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  <channel>
    <title>ScreenTalk</title>
    <link>http://screentalk.nzonscreen.com</link>
    <description>TV and Film Industry Interviews</description>
    <lastBuildDate>Wed, 22 May 2013 11:46:07 +1200</lastBuildDate>
    <language>en</language>
    <generator>http://www.nzonscreen.com</generator>
    
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      <title>Shortland Street: Happy 21st Birthday..…</title>
      <link>http://screentalk.nzonscreen.com/interviews/shortland-street-happy-21st-birthday</link>
      <comments>http://screentalk.nzonscreen.com/interviews/shortland-street-happy-21st-birthday#comments</comments>
      <pubDate>Wed, 22 May 2013 11:46:07 +1200</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[tv]]>
      </category>
      <category>
        <![CDATA[drama]]>
      </category>
      <category>
        <![CDATA[television]]>
      </category>
      <category>
        <![CDATA[shortland street]]>
      </category>
      <category>
        <![CDATA[shortland st]]>
      </category>
      <category>
        <![CDATA[birthday]]>
      </category>
      <category>
        <![CDATA[21st]]>
      </category>
      <category>
        <![CDATA[soap opera]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/shortland-street-happy-21st-birthday</guid>
      <description>
        <![CDATA[This ScreenTalk marks the 21st birthday of Shortland St on May 25. Produced by South Pacific Pictures for TVNZ, the serial drama has screened five nights a week on TV2 since its inception. It has won awards, sold internationally and become a part of our national landscape and pop culture. A who's who of New Zealand acting talent, writers, directors and producers have worked on the soap.
In this special edition of ScreenTalk, some of the show's stalwarts reflect on their Shortland St days, and on the programme's importance to NZ and our screen industry.
This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This ScreenTalk marks the 21st birthday of <a href="http://www.nzonscreen.com/title/shortland-street-1992-f5c">Shortland St</a> on May 25. Produced by South Pacific Pictures for TVNZ, the serial drama has screened five nights a week on TV2 since its inception. It has won awards, sold internationally and become a part of our national landscape and pop culture. A who's who of New Zealand acting talent, writers, directors and producers have worked on the soap.</p>
<p>In this special edition of ScreenTalk, some of the show's stalwarts reflect on their Shortland St days, and on the programme's importance to NZ and our screen industry.</p>
<p>This video is&nbsp;<a href="http://www.youtube.com/watch?v=VosOpGdhwmQ">available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>3</slash:comments>
    </item>
    <item>
      <title>Suzanne Paul: Dancing Queen</title>
      <link>http://screentalk.nzonscreen.com/interviews/suzanne-paul</link>
      <comments>http://screentalk.nzonscreen.com/interviews/suzanne-paul#comments</comments>
      <pubDate>Mon, 13 May 2013 11:50:46 +1200</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[tv]]>
      </category>
      <category>
        <![CDATA[dancing with the stars]]>
      </category>
      <category>
        <![CDATA[television]]>
      </category>
      <category>
        <![CDATA[informercials]]>
      </category>
      <category>
        <![CDATA[the blue monkey]]>
      </category>
      <category>
        <![CDATA[suzanne paul]]>
      </category>
      <category>
        <![CDATA[novelty]]>
      </category>
      <category>
        <![CDATA[hows life]]>
      </category>
      <category>
        <![CDATA[intrepid journeys]]>
      </category>
      <category>
        <![CDATA[garage sale]]>
      </category>
      <category>
        <![CDATA[guess whos coming to dinner]]>
      </category>
      <category>
        <![CDATA[celebrity]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/suzanne-paul</guid>
      <description>
        <![CDATA[Suzanne Paul made a splash on our TV screens as the Queen of Infomercials in the 1980s. She soon had her own TV show called Guess Who&rsquo;s Coming to Dinner?, followed by a range of other popular primetime programmes. Despite breaking a rib in the final episode, Paul won the third season of Dancing with the Stars.
In this ScreenTalk, Paul talks about:&nbsp;

Transferring her selling skills from malls to infomercials
Learning to accept having the mickey taken out of her
Creating the concept for Guess Who&rsquo;s Coming to Dinner?
Running out of celebrities for the show
Finding out the title of Garage Sale was not literal
Getting a role on How&rsquo;s Life? despite being flippant
How her episode of Intrepid Journeys changed her life
Believing she was the comic relief on Dancing with the Stars
Breaking a rib on live television but carrying on with the show
How a bottle of port lead to the creation of the novelty song and music video The Blue Monkey

This video is available on YouTube to embed and distribute via a Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="http://www.nzonscreen.com/person/suzanne-paul">Suzanne Paul</a> made a splash on our TV screens as the Queen of Infomercials in the 1980s. She soon had her own TV show called <em>Guess Who&rsquo;s Coming to Dinner?,</em> followed by a range of other popular primetime programmes. Despite breaking a rib in the final episode, Paul won the third season of <em>Dancing with the Stars</em>.</p>
<p>In this ScreenTalk, Paul talks about:&nbsp;</p>
<ul>
<li>Transferring her selling skills from malls to infomercials</li>
<li>Learning to accept having the mickey taken out of her</li>
<li>Creating the concept for <em>Guess Who&rsquo;s Coming to Dinner?</em></li>
<li>Running out of celebrities for the show</li>
<li>Finding out the title of <em>Garage Sale</em> was not literal</li>
<li>Getting a role on <em>How&rsquo;s Life?</em> despite being flippant</li>
<li>How her episode of <a href="http://www.nzonscreen.com/title/intrepid-journeys-2003/series"><em>Intrepid Journeys</em></a> changed her life</li>
<li>Believing she was the comic relief on <em>Dancing with the Stars</em></li>
<li>Breaking a rib on live television but carrying on with the show</li>
<li>How a bottle of port lead to the creation of the novelty song and music video <a href="http://www.nzonscreen.com/title/blue-monkey-1994"><em>The Blue Monkey</em></a></li>
</ul>
<p>This video is <a href="https://www.youtube.com/watch?v=8U6jFiLdL-o">available on YouTube</a> to embed and distribute via a <a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Ngila Dickson: A Designing Woman</title>
      <link>http://screentalk.nzonscreen.com/interviews/ngila-dickson</link>
      <comments>http://screentalk.nzonscreen.com/interviews/ngila-dickson#comments</comments>
      <pubDate>Mon, 06 May 2013 11:56:41 +1200</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[xena]]>
      </category>
      <category>
        <![CDATA[crush]]>
      </category>
      <category>
        <![CDATA[tv]]>
      </category>
      <category>
        <![CDATA[costume design]]>
      </category>
      <category>
        <![CDATA[hercules]]>
      </category>
      <category>
        <![CDATA[designer]]>
      </category>
      <category>
        <![CDATA[television]]>
      </category>
      <category>
        <![CDATA[heavenly creatures]]>
      </category>
      <category>
        <![CDATA[film]]>
      </category>
      <category>
        <![CDATA[the lord of the rings]]>
      </category>
      <category>
        <![CDATA[ngila dickson]]>
      </category>
      <category>
        <![CDATA[jack be nimble]]>
      </category>
      <category>
        <![CDATA[user friendly]]>
      </category>
      <category>
        <![CDATA[design]]>
      </category>
      <category>
        <![CDATA[movies]]>
      </category>
      <category>
        <![CDATA[costume]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/ngila-dickson</guid>
      <description>
        <![CDATA[Ngila Dickson is an Academy Award-winning costume designer who has been involved in some of our biggest film and TV projects. Her first film experience was on User Friendly and since then she has designed for Jack Be Nimble, Heavenly Creatures, Crush and The Lord of the Rings trilogy. In television, she made a name for herself designing costumes for Xena: Warrior Princess and Hercules: The Legendary Journeys. Dickson has also worked on a range of international movies.
In this ScreenTalk, Dickson talks about:&nbsp;

Creating costumes for acclaimed period piece&nbsp;Heavenly Creatures
Learning a life lesson from Peter Jackson on the film
How Xena: Warrior Princess provided her greatest learning curve ever
Avoiding an obsession with Tolkien on the Lord of the Rings trilogy
Creating specific design features for each of the story elements
How winning an Oscar for Lord of the Rings has given her traction in the American film industry
Trying to achieve perfection on the set of The Last Samurai
Learning the limits of CGI technology on movie&nbsp;Green Lantern
The frustration of working on a lot of films that never get made

This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="http://www.nzonscreen.com/person/ngila-dickson">Ngila Dickson</a> is an Academy Award-winning costume designer who has been involved in some of our biggest film and TV projects. Her first film experience was on <a href="http://www.nzonscreen.com/title/user-friendly-1990"><em>User Friendly</em></a> and since then she has designed for <em>Jack Be Nimble</em>, <a href="http://www.nzonscreen.com/title/heavenly-creatures-1994"><em>Heavenly Creatures</em></a>, <a href="http://www.nzonscreen.com/title/crush-1992"><em>Crush</em></a> and <a href="http://www.nzonscreen.com/title/the-lord-of-the-rings-the-fellowship-of-the-ring-2001"><em>The Lord of the Rings</em></a> trilogy. In television, she made a name for herself designing costumes for <em>Xena: Warrior Princess</em> and <em>Hercules: The Legendary Journeys</em>. Dickson has also worked on a range of international movies.</p>
<p>In this ScreenTalk, Dickson talks about:&nbsp;</p>
<ul>
<li>Creating costumes for acclaimed period piece&nbsp;<a href="http://www.nzonscreen.com/title/heavenly-creatures-1994"><em>Heavenly Creatures</em></a></li>
<li>Learning a life lesson from <a href="http://www.nzonscreen.com/person/peter-jackson">Peter Jackson</a> on the film</li>
<li>How <em>Xena: Warrior Princess</em> provided her greatest learning curve ever</li>
<li>Avoiding an obsession with Tolkien on the <a href="http://www.nzonscreen.com/title/the-lord-of-the-rings-the-two-towers-2002"><em>Lord of the Rings </em></a>trilogy</li>
<li>Creating specific design features for each of the story elements</li>
<li>How winning an Oscar for <a href="http://www.nzonscreen.com/title/the-lord-of-the-rings-the-return-of-the-king-2003"><em>Lord of the Rings</em></a> has given her traction in the American film industry</li>
<li>Trying to achieve perfection on the set of <em>The Last Samurai</em></li>
<li>Learning the limits of CGI technology on movie<em>&nbsp;Green Lantern</em></li>
<li>The frustration of working on a lot of films that never get made</li>
</ul>
<p>This video is&nbsp;<a href="http://www.youtube.com/watch?v=Lbr5R1o25OE">available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Ray Waru: Māori Broadcasting Pioneer</title>
      <link>http://screentalk.nzonscreen.com/interviews/ray-waru</link>
      <comments>http://screentalk.nzonscreen.com/interviews/ray-waru#comments</comments>
      <pubDate>Mon, 29 Apr 2013 11:11:57 +1200</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[māori broadcasting]]>
      </category>
      <category>
        <![CDATA[country calendar]]>
      </category>
      <category>
        <![CDATA[fair go]]>
      </category>
      <category>
        <![CDATA[tvnz]]>
      </category>
      <category>
        <![CDATA[tomorrows world]]>
      </category>
      <category>
        <![CDATA[frontier of dreams]]>
      </category>
      <category>
        <![CDATA[maori]]>
      </category>
      <category>
        <![CDATA[koha]]>
      </category>
      <category>
        <![CDATA[our people our century]]>
      </category>
      <category>
        <![CDATA[ray waru]]>
      </category>
      <category>
        <![CDATA[people like us]]>
      </category>
      <category>
        <![CDATA[māori]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/ray-waru</guid>
      <description>
        <![CDATA[Ray Waru has had a long and distinguished career as a producer and director in both television and radio. He began his TV career working on factual series such as Country Calendar, Fair Go, People Like Us and Tomorrow&rsquo;s World. In 1980 he established the Māori television production unit at TVNZ, and launched the first regular Māori primetime show Koha. Waru went on to work on major documentary series Our People Our Century&nbsp;and Frontier of Dreams.&nbsp;
In this ScreenTalk, Waru talks about:

Discovering an infamous wine while directing Country Calendar
Having the freedom to be creative on People Like Us
Introducing Sharon Crosbie to the world on Tomorrow&rsquo;s World
The ideological problems of the first regular Māori primetime programme Koha
Making New Zealand history popular on Our People Our Century
How Frontier of Dreams tried to make history fun and exciting
Making deals to get the international footage for the series

This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="http://www.nzonscreen.com/person/ray-waru">Ray Waru</a> has had a long and distinguished career as a producer and director in both television and radio. He began his TV career working on factual series such as <a href="http://www.nzonscreen.com/title/country-calendar-1966/series"><em>Country Calendar</em></a>, <a href="http://www.nzonscreen.com/title/fair-go-1977/series"><em>Fair Go</em></a>, <em>People Like Us</em> and <em>Tomorrow&rsquo;s World</em>. In 1980 he established the Māori television production unit at TVNZ, and launched the first regular Māori primetime show <a href="http://www.nzonscreen.com/title/koha-1980/series"><em>Koha</em></a>. Waru went on to work on major documentary series <em><a href="http://www.nzonscreen.com/title/our-people-our-century-2008/series">Our People Our Century</a>&nbsp;</em>and<em> Frontier of Dreams.</em>&nbsp;</p>
<p>In this ScreenTalk, Waru talks about:</p>
<ul>
<li>Discovering an infamous wine while directing <a href="http://www.nzonscreen.com/title/country-calendar-1966/series"><em>Country Calendar</em></a></li>
<li>Having the freedom to be creative on <em>People Like Us</em></li>
<li>Introducing Sharon Crosbie to the world on <em>Tomorrow&rsquo;s World</em></li>
<li>The ideological problems of the first regular Māori primetime programme <em>Koha</em></li>
<li>Making New Zealand history popular on <a href="http://www.nzonscreen.com/title/our-people-our-century-2008/series"><em>Our People Our Century</em></a></li>
<li>How <em>Frontier of Dreams</em> tried to make history fun and exciting</li>
<li>Making deals to get the international footage for the series</li>
</ul>
<p>This video is&nbsp;<a>available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>John Callen: The distinctive voice behind Oin the Dwarf…</title>
      <link>http://screentalk.nzonscreen.com/interviews/john-callen</link>
      <comments>http://screentalk.nzonscreen.com/interviews/john-callen#comments</comments>
      <pubDate>Mon, 22 Apr 2013 11:39:54 +1200</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[close to home]]>
      </category>
      <category>
        <![CDATA[the hobbit]]>
      </category>
      <category>
        <![CDATA[tv]]>
      </category>
      <category>
        <![CDATA[film]]>
      </category>
      <category>
        <![CDATA[shortland street]]>
      </category>
      <category>
        <![CDATA[oin]]>
      </category>
      <category>
        <![CDATA[dwarf]]>
      </category>
      <category>
        <![CDATA[john callen]]>
      </category>
      <category>
        <![CDATA[epitaph]]>
      </category>
      <category>
        <![CDATA[taonga]]>
      </category>
      <category>
        <![CDATA[the sinking of the rainbow warrior]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/john-callen</guid>
      <description>
        <![CDATA[Actor and director John Callen has a voice that is hard to forget. Callen has appeared in a number of TV shows and films including Close to Home, The Sinking of the Rainbow Warrior and, most recently, The Hobbit. His directing credits include Shortland Street, and the documentary series Epitaph and Taonga.
In this ScreenTalk, Callen talks about:

Why The Hobbit&nbsp;has been his most extraordinary job
Still enjoying a good fight despite being older than his contemporaries
How costuming proved to be a big hassle on the set, and a light moment with co-star Billy Connolly
How playing a murderer on Close to Home&nbsp;appealed to autograph hounds
The excitement of directing actors on&nbsp;Shortland Street
Enjoying directing 'real' stories for Epitaph
Learning about Māori history on the series Taonga
The challenge of re-writing scripts on war documentary The Kiwi Who Saved Britain

This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Actor and director <a href="http://www.nzonscreen.com/person/john-callen">John Callen</a> has a voice that is hard to forget. Callen has appeared in a number of TV shows and films including <em><a href="http://www.nzonscreen.com/title/close-to-home-1975/series">Close to Home</a>, The </em>S<em>inking of the Rainbow Warrior </em>and, most recently, <a href="http://www.nzonscreen.com/title/the-hobbit-an-unexpected-journey-2011"><em>The Hobbit</em></a>. His directing credits include <a href="http://www.nzonscreen.com/title/shortland-street-1992-f5c/series"><em>Shortland Street</em></a>, and the documentary series <em>Epitaph</em> and <em>Taonga</em>.</p>
<p>In this ScreenTalk, Callen talks about:</p>
<ul>
<li>Why <a href="http://www.nzonscreen.com/title/the-hobbit-an-unexpected-journey-2011"><em>The Hobbit</em></a>&nbsp;has been his most extraordinary job</li>
<li>Still enjoying a good fight despite being older than his contemporaries</li>
<li>How costuming proved to be a big hassle on the set, and a light moment with co-star Billy Connolly</li>
<li>How playing a murderer on <em><a href="http://www.nzonscreen.com/title/close-to-home-1975/series">Close to Home</a></em>&nbsp;appealed to autograph hounds</li>
<li>The excitement of directing actors on&nbsp;<a href="http://www.nzonscreen.com/title/shortland-street-1992-f5c/series"><em>Shortland Street</em></a></li>
<li>Enjoying directing 'real' stories for <em>Epitaph</em></li>
<li>Learning about M<span>ā</span>ori history on the series <em>Taonga</em></li>
<li>The challenge of re-writing scripts on war documentary <em>The Kiwi Who Saved Britain</em></li>
</ul>
<p>This video is&nbsp;<a href="https://www.youtube.com/watch?v=RRqU5BJ1aU8">available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Simon Bennett: On producing and directing the big TV dramas…</title>
      <link>http://screentalk.nzonscreen.com/interviews/simon-bennett</link>
      <comments>http://screentalk.nzonscreen.com/interviews/simon-bennett#comments</comments>
      <pubDate>Mon, 15 Apr 2013 10:31:38 +1200</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[outrageous fortune]]>
      </category>
      <category>
        <![CDATA[tv]]>
      </category>
      <category>
        <![CDATA[director]]>
      </category>
      <category>
        <![CDATA[producer]]>
      </category>
      <category>
        <![CDATA[television]]>
      </category>
      <category>
        <![CDATA[shortland street]]>
      </category>
      <category>
        <![CDATA[simon bennett]]>
      </category>
      <category>
        <![CDATA[south pacific pictures]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/simon-bennett</guid>
      <description>
        <![CDATA[Simon Bennett's extensive CV includes producing and directing episodes of long-running successes Shortland Street and Outrageous Fortune. He has also spent time in executive roles at South Pacific Pictures, the production house behind these shows, and directed SPP feature film Sione's 2: Unfinished Business.
In this ScreenTalk, Bennett talks about:

Having to clean up horse manure for his first TV directing job on Riding High
Learning to direct fast-turnaround TV drama on&nbsp;Shortland Street
Being told off by the actors when directing Mercy Peak
Taking up the reigns as Head of Drama at South Pacific Pictures
How fantastic writing and acting made Outrageous Fortune a hit
The unlikely premise of The Almighty Johnsons
The challenges of making a sequel to a successful film, with&nbsp;Sione's 2: Unfinished Business
Being intrigued by the scripts of The Blue Rose
Enjoying the fast-paced nature of the show

This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p class="FreeForm"><a href="http://www.nzonscreen.com/person/simon-bennett">Simon Bennett's</a> extensive CV includes producing and directing episodes of long-running successes <a href="http://www.nzonscreen.com/title/shortland-street-1992-f5c/series"><em>Shortland Street</em></a> and <em><a href="http://www.nzonscreen.com/title/outrageous-fortune-2005/series">Outrageous Fortune</a>. </em>He has also spent time in executive roles at South Pacific Pictures, the production house behind these shows, and directed SPP feature film <em><a href="http://www.nzonscreen.com/title/siones-2-unfinished-business-2012">Sione's 2: Unfinished Business</a>.</em></p>
<p>In this ScreenTalk, Bennett talks about:</p>
<ul>
<li>Having to clean up horse manure for his first TV directing job on <em>Riding High</em></li>
<li>Learning to direct fast-turnaround TV drama on&nbsp;<a href="http://www.nzonscreen.com/title/shortland-street-1992-f5c/series"><em>Shortland Street</em></a></li>
<li>Being told off by the actors when directing <a href="http://www.nzonscreen.com/title/mercy-peak-2001/series"><em>Mercy Peak</em></a></li>
<li>Taking up the reigns as Head of Drama at South Pacific Pictures</li>
<li>How fantastic writing and acting made <a href="http://www.nzonscreen.com/title/outrageous-fortune-2005/series"><em>Outrageous Fortune </em></a>a hit</li>
<li>The unlikely premise of <em>The Almighty Johnsons</em></li>
<li>The challenges of making a sequel to a successful film, with&nbsp;<em><a href="http://www.nzonscreen.com/title/siones-2-unfinished-business-2012">Sione's 2: Unfinished Business</a></em></li>
<li>Being intrigued by the scripts of <em>The Blue Rose</em></li>
<li>Enjoying the fast-paced nature of the show</li>
</ul>
<p>This video is&nbsp;<a href="http://www.youtube.com/watch?v=yds3-Vy0Bto">available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Peter Blake: On making music and getting Ready to Roll …</title>
      <link>http://screentalk.nzonscreen.com/interviews/peter-blake</link>
      <comments>http://screentalk.nzonscreen.com/interviews/peter-blake#comments</comments>
      <pubDate>Wed, 03 Apr 2013 14:12:46 +1300</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[radio with pictures]]>
      </category>
      <category>
        <![CDATA[musical director]]>
      </category>
      <category>
        <![CDATA[peter blake]]>
      </category>
      <category>
        <![CDATA[heartbeat city]]>
      </category>
      <category>
        <![CDATA[soundtracks]]>
      </category>
      <category>
        <![CDATA[composition]]>
      </category>
      <category>
        <![CDATA[grunt machine]]>
      </category>
      <category>
        <![CDATA[grunt machine]]>
      </category>
      <category>
        <![CDATA[rtr]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/peter-blake</guid>
      <description>
        <![CDATA[Music is Peter Blake's passion. Blake's career has encompassed jazz, Hendrix covers, keyboards for Hello Sailor &ndash; and quite a lot of television. After time at radio station 2ZA he began working on TV music show Grunt Machine, then got the job of musical director, and later producer of the high rating, hit-making Ready to Roll. Soon he was commanding a stable of music shows that included RTR, Radio with Pictures, Heartbeat City, and stereo simulcasts of rock concerts.&nbsp;
In this ScreenTalk, Blake talks about:&nbsp;

Eclectic early music show Grunt Machine
Abolishing cover versions, when he became producer of Ready to Roll
Having to look after glam rocker Gary Glitter for a day
The arrival of music videos, and commissioning videos by both TVNZ staffers and freelancers
RTR's golden age in the 80s, when it ruled both the TV and music charts
How he moved into composing soundtracks, with drama series Marching Girls
Composing for himself, versus composing for the screen

This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p class="p1"><span class="s1">Music is <a href="http://www.nzonscreen.com/person/peter-blake">Peter Blake's</a> passion. Blake's career has encompassed jazz, Hendrix covers, keyboards for <a href="http://www.nzonscreen.com/title/hello-sailor/artist">Hello Sailor</a> &ndash; and quite a lot of television. After time at radio station 2ZA he began working on </span><span class="s2">TV </span><span class="s1">music show <a href="http://www.nzonscreen.com/title/grunt-machine-series/series"><em>Grunt Machine</em></a>, then got the job of musical director, and later producer of the high rating, hi</span><span class="s2">t-m</span><span class="s1">aking <em><a href="http://www.nzonscreen.com/title/ready-to-roll-1975/series">Ready to Roll</a>.</em> Soon he was commanding a stable of music shows that included <a href="http://www.nzonscreen.com/title/ready-to-roll-1975/series"><em>RTR</em></a>, <a href="http://www.nzonscreen.com/title/radio-with-pictures-1976/series"><em>Radio with Pictures</em></a>, </span><span class="s2"><em>Heartbeat City, </em></span><span class="s1">and stereo simulcasts of rock concerts.</span>&nbsp;</p>
<p class="p1"><span class="s1">In this ScreenTalk, Blake talks about:&nbsp;</span></p>
<ul>
<li>Eclectic early music show <em><a href="http://www.nzonscreen.com/title/grunt-machine-series/series">Grunt Machine</a></em></li>
<li>Abolishing cover versions, when he became producer of <em><a href="http://www.nzonscreen.com/title/ready-to-roll-1975/series">Ready to Roll</a></em></li>
<li>Having to look after glam rocker Gary Glitter for a day</li>
<li>The arrival of music videos, and commissioning videos by both TVNZ staffers and freelancers</li>
<li><em><a href="http://www.nzonscreen.com/title/ready-to-roll-1975/series">RTR's</a></em> golden age in the 80s, when it ruled both the TV and music charts</li>
<li>How he moved into composing soundtracks, with drama series <em><a href="http://www.nzonscreen.com/title/the-marching-girls-1987/series">Marching Girls</a></em></li>
<li>Composing for himself, versus composing for the screen</li>
</ul>
<p>This video is&nbsp;<a href="http://www.youtube.com/watch?v=2SrcVW1khfY">available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Paul Norris: On the changing face of TV news and current affairs…</title>
      <link>http://screentalk.nzonscreen.com/interviews/paul-norris</link>
      <comments>http://screentalk.nzonscreen.com/interviews/paul-norris#comments</comments>
      <pubDate>Mon, 25 Mar 2013 14:48:29 +1300</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[one news]]>
      </category>
      <category>
        <![CDATA[current affairs]]>
      </category>
      <category>
        <![CDATA[holmes]]>
      </category>
      <category>
        <![CDATA[news]]>
      </category>
      <category>
        <![CDATA[journalist]]>
      </category>
      <category>
        <![CDATA[bbc]]>
      </category>
      <category>
        <![CDATA[broadcasting school]]>
      </category>
      <category>
        <![CDATA[academic]]>
      </category>
      <category>
        <![CDATA[television news]]>
      </category>
      <category>
        <![CDATA[tvnz]]>
      </category>
      <category>
        <![CDATA[paul norris]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/paul-norris</guid>
      <description>
        <![CDATA[Journalist and academic Paul Norris had a major role in changing the landscape of television news and current affairs in New Zealand. He cut his teeth with the BBC, but moved back to New Zealand to run TVNZ&rsquo;s News and Current Affairs division in 1987. In that role, he revamped the evening news on TV One, and launched the Holmes show in 1989. Norris left TVNZ in 1996 to head the New Zealand Broadcasting School in Christchurch.
In this ScreenTalk, Norris talks about:

How a British election set off his career in journalism
Being lured back to be Head of News and Current Affairs at TVNZ
The changes brought about by former head of TVNZ Julian Mounter
Bringing together Richard Long and Judy Bailey on the evening news
Being criticised for introducing American consultants for the show
How the Holmes&nbsp;show changed the TV current affairs landscape
The truth behind the Dennis Conner interview
Wanting to tell the story behind radical political changes in the 80s, in documentary series Revolution
Reinventing himself as an academic as Head of the NZ Broadcasting School
Feeling that TV current affairs is in a rather dire state at the moment
Changing the landscape of broadcasting

This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Journalist and academic <a href="http://www.nzonscreen.com/person/paul-norris">Paul Norris</a> had a major role in changing the landscape of television news and current affairs in New Zealand. He cut his teeth with the BBC, but moved back to New Zealand to run TVNZ&rsquo;s News and Current Affairs division in 1987. In that role, he revamped the evening news on TV One, and launched the <a href="http://www.nzonscreen.com/title/holmes-1989">Holmes</a> show in 1989. Norris left TVNZ in 1996 to head the New Zealand Broadcasting School in Christchurch.</p>
<p>In this ScreenTalk, Norris talks about:</p>
<ul>
<li>How a British election set off his career in journalism</li>
<li>Being lured back to be Head of News and Current Affairs at TVNZ</li>
<li>The changes brought about by former head of TVNZ Julian Mounter</li>
<li>Bringing together <a href="http://www.nzonscreen.com/person/richard-long">Richard Long</a> and <a href="http://www.nzonscreen.com/person/judy-bailey">Judy Bailey</a> on the evening news</li>
<li>Being criticised for introducing American consultants for the show</li>
<li>How the <em><a href="http://www.nzonscreen.com/title/holmes-1989">Holmes</a></em>&nbsp;show changed the TV current affairs landscape</li>
<li>The truth behind the Dennis Conner interview</li>
<li>Wanting to tell the story behind radical political changes in the 80s, in documentary series <em><a href="http://www.nzonscreen.com/title/revolution-1996">Revolution</a></em></li>
<li>Reinventing himself as an academic as Head of the NZ Broadcasting School</li>
<li>Feeling that TV current affairs is in a rather dire state at the moment</li>
<li>Changing the landscape of broadcasting</li>
</ul>
<p>This video is&nbsp;<a href="http://www.youtube.com/watch?v=2X__rjq7UJo">available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Stelios Yiakmis: From heart-throb to bad guy …</title>
      <link>http://screentalk.nzonscreen.com/interviews/stelios-yiakmis</link>
      <comments>http://screentalk.nzonscreen.com/interviews/stelios-yiakmis#comments</comments>
      <pubDate>Mon, 18 Mar 2013 12:10:43 +1300</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[the blue rose]]>
      </category>
      <category>
        <![CDATA[street legal]]>
      </category>
      <category>
        <![CDATA[McLeod’s Daughters]]>
      </category>
      <category>
        <![CDATA[underbelly]]>
      </category>
      <category>
        <![CDATA[actor]]>
      </category>
      <category>
        <![CDATA[shortland street]]>
      </category>
      <category>
        <![CDATA[stelios yiakmis]]>
      </category>
      <category>
        <![CDATA[jindabyne]]>
      </category>
      <category>
        <![CDATA[johnny marinovich]]>
      </category>
      <category>
        <![CDATA[all saints]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/stelios-yiakmis</guid>
      <description>
        <![CDATA[Actor Stelios Yiakmis created a name for himself playing doctor Johnny Marinovich for five years on Shortland Street. He gained further acting credentials in a range of Australian and Kiwi TV shows such as McLeod's Daughters, All Saints, and Underbelly &ndash;&nbsp;Land of the Long White Cloud, and the Australian feature film Jindabyne. Yiakmis&nbsp;is currently appearing as bad guy Derek Peterson in crime drama The Blue Rose.&nbsp;
In this ScreenTalk, Yiakmis&nbsp;talks about:

Being overawed by his first scene on Shortland Street
How a fellow actor couldn&rsquo;t help him adjust to the work schedule
Loving the polarising nature of his character Johnny Marinovich
How a role in Street Legal gave him a chance to stretch his acting wings
Confusing the local population on the set of McLeod's Daughters
Wanting to punch director Ray Lawrence while filming Jindabyne
Playing a real life criminal in the Kiwi version of&nbsp;Underbelly
Relishing the chance to be a 'bastard' in The Blue Rose
How not knowing the plot in advance made the role harder

This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Actor <a href="http://www.nzonscreen.com/person/stelios-yiakmis">Stelios Yiakmis</a> created a name for himself playing doctor Johnny Marinovich for five years on <em><a href="http://www.nzonscreen.com/title/shortland-street-1992-f5c">Shortland Street</a></em>. He gained further acting credentials in a range of Australian and Kiwi TV shows such as <em>McLeod's Daughters</em>, <em>All Saints</em>, and <em>Underbelly &ndash;&nbsp;Land of the Long White Cloud</em>, and the Australian feature film <em>Jindabyne</em>. <a href="http://www.nzonscreen.com/person/stelios-yiakmis">Yiakmis</a>&nbsp;is currently appearing as bad guy Derek Peterson in crime drama <em>The Blue Rose</em>.&nbsp;</p>
<p>In this ScreenTalk, <a href="http://www.nzonscreen.com/person/stelios-yiakmis">Yiakmis</a>&nbsp;talks about:</p>
<ul>
<li>Being overawed by his first scene on <em>Shortland Street</em></li>
<li>How a fellow actor couldn&rsquo;t help him adjust to the work schedule</li>
<li>Loving the polarising nature of his character Johnny Marinovich</li>
<li>How a role in <em><a href="http://www.nzonscreen.com/title/street-legal-2000">Street Legal</a></em> gave him a chance to stretch his acting wings</li>
<li>Confusing the local population on the set of <em>McLeod's Daughters</em></li>
<li>Wanting to punch director Ray Lawrence while filming <em>Jindabyne</em></li>
<li>Playing a real life criminal in the Kiwi version of&nbsp;<em>Underbelly</em></li>
<li>Relishing the chance to be a 'bastard' in <em>The Blue Rose</em></li>
<li>How not knowing the plot in advance made the role harder</li>
</ul>
<p>This video is&nbsp;<a href="http://www.youtube.com/watch?v=bGK6UWqe_GA">available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>Jennifer Ludlam: Acting without makeup or shoes…</title>
      <link>http://screentalk.nzonscreen.com/interviews/jennifer-ludlam</link>
      <comments>http://screentalk.nzonscreen.com/interviews/jennifer-ludlam#comments</comments>
      <pubDate>Mon, 11 Mar 2013 11:32:42 +1300</pubDate>
      <dc:creator>Screen Talker</dc:creator>
      <category>
        <![CDATA[the blue rose]]>
      </category>
      <category>
        <![CDATA[cover story]]>
      </category>
      <category>
        <![CDATA[gloss]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[actor]]>
      </category>
      <category>
        <![CDATA[television]]>
      </category>
      <category>
        <![CDATA[sons and daughters]]>
      </category>
      <category>
        <![CDATA[apron strings]]>
      </category>
      <category>
        <![CDATA[undercover]]>
      </category>
      <category>
        <![CDATA[prisoner]]>
      </category>
      <guid isPermaLink="false">http://screentalk.nzonscreen.com/interviews/jennifer-ludlam</guid>
      <description>
        <![CDATA[Award-winning actor Jennifer Ludlam has played a range of strong female characters in TV shows such as Cover Story, Gloss, and Undercover. She spent time in Australia appearing in a number of dramas including Prisoner and Sons and Daughters. Returning to New Zealand, Ludlam&nbsp;starred in Sima Urale&rsquo;s feature film Apron Strings. She is currently appearing in TV thriller The Blue Rose.
In this ScreenTalk, Ludlam&nbsp;talks about:

Playing a country girl in a city pub in A Going Concern
Lying about her horse riding ability for a role in Radio Waves
Having trouble singing and dancing in Gather Your Dreams
Forgetting all about one of her roles in Shark in the Park
Loving the camaraderie on the set of Prisoner
Playing a 'toughie' on Sons and Daughters
Being an embarrassment to Ilona Rodgers in Gloss
Being cast as a strong and forthright woman in Cover Story
Enjoying playing a homophobic mother in Shortland Street
Feeling nervous in her first scene in&nbsp;Apron Strings
Giving up a theatre tour for a role in The Blue Rose
Her one last ambition in TV

This video is&nbsp;available on YouTube to embed and distribute via a&nbsp;Creative Commons licence.]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Award-winning actor <a href="/person/jennifer-ludlam">Jennifer Ludlam</a> has played a range of strong female characters in TV shows such as <em><a href="/title/cover-story-1994-688">Cover Story</a></em>, <em><a href="/title/gloss-1987">Gloss</a></em>, and <em>Undercover</em>. She spent time in Australia appearing in a number of dramas including <em>Prisoner </em>and <em>Sons and Daughters</em>. Returning to New Zealand, <a href="/person/jennifer-ludlam">Ludlam</a>&nbsp;starred in Sima Urale&rsquo;s feature film <em><a href="/title/apron-strings-2008">Apron Strings</a></em>. She is currently appearing in TV thriller <em>The Blue Rose</em>.</p>
<p>In this ScreenTalk, <a href="/person/jennifer-ludlam">Ludlam</a>&nbsp;talks about:</p>
<ul>
<li>Playing a country girl in a city pub in <em>A Going Concern</em></li>
<li>Lying about her horse riding ability for a role in <em>Radio Waves</em></li>
<li>Having trouble singing and dancing in <em><a href="/title/gather-your-dreams-1978">Gather Your Dreams</a></em></li>
<li>Forgetting all about one of her roles in <em><a href="/title/shark-in-the-park-1989">Shark in the Park</a></em></li>
<li>Loving the camaraderie on the set of <em>Prisoner</em></li>
<li>Playing a 'toughie' on <em>Sons and Daughters</em></li>
<li>Being an embarrassment to Ilona Rodgers in <em><a href="/title/gloss-1987">Gloss</a></em></li>
<li>Being cast as a strong and forthright woman in <em><a href="/title/cover-story-1994-688">Cover Story</a></em></li>
<li>Enjoying playing a homophobic mother in <em><a href="/title/shortland-street-1992-f5c">Shortland Street</a></em></li>
<li>Feeling nervous in her first scene in&nbsp;<em><a href="/title/apron-strings-2008">Apron Strings</a></em></li>
<li>Giving up a theatre tour for a role in <em>The Blue Rose</em></li>
<li>Her one last ambition in TV</li>
</ul>
<p>This video is&nbsp;<a href="http://www.youtube.com/watch?v=3z_Wt1d3EWQ">available on YouTube</a> to embed and distribute via a&nbsp;<a href="http://creativecommons.org/licenses/by-nc/3.0/nz/">Creative Commons licence</a>.</p>]]>
      </content:encoded>
      <slash:comments>0</slash:comments>
    </item>
  </channel>
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