Santa Cruz Sentinel Blogs

SENTINEL VIDEO: Inside the jumbo squid

Sentinel Video — Wed, 30 Jan 2008 02:23:20 +0000

Scientists examine jumbo squid on the California Coast, trying to find out why the squid have migrated here, what they eat, and what they tell us about the ocean.

Changes abound for upcoming baseball season

Jim Seimas — Tue, 29 Jan 2008 23:17:13 +0000

The start-up date for high school baseball is just around corner — the first week in February — and there has already been plenty of offseason build-up for the big, Aptos-Santa Cruz match-up at Oakland Coliseum later in the year.
They are the top programs heading into the season, and have a combined seven players already committed to NCAA Division I programs.
But they won't be our only two playoff representatives.
In the offseason, the CCS baseball committee voted to expand the playoffs from 40 to 48 teams, meaning Division III, reserved for smaller-enrollment schools, will now feature a 16-team bracket rather than eight.
Moreover, it was voted at that May meeting to bump the SCCAL up to "A" league status for the 2008 campaign, which means the league will get three automatic postseason berths instead of two. Scotts Valley, Soquel, SLV, Harbor, St. Francis … one of you is going to be playoff-bound this year.
And Santa Cruz County has three other teams competing in the Monterey Bay League, Watsonville, Monte Vista Christian and Pajaro Valley. The MBL sends its top two finishers with automatic playoff berths.
Another change at that coaches meeting is that any team can now opt up to Division I, not just West Catholic Athletic League schools. It'll be interesting to see where Aptos decides to go after finishing runner-up to Los Altos in last year's D-II final.
Aptos has never won a section crown in the sport, but has a stacked team. It lost only two senior starters from the 2007 squad.

Olson produces best finish yet

Jim Seimas — Tue, 29 Jan 2008 22:45:57 +0000

Aptos' Eddie Olson, a sophomore on UNLV's nationally ranked golf team, produced the best finish his young NCAA career Tuesday.
Olson, a quarterfinalist at the U.S. Amateur over the summer, shot a 6-under-65 at the Ping Arizona Intercolegiate in Tucson, Ariz., to finish tied for 12th place with a 211-total. His previous best finish came at the John Burns Intercollegiate last year, when he tied for 19th.
Olson's third round score was the second lowest in the three rounds of competition at Tucson National Golf Club. It was bested by the 64 from medalist Kevin Chappell in the third round. UCLA's Chappell finished with a 198 total.
UNLV [835 total] finished second to Tennessee by three strokes in the 16-team field.

Bookends: Neil Shubin on ?Your Inner Fish'

Sentinel Podcasts — Tue, 29 Jan 2008 18:51:55 +0000

Author Neil Shubin talks about getting the Colbert Bump, and ‘Your Inner Fish' with Sentinel reporter Chris Watson.

Download Standard Podcast

YourSantaCruzSports Update

Sentinel Video — Mon, 28 Jan 2008 23:52:44 +0000

Nikki Brooks: The full interview

Leo Maxam — Mon, 28 Jan 2008 18:47:57 +0000

Following is the full interview with Capitola surf photographer Nikki Brooks that led to the article in Sunday’s Sentinel. This conversation took place on a rainy Thursday afternoon at Verve Café on 41st over a croissant and some hot tea… (more…)

Lady of the lens: Nikki Brooks is among California's best young surf photographers

Leo Maxam — Mon, 28 Jan 2008 17:39:43 +0000

When she was selected as a finalist for the 2007 Follow the Light Foundation Award this fall, Nikki Brooks felt validated.

The Capitola native was one of only five photographers chosen from an international field by the Foundation, established in memory of Larry "Flame" Moore, longtime photo editor for Surfing Magazine, to recognize and support the industry's best up-and-coming surf photographers.

"I was super excited," said Brooks, 30, who has been doing surf photography for about eight years and working to make a career out of it for the past five. "It was another statement that you're doing the right thing, keep it up."

But at the awards banquet in San Clemente, Brooks got a pesky little reminder that an acclaimed woman surf photographer is still a foreign concept for many in the male-dominated surf industry. While Brooks and her 11-month-old daughter, Waverley, were mingling on the floor at the Surfing Heritage Museum, an industry bigwig — who shall remain nameless — approached Brooks and, apparently failing to read her name tag that identified her as a finalist, initiated a conversation that would best be described as awkward. (more…)

Sundance 2008 Awards, Sun., 1/27/08

Cathleen Rountree — Mon, 28 Jan 2008 00:36:56 +0000

So, here is the final word on Sundance 2008

2008 SUNDANCE FILM FESTIVAL ANNOUNCES AWARDS

"Frozen River," "King of Ping Pong," "Man on Wire" and "Trouble the Water"
Earn Top Jury Prizes

Audience Favorites Feature "Captain Abu Raed," "Fields of Fuel," "Man on Wire"
and "The Wackness."

The jury and audience award-winners of the 2008 Sundance Film Festival were announced tonight at the Festival’s closing Awards Ceremony hosted by William H. Macy in Park City, Utah. Films receiving jury awards were selected from the four feature-length Documentary and Dramatic competition categories by distinguished jurors. Films in these categories were also eligible for the 2008 Sundance Film Festival Audience Awards as selected by Film Festival audiences. Highlights from the Awards Ceremony can be seen on the Sundance Channel, the Official Television Network of the 2008 Sundance Film Festival, beginning Sunday, January 27 as well as on the Festival website, www.sundance.org/festival .
In addition to awards for feature-length films, the Shorts Jury awarded Jury Prizes in Short Filmmaking to American and international short-form films. Other awards recognized at the ceremony included the Alfred P. Sloan Prize, awarded to a film which excels in addressing compelling topics in science or technology, and the Sundance/NHK International Filmmakers Award, created to honor and support emerging filmmakers with their next screenplays.

"The Festival has been incredibly fortunate this year to have esteemed, diverse jurors committed to advancing independent film, filmmakers willing to take risks with their work and audiences in search of yet-to-be-discovered voices," said Geoffrey Gilmore, Director, Sundance Film Festival. "This year's award recipients, including eleven first-time feature filmmakers, have taken on the world through a personal lens and audiences have responded."

"When we programmed the Festival in November, we knew we would be working with an amazing group of directors, writers and cinematographers," said John Cooper, Director of Programming, Sundance Film Festival. "It is always an incredible experience to watch audiences discover new talent and connect with filmmakers in unexpected ways. We are thrilled by the jury and audience response and excited to see these films out in the world."
The 2008 Sundance Film Festival Juries consisted of: Dramatic Competition: Marcia Gay Harden, Mary Harron, Diego Luna, Sandra Oh and Quentin Tarantino; Documentary Competition: Michelle Byrd, Heidi Ewing, Eugene Jarecki, Steven Okazaki and Annie Sundberg; World Dramatic Competition: Shunji Iwai (Japan), Lucrecia Martel (Argentina) and Jan Schütte (Germany); World Documentary Competition: Amir Bar-Lev (US), Leena Pasanen (Finland/Denmark) and Ilda Santiago (Brazil); American and International Shorts: Jon Bloom, Melonie Diaz and Jason Reitman; and The Alfred P. Sloan Prize: Alan Alda, Michael Polish, Evan Schwartz, Benedict Schwegler and John Underkoffler.
The 2008 Sundance Film Festival Awards Winners:

The Grand Jury Prize: Documentary was presented to TROUBLE THE WATER, directed by Tia Lessin and Carl Deal. An aspiring rap artist and her streetwise husband, armed with a video camera, show what survival means when they are trapped in New Orleans by deadly floodwaters, and seize a chance for a new beginning.

The Grand Jury Prize: Dramatic was presented to FROZEN RIVER, directed by Courtney Hunt, about a desperate trailer mom and a Mohawk Indian girl who team up to smuggle illegal immigrants into the United States from Canada.

The World Cinema Jury Prize: Documentary was presented to MAN ON WIRE/United Kingdom, directed by James Marsh. The film chronicles French artist Philippe Petit's daring dance on a wire suspended between New York's Twin Towers and his subsequent arrest for what would become known as “the artistic crime of the century.”

The World Cinema Jury Prize: Dramatic was presented to KING OF PING PONG (PING PONGKINGEN)/ Sweden, directed by Jens Jonsson. An ostracized and bullied teenager who excels only in ping pong descends into an acrimonious struggle with his younger, more popular brother when the truth about their family history and their father surfaces over the course of their spring break.

The Audience Awards are presented to both a dramatic and documentary film in four Competition categories as voted by Sundance Film Festival audiences. The 2008 Sundance Film Festival Audience Awards are presented by Volkswagen of America, Inc.

The Audience Award: Documentary was presented to FIELDS OF FUEL, directed by Josh Tickell. A look at America's addiction to oil, Tickell is a man with a plan and a Veggie Van, who is taking on big oil, big government, and big soy to find solutions in places few people have looked.

The Audience Award: Dramatic was presented to THE WACKNESS, directed by Jonathan Levine. During a sweltering New York summer, a troubled teenage drug dealer trades pot for therapy sessions with a drug-addled psychiatrist, and in the process falls for the doctor's daughter.

The World Cinema Audience Award: Documentary was presented to MAN ON WIRE/United Kingdom, directed by James Marsh. The film chronicles French artist Philippe Petit's daring dance on a wire suspended between New York's Twin Towers and subsequent arrest for what would become known as “the artistic crime of the century.”

The World Cinema Audience Award: Dramatic was presented to CAPTAIN ABU RAED/Jordan, by director Amin Matalqa. The first feature film to come out of Jordan in 50 years, CAPTAIN ABU RAED tells the story of an aging airport janitor who is mistaken for an airline pilot by a group of poor neighborhood children and whose fantastical stories offer hope for a sad, sometimes unchangeable, reality.

The Directing Awards recognize excellence in directing for dramatic and documentary features.

The Directing Award: Documentary was presented to Nanette Burstein for her film AMERICAN TEEN, an irreverent cinema vérité which chronicles four seniors at an Indiana high school and yields a surprising snapshot of Midwestern life.

The Directing Award: Dramatic was presented to Lance Hammer for BALLAST, a riveting, lyrical portrait of an emotionally frayed family whose lives are torn asunder by a tragic act in a small Mississippi Delta town.

The World Cinema Directing Award: Documentary was presented to Nino Kirtadze, director of DURAKOVO: VILLAGE OF FOOLS (DURAKOVO: LE VILLAGE DES FOUS)/ France. The film portrays life in a castle outside Moscow, where Mikhail Morozov rules autonomously over young initiates, laying the groundwork for a rapidly growing right-wing movement.

The World Cinema Directing Award: Dramatic was presented to Anna Melikyan for MERMAID (RUSALKA)/ Russia. The fanciful tale of an introverted little girl who grows up believing she has the power to make wishes come true. She must reconcile this belief with reality when, as a young woman, she journeys to Moscow and grapples with love, modernity and materialism.

The Waldo Salt Screenwriting Award for outstanding achievement in writing was presented to Alex Rivera and David Riker for their screenplay for SLEEP DEALER. Set in a near-future, militarized world marked by closed borders, virtual labor and a global digital network that joins minds and experiences, three strangers risk their lives to connect with each other and break the barriers of technology.

The World Cinema Screenwriting Award was presented to Samuel Benchetrit for his screenplay of I ALWAYS WANTED TO BE A GANGSTER (J'AI TOUJOURS RÊVÉ D'ÊTRE UN GANGSTER)/ France. Told in four vignettes, this existential comedy relates the exploits of four aspiring criminals who hope to improve their lot, but find that they might not have what it takes for a life of crime.

The Documentary Editing Award was presented to Joe Bini for his work on the film ROMAN POLANSKI: WANTED AND DESIRED. The documentary examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.

The World Cinema Documentary Editing Award was presented to Irena Dol for her work on THE ART STAR AND THE SUDANESE TWINS/New Zealand. The film profiles artist Vanessa Beecroft and how her obsession to adopt Sudanese twin orphans drives her marriage to a breaking point and fuels her controversial art.

The Excellence in Cinematography Awards honor exceptional cinematography in both dramatic and documentary categories. This year's recipients are:

The Excellence in Cinematography Award: Documentary was presented to Phillip Hunt and Steven Sebring for their work on the film PATTI SMITH: DREAM OF LIFE, an intimate portrait of the poet, painter, musician and singer that mirrors the essence of the artist herself.

The Excellence in Cinematography Award: Dramatic was presented to Lol Crawley for BALLAST. a riveting, lyrical portrait of an emotionally frayed family whose lives are torn asunder by a tragic act in a small Mississippi Delta town.

The World Cinema Cinematography Award: Documentary was presented to al Massad for his work on RECYCLE /Jordan. A Jordanian family man living in the hometown of Muslim leader Abu Musa Al Zarqawi struggles to support his family and define his identity in a tense political climate.

The World Cinema Cinematography Award: Dramatic was presented to Askild Vik Edvardsen for KING OF PING PONG (PING PONGKINGEN)/ Sweden. An ostracized and bullied teenager who excels only in ping pong descends into an acrimonious struggle with his younger, more popular brother when the truth about their family history and their father surfaces over the course of their spring break.

A World Cinema Special Jury Prize: Dramatic was presented to Ernesto Contreras, director of BLUE EYELIDS (PÁRPADOS AZULES)/ Mexico. When Marina wins a beach getaway trip for two, her desperate search for someone to take with her leads to a complicated relationship and the revelation that she might be better off on her own.

A Special Jury Prize: Documentary was presented to Lisa F. Jackson, director of GREATEST SILENCE: RAPE IN THE CONGO, for her piercing, intimate look into the struggle of the lives of rape survivors.

A Special Jury Prize: Dramatic, The Spirit of Independence was presented to director Chusy Haney-Jardine for ANYWHERE, USA, a wildly original look at American manners, prejudices, and family dynamics.

A Special Jury Prize: Dramatic, Work by an Ensemble Cast was presented to the cast of CHOKE. An adaptation of Chuck Palahniuk’s novel, CHOKE is the sardonic story about mother and son relationship, fear of aging, sexual addiction, and the dark side of historical theme parks. Cast: Sam Rockwell, Anjelica Huston, Kelly MacDonald, Brad Henke.

The 2008 Jury Prize in Short Filmmaking was awarded to two films: MY OLYMPIC SUMMER, directed by Daniel Robin, and SIKUMI (On the Ice), directed by Andrew Okpeaha MacLean. The jury also presented the International Jury Prize in International Short Filmmaking to SOFT, directed by Simon Ellis. Honorable Mentions in Short Filmmaking were presented to: Aquarium, directed by Rob Meyer; August 15th, directed by Xuan Jiang; La Corona (The Crown), directed by Amanda Micheli and Isabel Vega; Oiran Lyrics, directed by Ryosuke Ogawa; Spider, directed by Nash Edgerton; Suspension, directed by Nicolas Provost, and W. , directed by The Vikings. The 2008 Sundance Film Festival Short Film Awards were presented by Adobe Systems Incorporated.
SLEEP DEALER, directed by Alex Rivera, is the recipient of this year’s Alfred P. Sloan Prize. The Prize, which carries a $20,000 cash award to the filmmaker provided by the Alfred P. Sloan Foundation, is presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character.