Seyed Hadi Seyed Sadjadi

iPhonography-November 2020

2020-11-11T14:06:00.004+03:30

Date: 11/2020
Place: Tehran/Iran (Persia)

iPhonography-July 2020

2020-07-05T14:04:00.003+04:30

Date: 07/2020
Place: Tehran/Iran (Persia)

iPhonography-June 2020

2020-06-20T14:02:00.003+04:30

Date: 06/2020
Place: Tehran/Iran (Persia)

iPhonography-May 2020

2020-05-16T13:57:00.002+04:30

Date: 05/2020
Place: Tehran/Iran (Persia)

iPhonography-April 2020

2020-04-08T20:47:00.005+04:30

Date: 03/2020
Place: Tehran/Iran (Persia)

iPhononography-March 2020

2020-03-23T20:44:00.000+04:30

Date: 03/2020
Place: Mahak Blvd/Tehran/Iran (Persia)

iPhononography-February 2020

2020-02-13T12:12:00.000+03:30

Date: 02/2020
Place: Mahak Blvd/Tehran/Iran (Persia)

iPhonography-January 2020

2020-01-22T12:22:00.000+03:30

Date: 01/2020
Place: Mahak Blvd/Tehran/Iran (Persia)

iPhononography-December 2019

2019-12-20T12:26:00.000+03:30

Date: 12/2019
Place: Shahsavar/Mazandaran/Iran (Persia)

iPhonography-October 2019

2019-10-06T12:31:00.000+03:30

Date: 10/2019
Place: Mahak Blvd/Tehran/Iran (Persia)

iPhonography-September 2019

2019-09-09T12:34:00.000+04:30

Date: 09/2019
Place: Anzali/Gilan/Iran (Persia)

iPhonography-August 2019

2019-08-28T12:39:00.000+04:30

Date: 08/2019
Place: Qazvin/Iran (Persia)

iPhonography-May 2019

2019-05-23T15:35:00.000+04:30

Date: 05/2019
Place: Tehran/Iran (Persia)

iPhonography-January 2019

2019-01-14T15:39:00.000+03:30

Date: 01/2019
Place: Iran (Persia)

iPhonography-December 2018

2018-12-06T15:48:00.002+03:30

Date: 12/2018
Place: Tehran/Iran (Persia)

iPhonography-November 2018

2018-11-04T16:02:00.003+03:30

Date: 11/2018
Place: Iran (Persia)

Archetype analysis of Renaissance and Rebirth, Hero and Immortality in Sug-e-Siavash-August 2018

2018-08-29T19:31:00.000+04:30

Extract from the senior dissertation of dramatic literature

Accepted in Rahpooyeh Honar Scientific Research Quarterly, Soore University: August 29^th, 2018

Archetype analysis of Renaissance and Rebirth, Hero and Immortality in Sug-e-Siavash

Seyed Hadi Seyed Sadjadi

Dr. Majid Houshangi

Abstract

In this research, archetype analysis of renaissance and rebirth, hero and immortality in Sug-e-Siavash`s ritual will be examined and analyzed. Based on the archetype analysis which is a subset of psychological criticism in the modern age relying on mythological narratives and analysis of myths and legends, mythologists have discovered repetitive symbols based on the subconscious, which “Carl Gustav Jung” called “Archetype”. According to “Jung”, the archetype is the human aspirations that have not been achieved over the centuries and are part of the collective unconscious that appears in the minds and souls of human beings in the guise of dreams and fantasies. Since the ritual in question has been transmitted orally and chest to chest, it cannot be traced back to its original origins and it is necessary to rely on subsequent research and documentation to the extent that it is based on such an existing procedure and characteristics. As a result of the proposed work, the mentioned archetypes can be examined from a religious, cultural, temporal and political perspective and based on a descriptive / analytical method. In the first hypothesis of this research, we deal with the myth-oriented nature of Sug-e-Siavash's ritual. In this way, Sug-e-Siavash's ritual using fictional and dramatic capacities have formed epic and mythological narratives that have the ability to implement archetypes of renaissance and rebirth, hero and immortality. Sug-e-Siavash's ritual begins with the Iranian national hero and during his heroic journey, he constantly suffers from renaissance and rebirth, like when he comes out of the fire, pure, victorious and proud and finally with his martyrdom, mourning, and grieving in The belief of the Iranians is formed to immortalize him. In these cases, the first answer to the question of this study is also revealed which identifies the archetypes of renaissance and rebirth, hero and immortality.

Relying on different theories and citing various sources, this study has tried to prove that the ancient Iranians, contrary to the opinion of many scholars, along with other ethnic groups in other parts of the world, had dramatic rituals that had a sacred aspect in the beginning and the most important documentary of this speech is the knowledge of the ancient Iranians to quoting stories and storytelling, which has been shown over time in a modern way and in accordance with the new definitions of drama. Sug-e-Siavash's ritual with its religious background under the control of the Moghans was in praise of the infallible Iranian general and later spread to Iranians as a myth and legend, so that “Ferdowsi” in the “Shahnameh” organized the event.

Keywords

Hero, renaissance and rebirth, immortality, archetype, myth, epic, Sug-e-Siavash, dramatic ritual.

Title: Archetype analysis of Renaissance and Rebirth, Hero and Immortality in Sug-e-Siavash

Date: 08/2018

Place: Soore University/Tehran/Iran (Persia)

MFA of Drama / Dramatic Literature-June 2018 (Archetype analysis of Renaissance and Rebirth, Hero and Immortality in Ancient Persian Rituals and Drama)

2018-06-27T11:19:00.000+04:30

Abstract

In this research, the archetype analysis of renascence and rebirth, hero and immortality will be discussed in the ancient Persian ritual and dramas such as “Sug-e-Siavosh”, “Moghkoshi”, “Mirnoorozi”, “Naghali”, and “Rhymes of Zorvan`s religion”.
Based on the archetype analysis that is a subset of psychological critique in the modern era, mythologists؛ based on mythological narratives and the analysis of myths and legends, have discovered repetitive symbols based on the unconscious, which Karl Gustav Yong calls them؛Archetype. According to Jung, the archetype is the human desires and hopes that has not been gained over the ages and is part of a collective unconscious that appears in the minds of men in the veins of dreams and imaginations. Because the rituals have been transmitted verbally and chest to the chest throughout the ages, their original roots cannot be reached, and they have to proceed based on subsequent research and documentation, to the point where the “Moghkoshi” ritual, known as the “Shahkoshi” Has been explored to indicate that the naming of this ritual was only based on the concurrency with another ritual called “Faragh e Mehr Sepand”. Since the ancient Persians saw the Shah as a human being, a father and a ruler (one of the archetypes), they never allowed desecration of his honor, and therefore the killing of the king was unusual, and the killing of the king was based on unionism and commander politics has happened.
Based on such an approach and features in the works, the mentioned archetypes can be examined on religious, cultural, political, and timing perspectives. This scrutiny will go up to the point where, in the Mirnoorozi's dramatic manner, governance has been accompanied by religious/cultural practices that took place overnight, which coincided with the days of Nowruz. In the first hypothesis of this study, we will focus on the myth-centeredness of the rituals and antiquities of ancient Iran, in which the ancient Persian theatrical rituals, using dramatic and talent capacities, have shaped epic and mythological narratives that are capable of implementing renascence and rebirths, hero and immortality`s archetypes, like the drama of Sug-e-Siavash, which started with the Persian national hero and during his heroic journey, constantly suffers from birth and renaissance, just like when he was burned up and came out clean of it victoriously and proudly, and ultimately, with martyrdom, a funeral is formed in the beliefs of Persians to immortal his presence.
In these same cases, the answer to the first question of this review also appears to indicate the repertoire of renascence and rebirth, hero, and immortality. This research, based on the opinions of the great men of the arena of mythology and based on various sources, has come to this conclusion and seeks to prove that the ancient Persians, and unlike many scholars, have demonstrative rituals along with other people’s elsewhere which at the beginning of the Holy Scriptures have been vindictive and the most important documentary of this word, the ancient Persians are narrated in story and storytelling, which has been shown in modern form by modern definitions. Then, the archetypes of the ancient Iranian rituals will be dealt with.

Keywords

Hero, Renascence, and rebirth, Immortality, Archetype, Sug-e-Siavash, Moghkoshi, Mirrenorozi, Naghali, rhymes of Zorvan`s religion.

Title: Archetype analysis of Renaissance and Rebirth, Hero and Immortality in Ancient Persian Rituals and Drama
Date: 06/2018
Place: Soore University/Tehran/Iran (Persia)

Videography-May 2018

2018-05-22T17:07:00.000+04:30

Date: 05/2018
Place: Mahak Blvd/Tehran/Iran (Persia)

Photography-February 2016

2017-02-02T11:37:00.000+03:30

Title: Wheelchair & Rose / صندلی چرخدار و گل رز
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Wheelchair & Rose 2 / ۲ صندلی چرخدار و گل رز
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Wheelchair & Rose 3 / ۳ صندلی چرخدار و گل رز
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Up / بالا
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Up to Bottom / بالا به پایین
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: tarred / قیراندود
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: The Wall / دیوار
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Simple / ساده
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Spectre / طیف
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Rose & Pigeons / رز و کبوتران
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Simple 2 / ۲ ساده
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Roof / بام
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Roofs & Satellite Dishes / پشت بام ها و بشقاب های ماهواره
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Roof & Plum Roll / پشت بام و لواشک آلو
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Reverse L / ل برعکس
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: pole & Wires / تیر چراغ برق و سیم ها
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Pylon / دکل برق
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Plum Roll / لواشک آلو
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Pigeons 3 / کبوتران ۳
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Pigeons 5 / کبوتران ۵
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Pigeons / کبوتران
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Pigeons 2 / کبوتران ۲
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Pigeons & Flowers / کبوتران و گل ها
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Pigeons & Roses / کبوتران و رزها
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: One Fifth / یک پنجم
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Figges / انجیرها
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Junkes / خنزر پنزرها
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Kids & Pigeons / کودکان و کبوتران
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Mountain & Lines / کوه و خطوط
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Fence & Grapes / حفاظ و انگورها
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Fence / حفاظ
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Castel / قصر
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Clothes / لباس ها
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Back / پشت
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Balanced / متعادل
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Balconies / بالکن ها
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Cage on the Roof / قفس در بام
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Aerial & IRAN ZAMIN Real Estate / آنتن و مسکن ایران زمین
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: Asphalt / آسفالت
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: A Roof / یک سقف
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: A Window / یک پنجره
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: 3 Doors / سه درب
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

Title: A Frame Full of Pigeons / یک قاب مملو از کبوتران
Date: 08/2016
Place: Sadeghieh/Tehran/Iran (Persia)

The Structure of Minimal Scripts in Iranian Cinema-January 2017

2017-01-09T15:29:00.000+03:30

Abstract

Minimalism is one of the most influential mini-grams influenced by formalist on the focus of Russian formalism, which became popular in the 1950s and early 1960s, and attracted many scholars, thinkers and writers. A thought derived from simplicity and unity in the Word, which relied on the extension of meaning through the assignment of a person or a disciple, differently based on the number of individual's thoughts about the truth. In this simplicity, the regularity that emerges in the arts manages to perpetuate the inner chaos of an individual and, by attacking the perturbation, arrives at equilibrium of life. In the same way in the writing, the authors, with the most concise expressions, have transmitted numerous ideas to the reader, avoiding the excesses of other sources to counteract the aggressiveness in the modern world and its fast pace are eager to overcome.

The use of limited time-frames and complex issues in the context of a realistic, deep-seated issue with a limited number of personalities is expressed and reveals a dramatic impact on the audience. Like a wavy sea, in which it creates its endless creations, it presents the thoughts to the person. Relaxation through intrinsic violence. That is what it is and at the same time, is not.

Title: The Structure of Minimal Scripts in Iranian Cinema
Date: 01/2017
Place: Soore University/Tehran/Iran (Persia)

Photography-July 2016

2016-07-30T14:33:00.002+04:30

Title: Verticals / عمودها
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Wood,Iron,Shadows / چوب،آهن،سایه ها
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Worker`s Need / نیاز کارگران
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Workers & Full of Cranes / کارگران و انبوهی از جرثقیل ها
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Workers Also Return Home 2 / 2 کارگران نیز به خانه بازمی گردند
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Workers Also Return Home / کارگران نیز به خانه بازمی گردند
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Workers Also Return Home 3 / ۳ کارگران نیز به خانه بازمی گردند
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Workers in Front of the Sun / کارگران روبروی خورشید
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unfinished / نیمه کاره
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Up 2 / ۲ بالا
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Up in the Air / بالای آسمان
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Vent / دریچه
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unattached Pieces / قطعات متصل نشده
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unfinished 2 / ۲ نیمه کاره
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unattached Parts & Tower Crane / قطعات متصل نشده و جرثقیل ساختمانی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unattached Pieces 2 / ۲ قطعات متصل نشده
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unattached Pieces 3 / ۳ قطعات متصل نشده
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unattached Pieces 4 / ۴ قطعات متصل نشده
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unattached Motor / موتور متصل نشده
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Unattached Parts & Cabins / قطعات متصل نشده و کابین ها
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Triangles 4 / ۴ مثلث ها
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Triangles / مثلث ها
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Triangles 2 / ۲ مثلث ها
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Triangles 3 / ۳ مثلث ها
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes / جرثقیل های ساختمانی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Trees & Tower Cranes / درخت ها و جرثقیل های ساختمانی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes in Dark / جرثقیل های ساختمانی در تاریکی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes 6 / ۶ جرثقیل های ساختمانی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes 5 / ۵ جرثقیل های ساختمانی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes 4 / ۴ جرثقیل های ساختمانی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes 2 / ۲ جرثقیل های ساختمانی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes 3 / ۳ جرثقیل های ساختمانی
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes & Sunset / جرثقیل های ساختمانی و غروب خورشید
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes & Sun / جرثقیل های ساختمانی و خورشید
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Crane in Front of Sun / جرثقیل ساختمانی روبروی خورشید
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Cranes & Sunset 2 / ۲ جرثقیل های ساختمانی و غروب خورشید
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Crane & the Cabin / جرثقیل ساختمانی و اتاقک
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tower Crane in Back / جرثقیل ساختمانی در عقب
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Too Far, Too High / خیلی دور، خیلی بالا
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Tools / ابزارآلات
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Too Close 2 / خیلی نزدیک ۲
Date: 06/2016
Place: Saeed Abad/Shahryar/Iran (Persia)

Title: Too Close / خیلی نزدیک