectacularly as a lion-tamer might fire in the air for effect. A muffled squeal or squawk, and a thud. Then more wood and brick grating, a pause, and the opening of the door—at which I’ll confess I started violently. Pickman reappeared with his smoking weapon, cursing the bloated rats that infested the ancient well.
“The deuce knows what they eat, Thurber,” he grinned, “for those archaic tunnels touched graveyard and witch-den and sea-coast. But whatever it is, they must have run short, for they were devilish anxious to get out. Your yelling stirred them up, I fancy. Better be cautious in these old places—our rodent friends are the one drawback, though I sometimes think they’re a positive asset by way of atmosphere and colour.”
Well, Eliot, that was the end of the night’s adventure. Pickman had promised to shew me the place, and heaven knows he had done it. He led me out of that tangle of alleys in another direction, it seems, for when we sighted a lamp post we were in a half-familiar street with monotonous rows of mingled tenement blocks and old houses. Charter Street, it turned out to be, but I was too flustered to notice just where we hit it. We were too late for the elevated, and walked back downtown through Hanover Street. I remember that walk. We switched from Tremont up Beacon, and Pickman left me at the corner of Joy, where I turned off. I never spoke to him again.
Why did I drop him? Don’t be impatient. Wait till I ring for coffee. We’ve had enough of the other stuff, but I for one need something. No—it wasn’t the paintings I saw in that place; though I’ll swear they were enough to get him ostracised in nine-tenths of the homes and clubs of Boston, and I guess you won’t wonder now why I have to steer clear of subways and cellars. It was—something I found in my coat the next morning. You know, the curled-up paper tacked to that frightful canvas in the cellar; the thing I thought was a photograph of some scene he meant to use as a background for that monster. That last scare had come while I was reaching to uncurl it, and it seems I had vacantly crumpled it into my pocket. But here’s the coffee—take it black, Eliot, if you’re wise.
Yes, that paper was the reason I dropped Pickman; Richard Upton Pickman, the greatest artist I have ever known—and the foulest being that ever leaped the bounds of life into the pits of myth and madness. Eliot—old Reid was right. He wasn’t strictly human. Either he was born in strange shadow, or he’d found a way to unlock the forbidden gate. It’s all the same now, for he’s gone—back into the fabulous darkness he loved to haunt. Here, let’s have the chandelier going.
Don’t ask me to explain or even conjecture about what I burned. Don’t ask me, either, what lay behind that mole-like scrambling Pickman was so keen to pass off as rats. There are secrets, you know, which might have come down from old Salem times, and Cotton Mather tells even stranger things. You know how damned life-like Pickman’s paintings were—how we all wondered where he got those faces.
Well—that paper wasn’t a photograph of any background, after all. What it shewed was simply the monstrous being he was painting on that awful canvas. It was the model he was using—and its background was merely the wall of the cellar studio in minute detail. But by God, Eliot, it was a photograph from life.

Walt Whitman

2009-11-29T01:00:00.000-08:00

When I heard the learn'd astronomer

When I heard the learn'd astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide,
and measure them,
When I sitting heard the astronomer where he lectured with
much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander'd off by myself,
In the mystical moist night-air, and from time to time,
Look'd up in perfect silence at the stars.

Kubla Khan (Coleridge)

2009-11-28T01:00:00.000-08:00

In Xanadu did Kubla Khan
A stately pleasure dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!

The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw;
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Ozymandias, (Percy Shelley)

2009-11-27T01:00:00.000-08:00

I met a traveler from an antique land
Who said: "Two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
'My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away."

The Chimney Sweeper (Blake)

2009-11-26T01:00:00.000-08:00

When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry 'Weep! weep! weep! weep!'
So your chimneys I sweep, and in soot I sleep.

There's little Tom Dacre, who cried when his head,
That curled like a lamb's back, was shaved; so I said,
'Hush, Tom! never mind it, for, when your head's bare,
You know that the soot cannot spoil your white hair.'

And so he was quiet, and that very night,
As Tom was a-sleeping, he had such a sight!--
That thousands of sweepers, Dick, Joe, Ned, and Jack,
Were all of them locked up in coffins of black.

And by came an angel, who had a bright key,
And he opened the coffins, and set them all free;
Then down a green plain, leaping, laughing, they run
And wash in a river, and shine in the sun.

Then naked and white, all their bags left behind,
They rise upon clouds, and sport in the wind;
And the angel told Tom, if he'd be a good boy,
He'd have God for his father, and never want joy.

And so Tom awoke, and we rose in the dark,
And got with our bags and our brushes to work.
Though the morning was cold, Tom was happy and warm:
So, if all do their duty, they need not fear harm.

I wake and feel the fell of dark

2009-11-25T01:00:00.000-08:00

(By Gerard Manley Hopkins)

I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light's delay.

With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.

I am gall, I am heartburn. God's most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.

Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves, but worse.

The Dunwich Horror (Lovecraft)

2009-11-24T01:00:00.000-08:00

“Gorgons, and Hydras, and Chimaeras—dire stories of Celaeno and the Harpies—may reproduce themselves in the brain of superstition—but they were there before. They are transcripts, types—the archetypes are in us, and eternal. How else should the recital of that which we know in a waking sense to be false come to affect us at all? Is it that we naturally conceive terror from such objects, considered in their capacity of being able to inflict upon us bodily injury? O, least of all! These terrors are of older standing. They date beyond body—or without the body, they would have been the same. . . . That the kind of fear here treated is purely spiritual—that it is strong in proportion as it is objectless on earth, that it predominates in the period of our sinless infancy—are difficulties the solution of which might afford some probable insight into our ante-mundane condition, and a peep at least into the shadowland of pre-existence.”
—Charles Lamb: “Witches and Other Night-Fears”

I.
When a traveller in north central Massachusetts takes the wrong fork at the junction of the Aylesbury pike just beyond Dean’s Corners he comes upon a lonely and curious country. The ground gets higher, and the brier-bordered stone walls press closer and closer against the ruts of the dusty, curving road. The trees of the frequent forest belts seem too large, and the wild weeds, brambles, and grasses attain a luxuriance not often found in settled regions. At the same time the planted fields appear singularly few and barren; while the sparsely scattered houses wear a surprisingly uniform aspect of age, squalor, and dilapidation. Without knowing why, one hesitates to ask directions from the gnarled, solitary figures spied now and then on crumbling doorsteps or on the sloping, rock-strown meadows. Those figures are so silent and furtive that one feels somehow confronted by forbidden things, with which it would be better to have nothing to do. When a rise in the road brings the mountains in view above the deep woods, the feeling of strange uneasiness is increased. The summits are too rounded and symmetrical to give a sense of comfort and naturalness, and sometimes the sky silhouettes with especial clearness the queer circles of tall stone pillars with which most of them are crowned.
Gorges and ravines of problematical depth intersect the way, and the crude wooden bridges always seem of dubious safety. When the road dips again there are stretches of marshland that one instinctively dislikes, and indeed almost fears at evening when unseen whippoorwills chatter and the fireflies come out in abnormal profusion to dance to the raucous, creepily insistent rhythms of stridently piping bull-frogs. The thin, shining line of the Miskatonic’s upper reaches has an oddly serpent-like suggestion as it winds close to the feet of the domed hills among which it rises.
As the hills draw nearer, one heeds their wooded sides more than their stone-crowned tops. Those sides loom up so darkly and precipitously that one wishes they would keep their distance, but there is no road by which to escape them. Across a covered bridge one sees a small village huddled between the stream and the vertical slope of Round Mountain, and wonders at the cluster of rotting gambrel roofs bespeaking an earlier architectural period than that of the neighbouring region. It is not reassuring to see, on a closer glance, that most of the houses are deserted and falling to ruin, and that the broken-steepled church now harbours the one slovenly mercantile establishment of the hamlet. One dreads to trust the tenebrous tunnel of the bridge, yet there is no way to avoid it. Once across, it is hard to prevent the impression of a faint, malign odour about the village street, as of the massed mould and decay of centuries. It is always a relief to get clear of the place, and to follow the narrow road around the base of the hills and across the level country beyond till it rejoins the Aylesbury pike. Afterward one sometimes learns that one has been through Dunwich.
Outsiders visit Dunwich as seldom as possible, and since a certain season of horror all the signboards pointing toward it have been taken down. The scenery, judged by any ordinary aesthetic canon, is more than commonly beautiful; yet there is no influx of artists or summer tourists. Two centuries ago, when talk of witch-blood, Satan-worship, and strange forest presences was not laughed at, it was the custom to give reasons for avoiding the locality. In our sensible age—since the Dunwich horror of 1928 was hushed up by those who had the town’s and the world’s welfare at heart—people shun it without knowing exactly why. Perhaps one reason—though it cannot apply to uninformed strangers—is that the natives are now repellently decadent, having gone far along that path of retrogression so common in many New England backwaters. They have come to form a race by themselves, with the well-defined mental and physical stigmata of degeneracy and inbreeding. The average of their intelligence is woefully low, whilst their annals reek of overt viciousness and of half-hidden murders, incests, and deeds of almost unnamable violence and perversity. The old gentry, representing the two or three armigerous families which came from Salem in 1692, have kept somewhat above the general level of decay; though many branches are sunk into the sordid populace so deeply that only their names remain as a key to the origin they disgrace. Some of the Whateleys and Bishops still send their eldest sons to Harvard and Miskatonic, though those sons seldom return to the mouldering gambrel roofs under which they and their ancestors were born.
No one, even those who have the facts concerning the recent horror, can say just what is the matter with Dunwich; though old legends speak of unhallowed rites and conclaves of the Indians, amidst which they called forbidden shapes of shadow out of the great rounded hills, and made wild orgiastic prayers that were answered by loud crackings and rumblings from the ground below. In 1747 the Reverend Abijah Hoadley, newly come to the Congregational Church at Dunwich Village, preached a memorable sermon on the close presence of Satan and his imps; in which he said:

“It must be allow’d, that these Blasphemies of an infernall Train of Daemons are Matters of too common Knowledge to be deny’d; the cursed Voices of Azazel and Buzrael, of Beelzebub and Belial, being heard now from under Ground by above a Score of credible Witnesses now living. I my self did not more than a Fortnight ago catch a very plain Discourse of evill Powers in the Hill behind my House; wherein there were a Rattling and Rolling, Groaning, Screeching, and Hissing, such as no Things of this Earth cou’d raise up, and which must needs have come from those Caves that only black Magick can discover, and only the Divell unlock.”

Mr. Hoadley disappeared soon after delivering this sermon; but the text, printed in Springfield, is still extant. Noises in the hills continued to be reported from year to year, and still form a puzzle to geologists and physiographers.
Other traditions tell of foul odours near the hill-crowning circles of stone pillars, and of rushing airy presences to be heard faintly at certain hours from stated points at the bottom of the great ravines; while still others try to explain the Devil’s Hop Yard—a bleak, blasted hillside where no tree, shrub, or grass-blade will grow. Then too, the natives are mortally afraid of the numerous whippoorwills which grow vocal on warm nights. It is vowed that the birds are psychopomps lying in wait for the souls of the dying, and that they time their eerie cries in unison with the sufferer’s struggling breath. If they can catch the fleeing soul when it leaves the body, they instantly flutter away chittering in daemoniac laughter; but if they fail, they subside gradually into a disappointed silence.
These tales, of course, are obsolete and ridiculous; because they come down from very old times. Dunwich is indeed ridiculously old—older by far than any of the communities within thirty miles of it. South of the village one may still spy the cellar walls and chimney of the ancient Bishop house, which was built before 1700; whilst the ruins of the mill at the falls, built in 1806, form the most modern piece of architecture to be seen. Industry did not flourish here, and the nineteenth-century factory movement proved short-lived. Oldest of all are the great rings of rough-hewn stone columns on the hill-tops, but these are more generally attributed to the Indians than to the settlers. Deposits of skulls and bones, found within these circles and around the sizeable table-like rock on Sentinel Hill, sustain the popular belief that such spots were once the burial-places of the Pocumtucks; even though many ethnologists, disregarding the absurd improbability of such a theory, persist in believing the remains Caucasian.

II.
It was in the township of Dunwich, in a large and partly inhabited farmhouse set against a hillside four miles from the village and a mile and a half from any other dwelling, that Wilbur Whateley was born at 5 A.M. on Sunday, the second of February, 1913. This date was recalled because it was Candlemas, which people in Dunwich curiously observe under another name; and because the noises in the hills had sounded, and all the dogs of the countryside had barked persistently, throughout the night before. Less worthy of notice was the fact that the mother was one of the decadent Whateleys, a somewhat deformed, unattractive albino woman of thirty-five, living with an aged and half-insane father about whom the most frightful tales of wizardry had been whispered in his youth. Lavinia Whateley had no known husband, but according to the custom of the region made no attempt to disavow the child; concerning the other side of whose ancestry the country folk might—and did—speculate as widely as they chose. On the contrary, she seemed strangely proud of the dark, goatish-looking infant who formed such a contrast to her own sickly and pink-eyed albinism, and was heard to mutter many curious prophecies about its unusual powers and tremendous future.
Lavinia was one who would be apt to mutter such things, for she was a lone creature given to wandering amidst thunderstorms in the hills and trying to read the great odorous books which her father had inherited through two centuries of Whateleys, and which were fast falling to pieces with age and worm-holes. She had never been to school, but was filled with disjointed scraps of ancient lore that Old Whateley had taught her. The remote farmhouse had always been feared because of Old Whateley’s reputation for black magic, and the unexplained death by violence of Mrs. Whateley when Lavinia was twelve years old had not helped to make the place popular. Isolated among strange influences, Lavinia was fond of wild and grandiose day-dreams and singular occupations; nor was her leisure much taken up by household cares in a home from which all standards of order and cleanliness had long since disappeared.
There was a hideous screaming which echoed above even the hill noises and the dogs’ barking on the night Wilbur was born, but no known doctor or midwife presided at his coming. Neighbours knew nothing of him till a week afterward, when Old Whateley drove his sleigh through the snow into Dunwich Village and discoursed incoherently to the group of loungers at Osborn’s general store. There seemed to be a change in the old man—an added element of furtiveness in the clouded brain which subtly transformed him from an object to a subject of fear—though he was not one to be perturbed by any common family event. Amidst it all he shewed some trace of the pride later noticed in his daughter, and what he said of the child’s paternity was remembered by many of his hearers years afterward.
“I dun’t keer what folks think—ef Lavinny’s boy looked like his pa, he wouldn’t look like nothin’ ye expeck. Ye needn’t think the only folks is the folks hereabaouts. Lavinny’s read some, an’ has seed some things the most o’ ye only tell abaout. I calc’late her man is as good a husban’ as ye kin find this side of Aylesbury; an’ ef ye knowed as much abaout the hills as I dew, ye wouldn’t ast no better church weddin’ nor her’n. Let me tell ye suthin’—some day yew folks’ll hear a child o’ Lavinny’s a-callin’ its father’s name on the top o’ Sentinel Hill!”
The only persons who saw Wilbur during the first month of his life were old Zechariah Whateley, of the undecayed Whateleys, and Earl Sawyer’s common-law wife, Mamie Bishop. Mamie’s visit was frankly one of curiosity, and her subsequent tales did justice to her observations; but Zechariah came to lead a pair of Alderney cows which Old Whateley had bought of his son Curtis. This marked the beginning of a course of cattle-buying on the part of small Wilbur’s family which ended only in 1928, when the Dunwich horror came and went; yet at no time did the ramshackle Whateley barn seem overcrowded with livestock. There came a period when people were curious enough to steal up and count the herd that grazed precariously on the steep hillside above the old farmhouse, and they could never find more than ten or twelve anaemic, bloodless-looking specimens. Evidently some blight or distemper, perhaps sprung from the unwholesome pasturage or the diseased fungi and timbers of the filthy barn, caused a heavy mortality amongst the Whateley animals. Odd wounds or sores, having something of the aspect of incisions, seemed to afflict the visible cattle; and once or twice during the earlier months certain callers fancied they could discern similar sores about the throats of the grey, unshaven old man and his slatternly, crinkly-haired albino daughter.
In the spring after Wilbur’s birth Lavinia resumed her customary rambles in the hills, bearing in her misproportioned arms the swarthy child. Public interest in the Whateleys subsided after most of the country folk had seen the baby, and no one bothered to comment on the swift development which that newcomer seemed every day to exhibit. Wilbur’s growth was indeed phenomenal, for within three months of his birth he had attained a size and muscular power not usually found in infants under a full year of age. His motions and even his vocal sounds shewed a restraint and deliberateness highly peculiar in an infant, and no one was really unprepared when, at seven months, he began to walk unassisted, with falterings which another month was sufficient to remove.
It was somewhat after this time—on Hallowe’en—that a great blaze was seen at midnight on the top of Sentinel Hill where the old table-like stone stands amidst its tumulus of ancient bones. Considerable talk was started when Silas Bishop—of the undecayed Bishops—mentioned having seen the boy running sturdily up that hill ahead of his mother about an hour before the blaze was remarked. Silas was rounding up a stray heifer, but he nearly forgot his mission when he fleetingly spied the two figures in the dim light of his lantern. They darted almost noiselessly through the underbrush, and the astonished watcher seemed to think they were entirely unclothed. Afterward he could not be sure about the boy, who may have had some kind of a fringed belt and a pair of dark trunks or trousers on. Wilbur was never subsequently seen alive and conscious without complete and tightly buttoned attire, the disarrangement or threatened disarrangement of which always seemed to fill him with anger and alarm. His contrast with his squalid mother and grandfather in this respect was thought very notable until the horror of 1928 suggested the most valid of reasons.
The next January gossips were mildly interested in the fact that “Lavinny’s black brat” had commenced to talk, and at the age of only eleven months. His speech was somewhat remarkable both because of its difference from the ordinary accents of the region, and because it displayed a freedom from infantile lisping of which many children of three or four might well be proud. The boy was not talkative, yet when he spoke he seemed to reflect some elusive element wholly unpossessed by Dunwich and its denizens. The strangeness did not reside in what he said, or even in the simple idioms he used; but seemed vaguely linked with his intonation or with the internal organs that produced the spoken sounds. His facial aspect, too, was remarkable for its maturity; for though he shared his mother’s and grandfather’s chinlessness, his firm and precociously shaped nose united with the expression of his large, dark, almost Latin eyes to give him an air of quasi-adulthood and well-nigh preternatural intelligence. He was, however, exceedingly ugly despite his appearance of brilliancy; there being something almost goatish or animalistic about his thick lips, large-pored, yellowish skin, coarse crinkly hair, and oddly elongated ears. He was soon disliked even more decidedly than his mother and grandsire, and all conjectures about him were spiced with references to the bygone magic of Old Whateley, and how the hills once shook when he shrieked the dreadful name of Yog-Sothoth in the midst of a circle of stones with a great book open in his arms before him. Dogs abhorred the boy, and he was always obliged to take various defensive measures against their barking menace.

III.
Meanwhile Old Whateley continued to buy cattle without measurably increasing the size of his herd. He also cut timber and began to repair the unused parts of his house—a spacious, peaked-roofed affair whose rear end was buried entirely in the rocky hillside, and whose three least-ruined ground-floor rooms had always been sufficient for himself and his daughter. There must have been prodigious reserves of strength in the old man to enable him to accomplish so much hard labour; and though he still babbled dementedly at times, his carpentry seemed to shew the effects of sound calculation. It had already begun as soon as Wilbur was born, when one of the many tool-sheds had been put suddenly in order, clapboarded, and fitted with a stout fresh lock. Now, in restoring the abandoned upper story of the house, he was a no less thorough craftsman. His mania shewed itself only in his tight boarding-up of all the windows in the reclaimed section—though many declared that it was a crazy thing to bother with the reclamation at all. Less inexplicable was his fitting up of another downstairs room for his new grandson—a room which several callers saw, though no one was ever admitted to the closely boarded upper story. This chamber he lined with tall, firm shelving; along which he began gradually to arrange, in apparently careful order, all the rotting ancient books and parts of books which during his own day had been heaped promiscuously in odd corners of the various rooms.
“I made some use of ’em,” he would say as he tried to mend a torn black-letter page with paste prepared on the rusty kitchen stove, “but the boy’s fitten to make better use of ’em. He’d orter hev ’em as well sot as he kin, for they’re goin’ to be all of his larnin’.”
When Wilbur was a year and seven months old—in September of 1914—his size and accomplishments were almost alarming. He had grown as large as a child of four, and was a fluent and incredibly intelligent talker. He ran freely about the fields and hills, and accompanied his mother on all her wanderings. At home he would pore diligently over the queer pictures and charts in his grandfather’s books, while Old Whateley would instruct and catechise him through long, hushed afternoons. By this time the restoration of the house was finished, and those who watched it wondered why one of the upper windows had been made into a solid plank door. It was a window in the rear of the east gable end, close against the hill; and no one could imagine why a cleated wooden runway was built up to it from the ground. About the period of this work’s completion people noticed that the old tool-house, tightly locked and windowlessly clapboarded since Wilbur’s birth, had been abandoned again. The door swung listlessly open, and when Earl Sawyer once stepped within after a cattle-selling call on Old Whateley he was quite discomposed by the singular odour he encountered—such a stench, he averred, as he had never before smelt in all his life except near the Indian circles on the hills, and which could not come from anything sane or of this earth. But then, the homes and sheds of Dunwich folk have never been remarkable for olfactory immaculateness.
The following months were void of visible events, save that everyone swore to a slow but steady increase in the mysterious hill noises. On May-Eve of 1915 there were tremors which even the Aylesbury people felt, whilst the following Hallowe’en produced an underground rumbling queerly synchronised with bursts of flame—“them witch Whateleys’ doin’s”—from the summit of Sentinel Hill. Wilbur was growing up uncannily, so that he looked like a boy of ten as he entered his fourth year. He read avidly by himself now; but talked much less than formerly. A settled taciturnity was absorbing him, and for the first time people began to speak specifically of the dawning look of evil in his goatish face. He would sometimes mutter an unfamiliar jargon, and chant in bizarre rhythms which chilled the listener with a sense of unexplainable terror. The aversion displayed toward him by dogs had now become a matter of wide remark, and he was obliged to carry a pistol in order to traverse the countryside in safety. His occasional use of the weapon did not enhance his popularity amongst the owners of canine guardians.
The few callers at the house would often find Lavinia alone on the ground floor, while odd cries and footsteps resounded in the boarded-up second story. She would never tell what her father and the boy were doing up there, though once she turned pale and displayed an abnormal degree of fear when a jocose fish-peddler tried the locked door leading to the stairway. That peddler told the store loungers at Dunwich Village that he thought he heard a horse stamping on that floor above. The loungers reflected, thinking of the door and runway, and of the cattle that so swiftly disappeared. Then they shuddered as they recalled tales of Old Whateley’s youth, and of the strange things that are called out of the earth when a bullock is sacrificed at the proper time to certain heathen gods. It had for some time been noticed that dogs had begun to hate and fear the whole Whateley place as violently as they hated and feared young Wilbur personally.
In 1917 the war came, and Squire Sawyer Whateley, as chairman of the local draft board, had hard work finding a quota of young Dunwich men fit even to be sent to a development camp. The government, alarmed at such signs of wholesale regional decadence, sent several officers and medical experts to investigate; conducting a survey which New England newspaper readers may still recall. It was the publicity attending this investigation which set reporters on the track of the Whateleys, and caused the Boston Globe and Arkham Advertiser to print flamboyant Sunday stories of young Wilbur’s precociousness, Old Whateley’s black magic, the shelves of strange books, the sealed second story of the ancient farmhouse, and the weirdness of the whole region and its hill noises. Wilbur was four and a half then, and looked like a lad of fifteen. His lips and cheeks were fuzzy with a coarse dark down, and his voice had begun to break.
Earl Sawyer went out to the Whateley place with both sets of reporters and camera men, and called their attention to the queer stench which now seemed to trickle down from the sealed upper spaces. It was, he said, exactly like a smell he had found in the tool-shed abandoned when the house was finally repaired; and like the faint odours which he sometimes thought he caught near the stone circles on the mountains. Dunwich folk read the stories when they appeared, and grinned over the obvious mistakes. They wondered, too, why the writers made so much of the fact that Old Whateley always paid for his cattle in gold pieces of extremely ancient date. The Whateleys had received their visitors with ill-concealed distaste, though they did not dare court further publicity by a violent resistance or refusal to talk.

IV.
For a decade the annals of the Whateleys sink indistinguishably into the general life of a morbid community used to their queer ways and hardened to their May-Eve and All-Hallows orgies. Twice a year they would light fires on the top of Sentinel Hill, at which times the mountain rumblings would recur with greater and greater violence; while at all seasons there were strange and portentous doings at the lonely farmhouse. In the course of time callers professed to hear sounds in the sealed upper story even when all the family were downstairs, and they wondered how swiftly or how lingeringly a cow or bullock was usually sacrificed. There was talk of a complaint to the Society for the Prevention of Cruelty to Animals; but nothing ever came of it, since Dunwich folk are never anxious to call the outside world’s attention to themselves.
About 1923, when Wilbur was a boy of ten whose mind, voice, stature, and bearded face gave all the impressions of maturity, a second great siege of carpentry went on at the old house. It was all inside the sealed upper part, and from bits of discarded lumber people concluded that the youth and his grandfather had knocked out all the partitions and even removed the attic floor, leaving only one vast open void between the ground story and the peaked roof. They had torn down the great central chimney, too, and fitted the rusty range with a flimsy outside tin stovepipe.
In the spring after this event Old Whateley noticed the growing number of whippoorwills that would come out of Cold Spring Glen to chirp under his window at night. He seemed to regard the circumstance as one of great significance, and told the loungers at Osborn’s that he thought his time had almost come.
“They whistle jest in tune with my breathin’ naow,” he said, “an’ I guess they’re gittin’ ready to ketch my soul. They know it’s a-goin’ aout, an’ dun’t calc’late to miss it. Yew’ll know, boys, arter I’m gone, whether they git me er not. Ef they dew, they’ll keep up a-singin’ an’ laffin’ till break o’ day. Ef they dun’t they’ll kinder quiet daown like. I expeck them an’ the souls they hunts fer hev some pretty tough tussles sometimes.”
On Lammas Night, 1924, Dr. Houghton of Aylesbury was hastily summoned by Wilbur Whateley, who had lashed his one remaining horse through the darkness and telephoned from Osborn’s in the village. He found Old Whateley in a very grave state, with a cardiac action and stertorous breathing that told of an end not far off. The shapeless albino daughter and oddly bearded grandson stood by the bedside, whilst from the vacant abyss overhead there came a disquieting suggestion of rhythmical surging or lapping, as of the waves on some level beach. The doctor, though, was chiefly disturbed by the chattering night birds outside; a seemingly limitless legion of whippoorwills that cried their endless message in repetitions timed diabolically to the wheezing gasps of the dying man. It was uncanny and unnatural—too much, thought Dr. Houghton, like the whole of the region he had entered so reluctantly in response to the urgent call.
Toward one o’clock Old Whateley gained consciousness, and interrupted his wheezing to choke out a few words to his grandson.
“More space, Willy, more space soon. Yew grows—an’ that grows faster. It’ll be ready to sarve ye soon, boy. Open up the gates to Yog-Sothoth with the long chant that ye’ll find on page 751 of the complete edition, an’ then put a match to the prison. Fire from airth can’t burn it nohaow.”
He was obviously quite mad. After a pause, during which the flock of whippoorwills outside adjusted their cries to the altered tempo while some indications of the strange hill noises came from afar off, he added another sentence or two.
“Feed it reg’lar, Willy, an’ mind the quantity; but dun’t let it grow too fast fer the place, fer ef it busts quarters or gits aout afore ye opens to Yog-Sothoth, it’s all over an’ no use. Only them from beyont kin make it multiply an’ work. . . . Only them, the old uns as wants to come back. . . .”
But speech gave place to gasps again, and Lavinia screamed at the way the whippoorwills followed the change. It was the same for more than an hour, when the final throaty rattle came. Dr. Houghton drew shrunken lids over the glazing grey eyes as the tumult of birds faded imperceptibly to silence. Lavinia sobbed, but Wilbur only chuckled whilst the hill noises rumbled faintly.
“They didn’t git him,” he muttered in his heavy bass voice.
Wilbur was by this time a scholar of really tremendous erudition in his one-sided way, and was quietly known by correspondence to many librarians in distant places where rare and forbidden books of old days are kept. He was more and more hated and dreaded around Dunwich because of certain youthful disappearances which suspicion laid vaguely at his door; but was always able to silence inquiry through fear or through use of that fund of old-time gold which still, as in his grandfather’s time, went forth regularly and increasingly for cattle-buying. He was now tremendously mature of aspect, and his height, having reached the normal adult limit, seemed inclined to wax beyond that figure. In 1925, when a scholarly correspondent from Miskatonic University called upon him one day and departed pale and puzzled, he was fully six and three-quarters feet tall.
Through all the years Wilbur had treated his half-deformed albino mother with a growing contempt, finally forbidding her to go to the hills with him on May-Eve and Hallowmass; and in 1926 the poor creature complained to Mamie Bishop of being afraid of him.
“They’s more abaout him as I knows than I kin tell ye, Mamie,” she said, “an’ naowadays they’s more nor what I know myself. I vaow afur Gawd, I dun’t know what he wants nor what he’s a-tryin’ to dew.”
That Hallowe’en the hill noises sounded louder than ever, and fire burned on Sentinel Hill as usual; but people paid more attention to the rhythmical screaming of vast flocks of unnaturally belated whippoorwills which seemed to be assembled near the unlighted Whateley farmhouse. After midnight their shrill notes burst into a kind of pandaemoniac cachinnation which filled all the countryside, and not until dawn did they finally quiet down. Then they vanished, hurrying southward where they were fully a month overdue. What this meant, no one could quite be certain till later. None of the country folk seemed to have died—but poor Lavinia Whateley, the twisted albino, was never seen again.
In the summer of 1927 Wilbur repaired two sheds in the farmyard and began moving his books and effects out to them. Soon afterward Earl Sawyer told the loungers at Osborn’s that more carpentry was going on in the Whateley farmhouse. Wilbur was closing all the doors and windows on the ground floor, and seemed to be taking out partitions as he and his grandfather had done upstairs four years before. He was living in one of the sheds, and Sawyer thought he seemed unusually worried and tremulous. People generally suspected him of knowing something about his mother’s disappearance, and very few ever approached his neighbourhood now. His height had increased to more than seven feet, and shewed no signs of ceasing its development.

V.
The following winter brought an event no less strange than Wilbur’s first trip outside the Dunwich region. Correspondence with the Widener Library at Harvard, the Bibliothèque Nationale in Paris, the British Museum, the University of Buenos Ayres, and the Library of Miskatonic University of Arkham had failed to get him the loan of a book he desperately wanted; so at length he set out in person, shabby, dirty, bearded, and uncouth of dialect, to consult the copy at Miskatonic, which was the nearest to him geographically. Almost eight feet tall, and carrying a cheap new valise from Osborn’s general store, this dark and goatish gargoyle appeared one day in Arkham in quest of the dreaded volume kept under lock and key at the college library—the hideous Necronomicon of the mad Arab Abdul Alhazred in Olaus Wormius’ Latin version, as printed in Spain in the seventeenth century. He had never seen a city before, but had no thought save to find his way to the university grounds; where, indeed, he passed heedlessly by the great white-fanged watchdog that barked with unnatural fury and enmity, and tugged frantically at its stout chain.
Wilbur had with him the priceless but imperfect copy of Dr. Dee’s English version which his grandfather had bequeathed him, and upon receiving access to the Latin copy he at once began to collate the two texts with the aim of discovering a certain passage which would have come on the 751st page of his own defective volume. This much he could not civilly refrain from telling the librarian—the same erudite Henry Armitage (A.M. Miskatonic, Ph. D. Princeton, Litt. D. Johns Hopkins) who had once called at the farm, and who now politely plied him with questions. He was looking, he had to admit, for a kind of formula or incantation containing the frightful name Yog-Sothoth, and it puzzled him to find discrepancies, duplications, and ambiguities which made the matter of determination far from easy. As he copied the formula he finally chose, Dr. Armitage looked involuntarily over his shoulder at the open pages; the left-hand one of which, in the Latin version, contained such monstrous threats to the peace and sanity of the world.

“Nor is it to be thought,” ran the text as Armitage mentally translated it, “that man is either the oldest or the last of earth’s masters, or that the common bulk of life and substance walks alone. The Old Ones were, the Old Ones are, and the Old Ones shall be. Not in the spaces we know, but between them, They walk serene and primal, undimensioned and to us unseen. Yog-Sothoth knows the gate. Yog-Sothoth is the gate. Yog-Sothoth is the key and guardian of the gate. Past, present, future, all are one in Yog-Sothoth. He knows where the Old Ones broke through of old, and where They shall break through again. He knows where They have trod earth’s fields, and where They still tread them, and why no one can behold Them as They tread. By Their smell can men sometimes know Them near, but of Their semblance can no man know, saving only in the features of those They have begotten on mankind; and of those are there many sorts, differing in likeness from man’s truest eidolon to that shape without sight or substance which is Them. They walk unseen and foul in lonely places where the Words have been spoken and the Rites howled through at their Seasons. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. Kadath in the cold waste hath known Them, and what man knows Kadath? The ice desert of the South and the sunken isles of Ocean hold stones whereon Their seal is engraven, but who hath seen the deep frozen city or the sealed tower long garlanded with seaweed and barnacles? Great Cthulhu is Their cousin, yet can he spy Them only dimly. Iä! Shub-Niggurath! As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. Yog-Sothoth is the key to the gate, whereby the spheres meet. Man rules now where They ruled once; They shall soon rule where man rules now. After summer is winter, and after winter summer. They wait patient and potent, for here shall They reign again.”

Dr. Armitage, associating what he was reading with what he had heard of Dunwich and its brooding presences, and of Wilbur Whateley and his dim, hideous aura that stretched from a dubious birth to a cloud of probable matricide, felt a wave of fright as tangible as a draught of the tomb’s cold clamminess. The bent, goatish giant before him seemed like the spawn of another planet or dimension; like something only partly of mankind, and linked to black gulfs of essence and entity that stretch like titan phantasms beyond all spheres of force and matter, space and time. Presently Wilbur raised his head and began speaking in that strange, resonant fashion which hinted at sound-producing organs unlike the run of mankind’s.
“Mr. Armitage,” he said, “I calc’late I’ve got to take that book home. They’s things in it I’ve got to try under sarten conditions that I can’t git here, an’ it ’ud be a mortal sin to let a red-tape rule hold me up. Let me take it along, Sir, an’ I’ll swar they wun’t nobody know the difference. I dun’t need to tell ye I’ll take good keer of it. It wa’n’t me that put this Dee copy in the shape it is. . . .”
He stopped as he saw firm denial on the librarian’s face, and his own goatish features grew crafty. Armitage, half-ready to tell him he might make a copy of what parts he needed, thought suddenly of the possible consequences and checked himself. There was too much responsiblity in giving such a being the key to such blasphemous outer spheres. Whateley saw how things stood, and tried to answer lightly.
“Wal, all right, ef ye feel that way abaout it. Maybe Harvard wun’t be so fussy as yew be.” And without saying more he rose and strode out of the building, stooping at each doorway.
Armitage heard the savage yelping of the great watchdog, and studied Whateley’s gorilla-like lope as he crossed the bit of campus visible from the window. He thought of the wild tales he had heard, and recalled the old Sunday stories in the Advertiser; these things, and the lore he had picked up from Dunwich rustics and villagers during his one visit there. Unseen things not of earth—or at least not of tri-dimensional earth—rushed foetid and horrible through New England’s glens, and brooded obscenely on the mountain-tops. Of this he had long felt certain. Now he seemed to sense the close presence of some terrible part of the intruding horror, and to glimpse a hellish advance in the black dominion of the ancient and once passive nightmare. He locked away the Necronomicon with a shudder of disgust, but the room still reeked with an unholy and unidentifiable stench. “As a foulness shall ye know them,” he quoted. Yes—the odour was the same as that which had sickened him at the Whateley farmhouse less than three years before. He thought of Wilbur, goatish and ominous, once again, and laughed mockingly at the village rumours of his parentage.
“Inbreeding?” Armitage muttered half-aloud to himself. “Great God, what simpletons! Shew them Arthur Machen’s Great God Pan and they’ll think it a common Dunwich scandal! But what thing—what cursed shapeless influence on or off this three-dimensioned earth—was Wilbur Whateley’s father? Born on Candlemas—nine months after May-Eve of 1912, when the talk about the queer earth noises reached clear to Arkham— What walked on the mountains that May-Night? What Roodmas horror fastened itself on the world in half-human flesh and blood?”
During the ensuing weeks Dr. Armitage set about to collect all possible data on Wilbur Whateley and the formless presences around Dunwich. He got in communication with Dr. Houghton of Aylesbury, who had attended Old Whateley in his last illness, and found much to ponder over in the grandfather’s last words as quoted by the physician. A visit to Dunwich Village failed to bring out much that was new; but a close survey of the Necronomicon, in those parts which Wilbur had sought so avidly, seemed to supply new and terrible clues to the nature, methods, and desires of the strange evil so vaguely threatening this planet. Talks with several students of archaic lore in Boston, and letters to many others elsewhere, gave him a growing amazement which passed slowly through varied degrees of alarm to a state of really acute spiritual fear. As the summer drew on he felt dimly that something ought to be done about the lurking terrors of the upper Miskatonic valley, and about the monstrous being known to the human world as Wilbur Whateley.

VI.
The Dunwich horror itself came between Lammas and the equinox in 1928, and Dr. Armitage was among those who witnessed its monstrous prologue. He had heard, meanwhile, of Whateley’s grotesque trip to Cambridge, and of his frantic efforts to borrow or copy from the Necronomicon at the Widener Library. Those efforts had been in vain, since Armitage had issued warnings of the keenest intensity to all librarians having charge of the dreaded volume. Wilbur had been shockingly nervous at Cambridge; anxious for the book, yet almost equally anxious to get home again, as if he feared the results of being away long.
Early in August the half-expected outcome developed, and in the small hours of the 3d Dr. Armitage was awakened suddenly by the wild, fierce cries of the savage watchdog on the college campus. Deep and terrible, the snarling, half-mad growls and barks continued; always in mounting volume, but with hideously significant pauses. Then there rang out a scream from a wholly different throat—such a scream as roused half the sleepers of Arkham and haunted their dreams ever afterward—such a scream as could come from no being born of earth, or wholly of earth.
Armitage, hastening into some clothing and rushing across the street and lawn to the college buildings, saw that others were ahead of him; and heard the echoes of a burglar-alarm still shrilling from the library. An open window shewed black and gaping in the moonlight. What had come had indeed completed its entrance; for the barking and the screaming, now fast fading into a mixed low growling and moaning, proceeded unmistakably from within. Some instinct warned Armitage that what was taking place was not a thing for unfortified eyes to see, so he brushed back the crowd with authority as he unlocked the vestibule door. Among the others he saw Professor Warren Rice and Dr. Francis Morgan, men to whom he had told some of his conjectures and misgivings; and these two he motioned to accompany him inside. The inward sounds, except for a watchful, droning whine from the dog, had by this time quite subsided; but Armitage now perceived with a sudden start that a loud chorus of whippoorwills among the shrubbery had commenced a damnably rhythmical piping, as if in unison with the last breaths of a dying man.
The building was full of a frightful stench which Dr. Armitage knew too well, and the three men rushed across the hall to the small genealogical reading-room whence the low whining came. For a second nobody dared to turn on the light, then Armitage summoned up his courage and snapped the switch. One of the three—it is not certain which—shrieked aloud at what sprawled before them among disordered tables and overturned chairs. Professor Rice declares that he wholly lost consciousness for an instant, though he did not stumble or fall.
The thing that lay half-bent on its side in a foetid pool of greenish-yellow ichor and tarry stickiness was almost nine feet tall, and the dog had torn off all the clothing and some of the skin. It was not quite dead, but twitched silently and spasmodically while its chest heaved in monstrous unison with the mad piping of the expectant whippoorwills outside. Bits of shoe-leather and fragments of apparel were scattered about the room, and just inside the window an empty canvas sack lay where it had evidently been thrown. Near the central desk a revolver had fallen, a dented but undischarged cartridge later explaining why it had not been fired. The thing itself, however, crowded out all other images at the time. It would be trite and not wholly accurate to say that no human pen could describe it, but one may properly say that it could not be vividly visualised by anyone whose ideas of aspect and contour are too closely bound up with the common life-forms of this planet and of the three known dimensions. It was partly human, beyond a doubt, with very man-like hands and head, and the goatish, chinless face had the stamp of the Whateleys upon it. But the torso and lower parts of the body were teratologically fabulous, so that only generous clothing could ever have enabled it to walk on earth unchallenged or uneradicated.
Above the waist it was semi-anthropomorphic; though its chest, where the dog’s rending paws still rested watchfully, had the leathery, reticulated hide of a crocodile or alligator. The back was piebald with yellow and black, and dimly suggested the squamous covering of certain snakes. Below the waist, though, it was the worst; for here all human resemblance left off and sheer phantasy began. The skin was thickly covered with coarse black fur, and from the abdomen a score of long greenish-grey tentacles with red sucking mouths protruded limply. Their arrangement was odd, and seemed to follow the symmetries of some cosmic geometry unknown to earth or the solar system. On each of the hips, deep set in a kind of pinkish, ciliated orbit, was what seemed to be a rudimentary eye; whilst in lieu of a tail there depended a kind of trunk or feeler with purple annular markings, and with many evidences of being an undeveloped mouth or throat. The limbs, save for their black fur, roughly resembled the hind legs of prehistoric earth’s giant saurians; and terminated in ridgy-veined pads that were neither hooves nor claws. When the thing breathed, its tail and tentacles rhythmically changed colour, as if from some circulatory cause normal to the non-human side of its ancestry. In the tentacles this was observable as a deepening of the greenish tinge, whilst in the tail it was manifest as a yellowish appearance which alternated with a sickly greyish-white in the spaces between the purple rings. Of genuine blood there was none; only the foetid greenish-yellow ichor which trickled along the painted floor beyond the radius of the stickiness, and left a curious discolouration behind it.
As the presence of the three men seemed to rouse the dying thing, it began to mumble without turning or raising its head. Dr. Armitage made no written record of its mouthings, but asserts confidently that nothing in English was uttered. At first the syllables defied all correlation with any speech of earth, but toward the last there came some disjointed fragments evidently taken from the Necronomicon, that monstrous blasphemy in quest of which the thing had perished. These fragments, as Armitage recalls them, ran something like “N’gai, n’gha’ghaa, bugg-shoggog, y’hah; Yog-Sothoth, Yog-Sothoth. . . .” They trailed off into nothingness as the whippoorwills shrieked in rhythmical crescendoes of unholy anticipation.
Then came a halt in the gasping, and the dog raised its head in a long, lugubrious howl. A change came over the yellow, goatish face of the prostrate thing, and the great black eyes fell in appallingly. Outside the window the shrilling of the whippoorwills had suddenly ceased, and above the murmurs of the gathering crowd there came the sound of a panic-struck whirring and fluttering. Against the moon vast clouds of feathery watchers rose and raced from sight, frantic at that which they had sought for prey.
All at once the dog started up abruptly, gave a frightened bark, and leaped nervously out of the window by which it had entered. A cry rose from the crowd, and Dr. Armitage shouted to the men outside that no one must be admitted till the police or medical examiner came. He was thankful that the windows were just too high to permit of peering in, and drew the dark curtains carefully down over each one. By this time two policemen had arrived; and Dr. Morgan, meeting them in the vestibule, was urging them for their own sakes to postpone entrance to the stench-filled reading-room till the examiner came and the prostrate thing could be covered up.
Meanwhile frightful changes were taking place on the floor. One need not describe the kind and rate of shrinkage and disintegration that occurred before the eyes of Dr. Armitage and Professor Rice; but it is permissible to say that, aside from the external appearance of face and hands, the really human element in Wilbur Whateley must have been very small. When the medical examiner came, there was only a sticky whitish mass on the painted boards, and the monstrous odour had nearly disappeared. Apparently Whateley had had no skull or bony skeleton; at least, in any true or stable sense. He had taken somewhat after his unknown father.

VII.
Yet all this was only the prologue of the actual Dunwich horror. Formalities were gone through by bewildered officials, abnormal details were duly kept from press and public, and men were sent to Dunwich and Aylesbury to look up property and notify any who might be heirs of the late Wilbur Whateley. They found the countryside in great agitation, both because of the growing rumblings beneath the domed hills, and because of the unwonted stench and the surging, lapping sounds which came increasingly from the great empty shell formed by Whateley’s boarded-up farmhouse. Earl Sawyer, who tended the horse and cattle during Wilbur’s absence, had developed a woefully acute case of nerves. The officials devised excuses not to enter the noisome boarded place; and were glad to confine their survey of the deceased’s living quarters, the newly mended sheds, to a single visit. They filed a ponderous report at the court-house in Aylesbury, and litigations concerning heirship are said to be still in progress amongst the innumerable Whateleys, decayed and undecayed, of the upper Miskatonic valley.
An almost interminable manuscript in strange characters, written in a huge ledger and adjudged a sort of diary because of the spacing and the variations in ink and penmanship, presented a baffling puzzle to those who found it on the old bureau which served as its owner’s desk. After a week of debate it was sent to Miskatonic University, together with the deceased’s collection of strange books, for study and possible translation; but even the best linguists soon saw that it was not likely to be unriddled with ease. No trace of the ancient gold with which Wilbur and Old Whateley always paid their debts has yet been discovered.
It was in the dark of September 9th that the horror broke loose. The hill noises had been very pronounced during the evening, and dogs barked frantically all night. Early risers on the 10th noticed a peculiar stench in the air. About seven o’clock Luther Brown, the hired boy at George Corey’s, between Cold Spring Glen and the village, rushed frenziedly back from his morning trip to Ten-Acre Meadow with the cows. He was almost convulsed with fright as he stumbled into the kitchen; and in the yard outside the no less frightened herd were pawing and lowing pitifully, having followed the boy back in the panic they shared with him. Between gasps Luther tried to stammer out his tale to Mrs. Corey.
“Up thar in the rud beyont the glen, Mis’ Corey—they’s suthin’ ben thar! It smells like thunder, an’ all the bushes an’ little trees is pushed back from the rud like they’d a haouse ben moved along of it. An’ that ain’t the wust, nuther. They’s prints in the rud, Mis’ Corey—great raound prints as big as barrel-heads, all sunk daown deep like a elephant had ben along, only they’s a sight more nor four feet could make! I looked at one or two afore I run, an’ I see every one was covered with lines spreadin’ aout from one place, like as if big palm-leaf fans—twict or three times as big as any they is—hed of ben paounded daown into the rud. An’ the smell was awful, like what it is araound Wizard Whateley’s ol’ haouse. . . .”
Here he faltered, and seemed to shiver afresh with the fright that had sent him flying home. Mrs. Corey, unable to extract more information, began telephoning the neighbours; thus starting on its rounds the overture of panic that heralded the major terrors. When she got Sally Sawyer, housekeeper at Seth Bishop’s, the nearest place to Whateley’s, it became her turn to listen instead of transmit; for Sally’s boy Chauncey, who slept poorly, had been up on the hill toward Whateley’s, and had dashed back in terror after one look at the place, and at the pasturage where Mr. Bishop’s cows had been left out all night.
“Yes, Mis’ Corey,” came Sally’s tremulous voice over the party wire, “Cha’ncey he just come back a-postin’, and couldn’t haff talk fer bein’ scairt! He says Ol’ Whateley’s haouse is all blowed up, with the timbers scattered raound like they’d ben dynamite inside; only the bottom floor ain’t through, but is all covered with a kind o’ tar-like stuff that smells awful an’ drips daown offen the aidges onto the graoun’ whar the side timbers is blown away. An’ they’s awful kinder marks in the yard, tew—great raound marks bigger raound than a hogshead, an’ all sticky with stuff like is on the blowed-up haouse. Cha’ncey he says they leads off into the medders, whar a great swath wider’n a barn is matted daown, an’ all the stun walls tumbled every whichway wherever it goes.
“An’ he says, says he, Mis’ Corey, as haow he sot to look fer Seth’s caows, frighted ez he was; an’ faound ’em in the upper pasture nigh the Devil’s Hop Yard in an awful shape. Haff on ’em’s clean gone, an’ nigh haff o’ them that’s left is sucked most dry o’ blood, with sores on ’em like they’s ben on Whateley’s cattle ever senct Lavinny’s black brat was born. Seth he’s gone aout naow to look at ’em, though I’ll vaow he wun’t keer ter git very nigh Wizard Whateley’s! Cha’ncey didn’t look keerful ter see whar the big matted-daown swath led arter it leff the pasturage, but he says he thinks it p’inted towards the glen rud to the village.
“I tell ye, Mis’ Corey, they’s suthin’ abroad as hadn’t orter be abroad, an’ I for one think that black Wilbur Whateley, as come to the bad eend he desarved, is at the bottom of the breedin’ of it. He wa’n’t all human hisself, I allus says to everybody; an’ I think he an’ Ol’ Whateley must a raised suthin’ in that there nailed-up haouse as ain’t even so human as he was. They’s allus ben unseen things araound Dunwich—livin’ things—as ain’t human an’ ain’t good fer human folks.
“The graoun’ was a-talkin’ lass night, an’ towards mornin’ Cha’ncey he heerd the whippoorwills so laoud in Col’ Spring Glen he couldn’t sleep nun. Then he thought he heerd another faint-like saound over towards Wizard Whateley’s—a kinder rippin’ or tearin’ o’ wood, like some big box er crate was bein’ opened fur off. What with this an’ that, he didn’t git to sleep at all till sunup, an’ no sooner was he up this mornin’, but he’s got to go over to Whateley’s an’ see what’s the matter. He see enough, I tell ye, Mis’ Corey! This dun’t mean no good, an’ I think as all the men-folks ought to git up a party an’ do suthin’. I know suthin’ awful’s abaout, an’ feel my time is nigh, though only Gawd knows jest what it is.
“Did your Luther take accaount o’ whar them big tracks led tew? No? Wal, Mis’ Corey, ef they was on the glen rud this side o’ the glen, an’ ain’t got to your haouse yet, I calc’late they must go into the glen itself. They would do that. I allus says Col’ Spring Glen ain’t no healthy nor decent place. The whippoorwills an’ fireflies there never did act like they was creaters o’ Gawd, an’ they’s them as says ye kin hear strange things a-rushin’ an’ a-talkin’ in the air daown thar ef ye stand in the right place, atween the rock falls an’ Bear’s Den.”
By that noon fully three-quarters of the men and boys of Dunwich were trooping over the roads and meadows between the new-made Whateley ruins and Cold Spring Glen, examining in horror the vast, monstrous prints, the maimed Bishop cattle, the strange, noisome wreck of the farmhouse, and the bruised, matted vegetation of the fields and roadsides. Whatever had burst loose upon the world had assuredly gone down into the great sinister ravine; for all the trees on the banks were bent and broken, and a great avenue had been gouged in the precipice-hanging underbrush. It was as though a house, launched by an avalanche, had slid down through the tangled growths of the almost vertical slope. From below no sound came, but only a distant, undefinable foetor; and it is not to be wondered at that the men preferred to stay on the edge and argue, rather than descend and beard the unknown Cyclopean horror in its lair. Three dogs that were with the party had barked furiously at first, but seemed cowed and reluctant when near the glen. Someone telephoned the news to the Aylesbury Transcript; but the editor, accustomed to wild tales from Dunwich, did no more than concoct a humorous paragraph about it; an item soon afterward reproduced by the Associated Press.
That night everyone went home, and every house and barn was barricaded as stoutly as possible. Needless to say, no cattle were allowed to remain in open pasturage. About two in the morning a frightful stench and the savage barking of the dogs awakened the household at Elmer Frye’s, on the eastern edge of Cold Spring Glen, and all agreed that they could hear a sort of muffled swishing or lapping sound from somewhere outside. Mrs. Frye proposed telephoning the neighbours, and Elmer was about to agree when the noise of splintering wood burst in upon their deliberations. It came, apparently, from the barn; and was quickly followed by a hideous screaming and stamping amongst the cattle. The dogs slavered and crouched close to the feet of the fear-numbed family. Frye lit a lantern through force of habit, but knew it would be death to go out into that black farmyard. The children and the womenfolk whimpered, kept from screaming by some obscure, vestigial instinct of defence which told them their lives depended on silence. At last the noise of the cattle subsided to a pitiful moaning, and a great snapping, crashing, and crackling ensued. The Fryes, huddled together in the sitting-room, did not dare to move until the last echoes died away far down in Cold Spring Glen. Then, amidst the dismal moans from the stable and the daemoniac piping of late whippoorwills in the glen, Selina Frye tottered to the telephone and spread what news she could of the second phase of the horror.
The next day all the countryside was in a panic; and cowed, uncommunicative groups came and went where the fiendish thing had occurred. Two titan swaths of destruction stretched from the glen to the Frye farmyard, monstrous prints covered the bare patches of ground, and one side of the old red barn had completely caved in. Of the cattle, only a quarter could be found and identified. Some of these were in curious fragments, and all that survived had to be shot. Earl Sawyer suggested that help be asked from Aylesbury or Arkham, but others maintained it would be of no use. Old Zebulon Whateley, of a branch that hovered about half way between soundness and decadence, made darkly wild suggestions about rites that ought to be practiced on the hill-tops. He came of a line where tradition ran strong, and his memories of chantings in the great stone circles were not altogether connected with Wilbur and his grandfather.
Darkness fell upon a stricken countryside too passive to organise for real defence. In a few cases closely related families would band together and watch in the gloom under one roof; but in general there was only a repetition of the barricading of the night before, and a futile, ineffective gesture of loading muskets and setting pitchforks handily about. Nothing, however, occurred except some hill noises; and when the day came there were many who hoped that the new horror had gone as swiftly as it had come. There were even bold souls who proposed an offensive expedition down in the glen, though they did not venture to set an actual example to the still reluctant majority.
When night came again the barricading was repeated, though there was less huddling together of families. In the morning both the Frye and the Seth Bishop households reported excitement among the dogs and vague sounds and stenches from afar, while early explorers noted with horror a fresh set of the monstrous tracks in the road skirting Sentinel Hill. As before, the sides of the road shewed a bruising indicative of the blasphemously stupendous bulk of the horror; whilst the conformation of the tracks seemed to argue a passage in two directions, as if the moving mountain had come from Cold Spring Glen and returned to it along the same path. At the base of the hill a thirty-foot swath of crushed shrubbery saplings led steeply upward, and the seekers gasped when they saw that even the most perpendicular places did not deflect the inexorable trail. Whatever the horror was, it could scale a sheer stony cliff of almost complete verticality; and as the investigators climbed around to the hill’s summit by safer routes they saw that the trail ended—or rather, reversed—there.
It was here that the Whateleys used to build their hellish fires and chant their hellish rituals by the table-like stone on May-Eve and Hallowmass. Now that very stone formed the centre of a vast space thrashed around by the mountainous horror, whilst upon its slightly concave surface was a thick and foetid deposit of the same tarry stickiness observed on the floor of the ruined Whateley farmhouse when the horror escaped. Men looked at one another and muttered. Then they looked down the hill. Apparently the horror had descended by a route much the same as that of its ascent. To speculate was futile. Reason, logic, and normal ideas of motivation stood confounded. Only old Zebulon, who was not with the group, could have done justice to the situation or suggested a plausible explanation.
Thursday night began much like the others, but it ended less happily. The whippoorwills in the glen had screamed with such unusual persistence that many could not sleep, and about 3 A.M. all the party telephones rang tremulously. Those who took down their receivers heard a fright-mad voice shriek out, “Help, oh, my Gawd! . . .” and some thought a crashing sound followed the breaking off of the exclamation. There was nothing more. No one dared do anything, and no one knew till morning whence the call came. Then those who had heard it called everyone on the line, and found that only the Fryes did not reply. The truth appeared an hour later, when a hastily assembled group of armed men trudged out to the Frye place at the head of the glen. It was horrible, yet hardly a surprise. There were more swaths and monstrous prints, but there was no longer any house. It had caved in like an egg-shell, and amongst the ruins nothing living or dead could be discovered. Only a stench and a tarry stickiness. The Elmer Fryes had been erased from Dunwich.

VIII.
In the meantime a quieter yet even more spiritually poignant phase of the horror had been blackly unwinding itself behind the closed door of a shelf-lined room in Arkham. The curious manuscript record or diary of Wilbur Whateley, delivered to Miskatonic University for translation, had caused much worry and bafflement among the experts in languages both ancient and modern; its very alphabet, notwithstanding a general resemblance to the heavily shaded Arabic used in Mesopotamia, being absolutely unknown to any available authority. The final conclusion of the linguists was that the text represented an artificial alphabet, giving the effect of a cipher; though none of the usual methods of cryptographic solution seemed to furnish any clue, even when applied on the basis of every tongue the writer might conceivably have used. The ancient books taken from Whateley’s quarters, while absorbingly interesting and in several cases promising to open up new and terrible lines of research among philosophers and men of science, were of no assistance whatever in this matter. One of them, a heavy tome with an iron clasp, was in another unknown alphabet—this one of a very different cast, and resembling Sanscrit more than anything else. The old ledger was at length given wholly into the charge of Dr. Armitage, both because of his peculiar interest in the Whateley matter, and because of his wide linguistic learning and skill in the mystical formulae of antiquity and the Middle Ages.
Armitage had an idea that the alphabet might be something esoterically used by certain forbidden cults which have come down from old times, and which have inherited many forms and traditions from the wizards of the Saracenic world. That question, however, he did not deem vital; since it would be unnecessary to know the origin of the symbols if, as he suspected, they were used as a cipher in a modern language. It was his belief that, considering the great amount of text involved, the writer would scarcely have wished the trouble of using another speech than his own, save perhaps in certain special formulae and incantations. Accordingly he attacked the manuscript with the preliminary assumption that the bulk of it was in English.
Dr. Armitage knew, from the repeated failures of his colleagues, that the riddle was a deep and complex one; and that no simple mode of solution could merit even a trial. All through late August he fortified himself with the massed lore of cryptography; drawing upon the fullest resources of his own library, and wading night after night amidst the arcana of Trithemius’ Poligraphia, Giambattista Porta’s De Furtivis Literarum Notis, De Vigenère’s Traité des Chiffres, Falconer’s Cryptomenysis Patefacta, Davys’ and Thicknesse’s eighteenth-century treatises, and such fairly modern authorities as Blair, von Marten, and Klüber’s Kryptographik. He interspersed his study of the books with attacks on the manuscript itself, and in time became convinced that he had to deal with one of those subtlest and most ingenious of cryptograms, in which many separate lists of corresponding letters are arranged like the multiplication table, and the message built up with arbitrary key-words known only to the initiated. The older authorities seemed rather more helpful than the newer ones, and Armitage concluded that the code of the manuscript was one of great antiquity, no doubt handed down through a long line of mystical experimenters. Several times he seemed near daylight, only to be set back by some unforeseen obstacle. Then, as September approached, the clouds began to clear. Certain letters, as used in certain parts of the manuscript, emerged definitely and unmistakably; and it became obvious that the text was indeed in English.
On the evening of September 2nd the last major barrier gave way, and Dr. Armitage read for the first time a continuous passage of Wilbur Whateley’s annals. It was in truth a diary, as all had thought; and it was couched in a style clearly shewing the mixed occult erudition and general illiteracy of the strange being who wrote it. Almost the first long passage that Armitage deciphered, an entry dated November 26, 1916, proved highly startling and disquieting. It was written, he remembered, by a child of three and a half who looked like a lad of twelve or thirteen.

“Today learned the Aklo for the Sabaoth,” it ran, “which did not like, it being answerable from the hill and not from the air. That upstairs more ahead of me than I had thought it would be, and is not like to have much earth brain. Shot Elam Hutchins’ collie Jack when he went to bite me, and Elam says he would kill me if he dast. I guess he won’t. Grandfather kept me saying the Dho formula last night, and I think I saw the inner city at the 2 magnetic poles. I shall go to those poles when the earth is cleared off, if I can’t break through with the Dho-Hna formula when I commit it. They from the air told me at Sabbat that it will be years before I can clear off the earth, and I guess grandfather will be dead then, so I shall have to learn all the angles of the planes and all the formulas between the Yr and the Nhhngr. They from outside will help, but they cannot take body without human blood. That upstairs looks it will have the right cast. I can see it a little when I make the Voorish sign or blow the powder of Ibn Ghazi at it, and it is near like them at May-Eve on the Hill. The other face may wear off some. I wonder how I shall look when the earth is cleared and there are no earth beings on it. He that came with the Aklo Sabaoth said I may be transfigured, there being much of outside to work on.”

Morning found Dr. Armitage in a cold sweat of terror and a frenzy of wakeful concentration. He had not left the manuscript all night, but sat at his table under the electric light turning page after page with shaking hands as fast as he could decipher the cryptic text. He had nervously telephoned his wife he would not be home, and when she brought him a breakfast from the house he could scarcely dispose of a mouthful. All that day he read on, now and then halted maddeningly as a reapplication of the complex key became necessary. Lunch and dinner were brought him, but he ate only the smallest fraction of either. Toward the middle of the next night he drowsed off in his chair, but soon woke out of a tangle of nightmares almost as hideous as the truths and menaces to man’s existence that he had uncovered.
On the morning of September 4th Professor Rice and Dr. Morgan insisted on seeing him for a while, and departed trembling and ashen-grey. That evening he went to bed, but slept only fitfully. Wednesday—the next day—he was back at the manuscript, and began to take copious notes both from the current sections and from those he had already deciphered. In the small hours of that night he slept a little in an easy-chair in his office, but was at the manuscript again before dawn. Some time before noon his physician, Dr. Hartwell, called to see him and insisted that he cease work. He refused; intimating that it was of the most vital importance for him to complete the reading of the diary, and promising an explanation in due course of time.
That evening, just as twilight fell, he finished his terrible perusal and sank back exhausted. His wife, bringing his dinner, found him in a half-comatose state; but he was conscious enough to warn her off with a sharp cry when he saw her eyes wander toward the notes he had taken. Weakly rising, he gathered up the scribbled papers and sealed them all in a great envelope, which he immediately placed in his inside coat pocket. He had sufficient strength to get home, but was so clearly in need of medical aid that Dr. Hartwell was summoned at once. As the doctor put him to bed he could only mutter over and over again, “But what, in God’s name, can we do?”
Dr. Armitage slept, but was partly delirious the next day. He made no explanations to Hartwell, but in his calmer moments spoke of the imperative need of a long conference with Rice and Morgan. His wilder wanderings were very startling indeed, including frantic appeals that something in a boarded-up farmhouse be destroyed, and fantastic references to some plan for the extirpation of the entire human race and all animal and vegetable life from the earth by some terrible elder race of beings from another dimension. He would shout that the world was in danger, since the Elder Things wished to strip it and drag it away from the solar system and cosmos of matter into some other plane or phase of entity from which it had once fallen, vigintillions of aeons ago. At other times he would call for the dreaded Necronomicon and the Daemonolatreia of Remigius, in which he seemed hopeful of finding some formula to check the peril he conjured up.
“Stop them, stop them!” he would shout. “Those Whateleys meant to let them in, and the worst of all is left! Tell Rice and Morgan we must do something—it’s a blind business, but I know how to make the powder. . . . It hasn’t been fed since the second of August, when Wilbur came here to his death, and at that rate. . . .”
But Armitage had a sound physique despite his seventy-three years, and slept off his disorder that night without developing any real fever. He woke late Friday, clear of head, though sober with a gnawing fear and tremendous sense of responsibility. Saturday afternoon he felt able to go over to the library and summon Rice and Morgan for a conference, and the rest of that day and evening the three men tortured their brains in the wildest speculation and the most desperate debate. Strange and terrible books were drawn voluminously from the stack shelves and from secure places of storage; and diagrams and formulae were copied with feverish haste and in bewildering abundance. Of scepticism there was none. All three had seen the body of Wilbur Whateley as it lay on the floor in a room of that very building, and after that not one of them could feel even slightly inclined to treat the diary as a madman’s raving.
Opinions were divided as to notifying the Massachusetts State Police, and the negative finally won. There were things involved which simply could not be believed by those who had not seen a sample, as indeed was made clear during certain subsequent investigations. Late at night the conference disbanded without having developed a definite plan, but all day Sunday Armitage was busy comparing formulae and mixing chemicals obtained from the college laboratory. The more he reflected on the hellish diary, the more he was inclined to doubt the efficacy of any material agent in stamping out the entity which Wilbur Whateley had left behind him—the earth-threatening entity which, unknown to him, was to burst forth in a few hours and become the memorable Dunwich horror.
Monday was a repetition of Sunday with Dr. Armitage, for the task in hand required an infinity of research and experiment. Further consultations of the monstrous diary brought about various changes of plan, and he knew that even in the end a large amount of uncertainty must remain. By Tuesday he had a definite line of action mapped out, and believed he would try a trip to Dunwich within a week. Then, on Wednesday, the great shock came. Tucked obscurely away in a corner of the Arkham Advertiser was a facetious little item from the Associated Press, telling what a record-breaking monster the bootleg whiskey of Dunwich had raised up. Armitage, half stunned, could only telephone for Rice and Morgan. Far into the night they discussed, and the next day was a whirlwind of preparation on the part of them all. Armitage knew he would be meddling with terrible powers, yet saw that there was no other way to annul the deeper and more malign meddling which others had done before him.

IX.
Friday morning Armitage, Rice, and Morgan set out by motor for Dunwich, arriving at the village about one in the afternoon. The day was pleasant, but even in the brightest sunlight a kind of quiet dread and portent seemed to hover about the strangely domed hills and the deep, shadowy ravines of the stricken region. Now and then on some mountain-top a gaunt circle of stones could be glimpsed against the sky. From the air of hushed fright at Osborn’s store they knew something hideous had happened, and soon learned of the annihilation of the Elmer Frye house and family. Throughout that afternoon they rode around Dunwich; questioning the natives concerning all that had occurred, and seeing for themselves with rising pangs of horror the drear Frye ruins with their lingering traces of the tarry stickiness, the blasphemous tracks in the Frye yard, the wounded Seth Bishop cattle, and the enormous swaths of disturbed vegetation in various places. The trail up and down Sentinel Hill seemed to Armitage of almost cataclysmic significance, and he looked long at the sinister altar-like stone on the summit.
At length the visitors, apprised of a party of State Police which had come from Aylesbury that morning in response to the first telephone reports of the Frye tragedy, decided to seek out the officers and compare notes as far as practicable. This, however, they found more easily planned than performed; since no sign of the party could be found in any direction. There had been five of them in a car, but now the car stood empty near the ruins in the Frye yard. The natives, all of whom had talked with the policemen, seemed at first as perplexed as Armitage and his companions. Then old Sam Hutchins thought of something and turned pale, nudging Fred Farr and pointing to the dank, deep hollow that yawned close by.
“Gawd,” he gasped, “I telled ’em not ter go daown into the glen, an’ I never thought nobody’d dew it with them tracks an’ that smell an’ the whippoorwills a-screechin’ daown thar in the dark o’ noonday. . . .”
A cold shudder ran through natives and visitors alike, and every ear seemed strained in a kind of instinctive, unconscious listening. Armitage, now that he had actually come upon the horror and its monstrous work, trembled with the responsibility he felt to be his. Night would soon fall, and it was then that the mountainous blasphemy lumbered upon its eldritch course. Negotium perambulans in tenebris. . . . The old librarian rehearsed the formulae he had memorised, and clutched the paper containing the alternative one he had not memorised. He saw that his electric flashlight was in working order. Rice, beside him, took from a valise a metal sprayer of the sort used in combating insects; whilst Morgan uncased the big-game rifle on which he relied despite his colleague’s warnings that no material weapon would be of help.
Armitage, having read the hideous diary, knew painfully well what kind of a manifestation to expect; but he did not add to the fright of the Dunwich people by giving any hints or clues. He hoped that it might be conquered without any revelation to the world of the monstrous thing it had escaped. As the shadows gathered, the natives commenced to disperse homeward, anxious to bar themselves indoors despite the present evidence that all human locks and bolts were useless before a force that could bend trees and crush houses when it chose. They shook their heads at the visitors’ plan to stand guard at the Frye ruins near the glen; and as they left, had little expectancy of ever seeing the watchers again.
There were rumblings under the hills that night, and the whippoorwills piped threateningly. Once in a while a wind, sweeping up out of Cold Spring Glen, would bring a touch of ineffable foetor to the heavy night air; such a foetor as all three of the watchers had smelled once before, when they stood above a dying thing that had passed for fifteen years and a half as a human being. But the looked-for terror did not appear. Whatever was down there in the glen was biding its time, and Armitage told his colleagues it would be suicidal to try to attack it in the dark.
Morning came wanly, and the night-sounds ceased. It was a grey, bleak day, with now and then a drizzle of rain; and heavier and heavier clouds seemed to be piling themselves up beyond the hills to the northwest. The men from Arkham were undecided what to do. Seeking shelter from the increasing rainfall beneath one of the few undestroyed Frye outbuildings, they debated the wisdom of waiting, or of taking the aggressive and going down into the glen in quest of their nameless, monstrous quarry. The downpour waxed in heaviness, and distant peals of thunder sounded from far horizons. Sheet lightning shimmered, and then a forky bolt flashed near at hand, as if descending into the accursed glen itself. The sky grew very dark, and the watchers hoped that the storm would prove a short, sharp one followed by clear weather.
It was still gruesomely dark when, not much over an hour later, a confused babel of voices sounded down the road. Another moment brought to view a frightened group of more than a dozen men, running, shouting, and even whimpering hysterically. Someone in the lead began sobbing out words, and the Arkham men started violently when those words developed a coherent form.
“Oh, my Gawd, my Gawd,” the voice choked out. “It’s a-goin’ agin, an’ this time by day! It’s aout—it’s aout an’ a-movin’ this very minute, an’ only the Lord knows when it’ll be on us all!”
The speaker panted into silence, but another took up his message.
“Nigh on a haour ago Zeb Whateley here heerd the ’phone a-ringin’, an’ it was Mis’ Corey, George’s wife, that lives daown by the junction. She says the hired boy Luther was aout drivin’ in the caows from the storm arter the big bolt, when he see all the trees a-bendin’ at the maouth o’ the glen—opposite side ter this—an’ smelt the same awful smell like he smelt when he faound the big tracks las’ Monday mornin’. An’ she says he says they was a swishin’, lappin’ saound, more nor what the bendin’ trees an’ bushes could make, an’ all on a suddent the trees along the rud begun ter git pushed one side, an’ they was a awful stompin’ an’ splashin’ in the mud. But mind ye, Luther he didn’t see nothin’ at all, only just the bendin’ trees an’ underbrush.
“Then fur ahead where Bishop’s Brook goes under the rud he heerd a awful creakin’ an’ strainin’ on the bridge, an’ says he could tell the saound o’ wood a-startin’ to crack an’ split. An’ all the whiles he never see a thing, only them trees an’ bushes a-bendin’. An’ when the swishin’ saound got very fur off—on the rud towards Wizard Whateley’s an’ Sentinel Hill—Luther he had the guts ter step up whar he’d heerd it furst an’ look at the graound. It was all mud an’ water, an’ the sky was dark, an’ the rain was wipin’ aout all tracks abaout as fast as could be; but beginnin’ at the glen maouth, whar the trees had moved, they was still some o’ them awful prints big as bar’ls like he seen Monday.”
At this point the first excited speaker interrupted.
“But that ain’t the trouble naow—that was only the start. Zeb here was callin’ folks up an’ everybody was a-listenin’ in when a call from Seth Bishop’s cut in. His haousekeeper Sally was carryin’ on fit ter kill—she’d jest seed the trees a-bendin’ beside the rud, an’ says they was a kind o’ mushy saound, like a elephant puffin’ an’ treadin’, a-headin’ fer the haouse. Then she up an’ spoke suddent of a fearful smell, an’ says her boy Cha’ncey was a-screamin’ as haow it was jest like what he smelt up to the Whateley rewins Monday mornin’. An’ the dogs was all barkin’ an’ whinin’ awful.
“An’ then she let aout a turrible yell, an’ says the shed daown the rud had jest caved in like the storm hed blowed it over, only the wind wa’n’t strong enough to dew that. Everybody was a-listenin’, an’ we could hear lots o’ folks on the wire a-gaspin’. All to onct Sally she yelled agin, an’ says the front yard picket fence hed just crumbled up, though they wa’n’t no sign o’ what done it. Then everybody on the line could hear Cha’ncey an’ ol’ Seth Bishop a-yellin’ tew, an’ Sally was shriekin’ aout that suthin’ heavy hed struck the haouse—not lightnin’ nor nothin’, but suthin’ heavy agin the front, that kep’ a-launchin’ itself agin an’ agin, though ye couldn’t see nothin’ aout the front winders. An’ then . . . an’ then . . .”
Lines of fright deepened on every face; and Armitage, shaken as he was, had barely poise enough to prompt the speaker.
“An’ then . . . Sally she yelled aout, ’O help, the haouse is a-cavin’ in’ . . . an’ on the wire we could hear a turrible crashin’, an’ a hull flock o’ screamin’ . . . jest like when Elmer Frye’s place was took, only wuss. . . .”
The man paused, and another of the crowd spoke.
“That’s all—not a saound nor squeak over the ’phone arter that. Jest still-like. We that heerd it got aout Fords an’ wagons an’ raounded up as many able-bodied menfolks as we could git, at Corey’s place, an’ come up here ter see what yew thought best ter dew. Not but what I think it’s the Lord’s jedgment fer our iniquities, that no mortal kin ever set aside.”
Armitage saw that the time for positive action had come, and spoke decisively to the faltering group of frightened rustics.
“We must follow it, boys.” He made his voice as reassuring as possible. “I believe there’s a chance of putting it out of business. You men know that those Whateleys were wizards—well, this thing is a thing of wizardry, and must be put down by the same means. I’ve seen Wilbur Whateley’s diary and read some of the strange old books he used to read; and I think I know the right kind of spell to recite to make the thing fade away. Of course, one can’t be sure, but we can always take a chance. It’s invisible—I knew it would be—but there’s a powder in this long-distance sprayer that might make it shew up for a second. Later on we’ll try it. It’s a frightful thing to have alive, but it isn’t as bad as what Wilbur would have let in if he’d lived longer. You’ll never know what the world has escaped. Now we’ve only this one thing to fight, and it can’t multiply. It can, though, do a lot of harm; so we mustn’t hesitate to rid the community of it.
“We must follow it—and the way to begin is to go to the place that has just been wrecked. Let somebody lead the way—I don’t know your roads very well, but I’ve an idea there might be a shorter cut across lots. How about it?”
The men shuffled about a moment, and then Earl Sawyer spoke softly, pointing with a grimy finger through the steadily lessening rain.
“I guess ye kin git to Seth Bishop’s quickest by cuttin’ acrost the lower medder here, wadin’ the brook at the low place, an’ climbin’ through Carrier’s mowin’ and the timber-lot beyont. That comes aout on the upper rud mighty nigh Seth’s—a leetle t’other side.”
Armitage, with Rice and Morgan, started to walk in the direction indicated; and most of the natives followed slowly. The sky was growing lighter, and there were signs that the storm had worn itself away. When Armitage inadvertently took a wrong direction, Joe Osborn warned him and walked ahead to shew the right one. Courage and confidence were mounting; though the twilight of the almost perpendicular wooded hill which lay toward the end of their short cut, and among whose fantastic ancient trees they had to scramble as if up a ladder, put these qualities to a severe test.
At length they emerged on a muddy road to find the sun coming out. They were a little beyond the Seth Bishop place, but bent trees and hideously unmistakable tracks shewed what had passed by. Only a few moments were consumed in surveying the ruins just around the bend. It was the Frye incident all over again, and nothing dead or living was found in either of the collapsed shells which had been the Bishop house and barn. No one cared to remain there amidst the stench and tarry stickiness, but all turned instinctively to the line of horrible prints leading on toward the wrecked Whateley farmhouse and the altar-crowned slopes of Sentinel Hill.
As the men passed the site of Wilbur Whateley’s abode they shuddered visibly, and seemed again to mix hesitancy with their zeal. It was no joke tracking down something as big as a house that one could not see, but that had all the vicious malevolence of a daemon. Opposite the base of Sentinel Hill the tracks left the road, and there was a fresh bending and matting visible along the broad swath marking the monster’s former route to and from the summit.
Armitage produced a pocket telescope of considerable power and scanned the steep green side of the hill. Then he handed the instrument to Morgan, whose sight was keener. After a moment of gazing Morgan cried out sharply, passing the glass to Earl Sawyer and indicating a certain spot on the slope with his finger. Sawyer, as clumsy as most non-users of optical devices are, fumbled a while; but eventually focussed the lenses with Armitage’s aid. When he did so his cry was less restrained than Morgan’s had been.
“Gawd almighty, the grass an’ bushes is a-movin’! It’s a-goin’ up—slow-like—creepin’ up ter the top this minute, heaven only knows what fur!”
Then the germ of panic seemed to spread among the seekers. It was one thing to chase the nameless entity, but quite another to find it. Spells might be all right—but suppose they weren’t? Voices began questioning Armitage about what he knew of the thing, and no reply seemed quite to satisfy. Everyone seemed to feel himself in close proximity to phases of Nature and of being utterly forbidden, and wholly outside the sane experience of mankind.

X.
In the end the three men from Arkham—old, white-bearded Dr. Armitage, stocky, iron-grey Professor Rice, and lean, youngish Dr. Morgan—ascended the mountain alone. After much patient instruction regarding its focussing and use, they left the telescope with the frightened group that remained in the road; and as they climbed they were watched closely by those among whom the glass was passed around. It was hard going, and Armitage had to be helped more than once. High above the toiling group the great swath trembled as its hellish maker re-passed with snail-like deliberateness. Then it was obvious that the pursuers were gaining.
Curtis Whateley—of the undecayed branch—was holding the telescope when the Arkham party detoured radically from the swath. He told the crowd that the men were evidently trying to get to a subordinate peak which overlooked the swath at a point considerably ahead of where the shrubbery was now bending. This, indeed, proved to be true; and the party were seen to gain the minor elevation only a short time after the invisible blasphemy had passed it.
Then Wesley Corey, who had taken the glass, cried out that Armitage was adjusting the sprayer which Rice held, and that something must be about to happen. The crowd stirred uneasily, recalling that this sprayer was expected to give the unseen horror a moment of visibility. Two or three men shut their eyes, but Curtis Whateley snatched back the telescope and strained his vision to the utmost. He saw that Rice, from the party’s point of vantage above and behind the entity, had an excellent chance of spreading the potent powder with marvellous effect.
Those without the telescope saw only an instant’s flash of grey cloud—a cloud about the size of a moderately large building—near the top of the mountain. Curtis, who had held the instrument, dropped it with a piercing shriek into the ankle-deep mud of the road. He reeled, and would have crumpled to the ground had not two or three others seized and steadied him. All he could do was moan half-inaudibly,
“Oh, oh, great Gawd . . . that . . . that . . .”
There was a pandemonium of questioning, and only Henry Wheeler thought to rescue the fallen telescope and wipe it clean of mud. Curtis was past all coherence, and even isolated replies were almost too much for him.
“Bigger’n a barn . . . all made o’ squirmin’ ropes . . . hull thing sort o’ shaped like a hen’s egg bigger’n anything, with dozens o’ legs like hogsheads that haff shut up when they step . . . nothin’ solid abaout it—all like jelly, an’ made o’ sep’rit wrigglin’ ropes pushed clost together . . . great bulgin’ eyes all over it . . . ten or twenty maouths or trunks a-stickin’ aout all along the sides, big as stovepipes, an’ all a-tossin’ an’ openin’ an’ shuttin’ . . . all grey, with kinder blue or purple rings . . . an’ Gawd in heaven—that haff face on top! . . .”
This final memory, whatever it was, proved too much for poor Curtis; and he collapsed completely before he could say more. Fred Farr and Will Hutchins carried him to the roadside and laid him on the damp grass. Henry Wheeler, trembling, turned the rescued telescope on the mountain to see what he might. Through the lenses were discernible three tiny figures, apparently running toward the summit as fast as the steep incline allowed. Only these—nothing more. Then everyone noticed a strangely unseasonable noise in the deep valley behind, and even in the underbrush of Sentinel Hill itself. It was the piping of unnumbered whippoorwills, and in their shrill chorus there seemed to lurk a note of tense and evil expectancy.
Earl Sawyer now took the telescope and reported the three figures as standing on the topmost ridge, virtually level with the altar-stone but at a considerable distance from it. One figure, he said, seemed to be raising its hands above its head at rhythmic intervals; and as Sawyer mentioned the circumstance the crowd seemed to hear a faint, half-musical sound from the distance, as if a loud chant were accompanying the gestures. The weird silhouette on that remote peak must have been a spectacle of infinite grotesqueness and impressiveness, but no observer was in a mood for aesthetic appreciation. “I guess he’s sayin’ the spell,” whispered Wheeler as he snatched back the telescope. The whippoorwills were piping wildly, and in a singularly curious irregular rhythm quite unlike that of the visible ritual.
Suddenly the sunshine seemed to lessen without the intervention of any discernible cloud. It was a very peculiar phenomenon, and was plainly marked by all. A rumbling sound seemed brewing beneath the hills, mixed strangely with a concordant rumbling which clearly came from the sky. Lightning flashed aloft, and the wondering crowd looked in vain for the portents of storm. The chanting of the men from Arkham now became unmistakable, and Wheeler saw through the glass that they were all raising their arms in the rhythmic incantation. From some farmhouse far away came the frantic barking of dogs.
The change in the quality of the daylight increased, and the crowd gazed about the horizon in wonder. A purplish darkness, born of nothing more than a spectral deepening of the sky’s blue, pressed down upon the rumbling hills. Then the lightning flashed again, somewhat brighter than before, and the crowd fancied that it had shewed a certain mistiness around the altar-stone on the distant height. No one, however, had been using the telescope at that instant. The whippoorwills continued their irregular pulsation, and the men of Dunwich braced themselves tensely against some imponderable menace with which the atmosphere seemed surcharged.
Without warning came those deep, cracked, raucous vocal sounds which will never leave the memory of the stricken group who heard them. Not from any human throat were they born, for the organs of man can yield no such acoustic perversions. Rather would one have said they came from the pit itself, had not their source been so unmistakably the altar-stone on the peak. It is almost erroneous to call them sounds at all, since so much of their ghastly, infra-bass timbre spoke to dim seats of consciousness and terror far subtler than the ear; yet one must do so, since their form was indisputably though vaguely that of half-articulate words. They were loud—loud as the rumblings and the thunder above which they echoed—yet did they come from no visible being. And because imagination might suggest a conjectural source in the world of non-visible beings, the huddled crowd at the mountain’s base huddled still closer, and winced as if in expectation of a blow.
“Ygnaiih . . . ygnaiih . . . thflthkh’ngha . . . Yog-Sothoth . . .” rang the hideous croaking out of space. “Y’bthnk . . . h’ehye—n’grkdl’lh. . . .”
The speaking impulse seemed to falter here, as if some frightful psychic struggle were going on. Henry Wheeler strained his eye at the telescope, but saw only the three grotesquely silhouetted human figures on the peak, all moving their arms furiously in strange gestures as their incantation drew near its culmination. From what black wells of Acherontic fear or feeling, from what unplumbed gulfs of extra-cosmic consciousness or obscure, long-latent heredity, were those half-articulate thunder-croakings drawn? Presently they began to gather renewed force and coherence as they grew in stark, utter, ultimate frenzy.
“Eh-ya-ya-ya-yahaah—e’yayayayaaaa . . . ngh’aaaaa . . . ngh’aaaa . . . h’yuh . . . h’yuh . . . HELP! HELP! . . . ff—ff—ff—FATHER! FATHER! YOG-SOTHOTH! . . .”
But that was all. The pallid group in the road, still reeling at the indisputably English syllables that had poured thickly and thunderously down from the frantic vacancy beside that shocking altar-stone, were never to hear such syllables again. Instead, they jumped violently at the terrific report which seemed to rend the hills; the deafening, cataclysmic peal whose source, be it inner earth or sky, no hearer was ever able to place. A single lightning-bolt shot from the purple zenith to the altar-stone, and a great tidal wave of viewless force and indescribable stench swept down from the hill to all the countryside. Trees, grass, and underbrush were whipped into a fury; and the frightened crowd at the mountain’s base, weakened by the lethal foetor that seemed about to asphyxiate them, were almost hurled off their feet. Dogs howled from the distance, green grass and foliage wilted to a curious, sickly yellow-grey, and over field and forest were scattered the bodies of dead whippoorwills.
The stench left quickly, but the vegetation never came right again. To this day there is something queer and unholy about the growths on and around that fearsome hill. Curtis Whateley was only just regaining consciousness when the Arkham men came slowly down the mountain in the beams of a sunlight once more brilliant and untainted. They were grave and quiet, and seemed shaken by memories and reflections even more terrible than those which had reduced the group of natives to a state of cowed quivering. In reply to a jumble of questions they only shook their heads and reaffirmed one vital fact.
“The thing has gone forever,” Armitage said. “It has been split up into what it was originally made of, and can never exist again. It was an impossibility in a normal world. Only the least fraction was really matter in any sense we know. It was like its father—and most of it has gone back to him in some vague realm or dimension outside our material universe; some vague abyss out of which only the most accursed rites of human blasphemy could ever have called him for a moment on the hills.”
There was a brief silence, and in that pause the scattered senses of poor Curtis Whateley began to knit back into a sort of continuity; so that he put his hands to his head with a moan. Memory seemed to pick itself up where it had left off, and the horror of the sight that had prostrated him burst in upon him again.
“Oh, oh, my Gawd, that haff face—that haff face on top of it . . . that face with the red eyes an’ crinkly albino hair, an’ no chin, like the Whateleys . . . It was a octopus, centipede, spider kind o’ thing, but they was a haff-shaped man’s face on top of it, an’ it looked like Wizard Whateley’s, only it was yards an’ yards acrost. . . .”
He paused exhausted, as the whole group of natives stared in a bewilderment not quite crystallised into fresh terror. Only old Zebulon Whateley, who wanderingly remembered ancient things but who had been silent heretofore, spoke aloud.
“Fifteen year’ gone,” he rambled, “I heerd Ol’ Whateley say as haow some day we’d hear a child o’ Lavinny’s a-callin’ its father’s name on the top o’ Sentinel Hill. . . .”
But Joe Osborn interrupted him to question the Arkham men anew.
“What was it anyhaow, an’ haowever did young Wizard Whateley call it aout o’ the air it come from?”
Armitage chose his words very carefully.
“It was—well, it was mostly a kind of force that doesn’t belong in our part of space; a kind of force that acts and grows and shapes itself by other laws than those of our sort of Nature. We have no business calling in such things from outside, and only very wicked people and very wicked cults ever try to. There was some of it in Wilbur Whateley himself—enough to make a devil and a precocious monster of him, and to make his passing out a pretty terrible sight. I’m going to burn his accursed diary, and if you men are wise you’ll dynamite that altar-stone up there, and pull down all the rings of standing stones on the other hills. Things like that brought down the beings those Whateleys were so fond of—the beings they were going to let in tangibly to wipe out the human race and drag the earth off to some nameless place for some nameless purpose.
“But as to this thing we’ve just sent back—the Whateleys raised it for a terrible part in the doings that were to come. It grew fast and big from the same reason that Wilbur grew fast and big—but it beat him because it had a greater share of the outsideness in it. You needn’t ask how Wilbur called it out of the air. He didn’t call it out. It was his twin brother, but it looked more like the father than he did.”

The Thing at Nolan

2009-11-23T01:00:00.000-08:00

(Ambrose Bierce)

To the south of where the road between Leesville and Hardy, in the State of Missouri, crosses the east fork of May Creek stands an abandoned house. Nobody has lived in it since the summer of 1879, and it is fast going to pieces. For some three years before the date mentioned above, it was occupied by the family of Charles May, from one of whose ancestors the creek near which it stands took its name.

Mr. May's family consisted of a wife, an adult son and two young girls. The son's name was John--the names of the daughters are unknown to the writer of this sketch.

John May was of a morose and surly disposition, not easily moved to anger, but having an uncommon gift of sullen, implacable hate. His father was quite otherwise; of a sunny, jovial disposition, but with a quick temper like a sudden flame kindled in a wisp of straw, which consumes it in a flash and is no more. He cherished no resentments, and his anger gone, was quick to make overtures for reconciliation. He had a brother living near by who was unlike him in respect of all this, and it was a current witticism in the neighborhood that John had inherited his disposition from his uncle.

One day a misunderstanding arose between father and son, harsh words ensued, and the father struck the son full in the face with his fist. John quietly wiped away the blood that followed the blow, fixed his eyes upon the already penitent offender and said with cold composure, "You will die for that."

The words were overheard by two brothers named Jackson, who were approaching the men at the moment; but seeing them engaged in a quarrel they retired, apparently unobserved. Charles May afterward related the unfortunate occurrence to his wife and explained that he had apologized to the son for the hasty blow, but without avail; the young man not only rejected his overtures, but refused to withdraw his terrible threat. Nevertheless, there was no open rupture of relations: John continued living with the family, and things went on very much as before.

One Sunday morning in June, 1879, about two weeks after what has been related, May senior left the house immediately after breakfast, taking a spade. He said he was going to make an excavation at a certain spring in a wood about a mile away, so that the cattle could obtain water. John remained in the house for some hours, variously occupied in shaving himself, writing letters and reading a newspaper. His manner was very nearly what it usually was; perhaps he was a trifle more sullen and surly.

At two o'clock he left the house. At five, he returned. For some reason not connected with any interest in his movements, and which is not now recalled, the time of his departure and that of his return were noted by his mother and sisters, as was attested at his trial for murder. It was observed that his clothing was wet in spots, as if (so the prosecution afterward pointed out) he had been removing blood-stains from it. His manner was strange, his look wild. He complained of illness, and going to his room took to his bed.

May senior did not return. Later that evening the nearest neighbors were aroused, and during that night and the following day a search was prosecuted through the wood where the spring was. It resulted in little but the discovery of both men's footprints in the clay about the spring. John May in the meantime had grown rapidly worse with what the local physician called brain fever, and in his delirium raved of murder, but did not say whom he conceived to have been murdered, nor whom he imagined to have done the deed. But his threat was recalled by the brothers Jackson and he was arrested on suspicion and a deputy sheriff put in charge of him at his home. Public opinion ran strongly against him and but for his illness he would probably have been hanged by a mob. As it was, a meeting of the neighbors was held on Tuesday and a committee appointed to watch the case and take such action at any time as circumstances might seem to warrant.

On Wednesday all was changed. From the town of Nolan, eight miles away, came a story which put a quite different light on the matter. Nolan consisted of a school house, a blacksmith's shop, a "store" and a half-dozen dwellings. The store was kept by one Henry Odell, a cousin of the elder May. On the afternoon of the Sunday of May's disappearance Mr. Odell and four of his neighbors, men of credibility, were sitting in the store smoking and talking. It was a warm day; and both the front and the back door were open. At about three o'clock Charles May, who was well known to three of them, entered at the front door and passed out at the rear. He was without hat or coat. He did not look at them, nor return their greeting, a circumstance which did not surprise, for he was evidently seriously hurt. Above the left eyebrow was a wound--a deep gash from which the blood flowed, covering the whole left side of the face and neck and saturating his light-gray shirt. Oddly enough, the thought uppermost in the minds of all was that he had been fighting and was going to the brook directly at the back of the store, to wash himself.

Perhaps there was a feeling of delicacy--a backwoods etiquette which restrained them from following him to offer assistance; the court records, from which, mainly, this narrative is drawn, are silent as to anything but the fact. They waited for him to return, but he did not return.

Bordering the brook behind the store is a forest extending for six miles back to the Medicine Lodge Hills. As soon as it became known in the neighborhood of the missing man's dwelling that he had been seen in Nolan there was a marked alteration in public sentiment and feeling. The vigilance committee went out of existence without the formality of a resolution. Search along the wooded bottom lands of May Creek was stopped and nearly the entire male population of the region took to beating the bush about Nolan and in the Medicine Lodge Hills. But of the missing man no trace was found.

One of the strangest circumstances of this strange case is the formal indictment and trial of a man for murder of one whose body no human being professed to have seen--one not known to be dead. We are all more or less familiar with the vagaries and eccentricities of frontier law, but this instance, it is thought, is unique. However that may be, it is of record that on recovering from his illness John May was indicted for the murder of his missing father. Counsel for the defense appears not to have demurred and the case was tried on its merits. The prosecution was spiritless and perfunctory; the defense easily established--with regard to the deceased--an alibi. If during the time in which John May must have killed Charles May, if he killed him at all, Charles May was miles away from where John May must have been, it is plain that the deceased must have come to his death at the hands of someone else.

John May was acquitted, immediately left the country, and has never been heard of from that day. Shortly afterward his mother and sisters removed to St. Louis. The farm having passed into the possession of a man who owns the land adjoining, and has a dwelling of his own, the May house has ever since been vacant, and has the somber reputation of being haunted.

One day after the May family had left the country, some boys, playing in the woods along May Creek, found concealed under a mass of dead leaves, but partly exposed by the rooting of hogs, a spade, nearly new and bright, except for a spot on one edge, which was rusted and stained with blood. The implement had the initials C. M. cut into the handle.

This discovery renewed, in some degree, the public excitement of a few months before. The earth near the spot where the spade was found was carefully examined, and the result was the finding of the dead body of a man. It had been buried under two or three feet of soil and the spot covered with a layer of dead leaves and twigs. There was but little decomposition, a fact attributed to some preservative property in the mineral-bearing soil.

Above the left eyebrow was a wound--a deep gash from which blood had flowed, covering the whole left side of the face and neck and saturating the light-gray shirt. The skull had been cut through by the blow. The body was that of Charles May.

But what was it that passed through Mr. Odell's store at Nolan?

Selections from "Devil's Dictionary"

2009-11-22T20:41:00.000-08:00

(Ambrose Bierce)

CYNIC, n. A blackguard whose faulty vision sees things as they are, not as they ought to be. Hence the custom among the Scythians of plucking out a cynic's eyes to improve his vision.

PREJUDICE, n. A vagrant opinion without visible means of support.

NOISE, n. A stench in the ear. Undomesticated music. The chief product and authenticating sign of civilization.

HABIT, n. A shackle for the free.

COWARD, n. One who in a perilous emergency thinks with his legs.

PRESIDENT, n. The leading figure in a small group of men of whom — and of whom only — it is positively known that immense numbers of their countrymen did not want any of them for President.

CONSOLATION, n. The knowledge that a better man is more unfortunate than yourself.

PUBLISH, n. In literary affairs, to become the fundamental element in a cone of critics.

CONSERVATIVE, n. A statesman who is enamored of existing evils, as distinguished from the Liberal, who wishes to replace them with others.

OCEAN, n. A body of water occupying about two-thirds of a world made for man — who has no gills.

MAUSOLEUM, n. The final and funniest folly of the rich.

PICTURE, n. A representation in two dimensions of something wearisome in three.

JEALOUS, adj. Unduly concerned about the preservation of that which can be lost only if not worth keeping.

SLANG, n. The grunt of the human hog (Pignoramus intolerabilis) with an audible memory. The speech of one who utters with his tongue what he thinks with his ear, and feels the pride of a creator in accomplishing the feat of a parrot. A means (under Providence) of setting up as a wit without a capital of sense.

MYTHOLOGY, n. The body of a primitive people's beliefs concerning its origin, early history, heroes, deities and so forth, as distinguished from the true accounts which it invents later.

HURRY, n. The dispatch of bunglers.

RAILROAD, n. The chief of many mechanical devices enabling us to get away from where we are to where we are no better off. For this purpose the railroad is held in highest favor by the optimist, for it permits him to make the transit with great expedition.

RATIONAL, adj. Devoid of all delusions save those of observation, experience and reflection.

OVERWORK, n. A dangerous disorder affecting high public functionaries who want to go fishing.

PHRENOLOGY, n. The science of picking the pocket through the scalp. It consists in locating and exploiting the organ that one is a dupe with.

SENATE, n. A body of elderly gentlemen charged with high duties and misdemeanors.

TYPE, n. Pestilent bits of metal suspected of destroying civilization and enlightenment, despite their obvious agency in this incomparable dictionary.

ELOQUENCE, n. The art of orally persuading fools that white is the color that it appears to be. It includes the gift of making any color appear white.

SELFISH, adj. Devoid of consideration for the selfishness of others.

PASSPORT, n. A document treacherously inflicted upon a citizen going abroad, exposing him as an alien and pointing him out for special reprobation and outrage.

MONDAY, n. In Christian countries, the day after the baseball game.

ORATORY, n. A conspiracy between speech and action to cheat the understanding. A tyranny tempered by stenography.

TELEPHONE, n. An invention which abrogates some of the advantages of making a disagreeable person keep his distance.

HISTORY, n. An account mostly false, of events mostly unimportant, which are brought about by rulers mostly knaves, and soldiers mostly fools.

SCRIPTURES, n. The sacred books of one's given religion, as distinguished from the false and profane writings on which all other faiths are based.

BAROMETER, n. An ingenious instrument which indicates what kind of weather we are having.

PAINTING, n. The art of protecting flat surfaces from the weather and exposing them to the critic.

NEWTONIAN, adj. Pertaining to a philosophy of the universe invented by Newton, who discovered that an apple will fall to the ground, but was unable to say why. His successors and disciples have advanced so far as to be able to say when.

HARBOR, n. A place where ships taking shelter from stores are exposed to the fury of the customs.

BAIT, n. A preparation that renders the hook more palatable. The best kind is beauty.

PIE, n. An advance agent of the reaper whose name is Indigestion.

LUMINARY, n. One who throws light upon a subject; as an editor by not writing about it.

MARRIAGE, n. The state or condition of a community consisting of a master, a mistress and two slaves, making in all, two.

PLAN, v.t. To bother about the best method of accomplishing an accidental result.

MERCY, n. An attribute beloved of detected offenders.

LOCK-AND-KEY, n. The distinguishing device of civilization and enlightenment.

DENTIST, n. A prestidigitator who, putting metal into your mouth, pulls coins out of your pocket.

HEARSE, n. Death's baby-carriage.

IMMIGRANT, n. An unenlightened person who thinks one country better than another.

PLOW, n. An implement that cries aloud for hands accustomed to the pen.

EXILE, n. One who serves his country by residing abroad, yet is not an ambassador.

NONSENSE, n. The objections that are urged against this most excellent dictionary.

(You can find the full text of Bierce's work at http://www.thedevilsdictionary.com/)