Rochelle Midro Artist

Islanders Can Only Accomplish "Small" Things

2018-02-13T17:00:00.000-08:00

“Our Sea of Islands” by Epeli Hau’ofa: Veiwing the Pacific Differently:

https://savageminds.org/wp-content/image-upload/our-sea-of-islands-epeli-hauofa.pdf

Hau’ofa distinguishes the differences between viewing the Pacific as the “Pacific Islands” and “Oceania.” She refers to these differing views as, “islands in the far sea” or as “a sea of islands.”

She argues that the first example, denotes a belief of “smallness”, tiny islands with tiny people in a large and remote sea. Historical evidence of relationships of dominance and subordination, and because the early Europeans believed to hold a dominant position over the natives; helped to further perpetuate the idea that there is a “bigger” man and a “smaller” one. The belittling of the indigenous people, the subordination to their masters, the imaginary lines and boundaries that were drawn by the Americans and Europeans which were used to “confine ocean peoples to tiny spaces for the first time,” all helped to perpetuate this view.

She further argues that “a sea of islands” would be the view that most peoples of Oceania would have held. In their eyes their world was anything but tiny. It was vast and huge, like the ocean. Their world was not measured or defined by the amount of land they lived on. They were people of the sea and master seafarers, they connected to the heavens and were guided by the stars, and they were stewards and conquerors of the lands that they were so brave enough to explore and settle on. This view included not just the tiny lands they sat on, but the heavens and the underworld as well.

I absolutely loved reading this. It awakened my spirit to remember the way our ancestors viewed themselves as anything but “small” or “tiny” people. My love for the stars, the vastness of space, and understanding the universe and how it works, must’ve come from my ancestors and their desire to explore the world and the universe they lived in; which included the seas, the lands, and the stars. I feel like this is of utmost importance, for the study of Pacific Islands.

This is clearly an example of an “Empowerment Rational” of study, as stated in Terrance Wesley-Smith’s, Rethinking Pacific Island Studies. (When the objects of study, “Pacific Islanders” have gained the educational abilities to speak up for themselves and express their concerns for how they desire to be viewed, studied, and portrayed in the academic setting. It is when the indigenous peoples feel their voices need to be heard in order to truly understand them.)

Students, and Pacific Islanders need to remember who we really were, so that we no longer perpetuate this ideal that Islanders can accomplish only “small” things.

Am I Hawaiian enough?

2018-02-13T16:45:00.001-08:00

Mac Marshall’s, “Openings” from Namoluk Beyond the Reef really hit a core inside of me. His discussion of how places can trigger self-reflection and cause people to identify with them and others, and how this has led to an ongoing argument in anthropology over this idea of “globalization,” reminded me of a conversation I had a few years back with a good friend.

Our discussion, which was about how we stood on the issue of the Thirty-Meter-Telescope on the top of Maunakea, had become one of a passionate but friendly discourse. I was currently taking astronomy classes in college, and she was a Pacific Island Studies major. My argument was that I tried to remind her that we were once a people that often looked to the stars, we were all natural explorers. I tried to make her imagine how proud we would be as a people to know that the largest telescope would be available to our own people, built on our lands, and how this would not only help us as Hawaiians, but how it would help the whole world to evolve as a human race. I just didn’t quite understand why we would want to stop this. Then she went on to make a comment that went something like this, “Oh okay, so you’re for globalization then!”

For some reason her words pierced me. I knew what globalization meant. I knew it in the context of economy, and politics, but not from the perspective that she was coming from; coming from a native Hawaiian who is obviously passionate about being Hawaiian. I knew in her mind it was a “bad” thing; this being for “globalization,” but that’s not what I was at all!

We are both Hawaiian. We were both born and raised in the same place, grew up in the same town our whole lives. Both of us graduated from the same High School. She speaks fluent Hawaiian; I no longer do. She dances hula; I was taught at an early age but never continued dancing. She seems to connect and identify with being “more Hawaiian” than I do, and her comment about me being for globalization, made me feel like I was the foreigner, just another haole. Like I wasn’t Hawaiian enough, yet we both knew her skin was whiter than mines. We both knew whose blood ran with more Hawaiian.

I didn’t have to remind her that both my grandparents on each of my parent’s side were full-blooded. We grew up together, so she knew. She sat there, debating with me in my home, my Hawaiian Homestead home which I acquired on my own, being that my blood quantum is half Hawaiian. I knew that she was barely a quarter of Hawaiian. But none of this needed to be spoken. I secretly admired the way she spoke with such passion for our land and our people, and I longed to once again feel the same thing inside of me. In her mind and her heart, she was more Hawaiian than anyone, and in my heart I was torn by the labels she put upon me.

Searching for your identity, Traditional or Modern Tatau (Tattoos)

2018-02-13T16:26:00.001-08:00

In “Tatau-ed: Polynesian Tatau in Aotearoa,” by Sean Mallon and Uili Fecteau, they discuss contemporary Pacific Island tattoos in the context of New Zealand, where many islanders are living in the diaspora. In their article, they briefly discuss the importance of “tradition,” saying that some islanders prefer to get their tattoo done in a particular way because it is more “traditional” (p. 4-5).

There are those that emphasize the “pain” as a rite, a ritualistic experience that denotes authenticity for a Samoans receiving a tatau. I’ve personally watched non-Samoans and white people, getting tatted-up, in the traditional way, while at modern day tattoo conventions surrounded by hundreds of non-native spectators. Does that mean that because theyʻve experienced the pain, that they would be given more praise than an actual Samoan whoʻs gotten a tattoo by a machine?

In Alexa Masinaʻs comments on her receiving a tatau by machine, she believes that her way of doing it should be honored as well as the traditional way because as she explains, it is her way of connecting to her traditions but in a contemporary fashion. For many islanders living in the diaspora, doing things in the “traditional way” can be very challenging as most of their cultural connections are not easily available to them. As they search for their identity as a Pacific Islander, they are faced with the challenges of a modern day islander living in the diaspora, while being cognizant of the health concerns that come with traditional tatau techniques. How then, are modern day islanders able to identify themselves as natives, if their own personal beliefs in tradition and culture, is questioned? Who is the authority that determines what is authentic? How can anything be authentically traditional, when we are all living in a modern world? How can there be a “rebirth” or a renaissance of new ideas, if they are forced to subscribe to old ways of thinking and old techniques and art forms?

As Albert Wendt explains, culture and traditions are ever-changing. If an individual chooses to use a tatau as an outward expression of a cultural tradition, belief, or to tell a story; it should ultimately be up to the individual to define what it means to them personally. After all, it is their own body and they are the ones choosing whether or not to put it on display. Yes, we have experienced cultural loss, in many ways, but in my opinion it will never be restored to the way it was. If we desire to have a culture that is still alive and thriving, a revival and a rebirth, we must find a way to incorporate the old with the new.

My white teacher was the most "Hawaiian-at-Heart" person I ever knew

2018-02-13T15:58:00.001-08:00

“The Hawaiian Renaissance,” written by George Kanahele in 1979 http://kapalama.ksbe.edu/archives/pvsa/primary%202/79%20kanahele/kanahele.htm

George Kanehele gives a brief history of the Hawaiian Renaissance, some of its motivations, and some of its impacts. He talks about how he has great hope for the Hawaiian Renaissance and all that it entails for the Hawaiian people; but that at the same time it has brought about a great paradox in the form of reverse-racism. (p. 10)

Some Hawaiians have become extremely suspicious of outsiders, and foreigners, and many have chosen to exclude non-Hawaiians from any Hawaiian-related activity, purely because of their race. He says that even though some of these non-Hawaiians have become some of the most actively engaged culturally and spiritually connected “Hawaiian-at-heart” individuals, who have had key roles in the history of the Hawaiian Renaissance and the perpetuation of the Hawaiian culture; that sadly some Native-Hawaiians have chosen to ignore this very fact. I agree that it is sad indeed, that some have chosen to display such narrow-mindedness towards those that have only intended to nurture and to help preserve our culture.

For me personally, I believe that “Hawaiianness” is truly in “the heart,” so I see no problem with the term.

I learned to speak the Hawaiian language from a blonde-haired blued-eyed, pure-haole woman, who was one of the most beautiful and “spiritually-connected-to-the-ʻāina,” “Hawaiian-at-heart” individuals that I have ever had the privilege to learn from. Our Kumu (Linda Gallano) was very passionate about Hawaiian language, and Hawaiian culture, she lived and breathed it, and ignited a passion for it in every one of her students. I remember a huge group of us visiting her ranch, and two years in a row we were invited to Kahoʻolawe to help clean and restore the land. She reminded us about what it meant to truly be a "Hawaiian;" to care, to provide, to nurture, to accept, and to be respectful, but most importantly, to have love and respect for others and the land that we live on. We were proud of our culture, proud of who we were and what we stood for.

It was over twenty years ago, and sadly I cannot speak my native language the way I used to. But I have fond memories of sitting in her class, looking up at her in awe, and asking myself ʻhow could someone be so in love with our culture, our language, our way of life, and have not one drop of Hawaiian blood?’ It was obvious to me then, even at the age of sixteen, that although she was the whitest person in a classroom full of Native-Hawaiian students, she was by far the most “Hawaiian-at-heart” person there, and for that very reason, each and every one of us in that room loved and respected her greatly.

Are Native Hawaiians and Pacific Islanders Really Illiterate?

2018-02-13T15:20:00.001-08:00

I grew up in a town that was known at the time for having the highest concentration of Native Hawaiians with the lowest literacy rates in the state. We were told we weren't smart, we needed to read more, we were a bunch of illiterate natives that could barely read, write, or speak well enough to be taken seriously. I've learned now, that those notions couldn't have been farther from the truth.

If literacy is defined as the ability to read and write, and having competence or knowledge in a specified area, then who determines if we are literate? Who examines our levels of understanding, and how does this define who we are?

In my Pacific Island Studies course I took in the Spring of 2017, I read a poem called “The Pacific Written Tradition,” by Craig Santos Perez. https://muse.jhu.edu/article/618437

He challenges notions of literacy and how it has affected Pacific Islanders specifically. This poem empowered me, inspired me, and reached me on so many levels. It reminded me of how knowledgable our ancestors really were; and further showed me that "Literacy" in it's purest sense is really just the separation of understanding and communication. These two things are very different.

Perez explains how our ancestors were far from illiterate. Their competence was not measured by the size of their english vocabulary, but by their ability to decipher signs in nature, wind patterns, and star formations. They were not concerned with reading and comprehending words written on the pages of a book. They could read the oceans, and because of this they would never be lost. Our ancestors ways of understanding the world around them was a practical and all encompassing type of knowledge, one that cannot be measured by any standardized tests today.

It is no wonder that my little one has always had a fascination with symbols, the stars and trying to understand the way everything in this world works. It is rooted inside of him, inside of every young native child; this curiosity that yearns to be cultivated. If only I could teach him to learn in the “old way.” If only I was raised and taught that way. It seems so much more valuable to have this kind of knowledge, especially when faced with the struggles of today's modern world.

I especially resonated with the last part of Perez's poem where he says, “So the next time someone tells you islanders were illiterate, teach them about our visual literacies, about how we still read and write the intertextual sacredness of all things. And always remember, if you can write the ocean will never be silenced.”

For one, the point that islanders possess visual literacy skills, rings true to everything I know and understand about who I am as a Hawaiian. Things were understood not because it was read in a book, but because of the way we saw and experienced the world, and our visual interpretations of everything around us. I understand by seeing, and I communicate by showing. My family has always expressed themselves visually, through some kind of art form, whether it’s through dance, visual arts, or entertaining; and this has always been in my opinion, the strongest most impactful kind of communication; speaking through art. It moves people, and leaves lasting impressions. This is what I think he means by “intertextual sacredness,” the understanding of the interconnectedness of things on a deeper level, and being able to convey or express them in many different forms that connects us all.

Secondly, he calls for all Islanders, to write, to communicate, to not only understand all things, but to go out and show the world that we are NOT illiterate. We are a people connected to the ocean, the largest body on the planet, one that reaches and touches every crevice and every shore of the earth. Perez argues that our ways of understanding and visual literacy skills, were even bigger than what we were told or taught to believe by the colonial powers.

If they said our ancestors were illiterate; well what will they say now; now that islanders have not only learned to read and write, but to also master the western academic curriculum? Now that islanders have finally come full circle, and have embraced their indigenous ways? What will they say when an islander with higher levels of conceptual understanding, have the ability to assess, analyze and explain their roles as involuntary participants of the colonial structures; and the ability to portray and communicate their inner voices in ways that can be understood by all?

It is not that we were ever illiterate, it is that we allowed ourselves to believe we were.

#hawaiianart #art #portrait #drawing #hawaiiangirl #pastel #pasteldrawing #pastelart #hawaiian #leipoo #pacificislandstudies #artist

Apple iPhone's Live Photos and Wallpapers (iPhone 6s, 6sPlus)

2016-02-01T03:30:00.001-08:00

Violet & Purple Passion Makeup & Face Paint

2014-05-13T03:43:00.001-07:00

Purple and violet stimulates the imagination. It transforms the soul and calms the
emotions…

To create this look, Iʻve started with Nyxʻs Jumbo pencil in lavender, apply this
creamy pencil to your lids and blend with your fingers.

Use your favorite bronzer in the crease of your lids for
that natural look.

The metallic gold and black in this arty brush split cake,
compliment the violet perfectly.

Flora is the name of this brush made by Loew-Cornell. The
bristles are perfect for creating delicate petals and flowers

Making sure to keep the colors on the same sides, swipe the
bristles in this direction.

Then let the brush do the work….if you lay the bristles down
correctly and pull the brush up on itʻs point, every stroke is beautiful…..

Use a white shimmery loose powder for a soft and glowing
highlight.

And continue to create strokes around your eyes…..donʻt be
afraid to let your hand go, youʻll be surprised at what you can create if you
just learn to let go.

Take a NYX Jumbo pencil in purple, and add this majestic
color all around. Blend with your
fingers, draw a point on the bridge of your nose .

Lorealʻs Infallible eye shadow in the color Perpetual Purple
is an intense color, use it where you
wish.

Here Iʻm using NYXʻs glitter cream palette in Sweet
Chocolate Browns, itʻs the perfect this look a natural shimmery glow.

This is MACʻs Rich Purple Chromacake and Diamond FX white.
Itʻs a water based makeup for face paint. Use your favorite round brush, load
up the brush with at least these two colors, and these pretty petals will come
to life.

Use some black paint, or liquid eyeliner to create these flirty
lines.

Add this rich color where itʻs needed.

Mehronʻs detailz always makes the perfect dots, of all
sizes.

Highlight the inner corners of your eyes with NYXʻs lavender
Jumbo pencil.

Itʻs all about the details…..add more light lavender and
purple layers of petals on the darker colors for added contrast.

Royal Purple lashes pull this look together.

Nyxʻs Prune lip liner, and Rebel Lipstick by MAC complete
this look.

Letʻs not forget some light lavender in the center of your
lips.

The color violet
inspires unconditional and selfless love, devoid of ego, encouraging
sensitivity.

Rainbow Kitty "Fierce Feline" (+playlist)

2013-12-06T10:44:00.001-08:00

Blazing Eyes!! Hot Fire Face Paint Makeup!!

2012-07-06T02:46:00.003-07:00

Check out my newest face paint, sorry I didn't do a video tutorial on it.

But here's how I did the look:

1. First I made sure to have my base, foundation and blush on. Then, I used Diamond FX's Euro Split cake in "Sunshine" and a flat brush. I used only the orange and yellow color on the split cake, and applied to my face, sweeping around the eyes and on the forehead creating a flame looking design.

2. Next I used Diamond Fx in Essential Black, and White and number two round brush to create the shadows and highlights on the flames. I added small wispy lines to give it an artistic smokey line effect, and also added small dots here and there.

3. Next, with a round brush I applied Mehron's Paradise Yellow Paint to my eyelids, and applied some gold glitter (while the paint was still wet), right on my eyelids.

4. Next I used Mac Eyeshadows in "Orange" (In my crease) & "Shroom"to blend the crease color upwards towards the brow. Then I used NYX's Jumbo Pencils in "Milk" to highlight under my brow. (I blended it out with my finger), and I used "Milk" to create the angled shape pointing downwards in the inner corners of my eye. I outlined the White angled shape with NYX's Retractable Waterproof Eyeliner in "Black" and used that also to fill in my brows.

5. Lastly I lined my eyes. Then added some lashes. I used NYX's Special Effects Lashes in "FoxTail"

List of Products I used:
-Diamond Fx Euro Split Cake "Sunshine"
-Flat Brush, Small Round Brush
-Mehron Paradise Face Paint "Yellow"
-Gold Cosmetic Grade Glitter
-Mac Eyeshadow "Orange", "Shroom"
-NYX Jumbo Pencil "Milk"
-NYX Retractable Waterproof Eyeliner "Black"
-NYX Special Effects Lashes "Fox Tail"

Hope you like it!

Please check out my facebook:
www.facebook.com/alohaglamart
https://www.facebook.com/AlohaGlamArt

Subscribe to my Youtube:
AlohaGlamArt

http://www.youtube.com/user/AlohaGlamArt?feature=mhee

Follow me on Twitter:
@RokkiMidro
https://twitter.com/#!/ROKKIMIDRO

Follow me on Beautylish:
http://www.beautylish.com/rokkimidro

Follow my Pins on Pinterest:
http://pinterest.com/rokkimidro/

4th of July Fireworks

2012-06-30T13:06:00.000-07:00

This is an inspired 4th of July Makeup look. Please vote for this look on:

https://www.facebook.com/CoastalScents?v=app_184343041637133&from_id=183328https://www.facebook.com/CoastalScents?v=app_184343041637133&from_id=183328

I used: Costal Scents Shimmer Pallette
Nyx Cream Shadow in Silver

Nyx Crystal Liner in Gun Metal

Cosmetic Grade glitter in Red, White and Blue

and Diamond Fx, White, Pink, Baby Blue and Black for the fireworks

SORRY...

2012-06-19T19:20:00.000-07:00

Sorry guys for being MIA lately....well I haven't really been missing...but definitely in "Action". I have been pretty busy lately working, and doing what I love!!! Done a few headshot glam photo shoots this past few weeks, and still booked like crazy on the weekends with my face painting gigs!! I am so blessed to be doing something that makes me HAPPY and still have the time to spend with my family, my kids, my hubby!

I have so many ideas on new tutorials, but just haven't found the time to make any yet. I promise I'll have new videos up very soon.

Here's some pictures of what I've been doing lately....

Breyanna's Senior Portraits.... (Hair, Makeup & Photography)

Loke's Senior Portraits.... (Hair, makeup & Photography)

Miscellaneous: (Party Painting, etc.):

$20 Makeup Challenge

2012-05-19T12:36:00.004-07:00

Checkout these links to see what this video is about:

Originally posted by:
Marissa & Jose's $20 Makeup Challenge
http://www.youtube.com/watch?v=dRASUToAUQA

Tagged to: Julieg713
http://www.youtube.com/watch?v=IiE3PfhUdC4&lr=1&feature=results_video

My FIRST GIVEAWAY!!! Diamond FX Products!

2012-05-15T22:00:00.000-07:00

This is my first GIVEAWAY of some of my favorite products that I use for face painting.

I will be giving away these Diamond FX products:

- Large Tropical Blending Cake
- Large Aqua Blending Cake
- Mini Tiger Lily Blending Cake
- Shimmering Glitter (Silver)

Here's how you enter:
1. Subscribe to my youtube channel
http://www.youtube.com/user/AlohaGlamArt?feature=mhee

2. Like this video.....and also my facebook page
https://www.facebook.com/AlohaGlamArt

3. Share any of my videos on your social network like facebook, twitter etc.

4. Comment below "Enter Me" and give a suggestion of what kind of video you would like to see me do next, makeup or face painting....

Open to United States and territories of the US. If you are from another country and would like to enter, please message me on youtube, your address, and I will check on the shipping, and let you know if I will allow you to enter.

Beautiful Nothing Design....

2012-05-12T02:53:00.001-07:00

This was a design taught to me in one of Pashur's workshops. It's called "Beautiful Nothing"

Pashur is one of the top face and body artists in the world, an awesome instructor, and all around great guy!!

Check out his website: http://www.canvasalive.com/bodypainting.htm

Products Used:

Mehron Paradise White & Wild Orchid

Wolfe Black and White

Purple Glitter

#3 Royal Majestic Round Brush

Really Quick Spider Mask Face Paint Tutorial

2012-05-08T04:03:00.002-07:00

This was a really quick spider girl mask tutorial. I used Wolfe and Diamond FX face paints, glitter, a sponge, and a number four round brush. I usually do these cute spiderman designs on little boys, and rarely get to do a girly spider mask.

Please watch....http://youtu.be/8IEbDtYeM14

2012-04-30T05:22:00.002-07:00

So I went out to celebrate one of my best friends birthday (Stacie Anzai). I used the Crimson Amulet Collection from NYX's Dark Shadows Inspired makeup palette. Check out my tutorial on this look.

http://www.youtube.com/watch?v=0rj82hXkQKE

By the way, I absolutely loved the colors, the makeup stayed on all night!!

Also used their new MATTE BRONZER in Dark Tan to contour.....love them!!!

We had a blast!! Some of us have been friends for almost 20 years!! Yes I'm that old!! haha...but we're still beautiful as ever!! Love you guys!!!

http://www.youtube.com/watch?v=0rj82hXkQKE

NYX Still sent me some awesome products

2012-04-29T19:58:00.000-07:00

Thank you so much to NYX for sending me these awesome products!!! check out the video!

http://youtu.be/rRiKERuLJvQ

NYX Spring Fling Collection
The Crimson Amulet Dark Shadows Collection
Matte Bronzers
Cream Shadows...etc.

Mardi Gras Mask Tutorial

2012-04-26T05:57:00.005-07:00

So, a lot of people requested me do a tutorial on this look.....

Here's the video....check it out!!

http://youtu.be/lJ1L13KgHAc

Mardi Gras Mask Tutorial

Paint your own Mardi Gras mask! Perfect for parties, masquerades, balls, even proms or banquets....you'll be sure to WOW the crowd, with this one-of-a-kind mask!

Hope you like it!!

Aloha,
Rochelle
www.AlohaGlamArt.com

NYX COSMETICS FACE AWARDS CONTEST 2012 UPDATE

2012-04-24T19:32:00.003-07:00

So I just found out I didn't advance to the next round of the NYX Face Awards Contest. I'm kinda bummed, but extremely grateful. If you don't know, I was the one with the LEAST amount of subscribers, since I've really only been making youtube videos for such a short while. I knew the rules had stated that the contest would eventually be based on votes, and just the mere statistics of it, made it very clear to me early on, that I would get SMOKED in this competition! (haha) My fellow contestants had or shall I say "has".. tens, of thousands, even close to two hundred thousand subscribers just on their youtube channels alone, and that doesn't include the other social networks like facebook, and twitter....etc.

I would've hoped this would be based on talent, but I know it's all a numbers game, and it would make absolute sense to me, if I was the owner of a cosmetics line; that utilizing these gurus of youtube, putting on a contest, and promoting their products; eventually I would have to give the prize away to the one who can REACH THE MOST! After all, this was "THE BEAUTY VLOGGER OF THE YEAR CONTEST" and that I most certainly am not. I must learn the art of vlogging, or blogging, what ever you call it...lol....using all social networks like twitter etc....

I am grateful that they saw a talent in me, and my little YOUTUBE channel of 115 subscribers (lol that's what it was at the time). This has pushed me to learn, and to get BETTER at what I do.

so....watch out peeps.....I'm not outta the game yet :)

http://www.youtube.com/user/AlohaGlamArt/videos

Watch my face paint tutorial...CRAZY EYE! (I got chosen for the NYX Face Awards 2012)

2012-04-15T21:23:00.000-07:00

NYX Face Awards 2012 Thank You for choosing me.....Fast face paint!!!

Watch my quick tutorial on the look YOU chose!!!!!

"Crazy One Eye Face Paint"

Products used:
Diamond FX Essential Black, White, Brown
Mehron Paradise Purple, Green

Aloha,
Rokki

I WAS CHOSEN FOR NYX Face Awards 2012 National Beauty Vlogger of the Year on YouTube!

2012-04-10T01:33:00.000-07:00

I made the top 30 of NYX Face Awards 2012 contest on YouTube! Please follow me and vote!!!

http://www.nyxfaceawards.com/contestants

How to Face Paint Leopard Eye Print Makeup Design Tutorial

2012-04-08T04:59:00.000-07:00

I love animal, leopard prints, zebra prints etc. So I made this video to show you how I created this leopard eye print design using face paint and makeup.

Please watch my video for a tutorial.

Products Used:

Diamond Fx Metallic Colors (Yellow, Green, Pink, Purple)

Ben Nye Lumiere Pallette

Mac Cosmetics Eye Shadow (Hush)

Mac Cosmetics Pigment (Old Gold)

Mehron Precious Gem Powder (Topaz)

Diamond Fx Essential Black

Cosmetic Grade Glitter