sigit andi music

HOW SINGING A SCREAM VOICE

2010-07-31T07:58:00.000-07:00

HOW SINGING A SCREAM VOICE

hai,

dont u ever hear a scream voice,its hot right?

of course,i mean it called romantic .any way,the name isn't important,but how about the way to do it?

it's extremly extremly important,

so,sigit andi from indonesia will share how i learn it.

The first thing you need to do is find your vocal range. To do this, keep singing a certain word at different pitches and see which one feels the most comfortable and natural to you.

Always drink room temperature water before, during breaks, and after screaming, always.

Do not ever scream while you are sick, it will damage your voice.

Never force your voice.

This may be the most important thing that I say on this entire website. Why? Because if you don’t know how to scream… If you don’t scream with proper technique… You will damage your voice. Period.

I know when you hear people screaming in heavy metal bands, it sounds downright aggressive. This doesn’t mean you have to be aggressive with your vocal chords!

These singers use a special technique to produce these sounds. More on this in a moment…

If you shout / yell / or force the voice in any other way, you will end up with a sore throat more often and not. And it can be worse than just a sore throat. You could wind up in hospital getting vocal nodules removed. So please….

Scream Better With These Simple Tips

Here are a few tips that hardcore and metal vocalists can take with them when considering how to scream better. As much as tons of kids think that there's a "magical secret" that hones your voice into a metal monster from hell, that's simply not the case unfortunately. It takes a little dedication, hard-work, and time (yep, you won't be able to pick fights with Tim Lambesis of As I Lay Dying just yet)

1. If it hurts, you're doing it wrong.

Sure you can wail like a hellion, but you can't talk for the next few hours. That's not the correct way to attempt how to scream better. If things start to hurt, that should motivate you to try new things. Learn to picture your voice coming out of your nose rather than your throat. Honestly, this change of visualization has effects on how your throat will create sounds.

2. Support your screams with lots of air.

Now, when I say this, don't try to suck the crowd surfers' shoes off with a giant gulp of air, thinking that you're going to let it out like a metal lord. Bring the air in, expanding your stomach and keeping your shoulders perfectly still! You'll only negate your air flow using your shoulders. Don't let all the air out at once either. Use your gut like a little reserve tank. This tip is overlooked sometimes when considering how to scream better.

3. Practice on your own.

This rule goes with everything else in life. Practice makes perfect. Yea, I'm using a cliché only because it's true when learning how to scream. You can't expect to make a progression in your voice if you only scream twice a week at band practice. When you're driving to school or the mall, slip in a cd of your favorite metal or screamo band and practice. You'll see the improvements soon enough. Plus, it's fun to see the reactions from other cars.

4. Wear earplugs.

Now, I LIVE by this rule. Lots of screamers will argue, "I can't get into the music" or "I can't hear anything." Those are just excuses. Have you ever worn earplugs and talked to someone? You might have noticed that there's a great deal of reverberation inside of your own head. This is HIGHLY beneficial to you because it will let you know just how much rasp and effort you can give without straining your voice. Think about the time when the venue you played had monitors that didn't let you hear anything. Now you can hear yourself just fine.

These are just a few tips that a lot of the most idolized screamers take to heart. As much as it sucks, learning how to scream better isn't quick. It can take weeks or maybe even months, but don't give up! There's a demon inside all of us.

The correct way to scream is using a technique called vocal fry. Vocal fry is the noise that happens when the vocal chords vibrate very slowly. If you imitate Elma Fudd saying “Be wery wery quite. I’m hunting wabbit”, you will be using vocal fry.

The great thing about vocal fry, is you can use it as much or as little as you like. You can..

1. Use a “pure” vocal fry sound to give the impression of a full scream.

2. You can sing a note while adding a little vocal fry. This will give your sound an aggressive “buzz”.

3. You can sing a note and finish it with a vocal fry “scream”.

Mastering this technique gives you a lot of artistic freedom. It’s especially handy if you sing heavy metal, punk, hard rock, or anything similar.

Gain in volume and aggression through practice. This is how you build it up into a big sound. When you first start practicing vocal fry, it will likely sound quite small. With practice though, you will sound like a raging monster!

Experiment with the sound and record yourself frequently. This will give you an idea of what it sounds like outside your head.

Remember… Never force your voice. Your larynx (voice box) is extremely delicate, and too much air can cause a lot of damage.

Vocal fry doesn’t require much air at all, so don’t use more than you need.

1. Bare down. Yes, like you're using the restroom. Hold your breath while trying this a few times until you get used to the feeling. Don't over-do it.

2.Breathe. Practice letting out a little bit of air at a time. At first it'll sound like you're grunting.

3.Control your tone. Keep trying different methods of letting the air out. You don't want to release too much air, or you'll be of no use on stage.

4.The wider, the higher. Use your diaphragm, and feel where your throat is straining to control the pitch. The wider your mouth, the easier it is to scream highs. The more round you make your mouth, the easier the lows come.

5.Scream to music. The best way to learn is to scream harmonies with your favorite bands. I say harmonies because you won't sound like other screamers yet, especially not good ones. If you're screaming harmonies, you can hear your own voice and learn how without getting discouraged because you don't match the lead's voice.

Tips

* What you drink or eat can have an affect on how you scream, some people scream better after drinking certain drinks. But the temperature matters most. Avoid cold foods and drinks.

* Room temperature tea with honey is great for a smooth scream. It helps coat your throat. Anything that will coat your throat helps. Try to avoid milk, as it can make you cough as well.

* If you scream without music, you'll sound awkward and very piecey, like your voice separates too much. The music covers up these tiny flaws, but your ultimate goal is to fix them yourself.

* Scream in your car while driving, just don't pass out.

* Cup your hand and place it against your ear and mouth. This carries the sound of your scream directly to your ear so you can hear it better. This is the closest thing to hearing what you'll sound like through a microphone.

* Cupping your microphone creates a smoother sound. It creates more depth as your scream bounces off your hands and the mic doesn't lose as much of the noise.

* If you sing and scream, try screaming a short phrase or even, "1, 2, 3, 4". When you start, speak or sing the first number, and scream the rest. Repeat the phrase and scream the first number, but sing the second and scream the rest. Repeat this until your voice is more used to alternating and you don't strain or change keys when you switch.

* Practice makes perfect.

Warnings

* If you feel any pain, stop immediately. You're doing it wrong. However, at first, your voice won't be used to the feeling. While screaming your throat should not hurt, but if it begins to feel a bit sore, take the night off and try again tomorrow. Your voice needs to adjust to this new action.

* If you cough when you first start, try changing your pitch or repositioning where the scream is actually created in your throat by toying with your own muscles. Sometimes starting off too high or too low will cause you to cough.

* Keep in mind that you are not actually screaming! You're just straining your vocal chords to vibrate harder and allow air out in segments instead of fully. Your scream will be no louder than a general shout or holler. My scream is much quieter than my yelling voice.

how to singing better

2010-07-31T07:35:00.000-07:00

There are only three ways to sing or three attacks. The, “attack,” is what a singer physically does and thinks on the onset of any sung note.

Only one of them is the best and always produces the best sounding voice in any singer. The three attacks are: Diaphragmatic, Glottal, and The Attack Of The Mask.
The diaphragmatic attack was invented be a failed opera singer/vocal coach.
This attack causes registration and breaks in the voice. It leaves the voice sounding more like shouting or bellowing and strains the voice by overpowering it. Because of this unnatural vocal technique the terms of: chest voice, middle voice and head voice and breaks/bridges came about.
Quite simply, when you sing with the right attack registers and breaks don’t exist, they are an invention by a bad vocal coach that has been passed down through time. So, you don’t need a course that teaches you how to make it over your bridge or mix registers. You need a course that teaches you the best attack, the attack of the mask. That course is Vocal Release.
The glottal attack is what’s known as, “singing from the throat.”
It involves sort of coughing motion that causes the vocal cords to zip up. This attack is very dangerous and painful. The only people who really use it are bad rock singers who sound like they are screaming badly with no beauty of tone.
The attack of the mask is the best way to sing. End of Story. There can be no argument. It is how nature intended singing to occur.
Attacking the voice from the mask makes the voice as easy to use as humming. Any note from lowest bass to the highest soprano notes can be sung by using the attack of the mask. Attacking the voice from the mask eliminates registers and breaks. They simply do not exist when you sing with the attack of the mask. All notes sung are full, round and pleasantly forward.
When you watch a great singer and their voice seem to have no ceiling, it comes out effortlessly and the voice seem to resonate forward behind the nose eyes and upper pallet, that is the attack of the mask. Some singers do it naturally by instinct.
This is why some people are naturally good singers and some people struggle to sing even half as well. Without singing using the attack of the mask the voice is a struggle to use, breaks up into registers and simply doesn’t sound very good. With the attack of the mask even powerful singing is as easy as humming with the mouth open.
This is also why some people think you can’t learn to sing. Unfortunately most vocal coaches and no other online courses besides Vocal Release, teaches how to learn to use the attack of the mask specifically. Yes, it can be taught. But, you have to learn specific parts of your body to manipulate and exercises to instill proper voice production.
The attack of the mask does not just happen by relaxing and singing with an open throat at speech level. The attack of the mask is not, “singing in your head voice,” or forcing air through your nose like honking.
Here’s the bottom line… EVERYONE can learn to sing beautifully if they follow the natural laws of voice, laid out step by step in the Vocal Release Course.
Absolute Fact!
Singing is only a continuation of speech. It uses the exact same vocal organs and process.
When singers have a problem it is because they sing with the wrong attack or even speak with a bad vocal attack. Any problems with the speaking voice are amplified in the singing voice. When you hear a good singer speak the speaking voice is often very forward and resonant because they even speak with the right attack. A poor singers voice will often sound like it is produced at the back of the throat. The poor singer might even lose their voice simply by speaking for long amounts of time.
The truth of the matter is, if you learn how to sing in a way that obeys the natural laws of voice, singing is effortless and beautiful. The most natural and pleasing sounding voice is always produced using the attack of the mask. Vocal Release is the only course that teaches how to sing using the attack of the mask.
Everyone knows that the best singers sound natural even when singing loudly or hitting high notes.
Most singers, when beginning training however, indulge in unnatural vocal practices like using excessive force to attain pitch and volume because they assume great singing takes more effort and muscle.
Or even the outdated classical practice of, “strengthening the diaphragm.”
Here’s the truth, right now you have all the physical development of your body you need to sing. Great singers are not physically different from anyone else.
They were not born with, “stronger than average vocal cords, a powerful diaphragm, or even HUGE LUNGS.”
What they do have is a sense of ease in their voice and the proper attack, the attack of the mask. Either because of proper training or natural ability, they ALLOW their voice to come out.
Any expert will agree that the human voice works it’s best when it is done freely and no real effort is exerted.
That’s exactly why when you watch a show like American Idol that so many of the rejected contestants (and some of the ones that get through) sound so awful.
They don’t obey the natural laws of singing! They try to muscle their way through singing as if they were power lifting at the gym!
“Warning To Singers!” Singing with a vocal production that is not natural can severely damage your voice.
Let me ask you: when you sing now, is your voice sore after wards? Or, do you push large amounts of air to go up in pitch and hit high notes? Can you only sing loud and shouty?
Do you find it difficult to stay on pitch? Do you run out of breath when you sing? Are you hoarse after just singing for an hour or even fifteen minutes?
If so, stop. Your vocal production is forced and you will damage your voice with continued use.
So, after reading thus far, which makes more sense?
A:”Great singers force and struggle their way to a great voice and develop vocal muscles like a huge power lifter!!!”
B:”Great Singers are physically just like everyone else but know how to relax, let their voice come out naturally and attack the voice through the mask so it resonates effortlessly.”
If A were true, very few people would be able to sing at all. Only people who were physically very strong would be able to do it.
How many singers have you heard with wide, loud ranges on shows like American Idol? How many of them looked like extremely strong bodybuilders?
None.
In fact, some of them were relatively small people who weighed barely over a hundred pounds or worse yet were morbidly obese and couldn’t run a mile to save their lives.
Why do you think they can sing? Because they know how to relax, focus and direct the voice to work how it should without using excess effort. This is the attack of the mask. They either know how to sing this way because of a good vocal coach or instinctually.

HOW TO PLAYING GUITAR BETTER

2010-07-27T06:31:00.000-07:00

# Consider buying a Tuner. Tuners make playing sound better, but it’ll also familiarize you with which string and fret combinations correspond with which notes. There should be one anywhere guitars or guitar music is
sold. A useful mnemonic to remember the string arrangement is “Every Body Gets Dinner At Eight” (going from high E to low E) or “Eat All Day Get Big Easy” (low to High). You should try to make up your own acronym, it will help you remember more easily. If you cannot afford a Tuner, you can also tune your guitar without one.

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Learn how to read guitar tabs. Guitarists have their own system of music notation called guitar tablature, or “guitar tabs” for short. The basic idea is to look at the tab in the same way you look at your guitar; each line corresponds to a string, and each number tells you which fret to hold down when plucking that string.

E|————————————————-||

B|——-3———3———-3——————–||

G|———2———0——–0—————2p0–||

D|-0-0————————0–0—-0h2p0——–||

A|————3-3————-2—0p2——-0——||

E|———————–3-3–3——————–||

On the first fret

Place your fingers correctly on the frets. Right-handed players use their left hand for fretting and use their right hand for picking. The frets are the metal strips that run perpendicular to the strings. You actually press your finger down between the metal strips, not on them. For example, if you’re playing the third fret, you place your finger on the string between the second and third metal strip. Hold the string down firmly so that it only vibrates between your finger and your strumming hand. Do not forget that you must play on your fingertips and not on the soft part of your finger. This requires cutting your nails to avoid scratching the fretboard. Place your finger as close to the fret as possible to create a good sound.

*C Major chord

When you hold down multiple strings at once at different frets (to play chords), it can be a little tricky (especially if you have short, inflexible fingers). There are usually several different ways to position your fingers for the same chord, so research them and experiment to find which one feels most comfortable for you.

* Keep in mind that every time you move from one fret to another, the resulting pitch will be half a step higher or lower (i.e. “sharp” or “flat”). This is important for if you want to eventually read and play from sheet music.

* Some people find that placing the thumb in the middle of the back of the neck, not coming over the top, leads to better finger placement because it allows better reach and strength of the fingers on the frets. Ultimately, however, do what feels best for you.

* The most important thing is to achieve a clean sound for each open chord when you are practicing. After you had placed all your fingers on the fretboard, play through each of the strings of the chords. Make sure that the strings that are supposed to ring all not muffled or muted. If the notes are not ringing out properly, find out why. Chances are that you are not pressing hard enough or parts of your fingers are touching that string which prevents it from sounding out clearly. Are any unused fingers touching strings?[1]

Strum with your other hand. This can be the most difficult part to learn without having a teacher demonstrate. Strumming consists of downstrokes and upstrokes in various combinations. Count every beat and off-beat as “1 and 2 and 3 and 4 and…” (every “and” is an offbeat). Each beat and offbeat can be an upstroke, downstroke, or no stroke. No matter which direction you use, make an effort to sweep across all of the strings with even pressure and steady speed. You don’t want to strum some strings a little harder than others, or start off fast then slow down as you get to the last few strings. The motion should come mostly from the wrist, not the forearm.

* You can do this with a pick or with your fingertips. There are various kinds of picks you can use, but beginners are usually advised to start with a thin pick, held between the thumb and the side of the index finger.[2]

* Keep your arm going in a constant up-and-down motion, sticking with a rhythm whether or not you’re actually strumming. This motion functions as a metronome for beginners. As you get better at strumming, you can tap your foot, bob your head, or jerk your knee like Elvis instead.[3]

Practice chords. A chord is a group of notes that sound good together. The reason they sound good together lies in music theory, but for now, learning how to play a few key chords will suffice. Practice until you can move comfortably between them without losing your rhythm.

* The most commonly used chords in Western music are the major chords, which can be remembered with the word “CAGED”. Click on any of the following links for specific instructions on how to play each chord:

o C Major

o A Major

o G Major

o E Major

o D Major

Learn to play some songs. Start off with easier songs - ones with fewer chords in simpler arrangements. Listen to the song being played properly with guitar so you know what kind of sound and rhythm to aim for. Start off slow and speed up gradually, singing along (if applicable) to stick with the rhythm. As you master easier songs, move on to more complex pieces. Sweet Home Alabama by Lynyrd Skynyrd is an example of an easier song to start with. It’s basically a repetition of the same three chords in the following order: D, C, G, D, C, G, D, C, G.