tag:blogger.com,1999:blog-320421722026-04-10T13:21:20.056+07:00Digital Music Blog | Free Music Download | Mp3 Direct Links. Country Music, Rock Music, Free Mp3 Download, Full Album Download, Album Review, Pop Music, Singles, EPblazehttp://www.blogger.com/profile/12312846770707177634noreply@blogger.comBlogger840125tag:blogger.com,1999:blog-32042172.post-12182447236116569902007-08-24T10:09:00.000+07:002007-08-24T10:29:48.754+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Typically, artists dispense with introductions after their debut -- after all, that is an album designed to introduce them to the world -- but neo-soul singer Joss Stone defiantly titled her third album Introducing Joss Stone, thereby dismissing her first two relatively acclaimed albums with one smooth stroke. She now claims that those

Unknownnoreply@blogger.com7tag:blogger.com,1999:blog-32042172.post-76498396473440647792007-08-23T10:28:00.000+07:002007-08-23T10:41:28.614+07:00

Review by Corey Apar @ allmusic.com Bullet for My Valentine hails from the same stomping grounds in South Wales as peers Funeral for a Friend, thus sparking comparisons between the Welsh acts that go further than a fondness for dark, morose band names. It's hard to deny a certain likeness to their Funeral friends throughout The Poison -- check out the dynamics of "Suffocating Under Words

Unknownnoreply@blogger.com39tag:blogger.com,1999:blog-32042172.post-30644303083168441562007-08-23T10:20:00.000+07:002007-08-23T10:27:56.810+07:00

Review by Kenyon Hopkin @ allmusic.com Jeff Hanson's debut showed a singer/songwriter with signs of more talent to come, and his self-titled follow-up proves that he's simply no one-off curiosity. Jeff Hanson is a second outing of soft, endearing rock, continuously wrapped around lyrics that imply lost relationships and soul-searching. While that in itself doesn't sound like something new,

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-14844802299043026622007-08-22T10:34:00.000+07:002007-08-22T10:46:19.581+07:00

Review by Stephen Thomas Erlewine @ allmusic.com I don't suspect that even Kid Rock believed he had an album as good as Devil Without a Cause in him. Nobody else believed it, that's for sure. But he didn't just find the perfect extention of his Beastie and Diamond Dave infatuations here, he came up with the great hard rock album of the late '90s -- a fearlessly funny, bone-crunching record

Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-66086426241117606952007-08-22T10:10:00.000+07:002007-08-22T10:33:37.998+07:00

Review by Johnny Loftus @ allmusic.com On We Are Not Alone, Breaking Benjamin's sophomore effort for Hollywood, the Philadelphia quartet still enjoys coursing the downcast dynamics and dour cerebrals of early Tool through post-grunge's more accessible melodics. Vocalist/guitarist Ben Burnley channels Maynard James Keenan throughout "So Cold" and "Simple Design," and fills their shadows

Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-47095171776077616472007-08-22T10:03:00.001+07:002007-08-22T10:10:42.899+07:00

Review by Johnny Loftus @ allmusic.com "I guess you wanna see the look on my face when you smash it," Randy mouthpiece Stefan Granberg sneers on "A Man in Uniform." The Modern Lovers/Ramones-style singalong is only one of the high points on the Swedish quartet's seventh full-length, Welfare Problems, an album that finds Randy's ideology undiluted by the addition of buzzing guitar hooks and

Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-32042172.post-7818324322158277142007-08-21T10:16:00.000+07:002007-08-21T10:25:44.051+07:00

Review by James Christopher Monger @ allmusic.com Composer John Powell elevates the tension he so dutifully created on 2004's Bourne Supremacy soundtrack for the third (and final?) chapter in the big screen adaptation of author Robert Ludlum's internationally lauded Jason Bourne series The Bourne Ultimatum. All of the deft melding of taut electronics and explosive orchestral release that

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-37011167344886152952007-08-21T09:24:00.000+07:002007-08-21T10:16:19.918+07:00

Review by Johnny Loftus @ allmusic.com In 2000, 3 Doors Down's debut The Better Life and its omnipresent single "Kryptonite" authoritatively established the Escatawpa, MS band as rock stars in the vein of fellow New Arena rockers Creed. After extensive touring and over 6 million albums sold, it might have been difficult for the band to focus on their sophomore release. But vocalist Brad

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-24376040196376322602007-08-21T08:10:00.000+07:002007-08-21T08:25:21.474+07:00

Review by MacKenzie Wilson @ allmusic.com Destination: Beautiful is an earnest and honest expression from the New England five-piece Mae. Honed on classics of the 1980s (the Police, Depeche Mode, U2), Mae's confidence soars throughout the entire 11-song track listing, going for large soundscapes of layered guitars and rolling percussion. They're a bit too brash to be exclusively pop, but

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-80339013556380321732007-08-13T13:09:00.000+07:002007-08-13T13:22:18.092+07:00

Sorry, No review available... Track Lists 01. Justify 02. Desperate Religion 03. Regenade 04. Beautiful Worlds 05. Stars Come Out 06. Feel Alive 07. Made Of Glass 08. Alcarda 09. These Days 10. Better Give Up 11. Some Things Just Are The Way They Are 12. The Chosen Ones 13. Searching For Satellite 14. Fahrenheit 451 15. Trilogy (The Final Chapter) 16. A Rainy Afternoon 17. No Fate 18. One

Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-21850563272307977092007-08-09T10:16:00.000+07:002007-08-09T10:31:55.352+07:00

Sorry, No review available.. Track Lists 01. 409 In Your Coffe Maker 02. Welcome To Paradise 03. 2000 Light Years 04. The Judges Daughter 05. Christy Road 06. Only Of You 07. Who Wrote Holden Caufield 08. Going To Pasalacqua 09. Paper Lanterns 10. One Of My Lies 11. Country Hoedown aka. Dominated Love Slave 12. F.O.D 13. Words I Might Have Ate 14. Chump (Live) 15. Longview (Live) 16.

Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-32042172.post-89657841354134959882007-08-09T10:05:00.000+07:002007-08-09T10:16:26.542+07:00

Sorry, No review available.. Track Lists 01. Swagger 02. Every Dog Has His Day 03. Selfish Man 04. Never Met A Girl Like You Before 05. Laura 06. If I Ever Leave This World Alive 07. Black Friday Rule 08. What Made Milwaukee Famous 09. Between A Man And A Woman 10. Delilah

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-33427642667958946982007-08-09T09:39:00.000+07:002007-08-09T10:04:55.555+07:00

Review by Johnny Loftus @ allmusic.com Arizona punks Authority Zero return with their second Lava/Atlantic release, and it's a good one. Rather than pretending they're post-everything or pop-something, Andiamo basks Authority's West Coast soul in the dry desert sunlight, stripping tracks like "Painted Windows" and "Revolution" to their Bad Religion and Green Day roots while spicing others

Unknownnoreply@blogger.com4tag:blogger.com,1999:blog-32042172.post-34420096419107198742007-08-09T09:26:00.000+07:002007-08-09T09:39:15.527+07:00

Review by Stephen Thomas Erlewine @ allmusic.com What does the Next Big Thing do in the age of the Internet, when their debut is praised beyond reason upon its release, but by the time they release their second album a year later, they've already faded from memory, replaced by a new sensation that truly did have some buzz on the internets? That's the question facing the Magic Numbers and

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-21733296881320075012007-08-09T09:22:00.000+07:002007-08-09T09:26:23.065+07:00

Review by Heather Phares @ allmusic.com From the post-post-punk of their early EPs to Silent Alarm's sprawl of sounds and ideas, Bloc Party has never shied away from reinventing their music. They continue to evolve on A Weekend in the City, an unashamedly ambitious, emotional album that builds on where they've been before but still feels like a departure. Silent Alarm's eclecticism was one

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-32838781543547726702007-08-04T10:30:00.000+07:002007-08-04T10:36:45.661+07:00

Sorry, No review available.. Track Lists 01. Wait For Cry 02. Memory Loves You 03. Broken Sunny Day 04. I Got Yours 05. Sorrow 06. How Different 07. Love On My Mind 08. Travelling 09. Now You Know 10. Shades

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-25109209441967311532007-08-04T10:26:00.001+07:002007-08-04T10:28:31.219+07:00

Review by Marisa Brown @ allmusic.com When Leslie Feist released her breakthrough Let It Die, almost instantly she became an indie icon. Her pretty, sometimes melancholic love songs, her clear, campfire voice, and her vaguely jazz- and disco-influenced arrangements (highlighted no better than with her cover of the Bee Gees' "Inside and Out"), and her association with darlings Broken Social

Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-46530913041869085922007-08-04T10:14:00.001+07:002007-08-04T10:16:42.288+07:00

Review by Stephen Thomas Erlewine @ allmusic.com It's a bit tempting to peg Green Day's sprawling, ambitious, brilliant seventh album, American Idiot, as their version of a Who album, the next logical step forward from the Kinks-inspired popcraft of their underrated 2000 effort, Warning, but things aren't quite that simple. American Idiot is an unapologetic, unabashed rock opera, a form

Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-32042172.post-80769846304589713842007-08-04T09:58:00.000+07:002007-08-04T10:03:08.656+07:00

Review by Heather Phares @ allmusic.com Once again finding harmony and creating alchemy between seeming opposites, on Volta Björk is bold but thoughtful, delicate yet strong, accessible and avant. The intricacy and complexity of projects like Medúlla and Drawing Restraint 9 suggested that she might have left the more direct side of her work behind, but Volta's opening track and lead single,

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-14574521899706159012007-08-04T09:24:00.000+07:002007-08-04T09:48:28.258+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Chris Cornell's first solo album, Euphoria Morning, was released just after Cornell had shaken the shackles of Soundgarden and he was making a definitive break from their heavy heavy sound by indulging in bucolic singer/songwriter clichés. It went nowhere commercially but led him toward Audioslave, where he spent three albums pushing and

Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-66040183253385331472007-08-01T09:35:00.000+07:002007-08-01T09:42:23.966+07:00

Review by Stephen Thomas Erlewine @ allmusic.com Ever since their eponymous 2000 debut there has been more pop than country in Rascal Flatts' contemporary country-pop, but with each subsequent record the trio has been drifting slowly, steadily toward outright adult pop, which is where they arrive on their fourth album, 2006's Me and My Gang. Discounting the steel guitar that's used

Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-32042172.post-39548143590438713162007-08-01T09:21:00.000+07:002007-08-01T09:32:59.656+07:00

Review by Andy Kellman@ allmusic.com Fabolous' new label, Def Jam, rolls out a wide red carpet for From Nothin' to Somethin', enlisting a great deal of starpower to bolster its new artist's fourth album. Akon, Rihanna, Jay-Z, Lloyd, Junior Reid, and even Ne-Yo (on a track produced by Timbaland) make appearances, while there is room made for past collaborators like Just Blaze, Swizz Beatz,

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-87520864500804258822007-08-01T08:59:00.000+07:002007-08-01T09:21:22.384+07:00

Review by Andy Kellman @ allmusic.com In My Own Words, released in early 2006, was a major success for Ne-Yo. It was a number one album supported by two Top Ten singles and a third that peaked in the Top 20. As it kept gathering steam, the singer/songwriter/producer shrewdly continued to write for others: Rihanna's Top Ten "Unfaithful" and Beyoncé's number one "Irreplaceable" kept his

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-91238167483730426692007-08-01T08:51:00.000+07:002007-08-01T08:59:32.063+07:00

Review by John Bush @ allmusic.com From the beginning, Jimmy LaValle's Album Leaf project was one of the calmest acts in indie rock. Into the Blue Again proves, as its 2004 predecessor did as well, that the Album Leaf is also becoming one of the tamest acts in indie rock. LaValle is a musical craftsman, and his productions are thoughtful, economical and warm (most of the record was

Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-32042172.post-83030313337501530552007-08-01T08:41:00.000+07:002007-08-01T08:51:34.405+07:00

Review by Greg Prato @ allmusic.com Although Jane's Addiction's 1987 self-titled debut was an intriguing release (few alternative bands at the time had the courage to mix modern rock, prog rock, and heavy metal together), it paled in comparison to their now classic major-label release one year later, Nothing's Shocking. Produced by Dave Jerden and Jane's Addiction vocalist Perry Farrell,

Unknownnoreply@blogger.com0