Rosemarie Houseboat TV

The illusion of Potential - A Disease of the Age.

noreply@blogger.com (Rosemarie Houseboat TV) — Wed, 20 Nov 2013 11:17:00 +0000

(sorry no chapter breaks in this - its a Blogger-bug) This is a copy of my letter as sent to Unlocking Potential, Cornwall. Its a business initiative of our times, I'm pretty sure theres one similar near to you. I shall not be attending your ‘Business Boot camp Sessions’ and I thought you may like to know why; I do not want you to be able to claim that you have helped me in any real way, as you have not. Only money could do that right now and the offer of that was my incentive for attending the initial sessions, where I soon found out that, that golden carrot was only to be snatched away from under my nose and offered to those with a better chance of offering a good return by way of providing statistical evidence of creating employment, despite the fact that those figures of employment are falsely swollen by graduate internships lasting for no more than a year and which in real terms amount to nothing more than paid work-experience. I did all my work experience, un-paid and off my own back, so no I don’t approve. I did find some of the initial sessions helpful, and was encouraged when it was mentioned by one sympathetic speaker; that success is hardly ever achieved alone and that most successful people have been helped a great deal along the way. This statement was soon to be proved correct as a pretty girl confidently discussed in front of the group her plans for a Cornish design agency and then referred to her badly drawn (and vacuous) life experience diagram supporting the worst examples of stick figures I think I’ve ever seen. This is just the sort of competition which I see your start-up scheme supporting, year on year, saturating the market and creating an un-level playing field for struggling individuals such as myself. Whose experience and personal commitment is constantly undermined by business hand-outs which set-up an unfair advantage based on no real skills assessment what-so ever. I attended my interview and noticed the shiny gold band glistening on the index finger of my interviewer. We all make compromises in life to get the best out of our lot and I thought to myself that my ‘interviewer’ my have chosen his family, as is often the case and that’s what makes His career of dishing out placatory venture capitalist hand-outs rewarding to him. The job is a means to an ends of greater personal value. That is not my life. I have spent my whole life training, re-training and constantly up-grading my skills which in turn allow for the creative fulfilment of my potential. I have sacrificed chances of security offered by a regular income or of having a family of my own, in the vague hope that my own talents may be fulfilled within my lifetime and become my main income. I still have a second job after 7yrs in my own business and I remain heavily in debt due to my education and business investments. I did not factor in a triple-dip recession. So don’t tell me that I’m not worth investing in. I do not want to indirectly pay your wages for attending the ‘Boot-camp sessions’. I do not want you to pay a business mentor on my behalf; who is most probably my contemporary, drawn from an exclusive list of hand-shakers and back-scratchers and who of course is worthily seeking an extra income. I am aware that by writing this I am in danger of offending a large number of business professionals in Cornwall but that is no reason at all not to do it. I am an Artist and that is what Artists do. They make social comment where others can’t, wont or don’t know how too.

The Politics of exclusion in regional film production

noreply@blogger.com (Rosemarie Houseboat TV) — Thu, 11 Jul 2013 12:20:00 +0000

It seems to me that most Freelancers suffer the sporadic income and lack of financial security just to maintain working in a job which they love. Given half a chance many of them continue to perfect their skills by creating, producing and show-casing small projects of their own. It’s an expanding area of un-monitored talent development. Never have there been more filmmaking schemes, independent projects, online competitions and local, theme or skill based film festivals. A freelancer can waste a lot of time and money wading through the potential opportunities, and a surreptitious sub-industry is growing-up in the area of training, script editing and the mentoring of these aspiration talents and this in turn, is providing a different kind of work for the senior freelancer.

Over the years I’ve inadvertently become an expert in rejection letters from just this kind of opportunity; here is the perfect example of how an organisation can promote itself and its own virtues over the applicant, while leaving the very person they should be encouraging dispirited and deflated. Who has not received a letter like this; I’m sorry your submission wasn’t successful. We had a very high standard of applicant this year. Now what could be more crushing than that? All this statement serves to do apart from elevate the status of the Festival, Competition, Event, etc. is to propel the said applicant into a deep state of self-doubt. Generally speaking entry fees to festivals are not cheap and applications are time-consuming, so it’s easy to see why after a few futile attempts a filmmaker will give up all expectations of a festival and maybe even withdraw from contributing to it at all.

There are not many ways to successfully promote yourself as an independent filmmaker at a ground roots level. It’s not as I imagined it would be, in a rural community such as Cornwall; a case of the proving of ones self within a locality. Unfortunately it seems that success is more often gained by a vicious and persistent attempt to remove any viable competition, by means of controlling the exposure available to that competition. Thereby establishing and maintaining the illusion that the status quo is fit for purpose and ‘good enough’, when in actual fact people are generally un-aware that they may have other options open to them, because it has been orchestrated so. I’m pretty sure that similar ‘gate-keepers’ exist in other regions and perhaps in other areas of life, but in an effort to grasp hold of this ethereal subject material. I am sticking to my own life experience in the hope that it will help you to find your own stories mirrored in objective clarity, from between these lines.

For filmmakers in Cornwall the greatest local opportunity for the exposure of their talent to the community at large comes in the form of the Cornwall Film Festival. For several years now there has been a persistent discontent felt amongst a large faction of the festivals contributors. Complaints range from films shown in the wrong aspect ratio, credits being cut off and screenings clashing with major events in the scheduling or being scheduled into an un-popular and poorly attended slot. These may seem like minor complaints and on first inspection could be passed off as a general disregard on the part of the organisation. But on closer inspection one finds that programming has been consistently biased towards a select group of individuals, you could find for example that it’s your direct competition which is standing in judgement over you in the selection jury. Are they really going to give you an advantage, when giving you that advantage, may mean that they lose the advantage which they have currently secured for themselves?

Both my feature Documentaries; The Many Romances with Rosemarie and Remembering Rosemarie where shown at Cornwall Film Festival and considering the length of the films running times at a full hour and a half, this is an achievement in its own right. Unfortunately when The Many Romances With Rosemarie was screened in 2011, it clashed with one of the Festivals most popular events and so only drew a crowd of around 20 individuals. Similarly in 2012; Remembering Rosemarie was beautifully screened in cinematic perfection at the Phoenix Cinema in Newquay to an audience of about four. I guess most people would choose to omit the truth and state that these screenings were a great success. But I feel this ‘cover-up’ culture is damaging to the festival experience and leaves no room for improvement. Those placed in a position of trust and who have taken public monies to promote and distribute films locally, on the understanding that they are in some way benefiting or promoting the local community, really do need to ensure that they are doing so fairly and across the board.

A person usually participates in the festival structure because they have a genuine interest in films, their own or those of others. Okay active participants at a local film festival level can sometimes be thin on the ground and someone who works on a particular film may also be involved in the screening or promoting of that same film at the local festival event, even when it has been entered into competition. But this is no excuse what so ever for prioritising the screenings of publically funded productions over other speculative applicants who arguably are already at a disadvantage as they have had to produce their work with no financial assistance awarded in the first place.

Public funders beware; your responsibility is high. For as you select one to be at an advantage, so too do you place another at a disadvantage. Do you think I exaggerate? Consider this; it’s un-arguably in the interest of funding bodies to be seen to do a good job of initial selection, ideally of a worthy and reliable candidate. Achieving public backing alone will often open the doors to several other organisations or institutions, which are dependant upon similar resources and so a mutually agreeable, promotional situation develops where by one party promoting or endorsing the other is deemed beneficial to both. There is far too much of this ‘mutual endorsement’ going on currently in Arts and Media funding. If you are un-funded and have produced something of quality, then you can literally become a threat to those who’ve taken public cash or private investment and produced a similar or lesser result with more support. No-one wants to look bad; not those that have produced and certainly not those that have invested. The victim of this situation is the speculative filmmaker, who now will have an even greater struggle gaining any promotional support as their success appears to benefit no one other than themselves.

Those persons who are excluded from the privileges of these selective promotions often believe themselves to be in an isolated situation and are usually un-aware that a similar fate may have also befallen their contemporaries. Sometimes the speculative applicant, having gone into production off their own back, will have competed for the same funding budget, as another funded and promoted film, which is screening at the same event. Un-funded filmmaking is not as daft as it sounds, when you consider the amount of time already invested in the creative preparation and the funding application. There is also the real possibility that the creative idea once out there, may serve to inspire someone else who is then convinced that it or something very similar to it was born of their own making. So at a certain point in the filmmaking process, a no budget production just becomes the logical way to protect your own interests, and it also offers the potential for attracting external investment on this production or the next. Damned if you do but doubly damned if you don’t. At least if you have a film you have dated evidence of your work. Without it, Plagiarism has a free reign.

At some point in time the National and International market beckons to the regional independent filmmaker. When this happens in Cornwall we have a special place to go, it’s called The Celtic Media Festival and it’s an award ceremony and media celebration showcasing the Film, Television and Radio broadcast work of the Celtic language countries; Scotland, Ireland, Wales, Brittany, Cornwall and the Isle of Man. It’s special because it celebrates our indigenous Celtic culture, but also because it offers wider career opportunities to talent as it finally reaches a larger professional platform. Arguably this is especially valuable to the smaller Celtic regions like Cornwall, as they can benefit from networking with the larger nations which have more established media industries.

How-ever it seems to me that the problems encountered at a local level are often repeated at a National and International level, with the same reliance on the few familiar faces, and the same persistence of an elite selection that closely guard their own interests by excluding the competition where-ever possible. I do not suggest that this is necessarily a conscious behaviour on the part of the excluder; more often than not I think the motivation is simply one of plain greed ‘playing it safe’, ignorance or opportunism and the success of this exclusion, in turn then serves to preserve or even to advance the corrupt establishment even further.

Both my Documentaries were entered into the Celtic Media festival; The Many Romances with Rosemarie in 2012 and Remembering Rosemarie in 2013. Neither film reached the international jury as at the time of submission they could be voted out of the competition by a local jury consisting of just three persons. Thereby ensuring that they never had a chance to reach the wider exposure which I so desired. Cornwall is a small place and the selection of the jurors at this time was questionable, as it was made solely upon the recommendations from the Cornish Rep Denzil Monk. To rub salt into the wound, when I approached Catriona Logan the festival producer, she informed me that all the film submissions from Cornwall, for both those years could have gone through to the international Jury selection, so it seems to me that it's not so much a local jury selection process but a suppression process.

Since then I’m glad to say, the Cornish Filmmakers Alliance (a group which I am acting secretary) has effected a positive change by requesting that the Cornish Jury at the Celtic Media Festival be increased to six and by so doing we are merely adopting the standards of the larger Celtic nations who already employ this method. Jury selection has yet to be addressed and while these changes are positive, they come too late for me, my films have been successfully suppressed and nothing changes that. Individual filmmakers are seemingly invisible and literally un-accounted for and in some cases; perhaps conveniently un-accountable to. If this situation continues, they may go-under financially, emotionally or have their creative ideas capitalised upon by less scrupulous, more affluent or ambitious candidates.

The fragmentation of industry, cuts in funding and the rise of small scale independents seems to be set to stay. So institutions awarding funding cannot be allowed to just settle for good enough by falling back on the familiar, they must work harder to seek out and support real talent and not just those capable of reducing their own workload by supplying a generically correct application form. I’m not suggesting that there is such thing as a Black-list when it comes to public funding, but that there is most definitely a White list and that ultimately it amounts to the same thing. This is a disease of these anti-talent times we are living in and we must expose it for what it is, wherever we find it.

Is this plain amateurism or a direct disdain? - Cornwall Film Festival 2011

noreply@blogger.com (Rosemarie Houseboat TV) — Fri, 13 Jan 2012 13:03:00 +0000

While Cornwall Film festival seems to excel in promoting itself in an extremely favourable light. It is failing to promote the participants who are the very reason for its existence.

Having finally got my hands on a copy of the 2011 programme, I was horrified to find that my carefully considered film synopsis and quality artworks, dutifully submitted with the official application, had been completely ignored and replaced with extracts from an out of date internet review, accompanied by a screen-cap image from last years web-site.

Despite getting the best screening slot ever, for the feature documentary; ‘The Many Romances with Rosemarie’ in my personal experience of eight years of Cornwall film festival entries. I have been completely let down by the festivals publicity, which as any struggling filmmaker will tell you, is the most important thing after the quality of the film itself.

The film synopsis which was actually printed in the 2011 programme has been entirely gleaned from an article released by Devon & Cornwall film early in 2010. If the person writing my synopsis had bothered to read the article properly, they would have realised that it didn’t refer to the finished film at all (which was completed in June 2011), but to the innovative web-platform HouseboatTV, which I was launching at this time, to accompany my filmmaking journey and to encourage community participation in the film, by screening monthly episodes of the Rosemarie Houseboat residents, as I shot and edited the interviews which would eventually go to make up the whole 1hr and 45min feature length film.

There was however, not a single mention of HouseboatTV in the festival programme, so rather than highlight my novel method of film production, the implication is that the film itself was completed in 2010. There wasn’t even a link to the HouseboatTV web-site; www.houseboat-tv.co.uk where I am currently selling DVDs on-line. There was however a link to the defunct Devon & Cornwall film article. In retrospect, I had thought it a bit strange that I hadn’t received a single order for a DVD, following the Newquay, Lighthouse screening. As usually even the smallest screening would bring with it a handful of sales. Now I know why!

Over the years I have felt repeatedly let down by the Cornwall Film Festival, with films being screened in the wrong aspect ratio, at ridiculous times of day, or clashing with main, highly publicised or popular events. In 2008 my documentary film ‘Let Sleeping Dogs Lie’ was unceremoniously pulled from the festival, by Denzil Monk without so much as a phone-call. Once even having my credits entirely removed, in the screening of my short film; ‘A fruity Affair’, which had been commissioned by an audience vote the previous year at the O’Region ‘Bigger Pitcher’ event. I’ve not wanted to participate in it since, and it’s also interesting to note that in the C.F.F 2011 my screening of The Many Romances with Rosemarie, was scheduled against this very popular event. Nor was I invited to do a Directors Q&A, as I have been at several other screenings, and there was no correspondence at all before, during or after the event.

Despite all this, I have always given Cornwall Film Festival the benefit of the doubt, as it remains the only local show-case for my work as a struggling filmmaker. It has not gone un-noticed by me, that works by other reputable Artists and Filmmakers, such as Andrew Lanyon, Tony Hill, Emlyn Harris, Nick Duffy and Amanda Walsh have also been shamelessly side-lined in my humble opinion.

To conclude, I just wanted to state that I shall continue to enter my films into the Cornwall film festival, but I will no longer remain quite about any misgivings. So if you see less of me in the future, I expect this will be why! I would also be very interested to hear from other filmmakers who have had similar experiences.

A tale of two halves

noreply@blogger.com (Rosemarie Houseboat TV) — Fri, 04 Nov 2011 12:27:00 +0000

Its been a while since I up-dated this blog, which I’ve used to document my original research and the production of the film; The Many Romances with Rosemarie and the progress of the web-platform; HouseboatTV, which I designed and built to encourage content and participation, while also promoting the project. This is largely due to the success of the HouseboatTV face-book page and Twitter, which have encouraged me to report my progress in shorter and more numerous up-dates, but for deeper reflection the value of a more considered blog remains.

Nearly three years on and the film is now finished. It exists as two feature length documentaries, which are each available to buy on DVD, for only £10 plus p&p at www.medialproductions.co.uk. These are Special edition copies which have been produced entirely by myself, while I continue seeking to find outlets for my products.

The film ‘The Many Romances with Rosemarie’ tells of 40yrs of Houseboat history onboard the Rosemarie, from 1970 when she was found neglected at Sailors Creek to 2009 when she was broken up for scrap on ‘Muddy Beach’ Penryn and finally in 2010, when her keel was re-cycled and used to restore the wooden fishing boat Rosa.
This is a chronological arrangement of the HouseboatTV episodes re-cut into a narrative and captures many social and environmental changes whilst maintaining focus on the vessel and the succession of her owners, which have now been defined. The HouseboatTV series continues in its own right and is currently re-screening as episodes at www.realcornwall.tv .

The sister film; ‘Remembering Rosemarie’ documenting for the first time ever, the fascinating history of the Rosemarie, built in 1930 at R.S.Burts of Falmouth, more famous for the construction of the Falmouth Quay Punts. The Rosemarie began life as a luxury motor yacht; she went on to be a Wartime River Patrol boat, and then worked as a pleasure ferry on the river Fal. Taking passengers from Falmouth and St Mawes to Malpas and the Helford river, finally ending her working life as a holiday rental houseboat at Gillan Creek on the Lizard Peninsula in Cornwall.

As my research into the previously un-documented history of the Rosemarie tuned out to be so fascinating, it became evident to me that the working history of the boat deserved to be a film in its own right. The 79yr life-span of the boat, divided neatly into two halves, her working life and her Houseboat history, both with a very different feel which I was able to accentuate more clearly in the two separate ‘sister’ films.

These two films both work as complete documentaries in their own right, but I can still see the potential for a re-cut of them both back into one which documents the whole life of the Rosemarie as I originally proposed to BBC3 and CH4, for broadcast in 2009. I do intend to make a taster and continue to take the project up to pitch-point.

I have been advised that I would only succeed in this venture as a new Director & Producer, if I partnered up with an established production company, but my experience of this to date is not good. In 2007 I signed a joint contract on another documentary idea, with a production company which shall remain nameless. My idea then sat on a shelf for two years, before they decided not to proceed into development, when I could have been perusing other possibilities for it. This time I have taken things into my own hands, and now that I have a good product, I find myself looking for appropriate outlets, and if I don’t achieve commission I shall be screening both films locally for many years to come and I can rest in the knowledge that it was I who added the story of the Rosemarie to my local history.

The Dunkirk Dilemma

noreply@blogger.com (Rosemarie Houseboat TV) — Mon, 04 Apr 2011 10:25:00 +0000

Oh dear me, on reflection I just don’t have enough evidence to make the claim that the lovely Rosemarie was a Dunkirk Little ship as I deeply suspect she was. I have been working hard to try and prove that Rosemarie deserves recognition and the prestigious Little Ship status, but I just can’t risk putting my unsubstantiated beliefs into an otherwise charming and creative documentary without jeopardising the other content! So this is a last desperate call to anyone with information which may verify my suspicions, while I’ve still got time to include it in the film.

I must add that the ‘Association of Dunkirk Little ships’, haven’t helped me at all during this research and in fact have not replied to a single one of my e-mails which I started sending over a year ago now! It seems they like to concentrate on the few boats they know, which is a disgrace in my opinion as there are potentially hundreds more boats to be found, and the living memory of these is fading fast.

Russell Plummer, in his book; ‘The Ships that saved an Army’ identifies around 800 small boats but states that there may be up to 1,300. That’s another 500 to yet to be found! There are non specific entries in the list which could be applied to Rosemarie (or similar craft), such as; Rose Mary particulars unknown, and Motor Boat 42 particulars unknown. Unfortunately I don’t have The Rosemaries service number, but descriptions like this do not invite my trust in the original recording of details.

My distrust is heightened further, when I hear that some boats which have been awarded the Dunkirk status didn’t actually go, as Raymond Peake informed me. “Some boats from Newlyn went to Falmouth for the Dunkirk evacuation but they were sent back because they displaced too much water, and I know that ‘ Maid Marion’ has a brass plaque saying she went to Dunkirk, but I know she never went! What they were looking for was boats like the Rosemarie with a shallow draft, they only wanted boats with a 6ft draft, which could go right in close [to the beaches]”.

In May 1940, Falmouth was one of the Departure points of the small ships leaving for Dunkirk. Rosemarie was requisitioned in 1940 and worked as a patrol boat around the Lizard peninsula for her first year of service. I know that one of the Rosemaries wartime jobs, with Frankie Peters as skipper and Fred Hamling as Engineer, was to record all the troops returning from Dunkirk and check the ships, so the Rosemaries job was in effect to list these ships, such an irony she’s not listed! I can’t believe she didn’t go to Dunkirk herself, particularly for the final evacuations where the call was sent out for any able ships, in desperation to get all the troops off the beaches. On Friday the 31st of May, A boat called Rose Marie, was towed over, by the dutch Skoot ‘Hilda’, captained by Lieutenant A.Gray of the Royal Navy along with five other motorboats ref; ‘The Evacuation from Dunkirk’ W.J.R Gardner ISBN 071465120-6 Page 72. Which Rose Marie this is, is still unclear to me as details such as the length of the boat and numbers are unfortunately not listed.

From ‘The Ships that saved an Army’, I can see two ‘Little ships’ called Rose Marie. One owned by J. Boyer, Sheerness, (no other details) and another; a twin-screw schooner built by J. Crossfield, Conway 1926. Now this boat from my own research at the National Maritime museum in Falmouth, was not acquired by the Government until 1946, and so it is possible that she is a case for mistaken identity. Her Lloyds reference number is 148325, she measured 53ft by 13.2 with a 7.7 draft. I think she could easily have travelled to Dunkirk (if she did go) under her own power, and would be a large boat to tow as part of a flotilla of 8. Her draft was also, well over the admiralty requirements so I think she could be stealing our Rosemaries glory, but as I can’t prove this. I have to go with what I’ve got in the film, and let people make their own conclusions; otherwise I’ll be using the film to argue this case, poor Rosemarie, she deserves so much better.

Rosemarie Target-towing in Mounts Bay

noreply@blogger.com (Rosemarie Houseboat TV) — Thu, 10 Mar 2011 12:08:00 +0000

I spoke yesterday with Billy Stevenson of Newlyn, who remembers the Rosemarie target-towing for the Navy during WWII, at Mounts Bay. There is some dispute as to weather the Rosemarie was Army or Navy run. Billy would have been about 12yrs old at that time and remembers seeing the Motor Yacht towing a target for the 4 x ex-Destroyer guns, which were mounted in concrete at sites around the Lido pool at Penzance. Local Historian John McWilliams believes these guns were manned by the home-guard, but I could find no reference to this at the Cornwall records office.

Billy also informed me that the Army was stationed during the first part of the war at the old 'Sailors Home' (behind the pool). Later the Americans took over the nearby Taylors Garage.

He is looking out a photograph of the Sailors home, for me from this time but unfortunately He didn't want to give me an interview for the film.

I also asked him if there were any pictures in existence of the guns at Jubilee Pool. He didn't think that there was, and He should know, as He has been searching for the same image himself over many years. I suggested that we might mark down the location at least of these guns on a picture just for reference and I hope to do this with him at some time in the near future.

I'm still looking for someone who will testify to Rosemaries role as Target-tower, on film. If I find someone I'll arrange for a location shoot also, but I have so much material now that this would just be an added bonus.

George Ellis Photograph collection

noreply@blogger.com (Rosemarie Houseboat TV) — Tue, 15 Feb 2011 10:05:00 +0000

Still searching for memories of Rosemarie - I have found some fantastic images of the Truro wartime 'River Patrol', none in the collection of the Rosemarie unfortunately, but these fine images may help me to illustrate the nature of her service work.

The 'Ellis' collection is housed at the Cornwall Centre Redruth, and is a window into the life and work of George Ellis, photographer to the Cornish Guardian Newspaper. It comprises of thousands of negatives, which have been copied onto microfilm for ease of viewing. There are lots of Weddings, christenings, prize ceremonies, Horse shows, agricultural events, but there are also pictures of wartime damage to properties and US Troops in Cornwall.

I particularly like George Ellis's character studies, He really does seem to capture people in a natural and unguarded fashion. Each Image is meticulously recorded in Mr Ellis's hand written ledgers, which were a delight to handle, but I do recommend going there with a specific subject in mind, or the choice will be overwhelming. The Cornwall centre hold the copyright to the entire collection and so It is a direct clearance which is a relief.

I can't help thinking that all this talk of Newspapers 'having had their day' in favour of websites and other faster digital mediums, is just that; talk! In my search for the facts and photographs, during the making of this film; 'The Many Romances with Rosemarie', I have drawn upon the resources of Newspapers time and time again. Not only for the convenience of factual historical documentation, but also for the promotion of my film project; having put out a call the public on a couple of occasions now through the West Briton Newspaper, which has brought back several useful contacts for me whom I otherwise would never have known. I think the local newspaper will always have a place, even if its domain is erroded or encroached upon.

Through the gaps! - Newlyn Fishing News: De Gaulle's Free French Army- a wartime anniversar...

noreply@blogger.com (Rosemarie Houseboat TV) — Mon, 07 Feb 2011 14:35:00 +0000

Found this fascinating article by Laurence Hartwell, shame I missed the actual event! Through the gaps! - Newlyn Fishing News: De Gaulle's Free French Army- a wartime anniversar...: "This summer will see the 70th Anniversary of the Free French - so named after General deGaulle's June 15th speech in 1940. Through the Gaps ..."

Rosemaries secret wartime history.

noreply@blogger.com (Rosemarie Houseboat TV) — Wed, 26 Jan 2011 12:59:00 +0000

John Drinkwater remembers the Schleswig-Holstein, a German warship moored up at St Mawes on a 'friendly' visit in the years 1938 and 1939. This picture is from the German Federal Archive.

Having nearly completed the 40yrs of Houseboat history for the Falmouth built Rosemarie; 10 short extracts of which are available to view online at www.houseboat-tv.com, I am now researching the boats early story to make up the entire film which will be titled; ‘The many Romances with Rosemarie’, it will be the whole life story of the boat, as told by those who remember her fondly.

During this fascinating research it has come to light that the Rosemarie worked for the admiralty during and after the war up until 1948. Her duties were described by John Andrews and Douglas Sawle of St Mawes, who remembered the Rosemarie as an ‘Examination ship’ with a gun mounted on the deck, working around the Lizard peninsula while the boat herself was stationed at Penzance during the war. They also described how, on the troops return from Dunkirk; Rosemarie was the boat which checked over each vessel and took the names of all retuning soldiers for the official listings, as the troops disembarked at Falmouth harbour.

I have also found a record of the Rosemarie going over to Dunkirk on Friday the 31st of May; this would have been at the climax of the beach evacuations. It seems that Rosemarie, ‘Rose Marie’ as she is officially listed, was towed over, by the Dutch skoot ‘Hilda’ along with five other motorboats; Moss Rose, Lady Haig, Britannic, Gispy King , Golden Spray II, and two life-boats. The skoot Hilda from London, was captained by Lieutenant A. Gray of the Royal Navy, and her operations would have taken place on the Bray Beach at Dunkirk. I am still awaiting verification of my research from the Association of Dunkirk Little ships as I would ideally like to have the Rosemaries status as a Dunkirk Little Ship officially recognized.

Rosemarie is also remembered by John Drinkwater of St Mawes in the film ‘The many Romances with Rosemarie’, John verifies her duties as described by John Andrews and Douglas Sawle, but also describes her as working for ‘River Patrol’. In 1938, John Drinkwater was serving his apprenticeship working at Freshwater Boat-yard under the locally renowned boat-builder Frankie Peters. John recalls that Frankie ‘Skippered’ the Rosemarie on her River Patrol duties with the additional support of crew members; Fred Hamblin and Walter Hitchins. I would like to put out an appeal to any family members who may have photographs of; Frankie Peters, Walter Hitchins and Fred Hamblin, which they would be glad for me to include in the film. Please contact; shauna@medialproductions.co.uk

Peter Newman re-united with his fathers ferry the Freelance

noreply@blogger.com (Rosemarie Houseboat TV) — Mon, 17 Jan 2011 10:08:00 +0000

This morning I received an e-mail from the current owner of the Freelance; Jeremy Mitchell, another boat-owner passionately tracing the history of his vessel. He had read about the Freelance in the Ferry-boat article on the Rosemarie published in last weeks West-Briton.

In my interview with Peter Newman last year, he remembered the Rosemarie working as a passenger launch around 1948, in competition to his father Rodney Newmans business running the Freelance, which had started a little earlier in 1946. The Freelance was built in the West Indies in the 1930's and was brought to Falmouth on the deck of a ship, sold off and converted into a passenger vessel.

Jeremy has now managed to fill in some of the gaps in the Freelances history, and Peter has been re-connected to his fathers boat, which I'm sure He is relieved to find in such capable hands.

Jeremy said "It is only due to your article in the West Briton that I have found out the missing history of the Freelance from the 1930's until the late 1960's. I Googled "Ferry Falmouth" and found details and pictures of all of Newmans Cruises ferry boats including the Freelance, back to the 1940's on www.simplonpc.co.uk. It was mentioned that the Freelance was sold by the Newmans in the late 1950's to Falmouth owners for use as a dive and salvage ship to a salvage company in Falmouth. My father bought the boat approximately 10years later from the salvage company."

Jeremy inherited the boat from his father who bought it around 1968 from a salvage company in Falmouth. The Freelance was then moored at Port Navas on the Helford river until approximately 1972 when it was moved to Camborne.

"The Freelance is 30ft. long by 9ft. wide and is build from teak which is why it has stood up so well to being stored for so long. It was a project that was never finished due to having parts that were missing from the engine and were no longer available from the manufacturer. I have spent 6 years looking for the missing parts on the Internet. All the parts that were missing have turned up on eBay."

A happy end indeed, and personally I am so grateful that Jeremy has contacted me and that I could pass on Peters contact to him! Peter gave me so much priceless information about the Rosemarie, and his time for the interview and the film where also given free, and from the goodness of his heart. So I am delighted that in a roundabout way he has had a universal return, in the form of something more valuable than cash, a link back to the past, his own father and re-awakened memories of that time when the Rosemarie and the Freelance graced the river Fal.

Interview with John Drinkwater 14/01/11

noreply@blogger.com (Rosemarie Houseboat TV) — Fri, 14 Jan 2011 19:55:00 +0000

Had a fantastic interview today with another St Mawes old boy. John served his shipwrights apprenticeship at Freshwater yard in 1938 under Frankie Peters, before joining the Royal air force and going to war. He remembers the Rosemarie as a black boat which was painted grey during the war period, and with a gun mounted on her front deck.

Frankie Peters was a renound boat builder and made many of the St Mawes One-Design boats, which still race today. John remembers being left with dull jobs like bailing out the boats in the yard while Frankie took the Rosemarie out on River Patrol as her skipper, round the Lizard peninsula and often down as far as Penzance. Joining Frank as crew on the Rosemarie was Walter Hitchins and Mr Hamblin as Engineer, who lived in an interesting Houseboat; a 1st world war Motor-Launch moored in the river off Polvarth Yard.

As it had finally stopped rainning, I went down to Freshwater Yard after this inspirational interview, to see if I could film it as the working yard it is today. Unfortunately I was not greeted with a possitive response! Admitily it was a last minute thought to fire off an e-mail this morning before I left, explainning that I was going to be in the area and out-linning what it was I wanted to do, but I don't think that that could justify this curt reply e-mail awaiting me when I got home;

Shauna
As the boatyard has been completely modernised in the past 10 years there is nothing or no one here who could help you with your project. I am sorry but we cannot give you permission to film here at any time.

Regards
Sue

Seems some people have a generousity of spirit, which others can barely perceive, let alone value. I am proud to say that my film is brimming with fine people and their wonderful stories which they are only to glad to share, and that they have a genuine passion for the history of their village, which is not based soley on the value of bricks and mortar, but on the community (whats left of it). Who needs anything less than that? Some you win and some you lose!

Interview with the two oldest men in St Mawes

noreply@blogger.com (Rosemarie Houseboat TV) — Tue, 11 Jan 2011 16:43:00 +0000

Interview with John Andrews and Douglas Sawle 9/01/11

These two old friends often enjoy reminiscing, and comparing their memories so it was a privilege for me to share their company. They compete with each other for the position of; Oldest resident, in the small costal village of St Mawes, Cornwall, with Douglas Sawle coming in for the cup at 91yrs young. Winning the race is something Douglas is used to, from his sailing days in the St Mawes ‘One-Design’ class.

Not much remains of the 1930s Cornwall, which existed when the Rosemarie was built, but both John and Douglas can remember the Henderson family living at Greystones, Tredenham Road, St Mawes. For me this second-hand account is a true treasure, for it is as near as I can possibly get to the man who first perceived and then facilitated the building of Rosemarie at R.S Burts & Sons, Little Falmouth; Mr Arthur Henry Henderson. I heard for the first time; a description of the boat in her original condition, apparently she was ‘Spotless’ in a Black finish with white trim. She was described as a luxury passenger boat, designed for private picnics and costal excursions, visiting the Helford and pleasure cruising up the coast as far as Looe and Fowey. She also had her own permanently employed deck-hand, who would have been dressed in the strict attire of that time, sporting a white-topped flat cap during the summer months and a black cap for the winter. During the winter months the Rosemarie was laid up on Polvarth beach where she would have been scrubbed annually and re-painted ready for the next season.

I happen to have a very fortunate photograph of Tredenham Road, from my Great Auntie Dees collection; I estimate it was taken in the late 1930s. The house in the centre of the picture with the flag-pole in the garden is ‘Greystones’ (the house where Henderson lived) and I guess my great-grandmothers house would have been one of the neighbouring buildings, as I know they also lived in Tredenham Road at this time, and why else would Dee have kept this post-card? Perhaps they knew one another; it’s quite a thought, and certainly a happy co-incidence.

I also learned some more about the Rosemaries wartime history from John and Douglas as they recall the Rosemarie at the return from Dunkirk, and the troops coming ashore in their masses. It seems she worked as an inspection ship, in Falmouth harbour before going down to Penzance for the duration, which was all news to me.

Rosemaries official registry was closed in 1948, and her last registered owner was Francis Bertram Sawle, first cousin to Douglas Sawle and married to a Clode. This makes further sense of the ferryboat or ‘Passenger’ boat history (as I stand corrected by the lads) which I already possess. It seems that Francis B. Sawle and Tommy Clode were in a business partnership, and ran ferries and then hire boats up to the late 1970s. The Rosemarie ran from St Mawes to the Prince of Wales Pier and was hired out for excursions until the mid 50s.

Press release 2 - Newfound Ferry

noreply@blogger.com (Rosemarie Houseboat TV) — Tue, 14 Dec 2010 14:18:00 +0000

Found – River Fal ferryboat; The Rosemarie

Its time to add another ferryboat, to the Fal passenger ferries and pleasure cruisers, so well documented by notable local historian Alan Kittridge. My original research into the R.S Burts & Sons, Falmouth built, motor Launch; Rosemarie II. Reveals a post-war, St Mawes ferry service for the Rosemarie.

My break through came when I contacted the harbour commission, with the hope of tracing previous owners for the Rosemarie, by checking the Fal river, mooring registry. Unfortunately these records did not go back far enough to be of use to me, but I was put in contact with Peter Newman who remembered the Rosemarie as a working ferry.

In 1946 Rodney 'Pete' Newman (Peters father) operated the 30 passenger launch ‘Freelance’ from Falmouth to Tolverne Cottage, In the absence of The River Fal Steamship Company boats, which had been acquisitioned for the second world war. Peter remembers the Rosemarie running out of St Mawes, to the Prince of Wales Pier, Falmouth and up the Fal river in the early 1950’s. Rosemarie’s owner Tommy Clode was a business rival, who ran two boats at that time; the Rosemarie and the Esme (which was named after his wife).

John Green also remembered the Rosemarie as a Ferry. He kindly responded to my request for information about the Rosemarie, and wrote stating that his Uncle had worked as a deck-hand for Tommy Clode from 1948 onward. He remembers taking a ferry ride when He was about 12yrs old, up the river Fal to Malpas, onboard the Rosemarie.

I spoke with both Tommy Clodes son Douglas and his daughter Marina. They remember the Rosemarie being prepared for passenger service and having a board of trade inspection before starting work, but they can't remember who the boat was sold onto.

Any further information about the Rosemarie would be greatly appreciated, as I am compiling the complete life story of the boat, for the film ‘The many Romances with Rosemarie’ extracts of which are now screening as episodes on www.houseboat-tv.co.uk.

Unsung Signposts (Un-funded & Unfair)

noreply@blogger.com (Rosemarie Houseboat TV) — Sat, 30 Oct 2010 22:15:00 +0000

Well I reckon I’ve reached the point in my un-funded filmmaking journey, where the road forks and I find myself forced to travel down the road which is signposted ‘Un-funded’ while trying to live with the knowledge of what could have, would have, and should have been included in the final production.

I have been blessed indeed by the generosity of the films contributors to date. I’ve some 17 fascinating interviewees, who have given freely of their time and tales. Many of whom have donated their personal photograph collections, and videos to my project and not to mention the high quality folk tunes and original music offered for use in the films sound-track. I’ve also had the practical support and skills of friends such as Jaeson Finn, Nick Duffy and Henry Davies at my disposal. Without all of these the Houseboat TV project would not have got this far.

My dilemma started while browsing You-tube, when I accidentally stumbled upon a pirate copy of a film which my father, David Osborne-Dowle shot on 35ml, while He was at The London Film School 1967-68. It is a truly psychedelic music video for the Song ‘Flowers in the rain’ by the Move. He also produced, Director Lesley Ann Fullers 'Room’ which won best film at the Czechoslovakian Film Festival in 1968.

I got to thinking, just how wonderful it would be, to be able to include extracts from this ‘Flowers in the rain’ music video in my documentary about the Rosemarie Houseboat, which we lived on as a family in 1972-73. This was of course, after my father had left his career prospects in London, and joined my mother in Cornwall to raise a family. However, I also have footage of my mother from about the same time. When she flirted with film, this time from the other side of the camera; as she played the leading lady in a black and white film by Director John Bartlett (Westward TV), called ‘Mayday Mayday’. It was a musical narrative which tells the story of an 18th Century sailor (played by Ralph Bates from the Poldark series) who is shipwrecked in 1960’s Cornwall. My mother, then Caroline Durnford, (from The Durnford Sisters folk duo), is pictured singing with the famous Cornish folk singers John the Fish and Brenda Wootton, at the scenic Minack Theatre. The film also contains music by Steelyspan and is a uniquely creative reflection of Cornwall at this time.

Making the film; ‘The Many Romances with Rosemarie’, has revealed a string of talented people inspired by the beauty and spirit of Cornwall, some lucky enough to have been nurtured by the Rosemarie. Several of these have been original musicians, such as the 3 Daft Monkeys, Thistletown the Rosemarie band and friends. Although I am happy with the ‘Houseboat TV’ episode, where I have portrayed my parents as the Artists that they are today, I am aware this earlier history is perhaps more relevant to the overall story, and reflects the choice which I have made to document it in film.

As ‘The Many Romances with Rosemarie’ is an un-funded production, I have been forced to make some difficult choices, such as the withdrawal of 1930’s Archive footage, showing J-class yachts racing at Falmouth, and some regrettable compromises have been made. This is the price which a no-budget producer has to pay, and it’s a high one! The costs of copyright clearances for these films are sadly just too much for me to carry at this time.

One more fear haunts me, one greater than that of not being able to include all my desired content, enabling me to fulfil my greater vision. This is a fear based upon my past experience and the ‘side-lining’ of some of my other unfunded productions. By this I mean that, not only did I formerly receive a lack of financial support in producing an initial project, but then, to add insult to injury, this was replicated in a lack of support for the promotion of that same project. It seems that it is desirable for a financially backed project to be well marketed and therefore to endorse the financial investors. Equally unfunded projects, particularly if they are interesting, could be seen to compromise the funded works of contemporaries, and as a result these are ‘side-lined’ in screenings where ‘funded’ projects have been heavily promoted despite having a poor content. I really hope this doesn’t happen to the wonderful story of Rosemarie, simply because it didn’t fit a broadcast schedule or funding criteria.

Musical Heritage of Rosemarie

noreply@blogger.com (Rosemarie Houseboat TV) — Wed, 08 Sep 2010 08:05:00 +0000

Tiffany Bryant and Andrew Jarvis Lived onboard the Rosemarie for a period of 3yrs from 2005 to Aug 2008. They were the last residents to live aboard the boat and had formed a band called ‘Thistletown’ during this period. They often wrote and practiced on-board, naming both a song and an album after the Rosemarie.

Several other musical arrangements played on-board Rosemarie including; ‘Shoreline’, and ‘Sons of Noel and Adrian’ with Tom Cowan and Jacob Richardson and new groupings developed from those sessions held onboard the boat, such as My Eagle and My Serpent, with Andrew Jarvis, Tom Cowan and Jacob Richardson.

Then After moving off the boat, and with two of the original ‘Thistletown’ band members; Ben and Lidia Tweddell moving to Brighton another band was formed by those remaining in Cornwall, it was called ‘The Rosemarie Band’ after the boat; with Tiffany Bryant, Andrew Jarvis and Nick Duffy on Bass.

Tim Ashton and Athene Roberts from 'The 3 Daft Monkeys' gypsy, punk-folk band, stayed on-board the Rosemarie Houseboat for just a month in between tours in 1998. They were looking after her for their sound engineer and good friend Mike George, while He travelled to the U.S.A.

Mike owned the Rosemarie from 1996 to 2001. Tim and Athene were often on-board visiting, and composed two tracks whilst staying on the boat; 'Wonderful' and ‘3 Daft monkeys’ , they described this period of time as a pivotal point in their career. As this was the period when the band formed into the 3-piece, with Jamie Waters on Bass and became; ‘The 3 Daft Monkeys’, we know today, having previously been a group known as Lordryk, and before that in the 5-piece ‘Moondragon’.

Two of the Rosemarie's former occupants; Pandora James and Judy Anderson both learned to play the fiddle while living aboard the boat. The boat was owned by Jonathan Craig at this time and he rented it first to Judy, who lived on-board for two years from 1988-1990, Initially at Penryn Quay and then moving her to Muddy Beach. When judy moved off, Jonathan rented the Rosemarie to Pandora, who lived onboard for three years from 1990-1993. Both Judy and Pandy went on to play as part of the Cornwall Fiddle Orchestra which was started by Hudson Swan in 2007.

Rosemaries Ferryboat history is confirmed!

noreply@blogger.com (Rosemarie Houseboat TV) — Wed, 11 Aug 2010 09:19:00 +0000

This is the Article (derived from Press Release 1, posted below) published by the West Briton Newspaper on the 5th of Aug 2010. I was hoping to get a direct response from the public and I did! Remember that lovely picture of the boat as a ferry, sent to me by Katheryn Osborne. Well I received an e-mail from a Mr John Green, who lived formerly in St Mawes, and He remembers taking a pleasure trip on the Rosemarie up the Fal to Malpas in 1948 when He was just 12yrs old! As it turned out his Uncle worked as a deck hand for Tommy Clode, which further confirms the story of another contact I made via the Harbour office; Peter Newman, (from Newmans Cruises) of a local ferryboat family, also remembers the Rosemarie working as a ferry in the river Fal at about the same time.

By the mid 1950's I've another lead to follow, as a Falmouth resident Pat Crockford, who was busy doing his shipwright apprenticeship at E.J Burts, boatyard, Turnpike beach. Remembers the Rosemarie coming into the yard for a complete re-fit. At that time He remembers she belonged to a Mr Keen, and had been working as a local passenger ferry. I wonder if the re-fit Pat mentioned, could have been the build of a coach roof onto the boats then open back. She had been initially built at R.S Burts & sons in 1930, when the company was run by Richard Steven Burt. This re-fit would have taken place, some 25yrs later, at the same family firm, now under his son Ernest John Burt.

PRESS RELEASE 1R.I.P Rosemarie – A lifetime on the River

noreply@blogger.com (Rosemarie Houseboat TV) — Fri, 16 Jul 2010 16:22:00 +0000

2009 saw the demise of a much-loved wooden houseboat on the Penryn River. From my research I have found that the Rosemarie II, as she was originally named, was built at 'Little Falmouth', some 79 years earlier in 1930, her lifetime spanning some of the most significant changes in marine vessel construction and usage. She was one of the earliest types of motorised pleasure yachts, measuring 42’ by 11’ with a 6’ draft. Built of oak and pitch pine, by craftsmen from a fast fading golden age, she was a ‘double-ender’ in design and sported two, four cylinder, Thornycroft petrol engines.
In 1930, the Little Falmouth boatyard was under the management of R.S.Burts & Son ltd, who are most famous for their pioneering ‘Falmouth quay punt type yacht’, a smaller wooden boat established around 1870 that worked ‘tending’- ferrying stores, to and fro, from the big square-riggers that regularly used the port of Falmouth in those days. R.S Burt & son ltd. were acting as the sale agents for Thornycroft’s in Cornwall, helping to bring marine engines into main-stream and popular use.
Wooden motor boats like the Rosemarie, would only have been built for a short period of around 10-15yrs, from the 1930’s up to the start of the war, and they would very quickly have been superseded in the post war years, by rapid advances in the development of cheaper, quicker and lighter fibreglass hulls. Rosemarie and her kind, where the beginning of the true pleasure boats and would have been an expensive luxury to commission. Many of her contemporaries where built by ‘Thornycroft’s, at Platt’s yard, Hampton-on-Thames, and as such they are sometimes referred to as ‘Thornycroft Cruisers’. Several of these were later to become Dunkirk Little ships and the Rosemarie too, was acquisitioned in 1940 and I presently, await a reply from the Association of Dunkirk Little Ships, about her war time activities.
My personal interest in the Rosemarie derives from a magical year spent living on-board as a child in the early 1970’s. I have collected almost 40yrs of her ‘houseboat’ history back to 1970, and I also have her early history up to 1948, but I have a gap of twenty years, for her ‘working life’, before she became permanently beached on the Penryn river flats. There are rumours locally that she was at one time working as a ferry in St Mawes and also in the Helford. I’m very to keen to hear from anyone who remembers the Rosemarie, or who may have photographs of her, or her owners, which they wouldn’t mind me using in a film that I’m making about her fascinating life. She like many other important aspects of Cornish heritage was perhaps over-looked or undervalued in her own time, but I intend to keep her memory afloat.
Interviews with 40 years worth of Rosemaries’ houseboat inhabitants are currently screening as monthly episodes at http://www.houseboat-tv.co.uk/ and a feature length documentary DVD about the life of the Rosemarie is due to be completed in 2011.

Still the star of the show!

noreply@blogger.com (Rosemarie Houseboat TV) — Wed, 30 Jun 2010 10:28:00 +0000

For a moment there I thought that our Rosemarie was originally comissioned in 1930, by her first owner Mr Arthur H. Henderson from St Mawes, to tow a J-class racing yacht called 'Moonbeam'. After a quick visit to the National maritime museum in Falmouth, I can verify sadly that the 'Moonbeam' which is also registered to Mr Arthur H. Henderson at that time, was not a J-class after all!
She was another wooden working boat, built in Southampton 1913. 24ft by 6.4, 2.9 draft. As for those J-class, they are infectiously beautiful and it was the height of the Kings Cup races in Falmouth at the time that our Rosemarie was built. Its worth noting though, that the J-class will be racing again in the Falmouth Ragatta 27th-30th June 2012. The good news is, that Rosemarie is officially Cornish built; at R.S. Burts & Sons boat yard ('Little Falmouth') This week I am trying to find out the profession of her original owner, and personally I'm glad our wooden tub remains the star of this show!

noreply@blogger.com (Rosemarie Houseboat TV) — Mon, 14 Jun 2010 11:00:00 +0000

I'm really excited about a possible ending for the film, where the keel of the Rosemarie has been re-cylced, reused and floats again on another boat! Guess what this boat is called? Rosa. So it seems that a little piece of the Rosmarie is living on, and not just in our-hearts! It's a strange fact that her keel will go on to have adventures in open seas, which the Rosemarie never truly achieved. Nice twist and I'm glad to be finishing on a good note. This picture is of the skeletal remains of the Rosemarie as she lay on Muddy Beach in Penryn August 2009.The sign is a spoof, that a fellow boat-dweller placed on her, I called the number and got no reply. Still its good to see her being valued even this late in the day.

Cirra; Unexpected Interests and more coincidences

noreply@blogger.com (Rosemarie Houseboat TV) — Mon, 17 May 2010 15:59:00 +0000

It seems that boat owners are a breed of like mind, who love thier craft and have a great inclination to trace the history of their vessel, and in such a way perhaps a soul of the boat is held by all those who have loved her. Each boat inadvertantly drawing them into a community of people who belong to them!

This picture is of a boat called Cirra, in Bristol Harbour. At this time she belonged to Hugh and Monica King, who I interviewed about their time onboard the Rosemarie Houseboat. Last week I got an e-mail from the Cirra's present day owner, who had seen the boat featured in the previous episode of Houseboat TV. He was keen to fill in the gaps of her history and wanted to make contact with the kings! How amazing, coincidental, fateful, fantastic. These are the sort of threads which I'd love to follow, but can't fit into the main storyline. Yet somehow they feed back into it indirectly!

noreply@blogger.com (Rosemarie Houseboat TV) — Thu, 06 May 2010 10:29:00 +0000

Just one more day to see Hugh and Monica King talking about boat-love on Houseboat-TV! Episode 4 will be revealed on Friday!!! So come back then.

Episode 3 Houseboat TV - Interview with Hugh & Monica king

noreply@blogger.com (Rosemarie Houseboat TV) — Wed, 07 Apr 2010 11:30:00 +0000

So, better go visit the mothership at www.houseboat-tv.co.uk if you want to see episode 3 of Houseboat TV! Hugh and monica king owned the Rosemarie in the early 1970's and have donated a fine collection of personal photographs from that time making this a charming film, full of time travel! It seems that the Rosemarie kindled for them an enduring love of houseboats.....

Rosemarie as the St Mawes / Falmouth passenger ferrry

noreply@blogger.com (Rosemarie Houseboat TV) — Tue, 06 Apr 2010 09:36:00 +0000

Today I recieved an amazing photograph, from Katheryn Osborne in the U.S.A, confirming that the Rosemarie houseboat had indeed been the passenger ferry between Falmouth and St Mawes as rumoured! Not exactly sure of the date, but 1940's-50's is an educated guess! The family who owned her at this time where called Henderson, and having phoned all the Hendersons in St Mawes to no avail, I've unfortunately no other testimony of the boat at this time. Which is why this one photo is such a special find. On the back of the picture is written £2,250 obo (or best offer), priceless! She was also rumoured to have worked as a ferry in the nearby Helford river, although I can't find any evidence to support this. Time to go back to the library I think........

Nialls TVs...Download for free!!!

noreply@blogger.com (Rosemarie Houseboat TV) — Mon, 29 Mar 2010 11:35:00 +0000

I have met so many lovely people, along the way while making this film! Today I just wanted to say a big thankyou to Niall, who has given me a collection of old T.Vs to brighten my blogs and posts. Its still availiable to anyone who wants it, for the next few days. Simply download the whole collection from 'You Send It'; http://download.yousendit.com/RmNDQ3Q2UENKV1B2Wmc9PQ

And Niall can also be found at http://www.wix.com/6ixholes/niallx-home.

Its a truely interesting website, and if I'd had a budget, I may well have asked this man to do some of the work for me! Dont forget to visit me at http://www.houseboat-tv.co.uk/

The current episode 'Jonathan Graig' is due to change, so if you've not seen it...its a must!

Featured on Devon + Cornwall Film

noreply@blogger.com (Rosemarie Houseboat TV) — Fri, 19 Mar 2010 11:18:00 +0000

Rosemarie Houseboat TV, as a development platform for the documentary 'The Many Romances with Rosemarie', has been featured on the Devon and Cornwall Film social networking website today. If you want to know more about the project, this will deffinately provide you with a greater insight.

Devon + Cornwall Film regularly blog on locally produced films, events or on productions coming into the area to use it as a location. If you are involved in film or just want to know whats happening near you then come on board! Or find me at http://www.houseboat-tv.co.uk/