Today’s flashes are more powerful and faster recycling than ever before, and can be accessorized with secondary power packs like the new Quantum Blade to further increase performance.  RF transmitter/receiver systems like Pocketwizard’s Plus II’s have supplied reliable triggering devices for years, and most recently the TT1 Mini and TT5 Flex from Pocketwizard have TTL (auto flash) capabilities which further increase the level of quick, precise control.  Light modifiers (e.g. umbrellas, soft boxes, snoots, grids, beauty dishes) are now built specifically for small flash usage.  The bottom line: its never been easier to shoot high quality flash photography.

Im certainly not saying there is no reason to own studio equipment, and some of the newer strobes are almost as small as Nikon’s and Canon’s Speedlights.  For example Elinchrom’s Quadra RX are powerhouse units and weigh in at a measly .25Kg or about a half a pound.  More to come on the Quadra system.  Studio strobes will generally put out much more power than small flashes which will allow you greater control of ambient light.   However, a strobe will not travel as easily, always have its own portable power system or be able to sync at faster shutter speeds than today’s small flashes.

In the next post i will talk in depth about how to control small flashes in different situations.

Stay tuned…

Click To See Full Promotion and Rebates!

For all you loyal Canonistas who’ve been waiting patiently for a hot new lens rebate program, wait no more for it is upon us! The one fly in the ointment this years is they’re all in combination with body purchases, a promotion logic which the current build of our website doesn’t support. So, rather than look liking we’re pulling a fast one when the price isn’t reflected in the cart, we’re asking you to call us at 1-800-726-5544 where our helpful mail-order staff can fully and completely take care of you. You’re looking at savings of up to $280 for your troubles, so, give the promos a look over, then give us a call. We’re waiting.

I mean, really, take a look at this metal-clad bit of gorgeous over here. This is everything the last gen wasn’t, and borrows heavily from their T-series CyberShots. Which is not a bad thing.

Under the hood, you’re looking at an f2.8 “wide angle” lens with the pocket-cam standard 4x digital zoom. Hard specs aren’t listed yet, we don’t know exactly how wide the lens is, and we also know it’ll have internal memory this time (a much better idea all around than its predecessor’s Memory Stick hangups) in 4 and 8GB sizes, but no suggestion as to how many minutes of footage those will hold.

We do know it’ll do 1080 HD in MP4 format, and can take 12.8 megapixel still with its CMOS sensor. We also know that it’ll have a touch interface, and easy sharing to YouTube, Flickr, Facebook, and Picasa. The software is preinstalled on the device, and the USB plug is also built-in this time, making this a full-on Flip competitor now.

And, of course, it’s Sony, who is one of the biggest names in consumer video and who have been cranking out absolutely stellar HD-ready devices for the past couple years, so we have little doubt it will return anything but wonderful video quality.

The 4GB will be about $180, the 8GB about $200. We’ve heard black and silver, but could swear we saw pink kicking around too. Still, even without pink, they seem safer color than the last model’s silver, orange, and purple.

Why, hello you handsome devils and lady devils. We’d like to take this moment to apologize to you the disarray of this, your beloved Monthly Photo Contest, the past couple months. Not to let the cat out of the bag here, but the problem is we’ve been spending a lot of time working on moving to an entirely different website, and some things have been falling through the cracks.

The good news is, as part of that transition, we’re going to start moving the photo contest entirely over here to Roberts Raw! Over here, you’ll be able to view all the previous contests in that new Polaroid-style viewer we started with August’s contest, and uploading to the current contest will continue to be much, much simpler than it has ever been before. Also, you’ll be able to see the winning pic right on the gallery pages going forward, no more separate sections!

Plus, since you’ll be on the blog anyway, it’ll be easier for us to announce the winners, even if we don’t quite have time to update the pages, and be more certain you’ll see it.

We’ve got last month’s contest and the new one up already, and we’ll be getting the 21 other contests up over the next couple weeks. Please be patient with us as we transition, we haven’t forgotten you, but we really do run this contest on our spare time just because we love seeing all the pictures, and sometimes it takes us a moment to get the time to update things. We’re sorry. Also, August’s winner can’t be announced until our judge gets back from vacation next week. We haven’t forgotten that either.

So, dear photo contest entrants, please bookmark us at http://blog.robertsimaging.com, because this is where it’s going to be at.

Strength Through Diversity

The theme for September is “Strength Through Diversity.” September’s a time of transitions, not summer, not fall. There’s hot days, cool nights, green trees and cicada husks. The kids are going back to school, college students roam campuses, and all-in-all it seems like a good time to step back and appreicate how rich and diverse our lives really are. This month, we want you to stop and examine the complexities of your life, and the different influences that affect you, and figure out how they make you a different or better person.

As always whenever we use such a broad theme, we’re looking for the most original and meaningful shots to win. Take some time and really think about how you find strength through diversity, and make us the best image you can from that. This theme has the potential to move us, and we want to be moved.

Submissions will remain open until October 1st. Good luck!

The two models are differentiated merely by the XF105 having HD-SDI output and genlock in/SMPTE time code terminals.

You can read Canon’s full press release after the jump.

Canon Introduces Two New Compact XF-Series Professional Camcorders: XF105 And XF100

Both Models Feature MPEG-2 4:2:2 50Mbps Recording, Built-In 3-D and Infrared Shooting Options

LAKE SUCCESS, N.Y., August 31, 2010 – Canon U.S.A., Inc., a leader in digital imaging, today announces the new Canon XF105 and XF100 Professional Camcorders for mobile HD video capture in a compact form factor. Canon’s smallest professional camcorders, the new XF105 and XF100 utilize the same Canon XF Codec featured in the Canon XF305 and XF300, introduced earlier this year. The Canon XF Codec is an MPEG-2 4:2:2 50Mbps codec used for exceptional high-definition image quality, full non-linear editing (NLE) systems compatibility and efficient, robust workflow. These camcorders include in-camera features enabling the easy set-up and capture of high-definition 3-D video when two XF105 or XF100 camcorders are paired, as well as Canon’s built-in infrared low-light feature enabling the capture of HD video in complete darkness. Both models record to Compact Flash (CF) cards and feature hot-swappable card slots for maximum performance. Differentiating the two models are industry-standard HD-SDI output and genlock in/SMPTE time code (in/out) terminals available on the Canon XF105. The XF105 and XF100 camcorders are ideal for Electronic News Gathering, documentary and independent filmmaking and event videography.

“Whether used as a companion to the XF305 or XF300, or as a stand-alone camcorder, the XF105 and XF100 are geared for a wide range of applications where high image quality, extreme portability and efficient workflow are of the utmost importance. And with true stereoscopic 3-D production and infrared recording capabilities, they allow users to expand into new markets,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A., “This week we will be exhibiting both the Canon XF105 and XF100 at Canon EXPO 2010 in New York and demonstrate the versatile low-cost capabilities.”

The Canon XF105 and XF100 Professional Camcorders feature a Genuine Canon 10x HD Zoom lens which provides the mobility and optical performance required by the most demanding professionals. Each model includes a Canon developed and designed native Full HD 1920 x 1080 CMOS image sensor and the new Canon XF Codec for extreme color detail required for accurate chroma-keying, color-grading and compositing for digital filmmaking. For finer transitions in tone and color, 4:2:2 color sampling offers twice the color resolution of HDV and other 4:2:0 formats. And to maximize compatability with existing industry infrastructure, video, audio and metadata are combined in an MXF (Material eXchange Format) File Wrapper, a widely supported open-source format. The Canon XF Codec is currently compatible with leading software programs widely used within the video production and broadcast industries including those available from Adobe, Apple, Avid, and Grass Valley.

To maximize the camcorders’ adaptability across various production environments, Canon has equipped each model with the ability to record at multiple bit rates, resolutions and variable frame rates for slow and fast motion.

Genuine Canon 10x HD Zoom Lens
The Canon XF105 and XF100 Professional Camcorders feature a Genuine Canon 10x HD Zoom lens with a 35mm equivalent zoom range of 30.4mm – 304mm. For professional looking results, both models offer an eight-blade iris which yields natural, smooth background blur with reduced lens diffraction. The lens also features a SuperRange Optical Image Stabilizer (OIS) system featuring Dynamic and Powered IS modes for optimal performance in the greatest variety of situations.

DIGIC DV III Image Processor
The proprietary Canon DIGIC DV III Image Processor and Canon Full HD CMOS Image Sensor render native 1920 x 1080 HD video, capturing natural, lifelike colors with remarkable tonal gradations and detail. The DIGIC DV III Image Processor also powers Canon’s innovative Face Detection Technology, an autofocus option that can significantly reduce the effort required when camera operators work alone, such as in news gathering applications.

Compact, Comfortable Ergonomics and Operation
Weighing less than 3lbs, these models are designed to maximize comfort while shooting and enable fast on-the-go recording with both a top and side grip option. Each camcorder also features a convenient, freely rotating 3.5-inch, 920,000 dot LCD monitor and .24-inch 260,000 electronic viewfinder with approximately 100 percent field of coverage. The LCD monitor provides a display of the camcorders’ built-in waveform monitor to aid in achieving accurate exposure while shooting. Additionally, the LCD can show peaking, edge-monitor-focus and magnify the image, enabling users to confirm critical focus, an essential objective in all HD production.

Affordable 3-D Shooting
Canon offers built-in features to assist with 3-D production, including OIS Lens Shift to aid in optically aligning two XF105 or XF100 camcorders and a Focal length Guide for displaying the zoom position of each camera in relation to each other and calibrating the zoom distance. This adjustment can be done through the menu system while the camcorder is mounted to a rig or tripod. Once aligned, the amount of the angle-of-view change is displayed after zoom adjustment, preventing camera misalignment and simplifying adjustment.

Infrared Shooting
The Canon XF105 and XF100 include an infrared feature enabling the capture of HD video shooting in conditions with little to zero ambient light, which is ideal for Military and Law Enforcement markets, as well as Nature and Wildlife videographers. The XF105 and XF100 also feature an infrared emitter with a diffuser as well as a Green or White color option to shoot pleasing infrared imagery even in complete darkness.

Audio Flexibility
The Canon XF105 and XF100 Professional Camcorders feature dual XLR inputs for external audio sources as well as a built-in stereo microphone. The new camcorders support 16-bit PCM audio at 48 kHz with automatic and manual audio level adjustment.<.p>

Both the Canon XF105 and XF100 are scheduled to be available in the first quarter of 2011.

Camera sensors are rated for a range of sensitivity and my Nikon D700 shoots from 200ISO through 6400ISO. Then you have the option of pushing beyond the sensor’s ratings into “High ISO” or, essentially, push processing (remember that?).  Push processing was rating film at your camera for underexposure then “pushing” the film back to its original rating during the processing of the negatives. This was tricky to get just right, unless you did the math.  Let’s be honest though, the math sort of ruined the fun and sometimes I’d rather just guess and see what came out the other end. This was akin to shocking your film with a cold water rinse just before the fixing stage or cross-processing chromes in color chemistry. All these options, with so much left to the unknown, often resulted in undesired results, but every once in awhile strange and happy photographs would greet you on the other end.

I know a lot of photographers that wont budge over 800ISO on their fancy pro DSLRs.  Three years ago I was more inclined to agree with them as the loss of detail through noise reduction or the overwhelming amount of noise produced in the image made it near impossible to see what was what.   Put simply, as a photographer, all we do is chase the light around.  Today, however, if you’re not venturing down the higher ISO road, you’re missing out on some great light.

I love night photography.   The color cast from lights at night are anything but normal.  The strong shadows and eerie light patterns are a draw to my photographic eye. Normally higher ISO ratings aren’t a necessary tool with night photos, a sturdy tripod is, however, a must have piece of equipment.  My daily tripod is the Manfrotto 3021BPro which is the earlier version of the 055XProB.

The image above (click for a larger view) was shot without a tripod because I can’t find my quick release plate for my tripod head.   I know, I know… =/  so the thought enters my head, lets see what light is out there.   With my D700 and my 70-300VR lens hand-held (lens hood pressed against a glass door) I looked across the backyard, dialed the ISO to High 2 (25,600 ISO, this is two stops above 6400 with each stop acquiring two times as much light), set the aperture to f/11 (the sweet spot on that lens) and the shutter speed to 1/2 seconds.  This metering set is equivalent to 200 ISO, f/11 at a 60 second exposure time (shutter speed).  Keep in mind VR in your lens can compensate the same 2-3 stops regardless of what shutter speed you start from.   I braced myself against the back of a chair for a little extra stability.

B/W picture control was set at the camera. The image was processed through Nik Capture NX2 for sharpening only. NO noise reduction was applied (NR was off in the camera, also).

I don’t normally venture above 6400 ISO on my camera, but i didn’t often cross-process slides either. Some days it just feels right to be a little abnormal.

Go shoot something differently tomorrow.

Get outside your comfort zone.

___________________

John Scott

At its heart, it’s the same E-P2 with 17mm f2.8 pancake prime that’s been available for a while. So, you’re talking 13 megapixels, a 3″ LCD, full-time LiveView, Olympus’ dust-reduction system and in-body sensor-shift image stabilization, and those find-them-fun-or-hate-them-passionately art filters (including multiple exposure.) And they’re adding the previously optional FL-14 flashgun to the package. And the lens and flash are now black.

Think you can handle that? Good. Estimated pricing is about the same as the current kit without the flash, so, basically you get the black paint and the flash for free. Can’t beat that, now can you?

Coming, er, sometime?

For the record, 600mm is a lot.

I mean, 600mm is often the longest lens any manufacturer will make in a 35mm line-up.

So yeah.

As always, the name really tells you most of it, like that this lens is a little slow at 6.7 on the long end. What the specs don’t tell you is it weighs less than a pound and is a little over 4.5″ long as pictured. Yeah, seriously. Not even 5″ traveling size gets you 600mm equivalent. And, it looks pretty nice to boot.

Estimated retail? $900 or so. But you’ll pay it, because you know you love the zoooooooom!

Now, I used the Zuiko 40-150mm that came out back with the E-410, and it was a nice lens. Compact and light, and fairly sharp. A bit slow, sure, but it was like a fifth the size of the 50-200mm I replaced it with (a lens that was so big in comparison I nicknamed it the “Leviathan”). So, I have every faith this newer, more compact model with the same range and f-stops will be a rather similar performer, and will be just fine for general use.

Also, it reportedly uses a silent motor, so it can autofocus during movies with being heard over the din of your memories.

Estimated retail when it starts trickling in? About $300 bucks.

This new CMOS is apparently being made from a 12″ wafer, and the final usable area still measures at about 8″ square. It’s really kind of huge. Canon is also saying it works in situations with 1/100th the light as a DSLR can operate in. Can you say ‘yowza’?

Like Canon’s other bit of silicon bragging recently, no word when or even if this’ll ever see use, more or less in what. For now, we just get to respect their mad-tinkering ways. Go go engineers!

It's The Big One, Obviously.