opera tunes

MAKING OF MAYA KO BARIMA

2011-09-28T22:06:00.000-07:00

history of film

2011-08-11T00:46:00.000-07:00

Preceding film in origin by thousands of years, early plays and dances had elements common to film: scripts, sets, costumes, production, direction, actors, audiences, storyboards, and scores. Much terminology later used in film theory and criticism apply, such as mise en scene (roughly, the entire visual picture at any one time). Owing to an absence of technology for doing so, moving visual and aural images were not recorded for replaying as in film.
In the 1860s, mechanisms for producing two-dimensional drawings in motion were demonstrated with devices such as the zoetrope, mutoscope and praxinoscope. These machines were outgrowths of simple optical devices (such as magic lanterns) and would display sequences of still pictures at sufficient speed for the images on the pictures to appear to be moving, a phenomenon called persistence of vision. Naturally the images needed to be carefully designed to achieve the desired effect, and the underlying principle became the basis for the development of film animation.
With the development of celluloid film for still photography, it became possible to directly capture objects in motion in real time. An 1878 experiment by English photographer Eadweard Muybridge in the United States using 24 cameras produced a series of stereoscopic images of a galloping horse, is arguably the first "motion picture", though it was not called by this name.[1] This technology required a person to look into a viewing machine to see the pictures which were separate paper prints attached to a drum turned by a handcrank. The pictures were shown at a variable speed of about 5 to 10 pictures per second, depending on how rapidly the crank was turned. Commercial versions of these machines were coin operated.

A frame from Roundhay Garden Scene, the world's earliest film produced using a motion picture camera, by Louis Le Prince, 1888
By the 1880s the development of the motion picture camera allowed the individual component images to be captured and stored on a single reel, and led quickly to the development of a motion picture projector to shine light through the processed and printed film and magnify these "moving picture shows" onto a screen for an entire audience. These reels, so exhibited, came to be known as "motion pictures". Early motion pictures were static shots that showed an event or action with no editing or other cinematic techniques. The first public exhibition of projected motion pictures in America was shown at Koster and Bial's Music Hall in New York City on the 23rd of April 1896.
Ignoring Dickson's early sound experiments (1894), commercial motion pictures were purely visual art through the late 19th century, but these innovative silent films had gained a hold on the public imagination. Around the turn of the 20th century, films began developing a narrative structure by stringing scenes together to tell narratives. The scenes were later broken up into multiple shots of varying sizes and angles. Other techniques such as camera movement were realized as effective ways to portray a story on film. Rather than leave the audience with noise of early cinema projectors, theater owners would hire a pianist or organist or a full orchestra to play music that would cover noises of projector. Eventually, musicians would start to fit the mood of the film at any given moment. By the early 1920s, most films came with a prepared list of sheet music for this purpose, with complete film scores being composed for major productions.

A shot from Georges Méliès Le Voyage dans la Lune (A Trip to the Moon) (1902), an early narrative film.
The rise of European cinema was interrupted by the outbreak of World War I when the film industry in United States flourished with the rise of Hollywood, typified most prominently by the great innovative work of D. W. Griffith in The Birth of a Nation (1914) and Intolerance (1916). However in the 1920s, European filmmakers such as Sergei Eisenstein, F. W. Murnau, and Fritz Lang, in many ways inspired by the meteoric war-time progress of film through Griffith, along with the contributions of Charles Chaplin, Buster Keaton and others, quickly caught up with American film-making and continued to further advance the medium. In the 1920s, new technology allowed filmmakers to attach to each film a soundtrack of speech, music and sound effects synchronized with the action on the screen. These sound films were initially distinguished by calling them "talking pictures", or talkies.
The next major step in the development of cinema was the introduction of so-called "natural color", which meant color that was photographically recorded from nature rather than being added to black-and-white prints by hand-coloring, stencil-coloring or other arbitrary procedures, although the earliest processes typically yielded colors which were far from "natural" in appearance. While the addition of sound quickly eclipsed silent film and theater musicians, color replaced black-and-white much more gradually. The pivotal innovation was the introduction of the three-strip version of the Technicolor process, which was first used for short subjects and for isolated sequences in a few feature films released in 1934, then for an entire feature film, Becky Sharp, in 1935. The expense of the process was daunting, but continued favorable public response and enhanced box-office receipts increasingly justified the added cost. The number of films made in color slowly increased year after year.
In the early 1950s, as the proliferation of black-and-white television started seriously depressing theater attendance in the US, the use of color was seen as one way of winning back audiences. It soon became the rule rather than the exception. Some important mainstream Hollywood films were still being made in black-and-white as late as the mid-1960s, but they marked the end of an era. Color television receivers had been available in the US since the mid-1950s, but at first they were very expensive and few broadcasts were in color. During the 1960s, prices gradually came down, color broadcasts became common, and the sale of color television sets boomed. The strong preference of the general public for color was obvious. After the final flurry of black-and-white film releases in mid-decade, all major Hollywood studio film production was exclusively in color, with rare exceptions reluctantly made only at the insistence of "star" directors such as Peter Bogdanovich and Martin Scorsese.
Since the decline of the studio system in the 1960s, the succeeding decades saw changes in the production and style of film. Various New Wave movements (including the French New Wave, Indian New Wave, Japanese New Wave and New Hollywood) and the rise of film school educated independent filmmakers were all part of the changes the medium experienced in the latter half of the 20th century. Digital technology has been the driving force in change throughout the 1990s and into the 2000s.

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what is film ?

2011-08-11T00:38:00.000-07:00

FOR COMPLETE INFORMATION CLICK HERE

A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry.Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating — or indoctrinating — citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue into the language of the viewer.Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.The origin of the name "film" comes from the fact that photographic film (also called film stock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, moving picture, photo-play and flick. A common name for film in the United States is movie, while in Europe the term film is preferred. Additional terms for the field in general include the big screen, the silver screen, the cinema and the movies.

LIFESTYLE

2011-06-21T20:23:00.000-07:00

song : Ghar Bhanda Pyaro
NTC - 0170007716, NCELL - 6037861, UTL - 7243849
LIFESTYLE
A Presentation of Cinema Sansar
A Film by Mr. Vijay Raj
Produced by Mr.Lal chand Prasad
music/Arrange : Rajendra Kibachhan
song : Dinesh Subedi
Vocal: bishwosanta Rai/Bimala Thapa
Mixing : Bishan Manandhar
Recording Studio : Harmonic Digital Studio
shooting Studio : KB Films
Camera : Sagar Gautam
Production manager : Umesh Poudel

special Thanks
Dayaram Dahal
Binod Manandhar
Bikram Thapa

3 KHANS ON BOLLYWOOD

2011-05-23T07:15:00.000-07:00

GORKHALI

2011-05-23T07:03:00.000-07:00

GORKHALI

Super Hit Action Nepali Movie Gorkhali.Starring: Shree Krishna Shrestha, Jharana Thapa, Gauri Malla, Narayan Tripathi etc… Sunil Kumar Thapa Presents Nepali film :Gorkhali Cast: Shree Krishna Shrestha, Jharana Thapa, Gauri Malla, Narayan Tripathi etc. Story :Shiva Regmi Direction :Gyanendra Deuja

Movie: Saathi

2011-05-23T06:56:00.001-07:00

A friend in need is friend indeed. Saathi, starring Rajesh Hamal and Karishma in lead roles justifies the above saying. With some of the melodious songs and out and out comedy scenes, Saathi is one fine joy ride Nepali commercial cinema. The movie also stars Nir Shah, Gauri Malla, Basundhara Bhushal, Mithila Sharma, Narayan Tripathi, Mohan Mishra in supporting roles. Apart from ensemble of cast, a Dog plays a pivotal role in the movie, who finally becomes the Saathi.

batch no 16

2011-05-23T06:40:00.000-07:00

For a change, a Nepali film’s premiere at the QFX Cinema Hall had a different line of audiences.
A majority of people who turned up for the premiere of the much talked flick Batch No 16 were not those who are often spotted at turnstiles.
Directed by Pitamber Pandey and produced by Bikrant Shrestha and Surendra Poudel, the flick had drawn an unbelievably huge turn out.
Any little digression from the stereotype is worth appreciating. But filmmakers should not take this liberty to take things for granted.
It’s high time for Nepali filmmakers to realize that cinematography alone can’t make up for the missing elements.Batch No. 16 has good cinematography. But the plot is a mess.
The movie starts with two Armed Police Force (APF) personnel – Ram Karki (Suman Singh) and Guru (Arpan Thapa) rescuing a kidnapped businessman.

Soon, their commander-in-chief gives them a new mission — to eradicate crime by bringing the most WANTED criminals in the country to justice.
The first gangster they look out for is actor Anup Baral, who apparently is a Mexican don in Nepal.
But the gangster speaks nothing that sounds Mexican and is rather fluent in Nepali! Everything goes hunky-dory until the lure of the lucre takes a toll on the friendship of two cops.
While the dedicated officer Ram decides to handcuff the baddie and hand him over to the authorities, his friend Guru proposes to kill him and share ransom money. Guru shoots the gangster to death.
This battle of morals leads to two friends to become big time enemies.
Suddenly, the film that says is based on the lifestyle of APFs loses grip on its plot.
By the time the movie comes to end, I was left with too many unanswered questions. Where did all other dons that were to be nabbed disappear? Suman Singh as APF says police officers should not accept bribe and should live for morals.
But he owns a luxurious apartment. Why do they have to keep on speaking in English when they would be far comfortable speaking Nepali.
Most of the dialogues delivered by Suman Singh are dubbed in the voice of media person and actor Dinesh DC.
Why did Singh refrain from pitching his dialogues? What point was the director trying to make by making the audiences read the signboard that says “Badhrakali Mandir Parisar” and beginning a fight sequence at a location that has nothing to do with the plot.
Even the dialogues aren’t taken care of. Newcomer actress Sushma Karki who plays a negative role in the movie and is a journalist says “It’s impossible for a journalist to afford a maid”. She surprisingly owns a car. And for performance, Karki compensates for everything by flaunting her bare skin.
And Yes, the kissing scene between actors Arpan Thapa and Sushma Karki was so not needed.
The soundtracks of the movie composed by Sugam Pokharel, Bikrant Shrestha and Kichhaman Chitrakar need special mention. Almost all the songs are pleasing to listen to.
Arpan Thapa steals the show with his strong performance. He is good with expressions, dialogue delivery, and poise and has the right attitude for his negative role.
Even actor Suman Singh and Ruby Bhattarai sashay the role with élan.
Sadly, actor Anup Baral, who also is the casting director of the film, disappoints.
All in all, director Pitamber Pandey, who is known best as an assistant director of one of the most acclaimed Bollywood movie Life In a Metro, should have at least took some inspirations from the movie, when it comes to executing the film in a right manner.

source:cinesansar.com

S.R.C BIRTHDAY @ CINEMA SANSAR

2011-05-23T06:23:00.000-07:00

SATYARAJ S.R.C

2011-05-23T06:03:00.000-07:00

with shree Krishna shrestha

2011-05-22T00:00:00.000-07:00

If you ask Shree Krishna Shrestha his age then he would promptly say he is 23 even after spending his precious 23 years in the Nepalese film industry.This actor, who was back some months back with his home product Kahan Bhetiyela, is currently enjoying its success. Fifty-one days, seventy days and now, the film is going to celebrate hundred days in many cinemas in and out of the valley, and to it Shrestha says, "I cannot boast about my own film but according to my audience, the film halls and the distributors the film is one of the most successful movies this year." At present, he is busy working on the third phase release of the movie. Having acted in over a hundred films, Shrestha is now working in his another project, which he has not yet named.Aren’t you planning to get married?Yes, but it is all about destiny. I firmly believe that birth, death and all other rituals are all destined so I will get married when my destiny wants me to.According to the grapevine you are dating actress Shweta Khadka and that two of you are planning to tie the knot, how true is this?No. It is just a rumour exaggerated by the public and we have nothing to do with it. I think the rumour might have spread because audience liked our reel-life love and the marriage sequence portrayed in the movie but it is nothing like that in real life.Ok, now let’s move on. What is your favourite colour?YellowFavourite food?Gundruk and Fish.Three things that you would never forget while on a trip?Mobile, Purse and my car’s key.Has anything changed after you recovered from the serious illness some years back?No, nothing has changed. People have always liked my work and they appreciated it further. They know that I work well so it did not affect my career.Who do you think is your competitor in Kollywood?I compete with myself. Let me give you an example, the record my previous movie Afno Manchhe created in Narayanghat is still unbroken and I feel that I have to improve my acting skill than my previous films so that my other movies can reach that level. But yes, I have always tried to reach the height that my seniors like Shiva dai, Bhuwan dai and Rajesh dai have achieved.If you were not an actor what would you be?I would have joined the Nepalese army.If you were to be born as an animal then what would you like to be?Pigeon, because it is a symbol of peace and it is loved by all.Your lucky days?Tuesday and Thursday.Dou you believe in god?Yes. I have a great faith in god.How would you define yourself?A loving person who cannot see others in pain and who lives for others.By Prasun Timilsina
tundikhel:दंग श्रीकृष्णनिर्माणको फस्र्ट ओपनिङ्मा नै सफल भए नायक श्रीकृष्ण श्रेष्ठ । उनी निर्मित चलचित्र कहाँ भेटिएलाले प्रारम्भिक रूपमा व्यापारकि सफलता हात पारेपछि प्रदर्शक र वितरकले उनलाई सफल निर्माताको बिल्ला भिराइदिइसकेका छन् । नायकका रूपमा अफर न्यून हुँदै जाँदा निर्माता बन्ने उनको निर्णय सफल भएपछि उनी पनि अचेल कम्ता दंग छैनन् ।निर्माता बनेर धेरै नायक-नायिकाले असफलता बेहोरेका छन् । करश्िमा मानन्धर, निखिल उप्रेती, सज्जा मैनाली, जोनी कुँवर, दिनेश शर्मा यस पंक्तिमा अगाडि थिए । तर, श्रीकृष्णले सफल पाटो मात्र देखे । भुवन केसी र मौसमी मल्लका चलचित्रले पाएको सफलताले पनि उनी आशावादी थिए । विश्वज्योति हलका प्रोप्राइटर मोहन सर्राफ भन्छन्, "कहाँ भेटिएलाले दुइटा थप चलचित्र निर्माण गर्ने कमाइ गर्‍यो ।" (source - Nepal weekly)

Cinema Sansar on Bardibas............

2011-04-08T19:33:00.000-07:00

HAPPY HOLY WITH KB

2011-04-08T06:37:00.001-07:00

Ring back tones

2010-10-04T20:33:00.001-07:00

SONGS SINGERS NTC Ncell

jaslai aafno manche Rabee R.S 0160007364 6056996

Maile ta timilai Rabee R.S 0160007365 6056997

Timilai Chahedekhi Rabee R.S 0160007366 6056998

Yo Sansar Kina Rabee R.S 0160007367 6056999

sabile taape sworup raj achayara 0160006247 6054652

timle malai rajina rimal 0160006248 6054653

lamo yatra Jagadis Samal 0170003960 6034137

sanja sangai Krishna Bhakta Rai 0170003961 6034138

ritu ramro Kushal Limbu 0170004333 6034491

timi ma sworup raj achayara 0170004334 6034492

timi bina Kushal Rai 0170003891 6034087

ke dosh Kushal Rai 0170003892 6034088

chaleko chalan Ravi R.S 0160005972 6053665

o bahini Krishna Prasai 0160005973 6053666

Bujhdai Bujhenau Rajesh Payal Rai 0160006445 6055066

chuttai Nasa Rita Khadka 0160006450 6055071

Parai sochidincha Dipak Limbu 0160006446 6055067

PROMOTION

2010-09-30T21:22:00.000-07:00

WWW.PROMOTIONALSYSTEMS.BLOGSPOT.COM

Madan Krishna and Haribansha(MAHA-JODI)

2010-09-16T03:49:00.000-07:00

Madan Krishna Shrestha and Haribansha Acarya are the icons of Nepalese comedy scenario. Both of them have been successful in winning the hearts of many Nepalese with their outstanding comedy skills and mind-blowing performance on screen and on stage. Nepalese have witnessed many of Madan Krishna and Hari Bansha’s famous comedy serials and plays. Bhakunde bhut, lalpurja, Yamaraj , Banpaley etc. are some popular comedy series of Maha Jodi.Maha Jodi have been entertaining the Nepali community for a about 25 years. They have been involved in many social services too. Madan Krishna and Hari Bansha are celebrated not only in Kathmandu and the developed cities but all over Nepal from rural areas to towns.This blog will be covering everything about the famous Maha Jodi of Madan Krishna and Hari Bansha.

Hari Bansha Acharya of Maha Jodi

2010-09-16T03:47:00.000-07:00

Hari Bansha Acharya is one of the most noted comedians in the Nepali screen. He has been entertaining the Nepalese community since very long. He has been involved in the comedy scene with his partner Madan Krishna Shrestha and the duo is popular with the title “Maha-Jodi”.Hari Bamsha Acharya was born in a Brahman family. His father’s name is Homanjaya Acharya and Mother’s name is Ganesh Kumari. Born on 27th Kartik 2014 BS (9th October 1958) in Gairidhara, Kathmandu, Hari Bansha Acharya got married married with Meera Acharya in 2040 BS. To talk of his family, he has two son Trilok Acharya and Mohit Acharya.Hari Bamsha started his career by performing with with Hari Prasad Rimal and Jitendra Mahat Avilashi in 2031 BS in Radio Nepal. Back then, Radio Nepal was the only radio station in Nepal. In 2032, Hari Bansha Acharya joined Rastriya Naach Ghar. He had participated in Gaijatra Mahotsav in 2034 BS that upsurged his fame. Before performing with Madan Krishna Shrestha and becoming a part of the MAHA Jodi, he had struggled in the entertainment field alone for 6 years.Hari Bansha Acharya has also played in films. Lovipapi, Filim, Rajamati, Balidaan, Je Bho Ramrai bho, Tan ta sarhai bigrish ni badri are some of his popular films that were immensely popular in the Nepali film industry. Some of his remarkable comedy series like Lal Purja, Pandra Gatay, Bhakunde Bhoot, Series of Hari Bahadur and Madan Bahadur, 50/50, Dashain ko Chyangra etc. will be cherished by Nepalese even after many years.

Madan Krishna Shrestha of Maha Jodi

2010-09-16T03:46:00.000-07:00

Madan Krishna Shrestha has presented the Nepalese with many awesome comedy series along with his partner Hari Bansha Acharya. He is considered on of the best comedians of all time in the Nepalese entertainment scene.Madan Krishna Shrestha was born in a Newar family. His father was Ram Krishna Lal Shrestha and mother was Laxmi Devi Shrestha. Born on 7th Baisakh 2007 B.S.( 9th April 1950) in Jitpur Fedi Kathmandu, Madan Krishna Shrestha got married to Yasodha Shrestha in 2031 B.S. He has a son Yaman Shrestha and daughter Shrana Shrestha. He is also involved in singing. He recorded his first song in Radio Nepal in 2022 B.S. At the age of 14, he had to work as a teacher to meet the financial needs of his family. Later on, he joined Karmachari Sanchaya Kosh in 2023 BS. His performance in the Rastriya Gaijatra Mahotsav in 2032 B.S got him instant fame. He had to struggle had alone before the met Hari Bansha Acharya. He and his wife now reside in Dhobidhara while his son and daughter are in the United States.Madan Krishna Shrestha received his primary education from Montessori school, J.P school and Padmadev School. He gave his S.L.C. from Shanti Nikunja School and then he did his I.Com from Mahendra Ratna Public College, and B.A. from a private institute. But he could not pursue his studies further as he got himself too much involved in the comedy field.Madan Krsihna Shrestha has received many awards like Gorkha Dakshin Bahu, Jagadamba Shree Award 2047(1991), Jaycess Youth Award 1988, Rastriya Yuba Gaurav Samman 2054 and many more. His theater acts have given masterpieces like. Yamlok, Paralysis, Anshabandha, Cockfight, Raddi Tokari Sapath Grahan Aina Bigyapan (Record breaking drama in Nepal) London Airport 10. Woda Number 34 Rastriya Gaun Khane Katha Pratiyogita etc.Madan Krishna Shrestha’s works of Art will remain alive in the Nepalese entertainment industry forever.

Maha Jodi now on comics

2010-09-16T03:43:00.001-07:00

Hey the Maha Fans out there! Your favorite comedians of the nation are now coming on a comic book. Maha jodi who have been equally involved in acting, singing and directing are now being seen as comic characters. Their comic book "Ko vanda Ko Kam" is expected to gain huge support and popularity. Madan Krishna and Hari Bansha, the Maha-Jodi duo launched it by themselves.While launching it to the public, Hari Bansha and madan Krishna said that people will laugh for a while even by seeing their faces in the comic. The comic "Ko Vanda Ko Kam" was launched on the auspicious 30th anniversary of their pairing up as a comic duo. They seemed to be very much happy about it. The sketches in the 44 paged comic are made by Ribin Shrestha whereas the storyline was written by Kiran Manandhar. Sher Publications Pvt. LTd. published the comic. Maha-Jodi have aimed to spread it throughout the major parts of the Middle East as well.Best of luck to Maha Jodi for all their endeavors.

cinema sansar

2010-01-09T22:39:00.000-08:00

न रसिलो न कसिलो

2009-11-01T01:23:00.000-07:00

फागुनको तेस्रो साता नायक निखिल उप्रेती र नायिका सञ्चिता लुईंटेल लापत्ता भएको खबरले चलचित्र क्षेत्रमा सनसनी मच्चायो । उनीहरू कहाँ गए र के गर्दैछन् भन्ने शंकामा अखबार रंगिरहे । दुई वर्षदेखि उनीहरूको प्रेम सम्बन्धको गाईंगुईं हुनु र एकाएक दुवै जना बेपत्ता हुनुले 'कराउनु र हराउनु'को पुरानो नेपाली उखानको स्मरण गरायो । तर, कुरो शंकामा सीमित रहेन । भर्खरै बाबु बनेका निखिल र केही समयअघि आफ्ना पतिसँग एकतर्फी सन्बन्धविच्छेद गरेर बसेकी सञ्चिताले चैतको पहिलो साता विवाह नै गरेको पुष्टि गर्‍यो चलचित्र क्षेत्रले । पारविारकि स्रोतका अनुसार, उनीहरू हाल मुम्बईमा छन् ।निखिलले धादिङकी कोपिला उप्रेती र सञ्चिताले काठमाडौँका आकाश साहसँग आठ वर्षअघि विवाह गरेका थिए । रोचक पक्ष के छ भने यी दुवै जोडीले उतिबेला पनि प्रेमविवाह गरेका थिए । तर, ती दुवै जोडीबीचको खटपट धेरैअघिदेखि नै कानेखुसी हँुदै चर्चासम्ममा पुगेको थियो ।नेपाली चलचित्र वृत्तमा श्रीमान्/श्रीमतीबीचको खटपट बाक्लै गरी सार्वजनिक हुने गर्छन् । सम्बन्धविच्छेद हुनु र जोडिनुलाई खासै अनौठो मानिँदैन । बहुविवाह गर्ने चलचित्रकर्मीको लामो पंक्तिले यस कुरालाई पुष्टि गर्छ । यो सवालमा नायक/नायिका मात्र होइन, निर्माता निर्देशक, लेखक र प्राविधिकहरूको फेहरस्ित पनि लामो छ । विवाह पहिलो भए पनि निकै नायिकाहरू कान्छी श्रीमतीका रूपमा भित्रिएका छन् । नेपाली कलाकर्मीलाई स्वदेशीले हम्मेसी जीवनसाथी रोज्दैनन् । उनीहरूलाई यस्तो आरोप पनि लाग्ने गरेको छ । उनीहरूका विदेशी जीवनसाथीले यस कुराको प्रमाण दिएझैँ लाग्छ । जस्तो सारंगा श्रेष्ठका अमेरकिी, सीपी लोहनी, विपना थापा, सनी रौनियारका भारतीय, आकाश अधिकारीका इटालियन, रूपा रानाका जापानी जीवनसाथी छन् । नेपाली नागरकि नै भए पनि विदेशमा बसेका हुन्छन् उनीहरूका जीवनसाथी । यसको अब्बल उदाहरण हुन्, जल शाह र सज्जा मैनाली । यी दुवै नायिकाका पति अमेरकिामा बसोबास गर्दै आएका छन् । बहुविवाहमा३० वर्षभन्दा लामो वैवाहिक जीवनमा पूर्णविराम लगाए तीन छोरीका बाबु शिव श्रेष्ठले । उनकी पूर्वश्रीमती गंगा धेरैअघिदेखि देशबाहिर छन् । शिवले आठ वर्षअघि कान्छी श्रीमती भित्र्याएका हुन् ।नायक भुवन केसी पनि दुई श्रीमतीका श्रीमान् हुन् । उनकी जेठी श्रीमती विजया अमेरकिामा बसोबास गर्छिन् । कान्छी सुस्िमताचाहिँ उनीसँगै छन् । भुवनको रमाइलो पक्ष के हो भने उनले कान्छी सुस्िमतासँग पनि कानुनी रूपमा सम्बन्धविच्छेद गरेका थिए । यसरी सम्बन्धविच्छेद गरेर हाल सँगै बस्नेमा नायिका रञ्जना शर्मा र निर्देशक श्याम भट्टराईको जोडी पनि रहेको छ । केही वर्षको प्रेमविवाहलाई उनीहरूले यसै वर्ष कानुनी रूपमा पूर्णविराम लगाएका थिए । तर, त्यसको केही समयपछि नै उनीहरूले नयाँ सम्झौता गरेर वैवाहिक जीवन सुचारु गरेका छन् ।नायक दिनेश शर्माले नायिका सोनिया मल्लसँग प्रेमविवाह गरेका थिए । तर, त्यो सम्बन्ध धेरैलाई रहेन । हाल सोनिया देशबाहिर छन् । सोनियासँगको सम्बन्धविच्छेद हुनुअघि नै दिनेशले नाम नचलेकी अर्की एक कलाकारलाई जीवनसाथी बनाइसकेका थिए । पाका नायक कृष्ण मल्लले पनि बहुविवाह गरेका हुन् । नायिका शर्मिला मल्ल उनकी कान्छी श्रीमती हुन् । कृष्ण र शर्मिलाबीच प्रेमविवाह भएको हो । निर्माता तथा निर्देशक सुरेन्द्र शाहले कान्छी श्रीमतीका रूपमा भित्र्याएका छन्, नायिका सिर्जना बस्नेतलाई । निर्माता पति बिजु रञ्जितको मृत्युपछि सिर्जनाले एकल जीवन गुजार्दै आएकी थिइन् ।बहुविवाह गरेबापत केही चलचित्रकर्मीले सजाय पनि भोगेका छन् । जस्तो- नायकद्वय दिनेश शर्मा र विशाल विष्टले केही रात हनुमानढोकाको चिसो छिँडीमा बिताउनु पर्‍यो । नायिका पूजा चन्दले पनि पूर्वपति सुरज चन्दलाई प्रहरी खोरको हावा खुवाइन् । पतिपत्नी कलाकारको झगडा इजलासहरूमा कम, सञ्चारजगत्मा बढी पोखिने गरेको पाइन्छ ।कारण थपिँदो उदारतानेपाली चलचित्रमा धेरै हल्लाहरू सार्वजनिक हुन्छन् । रोचक पक्ष त के भने ती हल्लाहरू नै वास्तविकतामा परण्िात भइदिन्छन् । यस वर्ष अपत्यारलिा लाग्ने केही हल्लाहरू आए र सत्य सावित भए । कतिपय घटना अनौठा छन् । यस कुराको सुरुवात गरनि् नायिका नम्रता श्रेष्ठले । प्रेमी डिजे तान्त्रिकसँगको यौन भिडियो सार्वजनिक भए पनि नम्रताले यसलाई अनौठो मानिनन् । बरु, भिडियो हेर्ने दर्शकलाई भाग्यमानीको संज्ञा दिइन् उनले । अविवाहित नम्रता हाल सार्वजनिक रूपमा निर्धक्कसँग हिँडिरहेकी मात्र छैनन्, विभिन्न उत्पादनहरूको ब्रान्ड एम्बेसडर हुँदै आएकी छन् । उनले नयाँ चलचित्र पनि पाइसकेकी छन् । नम्रताको भिडियो सार्वजनिक भइरहँदा अर्की नायिका पूजा लामाको पनि यसै प्रकृतिको भिडियो सार्वजनिक भयो । यसपटक रोचक के भयो भने भिडियोमा देखिएका तन्नेरीसँगै तत्कालै उनले विवाहसमेत गरनि् । अर्को रमाइलो गरनि् नायिका रञ्जना शर्माले । उनले विवाह विच्छेद मात्र गरनिन्, केही समयपछि फेर िविवाह पनि गरनि् उनै विच्छेदमा परेका निर्देशक श्याम भट्टराईसँग । विवाहेत्तर सम्बन्धमा रमेका नायिका पनि छन् चलचित्र क्षेत्रमा । उनीहरूले न त कानुनी रूपमा विवाह गरेका छन्, न समाजलाई नै बताउन सक्छन् । यस्तो सम्बन्ध राख्नेमा मध्यम रूपमा चर्चामा आएका दुई नायिका छन् । चलचित्रकर्मीहरू नै यसलाई उदारताको चरम नमुना मान्छन् । निर्माता तथा नायक शोभीत बस्नेत भन्छन्, "मन मिल्छ र त्यसले समाजलाई कुनै असर गर्दैन भने त्यस्तो सम्बन्धलाई नराम्रो मान्न हुँदैन ।""नाम होस् बदनाम होस् तर गुमनाम नहोस् ।" चलचित्रकर्मीहरूबीच लोकपि्रय यो भनाइलाई उनीहरूले व्यवहारमा पनि उतार्ने गर्छन् । बेलाबेलामा हुने स्क्यान्डल यसैको प्रमाण हो । एकताका नायिका सारंगा श्रेष्ठले भनेकी थिइन्, "भुवन केसी नभएको भए धेरै नायिका कुमारी नै हुन्थे होला ।" सारंगाको डेढ दशकअघि सार्वजनिक यस भनाइले अहिले पनि सुन्नेलाई कुरीकुरी लगाइदिन्छ । तर, उसैबेला पनि चलचित्र क्षेत्र नलजाएको बताउँछन् निर्देशक प्रकाश साय्मि ।