sashipreetam

2013-11-10T10:51:00.001-08:00

Song on Indian Army

2013-07-22T22:51:00.002-07:00

http://www.youtube.com/watch?v=9cHa5_APKgI

2012-02-10T23:37:00.000-08:00

My philosophy

I feel I am too young to be judgmental about life and its ways.

But have seen and experienced changing phases of life various upheavals and downfalls to assimilate some inferences to form a certain opinion about LIFE and beyond.

Immortality

“We become immortal when our children take our throne and rule it better”…. as Quoted to my daughter Aishwarya Krishna Priya.

Communication

“Silence is the best mode of communication at times, as the emitter emits what he wants and the receiver receives what he wants”.. this prevails harmony amongst the two.

Culture

“The first curriculum of learning comes from our culture”

“Culture moulds us and education refines us”

Money

“It is the next compound after Oxygen and H2O”.

Goals

“Unlike a game there isn’t only one goal post in life”.

Dreams

“Life forms as defined by God * - Thy gave us the Brain on top then in descending order the eyes, ears and nose and probably wanted us to reason before we speak or eat with our mouth”.

“The organs of a human become more physical as we descend down from the top of the body.Heart in hanging in between,thus it is the human interface device partly physical and partly heavenly. The heart generates a typical rhythm which is a unique id code for every life form”.

* - a supreme energy centre not easy to decode by our 5 senses.

2012-02-10T23:32:00.002-08:00

Other music works:

Thuriyam Ballet for Natya Kala Bharathi Sarala Kumari

Electronic media campaigns of TDP

Political party songs for TDP,BJP and Congress

Theatrical show titled”Khairunissa” by Late. Mrs.Bilkiz Alladin

Nursery skit of Beanstalk for HPS primary school

AP Tourism

200 Years of secunderabad

Music for film on AP screened to Bill Clinton

Women welfare department films,AP.

Music for Film made by Police department for child labour

Song for film made by ACB.

Song for Minister Ms.Geetha Reddy foundation

10 K Run signature song

Song for International sports complex , sathya sai trust.

Song for Satyam

“Mukthi Shilpam” a musical dance ballet by Natya Kala Bharathi Sarala Kumari

There is a lot more to update in this chapter hope to do it on a later date.

2012-02-10T23:32:00.000-08:00

My amateur Performances:

At Mathrusri engineering college

The first ever show I performed was at this college of engineering, when I had carried a cassette with 5 song musics minus my voice that is only music tracks. I played the cassette along and sang live. All songs were my own compositions. Couple in english, Hindi and telugu. Later i made quite a lot of friends at the same college and also at the architecture college,JNTU. I used to regularly perform for all get togethers in their colleges.

At thyagaraya gana sabha – 1991.

I organized a musical show as a fund raising activity for the Leo club I was heading as a president at that time.

For this show I had composed several own compositions for which I took the help of Mr.Suresh Babu a keyboard player and requested him to transport all his sequencer and other gear to the show.

He played the International track from his gear and I mixed my voice to it on the stage while performing.

For those days electronic music and programmed drums and keys was definitely an advanced technology.The show was attended by many college students and important guests who helped me further in my career.

Mrs. Madapati Sarala Rani, Mohd. Jani-minister for minor industries, Mr.Vamsee Rama Raju and Mr.Muralidhar, Proprietor of Encode

India

and ad agency.

All my friends and also members of our leo club, Dr.Rajesh, Aruna, Rajagopal, Ravi Chandra, Shanti, Nagavalli, Mallinath,Ram Mohan and others helped me organize and sell the donor passes.

My Professional shows:

At Hanmakonda:

In 1996 when the memories of Gulabi were still fresh a group of three college students approached me with the reference of Madhu Varma that they wanted to host a musical show of mine.

Well I didn’t have a troupe of my own so I requested a friend of mine Sajid Khan (now more popularly known as GULLU DADA) to organize the musicians,

The budget was low in the sense keeping in view transportation of people and equipments.

I always had Micheal as my Idol and wanted to perform like he does . In that frenzy I asked my friend Ravi Teja to design the stage and backdrop and he left a week ahead of us.

With limited resources and time he managed to put up a decent backdrop using ply,cloth and other materials.

Adarsh supplied the Bins and with a few new singers one of them my niece sujatha and another aspiring singer rajini, Myself and my elder brother Pratap and sajid had performed to our best and gave an enthralling performance.The audience comprised of mostly college students of the warangal REC,degree and Intermediate colleges.

Packed to an approximate audience of 5000 near the stadium the crowd was very happy at the end of the show.

The last song I sang was “Ye rojaithe”, and I remember being shifted into a convoy of cars helped by the police from an overwhelming appreciating crowd .

The show was attended by the SP of warangal and many other special invitees.

Because of elaborate arrangements of cars, vehicles, equipment of sound and lighting and instrument players my costs rose to more than what was charged.

At the end as the organizers split and avoided my last instalment this show landed me into a loss making project.

All I took home with me were sweet memories and happiness which is more than what money can buy for me.

Show at Chiran fort:

At Vijayawada

At Kakinada, St.Mclawrence Grounds

At Guntur

At Vizag – 2 performances one at Daspalla & at VMC Park.

At LB Stadium for Tsunami

At Jubilee Hills Club

At Hari Hara Kala Bhavan for Kargil relief funds organized by Parke Davis

There is a lot more to update in this chapter hope to do it on a later date.

2012-02-10T23:26:00.000-08:00

My Private Music Albums:

Christmas carols

Highly influenced by Remo Fernandes I always wanted to do my own music,sing,play and write.Also do songs that are inspirational,motivational and carrying a social message.

From the pocket money I saved from my last job at Orient Longman Publishers as a sales executive I wanted to make an album for the new year eve of 1990.

On the advice and suggestion of friends at a nearby church in my neighborhood I took the initiative to record Christmas charols in English. I spent all my savings on them by hiring a keyboard player,a basist,a guitarist and choir singers.

But the duration was not sufficient to make a cassette on both sides. So with no budget left to do more songs I wrote 5 songs and recorded them in my voice at a small studio Vipanchi.

I still remember that it was during the fag end of the year when the city was under curfew,I had to travel via the LB nagar Ring road on my scooter during the relaxation hours and reach Basheer bagh, do the recording and hurry back home before night.

This was the only recording my MOM had accompanied me in my lifetime.

After a few days I had duplicated 200 cassettes of this album priced at Rs.20/- and started to sell them to every person I was bumping into. Freinds at the church did help me out a bit.

I even had the opportunity to sing and perform these songs in the Doordarshan and AIR – anwar jahan was the program producer for yuva vani in those days.They were all quite encouraging.

Telugu Pop songs –

In my intial days after doing charols I composed a couple of songs in telugu and took the help of Mrsuresh babu keyboard player to program them.

Songs were definitely good in that and after recording them at Pooja recording studios (pradeep shah ) I took them all in a cassette and tried my best to release them with the then big time audio companies in telugu and English.

Having my brother in Mumbai those days I requested him to try it out with Magna sound.

It was a big world and my equation was too small then to strike with them.

Later, the first company I got a chance to present my Telugu album was CBS gramphone co.I met with the south head Mr.G.V.Atri who of course was not of much help to release my album but offered the chance to come and join a pub in Bangalore and keep singing there till I would get a recognition to be picked up by some company.

Sounded very impractical to me and I continued my trials and lastly landed up with Leo Audio a telugu audio company, who to my surprise took the English album and promised to release.

Dark Horizon - title of the album

Green pastures – a song on pollution , Demise – a song on drug abuse, Suicide No More etc.,

But after two months one fine evening when I visited them my album gets released into the stalls and to my dismay it had title credits of “Music by Suresh Babu”.

One year of struggle and all my savings and hardwork got this deal to me.

However, not getting depressed I continued my trials with my telugu album and this time it was Lahari audio and it was Mr.Raj kumar the manager for A.P. I remember going atleast 40 times and several hours of waiting in vain.

After years of struggling phases I almost did it with Geetha audio – Mr. Bikshapathi

After all confirmations, I booked the studio 21^st century and was present for the recording and the great man never turns up and fails to live up to his commitment.

As the old saying goes, ‘Everything happens for our good’, I was going to record my original version of the song ‘EE VELALO’,and imagine the song had a better fortune awaiting after a couple of years in the film ‘Gulabi’.

“Here is where I have always learnt one major lesson that when one door closes many others open”.

Tamasha

During the days after Gulabi,my friend Madhu ( now more known as Madhu mantenna producer of Bollywood films) was heading Varma audio and came up with an ingenious marketing concept of remixing all telugu old hits with new beat.The album cover had the famous NTR with Urmila matondkar together which was a major curiosity generator.I have to admit that I messed up on this album both the music arrangement and sound mixing both and have made a hopeless album out of it.

I deeply apologize to my friend here for my inability to perform best for his unique marketing idea.However the album did sell good inspite of the mess up I did.

Newsense

This album I did to fulfil the promise I gave to Kuchipudi Venkat who was instrumental in getting me ‘Gulabi’,that I would work on a musical album for him.

This album had a good melody song I composed in kalyani raagam titled ‘Oka Letha Ooha’ written by Kacherla Venkat an old friend of mine.

However this was not a fantastic journey and nothing great to remember except that I happened to meet lyric writer ‘Ashok Teja’,who wrote two songs,’ee prohibition enti ra babu’ & don’t marry be happy’.

It is essential to mention that Venkat did spend months to explain the song situations to me but unfortunately if he had put the same effort in picturising them he wouldn’t have ended up making a substandard music video featuring Ram ( more known as satellite ram in the industry circles).

For someone who has proven his musical abilities in a film like gulabi, will be hard to take such disappointments.

However I had no hard feelings as I fulfilled my promise of handing over a decent musical album to Venkat.

Priyanjali

Before I start discussing, I feel, should I be even mentioning this or not. However,now that I have started I better get over with it.

In the year 1996 sometime after I setup my small studio at ashok nagar,it was a time when I hardly had any film offers I wanted to churn out a musical pop album and had composed several tunes for it.

I happened to title it Priyanjali, songs were also sung by ‘somya’, a Bangalore based singer

Who appears in lot of albums of ‘sandeep chowtha’.

Asgar ali wrote the song in hindi ‘eerie eerie’.

It also had a few more nos which appeared to be good at that point of time to me,maybe not now.

I have used three models to feature the cover page and designed it quite well. But all that did not help as the songs were substandard.

The point I am trying to say is that after gulabi, I was not in the right frame of mind to do good music and it seemed as if I could never make it happen again.This album was only an outburst of such frustration.

Mr.Khan and Uday Bhaskar came from nowhere and offered to buy this album.

After they bought they couldn’t do anything out of it.

One very best composition of my teenage bank of songs was amongst the songs of this album; which I always regret for having given it off. ‘O swapna sundari’,is a song very close to my heart. Hope someday I can take it back and feature it in my future albums.

Dream Girl

This was the first time I picturised a music video in 1998 for this album of mine.

MO2 – with ayush released by virgin records India.

These were the days when I was running my studio at kamalapuri colony,I came in to see that a Big fat guy was singing some English tunes in telegu.

After his recording he met me and discussed that he is one of the directors in ADP,came to

India

to record a private album with message oriented songs.

The idea reminded me of my past and I immediately jumped into it and came up with a concept, ‘KONCHAM SMILE KARO’.

TELUGU, HINDI AND ENGLISH tracks in one album indicating the message that a smile costs nothing but can instill pleasantness around in the neighborhood.

Asgar ali(more known as ‘saleem pheku’ of angrez film fame) wrote the songs and we spent quite a no.of days in making this.

Later Ayush pursued to release this album with Virgin Records and that was the time when ‘Shamir Tandon’, was heading the division .

Ayush spent a bomb in making two music videos and release it through Virgin.

It played on the MTV & VTV and a couple of other channels for a very brief period.

It somehow served his purpose but nothing much to me.

There is a lot more to update in this chapter hope to do it on a later date.

2012-02-10T23:22:00.000-08:00

Advertising & Music

My first tryst with commercial music started in a studio called Vani Darshan opposite Public garden, nampally,Hyderabad.

I met Mr.Azaad, who wanted me to tune a jingle for a radio ad for ECTV. This was for a

Reputed ad agency I jumped into it right away and using a small casio CT series which had a very complicated step sequencing function, I tuned three options and it was right away accepted by all. Mr.chandrasekhar and mr.Kashyap were the account managers at that time in RKswamy agency who interacted for quite a few jingles after. Sad that Kashyap is no more with us now and my prayers for his soul to rest in peace.

Azaad was just not a client but became a good friend and well wisher over the years.Through him I met Ms.Sathyavathi, Mr.Venkat and many others for whom I composed several Jingles.

Much later in the year 1994 two marketing executives, Preeta and one more girl ( pardon me for my bad memory) working with Times radio helped me get the order for composing the jingles of “Padmini Fans” of Sujana Industries.

This was a turning point in my career,I had recorded this jingle in Mumbai with the help of my writer friend Mr.Manohar Iyer (my brothers collegue ) in Kumar sanu’s studio at Juhu .The engineer’s name was also Sanu who later recorded the songs of my second film “Warning” in telugu.

After Padmini jingle there was a lull for a long time as not many agencies locally appreciated my way of working and my budgets. My budgets were way above their expectations and it took time for me to reestablish in this segment and find appropriate clientle.

When agencies were not favourable; I floated my own agency “Eldritch communications” and started approaching companies directly for advertising jingles and other allied works.

An old friend Krishna Mohan who was an art director and colleague in an agency, I used to work before came along and joined hands to help me out in designs and printing too.

So we started of as a team and went on to do quite a no of assignments of printing,jingles and offer other creative services.

Though I could not make it a big and happening agency, we worked for local firms like Linkwell tech, A tools company, Ampro, Amrutanjan Ltd,a couple of schools etc and it was good enough for us in those times.

Mr.Prakash who owned a DTP centre and Mr.Bapineedu of Kalajyothi press were amongst those who extended their support for our business.

I then scored music for Tata Rallis Agro and a few more till again Sujana Industries had a new product launch for which they asked me to score music for 7 fashion sequences launching each of their product range.

This was a typical work of fusion,trans,techno etc genres which are my core areas of interest and passion.

I did experimental mixes of sitar and techno music reflections of which appear in my later works of the film Gulabi too.

I always liked to mix the “chaati”, that is the high notes of the tabla in echoing frequencies with trans swells and pads.

Occasional flute with a lot of unending reverb were my choices.The music however brought Rasool Ellore and Venkat Kuchipudi to me Who were instrumental in getting me to meet Film Director,Krishna Vamsi later.

Before Gulabi happened I made another adventurous leap into the world of computer animation which was way ahead of times then.

I ventured to buy a 2lakh worth “Amiga Commodore” and using dpaint and other softwares like scala Myself,Krishna mohan,Kishore and ravi teja have worked 30 days and nights to churn out a decent animation episode of 18mts titled “Adivilo Allari”, for a Producer by name Venkat ram reddy meant to be telecast for DDK.

Every frame was literally drawn using the mouse and a paint software to color it. These were times when we still had the 386 pentium in the markets in

India

However, the project couldn’t see the light because of other commercial terms not working out between us and the investors.

So not knowing, what to do next and how to recover the capital invested on the system I tried my best in initiating animation requirements for various institutions including the Birla science Planetarium too.

However, most of those proposals were in vain and I was stuck with the system and my investment on it.

It was kind on the part of Mr.Chandrasekhar ,manager of Andhra bank and a friend Mr.Kishore Singh to have advised me to obtain financial assistance from the institutions for my computer systems.

Later the agency fragmented after my entering into films and I continued to do Jingles as an individual.

This is when I met Mr.Bhanu Prasad an independent Ad film maker and his wife Ms.Kalyani a copy writer with whom I happened to do several Jingles starting with our first client Richimen Silks and then to add up to our list were Durga Ghee, Shakthi gas, Super Gas, Lawrence and Mayo,Yashoda hospital,J.C.Bros,R.S.Bros,Swastik masale,deepika leasing & finance,Relaxwell etc.,

Late.Mr.Arjunan of matchline studios, Ajith, Vijay, Allani Sridhar, Madhumahankali,Mr.shrinivas Iyer & Annapurni , Mr.Mani shankar are some of the other film makers who used to frequently approach me for their Jingle Music requirements mostly.

Below is the list of some of the jingles I remember to have done

Vizag Steel Plant, Hepatitis-B vaccine campaigns, TDP electronic media campaigns

ILO – International Labour Organisation, Lok Satta Party Signature tune, JVS verner Ladders, Priya toffees, Bambino ready mix, Keeline stabilizers, Puthur Thylum, Ashwini hair oil, Gianey Silks, Bommana Bros, Scallops Ice cream, Pan America shirts, Indigo Jeans, Vijay Textiles, Mirchi Jeans, Dholari dhani, Goldmohar Oil, Healthy Heart, Aadhar Refined Oil, Agni Mosquito repellant, JP Books, Kalanjali silks, Ramoji Film City, Indu projects, L&T, Delloitte, Microsoft, Vijay Electricals, Macromedia, Maha Cement

Thums up ads telugu, Fire condoms, Estelle jewellery model Kaitrina kaif, Priya Concrete readymix

Birla ready mix, Maytas, Gati Cargo, Airtel adbhutham Jingle, NCC, Andhra bhoomi, Eanadu, Andhra jyothi, Swastika masala, Anand masala, JC bros, RS bros, Umrao hospitals Mumbai, PEBS Pennar, Sri chakra cements, Young ever Ayurveda, Divya Shakti Group.

There is a lot more to update in this chapter hope to do it on a later date.

2012-02-09T22:16:00.000-08:00

Gulabi (the movie in Telugu). Starring: J.D.Chakravarty, Maheshwari.

It was somewhere in the month of February 1995 that one fine day a friend and aspiring director Venkat had come along with his choreographer friend Rasool ellore to my office cum residence.

They were suggesting that I should be doing music for films and they exactly have the right film coming up for me and said one of their friend vamsi would be directing it.

I was absolutely raw and new to film music industry and hardly new only a few names but for seeing an array of chiranjeevi films in childhood I was not aware of the Various stalwarts of the then Telugu Film Industry.

One fine day a young guy came up to meet me and said he was Krishna Vamsi and said he liked my samples given to him by rasool.He then asked whether I, would be interested to work on a film in telugu. Obviously, I said fine but when I said that I hardly knew the magnitude of the person who approached me and the size of the project it would be.

It was about 11 am as far as my remembrance goes when he started narrating the story in detail.By the time he finished it was afternoon,quite gripping and fresh was the story line and I asked what should I be doing for this.

He then cited four song sequences of the film and wanted me to start on the hardest of them all..

The hero is stabbed in his stomach and he is subconscious with the memories of his girl friend fragmenting in his sub conscious levels and he barely knows that someone is putting him into an auto and helping him away….

Vamsi said he wanted an absolute vaccum, emptiness inside and a sudden shock of losing ground under the feet.This was his explanation for the tune.

Quite hard it was for someone like me who always tried only my kind of music and never custom designed tunes for situations and emotions beyond my understanding and experience.

I checked with him again for more clarity and he gave a tip of getting such feelings. He said, when we travel in a lift or a sudden dip in the road, we feel emptiness in the stomach…

I started to travel and experience it… I remember this when I was traveling in Banjara hills road no 2.. opposite KBR park and a couple of other places and one fine evening I sat and decoded the whole feeling by breaking it into something that cuts our stomach like a drone of the double base or cello the one I used to start the song “YE ROJAITHE”, then some memories fragmenting like those bells ringing and as some starts to help him the story starts playing the notes on the piano .. ting ting ting ting ting ting ting ting ting … the rhythm is just very symbolic to the heart beat with the base kik hitting once and twice …well that was the first song I have ever composed .I remember vamsi and JD chakri coming and listening to the tune at 1 am in the morning and they all liked it.

So that was the start for my first film album “GULABI”.

One fine morning we all landed up in Ramanaidu Film Labs where they had just installed the digital audio recording theatre and Madhusudan Reddy was the audio engineer who just came in to work from Kodandapani studios in chennai. He too was absolutely a novice at that time. It looked as though the whole team was young, new, aspiring and ready to give in their best.

So ones the tune was recorded after a few days vamsi broke the news of the project being produced by RGV.

However, I was half way through my composing but it definitely boosted the spirits and helped in being more cautious and alert.

The hardest of all was the song, “Meghalalo”,for which I remember doing fourteen variations before I hit on the final one.I did this song on my “Amiga commodore” system using Octamed software for programming.

For the first song that is “Yerojaithe” I used my Yamaha QY10 sequencer.

Except the song MEGHALALO all the other songs were only single tunes I composed which were right in the first instance.

After a long while in between the shooting schedules Vamsi felt that all songs are male voice dominated and he felt like having a female solo in the film… he then picked a song from the samples I gave him before to rassol.

This was a song I had composed years back probably in the year 1991/92 when I was traveling in an APSRTC Bus, but I rightly remember the place when I struck on the tune, it was opposite TV tower moosrambagh just before disembarking the bus at Dilsukhnagar depot.

The song I comsposed was, “Sampangela neevu virisaavu na kosam”.Now try singing these lyrics in the tune of “ee velalo neevu em chesthu vuntaavu” as written in the film Gulabi by Sirivennela Seetarama sastri.

On the sets of gulabi I happened to meet a galore of artistes and technicians out of which those who were close to me were Cherry( one of the Producers of the recentYAMAGOLA), Subbaraju garu ( brother in law of RGV),Raju & Praveen ( who later started their production banner RPG).

One of them became a very close friend whom I have not mentioned above is Madhu Varma who off late has been part producer of the film Gajini with Amir Khan in Bollywood.My association with Madhu has been long and there were quite a number of instances when he was closely involved in many of my next projects.

If I were to write I could end up writing volumes of Gulabi itself but to keep it short There are definitely some important things about it that I have to share with you

Specially when I had to mix the songs with Vocalists, It was a great day with Hari Haran, Suchitra Krishna murthy, Suresh Peters, Gaytri Iyer , Nagur babu ( Mano).

Quite a few more singers were tried out for the songs amongst which I have to mention the names of Music director SREE who was ind enough to record his voice too for the song “ee velalo neevu”, before we finalized the song in the voice of a novice singer then that is Sunita.

There were two voices which engineer madhu had recommended to me and vamsi to try from local talent and made us here the samples and I chose sunita who sounded better amongst the two.

A full day of recording the song had given us exactly what it required for the song. The song has another peculiar trait that is the instrument flute which was played by an upcoming artiste Nagraj quite fabulously.

This was the first film song recorded by sunita and it stood strong over the years as a remarkable melody in tollywood. Thanx to vamsi to pick this song from my bank and also thanx to suneeta for rendering her melodious voice and special thanks to Sastry garu for such simple yet effective lyric.

My first meeting with RGV

After all the songs were recorded at Hyderabad the songs definitely sounded good but not great as I had few resources to deploy in the very minimal budget vamsi offered me to prove my abilities. Then one day I was informed to meet the Boss.

The time given was 11am, I was always my usual being late but somehow the very first meeting meant a lot and I ensured that I was 5 mts before the given time.

Bang on Look who was there RGV himself in his Punjagutta House absolutely casual and calm as he seemed to start of the conversation without wasting any time.

His first question was to me, The tunes are very strong then why is the orchestration letting it down..is there something you could do to it?

Well my immediate reaction, Please give me a decent budget and freedom and I shall do justice.

He gave me full freedom and said “no limitation on budget as I want the best and with this album I would be launching varma audio company too.”

So it was a challenge for me and I took it up.

However this move helped me to work best on the music but in the bargain I had severed my relations with Vamsi to some extent and a couple of other Unit members. This is my observation as far as my practical experience goes that probably I had bypassed certain protocols and have not conferred with the director before voicing my opinion to the Boss.

Whatever the differences I took it optimistically and hope the same happened on both ends before we met up for the Background music of the film again.

Background Music

I am yet to write on this one. It is interesting and one of the best experiences which I have to share with you all.

Other films in my career:

Mahatma Gandhi autobiography – JD / RGV
Warning – nageshwar rao
Hello I love You – veera shankar and Ks Rama rao
Pelli pilupu – Sridhar & sudheer babu
Aho Brahma Oho Sishya – Gopal Rao
Medhavi - Subhakar
Samudram - Danaiah
Hands up – jaya sudha
Bachelors – ravi chavali / sana yadi reddy
College – ravi chavali / taranga subramanyam
Love – ravi chavali /
Cash – ravi chavali / sudhakar
Premante – ramana reddy / jakkula srinivas reddy
Karthik – Murali raju
Sivudu – subba rao / suresh
Raghava – ys nageshwar rao / suresh
Raave na cheliya – kishore / sandeep jain
Padma – Hari Babu – song got nandi award to Usha singer written by sirivennela
nenu ninnu premisthuna – Hari Babu

Aashique – anil kumar / Inder kumar

Amdani athani Kharcha rupaiah – padmalaya studios

16 December – mani shankar

Rudraksh – mani shankar / nitin manmohan

Mukhbir – Mani shankar / sudheesh rambhootla