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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><description>Camera Arts in Boston</description><title>Ricardo De Lima</title><generator>Tumblr (3.0; @ricardodelima)</generator><link>http://ricardodelima.tumblr.com/</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/RicardoDeLima" /><feedburner:info uri="ricardodelima" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://tumblr.superfeedr.com/" /><item><title>Behind the Lens : Photographing the Invisible (1940)</title><description>&lt;p&gt;Via &lt;a style="font-weight: bold; font-size: 16px;" href="http://www.scoop.it/t/camera-arts/p/1085326602/behind-the-lens-photographing-the-invisible-1940" target="_blank"&gt;Scoop.it&lt;/a&gt; - &lt;a href="http://www.scoop.it/t/camera-arts" target="_blank"&gt;Camera Arts&lt;/a&gt;&lt;br/&gt; Scientific and special-purpose cinematography helps reveal what would otherwise be invisible.&lt;br/&gt;&lt;a href="http://www.archive.org/details/Behindth1940" target="_blank"&gt;Via archive.org&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/hnXG6fh72ao" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/hnXG6fh72ao/16768910704</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/16768910704</guid><pubDate>Mon, 30 Jan 2012 13:39:22 -0500</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/16768910704</feedburner:origLink></item><item><title>Anne Frank: The Only Existing Video Now Online</title><description>&lt;p&gt;Via &lt;a style="font-weight: bold; font-size: 16px;" href="http://www.scoop.it/t/camera-arts/p/1031270454/anne-frank-the-only-existing-video-now-online" target="_blank"&gt;Scoop.it&lt;/a&gt; - &lt;a href="http://www.scoop.it/t/camera-arts" target="_blank"&gt;Camera Arts&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.scoop.it/t/camera-arts/p/1031270454/anne-frank-the-only-existing-video-now-online" target="_blank"&gt;&lt;img src="http://img.scoop.it/yKwA2eDVlsn5UJUrvs4z2jl72eJkfbmt4t8yenImKBXEejxNn4ZJNZ2ss5Ku7Cxt"/&gt;&lt;/a&gt;&lt;br/&gt;There’s no sound, and the clip only runs 20 seconds. But this is the only known footage of Anne Frank, and it’s now online.&lt;br/&gt;&lt;a href="http://www.openculture.com/2009/10/anne_frank_the_only_existing_video_now_online.html" target="_blank"&gt;Via openculture.com&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/qRxeRgE2r68" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/qRxeRgE2r68/16300835449</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/16300835449</guid><pubDate>Sun, 22 Jan 2012 13:59:41 -0500</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/16300835449</feedburner:origLink></item><item><title>São Paulo Alternative Networks | La Lettre de la Photographie</title><description>&lt;p&gt;Via &lt;a style="font-weight: bold; font-size: 16px;" href="http://www.scoop.it/t/camera-arts/p/1007133567/sao-paulo-alternative-networks-la-lettre-de-la-photographie" target="_blank"&gt;Scoop.it&lt;/a&gt; - &lt;a href="http://www.scoop.it/t/camera-arts" target="_blank"&gt;Camera Arts&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.scoop.it/t/camera-arts/p/1007133567/sao-paulo-alternative-networks-la-lettre-de-la-photographie" target="_blank"&gt;&lt;img src="http://img.scoop.it/bUPyH9TW_Zf-6IMs9UDK-Tl72eJkfbmt4t8yenImKBXEejxNn4ZJNZ2ss5Ku7Cxt"/&gt;&lt;/a&gt;&lt;br/&gt;Focused on the convergences between East European and Latin American artists during the 1960s and 1970s, the exhibition Redes Alternativas (Alternative Networks) recalls how photography was used as a strategic practice to overcome the censorship…&lt;br/&gt;&lt;a href="http://www.lalettredelaphotographie.com/entries/5401/sao-paulo-alternative-networks" target="_blank"&gt;Via lalettredelaphotographie.com&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/q0XDNWI6-dE" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/q0XDNWI6-dE/16113539695</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/16113539695</guid><pubDate>Thu, 19 Jan 2012 08:15:48 -0500</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/16113539695</feedburner:origLink></item><item><title>MIT's Trillion frames per second camera</title><description>&lt;p&gt;Via &lt;a style="font-weight: bold; font-size: 16px;" href="http://www.scoop.it/t/camera-arts/p/815473351/mit-s-trillion-frames-per-second-camera" target="_blank"&gt;Scoop.it&lt;/a&gt; - &lt;a href="http://www.scoop.it/t/camera-arts" target="_blank"&gt;Camera Arts&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.scoop.it/t/camera-arts/p/815473351/mit-s-trillion-frames-per-second-camera" target="_blank"&gt;&lt;img src="http://img.scoop.it/RF1Lft9KrofV_FhrsbD97Tl72eJkfbmt4t8yenImKBXEejxNn4ZJNZ2ss5Ku7Cxt"/&gt;&lt;/a&gt;&lt;br/&gt;MIT researchers have created a new imaging system that can acquire visual data at a rate of one trillion exposures per second. &lt;br/&gt;&lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;v=EtsXgODHMWk" target="_blank"&gt;Via youtube.com&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/h5_lXiBAnY4" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/h5_lXiBAnY4/14166123743</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/14166123743</guid><pubDate>Tue, 13 Dec 2011 09:20:34 -0500</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/14166123743</feedburner:origLink></item><item><title>Eyes on Williamsburg:

Let’s say something interesting...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lst16qFdyW1qzo12so1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;Eyes on Williamsburg:&lt;/strong&gt;&lt;/p&gt;
&lt;blockquote&gt;&lt;/blockquote&gt;
&lt;p&gt;Let’s say something interesting about surveillance. I’ll be gathering my observations about the reactions to my work from the Close Distance show at the Mills Gallery pretty soon.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/gn4l2R3ZQfQ" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/gn4l2R3ZQfQ/11616849539</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/11616849539</guid><pubDate>Tue, 18 Oct 2011 13:26:17 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/11616849539</feedburner:origLink></item><item><title>“=if(Label=”“,”RMA”,”?”...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lm70diDDri1qzf852o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“&lt;span&gt;=if(Label=”“,”RMA”,”?”)” &lt;/span&gt;&lt;a title="broken counterfeit jeans" href="http://www.flickr.com/photos/judgmentalist/4216355/" target="_blank"&gt;broken counterfeit jeans&lt;/a&gt; by &lt;a href="http://www.flickr.com/photos/judgmentalist/" target="_blank"&gt;bsdfm&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/tTRydJIME2o" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/tTRydJIME2o/6149022310</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/6149022310</guid><pubDate>Fri, 03 Jun 2011 15:12:47 -0400</pubDate><category>counterfeit</category><category>jeans</category><category>thailand</category><feedburner:origLink>http://ricardodelima.tumblr.com/post/6149022310</feedburner:origLink></item><item><title>"Museums have fueled the destruction of far more knowledge than they have preserved"</title><description>““Museums have fueled the destruction of far more knowledge than they have preserved””&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a href="http://www.nybooks.com/articles/archives/2011/jun/23/what-went-wrong-getty/" target="_blank"&gt;What Went Wrong at the Getty by Hugh Eakin | The New York Review of Books&lt;/a&gt;&lt;/em&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/g5vfbYTOCrE" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/g5vfbYTOCrE/6148557415</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/6148557415</guid><pubDate>Fri, 03 Jun 2011 14:55:15 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/6148557415</feedburner:origLink></item><item><title>Close Distance</title><description>&lt;a href="http://www.bcaonline.org/visualarts/mills-gallery/upcoming-exhibitions.html"&gt;Close Distance&lt;/a&gt;: &lt;p&gt;&lt;a href="http://www.bcaonline.org/visualarts/mills-gallery/upcoming-exhibitions.html" target="_blank"&gt;&lt;img width="500" src="http://www.bcaonline.org/images/stories/visual_arts/closedistance_webhp.jpg"/&gt;&lt;/a&gt;&lt;/p&gt;


&lt;p&gt;A group show at the Mills Gallery I’m involved with (a video installation) — I rarely show at galleries and let me point out that I don’t think there is anything special in this decision. Yet it’s been a reluctant, uncomfortable journey for me to approach the white cube again. Let’s say something wise about questioning your own dogma and let’s finish by saying something hopeful about risk-taking and autodidactism. &lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/eTLm00M2iO8" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/eTLm00M2iO8/6112535980</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/6112535980</guid><pubDate>Thu, 02 Jun 2011 14:04:25 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/6112535980</feedburner:origLink></item><item><title>indigena sinú  departamento de Córdoba Colombia</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_lm68k5doOM1qzf852o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a title="indigena sinú  departamento de Córdoba Colombia" href="http://www.flickr.com/photos/cerisolafer/3429035436/" target="_blank"&gt;indigena sinú  departamento de Córdoba Colombia&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/XT8zoSOaEFY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/XT8zoSOaEFY/6111584809</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/6111584809</guid><pubDate>Thu, 02 Jun 2011 13:24:39 -0400</pubDate><category>Colombia</category><category>Córdoba</category><category>Sinú</category><category>indígena</category><category>portrait</category><feedburner:origLink>http://ricardodelima.tumblr.com/post/6111584809</feedburner:origLink></item><item><title>Central American Immigrants Rest In Northern Mexico On Their...</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_llo8htfLbo1qzf852o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Central American Immigrants Rest In Northern Mexico On Their Journey To The United States (via &lt;a href="http://latindispatch.com/2011/05/23/central-american-immigrants-rest-in-northern-mexico-on-their-journey-to-the-united-states-photo-essay/" target="_blank"&gt;Latin America News Dispatch&lt;/a&gt;)&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/MLvofLZyf2s" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/MLvofLZyf2s/5781783168</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/5781783168</guid><pubDate>Mon, 23 May 2011 19:16:55 -0400</pubDate><category>photography</category><category>documentary</category><category>photojournalism</category><feedburner:origLink>http://ricardodelima.tumblr.com/post/5781783168</feedburner:origLink></item><item><title>Temperley London Circus Zoetrope (by LEGS MEDIA)</title><description>&lt;iframe src="http://player.vimeo.com/video/6719695" width="400" height="220" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Temperley London Circus Zoetrope (by &lt;a href="http://vimeo.com/6719695" target="_blank"&gt;LEGS MEDIA&lt;/a&gt;)&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/UcnoiQ_6TzM" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/UcnoiQ_6TzM/5582927893</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/5582927893</guid><pubDate>Tue, 17 May 2011 15:48:44 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/5582927893</feedburner:origLink></item><item><title>“How I Came to Work at the Wendy’s” by Nick...</title><description>&lt;img src="http://29.media.tumblr.com/tumblr_lkbcfvOe9N1qzf852o1_500.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“How I Came to Work at the Wendy’s” by Nick St. John.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/4NzhSt3N-6E" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/4NzhSt3N-6E/4983939857</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/4983939857</guid><pubDate>Wed, 27 Apr 2011 09:35:00 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/4983939857</feedburner:origLink></item><item><title>Michel Gondry vs. Hollis Frampton</title><description>&lt;p&gt;&lt;span&gt;“La Tour de Pise”, directed by Michel Gondry (1993) vs. “Zorn’s Lemma” (1970) by American structural experimental filmmaker Hollis Frampton. (Early&lt;a href="http://hcl.harvard.edu/hfa/films/2011janmar/frampton.html" target="_blank"&gt; last month&lt;/a&gt;, the Harvard Film Archived screened Hollis Frampton’s “Hapax Legomena” cycle but alas I have yet to see Zorn’s Lemma projected in Boston.)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;iframe frameborder="0" src="http://www.youtube.com/embed/VwhgMGhT-mQ" height="390" width="480" title="YouTube video player"&gt;&lt;/iframe&gt; &lt;br/&gt;&lt;iframe frameborder="0" src="http://www.youtube.com/embed/8VlT0D3vFmc" height="390" width="480" title="YouTube video player"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/I80tMY4q_b0" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/I80tMY4q_b0/4637143010</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/4637143010</guid><pubDate>Fri, 15 Apr 2011 14:03:00 -0400</pubDate><category>film</category><feedburner:origLink>http://ricardodelima.tumblr.com/post/4637143010</feedburner:origLink></item><item><title>Cambridge Common 1971. From the Nick DeWolf photo archive.</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_ljnjy3EZSY1qzf852o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Cambridge Common 1971. From the Nick DeWolf photo &lt;a href="http://www.flickr.com/photos/dboo/421462467/" target="_blank"&gt;archive&lt;/a&gt;.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/hLs4LP6gyMM" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/hLs4LP6gyMM/4610077877</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/4610077877</guid><pubDate>Thu, 14 Apr 2011 13:15:00 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/4610077877</feedburner:origLink></item><item><title>dictaphone : la piscine | michelangelo antonioni. perfect...</title><description>&lt;iframe width="400" height="323" src="http://www.youtube.com/embed/CBMhQfI-o9I?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;dictaphone : la piscine | michelangelo antonioni. perfect for&lt;span&gt; this breeding, mixing, stirring rainy day in Boston.&lt;/span&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/PmzeU79Dofo" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/PmzeU79Dofo/4580284827</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/4580284827</guid><pubDate>Wed, 13 Apr 2011 10:26:32 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/4580284827</feedburner:origLink></item><item><title>Petition supporting L'Abominable </title><description>&lt;a href="http://www.l-abominable.org/petition/index.php?langue=uk"&gt;Petition supporting L'Abominable &lt;/a&gt;: &lt;p&gt;A petition of support for L’Abominable, the artist-run DIY Super-8, 16mm and 35mm film lab which is in danger of being evicted. #film&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/3VOiFghWfJc" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/3VOiFghWfJc/4399912447</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/4399912447</guid><pubDate>Wed, 06 Apr 2011 18:33:08 -0400</pubDate><category>film</category><feedburner:origLink>http://ricardodelima.tumblr.com/post/4399912447</feedburner:origLink></item><item><title>recentering</title><description>&lt;p&gt;After a hiatus of many moons I’ve finally knocked the cobwebs from this space. Let’s begin a conversation shall we. &lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/7B_DJbGX_TY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/7B_DJbGX_TY/4382906140</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/4382906140</guid><pubDate>Tue, 05 Apr 2011 23:45:24 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/4382906140</feedburner:origLink></item><item><title>I am not a hunter and gatherer: I don’t walk with my...</title><description>&lt;img src="http://30.media.tumblr.com/tumblr_l4mzbzIKRX1qztljko1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;I am not a hunter and gatherer: I don’t walk with my camera strapped to my neck looking for the world to reveal itself to me but if I was and &lt;em&gt;this&lt;/em&gt; happened to me, &lt;em&gt;this&lt;/em&gt; moment, &lt;em&gt;this&lt;/em&gt; image… I would take it as a sign from the photo gods that I was doing the right thing.&lt;/p&gt;

&lt;blockquote&gt;
&lt;p&gt;Shown above: &lt;em&gt;&lt;a href="http://www.20x200.com/art/2009/10/west-nineteenth-street-yellow-dress.html" target="_blank"&gt;West Nineteenth Street (Yellow Dress)&lt;/a&gt;&lt;/em&gt; by Joseph O. Holmes.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;via Jen Bekman’s blog (&lt;a href="http://jenbee.tumblr.com/post/739200464/nyc-at-least-20-less-crowded-on-summer-wkds" target="_blank"&gt;jenbee&lt;/a&gt;)&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/r4bHpf0emjY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/r4bHpf0emjY/744061810</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/744061810</guid><pubDate>Sun, 27 Jun 2010 22:46:51 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/744061810</feedburner:origLink></item><item><title>Watching the World Cup, with Dean Dorat. via...</title><description>&lt;img src="http://26.media.tumblr.com/tumblr_l3rj3oAzYd1qzf852o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Watching the World Cup, with &lt;a href="http://www.deandorat.co.uk/" target="_blank"&gt;Dean Dorat&lt;/a&gt;. via &lt;a href="http://thephotographypost.com/wordpress/rachel/files/2010/06/Dean-Dorat-4.jpg" target="_blank"&gt;thephotographypost.com&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/BkrIIQkwoUA" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/BkrIIQkwoUA/681048305</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/681048305</guid><pubDate>Wed, 09 Jun 2010 15:50:11 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/681048305</feedburner:origLink></item><item><title>The masked fighters of the Lucha Libre wrestling circuit. “Andy...</title><description>&lt;img src="http://28.media.tumblr.com/tumblr_l2be3iIdvD1qzf852o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;The masked fighters of the &lt;a href="http://www.cmll.com/" target="_blank"&gt;Lucha Libre&lt;/a&gt; wrestling circuit. “Andy Barrow” © Malcolm Venville from &lt;a href="http://www.luchaloco.com/the_book.htm" target="_blank"&gt;&lt;em&gt;Lucha Loco&lt;/em&gt;&lt;/a&gt; (via &lt;a href="http://flavorwire.com/88392/malcom-venvilles-lucha-libre-portraits" target="_blank"&gt;Boldtype&lt;/a&gt;)&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RicardoDeLima/~4/Uzkz0RZok1M" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/RicardoDeLima/~3/Uzkz0RZok1M/592731873</link><guid isPermaLink="false">http://ricardodelima.tumblr.com/post/592731873</guid><pubDate>Wed, 12 May 2010 12:06:54 -0400</pubDate><feedburner:origLink>http://ricardodelima.tumblr.com/post/592731873</feedburner:origLink></item></channel></rss>

