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<?xml-stylesheet href="http://feeds.feedburner.com/~d/styles/rss2full.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="http://feeds.feedburner.com/~d/styles/itemcontent.css" type="text/css" media="screen"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-3624326729302257586</atom:id><lastBuildDate>Mon, 21 Jul 2008 13:44:50 +0000</lastBuildDate><title>Shen's Best of the Web</title><description /><link>http://shenweb.blogspot.com/</link><managingEditor>noreply@blogger.com (Shen)</managingEditor><generator>Blogger</generator><openSearch:totalResults>125</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" href="http://feeds.feedburner.com/ShensBestOfTheWeb" type="application/rss+xml" /><feedburner:browserFriendly></feedburner:browserFriendly><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-4985627780994682609</guid><pubDate>Mon, 21 Jul 2008 13:44:00 +0000</pubDate><atom:updated>2008-07-21T23:44:50.402+10:00</atom:updated><title>CD: Rough Guide to the Music of Romanian Gypsies</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;div&gt;&lt;div class="item-body"&gt;&lt;div&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/rough_guide_romanian_gypsies_new_1.jpg" alt="" align="left" height="150" width="150" /&gt;The Rough Guide music series has a new title focuses on Gypsy music.  &lt;a target="_blank" href="http://www.amazon.com/gp/product/B001AWUBRE/104-1522318-6580728?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B001AWUBRE"&gt; The Rough Guide to the Music of Romanian Gypsies&lt;/a&gt;  (RGNET1210) represents the music of Romania’s 2.5 million Roma (Gypsy) population. Romania has many of the world’s top Eastern European Gypsy musicians, including &lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=245"&gt;Taraf  de Haidouks&lt;/a&gt;, Fanfare Ciocąrlia, Mahala Raï Banda, Toni Iordachi and Gabi Lunca. From energetic brass bands and mesmerizing cimbalom players to legendary haunting fiddlers, The Rough Guide to the Music of Romanian Gypsies presents the internationally acclaimed performers together with renowned local artists&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/rough_guide_romanian_gypsies_new"&gt;...&lt;br /&gt;&lt;br /&gt;FULL ARTICLE HERE&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/07/cd-rough-guide-to-music-of-romanian.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-7309372401440796192</guid><pubDate>Wed, 16 Jul 2008 06:07:00 +0000</pubDate><atom:updated>2008-07-16T16:07:33.819+10:00</atom:updated><title>CD: Introducing Hanggai (Mongolia)</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/Introducing_Hanggai_1.jpg" alt="" align="left" height="150" width="150" /&gt;Hanggai&lt;/p&gt;&lt;p&gt; &lt;a target="_blank" href="http://www.amazon.com/gp/product/B001ASJ3RW/104-1522318-6580728?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B001ASJ3RW"&gt; Introducing Hanggai&lt;/a&gt; (World Music Network, 2008)&lt;br /&gt;&lt;br /&gt;I’m always elated to hear a group of musicians rediscovering a lost or faded musical tradition, and I’m also a little puzzled because the music produced is usually so entrancing or just downright enthralling that I just can’t imagine why the tradition ever fell out of fashion. No example could be truer than that of Introducing/World Music Network’s release of &lt;a target="_blank" href="http://www.amazon.com/gp/product/B001ASJ3RW/104-1522318-6580728?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B001ASJ3RW"&gt; Introducing Hanggai&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/Introducing_Hanggai"&gt;FULL STORY....&lt;/a&gt;&lt;/p&gt;</description><link>http://shenweb.blogspot.com/2008/07/cd-introducing-hanggai-mongolia.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-405343508559888249</guid><pubDate>Sun, 06 Jul 2008 10:41:00 +0000</pubDate><atom:updated>2008-07-06T20:41:33.776+10:00</atom:updated><title>CD: Baaba Maal - On the Road (acoustic)</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;div&gt;&lt;div class="item-body"&gt;&lt;div&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/Baaba_Maal_Releases_Live_acoustic_album_1.jpg" alt="" align="left" height="150" width="150" /&gt;London, UK - The clearest evidence of  &lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=1076"&gt;Baaba  Maal&lt;/a&gt;'s remarkable shows comes with 'Baaba Maal on the Road' a selection of live performances collated from concerts around the world over the past ten years.&lt;br /&gt;&lt;br /&gt;Although Maal's music has embraced everything from electric bands to 70-piece orchestras, it is his intimate acoustic performances which, for many, properly encompass the very real contagious nature of Maal's work. It is this raw emotional edge that is showcased on the eight tracks featured on this album.&lt;br /&gt;&lt;br /&gt;Included are live versions of a few of the finest songs in Maal's repertoire plus three collectors items a song called Iyango' which has never been recorded before, together with 'Farba', a tune that's appeared only on an Africa-&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/Baaba_Maal_Releases_Live_acoustic_album"&gt;...&lt;br /&gt;&lt;br /&gt;FULL STORY HERE&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/07/cd-baaba-maal-on-road-acoustic.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-8169085401995035446</guid><pubDate>Tue, 01 Jul 2008 14:15:00 +0000</pubDate><atom:updated>2008-07-15T23:05:27.806+10:00</atom:updated><title>Tibet2Timbuk2 are Q Song finalists!</title><description>&lt;a href="http://tibet2timbuk2.com/"&gt;Tibet2Timbuk2&lt;/a&gt;'s song "White Crane" (aka "Crane Song") has been selected as a finalist in the World division of Q Song 2008!&lt;br /&gt;&lt;br /&gt;&lt;table border="0" cellpadding="10" cellspacing="0" width="653"&gt;&lt;tbody&gt;&lt;tr&gt;     &lt;td align="left" valign="middle"&gt;&lt;b&gt;2008 Q Song Finalists Announced: Queensland Songwriters Exposed: First Announcement&lt;/b&gt;&lt;/td&gt;  &lt;td align="right" valign="middle"&gt;1 Jul 2008&lt;/td&gt;     &lt;/tr&gt;   &lt;tr&gt;     &lt;td colspan="2"&gt;  &lt;b&gt;Q Music is thrilled to announce the finalists for Q Song 2008. &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Judges faced an enormously difficult task with almost 1400 songs entered in Q Song 2008.&lt;br /&gt;&lt;br /&gt;Each song was judged anonymously (track title only) by a team of dedicated music industry representatives from The Courier-Mail, triple j, ABC, 989 fm, Musicadium, Australian Music Biz, overcranked, Ward 69 Records, dew-process, 4zzzfm, QUT and APRA.&lt;br /&gt;&lt;br /&gt;Judges were once again overwhelmed by the enormous talent of Queensland songwriters and the high quality of entries.&lt;br /&gt;&lt;br /&gt;Executive officer Denise Foley said “The quality of entries continues to increase from year to year, and in this, our third year, there were some world class songs entered. It is a huge job to coordinate everyone who participates in both the short listing and final judging process and we really appreciate the efforts of all involved.”&lt;br /&gt;&lt;br /&gt;The winners will be announced at The Q Song Awards night to be held at The Tivoli, August 12, 2008.&lt;br /&gt;Tickets for this event are now on sale! Purchase tickets online at &lt;a href="http://www.qmusic.com.au/qsong" target="_blank"&gt;www.qmusic.com.au/qsong&lt;/a&gt; .&lt;br /&gt;A limited amount of tickets are available to the public for the event.&lt;br /&gt;&lt;br /&gt;Without any further ado, the 2008 Q Song finalists are:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Song Title - Artist - Writers&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Primary School&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Love Chime -       Woo Woos -                       Jazz D’Arcy                                              &lt;br /&gt;No Surprise -     Stephanie Burns -  Stephanie Burns&lt;br /&gt;Banana Cake -    Emma Hocking -  Emma Hocking&lt;br /&gt;Believe -     Jenna Dearness-Dark -  Jenna Dearness-Dark&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Secondary School&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Poor Boy -     Courtney Young -  Courtney Young&lt;br /&gt;The Boat Song -  Shaun Pryor -  Shaun Pryor&lt;br /&gt;Insomnia -      Emma-Louise Lobb -  Emma-Louise Lobb&lt;br /&gt;Darkness -     David Richards -  David Richards&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Gospel Spiritual &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Ode To Peace  -       Mr Rascal -  Christian Duell&lt;br /&gt;For You  -         Dave Saxby -  Dave Saxby&lt;br /&gt;The Family Song -    Tyrone Noonan -  Tyrone Noonan&lt;br /&gt;Regenerate Me  -     Emmanuel Worship -  Pat Keady&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Rock&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Ten Paces Away  - The Gin Club -  Ben Salter&lt;br /&gt;Gun And Your Friends -  Bowser -  O. Mitter/B. Weyuton/ N.  Williams/G. Wallis&lt;br /&gt;Gifthorse     -     Little Vegas and the Fuzz Parade   -   S Lawrie/B. Dean/W. O’Brien/P.O’Brien.&lt;br /&gt;Untied Laces  -        The Faze -  The Faze&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Pop&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Honey  -         Chris Pickering  - Chris Pickering&lt;br /&gt;Strawberry Wine -   The John Steel Singers  - Scott Bromiley / Tim Morrissey&lt;br /&gt;Shake  -         Tara Simmons -  Tara Simmons&lt;br /&gt;Gravity and Grace  - The Brave  - Mathew Griffith, Roger Van Raalte, Michael Mann &amp;amp; Caleb James&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Alternative&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Go  -              My Fiction  -   E.Robinson, M. Willmett, J.Laubscher, D.Murphy, S.Rigly&lt;br /&gt;Suicide Tuesday      -    Andrew Kennedy -    Andrew Kennedy&lt;br /&gt;Take Time Take Time  -  Amy Cushway   -  Amy Cushway&lt;br /&gt;Til You Come Home    -  James Grehan   -  James Grehan&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Blues and Roots&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Yellow Moon     -           8 Ball Aitken -   8 Ball Aitken&lt;br /&gt;Judgement Day -           Gerry O'Brien -   Gerry O'Brien&lt;br /&gt;What Do I Tell the Newborn Child   - Michael David  - Michael David&lt;br /&gt;Miss Mayhem      -         James Grehan   - James Grehan&lt;br /&gt;&lt;br /&gt;&lt;b&gt;World&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Mari  -             Yemanja  -  Edson Gazani &amp;amp; Anita Fernandes&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Crane Song    -           Tibet2Timbuk2 -  Tenzin Choegyal  &lt;/span&gt;&lt;br /&gt;Mira Que Bonita Eres -  Andrew Veivers -  Andrew Veivers&lt;br /&gt;Trish's Wish      -          Dan Cosgrove -  Dan Cosgrove&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Punk/Metal&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Veil of Dolour      -       bloodredskies  -      Hayden Mitten&lt;br /&gt;Dearly Beloved     -     Torn Asunder  -      Torn Asunder&lt;br /&gt;Home Now   -           New Rocky Cowboy   - Cummins/ Kirkbride/ Tighe/ McPherson&lt;br /&gt;Mower  -            Butcher Birds -      S. Coleman/J. Walker/J.  Nilson/S. Tronc&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Country&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Perfect  - Katrina Burgoyne -  Katrina Burgoyne&lt;br /&gt;Broken Wing  - Chris Pickering  - Chris Pickering&lt;br /&gt;Dusty Boots -  Shari Williams -  Shari Williams&lt;br /&gt;Maybe We've Met Before  - Steve Grady -  Steve Grady&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Folk Ballad&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Old Ceylon Road -  Asa Broomhall -  Asa Broomhall&lt;br /&gt;That's the Reason  - Dan Parsons  - Dan Parsons&lt;br /&gt;You, Me and The Sea -  The Gin Club  - Ben Salter&lt;br /&gt;Armistice Day -  Noel Gardner   Alex Bridge -  Noel Gardner&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Hip Hop&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Orphan's Voices   - Mantist  - Mantist&lt;br /&gt;Keep An Eye Out -  Pure Product  - J.Zonday/D.McEintosh&lt;br /&gt;Common Ground  - Common Ground  - Contact Crew&lt;br /&gt;Don't Bring Me Down -  Surecut Kids  - Sensai and Surecut Kids&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Regional&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Till You Come Home  -   James Grehan  -  (Carrara )&lt;br /&gt;Mira Que Bonita Eres -    Andrew Vievers  -  (Coolum Beach)&lt;br /&gt;The McMenamins               -          The McMenamins     -                       (Cairns)&lt;br /&gt;Fear the Fury of a Patient Man   -  PJ Weston                                     (Mt Tamborine)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Electronic New Music&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Watching it Unfold            -            Lawrence English              -            Lawrence English&lt;br /&gt;All She left                   -                   Christopher Robin                -         C. McGarry/B.McLauchlan&lt;br /&gt;Little Beat           -                             Dizzygotheca                 -               H.Middleton/ A. Smith&lt;br /&gt;Retro 80’s Video Game Theme   - Oxford Parker                   -             John Parker&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Courier- Mail People’s Choice Awards&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Honey                         -            Chris Pickering         -           Chris Pickering&lt;br /&gt;Strawberry Wine        -            The John Steel Singers    -   Scott Bromiley / Tim Morrissey&lt;br /&gt;Orange Red        -                   Emma Dean       -                Emma Dean&lt;br /&gt;Small Town             -                Dana Hassall          -             Dana Hassall&lt;br /&gt;Til You Come Home         -     James Grehan      -             James Grehan&lt;br /&gt;Ten Paces Away         -           The Gin Club       -               Ben Salter&lt;br /&gt;Jaqueline                   -             Brianna Carpenter    -        Brianna Carpenter&lt;br /&gt;Too, Somebody           -          Jackie Marshall      -            Jackie Marshall&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Please Note the nominees in the following Categories will be announced shortly:&lt;br /&gt;&lt;br /&gt;Song of the Year&lt;br /&gt;Published Song of the Year&lt;br /&gt;The Grant McLennan Lifetime Achievement Award&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;To see the full list of finalists and listen to their songs, head to &lt;a href="http://www.qmusic.com.au/qsong" target="_blank"&gt;www.qmusic.com.au/qsong&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;ALL MEDIA INQUIRIES TO: &lt;a href="mailto:jim@qmusic.com.au" target="_blank"&gt;jim@qmusic.com.au&lt;/a&gt; Phone : ( 07) 3257 0013&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description><link>http://shenweb.blogspot.com/2008/07/tibet2timbuk2-are-q-song-finalists.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-5494499800435002500</guid><pubDate>Mon, 30 Jun 2008 13:00:00 +0000</pubDate><atom:updated>2008-06-30T23:12:18.544+10:00</atom:updated><title>Ishkur's Guide to Electronic Music</title><description>Wow, I just found an amazing map of all electronic music styles: &lt;a href="http://techno.org/electronic-music-guide/"&gt;Ishkur's Guide to Electronic Music&lt;/a&gt;.&lt;br /&gt;And there I was thinking it was all techno...&lt;br /&gt;For each of 7 broad divisions (House, Trance, Techno, Breakbeat, Jungle, Hardcore, Downtempo), there is a map of the evolution of various sub-genres, with description, history and samples of each.&lt;br /&gt;Everything from Musique Concrete in the 50s (ancestor of Ambient, Glitch and Nu Jazz) to Oldskool Rave Hardcore, Buttrock Goa and J-Pop.</description><link>http://shenweb.blogspot.com/2008/06/ishkurs-guide-to-electronic-music.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-6209631142371353478</guid><pubDate>Mon, 30 Jun 2008 12:32:00 +0000</pubDate><atom:updated>2008-06-30T22:32:57.495+10:00</atom:updated><title>CD: Rough Guide to the Music of Japan</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;div&gt;&lt;div class="item-body"&gt;&lt;div&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/rough_guide_to_the_music_of_japan_1.jpg" alt="" align="left" height="150" width="150" /&gt;San Francisco (California),  UK - Japan is no longer perceived as home to the worst excesses of idol pop or inaccessible traditional music. In truth, Japanese musicians have for years been skilful at blending the traditional with the pop and coming up with some of the world's craziest concoctions. &lt;a target="_blank" href="http://www.amazon.com/gp/product/B0018OAOT4/105-3373612-3537262?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B0018OAOT4"&gt; The Rough Guide to the Music of Japan&lt;/a&gt; (RGNET1211CD)encompasses sounds from ancient gagaku to today’s hottest roots acts, mixed with quintessential enka and post-war boogie-woogie – a compilation to blow away any lingering preconceptions.&lt;/p&gt;&lt;p&gt;Contemporary Japanese musicians excel in creating new combinations by mixing  traditional sounds and instruments  &lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/rough_guide_to_the_music_of_japan"&gt;...&lt;br /&gt;&lt;br /&gt;FULL ARTICLE HERE&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/06/cd-rough-guide-to-music-of-japan.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-8122153296203808223</guid><pubDate>Sat, 07 Jun 2008 13:10:00 +0000</pubDate><atom:updated>2008-06-07T23:10:52.662+10:00</atom:updated><title>CD: Mali Rough Guide</title><description>&lt;div class="entry-container"&gt;&lt;div class="entry-main"&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/rough_guide_music_of_mali"&gt;Malian Musical Brilliance&lt;/a&gt;&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;div&gt;&lt;div class="item-body"&gt;&lt;div&gt;&lt;p&gt; &lt;img src="http://www.worldmusiccentral.org/images/articles/rough_guide_music_of_mali_1.jpg" alt="" align="left" height="150" width="150" /&gt;Various Artists&lt;/p&gt;&lt;p&gt; &lt;a target="_blank" href="http://www.amazon.com/gp/product/B0018OAOTE/002-1403088-6438424?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B0018OAOTE"&gt; The Rough Guide to the Music of Mali&lt;/a&gt; (World Music Network, 2008)&lt;br /&gt;&lt;br /&gt;Lately Malian musicians have cut a powerful swath through the music scene. With  artists like  &lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=4689"&gt; Bassekou Kouyate&lt;/a&gt;, with his recent BBC World Music Award win, or  &lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=1094"&gt; Amadou and Mariam&lt;/a&gt;'s hit album  &lt;a target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0009K7RL6/worldmusicpor-20/104-7959599-3288712?%5Fencoding=UTF8&amp;amp;camp=1789&amp;amp;link%5Fcode=xm2"&gt; Dimanche à Bamako&lt;/a&gt; or the following the late &lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=1093"&gt;Ali  Farka Toure&lt;/a&gt; built on his sh&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/rough_guide_music_of_mali"&gt;...&lt;br /&gt;&lt;br /&gt;FULL STORY HERE&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/06/cd-mali-rough-guide.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-7077372564132508098</guid><pubDate>Fri, 30 May 2008 06:35:00 +0000</pubDate><atom:updated>2008-05-30T16:35:20.198+10:00</atom:updated><title>Cultures at the far edge of the world</title><description>&lt;span style="font-style: italic;"&gt;I really recommend the talk by &lt;/span&gt;&lt;a style="font-style: italic;" target="_blank" href="http://www.ted.com/index.php/talks/view/id/69"&gt;Wade Davis&lt;/a&gt;&lt;span style="font-style: italic;"&gt; mentioned in this post from TED.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-weight: bold;" class="entry-title-link" target="_blank" href="http://feeds.feedburner.com/%7Er/TEDBlog/%7E3/301008756/unbelievable_ph.php"&gt;Unbelievable photo of one of the world's last uncontacted tribes&lt;/a&gt;&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Ffeeds.feedburner.com%2Ftedblog" class="entry-source-title" target="_blank"&gt;TED | TEDBlog&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;p&gt;If you've seen &lt;a target="_blank" href="http://www.ted.com/index.php/talks/view/id/69"&gt;Wade Davis's unforgettable 2004 TED Talk&lt;/a&gt; -- where he evokes the magic of the world's cultural diversity, and speaks so eloquently about the alarming rate with which cultures and languages are dying -- then you might find this photo as heart-stopping as I did.&lt;/p&gt;  &lt;p&gt;&lt;img alt="BRAZ-UNC-GM-05.jpg" src="http://blog.ted.com/BRAZ-UNC-GM-05.jpg" height="402" width="600" /&gt;&lt;/p&gt;  &lt;p&gt;It's so surreal, I thought at first it must be a hoax. But &lt;a target="_blank" href="http://www.reuters.com/article/newsOne/idUSN2938303320080530"&gt;Reuters just picked the story up&lt;/a&gt;, and I'm going to assume they did my fact-checking for me. The photo shows members of one of the world’s last uncontacted tribes, who were spotted and photographed from the air in a remote corner of the Amazon rainforest near the Brazil-Peru border. &lt;/p&gt;  &lt;p&gt;&lt;a target="_blank" href="http://www.survival-international.org/home"&gt;Survival International&lt;/a&gt;, an advocacy group for tribal people, &lt;a target="_blank" href="http://www.survival-international.org/news/3340"&gt;released the photos on their website&lt;/a&gt; and quotes Jose Carlos dos Reis Meirelles Junior, who works for the Brazilian government’s Indian affairs department: "We did the overflight to show their houses, to show they are there, to show they exist ...This is very important because there are some who doubt their existence."&lt;/p&gt;  &lt;p&gt;"What is happening in this region is a monumental crime against the natural world, the tribes, the fauna and is further testimony to the complete irrationality with which we, the 'civilized' ones, treat the world," Meirelles said.&lt;/p&gt;  &lt;p&gt;Apparently, more than 100 uncontacted tribes remain worldwide, with half living in Brazil or Peru. Extraordinary.&lt;/p&gt;</description><link>http://shenweb.blogspot.com/2008/05/cultures-at-far-edge-of-world.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-5782517556240470725</guid><pubDate>Thu, 29 May 2008 02:13:00 +0000</pubDate><atom:updated>2008-05-29T12:15:25.911+10:00</atom:updated><title>Tribute to Pt Kishan Maharaj</title><description>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Pandit Kishan Maharaj -&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-size:130%;"&gt;The end of an Era&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Kavita Chhibber shares Part I of her tribute to Tabla Maestro Pandit Kishan Maharaj on her webcast&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span class="txtblack"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;em&gt;‘When legends like these leave, their presence, their fragrance leaves with them”&lt;br /&gt;- Ustad Amjad Ali Khan on the passing away of Pandit Kishan Maharaj&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Majestic, royal, incomparable, romantic, a hard task master, brilliant, innovative - words tumble out like a flow of his resonant bols, from the lips of all those who have known him or played with him. Pandit Kishan Maharaj, who passed away this month truly was the last the of tabla legends of an era that is slowly coming to an end with the passing away of the golden greats of Hindustani classical music. And no matter what the current music maestros of the modern era may say, the royal elegance, the integrity and dedication with which these stalwarts of India’s rich cultural heritage took to the stage, cannot be replicated....&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;a href="http://www.kavitachhibber.com/main/main.jsp?id=tribute_kishan_maharaj"&gt;&lt;span class="txtblack"&gt;&lt;span style="font-family:Verdana;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;FULL ARTICLE HERE&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="txtblack"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/05/tribute-to-pt-kishan-maharaj.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-9173667240702609138</guid><pubDate>Mon, 19 May 2008 05:07:00 +0000</pubDate><atom:updated>2008-05-19T15:10:45.286+10:00</atom:updated><title>News from Indo-Japanese Music Exchange Association</title><description>from T M Hoffman / &lt;a href="http://www.ijmea.com/"&gt;Indo-Japanese Music Exchange Association&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Dear Friends of India and Japan&lt;br /&gt;&lt;br /&gt;Please visit our newly constructed website &lt;a href="http://www.ijmea.com/"&gt;www.ijmea.com&lt;/a&gt; for reports and photos etc of recent projects undertaken in both India and Japan with the support of Japanese Ministry of Foreign Affairs, Agency for Cultural Affairs, Japan Foundation, Japan Airlines, Indian Council for Cultural Relations, India Center, Air India, American Institute of Indian Studies and others, and with the kind cooperation of Embassies and Consulates of both nations.&lt;br /&gt;&lt;br /&gt;We are pleased to report successful completion of our India-Japan Friendship Year tour of South India with four artists from Japan in four co-operative concerts with four exemplary artists of Carnatic music in the four cities of Bangalore, Chennai, Kochi and Thrissur.&lt;br /&gt;Sample media reports:&lt;br /&gt;&lt;from 22="" mar="" 08="" official="" india="" tour="" in="" japan="" friendship="" year=""&gt;&lt;br /&gt;&lt;a href="http://www.newindpress.com/NewsItems.asp?ID=IEX20080316224726&amp;amp;Page=X&amp;amp;Title=Kochi&amp;amp;Topic=0"&gt;Tampura meets shakuhachi!&lt;/a&gt; New India Press full-page story17 Mar 08&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.deccanherald.com/Content/Mar122008/city2008031256896.asp"&gt; Best of both the worlds&lt;/a&gt; - Deccan Herald report 11 Mar 08 Bangalore&lt;br /&gt;&lt;br /&gt;and from a recent two-month all-India tour --&lt;br /&gt;&lt;sample from="" feb="" 08="" phase="" iii="" of="" aiis="" raga="" d="" project=""&gt;charity concert w/eight Carnatic musicians in Visakhapatnam 31 Jan 08&lt;br /&gt; (&lt;a href="http://www.ebizwebco.com/carefitindia/News.htm"&gt;flyer &amp;amp; news&lt;/a&gt;)  (&lt;a href="http://www.hindu.com/mp/2008/02/02/stories/2008020251150300.htm"&gt;review/photo&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Grateful to God, Guru &amp;amp; Gharwalli, I continue to be on the move musically with neither fanfare nor apology, including my Asian music course again this semester at Keio University, also Nada Yoga sessions.&lt;br /&gt;&lt;br /&gt;Please note that I will giving programs - performance, lecture-demonstration, lecture, workshop - throughout India again in summer, in USA and Europe in autumn, in Philippines and again India next winter. Please contact me if you are interested.&lt;br /&gt;&lt;br /&gt;None of this is off-the-wall haphazard fusion experimentation. Our efforts are recognized by commentary such as 'very significant contribution to tradition in the contemporary world' (pls see the National Network of Education, India interview, in our website).&lt;br /&gt;&lt;br /&gt;Best wishes!&lt;br /&gt;&lt;br /&gt;Sincerely,&lt;br /&gt;Tim Hoffman&lt;br /&gt;Sangeet Acharya (awarded 12 Feb 08)&lt;br /&gt;&lt;br /&gt;T. M. Hoffman, performing artist and ethnomusicologist&lt;br /&gt; BA (USA &amp;amp; Japan), MA (USA), Visharad &amp;amp; Sangeet Acharya (India)&lt;br /&gt; Senior Performing and Creative Artist Fellow - 2006-2008&lt;br /&gt;    American Institute of Indian Studies AIIS (USA &amp;amp; India)&lt;br /&gt; Lecturer in Musicology and Linguistics&lt;br /&gt;    Keio University &amp;amp; Musashino Academia Musicae (Japan)&lt;br /&gt; Director, Indo-Japanese Music Exchange Association (estab. 1989)&lt;br /&gt;   e-mail:  tmhoffmus21@yahoo.com&lt;br /&gt;               ijmusath@po.wind.ne.jp&lt;br /&gt;www.ijmea.com/ (new complete website, in Japanese &amp;amp; English)&lt;br /&gt;&lt;br /&gt;---------(Japanese version)---------&lt;br /&gt;&lt;br /&gt;演奏家・教育家・日印音楽交流会代表T M Hoffmanです。アメリカとアジア各国の先生方に深く感謝をしながらアジア音楽の演奏・教育・国際交流活動に努めて忙しくしております。 http://www.ijmea.com/&lt;br /&gt;&lt;br /&gt;「日印音楽交流会」（1989年創立）の本客的なwebsite http://www.ijmea.com/ 開設のお知らせです。最近の活動については、そのなかで、インドにての「筝によるインド音楽奏法開発企画」（2006年7月－2008年1月、米国インド学会との協同長期企画）の第三期（200７年12月－2008年2月）および日本より4人の演奏家による3月08日－22日間の「日印交流年」南インド公演旅行（日本外務省と AOTS海外技術者研修協会の後援企画）の写真などもご覧になれます。南インドの神父さんhttp://www.thesingingpriest.com/  との共演などありました。&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;＜「日印交流年」南インド公演旅行からの新聞記事の例＞&lt;br /&gt;＊“&lt;a href="http://www.newindpress.com/NewsItems.asp?ID=IEX20080316224726&amp;amp;Page=X&amp;amp;Title=Kochi&amp;amp;Topic=0"&gt;Tampura meets shakuhachi!&lt;/a&gt;”&lt;br /&gt;New India Press full-page story on 17 Mar 08 Cochin concert 　&lt;br /&gt;＊“&lt;a href="http://www.deccanherald.com/Content/Mar122008/city2008031256896.asp"&gt;Best of both the worlds&lt;/a&gt;” - Deccan Herald 11 Mar 08 Bangalore&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;＜他の２００８年上旬インドでの新聞記事の例＞&lt;br /&gt;（米国インド学会支援「箏＋ラーガ演奏芸術開発協同企画」第三期の期間中）&lt;br /&gt;日本ケアフィット協会インド支部共催公演&lt;br /&gt;インド最大の知的障害者施設Lebenshilfe Indiaの支援日印協同公演&lt;br /&gt;＊charity concert Visakhapatnam, AP (India) 31 Jan 08&lt;br /&gt;&lt;/sample&gt;&lt;/from&gt; (&lt;a href="http://www.ebizwebco.com/carefitindia/News.htm"&gt;flyer &amp;amp; news&lt;/a&gt;)  (&lt;a href="http://www.hindu.com/mp/2008/02/02/stories/2008020251150300.htm"&gt;review/photo&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;from 22="" mar="" 08="" official="" india="" tour="" in="" japan="" friendship="" year=""&gt;&lt;sample from="" feb="" 08="" phase="" iii="" of="" aiis="" raga="" d="" project=""&gt;そして、2008年2月12日に、インド現地にて全国芸術連盟より敬称Sangeet Acharya「音楽聖人」を豪華な儀式のなかにて授かりました。より忠実に「音道」Nada Yogaに努められる意志になる気掛けともなりました。&lt;br /&gt;&lt;br /&gt;何よりも、お元気でのご活躍を願っております。&lt;br /&gt;&lt;br /&gt;Sincerely,&lt;br /&gt;&lt;br /&gt;T. M. Hoffman　　演奏家（北インド古典声楽、天竺尺八、筝）&lt;br /&gt;http://www.ijmea.com/（企画情報・写真・動画・音楽）&lt;/sample&gt;&lt;/from&gt;</description><link>http://shenweb.blogspot.com/2008/05/news-from-indo-japanese-music-exchange.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-6245238420320169271</guid><pubDate>Mon, 05 May 2008 07:59:00 +0000</pubDate><atom:updated>2008-05-05T17:59:30.094+10:00</atom:updated><title>CD: Shastriya Syndicate (Purbayan Chatterjee)</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;div&gt;&lt;div class="item-body"&gt;&lt;div&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/shastriya_syndicate_syndicated_1.jpg" alt="" align="left" height="149" width="150" /&gt;Shastriya Syndicate&lt;/p&gt;&lt;p&gt; &lt;a target="_blank" href="http://www.amazon.com/gp/product/B0015I2PT0/105-1090077-8800425?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B0015I2PT0"&gt; Syndicated&lt;/a&gt;  (Sense World Music, 2008) &lt;/p&gt;&lt;p&gt;Shastriya Syndicate is &lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=1995"&gt; Purbayan Chatterjee&lt;/a&gt;'s project. On the outstanding CD  &lt;a target="_blank" href="http://www.amazon.com/gp/product/B0015I2PT0/105-1090077-8800425?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B0015I2PT0"&gt; Syndicated&lt;/a&gt; (Sense World Music) he has brought together a group of young Indian masters, who are bringing new blood to Indian classical music. The virtuoso musicians fuse the music of North India (HIndistani) and South Inda (Carnatic). &lt;/p&gt;&lt;p&gt;While many Indian artists follow the traditional format of &lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/shastriya_syndicate_syndicated"&gt;...&lt;/a&gt;&lt;/p&gt;&lt;p style="font-style: italic;"&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/shastriya_syndicate_syndicated"&gt;FULL ARTICLE HERE&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/05/cd-shastriya-syndicate-purbayan.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-8080789231334041868</guid><pubDate>Fri, 02 May 2008 10:21:00 +0000</pubDate><atom:updated>2008-05-02T20:21:35.555+10:00</atom:updated><title>CD: The Teak Project (Indo-Jazz)</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/the_teak_project_1.jpg" alt="" align="left" height="150" width="150" /&gt;The Teak Project (First Hand, 2008)&lt;/p&gt;&lt;p&gt;Second generation Indo-Jazz sitar player Jonathan Mayer is the son of Indo-Jazz pioneer John Maye, which maintains the tradition nicely. The devilish complexity of the music does nothing to detract from its sweetness and serenity.&lt;br /&gt;&lt;br /&gt;Justin Quinn is a fleet-fingered guitarist worthy to fill John McLaughlin's  sandals.&lt;br /&gt;&lt;br /&gt;Tabla-player Neil Craig provides the impetus, and transforms the gentle acoustic music with the serpentine-like beats of the raga.&lt;/p&gt; In short, The Teak Project offers a near-perfect realization of Indo-Jazz, yet hints at further expansion: the floating impressionism of Outnumbered By One recalls the work of Belgian guitarist Philip Catherine. Lovely stuff.&lt;br /&gt;&lt;br /&gt;&lt;a style="font-style: italic; font-weight: bold;" class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/the_teak_project"&gt;Full story here...&lt;/a&gt;</description><link>http://shenweb.blogspot.com/2008/05/cd-teak-project-indo-jazz.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-2998968072420550382</guid><pubDate>Thu, 24 Apr 2008 12:01:00 +0000</pubDate><atom:updated>2008-04-24T22:01:48.970+10:00</atom:updated><title>Namgyal Lhamo's Free Tibet tattoo</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;div&gt;&lt;div class="item-body"&gt;&lt;div&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/namgyal_lhamo_free_tibet_under_the_skin_1.jpg" alt="" align="left" height="150" width="131" /&gt;As the struggle for a Free Tibet continues, Netherlands based  Tibetan singer &lt;a target="_blank" href="http://worldmusiccentral.org/artists/artist_page.php?id=3453"&gt;Namgyal  Lhamo&lt;/a&gt; has pushed the cause to the forefront of the artistic community with a music video from her upcoming album 'Highland Supernova' which be released in less than a month from now. A week after Namgyal Lhamo hit the headlines with a cover photo that screamed &lt;strong&gt;Free Tibet&lt;/strong&gt; in the Bangkok Post's magazine "Guru,” the team that was filming the title song "Aalayeah-Highland Supernova" for the new album came up with a concept that has already raised eyebrows across Asia.&lt;br /&gt;&lt;br /&gt;The use of a tattoo to convey a global message engraved on Lhamo's back is the cause of the stir. The tattoo, designed by award-winning Tibetan/Bu...&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;a style="font-weight: bold; font-style: italic;" class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/namgyal_lhamo_free_tibet_under_the_skin"&gt;FULL STORY HERE&lt;br /&gt;&lt;/a&gt;</description><link>http://shenweb.blogspot.com/2008/04/namgyal-lhamos-free-tibet-tattoo.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-4722820271059937926</guid><pubDate>Mon, 21 Apr 2008 04:47:00 +0000</pubDate><atom:updated>2008-04-21T14:47:20.267+10:00</atom:updated><title>Mbira</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.metafilter.com/70976/Mbira" class="entry-source-title" target="_blank"&gt;MetaFilter&lt;/a&gt;&lt;/span&gt; by &lt;span class="entry-author-name"&gt;flapjax at midnite&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="entry-body"&gt;&lt;div&gt;&lt;div class="item-body"&gt;&lt;div&gt;Ever since I first heard &lt;a target="_blank" href="http://en.wikipedia.org/wiki/Mbira"&gt;mbira&lt;/a&gt; &lt;a target="_blank" href="http://www.mbira.org/"&gt;from&lt;/a&gt; &lt;a target="_blank" href="http://worldmusic.nationalgeographic.com/worldmusic/view/page.basic/genre/content.genre/mbira_754"&gt;Zimbabwe&lt;/a&gt; almost 30 years ago &lt;small&gt;(via &lt;a target="_blank" href="http://www.nonesuch.com/Hi_Band/albumpage_exp2.cfm?album_num=477"&gt;this&lt;/a&gt; record)&lt;/small&gt;, I've been a lover of that enchanting, delicate and intricate music. It's only recently, however, that many of us who aren't actually &lt;i&gt;players&lt;/i&gt; of the mbira could &lt;i&gt;see&lt;/i&gt; just how the instrument is played: &lt;a target="_blank" href="http://www.youtube.com/watch?v=w0X6MIQTyQI"&gt;Holding the mbira, and scales&lt;/a&gt; &lt;b&gt;-&lt;/b&gt; &lt;a target="_blank" href="http://www.youtube.com/watch?v=upRR9UgXjS8"&gt;Lesson&lt;/a&gt; &lt;a target="_blank" href="http://www.youtube.com/watch?v=Yew3R_O7B40"&gt;One&lt;/a&gt; &lt;b&gt;-&lt;/b&gt; &lt;a target="_blank" href="http://www.youtube.com/watch?v=qhgDfcsEfjg"&gt;Two&lt;/a&gt; &lt;b&gt;-&lt;/b&gt; &lt;a target="_blank" href="http://www.youtube.com/watch?v=F2D0jzHmJOc"&gt;Three&lt;/a&gt; &lt;b&gt;-&lt;/b&gt; &lt;a target="_blank" href="http://www.youtube.com/watch?v=GhlBi61lE5Q"&gt;Four&lt;/a&gt;, &lt;a target="_blank" href="http://www.youtube.com/watch?v=zp1qqOmth3w"&gt;and&lt;/a&gt; &lt;a target="_blank" href="http://www.youtube.com/watch?v=0XvuugDrZRc"&gt;more&lt;/a&gt; &lt;a target="_blank" href="http://www.youtube.com/watch?v=a-Alv08shZo"&gt;and&lt;/a&gt; &lt;a target="_blank" href="http://www.youtube.com/watch?v=a-Alv08shZo"&gt;more&lt;/a&gt;. And here are some recommended mbira players and groups with MySpace Music pages worth checking out: &lt;a target="_blank" href="http://www.myspace.com/spirittalkmbira"&gt;Spirit Talk Mbira&lt;/a&gt; &lt;b&gt;-&lt;/b&gt; &lt;a target="_blank" href="http://www.myspace.com/zanzaindigenous"&gt;Mbira Oracle&lt;/a&gt;  &lt;b&gt;-&lt;/b&gt; &lt;a target="_blank" href="http://www.myspace.com/kunzwana"&gt;Kunzawa Mbira Group&lt;/a&gt; &lt;b&gt;-&lt;/b&gt; &lt;a target="_blank" href="http://www.myspace.com/joellaviolette"&gt;Joel Laviolette&lt;/a&gt;.&lt;br /&gt;Special honors to &lt;a target="_blank" href="http://www.myspace.com/thomasmapfumoandtheblacksunlimited"&gt;Thomas Mapfumo&lt;/a&gt;, who, many years back, took the mbira style and spirit and adapted it to electric guitars, in an inspired and joyous fusion of the ancient and the modern.&lt;br /&gt;&lt;br /&gt;This page from All About Jazz reviews the &lt;a target="_blank" href="http://www.allaboutjazz.com/php/article.php?id=44"&gt;Nonesuch label's releases of Shona mbira music&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;This YouTube clip features a tune from another of the Nonesuch releases, &lt;a target="_blank" href="http://www.youtube.com/watch?v=tIPORpN27CY"&gt;The Soul of Mbira&lt;/a&gt;, a collection of recordings made by &lt;a target="_blank" href="http://www.press.uchicago.edu/cgi-bin/hfs.cgi/00/12295.ctl"&gt;ethnomusicologist and author Paul Berliner&lt;/a&gt;. Recommended.&lt;br /&gt;&lt;br /&gt;There'll no doubt be plenty of mbira music to be heard at &lt;a target="_blank" href="http://zimfest.org/"&gt;Zimfest 2008&lt;/a&gt;, this coming July in Tacoma, Washington.&lt;br /&gt;&lt;br /&gt;Finally, here's &lt;a target="_blank" href="http://www.youtube.com/watch?v=sw7diSHH_EQ"&gt;Dangurangu&lt;/a&gt;. For your ears only.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/04/mbira.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-862064516702611341</guid><pubDate>Tue, 15 Apr 2008 01:55:00 +0000</pubDate><atom:updated>2008-04-15T11:55:51.800+10:00</atom:updated><title>CD: Toumani Diabate - Mande Variations</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;div&gt;&lt;div class="item-body"&gt;&lt;div&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/toumani_diabate_mande_variations_1.jpg" alt="" align="left" height="150" width="150" /&gt;Toumani Diabate&lt;/p&gt;&lt;p&gt;  &lt;a target="_blank" href="http://www.amazon.com/gp/product/B0012K1IQC/102-6389066-7738557?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B0012K1IQC"&gt; The Mande Variations&lt;/a&gt; (Nonesuch, 2008)&lt;br /&gt;&lt;br /&gt;Son of Sidiki Diabate, one the most celebrated kora players ,   &lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=1107"&gt;  Toumani Diabate&lt;/a&gt;  has blazed a career worthy of the Diabate name and legacy of this family of Mande griot musicians from Mali. After twenty years since his first solo and debut recording &lt;strong&gt;  &lt;a target="_blank" href="http://www.amazon.com/gp/product/B00000061L/102-6389066-7738557?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B00000061L"&gt;  Kaira&lt;/a&gt;&lt;/strong&gt; and countless collaborations with stellar artists  &lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/toumani_diabate_mande_variations"&gt;...&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/toumani_diabate_mande_variations"&gt;&lt;span style="font-style: italic;"&gt;[Full article click here]&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/04/cd-toumani-diabate-mande-variations.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-8937179424460327510</guid><pubDate>Tue, 18 Mar 2008 01:50:00 +0000</pubDate><atom:updated>2008-03-18T11:50:03.467+10:00</atom:updated><title>Petition: Indigenous Studies For All Australian Students</title><description>&lt;h4 class="subject"&gt;&lt;a href="http://www.facebook.com/group.php?gid=10252575985"&gt;Indigenous Studies For All Students&lt;/a&gt;&lt;br /&gt;&lt;/h4&gt;Greetings All!!&lt;br /&gt;&lt;br /&gt;How the journey between birth and death is experienced is largely dictated by ones perception, with conditioning beginning at a very young age. For too long this conditioning has employed a biased view that has seen the creation of cultural stereotypes and views that achieve nothing more than erode the awareness of our natural interconnectedness.&lt;br /&gt;&lt;br /&gt;If you believe it is time to address the imbalance that exists in our perceptions within this world then please take 2 minutes to make a difference.&lt;br /&gt;&lt;br /&gt;1. Take 1 minute to sign the following petition to the Australian House of Representatives to legislate to make Indigenous Studies compulsory for all students. &lt;a href="http://www.gopetition.com/online/17774.html" target="_blank" rel="nofollow"&gt;&lt;span&gt;http://www.gopetition.com/&lt;/span&gt;&lt;wbr&gt;&lt;span class="word_break"&gt;&lt;/span&gt;online/17774.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;2. Take another minute to forward this message to all your friends in your email list.&lt;br /&gt;&lt;br /&gt;In Peace!!!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NB. Please note that a hardcopy petition is also being generated so as to be inline with the acceptable standards to be acceptable and presentable to the House as determined by the Standing Committee on Petitions.</description><link>http://shenweb.blogspot.com/2008/03/petition-indigenous-studies-for-all.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-7661423042370966921</guid><pubDate>Mon, 17 Mar 2008 11:13:00 +0000</pubDate><atom:updated>2008-03-17T21:13:51.786+10:00</atom:updated><title>Youtube: Queens of Carnatic singing</title><description>&lt;h2 class="entry-title"&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.metafilter.com/69916/The-intoxicatingly-beautiful-vocal-music-of-south-India"&gt;The intoxicatingly beautiful vocal music of south India&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fxml.metafilter.com%2Fatom.xml" class="entry-source-title" target="_blank"&gt;MetaFilter&lt;/a&gt;&lt;/span&gt; by &lt;span class="entry-author-name"&gt;flapjax at midnite&lt;/span&gt;&lt;/div&gt;Queens of &lt;a target="_blank" href="http://en.wikipedia.org/wiki/Carnatic_music"&gt;Carnatic&lt;/a&gt; singing: &lt;a target="_blank" href="http://en.wikipedia.org/wiki/Nithyasree_Mahadevan"&gt;Nithyasree Mahadevan&lt;/a&gt;: &lt;a target="_blank" href="http://uk.youtube.com/watch?v=JVdfbTVYjQk"&gt;1&lt;/a&gt;, &lt;a target="_blank" href="http://uk.youtube.com/watch?v=RQ__IaKxXR4"&gt;2&lt;/a&gt; and &lt;a target="_blank" href="http://uk.youtube.com/watch?v=tGHVzFty0C0&amp;amp;NR=1"&gt;3&lt;/a&gt;. &lt;a target="_blank" href="http://en.wikipedia.org/wiki/Sudha_Ragunathan"&gt;Sudha Ragunathan&lt;/a&gt;: &lt;a target="_blank" href="http://uk.youtube.com/watch?v=LJOQMLKAH90"&gt;1&lt;/a&gt;, &lt;a target="_blank" href="http://uk.youtube.com/watch?v=bp-i4twUXUE"&gt;2&lt;/a&gt;, &lt;a target="_blank" href="http://uk.youtube.com/watch?v=X6P6JSq3mrs"&gt;3&lt;/a&gt; and &lt;a target="_blank" href="http://uk.youtube.com/watch?v=M6CkDDdWwy0"&gt;4&lt;/a&gt;. And the legend of the legends, &lt;a target="_blank" href="http://en.wikipedia.org/wiki/M.S._Subbulakshmi"&gt;M.S. Subbulakshmi&lt;/a&gt;, in her film appearances from decades past: &lt;a target="_blank" href="http://uk.youtube.com/watch?v=D3qD9EwvYEI"&gt;1&lt;/a&gt;, &lt;a target="_blank" href="http://uk.youtube.com/watch?v=PCiqqFVY4Xw"&gt;2&lt;/a&gt; and &lt;a target="_blank" href="http://uk.youtube.com/watch?v=P8eGwrkziak"&gt;3&lt;/a&gt;,  and as an elder stateswoman of Carnatic vocal artistry: &lt;a target="_blank" href="http://uk.youtube.com/watch?v=0woA2birTHA"&gt;1&lt;/a&gt;, &lt;a target="_blank" href="http://uk.youtube.com/watch?v=og0N-BPeZJc"&gt;2&lt;/a&gt;, &lt;a target="_blank" href="http://uk.youtube.com/watch?v=43_CjV7B0-8"&gt;3&lt;/a&gt; and &lt;a target="_blank" href="http://uk.youtube.com/watch?v=H53i7bBuZBo"&gt;4&lt;/a&gt;.</description><link>http://shenweb.blogspot.com/2008/03/youtube-queens-of-carnatic-singing.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-16306434302510047</guid><pubDate>Wed, 12 Mar 2008 00:29:00 +0000</pubDate><atom:updated>2008-03-12T10:32:21.586+10:00</atom:updated><title>Online music promo article</title><description>&lt;span style="font-style: italic;"&gt;Here's a very interesting article from the NY Times about online promotion of music:&lt;/span&gt;&lt;br /&gt;&lt;h3&gt;Sex, Drugs and Updating Your Blog&lt;br /&gt;&lt;/h3&gt;&lt;div class="byline"&gt;By CLIVE THOMPSON&lt;/div&gt;  &lt;div class="timestamp"&gt;Published: May 13, 2007&lt;/div&gt;     &lt;p&gt;&lt;b&gt;Jonathan Coulton sat&lt;/b&gt; in Gorilla Coffee in Brooklyn,  his Apple  PowerBook open before him, and began slogging through the day’s e-mail. Coulton  is 36 and shaggily handsome. In September 2005, he quit his job as a computer  programmer and, with his wife’s guarded blessing, became a full-time singer  and songwriter. He set a quixotic goal for himself: for the next year, he would  write and record a song each week, posting each one to his blog. “It was a sort  of forced-march approach to creativity,” he admitted to me over the sound of  the cafe’s cappuccino frothers. He’d always wanted to be a full-time musician,  and he figured the only way to prove to himself he could do it was with a drastic  challenge. “I learned that it is possible to squeeze a song out of just about  anything,” he said. “But it’s not always an easy or pleasant process.” Given  the self-imposed time constraints, the “Thing a Week” songs are remarkably good.  Coulton tends toward geeky, witty pop tunes: one song, “&lt;person idsrc="nyt-per" value="arts,movies,theater::::::http://movies2.nytimes.com/gst/movies/filmography.html?p_id=86295|||arts/cautomobiles/cbooks/cbusiness/ccollege/cdining/ceducation/cfashion/cgarden/cgiving/chealth/cinternational/cjobs/cmagazine/cmultimedia/cnational/cnyregion/cobituaries/cpolitics/crealestate/cscience/csports/cstyle/ctechnology/ctheater/ctravel/cweekinreview:::More articles about Tom Cruise.:::http://topics.nytimes.com/top/reference/timestopics/people/c/tom_cruise/index.html"&gt;Tom  Cruise&lt;/person&gt; Crazy,” is a sympathetic ode to the fame-addled star, while  “Code Monkey” is a rocking anthem about dead-end programming jobs. By the middle  of last year, his project had attracted a sizable audience. More than 3,000  people, on average, were visiting his site every day, and his most popular songs  were being downloaded as many as 500,000 times; he was making what he described  as “a reasonable middle-class living” — between $3,000 and $5,000 a month —  by selling CDs and digital downloads of his work on iTunes and on his own site.&lt;/p&gt;&lt;div style="text-align: right;"&gt;&lt;a style="font-weight: bold;" href="http://www.nytimes.com/2007/05/13/magazine/13audience-t.html?pagewanted=1&amp;amp;ei=5124&amp;amp;en=1d5b472eddd4dcad&amp;amp;ex=1336708800&amp;amp;partner=permalink&amp;amp;exprod=permalink"&gt;&lt;span style="font-style: italic;"&gt;Read the full article here...&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/03/online-music-promo-article.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-339296694655550579</guid><pubDate>Tue, 11 Mar 2008 06:41:00 +0000</pubDate><atom:updated>2008-03-11T16:41:55.457+10:00</atom:updated><title>CD: Cheb i Sabbah - Devotion</title><description>&lt;h2 class="entry-title"&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/cheb_i_sabbah_devotion_cd_review"&gt;Devotional Global Electronica&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/cheb_i_sabbah_devotion_cd_review_1.jpg" alt="" align="left" height="135" width="135" /&gt;Cheb i Sabbah&lt;/p&gt;&lt;p&gt;Devotion (Six Degrees, 2008)&lt;/p&gt;&lt;p&gt;One of the masters of global electronica, &lt;a target="_blank" href="http://worldmusiccentral.org/artists/artist_page.php?id=2533"&gt;Cheb i  Sabbah&lt;/a&gt;, returns to the Indian subcontinent for inspiration with yet another  extraordinary CD,  his 7th, titled &lt;a target="_blank" href="http://www.amazon.com/gp/product/B0010X5WW2?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B0010X5WW2"&gt; Devotion&lt;/a&gt;. Like a good wine, Cheb i Sabbah gets better with time. With the help of Indian and Pakistani musicians he delivers a rich tapestry of South Asian beats and melodies, including Bhajans, Kirtans, Bhangra, Qawwali, Hindu devotional. The seamless integration of electronics with ancient songs and instruments is not as easy as it seems, but &lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/cheb_i_sabbah_devotion_cd_review"&gt;...&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/03/cd-cheb-i-sabbah-devotion.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-6870172893351788641</guid><pubDate>Sat, 08 Mar 2008 12:45:00 +0000</pubDate><atom:updated>2008-03-08T22:45:10.228+10:00</atom:updated><title>CD: Mamak Khadem (Persian)</title><description>&lt;h2 class="entry-title"&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/mamak_khadem_jostojoo_forever"&gt;Forever Seeking Persian Excellence&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/mamak_khadem_jostojoo_forever_1.jpg" alt="" align="left" height="150" width="150" /&gt;&lt;a target="_blank" href="http://worldmusiccentral.org/artists/artist_page.php?id=415"&gt;Mamak  Khadem&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Jostojoo Forever Seeking (Banyan Tree Production, 2008)&lt;br /&gt;&lt;br /&gt;Most world music fans would easily recognize &lt;a target="_blank" href="http://worldmusiccentral.org/artists/artist_page.php?id=415"&gt;Mamak  Khadem&lt;/a&gt;’s voice by her work with the popular Persian ensemble &lt;a target="_blank" href="http://worldmusiccentral.org/artists/artist_page.php?id=404"&gt;Axiom of  Choice&lt;/a&gt;, but that would just be a sliver of this songstress’ career. Lending her exquisite voice to movie and television soundtracks like The Peacemaker, &lt;a target="_blank" href="http://www.amazon.com/gp/product/B0001DMW1Q/105-3434935-7701222?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B0001DMW1Q"&gt; Traffic&lt;/a&gt;, The Profiler and  &lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/mamak_khadem_jostojoo_forever"&gt;...&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/03/cd-mamak-khadem-persian.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-2656283236014039537</guid><pubDate>Thu, 06 Mar 2008 11:40:00 +0000</pubDate><atom:updated>2008-03-06T21:40:07.789+10:00</atom:updated><title>Bjork in China protests Tibet</title><description>&lt;h2 class="entry-title"&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.metafilter.com/69654/Raise-your-flag"&gt;Raise your flag!&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fxml.metafilter.com%2Fatom.xml" class="entry-source-title" target="_blank"&gt;MetaFilter&lt;/a&gt;&lt;/span&gt; by &lt;span class="entry-author-name"&gt;finite&lt;/span&gt;&lt;/div&gt;&lt;div class="entry-body"&gt;Björk, in Shanghai, on Tibet: &lt;a target="_blank" href="http://youtube.com/watch?v=ZEUFCK1qBMI"&gt;Declare Independence&lt;/a&gt;! &lt;small&gt;[YouTube]&lt;/small&gt;&lt;br /&gt;&lt;a target="_blank" href="http://www.guardian.co.uk/world/2008/mar/04/china.musicnews"&gt;Bjork's Shanghai surprise: a cry of 'Tibet!'&lt;/a&gt; - &lt;a target="_blank" href="http://www.independent.co.uk/news/world/asia/bjorks-protest-a-sign-of-things-to-come-for-china-791352.html"&gt;Bjork's protest a sign of things to come for China&lt;/a&gt; - &lt;a target="_blank" href="http://www.huffingtonpost.com/david-flumenbaum/bjrk-exposes-china_b_90000.html"&gt;Björk Exposes China's Greatest Weakness&lt;/a&gt; - &lt;a target="_blank" href="http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003719243"&gt;Bjork Shouts Out To Tibet During Shanghai Show&lt;/a&gt; - &lt;a target="_blank" href="http://www.china.org.cn/entertainment/2008-03/05/content_11685710.htm"&gt;Chinese furious at 'Tibet-independence' Bjork&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Shanghai Daily says "&lt;a target="_blank" href="http://www.shanghaidaily.com/article/?id=351097&amp;amp;type=Feature" title="'Icelandic diva leaves puddle'"&gt;Let's hope that Bjork's controversial parting comments do not lessen the likelihood of local music fans enjoying more of these acts in the future&lt;/a&gt;" without offering readers any hint as to what the comments were about.&lt;br /&gt;&lt;br /&gt;&lt;a target="_blank" href="http://en.wikipedia.org/wiki/Declare_Independence"&gt;Declare Independence&lt;/a&gt; on mefi previously: &lt;a target="_blank" href="http://www.metafilter.com/61991/Bjork-Declare-Independence"&gt;1&lt;/a&gt;, &lt;a target="_blank" href="http://www.metafilter.com/67592/Make-your-own-flag"&gt;2&lt;/a&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/03/bjork-in-china-protests-tibet.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-3996728856037790957</guid><pubDate>Tue, 04 Mar 2008 12:57:00 +0000</pubDate><atom:updated>2008-03-04T22:57:39.226+10:00</atom:updated><title>CD: Songs from a Persian Garden</title><description>&lt;h2 class="entry-title"&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/songs_from_a_persian_garden"&gt;Delectable Songs From A Persian Garden&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Mahsa and Marjan Vahdat&lt;p&gt;   &lt;a target="_blank" href="http://www.amazon.com/gp/product/B00138YB3K/103-1088768-0811048?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B00138YB3K"&gt;  Songs From A Persian Garden&lt;/a&gt; (KKV/Valley   Entertainment, 2007)&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/songs_from_a_persian_garden_1.jpg" alt="" align="left" height="150" width="150" /&gt; &lt;a target="_blank" href="http://www.amazon.com/gp/product/B00138YB3K/103-1088768-0811048?ie=UTF8&amp;amp;tag=worldmusicpor-20&amp;amp;linkCode=xm2&amp;amp;camp=1789&amp;amp;creativeASIN=B00138YB3K"&gt;  Songs From A Persian Garden&lt;/a&gt; features a delectable collection of contemporary Persian world music pieces performed live. Singers Mahsa and Marjan Vahdat join forces with Iranian and European musicians to create a seductive and fresh sound that will be app...&lt;/p&gt;&lt;br /&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/03/cd-songs-from-persian-garden.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-4682668970982696421</guid><pubDate>Sat, 01 Mar 2008 02:27:00 +0000</pubDate><atom:updated>2008-03-01T12:27:45.182+10:00</atom:updated><title>Mongolian Overtones</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fxml.metafilter.com%2Fatom.xml" class="entry-source-title" target="_blank"&gt;MetaFilter&lt;/a&gt;&lt;/span&gt; by &lt;span class="entry-author-name"&gt;flapjax at midnite&lt;/span&gt;&lt;/div&gt;&lt;div class="entry-body"&gt;In Mongolia, overtone singing (or hoomei, as it's known locally) is mainly a guy thing, but there are exceptions to the rule, for example, the &lt;a target="_blank" href="http://uk.youtube.com/watch?v=TqxrNGu-YUU"&gt;Hoomei&lt;/a&gt; &lt;a target="_blank" href="http://uk.youtube.com/watch?v=e0i_3SWXGSk"&gt;Women's Group&lt;/a&gt;. More commonly though, women who want to sing do so in an exquisite, soaring style like &lt;a target="_blank" href="http://uk.youtube.com/watch?v=hcIgvxdRlIw"&gt; this&lt;/a&gt; and &lt;a target="_blank" href="http://uk.youtube.com/watch?v=ErBXdlrRCJs"&gt;this&lt;/a&gt;. Sometimes the men do the hoomei thing while the women do that &lt;a target="_blank" href="http://uk.youtube.com/watch?v=aCZrseOCBMs"&gt;soaring&lt;/a&gt; thing. Then there are those lovely &lt;a target="_blank" href="http://uk.youtube.com/watch?v=ycsYmShMB4Q&amp;amp;NR=1"&gt;choral arrangements&lt;/a&gt;. And then there are those rare moments when the YouTube poster's description of a clip just hits the nail square on the head, as with this one: &lt;a target="_blank" href="http://uk.youtube.com/watch?v=HwANedEkqaY"&gt; amazing&lt;/a&gt;.&lt;br /&gt;&lt;a target="_blank" href="http://uk.youtube.com/watch?v=-g7IFUFQ-N8&amp;amp;NR=1"&gt;These guys&lt;/a&gt; are getting throaty just outside the Centre Pompidou in Paris.&lt;br /&gt;&lt;br /&gt;&lt;a target="_blank" href="http://uk.youtube.com/watch?v=0M3YFK3sJ54"&gt;This fellow&lt;/a&gt;'s really working those upper partials, presented in a clip that also features some glimpses of Mongolian life. Lots of horses.&lt;br /&gt;&lt;br /&gt;&lt;a target="_blank" href="http://uk.youtube.com/watch?v=iPFYTRRHNyA&amp;amp;NR=1"&gt;N. Sengedorj of Mongolia demonstrates khöömei throat-singing&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a target="_blank" href="http://uk.youtube.com/watch?v=gk3_NsJYRCQ&amp;amp;NR=1"&gt;Here's&lt;/a&gt; a cool little combo, with some hoomei going on.&lt;/div&gt;&lt;br /&gt;&lt;div align="right"&gt;&lt;a style="font-style: italic;" class="entry-title-link" target="_blank" href="http://www.metafilter.com/69478/Mongolian-Overtones"&gt;Click here to see Metafilter discussion on the post&lt;/a&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/03/mongolian-overtones.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-5734760074312216814</guid><pubDate>Sat, 16 Feb 2008 05:30:00 +0000</pubDate><atom:updated>2008-02-16T15:30:53.204+10:00</atom:updated><title>Yo-Yo Ma, and the Silk Road Ensemble Return to Japan</title><description>&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/Yo-Yo_ma_silk_road_ensemble_japan_2008_1.jpg" alt="" align="left" height="150" width="122" /&gt;Providence (Rhode Island), USA -  The Silk Road Project, a not-for-profit arts and educational organization that connects musicians, composers, artists, and audiences around the world, will send the Silk Road Ensemble and Artistic Director&lt;br /&gt;&lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=2645"&gt;Yo-Yo  Ma&lt;/a&gt; on tour to Japan from April 19 through April 27, 2008. The concert tour, presented by the Music Plant Co., Ltd., will include performances and educational activities in Matsumoto City, Nagoya, Tokyo, Osaka and Okayama. American Express is&lt;br /&gt;the lead sponsor of the Silk Road Project in Japan.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Commenting on the upcoming tour,   &lt;a target="_blank" href="http://www.worldmusiccentral.org/artists/artist_page.php?id=2645"&gt;Yo-Yo  Ma&lt;/a&gt;, acclaimed cellist and founder of the Silk   Road Project, stated, "&lt;em&gt;I am delighted to return to Japan with &lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/Yo-Yo_ma_silk_road_ensemble_japan_2008"&gt;...&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/02/yo-yo-ma-and-silk-road-ensemble-return.html</link><author>noreply@blogger.com (Shen)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3624326729302257586.post-856951680150840186</guid><pubDate>Sat, 09 Feb 2008 09:05:00 +0000</pubDate><atom:updated>2008-02-09T19:05:15.499+10:00</atom:updated><title>CD: Deepak Ram (jazz bansuri)</title><description>&lt;h2 class="entry-title"&gt;&lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/deepak_ram_steps"&gt;Stepping Away From Tradition&lt;/a&gt;&lt;/h2&gt;&lt;div class="entry-author"&gt;&lt;span class="entry-source-title-parent"&gt;from &lt;a href="http://www.google.com/reader/view/feed/http%3A%2F%2Fwww.worldmusiccentral.org%2Fbackend%2Fworldmusiccentral.rdf" class="entry-source-title" target="_blank"&gt;World Music Central - Links: Indian Music&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="entry-body"&gt;&lt;p&gt;&lt;img src="http://www.worldmusiccentral.org/images/articles/deepak_ram_steps_1.jpg" alt="" align="left" height="135" width="150" /&gt;Deepak Ram&lt;/p&gt;&lt;p&gt; &lt;a target="_blank" href="http://www.goldenhorn.com/Merchant2/merchant.mv?Screen=PROD&amp;amp;Store_Code=GH&amp;amp;Product_Code=GHP031-2"&gt; Steps&lt;/a&gt; (Golden Horn Records GHP 031-2, 2008)&lt;br /&gt;&lt;br /&gt;India's bamboo bansuri flute is hardly a jazz instrument, but that doesn't stop South African-born Indian musician from using it to&lt;br /&gt;lead the way on the set of jazz covers and originals that comprise Steps. Ram embraced jazz before Indian music and retained his love for the former even after studying with bansuri master Pandit Hariprasad Chaurasia. &lt;/p&gt;&lt;p&gt;Armed with the understanding that a certain degree of improvisation is  integral to both types of music, he sought to combine&lt;br /&gt;them. There were no doubt some tricky nuances and specifics involved in the task, but Ram pulled it off. The result is this sweetly engaging CD, on which Ram is joined by Vic &lt;a class="entry-title-link" target="_blank" href="http://www.worldmusiccentral.org/article.php/deepak_ram_steps"&gt;...&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;</description><link>http://shenweb.blogspot.com/2008/02/cd-deepak-ram-jazz-bansuri.html</link><author>noreply@blogger.com (Shen)</author></item></channel></rss>
