<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8986374550778655966</id><updated>2024-10-05T03:06:25.817+01:00</updated><category term="films"/><category term="cricket"/><category term="&quot;where were you&quot;"/><category term="ASIMOV"/><category term="Ashok Kumar"/><category term="BICENTENNIAL"/><category term="BOOKS"/><category term="English"/><category term="IPL"/><category term="Journey"/><category term="London"/><category term="Murali"/><category term="Shakespeare"/><category term="T20"/><category term="Tendulkar"/><category term="amazon"/><category term="amol palekar"/><category term="diplomacy"/><category term="e-books"/><category term="england captaincy"/><category term="facebook"/><category term="farooque sheikh"/><category term="global warming"/><category term="gold"/><category term="harrods"/><category term="hindi"/><category term="monkeys"/><category term="parliament"/><category term="quizzing"/><category term="riots"/><category term="silent letters"/><category term="songs"/><category term="tea"/><category term="transport"/><category term="tube"/><title type='text'>Sancho says</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>35</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-7875097291714075007</id><published>2020-04-08T11:17:00.000+01:00</published><updated>2020-04-08T13:42:59.892+01:00</updated><title type='text'>Doctor Who</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;During the Christmas period
last year I was at home with L, while A and H were in India. Once L used to go
to sleep, it was too late to speak to anyone in India, so I used to spend a lot
of time youtubing. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;Around that period, BBC was
pushing the upcoming next season of Doctor Who. There had been a lot of talk of
the new Doctor in 2018 when Jodie Whittaker took over and now the next season
was due to begin. Now, Doctor Who, for those of you who are not aware, has been
on British TV since 1963 (split into a classic era from 1963 to 1989 and a
revival era from 2005 onwards with a 16 year hiatus from 1989 to 2005). It has
spawned a number of spinoffs including comic books, films, novels, audio
dramas, and other television series. There have been over 800 episodes, which
puts it in the Guinness Book for the highest number of episodes of a
science-fiction programme. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot;; font-size: small;&quot;&gt;

&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;To give some context – it
follows the adventure of a Gallifreyan (that’s an alien planet) time traveller called
the Doctor who for some reason, not entirely clear to me, has a soft spot for
the Earth. The Doctor travels through time and space and generally travels with
someone from the Earth, called a companion. Gallifreyans are called Timelords
for this ability to be able to travel through time and space and alter it. A
key part of the story is that Timelords can regenerate 12 times- which means that
if they are about to die or have some serious physical problems, they can change
their body. This was a plot device created by the writers in the early 60s when
they needed to change the actor playing the Doctor. And it has enabled the
programme to carry on for more than 50 years. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;But somehow it had never interested me and all
the push the BBC was doing also made no difference to me.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot;; font-size: small;&quot;&gt;

&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;One of the things I often
watch on Youtube is late night TV show hosts – with Stephen Colbert and Trevor
Noah being regulars. And perhaps because BBC was advertising Doctor Who so
much, Youtube threw up a late 2018 episode of Stephen Colbert interviewing
Jodie Whittaker, just before her first series was going live. Which I saw. And
I must say that I really liked her in the interview. So, finally I felt that
perhaps I should watch it and see what the fuss is about. Series 12 was about
to release in a few days but given the hype over the change of the Doctor in
series 11, I thought it made sense to first see Season 11 if possible. And
while it wasn’t there on Youtube, it was all available on BBC iplayer. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;So, after putting L to sleep,
I started watching season 11. And I absolutely loved the programme. It was
brilliant! Having watched Season 11, season 12 was now ready to broadcast…but
only once a week. But iplayer had all the seasons of the revived era (going
back to 2005), so I went back to 2005 and started going through the entire
series, while also watching Season 12, as it threw up new episodes. It was
quite interesting to watch and compare the earlier doctors with the current
one. And at the end of it all, I am a confirmed Dr Who fan (though I wouldn’t
call myself a Whovian -much like how I am a Star Trek fan but wouldn’t consider
myself a Trekkie. Or I am a big Harry Potter fan but wouldn’t consider myself a
Potterhead).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;It’s difficult to say what
exactly I like about it – it’s just very nice. The science fiction piece
obviously allows them to make up all sort of things but there is an innate
humanity to it, which is awesome – generally, the better episodes are in my
opinion, the ones where they go back in history to different points in time.
But that is not to say there are not great episodes set in the future or in
other worlds. It’s just very well made. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;One of the interesting things
about the programme is how well the Doctors fit into the role. When I was
watching Chris Ecclestone, he was the Doctor. Just made perfect sense. When
David Tennant took over, it was a bit disappointing and indeed sad to see
Ecclestone go. But within a couple of episodes, Tennant was the Doctor as if he
had always been the Doctor. Seeing him go again filled one with trepidation. But
by the end of Matt Smith’s very first episode, he was the Doctor (his lines in
that episode “who da man” and “basically, run!” are absolute classics in my
view). Peter Capaldi was a very different kind of doctor- took a little time to
get used to him but then again, he delivers “Heaven Sent”, which is arguably
the finest Doctor Who episode of the revival era – the phrase “tour de force”
is well deserved in this context. And Jodie Whittaker has now made the role her
own – I feel she has had weaker scripts than most of her predecessors got but
within that she has still created her own niche- she is the Doctor, just as
much as any of her predecessors were. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;So, who’s been the best
Doctor of them all? It’s one of those questions which you know is unfair but one
which you ask anyway. While it is a close thing, and everyone will have their
own view on this, I have no real hesitation in choosing Matt Smith. He had that
flair, that insouciance which was so reassuring. None of the other doctors
could really have said “who da man” in that manner and got away with it. Matt
Smith rocks in this role. Having not seen The Crown, I have not seen Matt Smith
anywhere else (unlike say Capaldi and Tennant whom I have seen in a number of
other roles) so he’s always the Doctor to me.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;It is easier to choose the
best Doctor because the base character is the same – you are really choosing
who gives the best vibes on the screen. The situation is slightly more
complicated when it comes to the companions. There is obviously the one you like
the most, the one who gels the best with the Doctor, etc. But more
fundamentally, who is the best companion as a character, and that is a slightly
different question. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;If you consider for a moment,
the slightly longer term companions the Doctor has had, are largely people who
are, how shall I put it…not the most well rounded or successful. Rose is a shop
assistant who has no real idea what she wants from life. Donna is in a
relationship with a HR manager who is really working for the Empress of the Racnoss&lt;/span&gt;&lt;span lang=&quot;EN&quot; style=&quot;font-size: 11pt; mso-ansi-language: EN;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;– not the most successful relationship. Amelia is
working as a kissogram with no clear idea of what her relationship with Rory is
like (at the point) – though in her case certainly part of her problems in life
are due to the Doctor just vanishing and leaving her hanging for 12 years. It
is not very clear to me what Bill is doing – she works in the kitchen at the
university, doesn’t she? It’s only Clara and Martha who seem to have some sense
of self-esteem and a decent life independent of the Doctor. And based on the
stories, Martha is clearly the more accomplished – not professionally as such –
one is a doctor (I am not sure if she is a doctor or still a student), the
other a teacher- different type of accomplishments which are difficult to
compare. But as a companion, Martha certainly achieves more – she takes on the
mantle of fighting the Master and succeeds on her own- than any other
companion. And she is perhaps the only companion, who leaves the Doctor
completely on her own terms, and then builds a successful life after that. She
is clearly the most accomplished of the Doctor’s companions.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But as a character on TV to
whom you react, she is not that positive- partly because she is so soppily in
love with the Doctor. In my opinion, companions who got romantically involved
(from their side) with the Doctor did not work as well as those who were just
along for the ride. Clara is an interesting case – she obviously is in love
with Danny but what is her relationship with the Doctor. I think she is in love
with him as well but it is not clear that even she understands it. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But personally, I felt Amy
Pond was the best of the companions. Donna and Clara were also good but there
is something in the relationship between the Doctor and Amy which works very
well-&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;they are mates who bounce off each
other well and who care for each other deeply. That might partly have something
to do with Matt Smith as the doctor but my vote goes to Amy Pond as the best
companion. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But there are 2 other people
who travel with the Doctor, who are perhaps not defined as companions but are
very important in the scheme of things –and they are among the most intriguing
characters in the entire canon. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;First, River Song, who is
just brilliant – her one showing with David Tennant is fine but her time with
Matt Smith is electric. Here is a companion who is clearly in love with the
Doctor but is not soppy about it at all. She gives him hell all the time – it’s
clear that she can manage the Doctor better than anyone else can. She goads him,
makes fun of him but she cares for him all the same. The opposing timelines is
a bit difficult to get one’s head around but given she is also a time
traveller, I am not sure it makes much sense. It would be great to see her
interact with Jodie Whittaker’s Doctor but I am not sure how that would work
out.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;And then there is Missy! (As
an aside, given Missy, I don’t understand all the hullabaloo over the Doctor
being a woman when Jodie Whittaker took over - it seems quite absurd given that
the precedent had already been set by Missy.) What can one say about Missy? Having
seen the entire revival series of Doctor Who over the last 3 or 4 months, at the
end of it all the character who stands out the most is Missy (though River does run her close).&amp;nbsp;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;I don’t have enough knowledge of the background 
of the Master to be able to get a good understanding&amp;nbsp;of the Master. John
Sims as Master was fine – a bit OTT at times. And Derek Jacobi did not even
know he was the Master, so does not really count. But Michelle Gomez, who plays
Missy, was just the perfect amount of “cool”. And of course, her evolution as a
character was tremendous -Sacha Dhawan actually seems a bit of a backward
step.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Unfortunately, I don’t fully
understand the historical relationship between the Doctor and the Master, so it
is not clear to me how much of the evolution is sensible or not. E.g when Missy
tells the Doctor that she wants the Doctor to know that they are not really
different – why is she doing that – what is the motivation behind that? Why is
Missy the way she is? The fact that, in spite of that fundamental question remaining
seemingly unanswered, Missy is such a compelling character is a testament both
to the writing and to Michelle Gomez. But nonetheless, her character and her
relationship with the Doctor could have been better fleshed out. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But then the character
stories and relationships are anyway so complicated in Doctor Who that it would
make Bold and the Beautiful proud. Just as an example consider the scene where River
Song shoots the Doctor. Just think of it in black and white – The Doctor is
shot by his wife, while looking on from a distance are &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoListParagraphCxSpFirst&quot; style=&quot;margin: 0cm 0cm 0pt 36pt; mso-list: l0 level1 lfo1; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; font-size: 11pt;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;his best friend (who also happens to be his mother-in-law),
pregnant with his to-be wife; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;margin: 0cm 0cm 0pt 36pt; mso-list: l0 level1 lfo1; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; font-size: 11pt;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;his best friend’s boyfriend/husband (who also happens
to be his father-in-law); and &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoListParagraphCxSpLast&quot; style=&quot;margin: 0cm 0cm 10pt 36pt; mso-list: l0 level1 lfo1; text-indent: -18pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; font-size: 11pt;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;his to-be wife (who by the way, is shooting her
husband at the same time, while also having been the best friend of her mother
and father, while all three were growing up). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;I know that last sentence
makes almost no sense but it is also all correct and makes perfect sense while
watching it. And before any further comments can be made -&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;even though I have just seen only an odd
episode of Bold and Beautiful, I can unhesitatingly say that Doctor Who is
wholly and vastly superior to it. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But that is one of the issues
about Doctor Who, which is both a positive and a negative- the time travel. It is
of course, the basic premise of the story. But it also allows for all sorts of
convolutions, which are not always internally consistent. E.g. when Rose and
the Doctor travel back to see her father, the Doctor continually warns her
about the fact that the Doctor and Rose (from another journey) should not see
them – also that Rose should not touch herself (e.g. as the baby) because that
could cause all sorts of problems – people meeting (and specifically being in
physical contact with) themselves is held out to be this absolute disaster.
However, the Doctor keeps running across himself all the time. And that never
seems to be a problem.&amp;nbsp;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Still, it all works! &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Or, has till now. But, what next
for the Doctor. Jodie Whittaker’s Doctor has taken a lot of flak. A lot of it appears
to be somewhat sexist. But I do think it is fair to say that the last two
series of Doctor Who have been among the weakest. And that has primarily been because
of the writing. First, the quality of the stories in the last two seasons has just
not been as good as the past. There have been some good stories – like Kerblam
(clearly inspired by Amazon) and the Haunting of the Villa Diodati – but overall
the quality has been lacklustre. Further, the companions are clearly the
weakest till now. Even Wilfred and Nardole, with limited outings, are better
than them. Graham is ok but Ryan and Yas are just so poorly fleshed out,
especially Ryan (doesn’t help that he can’t act too well, either). I sincerely
hope that these two were not put in just for “diversity” reasons but it does
appear that the authors seem to have decided “we need to have a black person
and an Asian, and one of them needs to be a woman”, and then spent time on
developing the one white male character, Graham. Such diversity is of no use,
indeed it is counter-productive. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But the bigger criticism has
been the “playing with the canon”, especially the reveal with the Timeless
Child. Now, I am not a Whovian, so the playing with the canon is not such a big
issue with me but I can understand why it is an issue for many people. However,
series 12 has ended with a number of unresolved issues so one hopes that these
will all be managed somehow in series 13. In the past, Doctors have often had overarching
themes such as Rose Tyler and the Bad Wolf or Clara Oswald and the impossible girl.
Nothing seems to have been built into Jodie Whittaker’s Doctor as yet but
perhaps it is there and we haven’t seen it yet. For now, I am still willing to
give the authors the benefit of the doubt and let them have the next season
before passing final judgement on Jodie Whittaker.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But they do need to change
the companions fast. These 3 have already lasted 2 full seasons – Amy and Clara
might have done more episodes but these three are getting there quickly. So, a
change is needed soon. I have never understood why the companions tend to come from
modern day Britain and a contemporary time period. I get the reason to do it as
a TV serial being made in a certain time and place. But if one programme can
transcend it, it is Doctor Who. It would be great to have a companion from a clearly
different time period- even a famous historical person- and geography. I had initially
thought at one point that Agatha Christie would be a great companion – using her
unexplained disappearance for 10 days as the period she travels with the Doctor,
and possibly have stories which allow her to get some material for her later
books. But of course that went out of the window, once there was a story where
the Doctor and Donna go back in time to see her. But I am sure there can be
other famous people who can be used for this, such as Jimmy Hoffa. I leave this
as an exercise for the Doctor Who production team.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Either way, whatever happens
going forward, there is more than enough of the Doctor for this to remain
another one of the enduring TV classics. If you haven’t seen this as yet, it’s
worth it. And for the Netflix generation – well seasons 1 to 10 are on Netflix
(at least in the UK). And as for me…I am already having withdrawal symptoms - I
need to quickly figure out how to get my hands on the 63-89 episodes!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/7875097291714075007/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2020/04/doctor-who.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/7875097291714075007'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/7875097291714075007'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2020/04/doctor-who.html' title='Doctor Who'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-2488472912222287381</id><published>2019-03-06T15:27:00.000+00:00</published><updated>2019-03-06T15:27:35.230+00:00</updated><title type='text'>ग्रुफलो </title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;my effort at translating Julia Donaldson...&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ek chuha jangal me chale jaa
raha tha…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ek lomdi ne chuhe ko dekha
and aur chuha achcha dikh raha tha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Lomdi – Kahan jaa rahe ho,
chote chuha, mere ghar me aake khana kha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha –shukriya, lomdi bhaiya
par na, main kar raha hoon gruffalo ke saath khana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Lomdi – gruffalo, ye gruffalo
kya hai?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha – gruffalo, tumhe nahin
pata hai? Uske daravne panje aur haathi jaise daant. Aur bade jabde ke andar
aur bhi kai daant&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Lomdi – kahan mil rahe ho use?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha- yahin chattanon ke aas
paas, uska pyara khana hai lomdi ki maas &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Lomdi – Lomdi ki maas (kaha
lomdi ne kaanpke), phir main chala (aur lomdi gaya bhagte bhagte)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha – Lomdi to budhdhu
nikla, use pata nahin hai, gruffalo jaise koi cheez hi nahi hai?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha jangal me chalte jaa
raha tha…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ek ullu ne chuhe ko dekha and
aur chuha achcha dikh raha tha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ullu – Kahan jaa rahe ho,
chote chuha, mere ped pe chadhkar khana kha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha –shukriya, ullu bhaiya
par na, main kar raha hoon gruffalo ke saath khana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ullu – gruffalo, ye gruffalo
kya hai?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha – gruffalo, tumhe nahin
pata hai? Uske pair par bade ungliyan par chota sa ghutna. Aur naak ke sire par
zehreela sa ek bada massa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ullu – kahan mil rahe ho use?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha- yahin nadi ke kinare, uska
pyara khana hai ullu, bhune hue &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ullu – (chadhti awaaz men)
Ullu, bhune hue, Alvida chote chuha (ullu ne kaha udte hue) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha – Ullu ko bhi ye pata
nahin hai, gruffalo jaise koi cheez hi nahin hai?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha jangal me chalte jaa
raha tha…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ek saanp ne chuhe ko dekha
and aur chuha achcha dikh raha tha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Saanp – Kahan jaa rahe ho,
chote chuha, mere bil me aakar khana kha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha –shukriya, saanp ji par
na, main kar raha hoon gruffalo ke saath khana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Saanp – gruffalo, ye gruffalo
kya hai?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha – gruffalo, tumhe nahin
pata hai? Uski lal lal ankhen, aur jeebh kali kali, uske peet par lage muhase baingani&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Saanp – kahan mil rahe ho use?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha- yahin jheel ke tat
par, uska pyara khana hai saanp ka sar&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Saanp – Saanp ka sar, mujhe
hai kahin aur hai jana, (rengta hua saanp vahan se bhaaga)&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha – Saanp bhi buddhu hai,
use pata nahin, gruffalo jaise koi cheez hi nahi……..n &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Par ye kaisa jaanvar hai
jiske aise daravne panje… aur itne saare daant ik bade jabde me.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Uski lal lal ankhen, aur jeebh kali kali,
uske peet par lage muhase baingani&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Uske pair par bade ungliyan
par chota sa ghutna. Aur naak ke sire par zehreela sa ek bada massa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Kahin ye gruffalo to nahin…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Gruffalo: Mera pyara khana,
bread ke saath lagega achcha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha – Achcha! Mujhe achcha
mat kahna, seekho baaki janvaro se mujhse darna. Mere peeche chaloge to samajh
jaaoge, sab ki tarah tum bhi mujhse dar jaaoge &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Gruffalo – dekhte hai
(gruffalo ne haste hue kaha), tum aage chalo aur main peeche peeche aaonga&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Dono chalte gaye jab ek awaz
aaya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Gruffalo: Lagta hai kuch aage
hai yahan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha: Ye saanp hai, kaise ho
saanp bhaiya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Saanp ne mudkar gruffalo ko
dekha &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Baapre, saanp ne kaha, main
to yahan se chala&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Aur saanp apni bil ki ore
bhaga&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha - Maine tumse kya kaha
tha, ab bolo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Bilkul dang rah gaya Gruffalo
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Dono chalte gaye aur phir
Gruffalo bola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Gruffalo: Pedon me se kuch
awaz hai aa raha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha: Ye ullu hai, kaise ho ullu
bhaiya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Ullu gruffalo ko dekhkar bola
“oooi maa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Main to abhi yahan se chala”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Aur apni ghar ki ore ud gaya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha - Maine tumse kya kaha
tha, ab bolo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Bas bhouchaka rah gaya
Gruffalo &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Dono chalte gaye aur phir
Gruffalo bola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Aage se pairon ki aahat hai
maine suna&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha: Ye lombdi hai, lombdi bhaiya
kaise ho&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Lombdi gruffalo ko dekhkar
bola “bachao&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Pyare chuha, achcha namaste”,
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Lombdi ne kaha bhagte hue&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuha – Achcha gruffalo, kuch
samjhe. Mujhse hai sabhi darte. Par chalte chalte mujhe bhookh lag gayi, mera
pyara khana hai gruffalo ki chhati&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;“Gruffalo ki chhati”, Gruffalo
ne kaha, aur dum dabakar vahan se bhaga &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Jangal me sab kuch ekdum
shant tha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Chuhe ko ek ber mili…aur ber
achcha tha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/2488472912222287381/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2019/03/blog-post.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2488472912222287381'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2488472912222287381'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2019/03/blog-post.html' title='ग्रुफलो '/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-5975130750402495297</id><published>2018-03-01T18:26:00.002+00:00</published><updated>2018-03-01T18:28:01.691+00:00</updated><title type='text'>You pay what you are willing to</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;A few days ago at work, somebody had brought some food over
-&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;a mix of cakes and biscuits – some own
brand and some branded. Somewhere from there a conversation began on the
difference between the two varieties. It was interesting to see the reactions
people had to this – with some like me swearing by own brand, others either
refusing to buy own brand if possible, and still others, generally ok with own
brand but not on certain specific items .&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;Of course, it is perfectly acceptable to have some brand
choices and choose to go with certain products over others. And as items become
more expensive, the downside of a bad decision becomes higher and the trust a
brand gives becomes more important.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;But on
most consumables, I genuinely believe there is very little that a brand tends
to add over the generic. There is only one product where I have consistently gone for a
brand over the generic –I would argue that my experience makes it
understandable. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;I started shaving in the early 90s, when Gillette, I think
had not yet been introduced in India. The gillette readyshaver was launched
shortly afterwards but did not seem worthwhile at that time. I started working
in 2000 and, without any idea of quality, bought the sensor excel –purely on
brand. By this time the company had already launched the Mach III, at a much
higher price point but with my usual disdain for “better improved” products
sold at a premium, I went for the sensor excel. It did not disappoint-&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;while the wiltech edge (if I remember the
name correctly) lasted me a week, the sensor excel lasted a month.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;I quite happily continued with the sensor excel, happy to
pay the premium over other double edge cartridges but not willing to pay the
premium for the Mach III. In 2003, my brother visited India and he gifted me a
Mach III razor with a set of around 20 blades. I switched over when my existing
sensor excels finished and I found that each blade was lasting me 3 months or
so – much superior to the Sensor excel.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;In 2007, as I got ready to leave for the UK, I closed down
my Indian credit card and used up the remaining points. Among the things I
bought was a pack of 5 sensor excel blades. The 20 Mach IIIs lasted for around
5 years and wound down at some point in 2008. By this time, Gillette had
introduced the Fusion 5 blade razors – which I viewed as a gimmick to get the
customers to pay even more. I still had the 5 sensor excels to use up so I
started using those and these were almost done by the end of 2008.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;A friend of mine strongly recommended the Fusion-&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;but I was hugely sceptical. I was happy to
pay for Gillette over a generic but not convinced of Fusion over Mach III.
After spending Christmas at his place during 2008, on the way back home, I did
need to buy new blades-&lt;/span&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;either the Mach
III or the sensor excel. When about to leave his place, he again strongly urged
that I switch to Fusion. With that ringing in my ears as I went to the&lt;/span&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;supermarket, I succumbed in a moment of
weakness and bought a pack of 8 fusion blades- sometime at the end of December
2008.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;I am still using that pack!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;I am almost at the end now – in fact, I probably will be
done with it by sometime in March. But I have used that 8 pack of blades from
December 2008 till&amp;nbsp;March 2018. Admittedly when I travel on holiday I prefer
to take an electric razor rather than the Gilette. And, if I am in India, I
will often get a shave done at the barbers rather than at home. But even
adjusting for that I suspect that I have used that 8 pack of blades for more than
8 years. I don’t know if I just got an exceptional pack but I have already
bought the next 8 pack of fusion blades – whatever the premium on the
price.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;Of course, this decision has involved some amount of usage
before reaching it. But that is the magic of the marketers -&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;they have managed to convince a lot of people
that if you are paying a premium on the price, then you are getting a better
product-&lt;/span&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;automatically. The refrain “you
get what you pay for” is such a common thing. The facts suggest the complete
opposite but, at least, in this country, it is widely accepted, often as gospel
truth. The evidence exists to show that this is not true but people almost seem
to be willing to be hoodwinked.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;A classic example of this is vintage wines. You might have
read of the wine fraud committed by Rudy Kurniawan. But just think of it for a
minute – he replaced vintage wines with non-vintage wines and sold them as
vintage. Definitely not acceptable. But why exactly are some wines vintage and
others not - only because experts say so! Can you think of any other food
product where a third party tells you what is good and what is not. Compare say
with mangos, with their varieties of alphonso, dashera, langda, etc etc. An
expert is not going to come and tell you that you must eat alphonso and the
others are not as good. People make up their own minds and act as per their own
preferences. That resultant demand may then set price…but not an expert’s judgement.
But wine is&amp;nbsp;this thing where somehow we have been sold the idea that a
vintage wine is better than a non-vintage one simply because an expert has said
so (and guess which is more expensive) . &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;; font-size: xx-small;&quot;&gt;But why are the vintage wines better and is there any
objective benchmark for that. Ok, so for some things there can’t be an
objective measurable benchmark but is there at least consistency? The answer is
no. (look at &lt;/span&gt;&lt;a href=&quot;https://www.theguardian.com/lifeandstyle/2013/jun/23/wine-tasting-junk-science-analysis&quot;&gt;&lt;span style=&quot;color: blue; font-family: &amp;quot;arial&amp;quot;; font-size: xx-small;&quot;&gt;https://www.theguardian.com/lifeandstyle/2013/jun/23/wine-tasting-junk-science-analysis&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;
and some of the follow up links from there) – experts can’t agree, not just
among themselves but with their own self. A judge could rate the same wine as
excellent or good or acceptable within minutes of each decision. Studies have
shown that experts cannot even distinguish between red wine and white wine dyed
red in colour. But the industry sells itself on this basis and vintage wines
can be sold for huge amounts, because they are deemed to be better. A massive
fraud, in my opinion. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Examples like these abound where price is used to indicate
quality with no objective standard-&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;the
same product is segmented and sold to different segments at different
prices-&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;completely justifiable. But we
have managed to imbibe that the more expensive one is better. Interestingly
when different supermarkets sell the same product at different prices, no one
has any issue – no one is going to say that the Tropicana in Tesco is better
than the Tropicana&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;in Sainsburys even
though one may be cheaper than the other. Similarly, when a company cuts its
own prices, we don’t immediately say it is poorer quality – it is only when we
compare it with something else that the relative price seems to impact the
quality perception. 6 years ago, Huggies wipes used to sell for around two and
a half pounds a pack. Today you get them for 80p a pack (and if you buy 10 or
12 of them, you can get them for 50p a pack- though I think the pack size has
reduced from 64 to 56).I&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif;&quot;&gt; don’t think their quality has worsened nor do I remember that people are now complaining of that. It has&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt; happened primarily because supermarket own
brand wipes are now available for 60p. But imagine the margin Huggies had
originally…and why therefore price in itself is no measure of quality. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;Irrespective of brand vs generic, the other social change in
this area is one which is often discussed – the throw away culture. People
consistently buy new all the time and just get rid of old stuff. At one level,
this does not work too badly…e.g old clothes which you donate to &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;charity inevitably are recycled… and not on
the high street. Rather they are sold in other parts of the world forming a good
bit of a roughly USD5 bn second-hand garment trade that spans the globe&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 10.5pt;&quot;&gt; (&lt;a href=&quot;http://www.bbc.co.uk/news/magazine-30227025&quot;&gt;&lt;span style=&quot;color: blue;&quot;&gt;http://www.bbc.co.uk/news/magazine-30227025&lt;/span&gt;&lt;/a&gt;,
&lt;a href=&quot;https://www.theguardian.com/sustainable-business/sustainable-fashion-blog/2015/feb/13/second-hand-clothes-charity-donations-africa&quot;&gt;&lt;span style=&quot;color: blue;&quot;&gt;https://www.theguardian.com/sustainable-business/sustainable-fashion-blog/2015/feb/13/second-hand-clothes-charity-donations-africa&lt;/span&gt;&lt;/a&gt;)
. &lt;/span&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But while UK exports around USD 600 m of second hand clothes, around
USD 200m goes to land fill. Similarly, the UK throws away USD8bn of white goods
every year which can be repaired. . But unfortunately that 8bn does not get repaired
or even recycled, it gets thrown away. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Part of the problem of course is that repair is often so
expensive that it does not make economic sense to do so. I am sure there is a
model whereby old stuff can be exchanged for a cut off the new price and parts
from the old piece can be reused. We have always had a similar model for cars
and we see it for stuff like laptops and phones but somehow it does not seem to
exist for washing machines and dishwashers and microwave ovens and so on. I don’t
know why. But while it might be difficult for an individual to repair a washing
machine, it is not that difficult to mend/salvage clothes which cannot be
donated to charity, probably because of a rip or some such thing, but which could
still be mended/salvaged. But nobody will do it…because mending clothes is so
infra-dig and uncool. Much easier to just throw it away and buy new ones. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;And the most amazing thing of this all – if you are a person
who is particular of these sort of issues – who prefers to mend things rather
than throw them away, who waits to buy on a deal rather than pay full price,
who is happy to shop around to buy at the lowest price- socially we have reached
the stage where that is now seen as stingy and mean and niggardly. It is no
longer socially acceptable to be able to say that you buy consumables on price…because
that, by definition, means that you are willing to accept low quality…even if
that is not the case. It has taken many years for Aldi and Lidl to become even
semi-acceptable and even now a lot of people I know will not be willing to accept
buying anything from Poundland…even if it’s the same items as that you would
get at Tesco or Sainsbury’s. &lt;span style=&quot;font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 10.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Of course, the data does not reflect that…Aldi’s and Lidl’s market
share keeps rising, the other supermarket’s shares keep falling and for 2017 Aldi
topped the Which supermarket ratings with Lidl coming in at 3-&amp;nbsp;suggesting a
high degree of hypocrisy. Which of course, makes the initial point moot…maybe people
do buy generic stuff, in spite of whatever they say. They just refuse to own up
to it. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Ultimately, all individuals will decide on their own buying
patterns – if you want to buy a more expensive product, that is perfectly
acceptable – just as I do with Gillette. If however, you believe that a more
expensive product is automatically better quality, then I would urge you to
think again. And if you think someone buying a cheaper product is being stingy,
you might want to consider that it is possible that they genuinely just like
that product better. And please, please get the notion out of your head that
you get what you pay for…instead remember that you pay what you are willing to
pay for!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;o:p&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;; font-size: xx-small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;o:p&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;; font-size: xx-small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/5975130750402495297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2018/03/you-pay-what-you-are-willing-to.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5975130750402495297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5975130750402495297'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2018/03/you-pay-what-you-are-willing-to.html' title='You pay what you are willing to'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-3301567536699624926</id><published>2017-02-24T17:06:00.001+00:00</published><updated>2017-02-24T17:06:49.687+00:00</updated><title type='text'>PRIDE!</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;; font-size: small;&quot;&gt;The year 2016 has been a crazy one. Everyone will agree to that. Brexit and Trump – either of them in a year would have been enough. Both together of course was overkill! Still, there it was. &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;I am not going to try and find reasons for this nor am I going to spout lessons from all this -&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;people far better than me have tried and many shall keep trying. I, however was very intrigued by a slightly different aspect of this whole element – pride!&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;One of the key things in the Brexit campaign was about having pride in the UK. Not just faith that the UK could manage on its own but about pride that the UK would manage on its own. We didn’t need outsiders to tell us what to do…we were proud Britishers. I suppose, the point of making America great again was also about having pride in America.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Not that America or UK are unique in this. Pride, for example, is a very key part of India. “Garv se kaho hum… hain”…fill in any region or religion in India and I am pretty sure that slogan exists. People are exhorted to be proud of the place they are from.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;And this is something I don’t quite follow. You had nothing to do with your Birth - what is there to be proud about it?&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Now, I can’t speak for others but in general I think one can feel pride about something when one has actually had some role in that something coming to fruition – even if it is indirect. So, one can feel proud in one’s children’s achievements because there has been effort in bringing that child up. One can feel proud about the college one went to because there was some effort (one assumes) in getting into that college. One can perhaps feel proud of the place one works at because it took some effort to get into the organisation, in the first place and perhaps the work one has done has helped achieve that which one is proud of. &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;But it’s rather stretching things when one is proud of accidents of nature. Being proud of being Indian or American or whatever is like being proud of being tall or proud of the fact that you are less likely to catch malaria because of your genetic background. That’s just the way you are born – you didn’t choose it and you didn’t do anything to have it happen. I have never, for example, come across a South Asian who is ashamed of being more prone to diabetes. The logic, of course, is pretty much the same. &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Not to say that the shame game does not go on – it’s just that people don’t normally get ashamed of who they are but try to make other people ashamed of&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;their birth. This normally comes in the form of using your birth to blame you for what your ancestors did. So, this takes the form of blaming the current crop of Britishers for the evils of colonialism, blaming 21&lt;span style=&quot;font-size: small;&quot;&gt;&lt;sup&gt;st&lt;/sup&gt; century white Americans for the evils of slavery and making 21&lt;sup&gt;st&lt;/sup&gt; century Brahmins responsible for the evils of casteism. Rather stupid to my mind. There might be an argument for a societal response to some of these evils in the past but trying to blame individuals for the ills of their ancestors is never going to work very well. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;What however is interesting is that while people do, quite naturally, recoil at being blamed for the actions from a few hundred years ago; they are still very happy to feel pride at that same ancestry even though they still had nothing to do with it. They are enough people who want to feel pride at the history of Britain as a maritime and colonial power but even if they are willing to accept that colonialism had its downsides they claim that they can’t be held responsible for it. Every region in India has had its past of some atrocity of some sort on another region but when&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;the “garv se kaho…” piece starts, no one ever thinks of “thodi si sharm bhi karlo…”&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;It isn’t very surprising that people want to remember the good bits and forget the bad bits – that’s natural. But when you are trying to claim ownership of a past which you had nothing to do with, it seems a bit unfair that you only want to claim ownership of the good bits. &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;And the fundamental point remains – what are you feeling proud of? And do you have so little to feel good about that you must search for it in things which have nothing to do with you. &lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;;&quot;&gt;Pride, of course is very closely linked to identity. Human beings seem to have the need for an identity. In reality, I feel the need is not so much about identity as it is just about the need to be part of a larger community. This is very clearly seen when one considers immigrant communities – such as Indian immigrants in the west. When the first wave of immigrants came many years ago, language was a problem for many of them. Further, within India, a lot had already grown up in communities which were regional rather than pan Indian. Hence communities in the West often grew up along linguistic and regional lines – so in London, for example go to Southall and you will find the Sikhs and Punjabi.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;But, as time has passed, a more educated variety has landed up which already speaks English, at least as a second language, if not the first.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Such people can now be found in large numbers interacting with other Indians – who went to similar schools and colleges as they did and work in similar industries – and they can be found all across London, such as in Wimbledon, where I live. Their identity is &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;no longer Punjabi or Tamilian or Gujarati…but Indian because they can easily interact with Indians with similar upbringing. The next generation will probably not care that much for the Indian bit and have a more British identity.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 10pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot;; font-size: small;&quot;&gt;But while I understand that people might need that sense of identity, what is still not clear to me is why the pride in that. Whether you view yourself as Tamilian, Indian, British Indian, or British is immaterial – that depends on your upbringing and your world view. But, on its own, it cannot and does not make you better than someone else. And if everyone understood that, we just might have a slightly more peaceful, less confrontational world. Now, that might be something for all humans to be proud of!!&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/3301567536699624926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2017/02/pride.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/3301567536699624926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/3301567536699624926'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2017/02/pride.html' title='PRIDE!'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-5512481550152277237</id><published>2014-08-04T22:15:00.000+01:00</published><updated>2014-08-04T22:23:23.168+01:00</updated><title type='text'>Random thoughts on advertising</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;br /&gt;
This post has no specific message – I am not trying to say something very deep or meaningful. Just some random thoughts – the sort of things you might put up as a facebook post; except this is perhaps a bit too long for that.&lt;br /&gt;
&lt;br /&gt;
Some days ago I saw the new Airtel ad on ndtv – there was in fact a 20 min programme discussing the merits and demerits of the ad with some of the usual suspects in tow. Setting aside the quality of the ad, I started thinking of the different ways in which brands are advertised in India and the UK.&lt;br /&gt;
&lt;br /&gt;
I studied the theory of marketing more than 15 years ago, so I might be getting things very wrong here…but my memory of marketing 101 seems to suggest that as the market evolves and as brands evolve, communication moves from focusing on the functional connect to the emotional connect. A mature market therefore would have brands selling almost purely on the relationship with the brand; especially as functional differences between brands would be minimal. So, in theory a detergent would not be just saying that it washes whitest but that it makes your family feel better, etc, etc.&lt;br /&gt;
&lt;br /&gt;
What interested me was that advertising in India does indeed seem to have gone that way.  Brands like Airtel, surf, google and so on have made very emotional ads where the functional aspect of the product is often minimal. And this has been the case for many years now …think of the original Hutch ads, the Titan ads for so many years, the Raymond advertising. Emotional connect has always been strong.&lt;br /&gt;
&lt;br /&gt;
But advertising in the UK – arguably a much more mature market – does not seem to be so strongly emotional. In many  categories one sees very functional “scheme” advertising rather than emotional “theme” advertising. A mobile phone company would talk about how many minutes it gives and what the latest iphone deal is-  there is no brand differentiation. Telecom providers talk of how easy it is to switch service providers and how much download they are offering for such a low price. Banks keep on selling on the basis of low mortgage rates and the hard-nosed benefits of switching accounts to them (2% off on direct debits or 100 pounds into your account if you deposit 1000 pounds a month). Supermarkets almost exclusively play up short term deals; even though some of their by lines can be decently emotional, such as “every little helps.” And then there are the aggregators whose advertising ranges from the sublime (comparethemarket, which I guess is more emotional than functional…even though the take away is that for best car insurance one should visit comparethemarket.com) to the ridiculous (go compare); but the game there seems to be only top-of-mind awareness with brand connect not really a part of the marketing brief (my view, at least).&lt;br /&gt;
&lt;br /&gt;


Of course, as a person who has not grown up in the UK, perhaps I do not always get the emotional connect. But when I see some of the earlier advertising in this country – some of it certainly was quite “theme based” rather than “scheme based”. The JR Hartley ad from the early 80’s, for example, is genius. But then again, perhaps, it is only those which remain in memory and the vast majority were always “scheme based”. I don’t know.&lt;br /&gt;
&lt;br /&gt;


So, the final point is that I am still intrigued at this relative difference in communication strategies in these markets. Is it different in other mature markets? Or am I just getting my marketing 101 very, very wrong?&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/5512481550152277237/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2014/08/random-thoughts-on-advertising.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5512481550152277237'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5512481550152277237'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2014/08/random-thoughts-on-advertising.html' title='Random thoughts on advertising'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-5802341696165338819</id><published>2014-05-23T00:07:00.000+01:00</published><updated>2014-05-23T00:07:11.884+01:00</updated><title type='text'>‘wots in ə skript</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
What constitutes a language – I would have said words and how they are used. That is the core of the language. Spelling, pronunciation and such like help in standardization and create dialects...but they don’t create a different language. &lt;/p&gt;

There is another aspect to a language; script – how it is written? Is that critical? &lt;/p&gt;

More than one language is written using the Latin script as is more than one language written using the Devnagri script. It is less common to find one language written in multiple scripts...but more of that in a minute. However, clearly there can be no one-one linkage between a language and a script. That, in itself is not a watertight argument - there can be no one-one linkage between words and a language- but if sufficient number of words are common, one is perhaps not looking at two different languages but dialects of the same languages. But, of course, the words are still going on to define the language (or the dialect); does script in any way define a language – at least in one direction (many languages may be written in script X but language A can only be written in script X)? &lt;/p&gt;
I have never considered script to be an integral part of a language. But over the last few weeks, I have come across a few things which suggest that not everyone thinks that way, and that intrigues me? &lt;/p&gt;
I was speaking to an old friend the other day about Urdu poetry and where to read some of it from. I suggested to her that the best place to start was urdupoetry.com. She had heard of the site but did not like it because it was in the Roman script- while she cannot read Nastaliq, she at least wanted to read in Devnagri. Now, I couldn’t understand that – perhaps because I have been used to reading/writing Hindi in Roman script for over 25 years - but she was quite vehement about it. She also added that she simply did not like many of the ads nowadays which wrote Hindi and Marathi words in the Roman script. It did not “seem” right. Again, I could not follow why the script made a difference - there is obviously a question of ease of reading but beyond that – why is it wrong when the same thoughts, indeed the same words are being expressed.&lt;/p&gt;
Now, this might seem, at the end of the day, a fairly minor thing but in the Indian context it has one very important outcome – the distinction between Hindi and Urdu. Quite independently of the discussion on script, I recently had a discussion with another friend over the basic difference between Hindi and Urdu. I am not going to go over the details of that argument, but broadly put I argued that these are both dialects of the same language – Hindustani or Khadiboli- which over the past century have diverged; whereas he argued, as I understood it, that they are historically 2 different languages which having co-existed for so many centuries have developed many similarities. Each of you can have his own view on this- I am not going to belabour this point.&lt;/p&gt;
But I do strongly believe that, for most people in India today, the biggest difference in their minds between Hindi and Urdu is the script. That, more than anything else, defines the difference. In speech one can’t easily identify the difference. How many people would really care to consciously make the difference between &lt;i&gt;“mushkil”&lt;/i&gt; and &lt;i&gt;“kathin”&lt;/i&gt; – they will probably say what they are used to saying. And if the person in front uses the other form, they would, without any effort, understand. Ditto for &lt;i&gt;“mitr”&lt;/i&gt; and &lt;i&gt;“dost”&lt;/i&gt;. Or &lt;i&gt;“upyog”&lt;/i&gt; and &lt;i&gt;“istemaal”&lt;/i&gt;. I remember Vajpayee’s speech during the 1996 confidence vote; he ended by saying some thing like –“&lt;i&gt;adhyaksh mahoday, main rashtrapati ji ko apna tyaagpatr dene ja raha hoon”&lt;/i&gt;. I don’t think till that day I even knew that a word called &lt;i&gt;“tyaagpatr”&lt;/i&gt; existed- it was always &lt;i&gt;“istifa”&lt;/i&gt;. But at the same time &lt;i&gt;“tyaagpatr”&lt;/i&gt; was immediately intelligible. The borders between the spoken languages are very fluid and it is personal context which would define one’s choice of words. &lt;/p&gt;
But when you see something written, in black and white in front of you, the difference in the script cannot be missed. Remember that Nastaliq is very similar to the Arabic alphabet while Devnagri is used for Sanskrit as well – and since these 2 languages have religious significance from an Islamic and a Hindu viewpoint there immediately develops a religious context to Hindi vs Urdu. One becomes a Hindu language while the other becomes a Muslim one. Suddenly script takes on a much more serious dimension –one, which frankly it should not be capable of taking on.&lt;/p&gt;
Unfortunately, this dimension has existed in India for sometime now. Many people think that Hindi is India’s national language. It isn’t- it is actually India’s official language. However, the sub committee (of the constituent assembly) on fundamental rights recommended that “Hindustani, written either in Devnagri or Nastaliq script, at the option of the citizen, shall, as the national language, be the first official language of the Union”. Southern opposition meant that the “national language” bit was dropped but Hindu opposition, including from many in the Congress, meant that Hindustani became Hindi and Nastaliq was dropped altogether. Add to this the fact that Pakistan chose to adopt “Urdu”, a language quite alien to most of its citizens, and wrote it in Nastaliq has meant that the “script-religion” linkage and distinction has perhaps became much more etched for many people.&lt;/p&gt;
And so script has played its part – not so much in defining a language but in defining a culture, maybe even in defining a nation; indeed two nations. &lt;/p&gt;
But it doesn’t make sense to me. After all...”what’s in a script, that which we read from left to right, if read right to left would mean the same” &lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/5802341696165338819/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2014/05/wots-in-skript.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5802341696165338819'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5802341696165338819'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2014/05/wots-in-skript.html' title='‘wots in ə skript'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-7660196719699717088</id><published>2014-01-07T22:22:00.002+00:00</published><updated>2014-01-07T23:30:01.701+00:00</updated><title type='text'>AAP and the story of corruption</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
The last month has seen one of the most amazing political stories playing out in Delhi. Watching Arvind Kejriwal’s swearing in was like some scene out a Hindi film – except that there was no playback singer....it was the actor singing himself (at least, now we know why playback is used). The film would, in all likelihood end with that scene – sachai ki jeet and all that but of course, in real life it’s all going to start now. The history of Congress supported governments suggests that this one won’t last too long either. If I were Arvind Kejriwal, I would look to get the Congress to withdraw support a couple of months before the general elections (simply go after Robert Vadra on the day the elections are announced) and then have elections along with the general elections. That would perhaps ensure a victory for the AAP in Delhi as well as buy them a few more seats at the Lok Sabha elections as well. &lt;/p&gt;

This of course, assumes that the people buy into the vision which AAP is selling. It is fairly narrow- get rid of corruption. Now, there are, of course issues with this - their policies on foreign affairs, defence, the economy are not so clear. I have not read their manifesto but over the next few months they need to articulate this better. Which they well might. But for the time being the anti corruption stance has been strong enough to win minds and hearts. But, do we Indians, especially the middle class, really really want to get rid of corruption. The fact is, the Indian middle class is as corrupt as it can get. In fact, the Indian mind set is very corrupt. If the AAP can stop a government official asking us for money to get a ration card – great! But what if it tries to stop us being corrupt – will we be so benevolent when we are so used to getting things done with flouting rules. &lt;/p&gt;

Indeed, it is amazing how much we disregard the rules on just about everything and there are a litany of examples which can be provided for this. &lt;/p&gt;

Let me look at one journey I made from Bombay to Pune a few months ago. I got into the taxi at Dadar and drove off. I was sitting in the front seat and belted up as we started. The driver on the other hand merely crossed the belt over his body without fixing it in. And at the first option, once we exited Bombay, just took it completely off. He even told me that there was no need to wear it now. I would assume that if he had been caught some money would have changed hands with the cop and there would then have been a diatribe about how corrupt cops are. But wearing a seat belt—that&#39;s a big no, no!!! As you get out of Bombay, there are a number of traffic signals one needs to wait at. At each of these, all drivers have started inching forward and crossed the stop lines way way before the lights have turned green. Why? I wish I knew. Let the police crack down on this and I bet someone would make a comment asking why is the police harassing innocent citizens when the big fry are being left alone. &lt;/p&gt;

Anyway, we were on the express way and we stopped somewhere at Lonavala at one of the halts. I bought a packet of Chiwda at one of the shops. The printed MRP – Rs 48. On proferring a Rs 100 note, I was returned a Rs 50 note. I waited a few seconds for the Rs 2 change- clearly it was not forthcoming, so I asked. The response was – “do rupye ham nahin dete”. Kyon nahin dete, bhai? “Aise hi hota hai, yahan, koi nahin dega aapko”. I refused to buy it and went around to another shop to buy it. Same story to a point – Rs 100 given...Rs 50 returned...wait..ask for Rs 2. This time, very slowly the man returned me the Rs 2. But why did I have to ask? Is not, effectively pocketing Rs 2 off a customer fairly corrupt. &lt;/p&gt;

Incidentally, there used to some things in India it’s quite difficult to pay MRP. It’s often difficult to pay MRP for a bottle of mineral water, almost impossible to buy a bottle of Coke at MRP – especially at smaller shops. And everyone seems to have just accepted this. Why? &lt;/p&gt;

After some time I reached Pune station and got into an auto. Taking an auto/taxi in India can be quite an experience depending on which city you are in. Many friends of mine from North India or Chennai used to be surprised that autos and taxis in Bombay (and mostly in Pune as well) go by the meter. I guess one could argue that it is true market forces – every trip gets negotiated for and the best price is achieved for both parties. Again, I feel that this is another form of corruption which gets indulged in. But since I know Pune, I can get by decently. So, I was soon on my way to home in the auto. &lt;/p&gt;

On the way to our place, we cross the Pune Sholapur road which has 2 lanes in the middle (one on either side) which are dedicated bus lanes. As we approached, our auto driver nonchalantly drove into one of those lanes. I asked him – “arre bhai kya kar rahe ho...”. “Sir, aap bambai se aaye ho...yahan to aise hi chalta hai” And yes, the reality is that while perhaps 80% of people did not get into the bus lanes; there is a good 20% (of all types of traffic) which does it. Even if the other lanes have moving traffic. &lt;/p&gt;

Finally, we reach our society. My parents live in a place which has about 200 independent houses on about 20 roads- a single road down the middle with veins on either side. All the houses are single storey because for the last 20 years the gram panchayat has not given permission to built the 2nd floor. Just a few months ago they finally did, subject to the elevation being the same. I could see that some construction has begun. I could also see a couple of houses which had gone rather overboard – in flagrant violation of the guidelines and perhaps even encroaching on their neighbours. I asked my father – “how come this chap has built it like this?” The reply – “Yeah, some of the society officials asked him. He said –‘go to court, if you want’. Who will now go?” Again, we are very happy to violate rules when it favours us. &lt;/p&gt;

All this in one 4 hour journey from Bombay to Pune. The list of course is endless. The mid sized businessman who does not pay income tax and does everything on “cash basis”...and then says that the government does not give enough services; the householder who happily gets his meter “fixed” to pay less and then complains about “mehengai”; the person who smokes on the road knowing full well it is illegal. This is not about corrupt government, this is about a society where corruption is acceptable...until it affects us. &lt;/p&gt;

The AAP’s stated position is that the root cause of all evil in our society is corrupt politics. That may be true but the rot has now set in and it may not be enough to just remove the root cause. But does it have the guts to go ahead and look beyond politics. Some things can be changed relatively easily. It’s not too difficult to stop, say traffic violations. I seem to remember that few years ago Bombay police greatly reduced the number of drunk driving cases during the New Year season by picking up one South Bombay lad about a week before and keeping him in lock up for a couple of days. And publicizing this big time. Similarly, many other things can be stopped with some targeted action. But how will we react when the target is not a “bhrasht neta” but an “aam aadmi.” If AAP can get a few big scalps first they might be able to get away it with it. They could however find that their honeymoon with the people also ends very fast. And finally, that might be the biggest tragedy - that we are not willing to look at the mirror and see its reality. There is hope currently...but I am not yet sanguine. &lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/7660196719699717088/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2014/01/aap-and-story-of-corruption.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/7660196719699717088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/7660196719699717088'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2014/01/aap-and-story-of-corruption.html' title='AAP and the story of corruption'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-5795151553789024503</id><published>2013-07-04T23:02:00.000+01:00</published><updated>2013-07-04T23:02:04.958+01:00</updated><title type='text'>The pen is mightier than the piano</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;Some days ago a friend had put up a link to “&lt;em&gt;Ek akela is shahar mein&lt;/em&gt;” on facebook and had said that if anyone knows of a song with better lyrics he should point to it. Made me think a bit. At the outset, I can clearly say that, at least in my opinion, there are many songs with better lyrics than “&lt;em&gt;Ek akela is shahar...&lt;/em&gt;”. What the post made me think of was whether there are songs which are dependent only on the lyrics – the music need not be all that great, the singing merely competent...but it is the lyrics which would take the song from “merely competent” to “memorable”. I don’t think “&lt;em&gt;Ek akela..&lt;/em&gt;” is such a song but then nor are songs like “&lt;em&gt;Sab kuch seekha humne&lt;/em&gt;”, “&lt;em&gt;Chaudhvin ka chand&lt;/em&gt;” , “&lt;em&gt;Jo vada kiya&lt;/em&gt;”, “&lt;em&gt;Do divane shahar mein&lt;/em&gt;”, “&lt;em&gt;Mera kuch saaman&lt;/em&gt;”, “&lt;em&gt;Ek ladki ko dekha&lt;/em&gt;” – all of which are Filmfare best lyrics winners.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;I have thought some time, on and off, for this. And I have finally come up with a few songs which I think fit the bill. Remember, it’s not just that the song has good lyrics-&amp;nbsp; it is that if the lyrics were not that good, you probably wouldn’t give the song a second look. Competent singing is a given...without that the most brilliant song would not get a second look. But there is nothing in the music per se which is outstanding. Nothing terrible, you see, just ok. But it’s the words which take it to a different level. So, the chances are that the first time you hear the song your response is likely to ambivalent or moderately positive. But after the second or third times; when you have taken in the lyrics, it’s likely to greatly improve. In some cases what becomes important is the context in which the song is placed in the film – after all the lyrics fit a scene in a film; in others it’s just the sheer beauty of the lyrics in itself.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;So, here goes, in chronological order &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;1. &lt;em&gt;Rahiye ab aisi jagah&lt;/em&gt; (Mirza Ghalib, Mirza Ghalib, 1956)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;The film has any number of good songs which are generally well remembered, so much so that this song by Suraiya tends to get short shrifted. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;But if one listens a little closer, the lyrics are a brilliant portrayal of the mindset of someone who has given up on life-&amp;nbsp; someone who has had enough and now wants to “get away from it all”. The desires are so anti social – a house with no doors or walls (&lt;i&gt;be daro-deewar sa ik ghar banaya chahiye&lt;/i&gt;), no neighbours or guards (&lt;i&gt;koi humsaya na ho aur paasbaan koi na ho&lt;/i&gt;),&amp;nbsp; no one to look after you or minister to you (&lt;i&gt;koi na ho timardar&lt;/i&gt;) and no one to even mourn for you (&lt;i&gt;nauhakhwan koi na ho&lt;/i&gt;). Just makes one feel very sad for someone who has reached this stage that he wants no more human contact of any kind&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;a href=&quot;http://giitaayan.com/viewisbsong.asp?id=13111&quot; target=&quot;_blank&quot;&gt;Click here&lt;/a&gt; to read the full lyrics&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span lang=&quot;IT&quot; style=&quot;font-size: 11pt;&quot;&gt;2. &lt;em&gt;Sansar se bhage phirte ho&lt;/em&gt; (Sahir Ludhianvi, Chitralekha, 1964)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;A brilliant portrayal of &lt;i&gt;“duniyadaari”&lt;/i&gt; vs &lt;i&gt;“sanyaas”.&lt;/i&gt; And a stinging criticism of sanyaas – by portraying it as an escapist philosophy rather than a spiritual one. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;I think the lines &lt;i&gt;“Is lok ko bhi apna na sake, us lok me bhi pachtaoge”&lt;/i&gt; and &lt;i&gt;“ham janam bita kar jayenge, tum janam gava kar jaoge”&lt;/i&gt; are so scathing that they say it all. Similarly the contempt for “sacrifice” or “self restraint” is so brilliantly put – &lt;i&gt;“ye bhog bhi ek tapasya hai, tum tyag ke mare kya jano...apman racheta ka hoga, rachna ko agar thukraoge”&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;I believe this is one of the best stands taken for worldliness and deserves to be applauded. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;a href=&quot;http://giitaayan.com/viewisbsong.asp?id=10964&quot;&gt;Click here&lt;/a&gt; to read the full lyrics &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;3. &lt;em&gt;Rehte the kabhi jinke dil me&lt;/em&gt; (Majrooh Sultanpuri, Mamta, 1966)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;This is one of those songs which just fit into the context of the film so perfectly – I can rarely think of another song which is so appropriate to the scene. The words are extremely hard hitting and suit so well Suchitra Sen’s feelings towards Ashok Kumar at the time that it is just brilliant. The context is that Ashok Kumar meets Suchitra Sen in a shop somewhere-&amp;nbsp; they were in love at some point but when he went abroad to study she was married off-and behave very decently with each other and walk away. However, Ashok Kumar’s friend tells him that she is now the leading tawaif in the city. To prove it to Ashok Kumar he invites Suchitra Sen home and she turns up. Ashok Kumar, hidden away, is disgusted and just wants to pay her off. But Suchitra Sen has spotted him and says that she would not take free payment but would at least sing one song.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;pre&gt;&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;The lyrics express her complaint and contempt very well – consider &lt;i&gt;“daava tha jinhen hamadardi ka, khud aake na puchha haal kabhi; mahafil me bulaya hai hamper, hasane ko sitamagaaron ki tarah”&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;There really isn’t much else to write about the song – it’s just the lyrics are so powerful within context that it ascends a couple of notches. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;a href=&quot;http://giitaayan.com/viewisbsong.asp?id=1525&quot;&gt;Click here&lt;/a&gt; to read the full lyrics&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;4. &lt;em&gt;Guzren hai aj ishq me&lt;/em&gt; (Shakeel Badayuni, Dil diya dard liya, 1966)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;The reason I like the lyrics of this song is that they cover the change in emotion of the&amp;nbsp; protagonist very well – 3 stanzas and each stanza conveys a different emotion.&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;The film is a pretty faithful rendering of the first half of Wuthering heights with Dilip Kumar as Heathcliff and Waheeda Rahman as Catherine. Now the book is very clear- once he is back, Healthcliff has very few redeeming features, is ruthless and vindictive and generally quite nasty. No real reason is given for the changes in him – but revenge on Edgar is very clearly prime in his mind. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;Now a Hindi film hero can’t be nasty just for the sake of being nasty. So, Catherine’s (Waheeda Rahman) betrayal is shown as the reason for Heathcliff (Dilip Kumar) turning nasty and it has to be shown as not merely revenge, but revenging a wrong. Showing the mindset change is difficult – more often that not it is sudden (cf Dilip Kumar in Mashal) or brooding (cf Amitabh in Adalat). Here it is achieved by song. Each stanza conveys a different emotion – stunned disbelief (how could you do this to me), passive ill will (I hope things go badly with you) and finally active revenge (I will not take this lying down) – and completes the change in the character beautifully.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;a href=&quot;http://giitaayan.com/viewisbsong.asp?id=640&quot;&gt;Click here&lt;/a&gt; to read the full lyrics&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;//www.youtube.com/embed/JbqtCzuRTTo&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span lang=&quot;IT&quot; style=&quot;font-size: 11pt;&quot;&gt;5. &lt;em&gt;Mere dushman tu meri dosti&lt;/em&gt; (Anand Bakshi, Aaye din bahaar ke, 1967)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;pre&gt;&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;
&lt;pre&gt;&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;Poetry normally is positive. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;color: windowtext; font-size: 11pt;&quot;&gt;But this song is different. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;It is simply the most outstanding portrayal of &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;red I have ever come across. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;color: windowtext; font-size: 11pt;&quot;&gt;If one asked “how much can one hate someone”, I think a pretty good limit on that would be this song. It is l&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;ine after line of invective with some outstanding metaphors. The words are breath taking – and I mean the sharp intake of breath one has when one is humiliated or shouted at. The strength of negativity described by these words is scary and dark.&amp;nbsp; Consider “&lt;i&gt;tu phool bane patjhad ka, tujh pe bahaar na aae kabhi” &lt;/i&gt;or&lt;i&gt; “tere gulshan se zyada veeraan koI veeraana na ho” &lt;/i&gt;or&lt;i&gt; “kisi ka pyaar kya tu berukhi ko tarse”&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;
&lt;pre&gt;&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;a href=&quot;http://giitaayan.com/viewisbsong.asp?id=1196&quot;&gt;Click here&lt;/a&gt; to read the full lyrics&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span lang=&quot;NL&quot; style=&quot;font-size: 11pt;&quot;&gt;6. &lt;em&gt;Jai bolo beiman ki&lt;/em&gt; (Verma Malik, Beimaan, 1972)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;This may on the face of it look like a strange choice, given that Beimaan won the filmfare award for best music and Mukesh won the best male singer for this song. But frankly, Beimaan’s best music award is probably the worst decision ever in the 60 years of Filmfare history. There is practically no other song in the film other than Jai Bolo which is decent. And given that it is the same year as Amar Prem and Pakeezah, the mind boggles at this decision. And yes, Mukesh has sung well but it is really the lyrics which make this song.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;pre&gt;&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;And the lyrics are delightful. A satirical look at dishonesty, it takes the mickey of a lot of things. &lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;
&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;And some of the lines do ring true even today -&amp;nbsp; consider “&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;em&gt;apne desh ka kapda aur lagi hai muhar japaan ki&lt;/em&gt;&lt;/span&gt;” or (&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;wrt temples&lt;/span&gt;)”&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;andar bhagvan ki jay ho aur baahar beimaan ki&lt;/span&gt;”. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;Also in the stanza beginning &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;“&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;vrindavan ke ham sanyasi&lt;/span&gt;”&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt; notice at the end the &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;“&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;em&gt;jai bolo bei...jai bolo bhagwan ki&lt;/em&gt;&lt;/span&gt;”. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;A lovely touch.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;pre&gt;&lt;span style=&quot;color: black; font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/pre&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;&lt;a href=&quot;http://giitaayan.com/viewisbsong.asp?id=10677&quot;&gt;Click here&lt;/a&gt; to read the full lyrics &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Zurich BT; font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: 11pt;&quot;&gt;And that’s my list. What is interesting as I see it in black and white is that the tenor of the songs is clearly negative or sad. And so indeed is “Ek akela is shahar me” Maybe sadness does give better expression of emotion in writing. Or perhaps positive poetry is better suited to lovely music. Either way, just listen carefully to the words in these songs - hopefully you will appreciate the words. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/5795151553789024503/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2013/07/the-pen-is-mightier-than-piano.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5795151553789024503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5795151553789024503'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2013/07/the-pen-is-mightier-than-piano.html' title='The pen is mightier than the piano'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-2040768133218068032</id><published>2013-03-27T23:09:00.000+00:00</published><updated>2013-03-27T23:09:42.802+00:00</updated><title type='text'>Lessons from Cricinfo</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;Cricinfo is perhaps a one of a kind&amp;nbsp;website-&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;I don’t know if any other&amp;nbsp;game has quite the same sort of website which covers all the goings- on in the sport. It is most likely that there are such sites out there but I tend to think cricinfo is fairly unique. The reason, I think is that cricket is a sport where one has tended to follow all international games – not just the ones in which one’s team is playing. So, an Australia- South Africa series is often followed even if one is English or Indian. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;And this has meant a more intense experience on cricinfo where one can follow all sorts of “literature” on different parts of the game.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;But what is most interesting on cricinfo is not the varying views of the experts and journalists but the varying views which come from the fans through the &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;comments section. And one can learn a lot from that. I probably have a bias towards &lt;st1:country-region w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;India&lt;/st1:place&gt;&lt;/st1:country-region&gt; related games and tend to read more of the comments on those articles and some of those learnings from such comments are shared here&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;1.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;When foreign teams lose in &lt;st1:country-region w:st=&quot;on&quot;&gt;India&lt;/st1:country-region&gt; it is because the pitches have been doctored to suit &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:country-region w:st=&quot;on&quot;&gt;India&lt;/st1:country-region&gt;&lt;/st1:place&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;2.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;When Indian teams lose in foreign countries it is because Indian batsman do not know how to play outside of &lt;st1:country-region w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;India&lt;/st1:place&gt;&lt;/st1:country-region&gt; &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;3.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;A game which finishes in 3 days because of the pacemen wreaking havoc is a great example of fast aggressive bowling &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;4.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;A game which finishes in 3 days because of the spinners wreaking havoc is a great example of a bad pitch and poor curatorship &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;5.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:country-region w:st=&quot;on&quot;&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;India&lt;/span&gt;&lt;/st1:country-region&gt;&lt;/st1:place&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt; is in a position to influence technology over DRS (ref WC semi final lbw decision of Sachin against Saeed Ajmal) and get the decision they want. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;5a. That is why &lt;st1:country-region w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;India&lt;/st1:place&gt;&lt;/st1:country-region&gt; is so much against the implementation of DRS (It is a very morally superior position, one must admit)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;6.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;There is no discussion related to cricket in which it is not possible to make a reference to Sachin Tendulkar &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;7.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;Sachin Tendulkar should have retired after the 2011 world cup. But given that he’s playing now, he should play for as long as he wants&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;8.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;The only important series in cricket is the Ashes. Every other game happening all over the world is merely preparation for that series&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;9.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;Don Bradman was a useless player because he played only in 10 grounds and if he played today in the “modern” world he would not even average 50 (the fact that no one else in that period scored at 99 is happily ignored by all those who make this argument)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt; mso-bidi-font-family: &#39;Zurich BT&#39;; mso-fareast-font-family: &#39;Zurich BT&#39;;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;10.&lt;span style=&quot;font: 7pt &#39;Times New Roman&#39;;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;The argument that a player has improved his record in matches against the “minnows” can only be made for players from other teams. However, when someone makes that argument about players from your team simply point out that other players do the same &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;And finally, without being tongue in cheek – I think the best comments one gets in Cricinfo are from the column “It figures” by Anantha Narayanan – only for readers willing to get highly involved with numbers...but an excellent column and an excellent set of comments from which one can learn a lot.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &#39;Zurich BT&#39;; font-size: 11pt;&quot;&gt;But then, even if you are not that involved, you have still learned a lot today, haven’t you?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/2040768133218068032/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2013/03/lessons-from-cricinfo.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2040768133218068032'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2040768133218068032'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2013/03/lessons-from-cricinfo.html' title='Lessons from Cricinfo'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-1068538054355763853</id><published>2012-07-10T09:58:00.002+01:00</published><updated>2012-07-10T12:38:21.116+01:00</updated><title type='text'>The appreciation of art</title><content type='html'>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;A and I were invited a few days ago to the houses of parliament for a performance of “Maaya” put on by Akademi. Akademi is one of the organizations which does a lot of functions based on Indian culture in the &lt;country-region w:st=&quot;on&quot;&gt;UK;&lt;/country-region&gt; and a good friend of ours used to dance with them as a performer till she went back to &lt;country-region w:st=&quot;on&quot;&gt;&lt;place w:st=&quot;on&quot;&gt;India&lt;/place&gt;&lt;/country-region&gt;. As such when we were invited we were quite happy to go.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;The performance, itself was quite nice. There was first a group piece which was full of energy and then a solo performance. The group piece was very nice to watch, especially as it was not on any stage but just in the middle of the hall. Quite interesting. The solo performance however was different – a more standard on stage performance which was nice…but to a philistine like me seemed like many other performances with no way for me to evaluate it. As we left the hall, I asked A what she thought about it and she said the solo performance was very good- and on being asked what made it good, she told me that one could make out – the way the dancer made her moves, the kind of steps, etc. Of course, A has had training in classical dance as a child whereas I have had none. And that lack of training makes me unable to appreciate or distinguish (at the very least) good from very good – though even I might be able to identify the poor.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;But does that mean that in order to appreciate classical art once needs to have a core base of training? If so, is there a point in trying to widen the base of classical art among the general public? And is there a chance that among an audience which does not understand the details even sub standard art can be assumed to be great; merely because it is sold well?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;I know very little of art but I realized that this thought can be extended to other forms – which are not pure art but contain a degree of beauty in it – such as many sports. What distinguishes one gymnast from another and why does Nadia Comaneci get a 10.00 while someone else gets a 9.9? The judges probably do understand because they are trained, but as a viewer I can’t make out. Ditto say, for diving. A bad dive is clearly discernible but what distinguishes the good from the brilliant? Is it again, the lack of training in the sport which makes it difficult to appreciate?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;On thinking it over a bit more it struck me that there is an area where I can appreciate these differences. Assume a front foot straight drive played past the bowler…or even better, a punch off the back foot past the bowler. Now think of that shot being played by Harbhajan Singh, Virat Kohli and Sachin Tendulkar. Now, even A, who has no interest in cricket, might be able to figure out that Harbhajan’s way to play the shot is not the best but on casual viewing there might be little to choose between Kohli and Tendulkar’s shots. But I know I would go for Tendulkar everytime…as I think would most people who follow the game…but I can’t rationally explain why. There is something about the back lift, the angle at which the bat comes down, the stillness of the head, the depth in the crease from which the shot is played -&amp;nbsp; all of which go to make Tendulkar’s version of the shot that much more delightful than almost anyone else. But it is impossible to define. Would an angle of 80 degrees of the bat be better than 70 degrees? Would the player’s back foot need to necessarily be more than halfway in the crease? I don’t know - I can’t quantify it. But I know a great punch off the back foot from a good one. And I cannot explain it to someone else who does not know beyond saying –“look at it- it can’t get better”.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;Which raises 2 issues – how do I “get it” in cricket but not other areas? And secondly, if after “getting it” I am not in a position to explain it any further then what hope is there for me to be able to “get” things in areas I currently don’t get?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;One obvious answer is exposure. But let’s be clear, I have not played cricket at any level worth talking about. The exposure I have had however, is watching it continually and I think, importantly, having it explained to me over and over again on commentary by people who do know about the sport. So, I know the difference between reaching the pitch of the ball and driving in balance as opposed to driving when not to the pitch of the ball and being off balance. Of course, why the former is preferable is not known to me – it just is because anecdotal evidence suggests (which even I can corroborate having watched enough and having been explained often enough about the details) that you have a better chance of succeeding when you are not off balance. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;But can the same be extrapolated to other art forms? First, is it really possible to have the same level of explanation provided for a painting or a dance routine without it destroying the piece in itself? Can you imagine someone giving a running commentary on a dance performance or trying to explain why the Sistine chapel is magnificent? And secondly, is it likely to hinder creativity in an area where success is not so clearly defined? It is easy to give hats off to the Dilscoop or the Tendulkar lob over the slips because they routinely score runs while tut-tutting over the reverse sweep because more often than not it leads to disaster. How does one evaluate creativity in an art form when one cannot define the value of that output? Who is it who puts the value – the common man or the connoisseur? And is the common man again in the situation of not appreciating the value because he does not see it or is he being forced to play along lest he look like a philistine. This is like going to a &lt;i&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;kavi sammelan &lt;/span&gt;&lt;/i&gt;or &lt;i&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;mushaira&lt;/span&gt;&lt;/i&gt; and saying &lt;i&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;“wah wah”&lt;/span&gt;&lt;/i&gt; at the end of every couplet irrespective of whether one has understood it or not.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;Let me give you an example – Paul Potts! I don’t know how many of you have seen Paul Potts on &lt;country-region w:st=&quot;on&quot;&gt;&lt;place w:st=&quot;on&quot;&gt;Britain&lt;/place&gt;&lt;/country-region&gt;’s got Talent. If you haven’t then go to youtube and do a search for him. Look at the initial round, the semi final and the final. It is among the finest TV programming you will get to see. The look on Simon Cowell’s face when Paul first tells him he’s going to sing opera is classic. And his dialogue after he finished is also classic (go watch the clip for that). But the reality is that I don’t know the first thing about opera. And I would guess that nor did more than half the audience in the hall and neither did the vast majority of people who voted for Paul. What were they voting on the basis of – that he sang well? How did they know? &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;Of course, an ideal situation would have been that those who heard Paul Potts in the first round would have gone back and researched on opera and its finer points and been more able to appreciate him in the second round. But I am fairly sure that most people would not have done so. There might be the odd area one wants to explore - for example, over the period from around 2002 – 2006 or so I got fairly interested in Urdu poetry and have read a fair bit of a lot of poets of the last 200 or so years (thank you Nita Awataramani for a lot of this. Also Abhay Avachat and RMIM). I do have a better understanding of poetry now and a view of my own…though it is far from complete. But it is by far an exception and I have never really had an inkling of trying to develop an understanding of any other art form. I too watched Paul Potts (on you tube) and not once did I read up much more about opera.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;So, then are we consigned to a fate where we must just go along with a minority (of experts) on all things artistic – without really knowing our own mind? Or alternately reject all things artistic as not rational enough – thereby depriving ourselves of something which clearly has some value. Frankly, I have no answer. Clearly, exposure to art from a young age is critical. But I am not sure that simply exposure is good enough. Not that exposure is not important but it does need to go a bit beyond that. I believe there are things like art appreciation classes but I have no idea what they do. I do know however that I have never come across one of these and that is unfortunate. Events like Maaya and organizations such as Akademi are doing a great job in creating the exposure to art. I think the next challenge they have to face is how to move from awareness to understanding among the common population. I have no idea how that can be done but I hope they think about it. In the meantime people like me will often be just left saying &lt;i&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;“wah wah”&lt;/span&gt;&lt;/i&gt; without a full understanding. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial; font-size: x-small;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Arial; font-size: 10pt;&quot;&gt;Unless, of course, Tendulkar is playing a straight drive – when it will come from the heart!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/1068538054355763853/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2012/07/appreciation-of-art.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/1068538054355763853'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/1068538054355763853'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2012/07/appreciation-of-art.html' title='The appreciation of art'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-8126414621553126622</id><published>2011-10-14T16:34:00.005+01:00</published><updated>2011-10-15T00:11:47.720+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ashok Kumar"/><category scheme="http://www.blogger.com/atom/ns#" term="films"/><title type='text'>Grand old man of Hindi cinema</title><content type='html'>&lt;span style=&quot;font-family:arial;&quot;&gt;Oct 13th is a day of significance for Hindi cinema- it is the day Kishore Kumar – perhaps the most versatile person ever seen in Hindi cinema- died – 24 years ago. However, it is also of great significance because it is also the birthday of his elder brother Ashok Kumar – one of the finest actors the industry has seen – and one of its most influential ever. And this year would have been his 100th birthday.&lt;br /&gt;&lt;br /&gt;For many people today, especially the younger lot, Ashok Kumar is probably better known as one of the various characters with very typical mannerisms whom Johny Lever always parodied. Some people would remember him from TV either in Bahadur Shah Zafar or as the presenter of &lt;em&gt;Hum Log&lt;/em&gt;. Otherwise, he’s just one of those characters who played roles in some old films. Some might remember “&lt;em&gt;Main ban ki chidiya&lt;/em&gt;” with Devika Rani…or him walking around while Madhubala sings “&lt;em&gt;Aayega aanewala&lt;/em&gt;”…but not much more. A great and influential actor might not be what you would immediately think of when his name comes up. I think that is because most people today simply have not seen enough of him at his best nor do they have much of an idea of what he did.&lt;br /&gt;&lt;br /&gt;Let’s start with the “great”. In an industry which has been around for almost a century there have obviously been a number of fine and talented actors- it is very difficult to name a few great ones. So, we can follow the usual strategy of categorization, which is not such a bad thing. Let us consider male lead Hindi film actors. This allows us to exclude a number of fine actors. It excludes various supporting actors (like Pran, Anupam Kher, Nana Palsikar, Boman Irani and so on). It excludes female lead actors (like Meena Kumari, Nutan, Jaya Bhaduri, Kajol and so on). And it excludes those who were not primarily in the Hindi film industry, though they might have made the odd Hindi film (like Kamal Hasan, Mohanlal, Soumitra Chatterji and so on)&lt;br /&gt;&lt;br /&gt;With these caveats, I would place Ashok Kumar among the top 3 or 4 actors of all time – the others in that league, in my opinion, being Dilip Kumar, Sanjeev Kumar and Amir Khan.&lt;br /&gt;&lt;br /&gt;Now, that is an opinion and it is difficult to substantiate that in a blog – you are going to have sit through the person’s films. The only thing I would say is that while you might disagree, I am not sure how much of Ashok Kumar’s oeuvre you might have seen. In any case, it is a personal opinion.&lt;br /&gt;&lt;br /&gt;However, the issue of influence is not so dependent on personal opinion. If one looks back at the last 100 odd years of Hindi films and asks who has been the most influential actor of all time, I think a vast majority would say Amitabh Bachchan. And there is merit in that. Certainly Amitabh defined the industry in the 70’s and 80’s.&lt;br /&gt;&lt;br /&gt;However, in my opinion a lot of what Amitabh Bachchan did and stood for was actually pioneered by Ashok Kumar. The “angry” young man was undoubtedly a creation of Salim Javed for Amitabh but a lot of the story plots and devices, things which became fairly standard in Hindi films were initially done by Ashok Kumar, way back in the 40’s and 50’s. In many ways Ashok Kumar laid the groundwork for what Amitabh, and other actors, then took to a different level. His films created, one could say, the blueprint for modern Hindi cinema.&lt;br /&gt;&lt;br /&gt;Consider some of the following plot devices and films&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Anti Hero&lt;/strong&gt;&lt;br /&gt;A staple of Amitabh, who supposedly created this image as the anti hero, it was actually Ashok Kumar who first played the anti hero way back in 1943, with &lt;em&gt;Kismat&lt;/em&gt;. He played a convicted pick pocket and thief in this film which is still one of the dozen or so biggest hits of all time in Indian cinema (and the longest running film till &lt;em&gt;Sholay&lt;/em&gt; was released- it ran for over 190 weeks)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lost and Found&lt;/strong&gt;&lt;br /&gt;Would the Manmohan Desai /Amitabh combination been so successful without this? They made 8 films, of which all other than Gunga Jumna Saraswati were super hits; and they were all lost and found films. In any case, lost and found goes far beyond the MD/AB combination, it is perhaps the most staple theme of Hindi films. But it all started, once again in 1943 with &lt;em&gt;Kismat &lt;/em&gt;– the original lost and found film, where Ashok Kumar is separated from his parents as a child (he runs away from home) and is reunited only in the last scene.&lt;br /&gt;Frankly, if you see the film today, it does feel a little amateurish and certainly the denouement, far from being dramatic is honestly, a bit silly. But given the period it was made in and the effect it has had on the type of films made after that, &lt;em&gt;Kismat&lt;/em&gt; would certainly be a nominee for the most impactful Hindi film of all time.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Brothers separated in a “&lt;em&gt;mela&lt;/em&gt;”&lt;br /&gt;&lt;/strong&gt;One issue with “lost and found” is to find a plausible reason for the “lost” bit. The standard way for brothers to be separated has been in a fair- in fact “&lt;em&gt;Kumbh ke mele me bichad jaana&lt;/em&gt;” is almost idiomatic in Hindi today. But it was Ashok Kumar who first got separated from his twin brother at childhood in a mela, in “&lt;em&gt;Afsana&lt;/em&gt;” in 1951. This is actually a fabulous film…the really great bit is that this is not a lost and found film at all – the brothers meet for just a couple of hours and never realize they are brothers, which makes it quite unique (it is also BR Chopra’s directorial debut). But it certainly gave all lost and found makers an ideal plot device.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Retrieved Reformation&lt;br /&gt;&lt;/strong&gt;The “retrieved reformation” theme is not uncommon in Hindi films. A crook, on the run from the law, lands up in a village where he is mistaken for someone positive. Being forced to lead a life of rectitude, the crook slowly reforms and becomes a good citizen. Think &lt;em&gt;Thanedaar&lt;/em&gt; or &lt;em&gt;Pratigya &lt;/em&gt;or even Guide. But, I think this was perhaps first done by Ashok Kumar in &lt;em&gt;Savera&lt;/em&gt; (sometime in the 50’s)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cop Father Criminal Son&lt;br /&gt;&lt;/strong&gt;Another common theme – the most famous example perhaps being &lt;em&gt;Shakti&lt;/em&gt;. A popular variation of this is 2 brothers – one a cop, the other a criminal – most famously seen in &lt;em&gt;Deewar&lt;/em&gt; but also in films like Gunga Jumna and &lt;em&gt;Lakshman Rekha&lt;/em&gt;. But Ashok Kumar played the criminal son in &lt;em&gt;Sangram&lt;/em&gt; in 1950 who is finally shot in the climactic scene by his cop father.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Suspense film&lt;br /&gt;&lt;/strong&gt;Suspense films have not been very common in Hindi cinema. There have been some notable exceptions – &lt;em&gt;Woh Kaun Thi, Kaun, Khamosh, Bees Saal Baad&lt;/em&gt;- but it is by no means a common occurence. But what could be considered as the first suspense film ever made remains one of the best ever – &lt;em&gt;Mahal&lt;/em&gt;, in 1949. Most people today probably remember it for “&lt;em&gt;Aayega aanewala&lt;/em&gt;” and the fact that it was Madhubala’s move to stardom. But the fact remains that it was a big gamble at the time – a gamble taken by Ashok Kumar and Sashadhar Mukherjee to revive Bombay talkies – which only partially worked. &lt;em&gt;Mahal&lt;/em&gt; was a huge hit…but the studio still had to shut down five years later.&lt;br /&gt;But it introduced a new genre to Indian cinema. And it has been the blueprint for many reincarnation films in Indian cinema – from Madhumati to &lt;em&gt;Om Shanti Om&lt;/em&gt;. Wikipedia also says that &lt;em&gt;Mahal &lt;/em&gt;was perhaps the ultimate inspiration for “The reincarnation of Peter Proud” which, of course was remade later as &lt;em&gt;Karz.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In addition to these films, Ashok Kumar also influenced modern hindi cinema in other ways. His films were much more urban and racy than the typical films of his contemporaries. His acting was generally less theatrical than the stars of the time – and a move away from the stage influences of people like Sohrab Modi and Prithviraj Kapoor. Though he has sung on screen, he was not a singing star at a time when Saigal and Surendra were the rage. He was, essentially building the prototype for the modern film hero.&lt;br /&gt;&lt;br /&gt;On the negative side, he was also the first lead actor to actually regularly smoke on screen – at a time when heroes were supposed to be holier than thou. I remember reading a reason for why he chose to take this revolutionary step and it is quite intriguing. Ashok Kumar came to acting by accident and had to “learn on the job”. One of the most difficult things to do while acting, which any of you who have ever acted in a school play will probably agree with, is to decide what to do with one’s hands. Since he had this problem as well, he decided he would solve this by smoking on screen wherever possible. That gave his hands something natural to do. And it ensured that smoking was no longer the preserve of the villain. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-family:arial;&quot;&gt;&lt;br /&gt;Very importantly, he was also, I believe, a very intelligent actor who knew his limitations and hence there is hardly a film where he looks out of place. Hindi film heroes are known for long careers where they keep doing the same things. And over time, it clearly looks out of place. Having a 40+ year old play a college kid is nothing strange in Indian cinema – from the times of Dilip Kumar in Leader right up to Amir Khan in 3 idiots. Seeing Amitabh Bachchan in the 1990’s in some of his films, still trying to strut out the angry “young” man at the age of nearly 50 was cringeworthy. Hindi film stars don’t often seem to realize that they age.&lt;br /&gt;&lt;br /&gt;This was almost never true for Ashok Kumar. The transition from young lead star to mature hero to parallel lead to strong character roles to minor roles was almost flawless. Even in the odd case like Mamta where, at the age of 55 he does play a person out of college in the initial parts of the film, it is really a 5 minute interlude setting the stage for the major part of the film where he is a middle aged lawyer. I honestly cannot think of a film where he looked a fish out of water; where one wondered “what the hell is this man doing in this role?” And it meant a wide variety of roles with almost no typecasting. At least off hand, I cannot think of another male actor in Indian cinema who has managed this as well as he did.&lt;br /&gt;&lt;br /&gt;With all this, I think there is sufficient reason to believe that he was perhaps as influential, if not more, as Amitabh Bachchan in shaping the Hindi film industry of today. Add that to his outstanding acting abilities and I doubt there has been a taller acting figure in the history of Hindi cinema. On his birth centenary, I pay tribute to this great man.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family:arial;&quot;&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/8126414621553126622/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/10/grand-old-man-of-hindi-cinema.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/8126414621553126622'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/8126414621553126622'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/10/grand-old-man-of-hindi-cinema.html' title='Grand old man of Hindi cinema'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-9223251093343718074</id><published>2011-10-03T22:26:00.002+01:00</published><updated>2011-10-03T22:31:09.865+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="monkeys"/><category scheme="http://www.blogger.com/atom/ns#" term="Shakespeare"/><title type='text'>Shakespeare and Monkeys</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate=&quot;false&quot; latentstylecount=&quot;156&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if !mso]&gt;&lt;object classid=&quot;clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D&quot; id=&quot;ieooui&quot;&gt;&lt;/object&gt; &lt;style&gt; st1\:*{behavior:url(#ieooui) } &lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:&quot;Table Normal&quot;;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-parent:&quot;&quot;;  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:&quot;Times New Roman&quot;;  mso-ansi-language:#0400;  mso-fareast-language:#0400;  mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;      &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt; While I was in India last week, I read an article about how some “virtual” monkeys had recreated the works of Shakespeare.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;This, of course is one of the fundamental pieces which is used to explain the concepts of probability and infinity. The concept is that infinity is so large that even those events with an extremely small probability would eventually occur given an infinite number of attempts. And monkeys randomly typing out on a typewriter is the classic example.&lt;/span&gt;&lt;/p&gt;      &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;However, it is just a conceptual example. It’s like the Brownian motion example – air particles in a closed room randomly move about…and in theory all of them could end up in one corner of the room-&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;thereby suffocating someone at the other end, just by chance. Of course, something like that is going to happen only once in a billion years …but that once could be tomorrow, in the room you are in.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Not that that should worry you much. It’s not going to happen! Period!! &lt;/span&gt;&lt;/p&gt;      &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;That’s why I was so intrigued by this story…it was extremely interesting and made the chance of suffocating in a normal room just that much more likely.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Alas, the &lt;a href=&quot;http://www.bbc.co.uk/news/technology-15060310&quot;&gt;story&lt;/a&gt; did not however live up to the reality. They haven’t really typed out the whole of Shakespeare. They have typed out nine letter strings and if they match any nine letter string in Shakespeare, they mark it as complete. In that way, they have gone through the entire text-&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;or at least 99% of it. &lt;/span&gt;&lt;/p&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Let’s look at that it in more detail. Say, the monkey typed “otinourst”. I am sure there is no such word in Shakespeare. But it would count towards having written out Shakespeare (“The fault, dear Brutus, is n&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;u&gt;ot in our st&lt;/u&gt;&lt;/b&gt;ars, But in ourselves, that we are underlings&lt;/span&gt;.”). &lt;span style=&quot;mso-ansi-language:EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Similarly “ityisthes” would also count (&quot;Brev&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;u&gt;ity is the s&lt;/u&gt;&lt;/b&gt;oul of wit&quot;)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt; In this way, they have apparently written more than 90% of Shakespeare. I don’t know whether to laugh or to cry!! And this has been reported widely! And I am sure there are many who have just seen the sound bite and now truly believe that Shakespeare has been recreated. That’s what the world has come to – useless research and sensational news. Sad.&lt;/span&gt;&lt;/p&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Frankly, I can’t believe the natural absurdity of this did not strike the researcher. It probably did but perhaps he still chose to do this as a bit of fun. I certainly hope that this is the truth rather than the alternative which is that somebody seriously thought that one could randomly type out all of Shakespeare using nine letter strings.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;If you are not getting why this is so then let me tell you that I have through random typing been able to write out every book which has ever been written in English.&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;In order to do this, I have however had to put in certain restrictions. The restrictions are not absurd; as I am sure you will agree on reading them&lt;/span&gt;&lt;/p&gt;    &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt&quot;&gt;&lt;span style=&quot;mso-ansi-language:EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Punctuation      marks have been omitted&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt&quot;&gt;&lt;span style=&quot;mso-ansi-language:EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Books which      were written in Old English will have to be transliterated to the modern      26 letter English alphabet (so letters like &lt;a href=&quot;http://en.wikipedia.org/wiki/%C3%86&quot; title=&quot;Æ&quot;&gt;&lt;span style=&quot;text-decoration:none;text-underline:nonecolor:windowtext;&quot; &gt;æ&lt;/span&gt;&lt;/a&gt; and &lt;a href=&quot;http://en.wikipedia.org/wiki/Eth&quot; title=&quot;Eth&quot;&gt;&lt;span style=&quot;      text-decoration:none;text-underline:nonecolor:windowtext;&quot; &gt;ð&lt;/span&gt;&lt;/a&gt; will be represented      by “a” or “th”) &lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt&quot;&gt;&lt;span style=&quot;mso-ansi-language:EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Upper case      and lower case are ignored&lt;/span&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;I think we can all agree that these are not unreasonable restrictions. &lt;/span&gt;&lt;/p&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;So, now here for posterity are all the books ever written in English&lt;/span&gt;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;1&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Q&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;A&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Z&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;2&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;W&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;S&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;X&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;3&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;E&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;D&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;C&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;4&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;R&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;F&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;V&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;5&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;T&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;G&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;B&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;6&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Y&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;H&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;N&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;7&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;U&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;J&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;M&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;8&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;I&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;K&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;9&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;O&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;L&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;0&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;P&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;(hint- start at the top left hand corner of your keyboard and go diagonally down)&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt; &lt;/span&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Working within the three restrictions above, every book ever written in English, broken down into 1 letter strings, is contained in these 36 lines.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-US;font-family:Arial;&quot;  lang=&quot;EN-US&quot;&gt;Who needs monkeys!&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/9223251093343718074/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/10/shakespeare-and-monkeys.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/9223251093343718074'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/9223251093343718074'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/10/shakespeare-and-monkeys.html' title='Shakespeare and Monkeys'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-2378946219004807513</id><published>2011-09-12T19:06:00.006+01:00</published><updated>2011-10-03T22:26:24.749+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="parliament"/><title type='text'>Visiting the Houses of Parliament</title><content type='html'>&lt;span style=&quot;font-family:arial;&quot;&gt;Last week I attended a talk at the Houses of Parliament. The talk was by a senior person at the Fed and someone from the European Central Bank on the situation of the US economy and the likelihood of further quantitative easing. The talk was decent (yes, we are probably going to have more QE in the US in the coming times) and had some insights – the point of central banks traditionally focusing on inflation to the avoidance of everything was a good point in the current environment, etc etc.&lt;br /&gt;&lt;br /&gt;But what was most interesting to me was the way Parliament functioned. Not the actual debating chambers but the administrative machine around it. It was actually quite surprising how easy it was to get in but how it was still rather thorough in its checking.&lt;br /&gt;&lt;br /&gt;I was not directly invited to this talk. The talk was organized by London Business School for its students and alumni. My neighbour, S. is an alumnus of LBS and had been invited. He had forwarded the email invite to me and asked me if I was interested in attending. I RSVPed to the email id given but did not receive any response from them. Come the day of the talk, S. suggested that we meet at 4 at Westminster station. But I had not yet got confirmation whether I could attend. I printed out a copy of the email S. had forwarded me. So, he had an invite which was for S.V. and I had an invite which was also for S.V….and we were going together. And twins we do not look!&lt;br /&gt;&lt;br /&gt;On reaching Parliament we were asked by the policewoman outside where we wanted to go. We said that we were going for a talk on the US economy – and we were clutching the print out of the invites – wondering if she would notice the names of the recipients of the email. However, she hardly looked – well, probably took a fleeting glance- and waved us through to a long corridor which went to a security room.&lt;br /&gt;&lt;br /&gt;Now this was a proper security check. Airport style. Scanners, full body pat down, metal detectors, empty one’s pockets, etc. Apart from asking for liquids to be put in transparent sachets, it was a proper airline check. However, I don’t remember them checking our invites. In other words, they didn’t really know why we were there. They just assumed that we had legitimate business to be there and that the staff at the outside gates had already verified that. Yes, the check was thorough enough to probably stop us getting anything dangerous inside but why we were there was perhaps not entirely clear.&lt;br /&gt;&lt;br /&gt;Once through this, we came out on to the grounds from whence we turned right and entered the actual building. There were a lot of tourists mulling around in what was a sort of inner courtyard to the actual rooms. We walked down this and came up to a decision point of left or right…and asked the security guard sitting there where Committee room 10 was. Without batting an eyelid he pointed to a staircase and told us to go up. Again, no questions of when, what, where, why, who, how, etc. Going up the staircase, past a number of awesome busts, including Gladstone, Disraeli and Peel, we reached a sort of lobby, to the left of which was the House of Commons and the right was the House of Lords with reception desks manned by security personnel.&lt;br /&gt;&lt;br /&gt;The same routine followed – “Which way to committee room 10?” “That way, sir” pointing to a small flight of stairs in corner. Up we went and there we were at the entrance of Committee room 10. There was a slight queue of people there because some people were matching names and identities against a list which they had - a list of confirmed attendees. Since nobody had replied to my RSVP mail, it was a good shot that my name was not in the list. And if they were to ask to see my invite…well, I didn’t have one…I had just printed out S’s invite. This had the potential to be embarrassing…or even worse!&lt;br /&gt;&lt;br /&gt;Still, I had to play the game. S went off in front of me and was accosted by one of the gatekeepers. I met the other and confidently said my name –“Sanjeev Chandran” and looked around nonchalantly while he tried to find my name in a list which I was sure did not contain my name. While he was scouring through his list, I saw that S was also not making progress- his name also did not seem to be in the list…though he had RSVPed as well…and indeed he had officially received the invite. Curious.&lt;br /&gt;&lt;br /&gt;Then, the light seemed to glow and the two of them switched lists around – they didn’t both have copies of the same list but halves of the same list. That explained why S was untraceable…I, of course, was unlikely to be traceable. However, that didn’t work too… they still couldn’t find both of us. Curiouser and Curiouser, I thought.&lt;br /&gt;&lt;br /&gt;At this stage, it seemed that after all the easy way through, we finally weren’t going to be able attend the talk after all. The security apparatus had finally clicked in…&lt;em&gt;der aaye durust aaye&lt;/em&gt;. But then the penny dropped. The chap turned around, handed me the list and asked me to add in my name at the end of the list. I wondered for a second if it was worth filling in “Ayman al Zawahiri” but decided that discretion was the better part of valour…after all, even if it was a little more &lt;em&gt;de&lt;/em&gt;r, the &lt;em&gt;durust &lt;/em&gt;could still be spectacularly &lt;em&gt;durust&lt;/em&gt;. So, there it was – once I had filled in Sanjeev Chandran, I was through to attend the talk…even though I had not received an invitation. Incidentally, S. too got in after filling in his name…but at least he had had a genuine invitation. I, on the other hand did not…and the system had not just let me in, it had been extremely kind and accommodating to me.&lt;br /&gt;&lt;br /&gt;I am sure there is a lesson in this somewhere but I am not too sure what….is it about how relaxed one can keep security as long as one checks everyone thoroughly. Or does there need to be a complete overhaul of processes at the Parliament, just in case there is an inside job? Or is just that the British simply haven’t cottoned on to the real threats possible because they haven’t had an Afzal Guru like incident? The impression I do leave with, however is the unfailing politeness of everyone in the system. Even if processes need to be far more stringent, that is a good lesson for all personnel at all such important buildings. Be polite and helpful and visitors will just appreciate the entire experience much more.&lt;br /&gt;&lt;br /&gt;And, oh yes, next time you are in London, do try and visit Parliament…it’s a good experience…&lt;br /&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/2378946219004807513/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/09/visiting-houses-of-parliament.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2378946219004807513'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2378946219004807513'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/09/visiting-houses-of-parliament.html' title='Visiting the Houses of Parliament'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-8456955968579799905</id><published>2011-08-11T00:08:00.004+01:00</published><updated>2011-08-11T00:16:00.197+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="riots"/><title type='text'>London riots</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate=&quot;false&quot; latentstylecount=&quot;156&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if !mso]&gt;&lt;object classid=&quot;clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D&quot; id=&quot;ieooui&quot;&gt;&lt;/object&gt; &lt;style&gt; st1\:*{behavior:url(#ieooui) } &lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:&quot;Table Normal&quot;; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-parent:&quot;&quot;; 	mso-padding-alt:0cm 5.4pt 0cm 5.4pt; 	mso-para-margin:0cm; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:&quot;Times New Roman&quot;; 	mso-ansi-language:#0400; 	mso-fareast-language:#0400; 	mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;So, for the last few days London has been rioting…and while London itself has quietened down, the riots have spread to Manchester, Salford, Wolverhampton, Birmingham and other places.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;The riots here have, in a personal sense, been quite weird. Coming from India, I am no stranger to riots. I have lived through the ‘84 riots while in delhi (of course, I was a child then), I was in TN when Rajiv Gandhi was assassinated. And have seen different types of unrest over the years in Bombay, Pune and so on.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;To that extent, in human life terms, this was not that serious a riot. Three days of looting and pillaging across London, and I believe one person in London has died. It was almost very “civilized” rioting. Some of the footage was surreal-&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;a tv reporter was actually walking around the rioters at Clapham and having general conversation with them – watch &lt;a href=&quot;http://www.youtube.com/watch?v=Gqj1N9qeWXI&quot;&gt;http://www.youtube.com/watch?v=Gqj1N9qeWXI&lt;/a&gt; and then &lt;a href=&quot;http://www.youtube.com/watch?v=sXcI-NL3Tro&quot;&gt;http://www.youtube.com/watch?v=sXcI-NL3Tro&lt;/a&gt; . “Getting our taxes back” has to be one of the most memorable lines from this entire episode.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;However, what was even more weird for me was that in spite of all these incidences in India, I don’t think I have ever been more close to riots in my life. In India, luckily, I have never got caught in a situation in the middle of riots…somehow one always got home in time. And perhaps, the places I stayed in were safe enough. In Delhi, which have to be the worst riots I have lived through, we were in the air force station- so once the bus ride from school to home happened (which was after the assassination but before the worst of the riots)-&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;we were in one of the safest places in town. &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;But here, it was happening next to us. If you consider our block of flats to be a parallelogram, then on 2 sides of it there are main roads (which intersect at right angles in a traffic signal) and on the other 2 sides there are other houses with smaller, side roads. On the other side of both the main roads are shopping centres -&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;the priory retail park on one side and the tandem retail centre on the other. Both these were vandalized and looted. &lt;/span&gt;&lt;/p&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;&lt;a href=&quot;http://www.demotix.com/news/782970/aftermath-looting-colliers-wood-retail-park&quot;&gt;http://www.demotix.com/news/782970/aftermath-looting-colliers-wood-retail-park&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;&lt;a href=&quot;http://www.yourlocalguardian.co.uk/news/pictures/picturegalleries/collierswoodriots/&quot;&gt;http://www.yourlocalguardian.co.uk/news/pictures/picturegalleries/collierswoodriots/&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;But again, it was completely civilized, nothing happened outside these two retail parks and nothing could be seen on the roads. Riots are not the nicest thing in the world…but if you have to have them, this is perhaps a better model!!!!!&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;That doesn’t change the fact that this was an absolutely absurd event, as are all riots. There have been a number of commentators giving their views on why this happened and what the lessons are, etc etc. Not surprisingly, there has been some party politics on this with Ken Livingstone especially going for the jugular of the government &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;font-family:Calibri;&quot;&gt;&quot;I am concerned that there is growing social dislocation in London and a threat that the police will be forced into escalating conflict with some London communities. We do not want to go back to the 1980s. &lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;font-family:Calibri;&quot;&gt;The economic stagnation and cuts being imposed by the Tory government inevitably create social division. As when Margaret Thatcher imposed such policies during her recessions this creates the threat of people losing control, acting in completely unacceptable ways that threaten everyone, and culminating in events of the type we saw in Tottenham.” &lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;There have been other commentators who have spoken about how we need to look deeper and understand what is causing these problems, how social disaffection is causing this alienation of the youngsters, etc etc. Harriet Harman went on about the cutting of the EMA was causing youngsters to leave school. And Lee Jasper seemed to suggest (albeit obliquely) that Curry’s not spending CSR money on local projects was the reason they were attacked by “disaffected youth”&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;Balderdash!!&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;There is no greater reason behind all this than plain, simple thuggery and the urge to make a quick buck in the spur of the moment. There was simply no other reason. Most of the cuts that are being planned have not even come into force. &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;There are 2 serious cuts which have come into force -&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;the cut in the educational maintenance allowance and the increase in tuition fees- both of which impact students (albeit, in my view, marginally). It would have had some logical sense if these riots had happened in college campuses and schools – one could have understood it.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;However, these riots happened in city centres and the people involved were not just college students. There’s been an 11 year old arrested – he should have been in school – which is free in this country. There’s a 31 year old primary school worker who was arrested – who was no doubt putting in a blow on behalf of his wards for the future. Yet another is a convicted drug dealer who was out on probation. Clearly a cut in public services might mean that some of his unemployed customers might not get benefits anymore to spend with him – so the cut in public spending will directly impact him, won’t it?&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;And, just listen to some of the statements which some of the looters have been making &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;From Croydon&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; “It was good fun, free alcohol, lovely.”&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;“It’s the government’s fault. I don’t know – Conservatives or whoever it is. We have shown the police we can do what we want. That’s what it’s about – showing the police we can do what we want. And now we have. Hopefully it will go on.”&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;“We are targeting the rich people, people who have got businesses and that’s why all of this has happened. We are just showing the rich people we can do what we want”&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;From Clapham Junction &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; “hey, let’s go in and get some watches”&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;From Manchester &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; On being asked couldn’t he afford to buy some of the stuff he looted, one guy said – “Why am I going to miss the opportunity to get free stuff, stuff that’s worth loads of money.” He went on to say “I&#39;ll keep doing this every day until I get caught. When I get home nothing is going to happen to me.&quot; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;On being asked what if he got caught the response was classic&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;“This will be my first offence, I will take a caution. The Prisons are overcrowded, what are they going to do to me, give me an ASBO”&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;Clearly from the responses, there is no great disaffection; instead the rioters are enjoying themselves. And the last response shows that the riots grew because there was no fear of reprisal. And that’s the key point, isn’t it? &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;The events in Tottenham were sad and one could understand some form of spontaneous violence happening there. Not justified but understandable. But unfortunately, when the police were not able to handle that well, there were enough gangs who thought through it. If the police found it difficult to handle rioting at one location how would they manage 5 or 6? And once the gangs were out, I guess everyone had a go. And the blackberry meesenger made it very simple to mobilize people.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;(As an aside, maybe it’s because I am from a third world country- but if you have a blackberry messenger, you are not that deprived, are you?) &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;And as the police got its act together in London and got in forces from other cities, the violence in London died down and the violence in other cities picked up. I am sure there is no Moriarty like creature in the background…but it does give one something to think about.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;That’s the reason for these events – plain simple thuggery and greed. People got a chance to get free stuff with what they thought was almost no chance of getting caught and they took it. There was no other agenda, there was no deep rooted, long planned social upheaval, there was no back to the wall. This was wanton violence - not mindless – in fact, it was calculated…that in the midst of all this, they won’t get caught - but nonetheless, gratuitous violence.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;While it does not justify any such act, this is not to deny that large parts of the population are stuck in a deadend welfare situation. And they have, as Cameron put it, a sense of entitlement – a legacy of government policy where you threw money at a problem, hoping it would go away. And that’s going to take ages to get rid of. Because, today it has seeped into British public life-&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;all discussions centre around how much money the government is spending (or not spending)- and nothing else.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;My knowledge of UK politics over the last decade or so is based on what I have seen and read after coming to London in 2007. There has been ongoing and continual debate about Tony Blair’s legacy – Iraq and Rwanda, etc. I am not sure of how things were before Tony Blair but, looking at public spending figures, I think the biggest legacy Tony Blair has left this country is that he has changed all public debate on the role of the government to inputs rather than outputs.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;Today, any debate on public services is only about how much money is being spent – never about what happens to that money. “We will spend 5 bn more on the NHS” – never “Can we get the same type of care for the patient but spend a little less?” It is “Oh, my god, there will be 1000 officers less” – never “so, can we manage the same level of security by changing the way we deploy the forces.” Even on the rare occasions when outputs are discussed, the solutions always focus on inputs and almost never on the process which converts inputs to outputs. So, if doctors are spending only 50% of their time seeing patients and thereby only seeing 70% of patients on time, the solution is not to see how one can free up 75% of a doctor’s time to see patients. It is to get 50% more doctors. &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;Nobody in any debate is concerned with anything but how much the government is spending. All governments are profligate…that is not new. But a complete disregard for output and a belief that the panacea to all evils is “Go forth and spend”, means that no effort has been made to do things differently and that any reduction in spending is automatically seen as a disaster. I have not seen any department, other than perhaps the defence, which has said –yes, there is less money but we will do things differently and ensure that services are as good. &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;Perhaps I expect too much from government but when the public sector gets paid better than the private sector, surely the civil servants can deliver some better solutions than saying “there is less money, so things will suffer”&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;But this is a diversion from the last few days – the riots. There is, however, a linkage – the mentality of throwing money at problems has meant that there is a large section of population which has had money thrown at them. Actually, everyone had some money thrown at them, in the Labour days. But some sections got so much thrown at them, that they did not have to bother getting any of their own. And that has created a sense of entitlement among many people. The feeling that the world anyway owed them something coupled with a feeling, post Tottenham, that no one (read the police) could catch them gave rise to greed and these riots. &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot; mso-ansi-language:EN-US;font-family:Arial;font-size:11.0pt;&quot;  lang=&quot;EN-US&quot; &gt;That’s all these riots are about -&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;greed – not social dislocation, not unemployment, not a class war…but greed - generated perhaps by a sense of entitlement, but nonetheless, greed. And that’s all there is to it.&lt;/span&gt;&lt;/p&gt;  </content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/8456955968579799905/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/08/london-riots.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/8456955968579799905'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/8456955968579799905'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/08/london-riots.html' title='London riots'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-1140929336423764437</id><published>2011-06-12T13:51:00.003+01:00</published><updated>2011-08-24T14:39:41.801+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Journey"/><category scheme="http://www.blogger.com/atom/ns#" term="London"/><category scheme="http://www.blogger.com/atom/ns#" term="transport"/><category scheme="http://www.blogger.com/atom/ns#" term="tube"/><title type='text'>Journey to the ends of London</title><content type='html'>&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;This piece was written more than a week ago but in the run of things happening this last week I never got around to posting it. But a week doesn’t really matter since it isn’t exactly a very topical post but more a general rambling post.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;br /&gt;A country&#39;s borders are normally fairly well defined (yes, I know there are exceptions) but a city&#39;s borders are much more amorphous. For practical purposes Thane and Mira Road are part of Bombay just as Noida and Gurgaon are Delhi. But technically they are not. There are such technical definitions for each city, including municipal limits or postal codes. And there would be other definitions which would be unique to a given city.&lt;br /&gt;&lt;br /&gt;In London, a post code definition would be useless as vast parts of London have historical non London post codes. The most &#39;correct&#39; definition is probably the GLC borders but who remembers those. A more common definition would be &quot;within the M25&quot;.&lt;br /&gt;&lt;br /&gt;Given the importance of mass rapid transport in major cities there is another way to define the ends of a city – the ends of its mass rapid transport system. Till where can you get within the city on its public transport? In the context of London that means the ends of the tube, the DLR, the overground and the tram – basically all things which move on rail. I am ignoring buses and cab- not really mass transit. I am also not considering the national rail network as that is not a London based network – it’s just that major portions of it run via and through London. Hence the ends of London are the terminus stops of the various tube, tram, overground and DLR lines – those run by TFL (transport for London), effectively.&lt;br /&gt;&lt;br /&gt;I realize this is a highly incorrect definition. It leaves out vast swathes of London – especially south London – and takes in areas outside greater London, especially in the North West. But it is a fairly romantic definition, in my opinion, as it comes with a 150 years of history of the underground. London has developed greatly, especially in the northwest, along with the tube. And even today, it is the arrival of a new line which often causes regeneration in an area – as we are seeing today with the Overground. And it is, for practical purposes, a fairly good definition of where one can easily get to in London.&lt;br /&gt;&lt;br /&gt;London has 14 lines and around 45 terminus stations (for exact details see the end of the post) and over the last few years, in my normal travels, I had visited a number of them. About 2 years ago, I realized that I had been to more than half of them. I decided to visit all of them and actually made trips, whenever I was free and had the time, to various terminus stations. For example, once I had to meet Anita for a film at Leicester square at 9 pm. She wasn’t going to be free till about 8.30 whereas I was done by 6-6.30 or so. So, I took off to Mill Hill East, spent half an hour there, had a salad at the Waitrose and then got back.&lt;br /&gt;By the end of 2009, I had been to all but 3 of them (excluding tramlink) . Then the overground opened and a new set of terminuses were created. Slowly, over time I visited them as well, whenever, I had some free time…or had a meeting in that general direction. For example, I had a meeting once at Amersham and post the meeting I went over to Chesham…and saw the ducks in the park outside the station. Quite nice…and it was 2 birds with one stone- figuratively.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A couple of weeks ago, when I finished early at work, I went and visited Watford Junction on the overground and thought that with that, I had done it all. Then I realized that, though I was staying near Wimbledon, I hadn’t gone on the tramlink beyond Croydon. So, last week, one evening I went on the tram all the way to Elmers End, Beckenham Junction and New Addington. With that, I had visited every terminus stop on the TFL network. And in the process, had been past every station on the network.&lt;br /&gt;&lt;br /&gt;Now, frankly, these were just train rides- nothing much else. So, there really isn’t much to write about them. It’s more about the impressions once has got about London, its transport network and its extremities which I am sharing here.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;The trains are all so different. By their very design the DLR and the tramlink have different carriages. But even the different tube lines are very different. There are 3 or 4 distinct carriage designs and upholstery is different in most lines. Which means in that most cases, one can get into a train and know which line it is (yes, it is rather a stupid way of figuring out which line one is on….but there it is)&lt;br /&gt;I am assuming that the track width is the same on all trains so I am surprised that TFL has not been able to figure out the best model for the carriages and ensure that they are all designed that way. Still, it does add variety to the network. Interestingly, the latest trains, on the overground network are actually inspired by the Delhi Metro trains.&lt;br /&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;London is so different at its ends. The stations and the general area at the different terminuses are like different worlds. Those on the western side, especially on the metropolitan line are quiet and, often bucolic. Get out at Watford Station on the met line and you are in front of Cassiobury Park - about 77 ha in area, it goes back to the Domesday Book and has a variety of bird life. Mill Hill East, while not so pastoral is still quite idyllic. Uxbridge was a bustling small town but still with a quaint feel.&lt;br /&gt;On the other hand, the eastern terminuses are very different in feel. Woolwich Arsenal reminded me of the Bombay local train stations with many small shops and difficult to walk through – at least at one end. Similarly Barking seemed very drab and commercial.&lt;br /&gt;But the most amazing terminus is perhaps the eastern most station on the network; Epping - not because of the station itself but because it is the gateway to Epping Forest – the hiding place of Dick Turpin. There is actually a forest of about 25 sq km in area within the tube confines and is spread over many tube stations. Anita and I have traipsed a full day all across Epping forest, including those areas which are supposed to be haunted. And I would recommend it to all and sundry.&lt;br /&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;The actual stations seem a bit grander as one goes outwards. Probably because there is more space than in central London. The entrances to the station are not necessarily grand (though some like Uxbridge have beautiful arches), indeed some of them have tiny entrances. But there is a majesty about them and their facades which the central London stations don’t always have. Incidentally, 3 central London stations have no external facades at all –Bank, Regent’s Park and Piccadilly Circus.&lt;br /&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;As you travel about, outside Zone 1, you realize how much of the system is not underground. In fact according to TFL only 45% of the Underground is underground. (&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;a href=&quot;http://www.tfl.gov.uk/corporate/modesoftransport/londonunderground/1608.aspx&quot;&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;http://www.tfl.gov.uk/corporate/modesoftransport/londonunderground/1608.aspx&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;). If one adds the DLR and the overground, both of which are primarily not underground, the actual length underground is perhaps less than 40%. When you also consider that only 7 out of the 14 lines (counting DLR, Overground and Tramlink as one line each) are actually “tubes”, the entire nomenclature begins to seem very suspect.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;London is a very beautiful city as one gets out – in almost any direction, except the DLR. It is green and quiet and relatively peaceful.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;In spite of the network crisscrossing across the whole of London there are eight terminuses within Zone 1 - that’s almost 20% of all of them. Indeed, there is a line which runs entirely within Zone 1 and till a couple of years ago, there were two. So, some of the “ends” are quite central.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;All in all, it’s been an interesting way to get to see to London. I have seen a lot of London because of my trips to various pubs for the Quiz league. But this has also been quite a good way to see around the city – not as detailed - because I typically spent half an hour or so at a terminus, if I had no other work there. Certainly not enough to generate an informed view – but enough to form an impression.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;And now Boris is planning to extend the northern line to Battersea creating another terminus. It’s going to require another outing….&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;strong&gt;Appendix - &lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;strong&gt;List of Terminuses &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;I am defining a terminus as the last stop on a regular service which does not ever extend on either direction while following the same route. To explain with some examples&lt;br /&gt;1. There is a regular High Barnet/Edgware to Kennington (via Charing Cross) service but because some times the trains extend to Morden, Kennington is not considered a terminus.&lt;br /&gt;2. There is a regular Chesham to Chalfont service but sometimes it extends; often to Baker Street and on occasion all the way to Aldgate. Hence neither Chalfont nor Baker Street is considered a terminus but Aldgate is.&lt;br /&gt;3. There is a regular Woodford via Hainault service. There is also a regular Epping service via Woodford, which does not go via Hainault. Hence, even though trains go past Woodford all the way to Epping, Woodford is considered a terminus.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;With this in mind, the terminuses are&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Harrow and Wealdstone (Bakerloo)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Elephant and Castle (Bakerloo)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Epping (Central)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Woodford (Central)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;West Ruislip (Central)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Ealing Broadway (Central/District)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Richmond (District/Overground)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Wimbledon (District/Tramlink)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Upminster (District)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Kensington Olympia (District)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;High Street Kensington (District)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Edgware Road (District/Circle)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Hammersmith (Circle/Hammersmith and City)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Barking (Hammersmith and City)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Watford (Metropolitan)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Chesham (Metropolitan)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Amersham (Metropolitan)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Aldgate (Metropolitan)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Uxbridge (Metropolitan/Piccadilly)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Heathrow Terminal 4 (and 1,2,3) (Piccadilly)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Heathrow Terminal 5 (Piccadilly)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Cockfosters (Piccadilly)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Edgware (Northern)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;High Barnet (Northern)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Morden (Northern)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Walthamstow Central (Victoria)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Brixton (Victoria)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Stanmore (Jubilee)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Stratford (Jubilee/DLR)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Tower Gateway (DLR)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Lewisham (DLR)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Woolwich Arsenal (DLR) &lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Beckton (DLR)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Bank (DLR/Waterloo and City)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Waterloo (Waterloo and City)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;New Addington (Tramlink)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Elmer’s End (Tramlink)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Beckenham Junction (Tramlink)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;West Croydon (Tramlink/Overground)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;New Cross (Overground)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Crystal Palace (Overground)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Clapham Junction (Overground)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Highbury and Islington (Overground)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Gspel Oak (Overground)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Euston (Overground)&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;li&gt;Watford Junction (Overground)&lt;br /&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mill Hill East (Northern)&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/1140929336423764437/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/06/journey-to-ends-of-london.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/1140929336423764437'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/1140929336423764437'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/06/journey-to-ends-of-london.html' title='Journey to the ends of London'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-2746569166570969233</id><published>2011-05-28T16:28:00.003+01:00</published><updated>2011-05-28T16:32:41.327+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="diplomacy"/><title type='text'>The changing face of diplomacy</title><content type='html'>&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;The recent weeks have been the making of Obama – the killing of the world’s most wanted terrorist followed by an Irish homecoming have made him hot property again. But in the middle of all this, he gave an interview to Andrew Marr of the BBC- an interview in which he fundamentally re wrote international diplomacy- something which perhaps has not been given enough publicity.&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;br /&gt;Now, what he did in the case of Osama Bin Laden was clearly a gross violation of all international diplomacy. And yes, it was a complete decimation of Pakistan’s sovereignty. If Bin Laden had not been there in the house, it would have been an act of war on Pakistan. However, it was Bin Laden…and that meant that for the world, everything else was forgiven. Even Pakistan, which protested the violation of its sovereignty had to applaud for the killing of Bin Laden.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;But in his interview with Andrew Marr, Obama said something else. He basically said that if any one posed a threat to the United States he would be okay to go after them…irrespective of where they were!! The wording was slightly vague. Here’s an excerpt from that interview&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;em&gt;And if you find another very high value target at the top of al-Qaeda, Mullah Omar or whoever it might be in Pakistani territory or other sovereign territory, would you do the same again?&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;em&gt;Well I&#39;ve always been clear to the Pakistanis. And I&#39;m not the first administration to say this. That our job is to secure the United States. We are very respectful of the sovereignty of Pakistan. But we cannot allow someone who is actively planning to kill our people or our our allies&#39; people we can&#39;t allow those kind of active plans to come to fruition without us taking some action.&lt;br /&gt;And our hope is and our expectation is that we can achieve that in a way that is fully respectful of Pakistan&#39;s sovereignty. But I had made no secret. I had said this when I was running for the presidency, that if I had a clear shot at Bin Laden.&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;em&gt;You&#39;d take it.&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;em&gt;That we&#39;d take it.&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;That basically destroys the whole meaning of independent nations with respect for each other. “Our job is to secure ourselves”. Yes and war has always been an “acceptable” form of aggression between nations, once there are reasons for war. But this has basically legitimized aggression within another country even when there is no aggression against the country itself – as long as the “security” is about a country-less individual&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Unfortunately, I believe Andrew Marr let Obama off the hook a bit. Marr asked about “Pakistani territory or other sovereign territory” but Obama managed to make it a answer about Pakistan – and in the current scenario it is generally acceptable that Pakistan’s sovereignty has been compromised for the killing of Bin Laden- while leaving the door open for any unilateral aggression against any country in order to “secure the United States”&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;The implications of that statement- especially if one is willing to interpret security in a slightly broader context , such as energy security- are mind boggling.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Not that the US has been against unilateral aggression, e.g. twenty years ago, they went in and took out President Noreiga from his presidential palace. But generally, they have always tried to build a legal case for it before the action. In this case, the attorney general has tried to build a legal case after the incident. But Obama has taken it further now by effectively eliminating a legal reason altogether and putting self interest as the only reason.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Now, of course, nations act only in their interest…and hypocrisy on legalese always exists. And yes, often might is right! But even just the need to find a legal reason for something creates a pause and makes a more measured response. And gives a chance for something else to emerge.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;But Obama has now thrown that out of the window. In the new “Obama doctrine“ all that is required is for the POTUS to feel that his country’s security is at threat….and boom&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Ecological Security is at threat – let’s take out BP&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Job security is at threat – let’s take out Indian call centres and IT shops&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Border security is at threat because of Mexico – let’s shoot all illegal immigrants coming - they are threats to our security and can be hence considered legal combatants&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;The price of oil is so high it is affecting our energy security – let’s invade some of the oil producing countries and give ourselves free oil&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Now, I know this is absurd, but still it proves a point. Even hypocrisy has its uses. Such blatant disregard for established diplomatic procedures- and clearly enunciating this disregard is dangerous. And with the US remaining the clear superpower for some time to come it could signal an intention of “do what I say, or else.”&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Alas, the US does not seem to want other nations, in dealing with them, to have any more choice than Bernard Woolley did when he told Hacker –“your wish is my cooperation” &lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/2746569166570969233/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/05/changing-face-of-diplomacy.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2746569166570969233'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2746569166570969233'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/05/changing-face-of-diplomacy.html' title='The changing face of diplomacy'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-6203576345993336662</id><published>2011-05-22T15:08:00.004+01:00</published><updated>2011-05-22T15:24:30.638+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="amazon"/><category scheme="http://www.blogger.com/atom/ns#" term="e-books"/><category scheme="http://www.blogger.com/atom/ns#" term="gold"/><title type='text'>The changing face of reading</title><content type='html'>&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;Amazon has announced that it now has more ebook downloads than actual book sales. The actual statement they made was &lt;em&gt;&quot;Amazon.com is now selling more Kindle books than paperback books. Since the beginning of the year, for every 100 paperback books Amazon has sold, the company has sold 115 Kindle books. Additionally, during this same time period the company has sold three times as many Kindle books as hardcover books.” &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Now, there is a slight bit of sophistry, because it means that for every 115 kindle ebooks sold, there are 138 physical books which Amazon has sold. And, i am not sure if this includes marketplace sales or not which i believe is 30% of all amazon sales (though this is not just books, but extrapolating that...) Which means another 108 books sold which are all likely to be physical. So, the real numbers are more like 115 ebooks to 246 physical books, making less than a third of all sales being electronic.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;However, whatever I might prove with these numbers, the reality is that the e-book industry is only going to grow. And I am perhaps a bit old fashioned in still wanting to retain the physical book. There is a certain joy in holding a book in your hand and bending the pages which I believe cannot be matched. There is a joy in rummaging through a stack of old books and finding something you have been looking for which a Google search cannot replace.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;I remember how kicked I was to find T.S Elliot’s “Old Possum&#39;s Book of Practical Cats” in an old road somewhere within Bricklane a year ago; and how I absolutely loved reading about Mungojerrie and Griddlebone (those of you who have read Macavity will know what i am talking about)- twenty years after I first wanted to. And it’s why i almost always visit Manney’s everytime I am back in Pune and have always visited the Strand book festival when I was in Bombay. Unfortunately, I have had no chance of going to the Calcutta book festival...but someday.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;I do realize that it is an old fashioned view. Google search does have its advantages. I was able to find “And yet I don’t know”, a poem which Riyaz Bharucha, a senior at school had recited at our elocution contest on August 15th, 1989. I can still remember him going “and yet i don’t know and yet i don’t know...”. And it was because of search I was able to find this gem again. And yes, I did read it online...and it was fabulous.&lt;br /&gt;&lt;br /&gt;But then, it was a one page poem, not a book! How can one read 200 pages electronically! I don’t know and as long as physical books are so easily available, do i really need to find out? Many years ago, I installed Microsoft Reader on my work PC and read a lot of stuff on it but it just didn’t seem right. Maybe the kindle is different...but i am sceptical – sceptical enough not to spend the £150 for it.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;So, as a via media, I have today downloaded Kindle for Android on my HTC. Read a few of Aesop’s fables on it and I must admit it was not a great feeling. Perhaps I need to read more...and I shall try. Admittedly, it is sub optimal but worth a try. However, I am not complacent of an imminent change in consumer behaviour. Let’s see. Maybe it will need Graphene to drive that change. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:85%;&quot;&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;But I am sure many of you have already changed your behaviour and I would love to hear from you on how easy you found the transition.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;Just to round off on a different note, while the announcement of more ebook sales than physical sales is a momentous one, I read a small article in City AM which is perhaps equally momentous – I believe China now consumes more gold than India. And India has been knocked off its top perch after god knows how long. The year still has some time to go, so I would urge all of you in India – go out and buy gold...you have a national duty to do so now :)&lt;/span&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/6203576345993336662/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/05/changing-face-of-reading.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/6203576345993336662'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/6203576345993336662'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/05/changing-face-of-reading.html' title='The changing face of reading'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-5852967821580075490</id><published>2011-05-14T20:41:00.006+01:00</published><updated>2011-05-14T22:22:52.843+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="films"/><category scheme="http://www.blogger.com/atom/ns#" term="hindi"/><category scheme="http://www.blogger.com/atom/ns#" term="songs"/><title type='text'>My favourite Hindi film songs</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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 &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Some weeks ago I had listed what I had thought were the &lt;a href=&quot;http://sanchospeaks.blogspot.com/2011/02/top-song-picturizations.html&quot;&gt;finest song picturizations&lt;/a&gt; in Hindi film history. I suppose the logical next step is to look at the top songs itself. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;However, choosing just ten songs is really difficult. A way out of it is to make slots and fit things into those slots. The Hindi film industry began in 1931 and we are in 2011, 80 years hence. I have decided to choose one song from each decade, giving 8 in all and then adding 2 more songs from the 1950-1970 period. Those twenty years have been chosen as I believe that they are perhaps the finest period in Hindi film music . &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;So, these 10 probably wouldn’t be my top ten songs but they do cover the spectrum of Hindi film songs across time. As usual, “another time, another place” applies to these as well.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;So, here goes&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span style=&quot;mso-bidi- line-height:115%;font-size:9.0pt;&quot; &gt;1930’s&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;I have actually heard perhaps the least amount of music from this decade. So, it is quite difficult to choose one song. I hardly know of a handful of songs from this period so any choice is limiting. I am greatly tempted to go with “In the world’s broadfield of battle” sung by Shanta Apte in &lt;span style=&quot;font-style: italic;&quot;&gt;Duniya na mane&lt;/span&gt; (1937). But I realize that a part of that decision is being influenced by the fact that it is perhaps the first English song in a Hindi film. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;So, I am finally going to go with a very famous song, one which Saigal refused to give playback for and insisted that it be recorded live because that would be the only way to get the sentiment right. &lt;/span&gt;&lt;span class=&quot;linkspop&quot;&gt;Thus Saigal &#39;walked the streets&#39; singing, with the entire orchestra following him out of the camera&#39;s reach. The result was magic. &lt;/span&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;The song has been sung by singers through time but there is still something in Saigal’s rendition which is touching. And of course, Wajid Ali Shah’s lyrics are also very moving- with a poem which operates at two levels - wedding and death. I give you – &lt;span style=&quot;font-style: italic;&quot;&gt;Babul Mora&lt;/span&gt; (Street Singer, 1937)&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/w_BmHDD8rSM&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span style=&quot;mso-bidi- line-height:115%;font-size:9.0pt;&quot; &gt;1940’s &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Finally, this proved to be the most difficult decade for me to decide on one song. From the second half of this decade is when I have heard hindi film music. There is a lot of good stuff as singers like Lata, Geeta Dutt, Rafi, Mukesh, Talat, Suraiya all began in this decade as did music directors like Naushad, SJ, C Ramchandra. And of course Saigal, Noor Jehan, Anil Biswas all remained very prolific in this decade.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Finally, I have gone for a song towards the end of the decade – a song which still defines Mohammed Rafi and is one of the earliest examples of the Rafi- Naushad-Shakeel combination working magic. It isn’t picturized on Dilip Kumar though – thankfully, because it a highly boring picturization. I remember when I first saw this song, sometime in the 80’s or 90’s in a Chitrahaar, I was so disappointed at how stupid it looked. But it can’t take away from Rafi’s superlative singing- slow, sentimental and finally out of the Saigal shadow. So, when you listen to listen to this online, close your eyes and just listen – &lt;span style=&quot;font-style: italic;&quot;&gt;Suhani Raat dhal chuki&lt;/span&gt; (&lt;span style=&quot;font-style: italic;&quot;&gt;Dulari&lt;/span&gt;- 1949) &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/7LjF6yjrgYU&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span style=&quot;mso-bidi- line-height:115%;font-size:9.0pt;&quot; &gt;1950’s and 1960’s&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;I had anticipated that this period would be the most difficult for me to decide. That’s why I decided to have 4 songs from this 20 year period. But it wasn’t so bad. I am surprised that finally I did not pick up a song from &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;Chori Chori &lt;/i&gt;or indeed any song of either SJ or Naushad. But actually, for me 2 songs almost picked themselves – indeed, if I had to choose only one song from the 50’s and one from the 60’s it would have been really difficult (as these 2 songs are from 1960 and 1966). But the cushion of 4 songs allowed to me to pick them both and then think about the other two. That was difficult, though finally I did choose 2 songs…but highly debatable, even in my mind. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;ol  style=&quot;margin-top: 0in; font-family: verdana;font-family:verdana;&quot; start=&quot;1&quot; type=&quot;1&quot;&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Ye raat ye chandni,  Jaal&lt;/span&gt;- 1952&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;There are 2 versions of this song- there is a duet with Lata and Hemant but I am going with the solo by Hemant Kumar. This is Sachin Dev Burman at his best and the music between the stanzas is truly haunting; as is the “hmmhmmhmm” by Hemant Kumar (is this his best Hindi film song?) &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;While not directly a factor of the song, adding to its effect is the picturization by Guru Dutt and due credit to the cinematographer who makes it even more ethereal.&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;See the moving leaves at the beginning, the waves, the coconut trees…and of course, this song cannot be thought of without mentioning Geeta Bali&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;- not a word does she say but her expressions just add to the mystique of this song.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/AcUlFA0ujak&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;A clearer version at &lt;a href=&quot;http://youtu.be/qvZpMRjuvq0&quot;&gt;http://youtu.be/qvZpMRjuvq0&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;ol  style=&quot;margin-top: 0in; font-family: verdana;font-family:verdana;&quot; start=&quot;2&quot; type=&quot;1&quot;&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Vande Mataram, Anand      Math&lt;/span&gt;, 1952&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Again there are 2 versions of this song- one by Lata but I am going with the one by Hemant Kumar and chorus. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;For me, this version is &lt;span style=&quot;font-style: italic;&quot;&gt;Vande Mataram&lt;/span&gt;- not the radio one so many of us grew up with, not the A.R. Rahman “&lt;span style=&quot;font-style: italic;&quot;&gt;maa tujhe salaam&lt;/span&gt;” but this one. A song which was meant to fire up all the revolutionaries should be something like this. Just listening to this makes you feel charged up. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;This version uses a longer version of the poem than that which we are used to – some four odd stanzas, some of which many of us would have not heard. And it is so powerful just to feel the energy coursing- even if one doesn’t understand much of what is being sung. For a transliteration and translation of the complete poem (longer than this song) &lt;a href=&quot;http://www.indianchild.com/vande_mataram.htm&quot;&gt;look here&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/7Os_8BN2qmw&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;ol  style=&quot;margin-top: 0in; font-family: verdana;font-family:verdana;&quot; start=&quot;3&quot; type=&quot;1&quot;&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Na to karavan ki talash      hai, Barsaat ki raat&lt;/span&gt;, 1960&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Hindi films have always used &lt;span style=&quot;font-style: italic;&quot;&gt;qawwalis&lt;/span&gt; well;&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;though to be fair, while they mostly retain the form of the &lt;span style=&quot;font-style: italic;&quot;&gt;qawwali&lt;/span&gt;, by far the majority of them do not stay true to the original devotional aspect of &lt;span style=&quot;font-style: italic;&quot;&gt;qawwalis&lt;/span&gt;. Be that as it may, from the famous &lt;span style=&quot;font-style: italic;&quot;&gt;“aahen na bhari” &lt;/span&gt;of Zeenat (1945) right up to &lt;span style=&quot;font-style: italic;&quot;&gt;“khwaja mere khwaja” &lt;/span&gt;in Jodha Akbar (2008), there have been some excellent qawwalis. None probably has been better than this one from &lt;span style=&quot;font-style: italic;&quot;&gt;Barsaat ki raat&lt;/span&gt; – a film which incidentally has two other very fine &lt;span style=&quot;font-style: italic;&quot;&gt;qawallis&lt;/span&gt; – &lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;nigah-e-naaz ke maaron ka haal&lt;/i&gt;, and &lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;ji chahta hai choom loon&lt;/i&gt;. But &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;na to karavan&lt;/i&gt; is the supreme one.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;The complete song is about 12 min long and is intoxicating. Starting off slowly, it builds up gradually and the tempo keeps on rising and rising. And by the time one reaches the line &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;“inteha ye hai ke bande ko khuda karta hai ishq”&lt;/i&gt; at the end, one is just lost in the song and really forgotten everything else. This is not a song I can describe; it is an experience one has to undergo by listening to it. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/CU1XPG_ihq4&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;ol  style=&quot;margin-top: 0in; font-family: verdana;font-family:verdana;&quot; start=&quot;4&quot; type=&quot;1&quot;&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Mere dushman tu meri      dosti, Aaye din bahaar ke&lt;/span&gt;, 1966&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;A unique choice, in that it’s not the music or the singing or the orchestration that makes this a great song- it’s the lyrics. There are many songs with fine lyrics but only a handful where the lyrics can be the difference which take an otherwise ordinary, normal song and transform it into a brilliant one. &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;Mere dushman&lt;/i&gt; is a prime example of that.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Typically, when one thinks of brilliant poetry one thinks of love or of beauty. One definition of “poetic” is “&lt;/span&gt;&lt;span class=&quot;definition&quot;&gt;&lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=expressing&quot; title=&quot;expressing&quot;&gt;expressing&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=ideas&quot; title=&quot;ideas&quot;&gt;ideas&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=in&quot; title=&quot;in&quot;&gt;in&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=a&quot; title=&quot;a&quot;&gt;a&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=very&quot; title=&quot;very&quot;&gt;very&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=sensitive&quot; title=&quot;sensitive&quot;&gt;sensitive&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=way&quot; title=&quot;way&quot;&gt;way&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=and&quot; title=&quot;and&quot;&gt;and&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=with&quot; title=&quot;with&quot;&gt;with&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=great&quot; title=&quot;great&quot;&gt;great&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=beauty&quot; title=&quot;beauty&quot;&gt;beauty&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=or&quot; title=&quot;or&quot;&gt;or&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=imagination&quot; title=&quot;imagination&quot;&gt;imagination&lt;/a&gt;”.&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;Similarly, “lyrical” is defined as &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=expressing&quot; title=&quot;expressing&quot;&gt;expressing&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=beauty&quot; title=&quot;beauty&quot;&gt;beauty&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=and&quot; title=&quot;and&quot;&gt;and&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=strong&quot; title=&quot;strong&quot;&gt;strong&lt;/a&gt; &lt;a href=&quot;http://www.macmillandictionary.com/search/american/direct/?q=emotion&quot; title=&quot;emotion&quot;&gt;emotion&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span class=&quot;definition&quot;&gt;But this song is different.&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;I do not think I have ever come across a better exposition of hatred than in this song. If one has to answer the question “how much can one hate someone”, I think a pretty good limit on that would be set by the emotions expressed in this song. The tune and the actual singing are quite immaterial in this case- just the words are breath taking. And when I say “breath taking”, I don’t mean in the sense of “oh, what a beautiful view. It takes my breath away”, but more the sharp intake of breath one has when one is humiliated or shouted at. The strength of negativity described by these words is scary and dark. &lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;Just listen to the words and to read the (slightly incorrect and incomplete) lyrics &lt;a href=&quot;http://thaxi.hsc.usc.edu/rmim/giitaayan/cisb/1196.isb&quot;&gt;go here&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/ir70wW-i4xo&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span style=&quot;mso-bidi- line-height:115%;font-size:9.0pt;&quot; &gt;1970’s&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;With the decline of Rafi and the emergence of Kishore in this decade, it is perhaps not surprising that I am going for a song with Kishore kumar in it. Equally, with Asha Bhonsle becoming the more prolific of the sisters, not too surprising that she appears as the female voice in this duet.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;The distinctive feature of this song is the abrupt shifts from high pitch to low pitch and vice versa which the 2 singers alternate between. The effect is magical – especially Asha Bhonsle at the low end of the scale. Her voice in this song at that pitch sounds, in my opinion, quite unlike anything else she has ever sung. Unfortunately for Kishore, though he has also sung this song exceptionally well (and it is a difficult song to sing) the distinctive memory for me is Asha Bhonsle…at low pitch. &lt;span style=&quot;font-style: italic;&quot;&gt;Jaane ja dhundhta fir raha&lt;/span&gt; (Jawani diwani – 1972)&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/yhIAn1ISL_8&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span style=&quot;mso-bidi- line-height:115%;font-size:9.0pt;&quot; &gt;1980’s&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Perhaps the worst decade as far as Hindi film music goes. Part of the reason was the absolutely rubbish lyrics which started happening in this decade. Hence, it is perhaps appropriate to consider that when R.D. Burman was given the lyrics for this song his first reaction was &lt;/span&gt;&quot;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;Huh, kal tu Times Of India le aayega aur bolega iski tune bana. Metre betre aata to hai nahin tujhe&lt;/i&gt;.” &lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;At the same time, ironically, this is one of the more beautiful pieces of poetry one has come across in Hindi films and to that extent the anti thesis of a lot of music of the 80’s. And again Asha Bhonsle voice is silken. &lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;What I really like about the song is the ending – I always feel it’s a bit abrupt but fits in very well with the general way of this song. &lt;span style=&quot;font-style: italic;&quot;&gt;Mera kuch saaman&lt;/span&gt; (Ijazat -1989)&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;iframe src=&quot;http://www.youtube.com/embed/_G1koIC1qOM&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;1990’s&lt;/b&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Absolutely no debate for me here- there’s only one song which could be selected here. Has there ever been a finer description of a beautiful girl than this. Perhaps “&lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;a href=&quot;http://thaxi.hsc.usc.edu/rmim/giitaayan/cisb/383.isb&quot;&gt;Chaudhvin ka Chand&lt;/a&gt;&lt;/i&gt;” comes close…but honestly the gap is quite wide. Even when I think of English poetry, say “&lt;a href=&quot;http://poetrypages.lemon8.nl/romance/shewalks/shewalks.htm&quot;&gt;She walks in beauty&lt;/a&gt;” or “&lt;a href=&quot;http://www.shakespeare-online.com/sonnets/18.html&quot;&gt;Shall I compare thee to a summer’s day&lt;/a&gt;”, I feel this poem can stand up to them and be considered one of the finest examples of a collection of similes in such a short piece of work.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Of course, the other thing about this song is that it does not just depend on its lyrics- however brilliant they are. The music is melodious and this song forgives Kumar Sanu anything else he might have sung in his life (not that he hasn’t sung some good stuff; but after this it is quite immaterial). And rarely has Manisha Koirala looked more beautiful than in this song- &lt;span style=&quot;font-style: italic;&quot;&gt;Ek ladki ko dekha&lt;/span&gt; (1942, &lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;A love story – 1994).&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/Jiv6CqNN1ak&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.5in; font-family:verdana;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span style=&quot;mso-bidi- line-height:115%;font-size:9.0pt;&quot; &gt;2000’s&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Just as &lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;qawwali’s have been a staple in hindi films, so have been item numbers – indeed even more so. The term “item number” is probably from the 90’s but item numbers have been around forever. Helen sustained an entire career over more than 20 years as effectively an “item number girl” – which unfortunately does not do enough justice to her acting skills (but that’s another story) and before her there was Cuckoo who was the “cabaret” girl of the 40’s and 50’s. And of course the “mujra” song has been a staple in Hindi films. &lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left: 0.5in; font-family: verdana;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;So, in a way, it is fitting that one rounds up with this list with an item number featuring the biggest star ever in Indian films along with his son and future daughter-in-law.&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot; face=&quot;verdana&quot; style=&quot;margin-left: 0.5in; font-family: verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;I love this song – it’s highly infectious, very zestful and has very nice lyrics. There really isn’t much to write specifically about the song. I just like it a lot! &lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Kajra re kajra re&lt;/span&gt; (Bunty aur Babli – 2005)&lt;/span&gt;&lt;/p&gt;&lt;span style=&quot;font-family:verdana;&quot;&gt;  &lt;/span&gt;&lt;p class=&quot;MsoNormal&quot; face=&quot;verdana&quot; style=&quot;margin-left: 0.5in; font-family: verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;&lt;iframe src=&quot;http://www.youtube.com/embed/p-qP94F-9h0&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;349&quot; width=&quot;425&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/5852967821580075490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/05/my-favourite-hindi-film-songs.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5852967821580075490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/5852967821580075490'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/05/my-favourite-hindi-film-songs.html' title='My favourite Hindi film songs'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/w_BmHDD8rSM/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-9125565876383621395</id><published>2011-05-08T21:16:00.003+01:00</published><updated>2011-05-08T21:19:52.315+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="england captaincy"/><category scheme="http://www.blogger.com/atom/ns#" term="IPL"/><category scheme="http://www.blogger.com/atom/ns#" term="T20"/><title type='text'>T-20 and the England Cricket captain</title><content type='html'>&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;So, the IPL is about half way through and as usual it’s been the usual complement of sixes and some outrageous shots, an unknown Indian batsman suddenly making his name, and some general tamasha.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;I must admit that I watch IPL on occasion but I am not a great fan. I don’t follow it and don’t really know what’s going on in the points table. But this is not really something to do with the IPL but a general reaction to T-20 cricket. I do not really relate to it and can’t really appreciate it.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Of course, I realize this is a slightly old fashioned way of looking at things. I am sure there will be some of you who will be saying that this is exactly how people reacted forty years ago when one day cricket was introduced. And there is more than a grain of truth in that. I am certainly a person who grew up with test and one day cricket and that certainly reflects in my views.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;However, I feel there is a bit more than that. The basic premise of cricket is that is a game between bat and ball. That did change a bit with the introduction of one day cricket but I believe it remained largely true – even over the last ten years or so, administrators have tried more and more to tilt it towards batsmen. But with T-20 it is unabashedly all about batsmen. So, the game is no more about bat vs ball but about batsmen of team 1 versus the batsmen of team 2. The bowlers have been reduced to the status of ball boys in tennis - can’t really have the game move smoothly without them but really have no attention focused on them.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;And that makes the game boring to me. I feel the balance needs to be adjusted back towards the bowlers a bit. And with that in mind, I have a few suggestions which I believe can help a bit. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Consider imposing a weight limit on bats. Bats have become so thick it’s not funny anymore - the weight of the ball has not changed for ever and ever but bats have gone through the roof…and the sweets spots become bigger and bigger so that even a touch goes for a six. Let’s limit that.&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Increase the ground sizes. Administrators seem to have a penchant for bringing in the ropes – whether to seat more people or just to have a shorter boundary, I don’t know. But you have the ridiculous situation of some boundaries being less than 60m. When conflated with the better bats it just means that mis hits go for six, which is plain unfair to the bowler&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Get rid of fielding restrictions. When they were introduced in the 1992 world cup they were unique and introduced a new form of cricket but really are irrelevant in t-20. I would retain powerplays in ODI but give complete control to the teams (10 decided by the batting team and 10 by the fielding). But in just 20 overs with the batsman already going hammer and tongs, it makes little sense to me&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Get rid of bowling restrictions. This is something I have never understood, even in ODI. If a batsman can play on and on, why is a bowler not given the same right?&lt;/span&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;Restrict the number of batsmen. This may be slightly radical but just follow me through. When there are just 20 overs, batsmen can go hammer and tongs because they know the chances of getting all out in this span is very low. But what if you told the batting team that if you lost five wickets the innings was over? How would they react? Would that even things out a bit in favour of the fielding team? It probably would.&lt;br /&gt;Some of you would react that cricket is a game of 11 vs 11 but that wouldn’t change. The batting team could still choose the batting order from its 11 people. But just as its innings is perforce finished when 20 overs are done, so would it be when 5 wickets fall.&lt;br /&gt;Why 5? I don’t know. 6 or 7 is also fine. It would probably need some statistical analysis to figure out the correct number. But as a concept can we agree that since there are only 20 overs, a batting team does not need the luxury of 10 wickets?&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;So, these are some suggestions to even things out between batsmen and bowlers in the 20-20 format. However, there are no doubts that the kind of skills required in 20-20 will be slightly different than tests and ODI’s. And of course, we have seen many “20-20” specialists. In the past we had “one day specialists” such as Bevan and Ajay Jadeja. And as time goes on and the number of tests reduce we are probably going to see more of Test specialists (Cheteshwar Pujara, anyone?)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;But England have taken this to a different pitch with different captains for Tests, one days and t-20. At one level, it may be the right decision but it just gives the feeling of where will it all end?&lt;br /&gt;Cricket has always been a game with a high level of graininess in its description – tests and ODI’s, home and away, first innings and second innings, mutual series and so on. That is why you can have as absurd records as “record seventh wicket partnership for England in the 2nd innings of a game played between India and England at Headingley”&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;So, with captaincy too are we going to see such level of detail in the future – captains for home games and away games, captains for different opponents, captains for first innings and second innings, captains based on the ground the game is being played.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style=&quot;font-family:verdana;font-size:85%;&quot;&gt;And in all this, the coach will sit in the background and smile!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/9125565876383621395/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/05/t-20-and-england-cricket-captain.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/9125565876383621395'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/9125565876383621395'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/05/t-20-and-england-cricket-captain.html' title='T-20 and the England Cricket captain'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-3489000292787955102</id><published>2011-04-30T11:05:00.004+01:00</published><updated>2011-04-30T11:11:05.533+01:00</updated><title type='text'>Phir is andaz se bahaar aaii</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 1&quot;&gt; 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name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; 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priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt; 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name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:&quot;Table Normal&quot;;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  mso-padding-alt:0in 5.4pt 0in 5.4pt;  mso-para-margin:0in;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;And so, spring is here in all its fineness. The English spring is truly brilliant- when it actually occurs. The problem is that it is quite fickle. A few days of brilliant sunshine then suddenly it gets all dreary and wet again. And it can actually rain at any time – really…just about any time.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;But having said that, when the day is good, nothing can really match it. It is quite difficult to describe it very well but it is lovely.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;Of course, poets through the ages have described its beauty in all its glory. So, there’s little point in my trying to describe the spring, instead. Rather, let me share with you, perhaps the finest description of spring I have ever read. Though written in India, more than a hundred and fifty years ago, it still can apply to spring in all its beauty anywhere – certainly here in England. &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;So, in tribute to the English spring and summer, I give you – &lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;phir is andaz se bahaar aa_ii&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%&quot;&gt;phir is andaaz se bahaar aa_ii&lt;br /&gt;ke huye mehar-o-maah tamaashaa_ii &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%&quot;&gt;dekho ai sakinaan-e-khittaa-e-Khaak&lt;br /&gt;is ko kahate hai.n aalam-aaraa_ii &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%&quot;&gt;ke zamii.n ho ga_ii hai sar taa sar&lt;br /&gt;ruukash-e-satahe charKhe minaa_ii &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%&quot;&gt;sabz ko jab kahii.n jagah na milii&lt;br /&gt;ban gayaa ruu-e-aab par kaa_ii &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%&quot;&gt;sabz-o-gul ke dekhane ke liye&lt;br /&gt;chashm-e-nargis ko dii hai binaa_ii &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%&quot;&gt;hai havaa me.n sharaab kii taasiir&lt;br /&gt;badaanoshii hai baad paimaa_ii &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%&quot;&gt;kyuu.N na duniyaa ko ho Khushii &quot;Ghalib&quot;&lt;br /&gt;shaah-e-dii.ndaar ne shifaa pa_ii &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;u&gt;&lt;span style=&quot;mso-bidi-line-height:115%&quot;&gt;Glossary&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ol  style=&quot;margin-top: 0in; font-family:trebuchet ms;&quot; start=&quot;1&quot; type=&quot;1&quot;&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;mehar-o-maah=sun and      moon&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;sakinaan-e-khittaa-e-Khaak=dwellers      of this earth&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;aalaam=world&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;&lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;aaraa_ii=ornament&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;sar taa sar=infinite&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;ruukash-e-satah-e-charKh-e-minaa_ii=surface of the sky with uncountable of stars&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;sabz=greenery&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;ruu-e-aab=water surface;      &lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;kaa_ii=moss&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;sabz-o-gul=greenery and      flower (flora)&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;chashm-e-nargis=Nargis      is a flower which is shaped like an eye&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;binaa_ii=sight&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;taasiir=effect; &lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;baadaanoshii=to drink      wine&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;baad paimaa_ii=to take a      measure of the wind&lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;shaah-e-dii.ndaar=pious/religious      king; &lt;/span&gt;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt:auto;mso-list:l0 level1 lfo1&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;shifaa=regain health      after an illness&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-left: 0.25in; font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:100%;&quot; &gt;*&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;thanks to www.urdupoetry.com&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;for this ghazal&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/3489000292787955102/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/04/phir-is-andaz-se-bahaar-aaii.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/3489000292787955102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/3489000292787955102'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/04/phir-is-andaz-se-bahaar-aaii.html' title='Phir is andaz se bahaar aaii'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-4856645168648408405</id><published>2011-04-16T02:10:00.004+01:00</published><updated>2011-04-16T11:39:51.770+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="amol palekar"/><category scheme="http://www.blogger.com/atom/ns#" term="farooque sheikh"/><category scheme="http://www.blogger.com/atom/ns#" term="films"/><title type='text'>A couple of uncommon men</title><content type='html'>&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;Some days ago, Rita had come home for the evening and we were wondering if we should watch a film and we had decided to see Golmaal (1979) again. Finally, we didn’t see the film but I would have had no problem in watching Golmaal for the umpteenth time.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;The 70’s and 80’s were of course the Amitabh Bachchan era…and he did make a number of good films – especially in the 70’s. In fact, I would say that some of his not so well known films- at least today are actually his better films – Benaam, Majboor, Faraar, Zameer.&lt;span style=&quot;mso-spacerun: yes&quot;&gt; &lt;/span&gt;But I am not sure they have as much repeat value as a film like Golmaal does…and indeed many other Amol Palekar films have. And while Amitabh routinely played the angry young man, many of Amol Palekar’s films had him playing what I can only call the common man. But these films were anything but common.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;Golmaal is a classic…there are so many moments in that film that it is difficult to point out one. But the one that sticks in my mind is the scene where “Lucky” goes to Utpal Dutt’s house for the first time and calls him “Maali”. The way Amol Palekar plays that scene is really good. And ditto for Utpal Dutt. In fact, to be honest, a lot of Golmaal’s effectiveness is down to Utpal Dutt’s brilliance. &lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;Amol Palekar has a number of good films without Utpal Dutt (Choti si Baat, Chitchor, Baaton Baaton mein, Khamosh – this last a phenomenal murder mystery with brilliant performances by Amol Palekar, Naseeruddin Shah and Shabana Azmi) but his outstanding ones are those where Utpal Dutt has a major role – Golmaal, Naram Garam, and Rang Birangi. And each one can be watched a million times.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;Naram Garam has to be one of Shatrughan Sinha’s finest roles and I wonder why his comic talent was not used more often. And the “Ram Leela” scene is the most memorable scene from this film. Also, the song “teri chachi bulldozer aane wali hai” was an excellent song.&lt;span style=&quot;mso-spacerun: yes&quot;&gt; &lt;/span&gt;But as usual, Utpal Dutt is brilliant. &lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;The plot idea of Naram Garam was fairly absurd (in having multiple men falling in love with Swarup Sampat and then appealing to a higher authority just to keep the house which she is forcibly occupying). To be fair, even the plot of Golmaal was also a bit strange but the most OTT has to be Rang Birangi.&lt;span style=&quot;mso-spacerun: yes&quot;&gt; &lt;/span&gt;The idea of a guy suggesting to his friend that he try out what Sanjeev Kumar tried out in Pati Patni aur woh leads to some of the most hilarious scenes possible- where Amol Palekar ends up romancing both his wife (Parveen Babi – this is, in my opinion, her best role) and his secretary (Deepti Naval) after telling the secretary that his wife was terminally ill. Two things stand out for me in this film -&lt;span style=&quot;mso-spacerun: yes&quot;&gt; &lt;/span&gt;one, the last dialogue of the film – “B.R. Chopra ko pakad kar lao”. But what I remember this film most for is the character Dhurandar Bhatavdekar – which has to be the most terrifying name of any character in Hindi films. The character was played (again brilliantly) by Utpal Dutt (with a trademark &lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;IIIISSHHHH&lt;/i&gt;) and was impersonated by Farooque Sheikh. &lt;span style=&quot;mso-spacerun: yes&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;Which brings us to another actor who has some highly memorable films which are quite timeless – Farooque Sheikh.&lt;span style=&quot;mso-spacerun: yes&quot;&gt; &lt;/span&gt;And just as Amol Palekar had Utpal Dutt with him in his most memorable films, a number of Farooque Sheikh films had Deepti Naval in them (though, again some of the best also had Utpal Dutt in them such as Rang Birangi and Kisi se na kehna)&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;When I think of Farooque Sheikh, it all starts with Chashme Budoor. And Chashme Budoor is defined by Miss Chamko. Hyperbole is fairly easy but it is truly one of the most memorable scenes in film history. The look on Deepti Naval’s face when Farooque Sheikh tells her that the shirt is already washed is to be seen to be believed.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;The other really cool Farooque Sheikh film is Katha (again with Deepti Naval plus Naseeruddin Shah). The character of Farooque Sheikh in Katha is a real hustler, and one sees such people in real life. People with no morals and no expertise but who get by merely by the gift of gab. I have come across such people at work and I am sure all of us have in life. &lt;span style=&quot;mso-spacerun: yes&quot;&gt;&lt;/span&gt;And the film is improved by hilarious day dreaming by Naseeruddin Shah.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;However, a Farooque Sheikh film which is not so well known but is equally good is one called “Kisi se na Kehna” and it has the usual suspects – Deepti Naval, Utpal Dutt and, for extra measure Saeed Jaffrey. The story is of guy who falls in love with a doctor only to realize that his father has got fed up with “modern” girls. So he has decided that his son will either marry a village girl who does not know English and knows the scriptures very well or he would disinherit him. Since the father has a heart problem the doctor decides to act as a village belle and they get married…but eventually the father finds out and the story goes to its eventual end.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;The film has a couple of great scenes – one is Saeed Jaffrey and Utpal Dutt going to Deepti Naval’s village to test her knowledge of the Mahabharat. Utpal Dutt thinks he is asking her questions but actually it is Saeed Jaffrey, hijacking him and instead asking the questions – questions which he has already coached Deepti Naval on.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;But even better is the scene where Farooque Sheikh proposes to Deepti Naval. The lead up is as follows – Farooque Sheikh tells Saeed Jaffrey that he is love with Deepti Naval and on being asked whether she loves him says that he doesn’t know and asks Saeed Jaffrey how to find out. Saeed Jaffrey’s advice is to get her in a beautiful setting (described beautifully in the film – sham ka waqt hai, suraj dhal rahai hai, hawa dheere chal rahi hai, khule dareechon se taaza gulab ki mahek aa rahi hai…etc) and then clasp her to his side. If she slaps him it’s all over but if she asks him to leave her without trying to get free then it’s a green signal (strong shades of P.G Wodehouse here)&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;So, off he goes to meet Deepti Naval at her house very tentatively and on seeing her he funks it completely and instead describes the scene to her asking her to assume that he clasped her to his side and then asks for her reaction – would she slap him or ask him to leave her. She replies – “what if I do neither?” Farooque Sheikh gets all hot under the collar because this is out of the syllabus so he says “dekhiye, aisa ghazab mat kijiye, ye meri zindagi ka savaal hai…aap chahen to beshaq thappad mar lijiye… lekin inhi dono me se ek cheez chuniye”. Deepti Naval replies “agar main vahin chup chap baithi rahoon” By now Farooque Sheikh is completely confused and decides to go off to check with Saeed Jaffrey what that means - when suddenly the light dawns on him…&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;I realize this doesn’t sound so funny in description but it is lovely to watch. &lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:verdana;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height: 115%&quot;&gt;As indeed are all these films –they don’t often get discussed as landmark films or major films or important ones when one discusses Hindi films but they are among the finest of the 70’s and the 80’s. And the best part is that they are all on you tube - go check them out some time…and re discover a different magic of cinema!&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/4856645168648408405/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/04/couple-of-uncommon-men.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/4856645168648408405'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/4856645168648408405'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/04/couple-of-uncommon-men.html' title='A couple of uncommon men'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-4076272000160006264</id><published>2011-03-31T18:13:00.003+01:00</published><updated>2011-03-31T18:21:20.990+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="cricket"/><category scheme="http://www.blogger.com/atom/ns#" term="Murali"/><title type='text'>The genius of Murali?</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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But the one person we always knew would bow out after the world cup was Mutthiah Muralidaran. &lt;/span&gt;&lt;/p&gt;  &lt;p  class=&quot;MsoNormal&quot; style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;That Murali has tremendous figures goes without saying. I suspect however that most people are not aware just how tremendous they are. Have a look at this article written four or five months ago by Ananth Narayanan (&lt;a href=&quot;http://blogs.espncricinfo.com/itfigures/archives/2010/12/barnes_and_muralitharan_at_par.php&quot;&gt;http://blogs.espncricinfo.com/itfigures/archives/2010/12/barnes_and_muralitharan_at_par.php&lt;/a&gt;) which gives a perspective into how amazing Murali’s figures have been. To me, based on figures and things which contemporaries had to say about him, Barnes has always been the finest bowler ever – he’s the Bradman of bowling to me. And to see Murali at the same level and arguably higher was an eye opener to me.&lt;/span&gt;&lt;/p&gt;  &lt;p  class=&quot;MsoNormal&quot; style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;So, why is it that when discussions about the best spinners happen, generally Warne tends to get just a slightly higher billing than Murali? It’s Warne who gets into Wisden’s top 5 cricketers of the century with 27 out of a possible 100 votes a player could get while Murali did not get a single vote – I repeat not one vote (as on 1&lt;sup&gt;st&lt;/sup&gt; January 2001, Warne had 366 test wickets in 84 matches compared to Murali’s 308 in 58 matches and 230 ODI wickets in 149 matches compared to 211 in 150 with very similar averages and strike rates). Warne got picked in the cricinfo all time test XI way ahead of Murali (Warne was a unanimous choice of every jury member) though Murali made it to the 2&lt;sup&gt;nd&lt;/sup&gt; XI (along with Barnes – rather ironic isn’t it – the 2 bowlers with the best career stretches and among the top 3 in career wickets per match and they are in the 2&lt;sup&gt;nd&lt;/sup&gt; XI). Warne gets credit for having revived the dying art of leg spin but people generally don’t mention that Murali practically created a new art (the wrist spinning off spinner) and took another to rarefied heights (the “doosra” which, though invented by Saqlain Mushtaq was really made something big by Murali and Harbhajan)&lt;/span&gt;&lt;/p&gt;  &lt;p  class=&quot;MsoNormal&quot; style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;So, what lies behind this inconsistency? Is it just plain simple discrimination against an Asian by the establishment? Is it that the more flamboyant Warne scores over the quieter Murali because Warne makes for better copy for journalists the world over? Does the fact that more of Murali’s wickets come against Zimbabwe and Bangladesh than for Warne have something to do it (even though if one removes those matches Murali still has a better wickets/test record than anyone other than Barnes and Lohmann; and is the best for all players with more than 200 wickets)? Or does it all have to do with the controversy over the bowling action (which of course is linked back to the discrimination)? &lt;/span&gt;&lt;/p&gt;  &lt;p  class=&quot;MsoNormal&quot; style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;Let me give my view point up front- I believe Warne is the better bowler. Having seen both Warne and Murali on many occasions, I truly believe that Warne had more variety and could make the ball do more. Murali too has prodigious spin but somehow I rank Warne just that bit better. The “Mike Gatting delivery” remains perhaps the best ball I have ever seen in any form of cricket. And Warne has bowled such deliveries very often. I have often seen Warne change games single handedly with a ball that spins viciously, though to be fair Murali has done that too. If one tries to get anecdotal with both these players, one will get enough anecdotes on either side…but after having seen them both over long periods of time -&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;I just feel Warne was the more complete bowler with greater variety and able to bowl the unplayable ball more often.&lt;/span&gt;&lt;/p&gt;  &lt;p  class=&quot;MsoNormal&quot; style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;But the bigger issue remains the elephant in the room -&lt;span style=&quot;mso-spacerun:yes&quot;&gt;  &lt;/span&gt;Murali’s bowling action. Like it or not, that is an issue – And I do believe that there was something suspect with his action!&lt;/span&gt;&lt;/p&gt;  &lt;p  class=&quot;MsoNormal&quot; style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;I realize this is a highly controversial thing to say – especially with all the water which has flown under the bridge. I know that Murali has bowled under cameras in test conditions and eventually everything was cleared. And yes, it is not cricket to now comment on this. But I can’t help it – every time I see him bowl it looks like something is amiss. And this is not now but a feeling I have had for over 15 years. When Darrel Hair called him in 1995, I remember thinking that this was waiting to happen. And for all that’s happened – with the tests and the change in laws, the hyper extensibility of his elbows and wrists- the doubt remains. It’s sad…but true.&lt;/span&gt;&lt;/p&gt;  &lt;p  class=&quot;MsoNormal&quot; style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt;And so, Murali will always remain the second among equals. I suppose the key remains to remember that it is equals who are being discussed. &lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;But nonetheless, it’s been a fabulous career which has finally come to an end. All said and done, Murali has produced some magic on the field – many times - and as he walks away into the Valhalla of cricket, let us take a moment to rejoice in his achievements because he has been a truly great player.&lt;/span&gt;&lt;/p&gt;  &lt;p  class=&quot;MsoNormal&quot; style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;mso-bidi-line-height:115%;font-size:9.0pt;&quot; &gt; &lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/4076272000160006264/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/03/genius-of-murali.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/4076272000160006264'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/4076272000160006264'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/03/genius-of-murali.html' title='The genius of Murali?'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-4591160961514071028</id><published>2011-03-21T17:38:00.005+00:00</published><updated>2011-03-21T22:10:49.027+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="facebook"/><title type='text'>What hath Facebook wrought?</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:&quot;Table Normal&quot;;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  mso-padding-alt:0in 5.4pt 0in 5.4pt;  mso-para-margin:0in;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;&lt;/span&gt;&lt;br /&gt;I have never been the most technologically advanced person but I am not uncomfortable with technology. I am certainly not an early adopter of things but I am fairly comfortable with many of the changes which have been wrought over the last decade or so.  &lt;p class=&quot;MsoNormal&quot;&gt;What however stumps me is the way this changes some of the other things we normally do. When I did my MBA (98-00) most of us did not have a PC in our rooms (though we had a pretty decent computer centre) but I think from the batch after we passed out everyone had one in their rooms - it was part of the course material practically. When I went back to campus a few times (within a couple of years of graduating) I found that the PC’s had basically created islands of individual rooms; and people had even their group meetings via net meeting rather than sitting together and talking the case out. But the limit has to be what a batchmate told me he came across when he went back to his dorm&lt;span style=&quot;&quot;&gt;  &lt;/span&gt;- a guy went to his room , logged on to the network to “chat” and then shouted out to the guy in the next room – “oye, come on to the chat” !!!!! Why couldn’t he have just strolled across? That’s not what chat was invented for. It’s like husband and wife speaking to each other on the phone from the living room and bedroom respectively.&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;We have changed our behaviour in so many ways that it’s weird. Sometimes I think- how did I meet people at assignations while at college, and indeed a couple of years at work, without a mobile phone. The mobile phone certainly makes it amazingly easy. However it is now taken to the other extreme. You plan to meet someone at xyz at 6 pm. At around 5.45 you get a text saying “will be there in ten – fifteen minutes.” Well, why bother texting at all? Equally strange is the text which comes at 5.50 – “have reached- standing outside”. Well, if you are outside, I will see you when I turn up… at 6 pm. &lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;Let me be fair- I am not taking a moral high ground here. I do exactly the same things which I just mentioned above in the earlier paragraph (not the one before that – I do not chat over the net to someone in the next room). But doesn’t it strike you as a little strange that we do such things?&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;Let’s take another example – when I was in college we used to give each other birthday cards –it was fairly common practice. Came email and with it e-cards. I have stopped sending birthday cards to people for years now –it’s just an email wishing the person. That’s fine…but now with facebook it’s not even an email anymore. It’s just a “post on the wall” which inevitably is a standard “happy birthday…have a great day.” And if the poster is feeling mighty cheerful then a smiley gets added. I must admit I am not a great fan of that – I try, at the very least to “send a message” on facebook but again, to be fair, I too have done the “post on the wall” bit. &lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;And of course, manufacturers have been ingenious in converting real life activities into online ones. You can play monopoly online, you can play scrabble online, you can build a farm online (Honestly- I have rarely come across anything more asinine than Farmville – I am sorry if you are a fan of it but that’s the way it is. I would strongly urge you to reconsider) …you can even ‘have sex’ online. And after the Wii you can perhaps play almost any damn game online -&lt;span style=&quot;&quot;&gt;  &lt;/span&gt;even real physical ones.&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;But for me all limits were breached when I saw some friends playing &lt;i style=&quot;&quot;&gt;Antakshari&lt;/i&gt; over facebook. One song at a time! In the words of Sir Humphrey – it was the thin end of the wedge; the end of civilization as we know it! The most surreal bit was that some poor unsuspecting soul joined in at some point and put in a song…and he got a very stern response from one of the “early adopters” – “Dear …. &lt;i style=&quot;&quot;&gt;agar tumne poora thread padha hota to tum jaante ke ye gaana ho chuka hai!” &lt;/i&gt;(translation - if you had read the entire thread you would realize that this song has already been played). I felt genuinely sorry for the guy.&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;But while it might be the end of civilization as we know it, it certainly won’t be the end of civilization. So, I wonder what else could happen through Facebook posts and comments in the days to come- and for all i know these might already be happening&lt;br /&gt;&lt;/p&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Chess matches played online- or perhaps Bridge. Maybe even Ludo or Snakes &amp;amp; ladders.&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Online parties – where you all gather in your own houses, play the same music or watch the same film and talk through the facebook comments. Oh, and of course, it has to be virtual food – though something tells me that people will not be quite so sanguine about that.&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Play book cricket online - you have a random number generator in facebook and each person keeps generating random numbers and you just look at the last digit as per the rules of book cricket. In a given thread the person who scores the highest wins. Alternately you could even form teams and set up a time. One person announces the start of the match via a post. Players then go one by one using the random number generator till they get out.&lt;span style=&quot;&quot;&gt;  &lt;/span&gt;You could even play test matches (When one team gets all out the other team goes) or limited over games (If the first team does not get out in say 30min…or better still, say 100 random numbers, their innings is over and the other team gets to play for the same interval).&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Twenty questions - this game is made for facebook, isn’t it?&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Write a short story – one paragraph at a time. You must number the paragraphs and you can’t comment again until at least 10 more paragraphs have been added by others.&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Perhaps one could do cryptic crosswords via facebook – one clue uploaded every hour or some such thing.&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Explore strange new lands, new civilizations – and boldly go where no one online has gone before - invite people home for a get together!&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;On a more serious note, couldn’t you actually explore new worlds as a “space trader” in an online star wars sort of thing and trade space credits with people and inhabit new planets, etc.&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Passing the parcel – you keep tagging another person till the judge (whoever it is) says “time” and whoever has the tag at that time is out. Then you continue. You probably would need to form a set of players who will be playing and have all of them agree before you actually begin playing. Again things could be made more exciting by including a random number generator into the process which can be configured to be the judge.&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-family:Symbol;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font: 7pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Online sex seems to be in the news nowadays but for the adventurous – on facebook would be the equivalent of dogging.&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;Come to think of it, it may after all be the end of civilization!&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt; &lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/4591160961514071028/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/03/what-hath-facebook-wrought.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/4591160961514071028'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/4591160961514071028'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/03/what-hath-facebook-wrought.html' title='What hath Facebook wrought?'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-4573630401131674297</id><published>2011-03-16T20:31:00.008+00:00</published><updated>2011-03-17T17:05:15.651+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="cricket"/><category scheme="http://www.blogger.com/atom/ns#" term="Tendulkar"/><title type='text'>Why Sachin Tendulkar can never win!</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:&quot;Table Normal&quot;;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  mso-padding-alt:0in 5.4pt 0in 5.4pt;  mso-para-margin:0in;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;After the recent loss against South Africa there were the usual recriminations (mostly justified) against a lot of the team – Munaf and Nehra for their bowling, Dhoni for his captaincy and the Indian batting for their stellar 29-9 performance. As was to be expected however, there were also the comments and articles about Sachin Tendukar’s role in&lt;span style=&quot;&quot;&gt;  &lt;/span&gt;the loss with some people criticizing him for going slow in the middle overs, others for getting out when he did (the implication being that the 29-9 was all his fault) and others pointing out how India never wins when he scores well. There’s no way out for him, is there?&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;I feel when it comes to Tendulkar there are three categories of people. One, the vast majority of non Indians and very small minority of Indians – who consider him a great player and just that. Two, the type for whom he is God and they don’t care about anything else – whether India does well, poorly, loses, wins, etc. If Sachin scores a 100 all is forgiven. They perhaps believe in Neville Cardus’s famous prayer about Victor Trumper (“God let Trumper score a century in an Australian total of 137 all out”) but only in the first half of it (“Let Sachin score a century, &lt;i style=&quot;&quot;&gt;yaar…baaki sab bekaar”&lt;/i&gt;). Three, the type for whom he is the epitome of selfishness – “&lt;span style=&quot;font-style: italic;&quot;&gt;how can one achieve as much as he has without being selfish&lt;/span&gt;” seems to be their thought process. And unfortunately nothing the man can do can ever change their mind. &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;So, I was thinking how else could these people criticize Sachin in various scenarios during the rest of his career&lt;/span&gt;&lt;/p&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;India wins the world cup and Sachin plays a blinder in the final&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“Let’s not forget that cricket is a team game. Would Sachin have been able to play that innings if “Sehwag/Zaheer/ Dhoni” hadn’t done so well in the “QF/SF” and got us to the finals in the first place?”&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;India wins the world cup but Sachin gets out cheaply&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“See, come crunch time he never delivers. Finally it was because of “Gambhir/ Harbhajan/Pathan” that we won – what did Sachin do?”&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;India loses in the world cup (at some stage) in spite of a heroic effort by Sachin&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;    &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“Sachin can’t finish, yaar. He can’t get you over the line. He’s not like Brian Lara. Once again he couldn’t deliver.” (Why an opener is expected to finish has always been beyond me. And as for Lara’s much vaunted ability to finish please have a look at &lt;a href=&quot;http://gauravsabnis.blogspot.com/2010/12/lara-crunch-innings-urban-legend.html&quot;&gt;http://gauravsabnis.blogspot.com/2010/12/lara-crunch-innings-urban-legend.html&lt;/a&gt;)&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;India loses in the world cup (at some stage) with a poor effort by Sachin in the final game&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;    &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“What’s the point of scoring all these centuries in the group games? He never delivers in the key moments.”&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;India wins the world cup and Sachin retires from cricket&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;    &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“He’s so selfish – just because he’s won the world cup now he doesn’t care about the team anymore.”&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;India does not win the world cup and Sachin retires from cricket&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“How petty! Just when India needs his experience after not doing well at the world cup he’s decided to quit. Just shows that he was only motivated by the thought of winning the world cup for himself and not concerned about the team.”&lt;/span&gt;&lt;/p&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Sachin continues to play after the world cup and keeps scoring&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“He’s so selfish – is not letting new talent have a chance. Does he expect to keep playing till the next world cup?”&lt;/span&gt;&lt;/p&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Sachin continues to play after the world cup but his form drops a bit &lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“He’s finished now – he may as well do the honourable thing and retire.”&lt;/span&gt;&lt;/p&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Sachin finally decides to retire and announces it in advance&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“This is all a media strategy – just to make sure that everyone focuses on him for one last time. How demotivating for all the other players.”&lt;/span&gt;&lt;/p&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Sachin finally decides to retire and announces at the end of a series that it is his last&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“How can he suddenly spring this on the entire team? Surely, they needed more time to plan out a succession strategy. How selfish of him to just want to go out in a blaze.”&lt;/span&gt;&lt;/p&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Sachin retires and then takes up a media role with ESPN/Sky/Channel 9&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;“The game has given him so much – why doesn’t he give back to the game by coaching or something? But no, he just wants to make more money.”&lt;/span&gt;&lt;/p&gt;  &lt;ul&gt;&lt;li&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;&quot;&gt;&lt;span style=&quot;font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Sachin finally decides to retire, tells the team management in advance but announces it to the world after the series; and then says that he will take the next couple of years off to spend time with his family before deciding what to do next&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;I must admit that I really cannot think of how this can be construed negatively. &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoListParagraph&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;But I have full faith in the detractors of Sachin Tendulkar - when new depths of absurdity are found they will sink to them!!&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;margin-bottom: 0.0001pt;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;a name=&quot;_MailAutoSig&quot;&gt;&lt;span style=&quot;line-height: 115%; color: rgb(0, 112, 192);&quot;&gt; &lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;/span&gt;&lt;/span&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;  style=&quot;font-family:trebuchet ms;&quot;&gt;&lt;span style=&quot;font-size:100%;&quot;&gt;&lt;span style=&quot;line-height: 115%;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/4573630401131674297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/03/why-sachin-tendulkar-can-never-win.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/4573630401131674297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/4573630401131674297'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/03/why-sachin-tendulkar-can-never-win.html' title='Why Sachin Tendulkar can never win!'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8986374550778655966.post-2844309499456031648</id><published>2011-03-13T11:15:00.003+00:00</published><updated>2011-03-13T17:06:19.809+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ASIMOV"/><category scheme="http://www.blogger.com/atom/ns#" term="BICENTENNIAL"/><category scheme="http://www.blogger.com/atom/ns#" term="BOOKS"/><title type='text'>The Bicentennial Man</title><content type='html'>&lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;I am not the most emotional person in the world- I have always had a slightly more rational rather than emotional bent of mind. And I very rarely get sentimental about fiction – A live play could still perhaps tug at heartstrings but a film or a book almost never. I do remember feeling a bit sad during the end of Great Expectations as Pip’s great expectations go down the drain but rarely anything else. I have even seen Lady and the Tramp without getting all overwrought. But there is one story which gets me every time I read it – if you have read the title of this post, it’s fairly obvious – The Bicentennial Man, by Isaac Asimov.&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;By the time Andrew actually says “Little Miss” at the end of the story I almost always have a lump in my throat and am slightly moist in the eyes – every time I read it. It’s a bit difficult to understand why a story of a robot should be so emotional. And as you read the story it doesn’t initially hit you as very emotional. Most Asimov’s robot stories are not emotional at all. In fact, the short stories are often based on word play or hard, cold reasoning. And as Bicentennial Man proceeds it follows the same route- you can see the rational steps in the story as it progresses. But somewhere towards the end it begins to change. Is it the fact that a robot is trying to make himself (itself?) human which is so emotional? Or is it the fact that the robot embraces a human life? After all, when Flint no longer remains immortal in “Requiem for Methuselah” (Star Trek – TOS), it doesn’t create the same impact (even though when Spock learns of Flint’s mortality and that he would die he says that “on that day he shall mourn”) Why should this be different?&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;Or is it simply Asimov’s genius in narrating the story? Asimov himself has said that this is perhaps the best story he has ever written. But the narrative style is not very different from other Asimov stories. So, what makes this so heart- wrenching? I really don’t have an answer to this question. But it still gets me every time.&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;I suspect that many people would not have read the story but watched the Robin Williams film. That was a disaster! They completely ruined it and actually had Andrew ending up marrying Little Miss’s grand daughter – Portia (played by the same actress as Little Miss)! They created a female Andrew in Galatea and generally messed up the entire &lt;i style=&quot;&quot;&gt;emotional&lt;/i&gt; feeling of Andrew wanting to be human.&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;Which brings me to another point- why has Asimov been so badly brought on to screen. I can think of only two of his books on screen – Bicentennial Man and I, Robot (Fantastic Voyage was an original screen play which Asimov adapted into a book) and both are disasters!&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;Now, let me rephrase that - If you have never read an Isaac Asimov and indeed, not read the stories which go into I, Robot (the film) you might conceivably like these films. They are well made, slick productions and certainly in the case of I, Robot contains pretty decent action. But the films go so much against the grain of what Asimov stood for that they qualify as disasters on the adaptation itself.&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;I have already mentioned a bit about The Bicentennial Man where they needlessly introduced a romantic angle (which completely misses the point that Andrew remains a robot and cannot fall in love) …and if I remember correctly wanting to marry Portia is one of his motivations in wanting to be declared human – which goes against the very basis of the story of wanting to be a human for the sake of being human. They also brought in Galatea, a female Andrew – when the uniqueness of Andrew is one of the key points of the story.&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;But I, Robot is worse. It uses ideas from Asimov’s collection of short stories I, Robot but eventually ends up as a “robot as a menace” story when the entire thrust of I, Robot (the book) and indeed most of Asimov’s robot stories, was to move away from the “robot as a menace” concept. To that extent, the movie is a complete betrayal of Asimov’s ideologies as shown in his books.&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;It’s not that good science fiction can’t be made on the screen. Both Star Wars and Star Trek (TOS) are pretty good. Jules Verne and H.G. Wells have been adapted quite faithfully. And of course the 2001 series from Arthur C Clarke is good. But for some reason Asimov has not been shown well on screen.&lt;/p&gt;  &lt;p style=&quot;font-family: trebuchet ms;&quot; class=&quot;MsoNormal&quot;&gt;But then, when he writes stories like the Bicentennial Man, who cares about the screen? Magic in prose, is all I can say!&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://sanchospeaks.blogspot.com/feeds/2844309499456031648/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://sanchospeaks.blogspot.com/2011/03/bicentennial-man.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2844309499456031648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8986374550778655966/posts/default/2844309499456031648'/><link rel='alternate' type='text/html' href='http://sanchospeaks.blogspot.com/2011/03/bicentennial-man.html' title='The Bicentennial Man'/><author><name>Sancho</name><uri>http://www.blogger.com/profile/14961949302369806471</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>