<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:creativeCommons="http://backend.userland.com/creativeCommonsRssModule" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>Rock House Blog</title><link>http://rockhousemethod.blogspot.com/</link><description>The Rock House Method is the most widely used and fastest growing musical instruction system in the world. The blog features quick-tips about playing musical instruments, news, events, artist interviews, lessons, video clips and much more! Topics ranging from string technology, amps, home recording, effects pedals, pickups and chats with innovative artist such Doug Wimbish, Rusty Cooley, Leo Nocentelli, Alexi Lahio, David Ellefson, Freekbass, Mark Rizzo, Rob Arnold and more are also included!</description><language>en</language><managingEditor>noreply@blogger.com (The Rock House Method)</managingEditor><lastBuildDate>Sun, 29 Nov 2009 00:02:00 PST</lastBuildDate><generator>Blogger</generator><atom:id xmlns:atom="http://www.w3.org/2005/Atom">tag:blogger.com,1999:blog-8321420608103781572</atom:id><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">1221</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">25</openSearch:itemsPerPage><image><link>http://creativecommons.org/licenses/by/2.0/</link><url>http://creativecommons.org/images/public/somerights20.gif</url><title>Some Rights Reserved</title></image><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" href="http://feeds.feedburner.com/RockHouseBlog" type="application/rss+xml" /><feedburner:emailServiceId>RockHouseBlog</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><item><title>Gibson Guitar Releases Angus Young Model</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/-dyomxYANDU/gibson-guitar-releases-angus-young.html</link><category>Gibson Guitars</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Sun, 29 Nov 2009 00:02:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-3502524821498693948</guid><description>Nashville, TN (November 27, 2009) -- Gibson has released another new artist model to their USA line: the USA Angus Young SG. The company has also released a Custom Shop version of the Angus Young SG.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_3wIeW5jQi00/SxIH9KKOiMI/AAAAAAAACX8/baBhFcvT8xY/s1600/AY.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="211" src="http://4.bp.blogspot.com/_3wIeW5jQi00/SxIH9KKOiMI/AAAAAAAACX8/baBhFcvT8xY/s640/AY.jpg" width="640" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Gibson USA Angus Young SG&lt;br /&gt;
The Gibson USA Angus Young SG features a mahogany body with a high-gloss Ebony finish and one-piece, quarter-sawn mahogany neck. The neck is carved to Angus’s own requirements and models the super-slim, yet extremely comfortable profile of his own original ’68 SG Standard. It measures 0.775” thick at the 1st fret, and 0.850” thick at the 12th. The fretboard is ebony with 22 jumbo frets and acrylic "lightning bolt" inlays.&lt;br /&gt;
&lt;br /&gt;
The guitar is equipped with a Gibson 57 Classic humbucking pickup in the neck (rhythm) position and a Gibson Angus Young model humbucker in the bridge (lead) position. Each pickup has a separate tone and volume control, plus a three-way switch. It features a Tune-o-Matic bridge, stop tailpiece and vintage-style tuners. MSRP $3617&lt;br /&gt;
&lt;br /&gt;
Gibson Custom Angus Young SG Standard&lt;br /&gt;
The Gibson Custom Angus Young SG Standard is limited to 250 guitars and features a solid mahogany body with custom VOS "Angus Cherry" finish. 50 of the run will be hand-aged in house and signed by Angus himself. The neck is three-piece quartersawn maple, and is also modeled after Angus' '68 SG Standard. The fretboard is ebony with 22 jumbo frets and pearl "lightning bolt" inlays. The guitar features a bone nut and is PLEK'd.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_3wIeW5jQi00/SxIIFD_fNYI/AAAAAAAACYA/67Swx7ALDSg/s1600/AY2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="210" src="http://2.bp.blogspot.com/_3wIeW5jQi00/SxIIFD_fNYI/AAAAAAAACYA/67Swx7ALDSg/s640/AY2.jpg" width="640" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
The Custom Angus Young SG Standard has a pair of Seymour Duncan Pearly Gates, with individual tone and volume controls and a three-way toggle. It features chromed Schaller tuners, an ABR-1 Tune-o-Matic bridge and stop tailpiece. MSRP $6115 (VOS) or $9409 (hand-aged, signed)&lt;br /&gt;
&lt;br /&gt;
More info at &lt;a href="http://www.gibson.com/"&gt;www.gibson.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-3502524821498693948?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xBv2KvVWcf71bC0tgJlDjCFRNgI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xBv2KvVWcf71bC0tgJlDjCFRNgI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/xBv2KvVWcf71bC0tgJlDjCFRNgI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xBv2KvVWcf71bC0tgJlDjCFRNgI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/-dyomxYANDU" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-29T03:02:00.192-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_3wIeW5jQi00/SxIH9KKOiMI/AAAAAAAACX8/baBhFcvT8xY/s72-c/AY.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/gibson-guitar-releases-angus-young.html</feedburner:origLink></item><item><title>TC-Helicon Introduces VoiceTone Harmony-G XT</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/C4IXTt0tujs/tc-helicon-introduces-voicetone-harmony.html</link><category>Helicon</category><category>effects</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Sun, 29 Nov 2009 00:01:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-3922250231235554295</guid><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.tc-helicon.com/files/images/nav_thumbs/VoiceTone_Harmony-G_XT.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.tc-helicon.com/files/images/nav_thumbs/VoiceTone_Harmony-G_XT.gif" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;TC-Helicon is renowned for delivering the best tools for enhancing vocal performances and VoiceTone Harmony-G XT is no exception. With improved harmony technology and reverb taken from its big brother VoiceLive 2, Harmony-G XT improves vocal tone and provides pro effects and vocal harmony controlled by naturally playing guitar.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Specifically designed for the singing guitarist, VoiceTone Harmony-G XT marries the simplicity of the original Harmony-G with state of the art processing right from VoiceLive 2. Whether creating vocal harmonies that automatically follow guitar input, smoothing vocal performance with the live engineer effects or applying one of the 18 combinations of specifically tailored combinations of effects, Harmony-G XT can transform any vocal performance into a fully produced masterpiece. VoiceTone Harmony-G XT will be available at dealers in early December 2009 at a US retail price of $345 MSRP.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;New Features in VoiceTone Harmony-G XT &lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A wealth of new features make Harmony-G XT a better-sounding and easier-to-use vocal effect foot-pedal:&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Improved NaturalPlay guitar-controlled harmony algorithm&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Front-of-house quality reverb algorithm and selection of styles from VoiceLive 2&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Selection of four overdub-style doubling effects with two more doubling voices available&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Reworked FX presets offer even more utility across music styles&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• USB connection for easy software updates, tips, and preset backup using the included VoiceSupport applet&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Adaptive harmony gate added to Tone for a cleaner mix&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Easy manual selection of Scale &amp;amp; Key for singers without an instrument or horn players&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Standard Features&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Some of the features that made the original Harmony-G such a success&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Listens to guitar and voice to create correct harmony parts automatically&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Tone switch smoothes vocals with adaptive Live Engineer Effects&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• 18 combinations of reverb, delay and µmod shared by vocal and guitar input&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• 10 presets available, each with A/B options&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Harmony interval selection includes 3rds and 5ths above and below, octave up and down, and the unique Bass interval&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Stereo or mono configurable output&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Clean, studio-quality mic preamp with phantom power and XLR input&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Guitar signal can be mixed in and share reverb or passed through to separate amplifier&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;• Fast, accurate guitar tuner&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Source &lt;a href="http://www.tc-helicon.com/"&gt;http://www.tc-helicon.com&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-3922250231235554295?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/yr3-XoRo1QOFV0550OS3QWk6fzA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/yr3-XoRo1QOFV0550OS3QWk6fzA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/yr3-XoRo1QOFV0550OS3QWk6fzA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/yr3-XoRo1QOFV0550OS3QWk6fzA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/C4IXTt0tujs" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-29T03:01:00.858-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/tc-helicon-introduces-voicetone-harmony.html</feedburner:origLink></item><item><title>PRS Guitars First All Korina SE</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/zENstdmVkHw/prs-guitars-first-all-korina-se.html</link><category>PRS Guitars</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Sun, 29 Nov 2009 00:00:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-741173906180450106</guid><description>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.prsguitars.com/news/2009/img/sesinglecutkorina.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://www.prsguitars.com/news/2009/img/sesinglecutkorina.jpg" width="131" /&gt;&lt;/a&gt;The new SE Singlecut Korina is a versatile, light weight guitar with a musical tone, and is the first solid Korina SE model offered by PRS Guitars.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;PRS SE Business Unit Manger Doug Shive said, “Musicians looking for all Korina guitars now have a new option within the PRS family that is unmatched in the market in terms of price, aesthetics and quality.”&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The SE Singlecut Korina features include a solid Korina body, 3-piece Korina neck with 22 fret Rosewood fretboard, 25” scale length and moon inlays. Other appointments include two-humbuckers, a master volume and tone and a 3-way toggle. Vintage Amber is currently the SE Singlecut Korina’s exclusive color offering.&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;a href="http://www.prsguitars.com/sesinglecutkorina/index.html"&gt;Click here for more on the SE Singlecut Korina&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Source &lt;a href="http://www.prsguitars.com/"&gt;http://www.prsguitars.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-741173906180450106?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/QMz21EoHjDtpzOwgtKQBINpvnN4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QMz21EoHjDtpzOwgtKQBINpvnN4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/QMz21EoHjDtpzOwgtKQBINpvnN4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QMz21EoHjDtpzOwgtKQBINpvnN4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/zENstdmVkHw" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-29T03:00:03.782-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/prs-guitars-first-all-korina-se.html</feedburner:origLink></item><item><title>Rock House Member Steve Belong - "Rock House Blues Jam" Video</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/UMqeP1krL8s/rock-house-member-steve-belong-rock.html</link><category>video</category><category>Rock House Members</category><category>Members Music</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Sat, 28 Nov 2009 10:59:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-6477705471265034514</guid><description>Rock House Member Steve Belong jamming over a backing track from &lt;a href="http://www.rockhousemethod.com/"&gt;www.RockHouseMethod.com&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/5pnmco5z1UU&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/5pnmco5z1UU&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-6477705471265034514?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/71-tcIre8iZzkePxAIBzk2ZDWU0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/71-tcIre8iZzkePxAIBzk2ZDWU0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/71-tcIre8iZzkePxAIBzk2ZDWU0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/71-tcIre8iZzkePxAIBzk2ZDWU0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/UMqeP1krL8s" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-28T13:59:50.213-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/rock-house-member-steve-belong-rock.html</feedburner:origLink></item><item><title>The Weekend Read November 22nd - 27th ; Guitar Lessons, Articles and More</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/b3rsKD-Jr4g/weekend-read-november-22nd-27th-guitar.html</link><category>The Weekend Read</category><category>guitar lessons</category><category>Blog Picks</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Fri, 27 Nov 2009 11:19:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-277067291467261015</guid><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_3wIeW5jQi00/SxAl0rX8DNI/AAAAAAAACX4/Folj4F0k23o/s1600/Guitar%20on%20the%20brain.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="194" src="http://2.bp.blogspot.com/_3wIeW5jQi00/SxAl0rX8DNI/AAAAAAAACX4/Folj4F0k23o/s200/Guitar%20on%20the%20brain.jpg" width="200" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;The Rock House Blog Weekend Read is published every Friday or Saturday and is filled with links to the best articles from around the web. Articles include guitar lessons, guitar bass guitar news, guitar playing tips and tricks and just some plain old good reading.&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://dolphinstreet.com/blog/"&gt;Dolphinstreet Guitar Gear Blog&lt;/a&gt; - A comparison (or maybe just a demo) of the Dunlop Crybaby, EVH Crybaby, Fulltone Clyde Wah, and EX-7 with 2 wah models (Crybaby and Vox McCoy). Using a Marshall JVM 410H. Guitars were my Suhr Classic and my Michael Kell ...&lt;a href="http://dolphinstreet.com/blog/wah-pedals-test.php"&gt;Wah pedals test&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://freekbass.blogspot.com/"&gt;Freekbass' Blog&lt;/a&gt; - &lt;a href="http://freekbass.blogspot.com/2009/11/instant-funk-from-freekbass-podcast.html"&gt;Instant Funk From Freekbass PODCAST - November 25, 2009&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.fretbase.com/"&gt;Fretbase&lt;/a&gt; - &lt;a href="http://www.fretbase.com/blog/2009/11/dave-matthews-switches-from-martin-guitars-to-taylor-guitars/" rel="bookmark" title="Permanent Link to Dave Matthews Switches From Martin Guitars to Taylor Guitars"&gt;Dave Matthews Switches From Martin Guitars to Taylor Guitars&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.guitarnoize.com/"&gt;Guitar Noize&lt;/a&gt; - The 1957 Fender Stratocaster is one of the most sought after guitar collector items fetching astronomical prices, I saw one recently advertised for US $35,000 and in Australia you would be looking at closer to AUD $100,000. So thank goodness Fender had the good sense to release the American Vintage series...                                         &lt;a href="http://www.guitarnoize.com/blog/comments/review-fender-american-vintage-57-stratocaster/"&gt;Review: Fender American Vintage '57 Stratocaster&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://guitarz.blogspot.com/"&gt;Guitarz&lt;/a&gt; - As we all know, the Stratocaster is the most copied guitar ever. These days many of these plagiarists like to tweak the design to put their own spin on it, but I've never before seen anything quite as odd looking as &lt;b&gt;this&lt;/b&gt;...&lt;a href="http://guitarz.blogspot.com/2009/11/unusual-twist-on-strat-design.html"&gt;An unusual twist on the Strat design&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://iheartguitar.blogspot.com/"&gt;I Heart Guitar&lt;/a&gt; - The basic TL60 model takes the general Telecaster philosophy of well-distributed mass, through-body stringing and clear, cutting tone, and adds a few upmarket features like neck-through construction, a graphite-reinforced 12” radius, 24-fret neck and Sperzel locking tuners...&lt;a href="http://www.iheartguitarblog.com/2009/11/review-carvin-tl60.html"&gt;REVIEW: Carvin TL60&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://blog.markwein.com/"&gt;Marks Guitar Blog&lt;/a&gt; - This weeks lesson is what I call a "Goodie Bag" lesson.&amp;nbsp; I have a batch of licks or ideas that are loosely connected, but each can stand on their own...&lt;a href="http://blog.markwein.com/2009/11/19/blog-rewind--hybrid-picking-walking-basslines--and-double-stops.aspx"&gt;Blog Rewind - Hybrid Picking, Walking Basslines  and Double Stops&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.notplayingguitar.com/"&gt;Not Playing Guitar&lt;/a&gt; - Bar chords are a sticking point for a lot of guitar learners. Most of us find them hard to learn and we usually pass a long stage wondering if we will ever master them...&lt;a href="http://www.notplayingguitar.com/2009/11/bar-chords-do-you-have-to-learn-them.html"&gt;Bar Chords: Do You Have to Learn Them?&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://sharemyguitar.com/blog/"&gt;Share My Guitar&lt;/a&gt; - Metal has long been hailed for it’s deep and dark sound and no other single genre has explored the depths of tuning down like Metal has. During the days of Metals inception, standard A440 (E, A, D, G, B.E) was beefed up with heavy overdrive and increased low end equalization to achieve that low heavy sound but as time passed and music evolved, a desire for a deeper and more rich bottom end guitar sound was building...&lt;a href="http://sharemyguitar.com/blog/the-art-of-drop-tunings/" rel="bookmark" title="Permanent Link to The Art of Drop Tunings"&gt;The Art of Drop Tunings&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.classicalguitarblog.net/"&gt;The Classical Guitar Blog&lt;/a&gt; - We all make mistakes in performance (except John Williams). It just happens. It’s part of the game. The really hard part is recovery: those milliseconds after the mistake...&lt;a href="http://www.classicalguitarblog.net/2009/11/the-fine-art-of-screwing-up/" rel="bookmark" title="Permanent Link to The Fine Art of Screwing Up"&gt;The Fine Art of Screwing Up&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://truthinshredding.blogspot.com/"&gt;Truth in Shreading&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Have a Rockin' Weekend&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Sarge&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-277067291467261015?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/fJp08YCHxSg_N67edctqEPeoIPc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fJp08YCHxSg_N67edctqEPeoIPc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/fJp08YCHxSg_N67edctqEPeoIPc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fJp08YCHxSg_N67edctqEPeoIPc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/b3rsKD-Jr4g" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-27T14:19:09.490-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_3wIeW5jQi00/SxAl0rX8DNI/AAAAAAAACX4/Folj4F0k23o/s72-c/Guitar%20on%20the%20brain.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/weekend-read-november-22nd-27th-guitar.html</feedburner:origLink></item><item><title>New Guitar Tabs From Guitar Edge Magazine January Issue</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/G-bPLoVfkuY/new-guitar-tabs-from-guitar-edge.html</link><category>Guitar TABS</category><category>Guitar Edge Magazine</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Fri, 27 Nov 2009 09:28:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-2367652309317406584</guid><description>&lt;a href="http://1.bp.blogspot.com/_3wIeW5jQi00/SxAL8lHPFHI/AAAAAAAACX0/V6pqdw9qoAY/s1600/gejancover200.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_3wIeW5jQi00/SxAL8lHPFHI/AAAAAAAACX0/V6pqdw9qoAY/s1600/gejancover200.jpg" /&gt;&lt;/a&gt;The January issue of Guitar Edge Magazine is out. The free online edition of the magazine has published 10 new guitar tabs for you to print off and play your ass off to.&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=33" title=" BREAKING BENJAMIN: I Will Not Bow"&gt;BREAKING BENJAMIN: I Will Not Bow&lt;/a&gt;     &amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=43" title="MEGADETH: Head Crusher"&gt;MEGADETH: Head Crusher&lt;/a&gt;     &amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=54" title="THE OFFSPRING: Pretty Fly (For a White Guy)"&gt;THE OFFSPRING: Pretty Fly (For a White Guy)&lt;/a&gt;     &amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=60" title="KISS: Rock and Roll All Nite"&gt;KISS: Rock and Roll All Nite&lt;/a&gt;&amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=69" title="JIMI HENDRIX: Changes"&gt;JIMI HENDRIX: Changes&lt;/a&gt;&amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=87" title="TOM PETTY AND THE HEARTBREAKERS: American Girl"&gt;TOM PETTY AND THE HEARTBREAKERS: American Girl&lt;/a&gt;&amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=96" title="PEARL JAM: Daughter"&gt;PEARL JAM: Daughter&lt;/a&gt;&amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=107" title="GUNS N' ROSES: It's So Easy"&gt;GUNS N' ROSES: It's So Easy&lt;/a&gt;&amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=119" title="WOLFMOTHER: New Moon Rising"&gt;WOLFMOTHER: New Moon Rising&lt;/a&gt;&amp;nbsp;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://digital.guitaredge.com/guitaredge/201001_1?folio=127" title="JOHNNY CASH: Ring of Fire"&gt;JOHNNY CASH: Ring of Fire&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-2367652309317406584?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/fERK6z1ty2BJphWQATaROnrwGsI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fERK6z1ty2BJphWQATaROnrwGsI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/fERK6z1ty2BJphWQATaROnrwGsI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fERK6z1ty2BJphWQATaROnrwGsI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/G-bPLoVfkuY" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-27T12:28:02.281-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_3wIeW5jQi00/SxAL8lHPFHI/AAAAAAAACX0/V6pqdw9qoAY/s72-c/gejancover200.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/new-guitar-tabs-from-guitar-edge.html</feedburner:origLink></item><item><title>DBZ Guitars Contest - Why You Deserve to Win This Guitar</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/vdWgsYxWQYw/dbz-guitars-contest-why-you-deserve-to.html</link><category>Contests</category><category>DZB Guitars</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Wed, 25 Nov 2009 12:12:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-6985280685570776546</guid><description>&lt;a href="http://www.darksideofdean.com/images/halcyon-header_01.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="131" src="http://www.darksideofdean.com/images/halcyon-header_01.jpg" width="200" /&gt;&lt;/a&gt;DBZ Guitars has launched www.DarkSideofDean.com, and unveils an interactive new contest to kick-start the “Dark Side of Dean” in 2010. DZB wants to be Impressed with a video of your hot playing, pure flattery, or hard luck story and show them why you deserve to win this guitar!&lt;br /&gt;
&lt;br /&gt;
For Official Contest Rules &amp;amp; Details visit:&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.darksideofdean.com/" onmousedown="UntrustedLink.bootstrap($(this), &amp;quot;d07b8a36696d0cba4cc8eaf435616dd5&amp;quot;, event)" rel="nofollow" target="_blank"&gt;http://www.darksideofdean.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-6985280685570776546?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/6haiY1zHlX8kZHHSyJ9urPFrk3I/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6haiY1zHlX8kZHHSyJ9urPFrk3I/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/6haiY1zHlX8kZHHSyJ9urPFrk3I/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6haiY1zHlX8kZHHSyJ9urPFrk3I/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/vdWgsYxWQYw" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-25T15:12:46.093-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/dbz-guitars-contest-why-you-deserve-to.html</feedburner:origLink></item><item><title>John McCarthy - Who Are The Top 100 Metal Guitar Players?</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/lZ60JU_UlCU/john-mccarthy-who-are-top-100-metal.html</link><category>Rock House Method Forums</category><category>metal guitar</category><category>John McCarthy</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Wed, 25 Nov 2009 08:36:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-6735862266420027998</guid><description>&lt;div style="text-align: justify;"&gt;&lt;a href="http://3.bp.blogspot.com/_3wIeW5jQi00/Sw1c_PuqjLI/AAAAAAAACXw/CxpPhnw-Plw/s1600/jmac2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_3wIeW5jQi00/Sw1c_PuqjLI/AAAAAAAACXw/CxpPhnw-Plw/s1600/jmac2.jpg" /&gt;&lt;/a&gt;The Creator of &lt;a href="http://www.rockhousemethod.com/"&gt;The Rock House Method&lt;/a&gt;, John McCarthy, is reaching out to the Rock House Community as well as all metal guitar fans in a quest to compile the newest and best list of the 100 best metal guitarist.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In a message post in the &lt;a href="http://www.rockhousemethod.com/MB/MBPosts.aspx?f=5&amp;amp;t=11400"&gt;Rock House Forums&lt;/a&gt; John asked the members to help him with the list.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="postbody"&gt;"OK guys I'm going to ask you for some help here. I recently went searching the web for lists of the top metal guitarist and got so frustrated with some of the guitarists they included and most importantly the ones they didn't include! So I had this idea who better to choose the best metal guitar players then the people who listen to metal music all day and make it a part of their life "The Rock House Family" not some&amp;nbsp;wannabe who thinks they know everything about music!&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span class="postbody"&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="postbody"&gt; So here is what I am asking you, if everyone can put the word out to tell people to pick 20 of your favorite metal guitarists post them here and also email them directly to me at &lt;a href="mailto:jm@rockhousemethod.com" target="_blank"&gt;jm@rockhousemethod.com&lt;/a&gt; I will personally construct a real list with all your picks. Who knows with our partnership with some of the top Guitar magazines maybe we can ask if they would post it in a future issue (no promises&amp;nbsp;on this&amp;nbsp;but you know Joe P and I we can be&amp;nbsp; real persistent)&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span class="postbody"&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;span class="postbody"&gt;     So come on guys send me some metal players that melt your ipod players!!!"&lt;/span&gt;&lt;br /&gt;
&lt;span class="postbody"&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;blockquote&gt;&lt;span class="postbody"&gt;     John McCarthy&amp;nbsp;&amp;nbsp; JMAC&lt;/span&gt;&lt;br /&gt;
&lt;/blockquote&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;You can also post your list in the comment section here on the blog and I'll make sure your list gets to Jmac. &lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-6735862266420027998?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/hWX-RDVvCZ8OTXdMjHU1yGyOVZw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hWX-RDVvCZ8OTXdMjHU1yGyOVZw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/hWX-RDVvCZ8OTXdMjHU1yGyOVZw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hWX-RDVvCZ8OTXdMjHU1yGyOVZw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/lZ60JU_UlCU" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-25T11:36:23.535-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_3wIeW5jQi00/Sw1c_PuqjLI/AAAAAAAACXw/CxpPhnw-Plw/s72-c/jmac2.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/john-mccarthy-who-are-top-100-metal.html</feedburner:origLink></item><item><title>Rob Balducci - Lick of The Week "SleeStack"</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/LKxhNEPgLYc/rob-balducci-lick-of-week-sleestack.html</link><category>Rob Balducci</category><category>Lick of the Week</category><category>7 string guitar</category><category>Violet Horizon</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Wed, 25 Nov 2009 08:09:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-2092701168838349436</guid><description>&lt;div style="text-align: justify;"&gt;&lt;a href="http://4.bp.blogspot.com/_3wIeW5jQi00/Sw1WoVflUuI/AAAAAAAACXs/5-AwVzPl0MY/s1600/rob_06.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_3wIeW5jQi00/Sw1WoVflUuI/AAAAAAAACXs/5-AwVzPl0MY/s200/rob_06.jpg" width="157" /&gt;&lt;/a&gt;Rob Balducci has a new Lick of The Week. &lt;br /&gt;
&lt;br /&gt;
This weeks Lick is track 13 "Sleestack" from his new CD Violet Horizon.&lt;br /&gt;
&lt;br /&gt;
The Rock House Instructor and Favored Nations artist said on his web site, "This track is one of the 7 string guitar tracks on the new CD. The inspiration behind this track comes from this old TV series called The Land Of The Lost. There were these alien/monsters called Sleestaks. I changed the name to stack at the end... to symbolize an amp stack!!! I am using my LAC shop Ibanez 7 string. As usual Ibanez makes the best guitars and this one is special. It is the only one of its kind, It is a Mahogany body with a curly maple top. It has Dimarzio Blaze pick-ups in it and has a rose wood fingerboard. It has a three position toggle on it, the middle postion is the two inner coils of the pick-ups. I had the pleasure of having Guthrie Govan do a guest solo spot on this track. He just kills on the whole outtro at the end of the tune. Thanks and please show your support by picking up the CD or downloading it if you like it at &lt;a href="http://www.robbalducci.com/store"&gt;www.robbalducci.com/store&lt;/a&gt;"&lt;br /&gt;
&lt;br /&gt;
Rob also wants to say thank you so much for all the nice emails regarding the new CD. It seems like I am not the only one excited about this CD.&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/MwvQWZWXGlY&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/MwvQWZWXGlY&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-2092701168838349436?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/gmA9QO_-kdzULTkVy__U-RJFioI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gmA9QO_-kdzULTkVy__U-RJFioI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/gmA9QO_-kdzULTkVy__U-RJFioI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gmA9QO_-kdzULTkVy__U-RJFioI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/LKxhNEPgLYc" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-25T11:09:23.128-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_3wIeW5jQi00/Sw1WoVflUuI/AAAAAAAACXs/5-AwVzPl0MY/s72-c/rob_06.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/rob-balducci-lick-of-week-sleestack.html</feedburner:origLink></item><item><title>Avoiding Tired Hands When Playing Guitar</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/z8GeVJrtNjs/avoiding-tierd-hands-when-playing.html</link><category>practice tips</category><category>guitar tips</category><category>bass tips</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Tue, 24 Nov 2009 09:36:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-4772187053919362390</guid><description>&lt;div style="text-align: justify;"&gt;&lt;a href="http://2.bp.blogspot.com/_3wIeW5jQi00/SwwZiVsCZfI/AAAAAAAACXg/ifbM7rsVwxI/s1600/John+McCarthy+3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_3wIeW5jQi00/SwwZiVsCZfI/AAAAAAAACXg/ifbM7rsVwxI/s200/John+McCarthy+3.jpg" /&gt;&lt;/a&gt;A common problem with guitarists is stiffness that is often a result of holding the guitar improperly. Angle the neck of the guitar up, to a thirty-degree angle. Hold the fretting hand out in front, palm facing up, and curl the fingers toward you. Bring the hand back to the guitar, with the thumb behind the neck. Let this be a natural pose, without a bend in the wrist. A straight wrist will make it easier to maneuver around the neck. &lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;Here's few more ideas that may help: Play while standing. This will force you to hold the guitar correctly. As the feel becomes more comfortable, attempt to sit and play. Hands and arms should be very loose and relaxed. Try not to tense the shoulder or bicep of the picking hand. &lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;With light pressure, hold the pick between your thumb and first finger. &lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;BREATHE…when trying out new or complex music. May seem simple, but breathing is important for maintaining relaxed muscles. &lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;Hope this helps &lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;Yours in Music &lt;br /&gt;
John McCarthy &lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-4772187053919362390?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/6dHqgSAADgtY7l-hqPTVU15xipo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6dHqgSAADgtY7l-hqPTVU15xipo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/6dHqgSAADgtY7l-hqPTVU15xipo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6dHqgSAADgtY7l-hqPTVU15xipo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/z8GeVJrtNjs" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-24T12:38:30.892-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_3wIeW5jQi00/SwwZiVsCZfI/AAAAAAAACXg/ifbM7rsVwxI/s72-c/John+McCarthy+3.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/avoiding-tierd-hands-when-playing.html</feedburner:origLink></item><item><title>Treat Your Band Like A Business From The Start</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/08uXQO5e5LI/treat-your-band-like-business-from.html</link><category>Playing in a band</category><category>music education</category><category>Performance Tips and Tricks</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Tue, 24 Nov 2009 08:52:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-7026371906226020743</guid><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.rockhousemethod.com/PhotoGallery/Photos/Full/3bb3e57e-e07d-43d6-aef9-4b8196e8e99a.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://www.rockhousemethod.com/PhotoGallery/Photos/Full/3bb3e57e-e07d-43d6-aef9-4b8196e8e99a.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Being in a band is no different than being part of a professional sports team; a group of individuals united in achieving a common goal—each person playing a unique and integral part in achieving a dream. The motto—at least in theory—being, “All for one and one for all.” But unlike the professional sports world, where athletes must meet extremely high standards before getting into a draft and being picked by a team, young bands often form with little more consideration than just being friends or sharing similar musical tastes. Unfortunately this criteria is just not enough for a band to succeed. Personality differences as well as opposing views of how business matters should be handled eventually rear their ugly heads. The results: the band calls it quits, a member is unfairly kicked out, the group suffers setbacks due to member changes, or everyone gets entangled in an on-going legal battle between them. This fate can be avoided, however, if a band maps out a simple business plan from its inception, ensuring that every member has similar expectations and goals. Though playing music is supposed to be fun, being in a band is a business just like any other, and it should never be treated as anything less. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;strong&gt;The Personality Test&lt;br /&gt;
&lt;/strong&gt;Before getting down to the legalities of running your band, it’s important to consider the personalities and goals of the people with whom you’re about to get involved. When everyone is excited and eager to get things rolling, character flaws and differences of opinion are often overlooked—but when problems are left to be dealt with later, they always come back to bite you on the you know what. By asking each member a few honest questions up front, a band will know whether or not proceeding in business is even worthwhile. Questions may include: &lt;br /&gt;
&lt;/div&gt;&lt;ul style="text-align: justify;"&gt;&lt;li&gt;Are you ready to work your ass off and treat the band as a serious business? &lt;/li&gt;
&lt;li&gt;could you relocate to another city and commit to staying there for a few years?&lt;/li&gt;
&lt;li&gt;Are you able to hit the road for extended periods of time for little or no pay? &lt;/li&gt;
&lt;li&gt;Can you deal with traveling across country in a small passenger van in the dead of winter? &lt;/li&gt;
&lt;li&gt;If you have a girlfriend, how serious are you about getting married and starting a family?&lt;br /&gt;
&lt;/li&gt;
&lt;/ul&gt;&lt;div style="text-align: justify;"&gt;The questions are endless, but don’t look at them as an interrogation! Think of them as a screening process to ensure that your proposed business venture is a fruitful and long-lasting endeavor. No matter how good the musicianship is in a band, if there are too many opposing opinions regarding how the band should be run, problems will eventually occur. The last thing you want to do is fire someone, have someone quit or for the band to break-up after spending several months or years building up your band.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;strong&gt;Getting Down To Legalities&lt;/strong&gt;&lt;br /&gt;
Once you’ve got all of your members in place, you need to have a written agreement defining the terms of your business relationship. This document, called a “band membership agreement,” compels a band to deal with important business issues before they become problems. The terms of the agreement should include language stipulating:&lt;br /&gt;
&lt;/div&gt;&lt;ul style="text-align: justify;"&gt;&lt;li&gt;How the band will make decisions (for example, by unanimous or majority vote)&lt;/li&gt;
&lt;li&gt;How income, such as record royalties, music publishing, concert money, and merchandising will be divided What happens to a member’s share of assets acquired by the group (such as equipment) when he or she quits or is voted out of the band&amp;nbsp;&amp;nbsp;&lt;/li&gt;
&lt;li&gt;How disputes will be resolved (in a court of law or outside of the courts), Who owns or controls the rights to the band name and its continued use.&amp;nbsp;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="text-align: justify;"&gt;Not all members of a band may have an equal level of control or an equal share of the profits. Sometimes the founder, the lead singer, or the main songwriter of a group are the only members who own the rights to the band name, or who control the vote and have the final word in making business decisions. In any case, the record company may consider these individuals to be the “key members” or those most important to the functioning of the band. If a key member decides to leave and start his own solo project, the record company may exercise their contractual right to drop the band.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;strong&gt;DRAFT THAT AGREEMENT TODAY&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;&lt;/strong&gt;A band membership agreement won't stop a band from running into conflicts or breaking up, but it will avert any misunderstandings or confusion regarding compensation and control. It is much easier to discuss business while a relationship is new and everyone is the best of friends. Though rock n' roll is supposed to be about having fun and being care-free, it’s also a business. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-7026371906226020743?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/iH6ot7NnkWMWlUcbzuBYA65Ezms/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iH6ot7NnkWMWlUcbzuBYA65Ezms/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/iH6ot7NnkWMWlUcbzuBYA65Ezms/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iH6ot7NnkWMWlUcbzuBYA65Ezms/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/08uXQO5e5LI" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-24T11:52:35.048-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/treat-your-band-like-business-from.html</feedburner:origLink></item><item><title>Gus G's new Rock House Commercial</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/75ZM76uemtE/gus-gs-new-rock-house-commercial.html</link><category>Rock House News</category><category>Gus G</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Tue, 24 Nov 2009 00:31:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-1046433640619537527</guid><description>&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/lYmDWNL9dJw&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/lYmDWNL9dJw&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-1046433640619537527?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/7IYJRaeuo66hB6l-sRqGv-xOeNM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7IYJRaeuo66hB6l-sRqGv-xOeNM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/7IYJRaeuo66hB6l-sRqGv-xOeNM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7IYJRaeuo66hB6l-sRqGv-xOeNM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/75ZM76uemtE" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-24T03:31:42.238-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/gus-gs-new-rock-house-commercial.html</feedburner:origLink></item><item><title>Oli Herbert 's Rock House DVD Nominated for the Prestigeous Music &amp; Sound Retailer Award</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/5LWfVfXg5xg/oli-herbert-s-rock-house-dvd-nominated.html</link><category>Rock House News</category><category>Oli Herbert</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Mon, 23 Nov 2009 11:23:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-3048745085209028416</guid><description>&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.rockhousemethod.com/News/Images/Oli%20Herbert%20Cover%201%20ONLY%20copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.rockhousemethod.com/News/Images/Oli%20Herbert%20Cover%201%20ONLY%20copy.jpg" /&gt;&lt;/a&gt;For the third year in a row a Rock House Method product has been nominated for a Music &amp;amp; Sound Retailer Award. In 2008 Learn Rock Guitar Beginner with John McCarthy was nominated but came in a close second, in 2009 Rock House took the coveted Award for Alexi Laiho's Melodic Speed, Shred &amp;amp; Heavy Riffs. Once again in the print media catagory of Rock House gets the Go ahead nod for Oli Herbert's program Heavy Rhythms, Leads &amp;amp; Harmonies 1 &amp;amp; 2.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;"When you consider that thousands of products in this catagory are released each year coupled with the fact that only four are nominated each year, I think this really says a lot about the quality of instruction Rock House is producing" Said Joe P. of&amp;nbsp; Executive Director of Rock House.&amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.rockhousemethod.com/News/NewsItem.aspx?i=794"&gt;Check Out A Sample of Oli's Product Click Here &lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-3048745085209028416?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/JXPWKO8yg186Gx9WdIWxsTimMxg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JXPWKO8yg186Gx9WdIWxsTimMxg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/JXPWKO8yg186Gx9WdIWxsTimMxg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JXPWKO8yg186Gx9WdIWxsTimMxg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/5LWfVfXg5xg" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-23T14:23:03.120-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/oli-herbert-s-rock-house-dvd-nominated.html</feedburner:origLink></item><item><title>Soulfly, Omen Studio Report - Part 1</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/qDaylO2T5Cw/soulfly-omen-studio-report-part-1.html</link><category>marc rizzo</category><category>Soulfly</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Mon, 23 Nov 2009 01:16:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-692855016114607491</guid><description>&lt;span&gt;Soulfly sent MetalInjection.net an exclusive studio report from their current sessions for their upcoming released, tentatively titled Omen (still a working title). Check out the studio, some early names to tracks and more. More updates in the coming weeks...&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/MJC1Az-LpdM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/MJC1Az-LpdM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt; &lt;br /&gt;
&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-692855016114607491?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/2dQlcI7yVOLlrQSjaCHFQHTRaYc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2dQlcI7yVOLlrQSjaCHFQHTRaYc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/2dQlcI7yVOLlrQSjaCHFQHTRaYc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2dQlcI7yVOLlrQSjaCHFQHTRaYc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/qDaylO2T5Cw" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-23T04:16:20.453-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/soulfly-omen-studio-report-part-1.html</feedburner:origLink></item><item><title>HAIL! VIP Party Beirut Lebanon</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/9S96XFvkDlA/hail-vip-party-beirut-lebanon.html</link><category>HAIL</category><category>david ellefson</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Mon, 23 Nov 2009 01:14:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-7536851952931921991</guid><description>&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/6vP6IFqaQrM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/6vP6IFqaQrM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-7536851952931921991?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/IMwXkVUD8Qvfkltk5FyrX-oO0ig/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IMwXkVUD8Qvfkltk5FyrX-oO0ig/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/IMwXkVUD8Qvfkltk5FyrX-oO0ig/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IMwXkVUD8Qvfkltk5FyrX-oO0ig/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/9S96XFvkDlA" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-23T04:14:30.736-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/hail-vip-party-beirut-lebanon.html</feedburner:origLink></item><item><title>Win A Fender Guitar On Christmas Day From Gary Hoey</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/kUa7Qj93neg/win-fender-guitar-on-christmas-day-from.html</link><category>Contests</category><category>Gary Hoey</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Mon, 23 Nov 2009 01:04:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-1364254067551499322</guid><description>&lt;div style="text-align: justify;"&gt;&lt;a href="http://3.bp.blogspot.com/_3wIeW5jQi00/SwpP7CgajeI/AAAAAAAACXY/raXd3DLZay0/s1600/Gary+Hoey.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_3wIeW5jQi00/SwpP7CgajeI/AAAAAAAACXY/raXd3DLZay0/s200/Gary+Hoey.jpg" /&gt;&lt;/a&gt;Tis the season for giving and Gary Hoey is no exception this holiday season. The Rock House Method Instructor will be giving away a Fender Strat Guitar to a lucky fan on Christmas day.&amp;nbsp; All you have to do is join The Gary Hoey E-List.&amp;nbsp; &lt;a class="aligncenter" href="http://www.mailermailer.com/x?oid=1002053p" target="_blank" title="E-List Sign-Up"&gt;Click the link to get started&lt;/a&gt;.&amp;nbsp; If you are already on Garys list, you will be automatically entered.&amp;nbsp; The winner will be announced by New Years Day.&amp;nbsp; Good luck and happy holidays to all.&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-1364254067551499322?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Khkln1mPa5P7R3za1wFIpuJ5CWw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Khkln1mPa5P7R3za1wFIpuJ5CWw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Khkln1mPa5P7R3za1wFIpuJ5CWw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Khkln1mPa5P7R3za1wFIpuJ5CWw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/kUa7Qj93neg" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-23T04:04:29.353-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_3wIeW5jQi00/SwpP7CgajeI/AAAAAAAACXY/raXd3DLZay0/s72-c/Gary+Hoey.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/win-fender-guitar-on-christmas-day-from.html</feedburner:origLink></item><item><title>Chamaira Interview On Bunch TV</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/sMD3ozW8QfU/chamaira-interview-on-bunch-tv.html</link><category>Chamaira</category><category>Artist Interviews</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Mon, 23 Nov 2009 00:56:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-4383631508486759473</guid><description>&lt;div style="text-align: justify;"&gt;Chamaira front man Mark Hunter sat down for an interview with Bunch TV. In the interview he talks about losing rhythm guitarist Matt Devries, being out on the road and how they were inspired to write their latest songs. In part 2 Mark talks about their unique approach to making their latest video and Chamairas reactions to their critics as well as how technology is affecting the music business today and what the future holds.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://fpdownload.macromedia.com/get/flashplayer/current/swflash.cab" height="265" id="BunchTvEmbedPlayer" width="445"&gt;&lt;param name="movie" value="http://bunch.tv/flash/BunchTvEmbedPlayer.swf" /&gt;&lt;param name="quality" value="high" /&gt;&lt;param name="bgcolor" value="FFFFFF" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="FlashVars" value="type=clip&amp;amp;clipId=%ID%&amp;amp;layout=%LAYOUT%" /&gt;&lt;embed src="http://bunch.tv/flash/BunchTvEmbedPlayer.swf" quality="high" bgcolor="FFFFFF" width="445" height="265" name="BunchTvEmbedPlayer" align="middle" play="true" loop="false" quality="high" allowScriptAccess="always" allowFullscreen="true" type="application/x-shockwave-flash" pluginspage="http://www.adobe.com/go/getflashplayer" FlashVars="type=clip&amp;amp;clipId=%ID%&amp;amp;layout=%LAYOUT%"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://fpdownload.macromedia.com/get/flashplayer/current/swflash.cab" height="265" id="BunchTvEmbedPlayer" width="445"&gt;&lt;param name="movie" value="http://bunch.tv/flash/BunchTvEmbedPlayer.swf" /&gt;&lt;param name="quality" value="high" /&gt;&lt;param name="bgcolor" value="FFFFFF" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="FlashVars" value="type=clip&amp;amp;clipId=%ID%&amp;amp;layout=%LAYOUT%" /&gt;&lt;embed src="http://bunch.tv/flash/BunchTvEmbedPlayer.swf" quality="high" bgcolor="FFFFFF" width="445" height="265" name="BunchTvEmbedPlayer" align="middle" play="true" loop="false" quality="high" allowScriptAccess="always" allowFullscreen="true" type="application/x-shockwave-flash" pluginspage="http://www.adobe.com/go/getflashplayer" FlashVars="type=clip&amp;amp;clipId=%ID%&amp;amp;layout=%LAYOUT%"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Source: &lt;a href="http://www.chimaira.com/"&gt;http://www.chimaira.com&lt;/a&gt; and &lt;a href="http://bunch.tv/"&gt;http://bunch.tv/&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-4383631508486759473?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/TVimYJNacU-QLeML-zBtkIXY728/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TVimYJNacU-QLeML-zBtkIXY728/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/TVimYJNacU-QLeML-zBtkIXY728/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TVimYJNacU-QLeML-zBtkIXY728/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/sMD3ozW8QfU" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-23T03:56:30.205-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/chamaira-interview-on-bunch-tv.html</feedburner:origLink></item><item><title>Upcoming Shows For Freekbass</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/iZFruR0t2qM/upcoming-shows-for-freekbass.html</link><category>FREEKBASS</category><category>tour dates</category><category>Rock House Instructor/Artists News</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Mon, 23 Nov 2009 00:30:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-8913463879434345807</guid><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_3wIeW5jQi00/SwpH9Vi7EnI/AAAAAAAACXU/Wjd4ggPzMcY/s1600/Freekbass_logo_outline%20%282%29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="33" src="http://1.bp.blogspot.com/_3wIeW5jQi00/SwpH9Vi7EnI/AAAAAAAACXU/Wjd4ggPzMcY/s400/Freekbass_logo_outline%20%282%29.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
Freekbass has a few upcoming shows in November, December and January. The Rock House Instructor has one cool date left on &lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;Wednesday, November 25 - Thanksgiving Eve at:&lt;/span&gt;&lt;br /&gt;
&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;/span&gt;&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;b&gt;&lt;br /&gt;
&lt;a href="http://www.the20thcenturytheatre.com/"&gt;20TH Century Theatre&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
3021 Madison Rd&lt;br /&gt;
Cincinnati, OH  45209&lt;br /&gt;
513-731-8000&lt;br /&gt;
*with special guests: Yo Mama's Big Fat Booty Band from Asheville,NC.&lt;br /&gt;
&lt;b&gt;Doors: 8pm&lt;br /&gt;
*All Ages.&lt;br /&gt;
$10 Advance / $12 Day of show&lt;br /&gt;
&lt;a class="contentlink" href="http://www.ticketmaster.com/event/1600435694735F9B?artistid=1378103&amp;amp;majorcatid=10002&amp;amp;minorcatid=207" target="_blank"&gt;Ticketmaster&lt;/a&gt; or available at 20TH Century Box Office.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;then shows in:&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;span style="color: red;"&gt;DECEMBER&lt;/span&gt;&lt;br /&gt;
Friday, December 4 : The Intersection / Grand Rapids, MI &lt;br /&gt;
Thursday, December 31: V  Club (NYE) / Huntington, WV&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: red;"&gt;JANUARY&lt;/span&gt;&lt;br /&gt;
Saturday, January 9 : Mousetrap / Indianapolis, IN&lt;br /&gt;
Friday, January 15 : 4620 Reinvented / Knoxville, TN&lt;br /&gt;
Saturday, January 16 : Cosmic Charlie's / Lexington, KY&lt;br /&gt;
&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;Keep up with Freekbass at &lt;/span&gt;&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;a class="contentlink" href="http://www.msplinks.com/MDFodHRwOi8vd3d3LmZyZWVrYmFzcy5jb20=" target="_blank"&gt;www.&lt;wbr&gt;&lt;/wbr&gt;freekbass.com  &lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span class="readbulletinBody" id="ctl00_ctl00_ctl00_cpMain_cpMain_cpMain_BulletinRead_ltl_body"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-8913463879434345807?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-UH1Tqib-swT79a3TelGEidcApY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-UH1Tqib-swT79a3TelGEidcApY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-UH1Tqib-swT79a3TelGEidcApY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-UH1Tqib-swT79a3TelGEidcApY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/iZFruR0t2qM" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-23T03:30:08.403-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_3wIeW5jQi00/SwpH9Vi7EnI/AAAAAAAACXU/Wjd4ggPzMcY/s72-c/Freekbass_logo_outline%20%282%29.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/upcoming-shows-for-freekbass.html</feedburner:origLink></item><item><title>Rusty Cooley, Rock House Behind the Scenes of Arpeggio Madness Shoot</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/OJsfjlcgwjE/rusty-cooley-rock-house-behind-scenes.html</link><author>noreply@blogger.com (The Rock House Method)</author><pubDate>Sat, 21 Nov 2009 16:16:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-8328644538081012540</guid><description>&lt;div xmlns='http://www.w3.org/1999/xhtml'&gt;&lt;p&gt;&lt;object height='350' width='425'&gt;&lt;param value='http://youtube.com/v/ruJKXWI3HmU' name='movie'/&gt;&lt;embed height='350' width='425' type='application/x-shockwave-flash' src='http://youtube.com/v/ruJKXWI3HmU'/&gt;&lt;/object&gt;&lt;/p&gt;&lt;p&gt;Here is a video clip of John and Jimmy working through a section w/ guitar player Rusty Cooley. Rusty is in town this week working on his new Rock House instructional DVD Arpeggio Madness.&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-8328644538081012540?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/UXIJwg2pKytrJTVe6jt7DVNekec/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UXIJwg2pKytrJTVe6jt7DVNekec/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/UXIJwg2pKytrJTVe6jt7DVNekec/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UXIJwg2pKytrJTVe6jt7DVNekec/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/OJsfjlcgwjE" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-21T19:16:55.590-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/rusty-cooley-rock-house-behind-scenes.html</feedburner:origLink></item><item><title>The Weekend Read November 14th - 21st ; Guitar Lessons, Articles and More</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/op-DRZWdXVc/weekend-read-november-14th-21st-guitar.html</link><category>The Weekend Read</category><category>guitar lessons</category><category>Blog Picks</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Sat, 21 Nov 2009 12:34:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-5962732680728132028</guid><description>&lt;div style="text-align: justify;"&gt;&lt;a href="http://4.bp.blogspot.com/_3wIeW5jQi00/SwhO5UCbrOI/AAAAAAAACVE/VxW7NVLwXt0/s1600/Ear%20trainer.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_3wIeW5jQi00/SwhO5UCbrOI/AAAAAAAACVE/VxW7NVLwXt0/s1600/Ear%20trainer.jpg" /&gt;&lt;/a&gt;The Rock House Blog Weekend Read is published every Friday or Saturday and is filled with links to the best articles from around the web. Articles include guitar lessons, guitar bass guitar news, guitar playing tips and tricks and just some plain old good reading.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.classicalguitarblog.net/"&gt;The Classical Guitar Blog&lt;/a&gt; - When I wrote Fun with &lt;i&gt;p i m&lt;/i&gt;, it was something I was experimenting with...&lt;a href="http://www.classicalguitarblog.net/2009/11/right-hand-arpeggio-routine/" rel="bookmark" title="Permanent Link to A Right Hand Routine"&gt;A Right Hand Routine&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://stratoblogster.blogspot.com/"&gt;Strat-O-Blogster&lt;/a&gt; - eBay seller &lt;span style="font-size: 130%;"&gt;giantguitars&lt;/span&gt;&lt;img src="http://rover.ebay.com/roverimp/1/711-53200-19255-0/1?ff3=4&amp;amp;pub=5574659596&amp;amp;toolid=10001&amp;amp;campid=5335885952&amp;amp;customid=coin+guitar+picks&amp;amp;mpt=[CACHEBUSTER]" style="border: 0pt none; margin: 0pt; padding: 0pt; text-decoration: none;" /&gt; is the maker of Mojo Picks, produced from pre-1964 US silver coins, as well as few PESO picks. After 1964, American silver coins switched from 90% silver to nickle clad copper. So basically, all Mojo Picks are at least 90% silver...&lt;a href="http://stratoblogster.blogspot.com/2009/11/silver-coin-guitar-picks-and-holders.html"&gt;Silver Coin Guitar Picks and Holders&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://shredthisway.blogspot.com/"&gt;Shred This Way&lt;/a&gt; - If you are a Eric johnson fan and by some chance also happen to be a Dunlop jazz iii pick fan.. this is a big treat for you&lt;b&gt;...&lt;/b&gt;&lt;a href="http://shredthisway.blogspot.com/2009/11/eric-johnson-dunlop-jazz-3-pick-review.html"&gt;Eric Johnson Dunlop Jazz 3 pick review III&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://sharemyguitar.com/blog/"&gt;Share My Guitar&lt;/a&gt; - G.A.S. – Guitar Acquisition Syndrome. Like the intestinal discomfort those far more childish than myself (ahem) may associate with this term, many of us suffer from its condition...&lt;a href="http://sharemyguitar.com/blog/i-dont-have-gas/" rel="bookmark" title="Permanent Link to I DON’T HAVE GAS!"&gt;I DON’T HAVE GAS!&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://lorinator.feminoise.com/"&gt;Play Guitar Like a Girl&lt;/a&gt; - I sincerely hate shameless self-promotion as much as anyone (really, I do!). But because the kind interviewers below took precious time out of their one lives to talk to yours truly, it would seem ungrateful of me not to pass on links to their work...&lt;a href="http://lorinator.feminoise.com/lori-linstruth-interviews-guilt-machine/" rel="bookmark" title="Permanent Link to Shameless self promotion - recent interviews with LL"&gt;Shameless self promotion - recent interviews with LL&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.notplayingguitar.com/"&gt;Not Playing Guitar&lt;/a&gt; - Does your guitar practice feel like a tiresome series of drills, exercises and long repetition of mistakes? If so then finding ways to inject some fun into your practice will benefit you...&lt;a href="http://www.notplayingguitar.com/2009/11/7-ways-to-make-guitar-practice-fun.html"&gt;7 Ways to Make Guitar Practice Fun&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://blog.markwein.com/"&gt;Marks Guitar Blog&lt;/a&gt; - This weeks lesson is what I call a "Goodie Bag" lesson.&amp;nbsp; I have a batch of licks or ideas that are loosely connected, but each can stand on their own...do all or part of the lesson!...&lt;a href="http://blog.markwein.com/2009/11/19/blog-rewind--hybrid-picking-walking-basslines--and-double-stops.aspx"&gt;Blog Rewind - Hybrid Picking, Walking Basslines  and Double Stops&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.johnhorneguitar.com/"&gt;John Horn - Guitarist&lt;/a&gt; - I’m proud to have the opportunity to work with the music therapy students and faculty at Ohio University. The following is from Ohio University’s newspaper, The Post...&lt;a href="http://www.johnhorneguitar.com/2009/11/16/music-therapy-relieves-obleness-patients/" rel="bookmark" title="Permanent Link to Music Therapy Relieves O’Bleness Patients"&gt;Music Therapy Relieves O’Bleness Patients&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;a href="http://www.jasonshadrick.com/"&gt;Jason Shadrick - Guitarist&lt;/a&gt; - Truefire.com contacted me recently and asked if I would be interested in reviewing one of their products. They sent me 50 Jazz Licks You Must Know by guitarist Frank Vignola. I have seen some of Truefire’s earlier material and thought they were cool, so I agreed to check the new stuff out...&lt;a href="http://www.jasonshadrick.com/guitar/review-50-jazz-guitar-licks-you-must-know/" rel="bookmark" title="Permanent Link to Review: 50 Jazz Guitar Licks You Must Know"&gt;Review: 50 Jazz Guitar Licks You Must Know&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://iheartguitar.blogspot.com/"&gt;I Heart Guitar&lt;/a&gt; - I’ve reviewed a few excellent Cole Clark acoustics and electrics over the years (like this Guardian, for instance), but when I opened up the case for this baby I was pretty gobsmacked...&lt;a href="http://www.iheartguitarblog.com/2009/11/review-cole-clark-culprit-3.html"&gt;REVIEW: Cole Clark Culprit 3&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://guitarz.blogspot.com/"&gt;Guitarz&lt;/a&gt; - &lt;a href="http://guitarz.blogspot.com/2009/11/orfeus-hebros-bass-from-bulgaria.html"&gt;Orfeus Hebros Bass from Bulgaria&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://guitarkadia.com/"&gt;Guitarkadia&lt;/a&gt; - Back in May I spent two afternoons with NY-based singer/songwriter Craig Greenberg. This session came out of our second meeting where Craig talked about playing guitar, writing, and performed two songs. Interview from day one will be up Monday...&lt;a href="http://guitarkadia.com/emon/sessions/craig-greenberg-session/" rel="bookmark" title="Permanent link to Craig Greenberg Session"&gt;Craig Greenberg Session&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://guitarplayerzen.com/"&gt;Guitar Player Zen&lt;/a&gt; - For a while I had been just giving guitar lessons, playing some gigs, and working part time advising a mid sized marketing/firm here in Dallas.&amp;nbsp; It was a lot of fun and even though I wasn’t making much money, my expenses were low, and I was really enjoying everything...&lt;a href="http://guitarplayerzen.com/2009/11/16/when-you-dont-know-where-to-go-just-move-forward/" rel="bookmark" title="Permanent Link to When You Don’t Know Where to Go, Just Move Forward"&gt;When You Don’t Know Where to Go, Just Move Forward&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.guitarnoize.com/"&gt;Guitar Noize&lt;/a&gt; - Quick disclaimer, I am an authorised dealer for Mad Professor effects for Australia and New Zealand so my views could be considered biased. With that in mind I will just list factual information about this pedal below and let the demo above do the talking...                                         &lt;a href="http://www.guitarnoize.com/blog/comments/demo-mad-professor-mighty-red-distortion/"&gt;Demo: Mad Professor Mighty Red Distortion&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://guitaranswers.blogspot.com/"&gt;Guitar Answers&lt;/a&gt; - Read this article by Steve Albini and you just may not want that record deal.In fact,just take a look at breakdown of the expense sheet and....you would be stupid to sign that contract.This is the cold truth about some and most record deals....&lt;a href="http://guitaranswers.blogspot.com/2009/11/want-record-deal.html"&gt;Want A Record Deal&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://freekbass.blogspot.com/"&gt;Freekbass' Blog&lt;/a&gt; - DJ Logic, keyboardist Steve Molitz (Particle, Phil Lesh &amp;amp; Friends), and Freekbass are putting together a project to tour late winter/early spring 2010...&lt;a href="http://freekbass.blogspot.com/2009/11/molitz-freekbass-logic-form-new-band.html"&gt;Molitz, Freekbass &amp;amp; Logic Form New Band, You Can Name It! (JamBase.com)&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://blog.guitarguide.ca/"&gt;Electric Guitar Trends&lt;/a&gt; - Here are current values for some vintage Fender amplifiers. These prices are for amplifiers &lt;b&gt;in excellent condition&lt;/b&gt;...&lt;a href="http://www.electricguitartrends.com/2009/11/17/vintage-fender-amplifier-prices/" rel="bookmark" title="Permanent Link to Vintage Fender Amplifier Prices"&gt;Vintage Fender Amplifier Prices&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://doublebassblog.org/"&gt;Double Bass Blog&lt;/a&gt; - I’m pleased to announce that the first annual Chicago Bass Festival will be taking place on Sunday, February 7, 2010 at Ravinia’s Bennett-Gordon Hall in Highland Park, Illinois from 9 am – 5 pm....&lt;a href="http://doublebassblog.org/2009/11/chicago-bass-festival-to-debut-2710.html" rel="bookmark"&gt;Chicago Bass Festival to debut 2/7/10&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://dolphinstreet.com/blog/"&gt;Dolphinstreet Guitar Gear Blog&lt;/a&gt; - I sometimes end up in discussions with guitar players about playing and learning how to play, and I have noticed that some players who have been playing for a while often frown on learning guitar licks or copying other players ideas (often referred to as transcribing, especially when the notes are written down)...&lt;a href="http://dolphinstreet.com/blog/learning-guitar-licks-bad.php"&gt;Is learning guitar licks bad?&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Have a rockin' weekend&lt;br /&gt;
Sarge&lt;br /&gt;
&lt;br /&gt;
Go Hawks!&lt;br /&gt;
&lt;div class="post hentry"&gt;&lt;a href="http://www.iheartguitarblog.com/2009/11/review-cole-clark-culprit-3.html"&gt;&lt;/a&gt;&lt;br /&gt;
&lt;h3 class="post-title entry-title"&gt; &lt;/h3&gt;&lt;/div&gt;&lt;div style="padding: 10px; text-align: center;"&gt;&lt;/div&gt;&lt;div class="post hentry"&gt;&lt;a href="http://www.notplayingguitar.com/2009/11/7-ways-to-make-guitar-practice-fun.html"&gt;&lt;/a&gt;&lt;br /&gt;
&lt;h3 class="post-title entry-title"&gt; &lt;/h3&gt;&lt;/div&gt;&lt;a href="http://shredthisway.blogspot.com/2009/11/eric-johnson-dunlop-jazz-3-pick-review.html"&gt;&lt;/a&gt;&lt;br /&gt;
&lt;h2 class="post entry-title"&gt; &lt;/h2&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-5962732680728132028?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/UTGse61-gEwJ81GWcS0e70G1d00/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UTGse61-gEwJ81GWcS0e70G1d00/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/UTGse61-gEwJ81GWcS0e70G1d00/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UTGse61-gEwJ81GWcS0e70G1d00/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/op-DRZWdXVc" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-21T15:34:56.525-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_3wIeW5jQi00/SwhO5UCbrOI/AAAAAAAACVE/VxW7NVLwXt0/s72-c/Ear%20trainer.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/weekend-read-november-14th-21st-guitar.html</feedburner:origLink></item><item><title>Gus G's ESP Custom Shop Guitars</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/xn0sbvNGTuE/gus-gs-esp-custom-shop-guitars.html</link><category>Artist/instructor gear</category><category>Gus G</category><category>ESP Guitars</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Thu, 19 Nov 2009 09:22:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-795223281222046997</guid><description>Check out Gus G's new Japanese Custom Shop ESP's that he has been playing live in 09'&lt;br /&gt;
&lt;br /&gt;
You can check out the specs at &lt;a href="http://www.espguitars.co.jp/artist/gus_g/index.html"&gt;http://www.espguitars.co.jp/artist/gus_g/index.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.espguitars.co.jp/artist/gus_g/gusg_nt2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="175" src="http://www.espguitars.co.jp/artist/gus_g/gusg_nt2.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.espguitars.co.jp/artist/gus_g/gusg_fm_nt2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="175" src="http://www.espguitars.co.jp/artist/gus_g/gusg_fm_nt2.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.espguitars.co.jp/artist/gus_g/gusg_nt.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="175" src="http://www.espguitars.co.jp/artist/gus_g/gusg_nt.jpg" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-795223281222046997?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/zLOkWX1q66Kqua3ntvce8qxwgV0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zLOkWX1q66Kqua3ntvce8qxwgV0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/zLOkWX1q66Kqua3ntvce8qxwgV0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zLOkWX1q66Kqua3ntvce8qxwgV0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/xn0sbvNGTuE" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-19T12:22:47.735-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/gus-gs-esp-custom-shop-guitars.html</feedburner:origLink></item><item><title>Video Guitar Lesson - Rusty Cooley  on 12 Note Split Patterns w/tabs</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/JCGkP4Nbz5o/video-guitar-lesson-rusty-cooley-on-12.html</link><category>rusty cooley</category><category>video guitar lessons</category><category>blues scales</category><category>Fretboard Autopsy</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Thu, 19 Nov 2009 08:55:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-7183348118781764788</guid><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV4SrxiKuI/AAAAAAAACVA/RExMJGnwc3Y/s1600/Fretboard%20Autopsy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV4SrxiKuI/AAAAAAAACVA/RExMJGnwc3Y/s200/Fretboard%20Autopsy.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;In this lesson Rock House Instructor Rusty Cooley demonstrates and teaches how he splits a scale and moves it in a linear fashion along the fretboard. The video is from Rusty's instructional DVD from Rock House "Fretboard Autopsy".  It is a unique look into the mind of Rusty and how he sees the fretboard.&lt;br /&gt;
&lt;br /&gt;
You can get Rustys incredible instructional DVD at &lt;a href="http://store.rockhousemethod.com/products/category/Rusty+Cooley+Fretboard+Autopsy/1973.0.1.1.63570.63969.0.0.0"&gt;The Rock House Store&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/gu1MecSxhCI&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en&amp;amp;feature=player_embedded&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/gu1MecSxhCI&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_3wIeW5jQi00/SwV3iCjoM6I/AAAAAAAACUw/0TMb9Pz9FoA/s1600/12%20Noye%20Split%20Patterns.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="344" src="http://2.bp.blogspot.com/_3wIeW5jQi00/SwV3iCjoM6I/AAAAAAAACUw/0TMb9Pz9FoA/s320/12%20Noye%20Split%20Patterns.jpg" width="501" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV3vYshHSI/AAAAAAAACU0/aiN3R6PISrg/s1600/12%20Noye%20Split%20Patterns2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="343" src="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV3vYshHSI/AAAAAAAACU0/aiN3R6PISrg/s320/12%20Noye%20Split%20Patterns2.jpg" width="497" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV36ycU4zI/AAAAAAAACU4/NFgNLgWzSwk/s1600/12%20Noye%20Split%20Patterns3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="341" src="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV36ycU4zI/AAAAAAAACU4/NFgNLgWzSwk/s320/12%20Noye%20Split%20Patterns3.jpg" width="498" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV4Hscyk6I/AAAAAAAACU8/YXJgCWYNJDs/s1600/12%20Noye%20Split%20Patterns4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="170" src="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV4Hscyk6I/AAAAAAAACU8/YXJgCWYNJDs/s320/12%20Noye%20Split%20Patterns4.jpg" width="497" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-7183348118781764788?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/PXlg352eGnBTjoPqelPK7LciJPM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PXlg352eGnBTjoPqelPK7LciJPM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/PXlg352eGnBTjoPqelPK7LciJPM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PXlg352eGnBTjoPqelPK7LciJPM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/JCGkP4Nbz5o" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-19T11:55:35.573-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_3wIeW5jQi00/SwV4SrxiKuI/AAAAAAAACVA/RExMJGnwc3Y/s72-c/Fretboard%20Autopsy.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/video-guitar-lesson-rusty-cooley-on-12.html</feedburner:origLink></item><item><title>Buckethead Signature Les Paul</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/zFBIlbhCyAw/buckethead-signature-les-paul.html</link><category>Buckethead</category><category>Gibson Guitars</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Wed, 18 Nov 2009 10:20:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-6386399240982859895</guid><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_3wIeW5jQi00/SwQ6lhSEuzI/AAAAAAAACUo/YAH-bdM359k/s1600/Bucket-Head-LP.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_3wIeW5jQi00/SwQ6lhSEuzI/AAAAAAAACUo/YAH-bdM359k/s200/Bucket-Head-LP.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;From his prolific solo work, to his prominent memberships in the supergroup Praxis and rock legends Guns N’ Roses, Buckethead has displayed one of the most fiery creative personas of our times, and has continually affirmed his stance in the upper echelon of contemporary shredders. Equally attention-grabbing as his incendiary chops, Buckethead’s stage show and visual presence remain unique among the rock field, and his Gibson guitars—a white Les Paul in particular—have always been a big part of that. As Gibson continues to roll out the Rocktober action, the Buckethead Signature Les Paul celebrates this unparalleled artist’s achievements. With an oversized, chambered Les Paul body, a marker-less ebony fingerboard, and Buckethead’s choice of Gibson’s contemporary ceramic humbucking pickups—complete with modified electronics and “arcade” style kill switches—this is a Les Paul like none to have come before. It’s primed to get you noticed, and designed for utmost performance for the contemporary rock, metal, and shred performer.&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Check out the specs at &lt;a href="http://www2.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-USA/Buckethead-Signature-Les-Paul.aspx"&gt;http://www2.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-USA/Buckethead-Signature-Les-Paul.aspx&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-6386399240982859895?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/dXFEZ6LH-8EIdwytGrJuBSaYfMM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dXFEZ6LH-8EIdwytGrJuBSaYfMM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/dXFEZ6LH-8EIdwytGrJuBSaYfMM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dXFEZ6LH-8EIdwytGrJuBSaYfMM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/zFBIlbhCyAw" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-18T13:21:27.624-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_3wIeW5jQi00/SwQ6lhSEuzI/AAAAAAAACUo/YAH-bdM359k/s72-c/Bucket-Head-LP.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/buckethead-signature-les-paul.html</feedburner:origLink></item><item><title>David Ellefson - Rock Shop #23 "Taking It On The Road"</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/qospPwpK-xY/david-ellefson-rock-shop-23-taking-it.html</link><category>david ellefson</category><category>Music Business</category><category>Rock Shop</category><category>Performance Tips and Tricks</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Wed, 18 Nov 2009 09:46:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-8151639463489938972</guid><description>&lt;div style="text-align: justify;"&gt;Taking yourself or your band on the road is a critical part of the music business, &lt;span class="description"&gt;David discusses some basics of the business after taking The Rock Shop on the road these past few week. David hashes over subjects such as your equipment, learning how to critic your performance and how to stay on top of things going on while on the road.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
Catch up on the whole series of "Rock Shop" with David Ellefson at &lt;a href="http://www.youtube.com/davidellefson"&gt;http://www.youtube.com/davidellefson&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
David's other sites are:&lt;br /&gt;
&lt;a href="http://www.davidellefson.com/home.aspx"&gt;http://www.davidellefson.com/home.aspx&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.hailthemasses.com/home.aspx"&gt;http://www.hailthemasses.com/home.aspx&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.myspace.com/davidellefsonofficial"&gt;http://www.myspace.com/davidellefsonofficial&lt;/a&gt;&lt;span class="description"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="description"&gt; &lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="description"&gt;&lt;object height="295" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/fs7oLfNQ6C4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/fs7oLfNQ6C4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="295"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-8151639463489938972?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/7dcIOlqMPTxo8vXCquH51FvuBDE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7dcIOlqMPTxo8vXCquH51FvuBDE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/7dcIOlqMPTxo8vXCquH51FvuBDE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7dcIOlqMPTxo8vXCquH51FvuBDE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/qospPwpK-xY" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-18T12:46:35.016-05:00</atom:updated><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/david-ellefson-rock-shop-23-taking-it.html</feedburner:origLink></item><item><title>Are You an Intermediate Guitar Player Yet?</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/FJkv8ZJv-_E/are-you-intermediate-guitar-player-yet.html</link><category>intermediate guitar</category><category>guitar tips</category><category>John McCarthy</category><category>Performance Tips and Tricks</category><author>curt@rockhousemethod.com (Sarge)</author><pubDate>Tue, 17 Nov 2009 08:57:00 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-8321420608103781572.post-3152786833145445319</guid><description>&lt;div style="text-align: center;"&gt;&lt;span&gt;&lt;span style="font-family: Verdana;"&gt;&lt;strong&gt;&lt;span style="font-size: large;"&gt;Guitar Intermediate Skills Overview&lt;br /&gt;
&lt;/span&gt;Are You an Intermediate Player Yet? &lt;br /&gt;
&lt;/strong&gt;(For Electric or Acoustic Guitar)&lt;br /&gt;
By John McCarthy&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://4.bp.blogspot.com/_3wIeW5jQi00/SwLVmAX_LRI/AAAAAAAACUg/r7B3rjCJdaU/s1600/John+McCarthy+3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_3wIeW5jQi00/SwLVmAX_LRI/AAAAAAAACUg/r7B3rjCJdaU/s200/John+McCarthy+3.jpg" /&gt;&lt;/a&gt;&lt;span&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-family: inherit; font-size: small;"&gt;Let’s see if you have what it takes to be called an “Intermediate Level Guitarist.”&amp;nbsp; I put the following list together to help you assess where you are as a guitarist. It's more general and is not genre specific so there may be a few things that should be added or taken out if you specialize in one specific style of music. I feel that an intermediate level bassist should be playing for at least one year to be able to gain the knowledge and feel needed to attain this level. If there are a few things you find you are lacking but you still consider yourself at the level I suggest that you work quickly to attain this knowledge.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: red;"&gt;Scales&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Minor Pentatonic Scales&lt;/span&gt; – You should have these memorized and be able to play them across the neck in all keys&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Major Scales&lt;/span&gt; – All seven scale positions in all keys&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Scale Patterns&lt;/span&gt; – Be able to play these scales in patterns of 2’s, 3’s and 4’s forwards and backwards&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: red;"&gt;Techniques&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Bending&lt;/span&gt; – You should be comfortable bending whole, half and quarter step bends with all four fingers.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Hammer-Ons and Pull_Offs&lt;/span&gt; – you should be proficient with these techniques and be able to use them within the scales listed above.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Basic Major and Minor Arpeggios&lt;/span&gt; – you should know three major and three minor versions&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: red;"&gt;Chords&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Major, Minor, and Dominant Seventh Open Form Chords&lt;/span&gt; – small versions located within the first four frets of the guitar usually containing open strings, you should know five voicing of each&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Major and minor bar chords&lt;/span&gt; – both 6th and 5th string roots, these should be memorized cold across all 12 frets.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Strum Patterns&lt;/span&gt; – By now you should be comfortable alternate strumming with varied syncopations. Your arm is relaxed and your motions are smooth.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: red;"&gt;Theory&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Key Signatures of all 15 Keys&lt;/span&gt; – You should know the sharps and flats that are in every key this will give you the knowledge to start writing song and creating progressions.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Chord Formulas for Major, Minor, Major 7th and Minor 7th Chords&lt;/span&gt; – These formulas can be used on all the 15 keys to learn the notes that make these chords, now you will be able to create your own voicing and fingerings.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;The Chromatic Scale&lt;/span&gt; – The 12 notes that make up all music KNOW THEM COLD! Starting on any note.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Know the Names of the Notes on the Neck&lt;/span&gt; – Be able to play any note on the neck and say its name instantly&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: red;"&gt;Applications&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Songs&lt;/span&gt; – you should know how to play at least 10 of your favorite songs, rhythm and leads&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: orange;"&gt;Lead Guitar&lt;/span&gt; – You should have backing tracks that you can use to play the scales listed above over and be able to create basic melodies of your own. I’m not saying you should be ripping it up yet but you should be able to create melodies.&lt;br /&gt;
&lt;br /&gt;
If this sounds like you, then you're on the way to becoming an advanced player.&lt;br /&gt;
&lt;br /&gt;
Now let’s hear some jamming!!! &lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8321420608103781572-3152786833145445319?l=rockhousemethod.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/50rN2XuFOPfMyp3mfNPea4DI8SA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/50rN2XuFOPfMyp3mfNPea4DI8SA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/50rN2XuFOPfMyp3mfNPea4DI8SA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/50rN2XuFOPfMyp3mfNPea4DI8SA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/FJkv8ZJv-_E" height="1" width="1"/&gt;</description><atom:updated xmlns:atom="http://www.w3.org/2005/Atom">2009-11-17T11:57:19.060-05:00</atom:updated><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_3wIeW5jQi00/SwLVmAX_LRI/AAAAAAAACUg/r7B3rjCJdaU/s72-c/John+McCarthy+3.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><creativeCommons:license>http://creativecommons.org/licenses/by/2.0/</creativeCommons:license><feedburner:origLink>http://rockhousemethod.blogspot.com/2009/11/are-you-intermediate-guitar-player-yet.html</feedburner:origLink></item><item><title>Links for 2009-06-10 [del.icio.us]</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/X1yfLNrjQWY/sarge1875</link><pubDate>Thu, 11 Jun 2009 00:00:00 PDT</pubDate><guid isPermaLink="false">http://del.icio.us/sarge1875#2009-06-10</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://rockhousemethod.blogspot.com/2009/06/review-super-vee-locking-tremolo-system.html"&gt;Review - The Super-Vee Locking Tremolo System&lt;/a&gt;&lt;br/&gt;
This month I am happy to review the Super-Vee locking tremolo system.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/X1yfLNrjQWY" height="1" width="1"/&gt;</description><feedburner:origLink>http://del.icio.us/sarge1875#2009-06-10</feedburner:origLink></item><item><title>Links for 2009-06-09 [del.icio.us]</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/8ePHefITuIM/sarge1875</link><pubDate>Wed, 10 Jun 2009 00:00:00 PDT</pubDate><guid isPermaLink="false">http://del.icio.us/sarge1875#2009-06-09</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://rockhousemethod.blogspot.com/2009/06/revalver-mk-iii-interview-with-peavey.html"&gt;ReValver MK III - Interview with Peavey Electronics Scott Mire&lt;/a&gt;&lt;br/&gt;
I recently had the opportunity to have a sit down conversation with Scott Mire who is the Creative Marketing Director of Peavey Electronics and get into some of the aspects of their amplifier software, The ReValver MKIII.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/8ePHefITuIM" height="1" width="1"/&gt;</description><feedburner:origLink>http://del.icio.us/sarge1875#2009-06-09</feedburner:origLink></item><item><title>Links for 2009-05-14 [del.icio.us]</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/IxfFmJ--xqo/sarge1875</link><pubDate>Fri, 15 May 2009 00:00:00 PDT</pubDate><guid isPermaLink="false">http://del.icio.us/sarge1875#2009-05-14</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://rockhousemethod.blogspot.com/2009/05/guitar-lesson-circle-of-fourths-chord.html"&gt;The Rock House Blog: Guitar Lesson- Circle of Fourths Chord Progressions&lt;/a&gt;&lt;br/&gt;
Chord progressions using the circle of fourths are popular in all musical styles.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/IxfFmJ--xqo" height="1" width="1"/&gt;</description><feedburner:origLink>http://del.icio.us/sarge1875#2009-05-14</feedburner:origLink></item><item><title>Links for 2009-05-13 [del.icio.us]</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/6JLrLl5Yt1E/sarge1875</link><pubDate>Thu, 14 May 2009 00:00:00 PDT</pubDate><guid isPermaLink="false">http://del.icio.us/sarge1875#2009-05-13</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://rockhousemethod.blogspot.com/2009/05/upgrading-your-electric-guitar-gear.html"&gt;Upgrading Your Electric Guitar Gear&lt;/a&gt;&lt;br/&gt;
Now it&amp;#039;s time to lay your $100 electric guitar that came with a two-watt amp to rest and get some new gear that will help you further impress people.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/6JLrLl5Yt1E" height="1" width="1"/&gt;</description><feedburner:origLink>http://del.icio.us/sarge1875#2009-05-13</feedburner:origLink></item><item><title>Links for 2009-05-09 [del.icio.us]</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/mZjidJV4X3E/sarge1875</link><pubDate>Sun, 10 May 2009 00:00:00 PDT</pubDate><guid isPermaLink="false">http://del.icio.us/sarge1875#2009-05-09</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://rockhousemethod.blogspot.com/2009/05/weekend-read-of-guitar-blogs-may-3rd.html"&gt;The Rock House Blog: The Weekend Read of Guitar Blogs - May 3rd through May 9th&lt;/a&gt;&lt;br/&gt;
Some cool reads from The Rock House Blog list of &amp;quot;Other Cool Sites&amp;quot;. Check &amp;#039;em all out on the left side.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/mZjidJV4X3E" height="1" width="1"/&gt;</description><feedburner:origLink>http://del.icio.us/sarge1875#2009-05-09</feedburner:origLink></item><item><title>Links for 2009-05-07 [del.icio.us]</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/3ESx8K7_tXw/sarge1875</link><pubDate>Fri, 08 May 2009 00:00:00 PDT</pubDate><guid isPermaLink="false">http://del.icio.us/sarge1875#2009-05-07</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://rockhousemethod.blogspot.com/2009/05/rhythm-guitar-syncopation-studies.html"&gt;Rhythm Guitar Syncopation Studies - Guitar Lesson&lt;/a&gt;&lt;br/&gt;
In this lesson I am going to show how to develop a strong sense of rhythmic playing.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/3ESx8K7_tXw" height="1" width="1"/&gt;</description><feedburner:origLink>http://del.icio.us/sarge1875#2009-05-07</feedburner:origLink></item><item><title>Links for 2009-05-06 [del.icio.us]</title><link>http://feedproxy.google.com/~r/RockHouseBlog/~3/cD8kEPcwuyU/sarge1875</link><pubDate>Thu, 07 May 2009 00:00:00 PDT</pubDate><guid isPermaLink="false">http://del.icio.us/sarge1875#2009-05-06</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://rockhousemethod.blogspot.com/2009/05/guitar-teacher-certification-from.html"&gt;The Rock House Blog: Guitar Teacher Certification From National Guitar Workshop&lt;/a&gt;&lt;br/&gt;
We are considering having a special seminar during our first week in Purchase, NY (July 19-26) that focuses on all the elements of being a successful guitar instructor including:&lt;/li&gt;
&lt;li&gt;&lt;a href="http://rockhousemethod.blogspot.com/2009/05/free-ebook-on-music-theory.html"&gt;Free eBook on Music Theory&lt;/a&gt;&lt;br/&gt;
a cool free download of an E Book that he shared with everyone on the Rock House Forums and I thought I would pass it on to the blog readers.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/RockHouseBlog/~4/cD8kEPcwuyU" height="1" width="1"/&gt;</description><feedburner:origLink>http://del.icio.us/sarge1875#2009-05-06</feedburner:origLink></item></channel></rss>
