Smashwords

Charlotte Sometimes and The Cure

noreply@blogger.com (Mark Coker) — Sat, 04 Feb 2012 15:52:00 +0000

So often, the discussion about copyright centers around how authors can retain total control over their intellectual property and prevent others from borrowing it, copying it or stealing it.

I won't attempt to weigh in on all sides of the moral or ethical debates surrounding this contentious issue. Instead, I'm going to share a story about how a great novel inspired a great song.

The story illustrates the unintended consequences of what, at first glance, might strike the author as theft, but upon reflection is revealed as a gift.

Back in 1981, the gothic rock band The Cure released a single titled, Charlotte Sometimes. It's an amazing song (listen below). It tells the story of a young girl who at night mysteriously travels back in time 40 years to switch places with another girl.

The song was inspired by a childrens novel of the same name published by British author Penelope Farmer in 1969.

The Cure's lyrics for Charlotte Sometimes lift direct passages from the novel. The band wrote and released the song without clearing the rights with the author or her publisher.

When the author and her agent first learned about the song, they were livid. After all, here was a writer of limited financial means watching a megaband profit from her story, her title and her words. Was this theft or fair use? Read the links below, then you decide.

In 2007, Penelope Farmer shared her side of the story in two blog posts. The posts are poignant, and might surprise you. Read them here:

#1: http://grannyp.blogspot.com/2007/06/cured.html
#2: http://grannyp.blogspot.com/2007/06/cured-climaxed.html

Here's The Cure performing Charlotte Sometimes in Brazil the same year (1996) Ms. Farmer came face to face with Robert Smith. Enjoy.

I don't know about you, but I'm curious to read the book.

Robert Smith (or any other songwriter), you have my permission to take my novel, Boob Tube, and immortalize it into song. Extra credit for turning The Smashwords Style Guid e into song.

Smashwords Author Darcie Chan Hits #1 in Apple iBookstore

noreply@blogger.com (Mark Coker) — Mon, 09 Jan 2012 18:51:00 +0000

Congrats to Smashwords author Darcie Chan, who today rose to become the #1 bestseller at the Apple iBookstore with her ebook, The Mill River Recluse.

This weekend, Apple promoted the book in an email blast to its customers, recommending it as one of their "Buzz Books."

In a further sign that self-published titles are gaining cachet with customers, Apple's promo celebrated the title's self-published background, stating, "The self-published phenomenon is dazzling readers everywhere."

If you're looking for a great read, check it out at the Apple iBookstore. It's also distributed by Smashwords to Barnes & Noble, Sony, Diesel and Kobo.

The description:
Disfigured by the blow of an abusive husband, and suffering her entire life with severe social anxiety disorder, the widow Mary McAllister hasn't been seen by the people of Mill River, Vermont, in almost sixty years. Only Father Michael O'Brien, the town's elderly priest, knows Mary and the secret she keeps -- one that, once revealed, will change all of their lives forever.
For More on Darcie Chan, visit her Smashwords Author Page or her personal website. Also check out the feature on her in the Wall Street Journal from a few weeks back.

Smashwords Year in Review 2011

noreply@blogger.com (Mark Coker) — Sat, 31 Dec 2011 18:55:00 +0000

Welcome to my annual Smashwords year in review.

2011 was another strong year for Smashwords and our authors.

We're ending the year with over 92,000 titles published, up from 28,800 at the end of last year.

In my 2010 year in review post, 75,000 was my stretch goal for this year, so we beat it by a good margin.

Smashwords today supports over 34,000 authors and small publishers around the world, up from 12,000 a year ago.

I launched Smashwords four years ago with a crazy idea to change the way books were published, marketed and sold. I believed authors should have the freedom to publish directly to their readers without the interference of publishing gatekeepers. My ideas were not unique. The great Dan Poynter has been evangelizing the virtues of self-publishing for over 30 years.

I’d like to think we’ve helped bring Dan’s vision to life. Smashwords married self-publishing with ebooks, and we did it with a free platform that enabled any writer, anywhere in the world, to easily publish an ebook using nothing more than a word processor. We took the printing press – once under the sole dominion of the publisher – and put it in the cloud for all to use.

Unlike publishing services that earn their income by selling paid services to authors, Smashwords doesn’t sell services. Smashwords earns income only if we help sell books. We earn a small commission on sales equal to 10% of the list price for distributed books, and 15% of the net for books sold at our Smashwords.com retail operation. We think our approach aligns our interests with the interests of authors. The more we help you sell your book, the better we all do.

What started as crazy dream has become a reality. We've created a business that empowers authors to reach readers with their words. Smashwords authors collectively earned millions of dollars in 2011. More importantly, we've helped tens of thousands of authors enjoy the freedom to publish and get read.

When we launched in early 2008, many writers viewed self-publishing as the option of last resort. Self-pubbed authors were often ridiculed as "vanity" authors, and much of the most vitriolic criticism came from fellow writers. We don’t hear much of that anymore. Self-publishing is finally earning the respect it deserves.

Today, self publishing is the option of first choice for many first-time authors. Previously published authors - the backbone of Big Publishing, are also wading into the indie waters. Most start with their reverted-rights works. Then they catch the indie bug and release unsold works, and then they move on to original first releases. You might think of it as a graduated progression toward enlightenment that starts with baby steps before the big leap. More will take those first steps in 2012, inspired by other successful indies, possibly inspired by you.

I think few people in the traditional publishing industry comprehend how this indie author revolution will transform their business in the next few years. Their world is about to be turned upside down.

Unfortunately, when faced with simultaneous convergence of multiple big trends (the rise of ebooks, the rise of the indie authors, the shift of bookselling from brick and mortar to online), most big publishers have taken actions counterproductive to their own self-preservation. They're trying to grab author rights they don't deserve. They're trying to the hold the line at 25% net royalties for ebooks, which works out to a paltry 12-17.5% of list. That line can't hold when authors can earn 60-80% list by self-publishing, and enjoy better distribution.

The power of publishing is shifting from large publishers to authors. It's what I’ve predicted for four years, and now the trend is plain as day for anyone who chooses to see it. What happens when authors lose faith in Big Publishing? This was the subject of my blog post earlier this year, Nietzsche and the Downfall of Big Publishing, inspired by what I thought were interesting parallels with the Arab Spring.

2011 was the year indies proved they can out-publish, out-compete, out-distribute and out-sell the large publishers. Look no further than the bestseller lists at major retailers to see how the indie insurgents are scaling the lists. A few have even landed in the NY Times ebook bestseller list. We’ll see more of this in 2012.

The Indie Movement Reaches Adolescence

Indie authors, free of the legacy business practices and expense structures of the large publishers, are beginning to feel their oats.

If the indie author movement was a person, it would just now be entering puberty. It's in that gawky awkward pimply stage of life. The participants are filled with unbridled optimism for the future, confident they're writing the new rules for the future (and they are!).

Visit any writers message board and you’ll find writers plotting the future of publishing. Sure, the skeptical observer will find petty internecine squabbles reminiscent of high school, and copious uniformed opinions dripping with unfounded speculation, fear, greed, envy and aspiration. But dig deeper and you'll see something profound is happening. These newly fledged indie ebook authors (old timers are the ones with two or three years of experience) are piecing together the secrets of successful modern day publishing.

They’re sharing information, debating, arguing and leading the revolution that is upon us. We're witnessing the rise of the indie author collective, and the collective - warts and all – is giving rise to an intelligence and sophistication that will redefine publishing for the better.

The practice and professionalism of self-publishing grew by leaps and bounds in 2011 as indie authors collaborated. The best indie authors and small presses are publishing books of equal or higher quality than traditional publishers, and they're doing it faster, smarter and less expensively. Because the indies are earning 60-80% of the list price as their royalty, they're earning higher profits while producing a product that is more affordable and more accessible to more readers around the globe than ever before.

As some lucky indies strike gold (and let’s be realistic, most indies do not sell well, just as most traditionally published books don't sell well), they share their secrets in real time and inspire all authors to raise their game.

We're witnessing a publishing renaissance that will lead to more readers, more reading, greater literacy, and greater and more amazing published works than could ever have been realized under the old gatekeeping system.

As I've often stated here and elsewhere, traditional publishers are in the business of selling books, not publishing books. They acquire books they think they can sell. Nothing wrong with that, unless you’re an author whose work is not perceived as commercial, or you lack the fame of an established platform, or you’re a reader who appreciates more choice at less cost.

Writers write for reasons different than publishers publish, and it's at the nexus of these opposing motivations that the indie author revolution took root.

Today’s indie ebook author is at the right place at the right time. Print is in decline as reading moves to screens, brick and mortar fades, and book buying moves online.

The Free Printing Press Helps Shift Publishing Power to Authors

In the old world of two or three years ago, publishers controlled the printing press and access to distribution. Today, thanks to free ebook publishing and distribution tools like Smashwords, the printing press is free and available to any author, and distribution is open to all.

Retailers such as Apple, Barnes & Noble, Sony, Kobo, Diesel and Amazon deserve a lot of credit for welcoming indies to their virtual shelves. These ebook retailers are hungry to carry the books of indie authors because these books satisfy their customers (they sell). Retailers also understand that readers could care less about the name of the publisher on the book’s virtual spine.

The implications of this revolution are profound. Writers are now in charge. The writer decides when their manuscript graduates to published book. Readers decide which books are read.

Along with this power shift also comes the responsibility for authors to honor the best-practices of the best traditional publishers. Readers have little tolerance for anything less, and this is how it should be.

In this age of abundance where consumers have unlimited access to myriad high-quality sources of entertainment and knowledge - much of it accessible for free - writers need to up their game. Those who honor the reader by publishing great books will reach the most readers.

Book marketing has always been a word of mouth business. If you write a book that touches your reader’s soul, or inspires them with passion or knowledge, your readers will market your book for you.

There's never been a better time to be a writer. The opportunity to reach readers with words has never been greater.

Against this backdrop, you might understand why I’m so excited about the future I see for Smashwords authors and publishers. Our business is dedicated to helping authors stake their rightful claim to this bright future.

So let's turn the page to Smashwords...

If I were to sum up our focus in 2011 in one word, that word would be infrastructure.

Smashwords has been profitable for 15 months. We're reinvesting these profits to build a solid foundation upon which we’ll deliver continuous service enhances to our authors, publishers and retailers for many years to come.

Our development roadmap calls for over 500 minor and major service enhancements. Some are so minor you might not notice them. Others we think will knock your socks off. The Smashwords you see today barely scratches the surface of what we think is possible.

The bulk of our development effort this year focused on building a scalable technology infrastructure that can support one million or more published and distributed books (or, about 10X our current size). To enable this future, we invested heavily in infrastructure. Much of this infrastructure build-out is invisible to users, and if we do our job right it remains invisible. You don’t care how we build it, you just want what we build to work for you, whether you're an author, publisher, retailer or reader.

Notable Smashwords Milestones 2011

Before I review the plans for 2012, let’s summarize some of the notable business, technology and competitive highlights for 2011:

1. People - There are real people behind Smashwords. 12 months ago, we were barely three employees. Today we're 13. We've got a great team here in California, all of whom are dedicated to serving our authors, publishers, retailers and customers. We value every client.

2. Platform infrastructure - We completely rearchitected the underlying Smashwords platform this year to improve scalability, reliability, performance and security. As one of the Twitter founders once said, developing a fast-growing web service is akin to rebuilding a rocket ship in mid-flight. I grok that. The Smashwords platform has a lot of complex moving parts. Most of our last six months of development work has been focused on this infrastructure under the hood; the nuts, bolts, gears, glue and magic that hold our systems together. Most people never think about infrastructure except for when it fails. The proof in our pudding: Our infrastructure improvements have led to fewer website outages and faster page load times at the same time our catalog of books and traffic have exploded.

3. Distribution - We revamped our technical integrations with our retail partners so our books can flow to them faster and more accurately than ever before. Most of our retail partners also upped their games to accommodate our incredible increase in title volume. This is not to say everything is perfect. It is not. We view distribution as a never-ending work in progress, and we will continue to work in a constructive manner with all our retail partners to explore how we can improve our mutual performance.

4. Meatgrinder - We completed multiple updates to our Meatgrinder conversion engine, both in terms of scalability and also capability. On the scalability front, earlier in the year Meatgrinder was taking up to 30 hours to convert a single ebook. We tripled conversion capacity and now complete most conversions within three minutes. On the capability front, we improved Meatgrinder's ability to produce higher-quality books by adding greater styling control, automatically generated NCXes, and automatic error correction for some common formatting problems.

5. Categorization - We're in the final stages of a complete remapping of our categorization system to provide complete support for the latest BISAC categorization specifications. We're now supporting more categories than ever. Good categorization is a foundational element of what comes next in 2012.

6. Discovery - Multiple items here. Books aren’t purchasable unless they’re findable (or tripped over or stumbled upon or recommended by a friend or promoted), and that's where discovery comes in. We kicked off 2011 by adding support for long book descriptions (4,000 characters). We updated the shopping cart so it recommends up to 12 other books by the same author. In March, we launched the official Smashwords Facebook page which now gets thousands of visitors each week (thanks to the great volunteer efforts of Smashwords author John Low!) including many readers looking to discover new authors. In June, we acquired a block of 50,000 ISBNs from Bowker so we could give them away for free (ISBNs enable distribution to Apple, Sony and Kobo).

7. Reporting – We increased the frequency of our aggregated sales reporting from retail partners. We introduced a new downloadable spreadsheet that maps each quarterly payment to the sales behind that payment, and we made the data easy to query by author, retailer or title. For sales at Smashwords.com, we improved our email notifications so authors can more easily monitor more information about about their sales as they happen. Customers, too, now receive more complete purchase confirmations to help them access their books faster and easier.

8. Literary Agents – We updated our publishing platform so literary agents can now upload and manage the indie ebook efforts of their clients.

9. Globalization – On a percentage basis, most countries outside the US are just now entering the exponential growth phase. Their markets are where the US market was two, three or four years ago. Within a few years, the market for ebooks outside the US will dwarf the US market. We took a number of steps in 2011 to expand the global footprint of Smashwords ebooks. We signed an expanded distribution deal with Apple which increased our international coverage to Apple iBookstores in 32 different countries. Today, nearly half of our Apple sales come from outside the U.S (I’m surprised the media hasn’t picked up more on Apple’s impressive international success in 2011). We updated our payment and reporting systems to track VAT, which is handled differently by different retailers. Thanks to the volunteer efforts of Smashwords authors around the world, we released translated Smashwords Style Guides in German, French, Spanish, Italian (also the Smashwords Book Marketing Guide in Italian) and Dutch. A Bengali version is completed and a Danish version is in the works.

10. Smashwords Gifting - Our final big feature of the year launched on Christmas eve. We now make it easy for customers (and authors too, if they choose) to purchase ebooks as gifts. We think this is a nice complement to our popular Smashwords Coupon tool.

11. Competition - Many new ebook distribution competitors came on the scene in 2011. Back in 2008, we were the only game in town when we became the first ebook distributor to focus exclusively on self-published authors. Now you have choices. We feel honored that so many authors, small publishers and agents continue to choose Smashwords over the competition.

The ebook market remains in an exponential growth phase. 2011 will probably show ebooks at 20% of the US book market, up from 8.3% the year before and 3% the year before that. Based on preliminary post-Christmas sales results I’ve seen for Smashwords books at Apple, B&N and Sony, I think 2012 could see ebook market share in the US rise to between 40 and 50%. I expect many more competitors will come online in 2012 and 2013. I've been in technology for the last 20 years, so I'm intimately familiar with the inevitable boom and bust cycles of things touched by tech (and I have the old scars to prove it). Ebooks are in the boom phase now, but they cannot continue the torrid pace of growth. The new competitors and the noise they create will draw more authors, books and readers into the market, and will act as a growth catalyst for a couple years. When the exponential growth ends and the bust comes (and yes, it will come), some of these new competitors will disappear. Any one of us could disappear if we fail to build profitable businesses that add measurable value to those we serve.

In 2011, the most formidable competition came from Amazon, which has been on a multi-year rampage to disintermediate anyone or anything that stands between Amazon and their target customer. Three weeks ago Amazon launched KDP Select, a new opt-in service that represents their boldest broadside yet aimed at competing ebook retailers. KDP Select requires participating authors to remove their books from all retailers except for Amazon. I blogged why I think KDP Select is bad for authors (here and here). While most Smashwords authors share my view that exclusivity is a dangerously slippery slope to trod, thousands of authors enrolled titles in the Amazon program before Christmas. Of the approximate 65,000 or so books enrolled in KDP Select, nearly 6,000 books came from - and disappeared from - Smashwords as a result.

Despite the punch in the gut from Amazon, we still managed to grow our title count during the month of December (now over 92,000 titles), albeit at a lower rate of growth than we’re accustomed. Preliminary holiday sales results indicate our remaining authors enjoyed an impressive sales bump in the first few days following Christmas at Apple (up over 70%), Barnes & Noble (up over 100%) and Sony (up 30%). I don’t yet have results from Kobo and Diesel. If the record-breaking post-Christmas bump follows the same pattern as last year, sales will moderate a little in the next two weeks and then stabilize and begin growing again at a new normal that’s measurably higher than the pre-Christmas sales levels. These strong holiday sales, and the tremendous growth we’ve seen this year both in the US and internationally only solidify my conviction of the importance of authors maintaining broad and diversified distribution. Every retailer – even the smallest – works to introduce authors to new readers they wouldn’t reach otherwise. Yes, distribution is our business so my view is biased. I believe in the value of retailers and the distributors who serve them.

Someday, if the Amazon powers see fit, we’ll distribute more of our titles to them as well (we’re currently distributing about 200 titles to them). We’d much prefer to engage with Amazon as a partner rather than as adversary. We think we and our authors can help make their business more successful, just as we’ve helped our existing retailer partners grow their businesses. A good distributor helps retailers ingest and list more titles more efficiently and at less cost than operating their own self-pub platforms.

What's Coming to Smashwords in 2012?

Smashwords is an ebook distributor, so our priorities will be guided by this focus. Service enhancements will concentrate on making our books more available and more discoverable by readers.

In 2012 we’ll shift more of our attention from backend infrastructure to customer-facing user experience. The new features and service offerings will leverage the new infrastructure foundation we built in 2011.

Here’s a brief sampling of what you can expect from Smashwords in 2012:

Discovery – We’ll complete the BISAC recategorization mentioned above very soon, and from there we’ll turn our attention to our Smashwords.com retail operation and give it some much overdue love and attention on the discovery front. We’ll add more search options to the Smashwords home page, more alternative discovery paths to help readers find books they'd enjoy reading, and we’ll revamp the algorithms driving our best-seller lists so they more accurately reflect the collective intelligence and reading preferences of our customers. Once that initial stage is completed, we’ll leverage some of these new features on a couple secret projects that might surprise some folks, one of which will help our retail partners identify Smashwords books that deserve extra promotion.

More Distribution - We'll add more distribution outlets in 2012, the first of which we'll probably announce in the next two months (working on the technical integration now).

Faster Distribution – We currently ship to retailers once a week. In 2012, we’ll phase in more frequent shipments to those retailers that can support it so books appear faster and metadata changes reflect faster. This will give authors greater control over their distribution.

Faster Reporting - Some Smashwords authors have already noticed that we've increased the speed and frequency of retailer sales reporting over the last two months. We will continue to make incremental progress here for the retailers that can support it.

Faster Premium Catalog Approvals - There are two variables influencing Premium Catalog approval times. The first variable rests with the author or publisher, and that's the responsibility to upload a book that's formatted to the Smashwords Style Guide. A well-formatted book gets approved on the first review. We'll continue to improve the Smashwords Style Guide and other resources to help make it faster and easier for authors to format their books. The second variable is on our side, and that's the vetting process where we manually review each title for adherence to the Style Guide and the Smashwords Terms of Service. We've added two new recent hires to the vetting team and will add additional staff in the new year as required. The goal is to get approvals down to under three days. The faster the approval, the faster we can distribute you to retailers. In addition to throwing people at the challenge, we'll also continue to develop new automated tools to accelerate the process.

More Control - There are several planned features related to providing authors greater control over more aspects of their publishing, distribution and metadata. One such feature planned for the second half of 2012 is Smashwords Direct, which will give authors the option to upload their own pre-formatted .epub files (and other formats) if they choose. Also look for greater control over foreign currency pricing.

My thanks to you

As another fabulous year draws to a close, I want to express my sincere appreciation to every Smashwords author, publisher, reader, retailer and service provider partner (shout out to the awesome pros on my “Mark’s List” who help their fellow indies with low-cost formatting and cover design services). We created this for you.

With your trust, confidence and support, we will continue to serve you. When you utilize our distribution services, you’re directly supporting our mission to reshape book publishing for the benefit of authors and readers everywhere.

Happy New Year, and safe holidays. Peace all.

Smashwords Authors Experience Blowout Christmas at Barnes & Noble

noreply@blogger.com (Mark Coker) — Tue, 27 Dec 2011 21:03:00 +0000

It looks like it was a blowout Christmas for Smashwords authors at Barnes & Noble.

I'm looking at the early sales results for December 25 and December 26 for the titles Smashwords distributes to Barnes & Noble. For these first two days, sales are running about 225% (125% higher) of the daily sales average for November through mid-December (12/29 update: sales are remaining strong. 12/28 sales, three days after Christmas, were 260% of previous 30 day rate, or up 160%).

While it's too early to draw definitive conclusions, I think the numbers speak well for B&N headed into January.

FREE Smashwords books were also popular with B&N customers, racking up hundreds of thousands of downloads in two days. At the current download rate, our authors with free books will yield close to 10 million downloads in the next 30 days from B&N alone.

In the next couple days I should have sales results from the Apple iBookstore, where Smashwords authors were already enjoying a surge in sales over the last two months. Early reports of iOS activations (the operating system for the Apple iPhone and iPad) indicate Santa stuffed a lot of stockings with iPhones and iPads too.

The numbers also speak well for the importance of authors maintaining broad, uninterrupted distribution to multiple ebook retailers. Earlier this month, Amazon played the Grinch who stole Christmas when it convinced thousands of authors to remove approximately 65,000 books from Amazon's competing retailers two weeks before Christmas. Thankfully, only about 5,000 of those books came from Smashwords authors, with most Smashwords authors heeding my warnings (here at the Smashwords blog and also at the Huffington Post) and their own gut instinct that exclusivity is generally a dangerous idea. I wonder how many of these authors will feel duped? I imagine some will do well by their decision, but I suspect most will have shot themselves in the foot.

If the patterns we observed last year hold true again, we'll see a massive stepping up of the sales rates across all retailers in the first few days following Christmas, followed by a week or so of moderation, and then a new normal going forward that is significantly higher than the sales rate for the weeks and months immediately preceding Christmas.

Here are the top 20 Smashwords bestsellers at Barnes and Noble for the two day period of December 25 and 26:

Smashwords Top 20 at B&N (total dollars), December 25-26

Demon Dark - Penelope Fletcher
Fate (My Blood Approves Series #2) - Amanda Hocking
Wisdom (My Blood Approves Series #4) - Amanda Hocking
Arousing Love - M. H. Strom
My Blood Approves (My Blood Approves Series #1) - Amanda Hocking
Mud and Gold - Shayne Parkinson
Voodoo Kiss (Ancient Legends) - Jayde Scott
Shotgun Groom - Ruth Ann Nordin
Fires of Prophecy: The Morcyth Saga Book Two - Brian S. Pratt
The Witch's Ladder - Dana Donovan
A Job From Hell (Ancient Legends) - Jayde Scott
The Queen's Blade II - Sacrifice - T C Southwell
Immortal - Lauren Burd
Demon Day - Penelope Fletcher
Settling the Account - Shayne Parkinson
Doomed (Ancient Legends) - Jayde Scott
A Second Chance - Shayne Parkinson
Warrior Priest of Dmon-Li: The Morcyth Saga Book Three - Brian S. Pratt
The Mists of Sorrow: The Morcyth Saga Book Seven - Brian S. Pratt
The Queen's Blade III - Invisible Assassin - T C Southwell

Congrats authors, and a warm welcome to the millions of readers who will discover and enjoy Smashwords books this holiday season.

Smashwords Introduces New Ebook Gifting Feature

noreply@blogger.com (Mark Coker) — Sun, 25 Dec 2011 19:03:00 +0000

Smashwords yesterday released a new ebook gifting feature.

Because Smashwords books are available in multiple ebook formats, our books are readable on any e-reading device.

Simply click to the book you want to gift, and click the "give as gift" button. The shopping cart will ask you for their name and email address. The lucky recipient will receive an email with a hyperlink that allows them to claim their gift. If they're already logged in to their Smashwords account, the book will appear in their Smashwords Library. If they don't have a Smashwords account, they'll be prompted to register.

Prior to this new feature, authors were unable to purchase their own books. One advantage of the gifting option over Smashwords Coupons is that the recipient, assuming they're already a Smashwords member, can simply click the hyperlink in the email and the book is loaded into their Smashwords Library. No purchase or checkout process necessary.

In the next few weeks, we'll add new features based on your feedback. We'll also integrate prompts into purchase confirmation emails and review reminders so your fans are encouraged to purchase your book as a gift for their friends.

We've created a temporary email address where you can send your beta testing feedback and bug reports. Email gift at smashwords dot com

Happy holidays!

Amazon Shows Predatory Spots with KDP Select

noreply@blogger.com (Mark Coker) — Thu, 08 Dec 2011 17:13:00 +0000

Amazon today announced a new service offering for authors and publishers who upload to their KDP platform: KDP Select. Writer beware.

At first glance, the program looks enticing. Amazon has created a $500,000 monthly pool of cash they'll distribute to participating authors based on the number of times your book is borrowed from their new lending library.

As they note in their FAQ, if your book accounts for 1.5% of the downloads during the monthly lending period, you'll earn 1.5% of the pot, or in this case $7,500.

But there's a catch. Actually, multiple catches, which are outlined in their Terms and Conditions:

For the time your book is enrolled in the program, you cannot distribute or sell your book anywhere else. Not Apple, not Barnes & Noble, not Smashwords, not Kobo, not Sony, not even your own personal blog or web site. Your title must be 100% exclusive to Amazon.
If you violate their exclusivity terms at any point during the three-month enrollment period, or you unpublish your book to remove it from the program so you can distribute your book elsewhere, you risk forfeited earnings, delayed payments, a lien on future earnings, or you may get kicked out of the Kindle Direct Publishing program altogether.
Your enrollment, and thus your liability to Amazon, automatically renews every three months if you neglect to opt out.

Amazon has also modified the Kindle Direct Platform's user interface with the effect of making it almost difficult not to enroll your books. Where they once placed their pull down menu for managing your book's settings, they've now placed the enrollment link. The pull down settings menu is moved to the bottom of their dashboard.

Let's examine the implications for this new program, not only for authors but for the nascent ebook industry as well.

When authors enroll a title in the program, they're contractually obligated to remove their books from all other distribution channels.

Wow. Most indie authors appreciate their independence. This rule is quite restrictive.

Impact on authors:

Forces the author to remove the book from sale from the Apple iBookstore, Barnes & Noble, Sony, Kobo, Smashwords and others, thereby causing the author to lose out on sales from competing retailers.
By unpublishing a title from any retailer, the author destroys any accrued sales rank, making their book less visible and less discoverable when and if they reactivate distribution to competing retailers
Makes the author more dependent upon Amazon for sales. Do you want to become a tenant farmer, 100% dependent upon a single retailer? As some of you history buffs may know, tenant farming, and the abuses of power by landlords, was a primary contributor behind the great Irish potato famine.

Impact on competing retailers:

Harms other retailers by denying them access to your book.
Many authors will permanently stop distributing to Amazon's competitors once they become fully dependent upon Amazon for the lion's share of their earnings
Motivates more customers to purchase at Amazon since Amazon has this exclusive content.
Discourages formation of new ebook retailers around the world

The new Amazon KDP Select program strikes me as a startling example of a predatory business practice. Amazon has the opportunity to leverage their dominance as the world's largest ebook retailer (and world's largest payer to indie authors) to attain monopolistic advantage by effectively denying its competing retailers (Apple, B&N, Kobo, Sony, etc) access to the books from indie authors.

The move will also make it more difficult for new retailers operating outside the US to gain footholds in their respective markets if they lose fair access to the content readers want to read.

Amazon might argue that indie ebooks today only account for a fraction of overall book industry sales. True, but that fraction is growing quickly as indies scale all the best-seller charts. This trend will continue as more and more professional authors turn their back on traditional book publishers in favor of self-publishing. Amazon is smart. They understand indies are the future of book publishing.

European Commission and US Department of Justice Unwittingly Working to Create Amazon Monopoly

Amazon's new service offering comes at a time when the European Commission and even the US Department of Justice are scrutinizing the legality of agency ebook pricing. Agency ebook pricing, as you'll recall (see my blog post last year on our move to agency pricing) allows authors and publishers to set their own price and receive higher royalty rates. Amazon is a long time foe of agency, and as a result is probably enjoying a virtual wet dream as they savor the implications of potential restrictions against the agency model.

If agency pricing is limited or overturned, it would allow Amazon to price ebooks at below cost and effectively eliminate the profitability of all its competing retailers. This would also discourage the formation of new competitors. It's ironic that the EC and US DOJ are pursuing these ill-advised campaigns that could lead to less competition in the ebook market, not more.

What the EC and US DOJ fail to realize is that big publishers (the target of these investigations), which (I agree) price their books too high, are becoming less relevant to the future of book publishing as authors lose faith in the myth of big publishing. The problem of high prices from big publishers is not an agency issue, it's big publishers pricing their books too high.

Agency Pricing Enables Indie Authors and Small Publishers to Lower Prices

Despite fears to the contrary, we see evidence at Smashwords that agency pricing might actually encourage lower book prices. Indies, which are enjoying great benefits from the agency model (Smashwords only distributes to agency retailers), are using agency to offer customers lower prices, not higher prices. The average ebook at Smashwords is priced under $5.00, and we have over 15,000 books priced at FREE. Why do indies price their books lower when they have the freedom to charge anything they want? The reason is that indies realize that consumers value fair prices, and as a result these lower prices give indies a competitive advantage over the large publishers.

When an indie author can earn 60-70% of list with agency pricing, they can set a lower price yet still earn more per unit than if the book was sold under a wholesale pricing model (where the royalty would equal 43-50% of list). As an example, if an author wants to earn $2.00 from each book they sell, at a 70% agency rate they'd price the book at $2.85. Under the wholesale model (50% discount off list), they'd need to price the same book at $4.00.

The agency model puts profits in the pockets of the author or publisher, where it belongs, while allowing the retailer to earn a fair profit. Agency pricing relieves retailers from the pressure of competing on price and instead forces them to compete on customer experience, such as developing discovery tools and recommendation systems that help match readers with the books they'd enjoy reading.

How should indie authors respond? Horror might be a good start. Recognize that your long term interests are best served by enabling a vibrant and competitive global ebook retailing ecosystem to develop. Distribute your book to as many retailers as possible. A world of many ebook retailers, all working to attract readers to your books, is much preferable to a world where a single retailer dictates all the terms.

Obviously, I have a horse in this game. Smashwords is probably the world's largest distributor of indie ebooks. We publish and distribute over 90,000 ebooks from 33,000 indie authors and small presses around the world. We exist to serve our authors and publishers. We supply Amazon's competitors. We'd love to supply Amazon as well, but they're unwilling to provide us agency terms.

Image credit: Wikipedia

Bright Future for Scandinavian Digital Publishing

noreply@blogger.com (Mark Coker) — Mon, 28 Nov 2011 15:32:00 +0000

Approximately 90 Scandinavian publishing executives gathered a couple weeks ago in Copenhagen, Denmark at the historic Carlsberg brewery for the annual invitation-only Scandinavian Publishing Executive Meeting. The conference was organized by Schilling, a strategic consultancy for Scandinavian publishers.

The conference took a decidedly international theme by importing speakers from Spain, the U.K. and United States, including yours truly representing Smashwords, and Nyree Belleville, a best-selling Smashwords author who writes under the pen names Bella Andre and Lucy Kevin.

Scandinavia is representative of the vast majority of global ebook markets where ebooks still represent less than one percent of overall trade book sales. Like the markets in the U.S., U.K., Canada and Australia which have experienced a rapid transition to ebooks over the last two and three years, the building blocks are now falling into place for Scandinavia to experience similar exponential growth as readers transition from paper reading to screen reading.

Personal highlights of the conference:

Apple's Nordic region manager talked about the iPad's potential to unleash the creativity of authors and publishers
Pete Downton, a former VP at Warner Music, urged book publishers not to repeat the errors of music publishers (who dealt with change by raising prices and suing customers).
Nyree Belleville talked about how she'll earn over $1 million this year selling indie ebooks, and why she's unlikely to go back to traditional publishing
Presentations from four interesting publishing startups - 24Symbols, Jellybooks, Smashwords and Valobox - exploring new business models to connect readers with books
An overarching theme of unprecedented opportunity for the world's authors and publishers to leverage the power of global distribution to reach new markets with ebooks that were previously unreachable via print.

I wrote a blog post over at Publishing Perspectives exploring the above sessions and others in greater detail. Click here to read A Bright Future for Scandinavian Digital Publishing.

Smashwords Style Guide Translated to Italian (Guida allo Stile Smashwords)

noreply@blogger.com (Mark Coker) — Sun, 27 Nov 2011 21:02:00 +0000

The Smashwords Style Guide is now available in an Italian translation, Guida allo Stile Smashwords.

The Italian translation is thanks to the generous volunteer effort of Giuseppe Meligrana, an Italian publisher at Smashwords. Giuseppe is also planning to translate the Smashwords Book Marketing Guide.

The new Style Guide will make ebook publishing and distribution more accessible to thousands of Italian-language authors. As one of a handful of authorized global Apple aggregators, we're pleased to distribute Italian authors not only to their home country's Apple iBookstore, but worldwide as well.

As we announced October 24, Italy is among the 26 new iBookstore countries now served by Smashwords distribution.

Prior to these new stores, Apple operated in the US, Canada, UK, France, Germany and Australia.

Of the 26 new stores added by Apple, the Italian store was the top performer by unit sales for Smashwords authors and publishers for the week ending November 20.

Two fun facts about the Italian language, per Wikipedia:

Italian is spoken by 55 million people in Italy, and 6.7 million outside the country
Between 120 and 150 million people worldwide use Italian as a second or cultural language

The release of the Italian Smashwords Style Guide follows the recent release of French and German Style Guide translations. Additional translations are in process for Dutch, Spanish, Portuguese and Bengali.

If you're a Smashwords authors or publisher and you'd like to translate the Style Guide into your native language, please see the instructions here.

Smashwords Launches Ebook Publishing Service for Literary Agents

noreply@blogger.com (Mark Coker) — Thu, 17 Nov 2011 22:52:00 +0000

Back in August, I blogged about The Literary Agent's Indie Ebook Roadmap, an online strategy document I created to help literary agents assist their clients' e-publishing efforts.

Today, after several weeks of beta testing, we announced new features at Smashwords that give agents more control over their Smashwords listings. We created a new Smashwords account category called Agent (previous two were Author account and Publisher account).

Once an agency upgrades to Agent status, their books will appear at Smashwords as "written by author name, agented by Agency Name" in the Smashwords metadata. When the books are distributed to Smashwords retailers, the books will appear as published by the author, not the agent.

The distinction between Agent and Publisher is important. Previously, agents who uploaded books to Smashwords utilized our Publisher tools which automatically identified the agent as the publisher. Most agents consider their clients, the author, as the publisher. The author controls the rights but the agents assist the e-publishing by providing ebook formatting, cover design, uploading, metadata management, payment aggregation and promotion services.

We also created a special Smashwords home page catalog for literary agents.

Literary agents have an important role to play in the next chapter of the indie ebook revolution.

Although any author has the freedom to easily self-publish an ebook through Smashwords, many authors would rather outsource this task to their agents so the author can dedicate their time to writing the next book, or promoting their existing books.

I see three immediate opportunities for agents to assist their clients' indie e-publishing efforts:

Help their clients and their estates re-release reverted-rights works as Smashwords ebooks. If the rights haven't reverted, the agents can help their authors or estates obtain clear title to the reverted rights prior to e-publishing.
Help the clients publish "interstitial" ebooks, such as possibly shorter unreleased works that can be released in between or in concert with traditional book release schedules. These interstitials can aid an author's ongoing platform-building activities, and can help catalyze traditional book sales introducing new readers to the author's work (note: it's helpful for the agent to coordinate interstitial plans with publishers if a publisher holds the rights to an upcoming book).
Help publish unsold works, or works where the advance offered by the publisher was insufficient to merit the author giving up their rights to a publisher.

You can read our full press release, Smashwords Launches Ebook Publishing and Distribution Service for Literary Agents in the Smashwords Press Room. Here's an excerpt of quotes from the press release:

What literary agents are saying about Smashwords:

“Smashwords has offered what many other self-publishing platforms do not, a way for agents to be involved with digital publishing without having to take on the title of ‘Publisher,’" said Abby Reilly, E-Book Project Manager at Dystel & Goderich Literary Management, based in New York. “Giving our clients a space in the new and exciting world of digital publishing, while continuing to shepherd all aspects of their literary careers, is a thrilling challenge for our agency. We are delighted to be working with Smashwords to make this happen.”

“Smashwords makes it easy to begin exploring the new digital terrain,” said Beverley Slopen, whose literary agency shares her name and is based in Toronto, Canada. “It is an exciting time in publishing, a time like no other, and our authors want to be there. They are pushing us to broaden our knowledge and our skill set. While ebook publishing is not a substitute for traditional publishing, it adds an amazing new dimension.”

“I have been an avid Smashwords supporter since its inception, and over the past three years have integrated digital publishing initiatives in the career plans of all my clients,” said Laurie McLean of Larsen Pomada Literary Agents in San Francisco. “Most of my clients have both traditionally published books and ebooks in their bag of tricks, and it is exciting to see how they complement each other. While many people have been bashing literary agents as gatekeepers of the old guard in publishing, I feel that digitally-engaged agents are the perfect mentors to guide authors through these turbulent waters of opportunity. The new Smashwords Agent service has made my job even easier.”

Smashwords Style Guide Translated Into French and German

noreply@blogger.com (Mark Coker) — Fri, 11 Nov 2011 19:42:00 +0000

Ebook publishing is now more accessible to more writers around the world thanks to new French and German translations of the Smashwords Style Guide.

Guide des Styles Smashwords and Der Smashwords Formatierungleitfaden are now available for free download at Smashwords, and will soon be available at Apple, Barnes & Noble, Sony, Diesel and Amazon.

Translations for Spanish, Italian and Portuguese are in the works (Update: Dutch and Bengali translations are now in process as well).

My thanks to Anne-Sophie Gomez in France for translating the French version, and Annemarie Nikolaus in Germany for the German version. Both of these authors volunteered their time and effort to help their fellow writers. Anne-Sophie and Annemarie are also both experienced formatters on my "Mark's List" list of low-cost formatters, so you can hire them for formatting jobs if you don't have time to do it yourself (send an email to list at smashwords dot com to receive the list via instant autoresponder).

The original English version of the Smashwords Style Guide has been downloaded over 130,000 times. I'm hopeful these new contributions by Anne-Sophie and Annemarie will help thousands of French and German writers achieve their publication dreams as well.

Ever since our launch in 2008, we always intended for Smashwords to serve as an ebook publishing platform for the world's writers. These new translations move us one step closer to fulfilling that goal. Today, over 30,000 authors, many of whom are outside the US, have taken advantage of our ebook publishing and distribution tools to publish over 85,000 titles.

If you're a Smashwords author and would like to help translate the Smashwords Style Guide to your native language, please leave a hyperlink to your Smashwords author page in the comments below (no email address necessary) and I'll contact you. The pay is horrible (no pay), though you will receive translation credit plus the admiration and respect of the thousands of authors you will help. Languages I'm most interested in at this time (corresponding to the 32 Apple iBookstore countries to which we now distribute), in alphabetical order, include: Bulgarian, Danish, Dutch, Estonian, Greek, Hungarian, Latvian, Lithuanian, Luxembourgish, Maltese, Norweigan, Polish, Romanian, Slovakian, Slovene, and Swedish.

In Praise of Simple Ebooks

noreply@blogger.com (Mark Coker) — Thu, 03 Nov 2011 15:10:00 +0000

I attended the PublishersLaunch eBooks for Everyone Else conference in San Francisco on Wednesday. It was a great conference. I enjoyed meeting with authors, partners, agents and even competitors.

I gave a short presentation that explored the benefits of keeping ebook publishing simple. I embedded the presentation below.

View more presentations from Smashwords, Inc.

My message: The myriad e-publishing options can sound intimidating for first-time ebook authors, agents and publishers. I urged attendees to not make their e-publishing adventure more complex and expensive than necessary. Complexity limits accessibility and availability. Expense limits profits and increases the price for readers.

I shared how we approach publishing at Smashwords. When I look at what's selling at the major ebook retailers, 80-90% of the ebooks readers purchase are what I call "simple books." Simple books, by my definition, are straight narrative (like fiction or narrative non-ficition), or narrative plus images. Simple books offer well-formatted reflowable text that easily shape-shifts across multiple e-reading devices and formats.

Simple books are inexpensive to create. As any Smashwords author can tell you, a word processor is an incredibly capable ebook creation tool when you marry it with the Smashwords Style Guide and our automated Meatgrinder conversion technology.

Simple, however, does not mean substandard. Smashwords ebooks support good design with custom paragraph styling, intra-book hyperlinks, NCX navigation, glyphs and images.

Meatgrinder, because it's an automated conversion system, has always drawn skeptics who question our ability to create high quality books with automated conversion. Some of that skepticism has diminished over the last couple years as we've improved the technology, though critics remain, especially among those who offer paid conversion services. I've got nothing against these professionals, and I agree they're well-suited for more complex books for which Meatgrinder was not intended.

To accommodate the books from these ebook design pros, we'll offer a Meatgrinder bypass option called Smashwords Direct by the end of 2012. That means it's coming but it's not immediately imminent. Even when we offer that service, I expect most authors will still choose the Meatgrinder route because it's faster, cheaper and, well, simpler.

If you're considering Smashwords, I invite you download the Style Guide and learn for yourself how easy it is to create and distribute a high-quality ebook with Smashwords. Learn more here: How to Publish and Distribute Ebooks with Smashwords.

Apple iBookstore Expands Smashwords Ebook Distribution to 26 New Countries

noreply@blogger.com (Mark Coker) — Wed, 05 Oct 2011 03:12:00 +0000

Apple this week dramatically expanded the international reach of Smashwords ebooks by distributing our catalog to 26 new iBookstores across Europe and Scandinavia.

Prior to this week, over 50,000 Smashwords ebook titles were available in Apple iBookstores in the US, Canada, U.K., Germany, France and Australia.

All Smashwords authors, publishers and agents enjoy immediate access to this expanded distribution.

Below is the list of new iBookstore countries now reachable through Smashwords.

Austria
Belgium
Bulgaria
Cyprus
Czech Republic
Denmark
Estonia
Finland
Greece
Hungary
Ireland
Italy
Latvia
Lithuania
Luxembourg
Malta
Netherlands
Norway
Poland
Portugal
Romania
Slovakia
Slovenia
Spain
Sweden
Switzerland

Go Global With Smashwords

Within the next few years, the global market for ebooks will likely eclipse the US market. Already at Smashwords, I can report that prior to this news, almost half of our iBookstore sales were coming from outside the U.S.

Although the US represents the world’s single largest ebook market today and is still growing rapidly, the US market is also the most mature. Growth rates in the US, where the ebook market has more than doubled each year for the last several years, are likely to slow thanks to the law of large numbers (you can't keep doubling forever!). I expect the US will end 2011 with ebooks accounting for 15-25% of trade book sales.

Contrast this with markets outside the US, where ebooks will account for probably between 1% and 5% of the market this year. These markets are only now beginning to enter, or will soon enter, exponential growth phases that will take them to 15-25% the next few years assuming their growth trajectories follow similar patterns seen in the US and other English speaking countries.

Indie authors will reap a two-fold benefit. They now have access to more markets, and these markets will grow faster than the U.S. in the years ahead.

The necessary ingredients for this growth include availability of affordable ebook content in concert with low-cost e-reading devices (dedicated e-readers, multi-function tablets like the iPad, smart phones, personal computers) powered by local-language ebook stores.

This is exciting news for indie ebook authors, not only for authors here in the US but also for indie authors in these new territories. Because Smashwords is an Apple-authorized global aggregator for the iBookstore, authors, publishers and literary agents around the world can use Smashwords to quickly and easily distribute local-language ebooks into their country's iBookstore, as well as to Apple iBookstores outside their country.

My thanks to our friends at Apple for introducing Smashwords books to these new markets.

If you’re not yet distributing with Smashwords, visit our How to Publish and Distribute Ebooks with Smashwords page. In addition to distributing to the 31 Apple iBookstores, we also distribute your book to the online ebook stores operated by Barnes & Noble, Sony, Kobo, the Diesel eBookstore and to major mobile app platforms such as Stanza and Aldiko.

How Ebook Buyers Discover Books

noreply@blogger.com (Mark Coker) — Sat, 24 Sep 2011 15:15:00 +0000

Most writers write to get read, so how do readers discover ebooks?

To discover clues to the answer, I posted a survey over at Mobileread, the online forum popular with many ebook readers.

I challenged readers to select the single most common criterion they follow to discover their next read.

The results provide some interesting data points Smashwords authors and publishers might consider in their marketing efforts.

To capture a broad range of usable data, I suggested 12 answers, one of which was "Other." Respondents were allowed to select one answer only since I wanted to identify the single most important discovery criteria.

As of this writing, 206 people answered the survey. Click the image to enlarge it.

Key findings, plus my observations:

1. The most-selected answer was "Recommendations from fellow readers on online message forums, blogs and message boards," with 29% of respondents choosing this. By contrast, only 4% selected, "Personal friend/family member recommends it to me." I think this is fascinating, because it implies readers might trust the collective wisdom of strangers and online acquaintances more than they trust the recommendations of immediate friends and family. At the risk of placing too many eggs in this basket, remember 71% selected something else.

2. The second most common answer was, "I look first for my favorite authors," coming in at 18%. This makes sense. As I mention when I present my Seven Secrets to Ebook Publishing Success talk, the author is the brand and if the author can earn the trust and loyalty of readers, readers will return to that brand for their next read. Readers in this group may also be more risk-averse. One respondent commented, "I'm at a point in life where I mostly stick with authors I already know and like. Why waste time and money on something I may not like?"

3. I found it interesting that the top two answers accounted for 47% of responses, with the other 53% of answers fragmented across ten other answers. This implies, I think, that in order for authors to reach the maximum number of readers, it requires them to orchestrate multiple touch points.

4. Several answers indicate buyers prefer a random discovery approach. Readers like to browse. Taken in the aggregate, random browsing rivals the single largest discovery method, with over 25% of respondents. The following are all random browsing methods: I browse book covers, and if it grabs me I investigate further (7%); I browse randomly then look at reviews (7%); I read free ebooks, and if I like the authors I buy their other titles (5%); I browse paper books at brick and mortar bookstores, then search for the ebook online (4%); I'll sample anything, and if it grabs me I'll download/buy it (4%). Most other answers involve some element of random browsing.

5. The Mobileread community has apparently abandoned traditional print media as their first choice for reviews and recommendations, with only 3% citing this as their preferred book discovery method. This isn't surprising, considering Mobileread is a hyper-focused community dedicated to e-reading. It's not representative of the entire population of book buyers. However, I think Mobileread does serve as a leading indicator of how consumer sentiment will change once readers make the transition to e-reading. Looking at the answers in aggregate, it's clear that over 90% of ebook discovery is occurring in the online realm.

6. I was surprised only 3% of respondents looked first to the bestseller lists, which scored just as poorly as print media reviews. Possibly it's a flaw in how I structured the survey. I was also surprised that retailer recommendations, such as the "people who bought this bought that," scored only 5%. Maybe if I asked, "Name the top three methods you use for discovery," these would have scored higher.

7. The "Other" answers, where I invited Mobilereaders to leave comments and elaborate, elicited 11% of responses. Judging from their comments, several of them found it difficult to choose a single favorite discovery method (in other words, they didn't follow the survey instructions which asked them to choose their #1). Of those who provided true "other" answers, several mentioned they discover books at libraries, or select primarily by title or book description (I should have included these as a survey options).

What to make of the results? How might authors and publishers focus their e-publishing efforts based on the data above? I think it boils down to the following:

Write a great book that resonates with readers and gives them something to talk about
Target readers who are active in online communities because they influence their fellow readers (The Smashwords Book Marketing Guide provides 30 online marketing ideas)
Maximize the availability of your book so readers can randomly stumble across it and sample it
Boring titles, unprofessional cover images and poorly written book descriptions are instant turn-offs

Do the findings above match your experience as a reader or author?

Ebook Readers Buy More Books, Says New Harris Interactive Survey

noreply@blogger.com (Mark Coker) — Tue, 20 Sep 2011 15:50:00 +0000

A new Harris Interactive survey published today finds surging interest in ebooks and rapid adoption of e-reading devices.

Key findings:

E-reader usage is surging - 15% of Americans now use an e-reading device, up from 8% one year ago. One in six Americans who don't yet own an e-reader plan to buy one in the next six months.

Those with an e-reading device read more books - Whereas 16% of Americans read between 11 and 20 books a year and 20% reading 21 or more books in a year, among those who have an e-reader, 32% read 11-20 books a year and 27% read 21 or more books in an average year.

E-reader users buy more books - 32% of Americans report they have not purchased any books in the past year compared to only 6% of e-reader users. Whereas only 10% of Americans purchased between 11 and 20 books and 9% purchased 21 or more books, 17% of e-reader users purchased between 11 and 20 books and 17% of e-reader users purchased 21 or more books.

Click here to read the full ebook survey results from Harris Interactive, which also includes data on the most popular genres.

The survey was based on interviews with 2,183 American adults and was conducted in July.

Smashwords at Upcoming Conferences and Events

noreply@blogger.com (Mark Coker) — Thu, 15 Sep 2011 03:22:00 +0000

This weekend kicks off a busy speaking schedule covering eight conferences, seminars and workshops and at least a dozen panels and presentations.

If you're attending any of these events, please say hello. It's always great to meet Smashwords authors, agents and publishers.

Each event is hyperlinked so you can learn more. For most events, some or all of the event is open to the public but please pre-register in advance to confirm attendance.

September 16-18 (San Luis Obispo, CA): 27th Annual Central Coast Writers' Conference. The keynoter is NY Times best-selling author Jonathan Maberry, who, btw, ran an in-depth interview with me on his blog yesterday. I'm participating in four sessions. On Friday, I'm participating the Tech, Toys and Digital Tools pre-conference workshop, and then on Saturday I'm on a fun panel that will do an American Idol-style evaluation of writers in the audience who request critiques (this should be interesting, at Smashwords I deliberately avoid judging author works). On Sunday I'll do a workshop on ebook publishing best-practices, and then at the end of the day I present a wrap-up keynote where I'll talk about the biggest trends impacting the future of publishing. My thanks to Laurie McLean, an agent at Larson-Pomada Literary Agents for introducing me to Judy Salamacha, the organizer of this conference who assembled such great speakers and workshops.

September 20 (Los Angeles, CA): Writers Guild of America. I'm speaking at a WGA workshop alongside authors Lee Goldberg (on Smashwords) and Alexandra Sokoloff (also on Smashwords). Topic: "E-Publishing: Self-Help for WGA Members."

September 21 (Los Angeles, CA): Northwestern University Entertainment Alliance. Topic: E-publishing Seminar. I'll provide a primer on ebook publishing, talk about big trends in publishing and how indie authors can exploit these trends, and then I'll wrap with my latest Seven Secrets talk where I review the best practices of the most successful Smashwords authors.

September 26 (New York, NY): PublishersLaunch Ebooks for Everyone Else, a conference produced by Michael Cader of Publisher's Lunch and Mike Shatzkin of IdeaLogical. It's full day seminar covering a bunch of cool topics of interest to authors, small publishers and literary agents. I'll talk a few minutes about how authors, agents and publishers can leverage automated conversion services such as Smashwords or those offered by some retailers to produce high-quality, low-cost ebooks. Also appearing at the conference: Jane Dystel of Dystel & Goderich Literary Management, Robert Gottlieb of Trident Media Group, Michael Tamblyn of Kobo, Scott Waxman of Diversion Books and the Waxman Literary Agency, David Wilk of Booktrix, Joshua Tallent of eBook Architects and other smart cookies you'll find here.

October 10 (San Francisco, CA): LitQuake. This conference looks so super cool I'm sorry I'm missing it. Adding to the coolness factor is Bill Kendrick, our CTO. He'll appear the evening of October 10 in a session titled, Want That Book Published? How to Navigate the New World of Publishing. Bill's fellow panelists include literary agent Ted Weinstein (Ted's on Smashwords!), Laura Mazer of Soft Skull Press and Penny Nelson of Manus and Associates Literary Agents.

October 19-23 (St. Pete Beach, Florida): Novelists, Inc. 23rd Annual Conference. Theme: New Rules, New Tools: Writers in Charge. I'll participate in multiple sessions. One session will explore the new publishing landscape, and will feature fellow panelists Don Weisberg of Penguin, Linda Quinton from Tor, Carolyn Pittis from Harper Collins, and Lou Aronica, a New York Times bestselling co-author, novelist, and former Publisher of Avon Books and Berkley Books. In another session, we'll explore how professional authors can maintain reader excitement between big book projects. This second panel features Don Weisberg, Linda Quinton and also includes the awesome David Wilk of Booktrix. Looking forward to meeting several Smashwords authors at the conference! Full speakers list here.

October 29 (Sunnyvale, CA): E-publishing workshop sponsored by the South Bay Writers chapter of the California Writers Club. I'm presenting an intensive 1/2 day seminar covering virtually everything you need to know to produce, publish, promote and sell an ebook. Click here for the workshop brochure (opens a PDF). I'll start with an introductory primer on ebook self-publishing, present the Seven Secrets of Ebook Publishing Success, and then will wrap with some advanced topics exploring issues like ebook pricing and retailer sales rank.

November 2 (San Francisco, CA): Ebooks for Everyone Else comes to San Francisco. The one-day information-packed seminar will feature several fresh faces not at the first event in New York City from September 26, including yours truly. I'll talk again about how authors, agents and publishers can leverage automated conversion systems such as Smashwords to produce high-quality, low-cost ebooks. Several agents will be on hand to discuss their indie ebook initiatives, including Deidre Knight of The Knight Agency, Laura Rennert of Andrea Brown Literary Agency, Scott Waxman of Waxman Literary Agency and Diversion Books, and Ted Weinstein of Ted Weinstein Literary Management. As I blogged earlier, I'm so excited about the opportunity for literary agents to help their clients do indie ebooks I created The Literary Agent's Indie Ebook Roadmap to assist their planning and strategy. Find the full list of speakers here.

Smashwords Reaches Three Billion Words Published

noreply@blogger.com (Mark Coker) — Sun, 11 Sep 2011 18:15:00 +0000

Smashwords reached another milestone yesterday. One of our authors published the three billionth word.

We reached two billion words four months ago, and one billion 11 months ago.

To put this in further context, in the last four months we averaged 8.3 million words a day. This works out to about 350,000 words per hour, 5,700 words per minute or almost 100 words per second. Can you hear the keyboards clicking?

Smashwords is an ebook publishing and distribution platform. We're simply a tool that enables the efficient publication, distribution and management of ebooks. Our mission is to unleash the literary talent of writers from every corner of the globe.

We're now publishing over 70,000 books from 28,000 authors. In our first year, 2008, we published 140 titles. That grew to 6,000 in 2009, 28,800 in 2010, and will likely surpass 90,000 this year.

We take none of this for granted. This growth is entirely thanks to Smashwords authors, agents, publishers, retailers and customers who have granted us the privilege to distribute and sell these books.

Every day, the 11 of us at Smashwords are working to better serve you. My thanks to you for your continued trust, confidence and partnership. With your help, the best is yet to come.

How to Self-Publish an Ebook with Smashwords: 32 Authors Share Their Tips and Tricks

noreply@blogger.com (Mark Coker) — Sat, 10 Sep 2011 16:32:00 +0000

The other week, I invited Smashwords authors and publishers to help their fellow authors by writing a "How to Publish an Ebook on Smashwords" blog post.

32 authors and publishers below shared their smarts in an engaging and diverse collection of first-person tips, tricks and experiences.

For their effort, each will receive a collector's edition Smashwords coffee mug.

If you know an author who's not yet publishing ebooks, please share this collection with them. Used in concert with our Smashwords Style Guide (the ebook formatting bible for Smashwords), these posts will make their publishing adventure faster, simpler and more enjoyable.

Smashwords Authors and Publishers Share their Smarts

Julia Group - Publishing Wizard & Spy on Smashwords : Easy, peasey, lemon squeezee

Kristy K. James - Helpful Tips For Getting Published On Smashwords

AG Claymore - Publishing an eBook with Smashwords

John H. Carroll - How to Publish and Distribute Ebooks with Smashwords

Aaron Majewski - How to Publish and Distribute Ebooks with Smashwords

Jeff Hendricks - Self-Pubishing eBooks with Smashwords

Linda Pendleton (and Don Pendleton) - Ebook Publishing With Smashwords

Red Haircrow - Sharing the Smashwords Love: My Story On Why & How I Came to Self-Publish

Ian Thomas Healy - The Care and Feeding of THE MILKMAN: Super Secret Extra Cheesy Edition on Smashwords

Susanna Mahoney - Smashwords.com is the first step to publish your book for the world to enjoy

Anna Patterson - My Road to Publishing a Book

Dennis R. Blanchard - How I published THREE HUNDRED ZEROES with Smashwords

Kevin Domenic - How to Publish and Distribute Ebooks with Smashwords

Carol Anita Ryan - How you can publish on Smashwords

Wendy Maddocks - My publishing experiences with smashwords.com

Carolyn Brown - Tips for Publishing eBooks with Smashwords!

J.L. Murphey - Publishing Smashwords Style

Tommie Lyn - ...about formatting for Smashwords

John O'Brien - How I published A New World: Chaos with Smashwords

Jaye Seay - How to Publish and Distribute Ebooks with Smashwords

Karen Woodward - Publishing With Smashwords

Maranda Russell - Tips for Publishing on Smashwords

Jody Kihara - Smashwords, Formatting, and Special Characters (Em-dashes and En-dashes)

Lillie Ammann - Publishing Ebooks on Smashwords

D.C. Sargent - How To Tackle Smashwords

Dr. Tae Yun Kim - How the “Seven Steps to Inner Power” ebook was Published with Smashwords!

Cameron D. Garriepy - How to self-publish via Smashwords

B.C. Young - How to Publish and Distribute eBooks with Smashwords

SiewJin Christina Jee - Smashwords, a blue mug and I

David Derrico - How To Self-Publish With Smashwords

Ruby Barnes - Ignore Smashwords at your Peril

Sue A. Lehman - How I Published at Smashwords!

The Customer Perspective
We received this submission from a Smashwords customer in France who blogs and writes book reviews under the name, TheSFReader. Although it's not a how-to for authors, it provides interesting perspective on why one avid ebook buyer shops first at Smashwords (and also provides copius suggestions for future Smashwords features, so thanks!).

TheSFReader - I Love Smashwords , Don't You?

My thanks to everyone above for taking the time to share their tips and tricks for the benefit of fellow authors, publishers and readers.

Share your Smashwords Smarts, Earn a Shiny Mug

noreply@blogger.com (Mark Coker) — Fri, 26 Aug 2011 20:40:00 +0000

Share your Smashwords smarts and we'll send you a shiny new collector's edition Smashwords coffee mug, hot off the presses.

Each month, thousands of new authors and publishers join Smashwords, and many come to us with no prior knowledge about ebook publishing and distribution. For some, Smashwords is a breeze. For others, there's a steep learning curve.

Are you a Smashwords pro? What tips can you share with fellow authors and publishers to help them get up and running quicker, easier and with less frustration?

Here's how to earn your mug (plus other fab benefits):

1. Write a blog post titled something like, "How to Publish and Distribute Ebooks with Smashwords," or, "How I Published [Book Title] with Smashwords," or whatever else you think is fitting for an informative how-to post.

2. In your own words, explain to the uninitiated what Smashwords is, and how authors and publishers can use Smashwords as a tool to get their ebooks out there.

3. Now for the best part. Share your smarts. How did you do it? What tips and tricks did you learn along the way to make it faster and easier to get your books properly formatted, in the Premium Catalog, and selling to readers? What other Smashwords authors inspired you along the way? Give 'em a plug!

4. Provide helpful hyperlinks in your post to the resources at Smashwords you found most useful as you were getting up to speed (possibly the Smashwords Style Guide, the FAQ or its glossary of ebook terminology, the Smashwords Book Marketing Guide, the Smashwords Blog, the How to Publish and Distribute with Smashwords page, or the Smashwords Facebook forum?). Also be sure to include your book cover image in your post (this is an opportunity for you to promote your book too!), and add a hyperlink to your Smashwords author/publisher page and book your book pages so readers can view your finished work.

5. Add the Smashwords logo. Right mouse click on the one at left to save it to your desktop so you can add it to your post.

6. Once the blog is complete, post a link to it in the comments below and then email your complete mailing address to mug at smashwords.com. Once all the submissions are in, I'll feature the best of them (or all of them, if they're all great) in the body of a new blog post for early September titled something like, "Smashwords Authors Share Smashwords Tips and Tricks," which will become a collection of first-person how-to posts for other authors. Not only will you earn a mug for your trouble, you'll help your fellow authors and publishers. You also get some traffic to your blog because we'll promote this collection as a resource for other authors and publishers (so put your best foot forward and make your fellow authors proud!).

7. We'll limit this to the first 40 respondents who submit their posts by September 3. If the response is stronger, I'll give you a rain check for the next batch of mugs we produce in a couple months.

8. Optional Bonus: Now that you've taken the time to create a great resource for your fellow authors and publishers, share it. Are you in a writing club? Offer to contribute it to your next newsletter. Email it to your friends who aren't yet doing ebooks. Facebook it, tweet it. Offer it as a guest blog post to your favorite blogs (see more blog marketing ideas in the Smashwords Book Marketing Guide). Create a PowerPoint and post it to Slideshare.net (my recent Powerpoint, The Literary Agent's Indie Ebook Roadmap, has had over 9,000 views already. Wow. I love Slideshare.net. For more on them, see my August 7 Site Updates post). Share your smarts, help your fellow authors.

About the Mugs:

They're high-quality, made in the USA cobalt blue mugs with white, black and silver metallic printing. Only 70 of them exist. They're not for sale.

The front of the mug shows the Smashwords logo on a shiny silver background (they're actually small amount of real silver in that ink).

The back summarizes the benefits of the Smashwords service (click the image at below to enlarge). There's also a note that it's a collectors edition mug commemorating our first 65,000 ebooks (a milestone we zipped past about two weeks ago).

Thanks to our good-looking models Aaron Fernandez, who works on our vetting team, and Angela Schiavone, who works on our support team (she was a Smashwords author long before she was a Smashwords employee). Also thanks to Jim Azevedo, our new marketing manager who took the photos.

Have fun!

Smashwords Adds Adult Filter

noreply@blogger.com (Mark Coker) — Sat, 06 Aug 2011 22:57:00 +0000

Smashwords today added an adult filter to the Smashwords.com website.

The filter prevents first time visitors and others from viewing content rated adult by the author/publisher unless the visitor specifically asks to see such content. It filters out such content from the home page, search results, category listings and tag queries.

The adult filter was inspired by Google's "Moderate Safe Search" option, which is the default option for all users of the Google search engine.

A clearly visible "ON/OFF" toggle link appears in the upper right portion of the visitor's home page screen so they can easily set their preference. Click the ON or OFF and it toggles your setting to the other option.

Our new Adult Filter replaces what was previously known as our Prude Filter, a name that offended many. We agree, it was inappropriately named. It filtered out all adult material, not just erotic content. More importantly, the previous filter was not the default setting, which meant first time visitors, children and others not looking for adult content were exposed to inappropriate images, words and descriptions on the home page without their consent.

The filter has no bearing on our Smashwords Terms of Service regarding the types of books we will publish and distribute. It simply makes viewing adult content an opt-in choice. We trust this moves us one step closer toward fulfilling the promise of our tag line, "your ebook, your way."

The Literary Agent's Indie Ebook Roadmap

noreply@blogger.com (Mark Coker) — Fri, 05 Aug 2011 16:42:00 +0000

I mentioned previously I think the next chapter of the indie ebook revolution will be written by literary agents.

It's starting to happen. In the last few months several literary agencies began working with Smashwords. I look forward to welcoming others in the months ahead.

Today I posted a presentation at Slideshare titled, The Literary Agent's Indie Ebook Roadmap to review the opportunity I see for literary agents and their clients.

As I mentioned in my prior post on agents, literary agents can add a lot of value to the publishing process. They're the trusted author advocates charged with helping authors maximize the commercial potential of their works. A great agent brings passion, smarts and relationships that can multiply an author's success several-fold.

Literary agents represent some of the most commercially successful authors and author estates.

In the presentation below, I share my ideas for how literary agents can better serve their clients by adding e-publishing services to their clients services mix.

The Literary Agent's Indie Ebook Roadmap

Access the complete collection of Smashwords presentations here: Smashwords Slideshare Library

I view the publishing services ecosystem as a spectrum.

At one polar extreme you have traditional publishers who provide a wide range of service capabilities to authors, including editing, production, sales, distribution, marketing to accounts payables/receivables, and more.

Publishers take risks on books by investing their resources to bring them to market.

With the rise of ebooks and self-publishing, authors now have the opportunity to perform many of these publishing functions on their own, should they choose.

On the extreme left side of my spectrum I have what I call the "DIY Anarchists." These are the rare minority of hermits who do everything themselves and only sell on their personal website for fear of sharing a cut with a retailer or other intermediary that sits between them and their reader.

The vast majority of indie authors are somewhere in the middle. Many might use Smashwords for ebook conversion, publishing and distribution, then use POD printers for their print book. They might perform some responsibilities themselves, or they might farm out roles to specialist freelancers or service providers.

Some indie authors, basking in the new-found freedom to publish on their own terms, have an inclination to take on more than they should. Just because you have the power to assume all the responsibilities of a publisher doesn't mean you should bear the burden alone. This is where the publishing services specialists come in.

In the end, the decision to outsource some or all of your publishing services to an intermediary comes down to time. How can you best utilize your time?

For many authors, as I noted in my post, The Seven Secrets to Ebook Publishing Success, their time is usually best spent writing great books. Focus your energy on writing a book that sells itself. If your book sparks intense passion with readers, they'll market your book for you. I tell folks if they have $2,000 to invest in marketing they're probably better off investing that money with a professional editor who can help drive the next revision (I also advise authors to pinch their pennies; never spend money you don't have; and never go in debt to publish your book).

Literary agents have a unique opportunity to do for their clients what many of them do not want to do - or cannot do - for themselves.

What does the entry of agents into the publishing services field mean for you, the author? I think it's great news. Over time, it should allow agents to take more risks on more authors.

I've spoken with numerous agents who've shared how they loved an author's work but were unable to sell it, or unable to rep it because publishers wouldn't buy it. For agents who got into the business for their love of books and helping authors, it's a soul sucking experience.

Now agents have another reason to say yes. They can help release books think readers would want to read, rather than being forced to focus on books they think they can sell to a publisher. What publishers want to buy and what readers want to buy are usually VERY different things.

It's in every indie author's best interest, as well as the best interest of readers, that more agency-repped authors release their books as indie ebooks. Books usually get better when touched by an agent. Speaking from personal experience, I know the novel my wife and I wrote got better thanks to the feedback of our former agent at Dystel & Goderich.

Every indie ebook released by an agent creates a rising tide that lifts all authors and brings new credibility to this humble practice otherwise known as self-publishing.

Smashwords Style Guide Updated; Downloaded 100,000+ Times

noreply@blogger.com (Mark Coker) — Wed, 03 Aug 2011 17:37:00 +0000

We updated the Smashwords Style Guide today to include improved instructions for building linked Tables of Contents, controlling your NCX, building intra-book links for footnotes and endnotes, and troubleshooting. The new instructions are included in an expanded Step 20. Download the latest Style Guide here.

Over the last three years, we've made continuous enhancements to our Meatgrinder conversion engine, backed by over 50 updates the Style Guide where we capture our best practice recommendations for producing high quality multi-format ebooks.

Today, the ebook production quality possible through Smashwords rivals that of many hand-coded books that would cost the author hundreds of dollars were they to hire a professional ebook designer. We still have a ways to go, however. Our support for bulleted and numbered lists needs improvement, for example.

Thanks to the flexibility of our Meatgrinder conversion engine, we also make it possible for you to update or upgrade your book at any time without expense.

Separately today, we reached an exciting milestone. Today, the 100,000th copy of the Smashwords Style Guide was downloaded at Smashwords.com. Thousands of additional copies have been downloaded through our retail distribution network and Amazon.

Smashwords Acquires 50,000 New ISBNs

noreply@blogger.com (Mark Coker) — Thu, 14 Jul 2011 17:46:00 +0000

Smashwords this week acquired 50,000 new ISBN numbers from Bowker.

We offer these ISBNs for free to authors, publishers and agents who publish and distribute ebooks with Smashwords.

We buy them so you don't have to.

ISBNs are required for distribution to the Apple iBookstore and the Sony Reader Store.

There are a lot of misconceptions surrounding ISBNs. Despite the best efforts of Bowker and the international ISBN agency to educate authors and publishers about ISBNs, it's still common for authors to believe that the ISBN somehow impacts copyright or ownership of a book, or somehow makes a book more credible.

An ISBN is simply a unique digital identifier tied to a book that helps ebook supply chain participants track a book as it travels from publisher to distributor to retailer.

The value of a unique identifier is that the identifer stays the same even if the book's title, price, description, cover image or content changes.

To learn more about ISBNs, visit the Smashwords ISBN FAQ where you'll find links to other ISBN resources. Smashwords authors and publishers will find additional ISBN information at their ISBN Manager page.

Agents Entering E-Publishing Services Arena

noreply@blogger.com (Mark Coker) — Thu, 30 Jun 2011 15:27:00 +0000

Back in December, I predicted the next chapter in the indie ebook revolution would be written by literary agents.

It's starting to happen, but like any new idea the early agency and author adopters may face vilification before they're recognized as heroes.

Some critics claim that agents-as-publishing-service-provider creates a conflict of interest. Hogwash. Agents owe it to their clients to consider all opportunities to connect an author's books with readers.

Some indie authors have piled on Joe Konrat h for his decision to allow Dystel & Goderich Literary Management (DGLM) to manage the e-publishing of his forthcoming title, Timecaster Supersymmetry. At least one anonymous poster claimed Joe is a hypocrite for abandoning the indie ethos he has so effectively championed for several years.

His detractors miss the point. Joe's not a hypocrite. He's a smart business person.

The power of publishing is shifting to authors, and authors have the flexibility to enter into myriad business relationships of different shades and colors. Now is the time to experiment and take chances.

The author is running a business. The most successful authors are great writers who make smart business decisions. I often see talented authors undermining their success with poor business decisions grounded in fear and uncertainty (I touched on this last year in my post, the Seven Secrets to Ebook Publishing Failure). Joe's critics succumb to the FUD.

Smart businesspeople realize that just because they can do something on their own, doesn't mean they should do it on their own. Smart businesspeople align with business partners that add value.

Consider everything involved in getting a book from a writer's brain to the eyeballs of readers.

There's research, writing, revising, more revising, editing, proofing, book production, cover design, pre-pub marketing, sales, distribution, post-sales marketing, retailing and fulfillment.

These essential inputs are services. At one far end of the spectrum, the indie can go 100% Do-it-yourself and perform all the services on their own. At the other extreme end of the spectrum is the full-service traditional publisher.

Between these two extremes lies a vast middle ground where indies can avail themselves of the value-added capabilities of service providers like agents.

Literary agencies have an opportunity to do for authors what some authors don't want to do on their own. The trend also means agents now have the ability to engage at a deeper level with all their clients.

Some of the commenters on Joe's post questioned the value of agents' e-publishing ventures. In response, Barry Eisler poked fun at the DIY-extremists:

I just wanna say that real self-published authors write their books longhand using quills they've made and inks they've concocted from materials culled from the forest floor, on parchment they've pounded out with their own fists from trees they've felled with their own neolithic tools, and sell these books by hand in the public square, which they reach shoeless and on foot, eating roots and berries they gather along the way. Anything else is corruption, sabotage, and hypocrisy! Fight the man, people!

I'm surprised by the number of writers so quick to pass up opportunities in favor of jealously guarding that X%. Some writers have a near-allergic aversion to allowing any intermediary to profit from their book.

The Equity Equation

There's a simple analysis any author can perform when deciding whether or not to cede that XX% to an agent, a distributor, a retailer, a publisher or whomever.

Paul Graham, the venture capitalist, published an elegantly simple formula in 2007 called The Equity Equation that entrepreneurs can use to determine the benefit they must receive to justify giving XX% of their company to an investor.

The formula works equally well for authors. When Joe gives DGLM 15%, it's easy to determine the minimum amount of value-add DGLM must provide for Joe's decision to be a smart one.

Using the formula of 1/(1-n) where n = .15, we see that if DGLM's involvement can increase Joe's results 17.5% above what he'd otherwise accomplish on his own, then Joe's ahead in this partnership. Good agents can earn their entire keep with a single phone call, and great agents work that magic continuously for the lifetime of the relationship.

Top tier agencies like DGLM are successful because they're expert at delivering multiples of that 17.5% for their clients.

Joe gains not only from DGLM's investment of time, money, smarts, connections and enthusiasm, but he also gains time to produce more writing.

I'm reminded of a pearl of wisdom from my mom:

If you plant a $15 tree in a $5 hole, you get a $5 tree.

The writer's book (or the writer's career) is the tree, and the hole is the environment you create to establish roots and acquire the life-sustaining nourishment of readers and sales.

If a quality service provider is willing to invest alongside an author and fertilize the effort, the author is penny-wise and pound foolish not to consider the options.

Should agents provide indie ebook publishing services to their clients? Definitively yes. They'd be irresponsible not to.

A growing number of literary agents are beginning to use Smashwords for their clients' ebook distribution. This is good news for all indies.

E-Reading Device Ownership Surging, Says Pew Research

noreply@blogger.com (Mark Coker) — Mon, 27 Jun 2011 18:12:00 +0000

The percentage of U.S. adults who own a dedicated e-reading device is surging, according to new data released today by Pew Research.

According to Pew, for the month of May 2011, e-reader ownership grew to 12 percent, up from six percent six months ago.

Tablet ownership grew from five percent to eight percent in the same period.

Pew found interesting overlap among those who own both a dedicated e-reading device and a multi-function tablet. Three percent of US adults own both.

While at first glance that may seem insignificant, that three percent means 25 percent of dedicated e-reading device owners also own a tablet.

Five percent of consumers own a tablet but not a dedicated e-reader. This means 37.5 percent of tablet owners also own an e-reader.

Bottom line, reading is quickly moving to screens. I wouldn't be surprised if come January Pew shows e-reading device ownership reaches or surpasses 20 percent. We'll probably also see the lines of distinction between tablets and e-readers blur over the next six months as e-reading devices adopt more multi-function features.

To access their full report, click here.

Conversations on the Future of Publishing

noreply@blogger.com (Mark Coker) — Tue, 21 Jun 2011 16:43:00 +0000

Michael Wolf, the Vice President of Research at GigaOm, today released a podcast interview with me. You can access it here at his podcast site, Elitzr.

It was a wide-ranging conversation. We talked about our progress at Smashwords; best practices of the most successful indie authors; why a great book is an author's single most important marketing tool; ebooks as apps; how the power of publishing is shifting to indie authors and small publishers; the future of Big Publishers; the changing attitudes toward self-publishing; and what's next for Smashwords.

My thanks to Michael Wolf for helping to shine a bright light on indie ebook revolution.

What Can Big Publishers Learn from Self-Publishers?

This Thursday at 10am Pacific, I'm participating in a free O'Reilly webcast titled, What Traditional Publishers Can Learn from Self-Publishers.

Fellow panelists include Chad Jennings of Blurb, Pete Nikolai of Thomas Nelson Publishers, and Bob Young of Lulu. Click here to register and learn more.

The panel is led by the amazing Joe Wikert, General Manager and Publisher at O'Reilly Media. Joe also writes the Publishing 2020 blog. A bit of trivia: Back in early 2008, Joe was among the first three people to receive an advance sneak peak of the Smashwords platform pre-launch. The other two were David Rothman, the founding editor of Teleread, and Eoin Purcell in Ireland.

REPLAY AVAILABLE: Click here to listen to the archived replay until September 22, 2011.