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		<title>SO! Podcast #82: Living Sounds: Rhythms of Belonging</title>
		<link>https://soundstudiesblog.com/2025/09/29/so-podcast-82-living-sounds-rhythms-of-belonging/</link>
					<comments>https://soundstudiesblog.com/2025/09/29/so-podcast-82-living-sounds-rhythms-of-belonging/#comments</comments>
		
		<dc:creator><![CDATA[Jennifer Lynn Stoever]]></dc:creator>
		<pubDate>Mon, 29 Sep 2025 19:53:08 +0000</pubDate>
				<category><![CDATA[Acoustic Ecology]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Curation]]></category>
		<category><![CDATA[Diasporic Sound]]></category>
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		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Sound Art]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[The Body]]></category>
		<category><![CDATA[Voice]]></category>
		<category><![CDATA[Bonnie Han Jones]]></category>
		<category><![CDATA[Jennifer Lynn Stoever]]></category>
		<category><![CDATA[Living Sounds: Rhythms of Belonging]]></category>
		<category><![CDATA[Marlo de Lara]]></category>
		<category><![CDATA[Paulina Velazquez Solis]]></category>
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		<category><![CDATA[The Soil Factory]]></category>
		<category><![CDATA[women sound studies artists]]></category>
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					<description><![CDATA[CLICK HERE TO DOWNLOAD:&#160;SO! Podcast #82: Living Sounds: Rhythms of Belonging SUBSCRIBE TO THE SERIES VIA&#160;APPLE PODCASTS FOR TRANSCRIPT:&#160;ACCESS EPISODE THROUGH APPLE PODCASTS&#160;, locate the episode and click on the three dots to the far right. Click on “view transcript.” It&#8217;s been a minute for the SO! podcast but we are glad to be back&#8211;however [&#8230;]]]></description>
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<p class="wp-block-paragraph"><strong>CLICK HERE TO DOWNLOAD</strong>:&nbsp;<strong><a href="https://soundstudiesblog.com/wp-content/uploads/2025/09/living-sounds-mp3-1.mp3">SO! Podcast #82: Living Sounds: Rhythms of Belonging</a></strong></p>



<p class="wp-block-paragraph"><strong>SUBSCRIBE TO THE SERIES VIA&nbsp;<a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">APPLE PODCASTS</a></strong></p>



<p class="wp-block-paragraph"><strong>FOR TRANSCRIPT:&nbsp;</strong><a href="https://podcasts.apple.com/us/podcast/sounding-out/id435193796"><strong>ACCESS EPISODE THROUGH APPLE PODCASTS</strong>&nbsp;</a>, locate the episode and click on the three dots to the far right. Click on “view transcript.”</p>



<p class="wp-block-paragraph">It&#8217;s been a minute for the SO! podcast but we are glad to be back&#8211;however intermittently&#8211;with a podcast episode that shares a discussion between women sound studies artists and scholars.  The panel &#8220;<strong>Living Sounds: Rhythms of Belonging</strong>,&#8221; was held on September 19 at 6-7pm EDT at <a href="https://thesoilfactory.org/">The Soil Factory </a>arts space in Ithaca, New York. Moderator <a href="https://soundstudiesblog.com/jennifer-stoever/">Jennifer Lynn Stoever</a>, sound studies scholar and our Ed. in Chief, talks with four women sound artists about their praxis: <a href="https://marlodelara.squarespace.com/">Marlo de Lara</a>, <a href="https://bonnie-jones.com/">Bonnie Han Jones</a>, <a href="https://www.sarahnance.com/">Sarah Nance</a> and <a href="https://multifungi.com/">Paulina Velazquez Solis</a>.</p>



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<h2 class="wp-block-heading">Bios</h2>



<p class="wp-block-paragraph"><strong>Marlo De Lara</strong>&nbsp;(they/siya) obtained a PhD in Cultural Studies (University of Leeds) and an MA in Psychosocial Studies from the Centre of Psychoanalytic Studies at Essex. Their creative practice works within the realms of sound performance, visual distraction, and film. Using found objects, installation, and various forms of amplification, environments/structures use sound to impart meaning and affect for the participant. As the child of Philippine migrants, De Lara’s unabashed feminist sociopolitical practice/research editorializes on contemporary global conditions. As an arts facilitator, using their critiques of the nonprofit industrial complex and institutional learning, De Lara aims to transgress and subvert traditional hierarchical ways of managing contemporary art spaces. In the role of community care, Marlo uses mutual aid and emergent strategies in combination with decolonial ways of nourishing equity, diversity, and inclusion practices to ensure safety and access for all.  Marlo is a Certified <a href="https://www.deeplistening.rpi.edu/training/teaching-certification/" target="_blank" rel="noreferrer noopener">Deep Listening Facilitator</a> and shaping a career as Counsellor/Coach/Guide in therapeutic healing methods informed by Western psychotherapeutic/psychological, healing arts, expressive therapies, and various indigenous practices, most specifically <a href="https://www.psychologytoday.com/us/blog/ordinary-magic/202409/understanding-the-psychology-of-pilipinos" target="_blank" rel="noreferrer noopener"><em>sikolohiyang pilipino</em></a><em>.</em><br></p>



<p class="wp-block-paragraph"><strong>Bonnie Han Jones</strong> is a Korean-American improvising musician, poet, and performer working with electronic sound and text. She performs solo and in numerous collaborative music, film, and visual art projects. Bonnie was a founding member of the Transmodern Festival and CHELA Gallery and is currently a member of the High Zero Festival collective. In 2010, along with Suzanne Thorpe she co-founded TECHNE, an organization that develops anti-racist, feminist workshops that center on technology-focused art making, improvisation, and community collaboration. She has received commissions from the London ICA and Walters Art Museum and has presented her work extensively at institutions in the US, Mexico, Europe and Asia. Bonnie was a 2018 recipient of the Foundation for Contemporary Arts Grants to Artists Award. Born in South Korea, she was raised on a dairy farm in New Jersey, spent her formative years in Baltimore, Maryland and Providence RI and currently resides in Chicago, IL.</p>



<p class="wp-block-paragraph"><strong>Sarah Nance</strong> is an interdisciplinary artist exploring the intersections of geologic processes and human experience in archived, constructed, and speculative landscapes. Her work has been performed and exhibited widely, at venues in China, France, Canada, Iceland, South Korea, Germany, and Italy, as well as across the U.S.&nbsp;</p>



<p class="wp-block-paragraph"><strong>Paulina Velázquez Solís </strong>is a multimedia artist and curator from Mexico and Costa Rica. She works with&nbsp;installation, sound, sculpture, drawing, animation/video, and media performance. She is interested in the body&nbsp;and the biological and natural world in interaction with the cultural and social notions of normalcy&nbsp;and experiences as a multinational individual. Her work has been shown in places like Museo de Arte y Diseño Contemporáneo and TEOR/éTica in Costa Rica;&nbsp;Taipei Fine Arts Museum;&nbsp;Ex Teresa Arte Actual in&nbsp;México City;&nbsp;Casa de las Americas in La Havana, Cuba;&nbsp;Museo de Arte Contemporáneo in Panamá City;&nbsp;Museum of the Americas, Washington, DC; and&nbsp;Root Division and The Lab in San Francisco.</p>



<p class="wp-block-paragraph"><strong>Jennifer Lynn Stoever</strong> is Associate Professor of English at Binghamton University, founding Editor-in-Chief of Sounding Out!, and author of The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). Her research has been supported by the Whiting Foundation, the George A. and Eliza Gardner Howard Foundation, and the National Endowment for the Humanities.<br><br><em>Thank you to Travis Johns for the recording and mixing.</em></p>



<p class="wp-block-paragraph">&#8212;</p>


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<p class="wp-block-paragraph"><strong><em>REWIND!</em>&nbsp;. . .</strong>If you liked this post, you may also dig:<br><strong><a href="https://soundstudiesblog.com/2015/11/02/languages-of-exile/">SO! Podcast #48: Languages of&nbsp;Exile</a></strong></p>



<p class="wp-block-paragraph"><a href="https://soundstudiesblog.com/wp-content/uploads/2016/04/cecilia-suhr-so-podcast.mp3"><strong>SO! Podcast #53: H. Cecilia Suhr’s “From Ancient Soul to Ether”</strong></a></p>



<p class="wp-block-paragraph"><a href="https://soundstudiesblog.com/wp-content/uploads/2016/06/frank-bridges-nb-scene-archive-podcast.mp3"><strong>SO! Podcast #55: The New Brunswick Music Scene Symposium</strong></a></p>



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<itunes:summary>CLICK HERE TO DOWNLOAD: SO! Podcast #82: Living Sounds: Rhythms of Belonging SUBSCRIBE TO THE SERIES VIA APPLE PODCASTS FOR TRANSCRIPT: ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on “view transcript.” It’s been a minute for the SO! podcast but we are glad to be back–however […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: SO! Podcast #82: Living Sounds: Rhythms of Belonging SUBSCRIBE TO THE SERIES VIA APPLE PODCASTS FOR TRANSCRIPT: ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on “view transcript.” It’s been a minute for the SO! podcast but we are glad to be back–however […]</googleplay:description>

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			<media:title type="html">drjsa</media:title>
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	<itunes:subtitle>CLICK HERE TO DOWNLOAD:&amp;#160;SO! Podcast #82: Living Sounds: Rhythms of Belonging SUBSCRIBE TO THE SERIES VIA&amp;#160;APPLE PODCASTS FOR TRANSCRIPT:&amp;#160;ACCESS EPISODE THROUGH APPLE PODCASTS&amp;#160;, locate the episode and click on the three dots to the far right. Click on “view transcript.” It&amp;#8217;s been a minute for the SO! podcast but we are glad to be back&amp;#8211;however [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>SO! Podcast #81: The Intimacy and Public Feeling of a Post-Troika Emotional Recovery</title>
		<link>https://soundstudiesblog.com/2020/01/30/so-podcast-81-the-intimacy-and-public-feeling-of-a-post-troika-emotional-recovery/</link>
					<comments>https://soundstudiesblog.com/2020/01/30/so-podcast-81-the-intimacy-and-public-feeling-of-a-post-troika-emotional-recovery/#respond</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 30 Jan 2020 14:00:32 +0000</pubDate>
				<category><![CDATA[Performance]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Podcasting]]></category>
		<category><![CDATA[The Body]]></category>
		<category><![CDATA[affect]]></category>
		<category><![CDATA[affection]]></category>
		<category><![CDATA[Ana Pais]]></category>
		<category><![CDATA[Cinderella]]></category>
		<category><![CDATA[cultural politics]]></category>
		<category><![CDATA[Every Brilliant Thing]]></category>
		<category><![CDATA[feeling]]></category>
		<category><![CDATA[Happy Show]]></category>
		<category><![CDATA[Intimacy]]></category>
		<category><![CDATA[Ivo Canelas]]></category>
		<category><![CDATA[Lígia Soares]]></category>
		<category><![CDATA[Miguel Pereira]]></category>
		<category><![CDATA[Performance Studies]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Portugal]]></category>
		<category><![CDATA[Post-Troika]]></category>
		<category><![CDATA[Public Feeling]]></category>
		<category><![CDATA[Recovery]]></category>
		<category><![CDATA[Sónia Baptista]]></category>
		<category><![CDATA[Tristeza]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=23440</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: SO! Podcast #81: The Intimacy and Public Feeling of a Post-Troika Emotional Recovery SUBSCRIBE TO THE SERIES VIA APPLE PODCASTS FOR TRANSCRIPT: ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on &#8220;view transcript.&#8221; This week we are glad to share [&#8230;]]]></description>
										<content:encoded><![CDATA[
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<p class="wp-block-paragraph"><strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2020/01/radio-intimacy.mp3">SO! Podcast #81: The Intimacy and Public Feeling of a Post-Troika Emotional Recovery</a></strong></p>



<p class="wp-block-paragraph"><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">APPLE PODCASTS</a></strong></p>



<p class="wp-block-paragraph"><strong>FOR TRANSCRIPT: </strong><a href="https://podcasts.apple.com/us/podcast/sounding-out/id435193796"><strong>ACCESS EPISODE THROUGH APPLE PODCASTS</strong> </a>, locate the episode and click on the three dots to the far right. Click on &#8220;view transcript.&#8221;</p>



<p class="wp-block-paragraph">This week we are glad to share a podcast on intimacy and public feeling. Our host, Ana Pais looks at several performances which premiered in Portugal between 2017 and 2019: &nbsp;Happy Show, by Miguel Pereira; Tristeza in English from Spanish, by Sónia Baptista; Cinderella, by Lígia Soares; and Every Brilliant Thing, by Ivo Canelas. Pais&nbsp;examines the social, cultural and political dimensions of public feeling (or public affect) as well as how they influence our everyday experience using the format of a radio broadcast.</p>



<p class="wp-block-paragraph">Formulated by Lauren Berlant (2011), the concept public feeling defines public spheres as collectively generated and negotiated words of affect. The private sphere where we experience our emotions and feelings most intimately is conditioned and shaped by economic, political and cultural forces. They fuel desires and fantasies that circulate in cultural narratives. This podcast questions why the Portuguese artists listed above chose to pick happiness, sadness, depression and romantic love as topics for development in the current Portuguese political and social situation? How do these affects reflect, reinforce and subvert a post-Troika context with a Left Wing coalition government and a President of the Republic called&#8211;even before he took office&#8211;the “president of affection”?</p>



<p class="wp-block-paragraph">&#8212;</p>



<p class="wp-block-paragraph">Featured image is of Miguel Pereira&#8217;s Happy Show. It is used with permission by the author.</p>



<p class="wp-block-paragraph">&#8212;<br><strong>Ana Pais</strong> is a dramatuge, curator, and FCT Postdoctoral Fellow at CET – Centro de Estudos de Teatro at the School of Arts and Humanities of the University of Lisbon. She is currently undertaking the research project “Practices of Feeling” in which she approaches the affective dimensions of performance through embodied knowledge and sound knowledge. She is the author of Discourse of Complicité: Contemporary Dramaturgies (Colibri 2004), Affective Rhythms in the Performing Arts (Colibri 2018), and the editor of Performance na Esfera Pública (2017, Orfeu Negro) and its online version in English available at <a href="http://www.performativa.pt/">www.performativa.pt</a>. From 2005 to 2010, she was an Assistant Professor at Escola Superior de Teatro e Cinema (Lisbon). As a dramaturge, she has worked with theatre and dance professionals in Portugal (João Brites, Tiago Rodrigues, Rui Horta and Miguel Pereira). She curated, coordinated and produced various discursive practice events, such as: Indirecções Generativas – baldio (co-curation; Espaço do Tempo, 2013), Conversas Domésticas (Temps d’Images festival, 2013 and 2014), O Poder dos Afectos Lecture Series (Culturgest, February 2015), Dirty Ear Forum artistic residency (co-curated with Brandon LaBelle, Lisbon, 30thSeptember – 5th October), and Projecto P! Performance na Esfera Pública (Lisbon, 10-14th April 2017).<br>&#8212;</p>


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</div>


<p class="wp-block-paragraph"><strong><em>REWIND!</em>&nbsp;. . .</strong>If you liked this post, you may also dig:</p>



<p class="wp-block-paragraph"><strong><a href="https://soundstudiesblog.com/2016/03/21/afecto-caribeno-caribbean-affect-in-desi-arnaz-babalu-aye/" rel="bookmark">Afecto Caribeño / Caribbean Affect in Desi Arnaz’s “Babalú Aye”</a> –&nbsp;reina alejandra prado saldivar</strong></p>



<p class="wp-block-paragraph"><a href="https://soundstudiesblog.com/2019/11/11/my-voice-or-on-not-staying-quiet/"><strong>My Voice, or On Not Staying Quiet</strong></a><strong> – Kaitlyn Liu</strong></p>



<p class="wp-block-paragraph"></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: SO! Podcast #81: The Intimacy and Public Feeling of a Post-Troika Emotional Recovery SUBSCRIBE TO THE SERIES VIA APPLE PODCASTS FOR TRANSCRIPT: ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on “view transcript.” This week we are glad to share […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: SO! Podcast #81: The Intimacy and Public Feeling of a Post-Troika Emotional Recovery SUBSCRIBE TO THE SERIES VIA APPLE PODCASTS FOR TRANSCRIPT: ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on “view transcript.” This week we are glad to share […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: SO! Podcast #81: The Intimacy and Public Feeling of a Post-Troika Emotional Recovery SUBSCRIBE TO THE SERIES VIA APPLE PODCASTS FOR TRANSCRIPT: ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on &amp;#8220;view transcript.&amp;#8221; This week we are glad to share [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>SO! Podcast #80: Refugee Realities Miniseries</title>
		<link>https://soundstudiesblog.com/2019/12/02/so-podcast-80-refugee-realities/</link>
					<comments>https://soundstudiesblog.com/2019/12/02/so-podcast-80-refugee-realities/#comments</comments>
		
		<dc:creator><![CDATA[sceraso]]></dc:creator>
		<pubDate>Mon, 02 Dec 2019 14:00:52 +0000</pubDate>
				<category><![CDATA[Identity]]></category>
		<category><![CDATA[Next Gen Sound Studies]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Urban Space]]></category>
		<category><![CDATA[Ahmad Frahmand]]></category>
		<category><![CDATA[Amanda Patton]]></category>
		<category><![CDATA[assimilation]]></category>
		<category><![CDATA[Brad Joseph]]></category>
		<category><![CDATA[Charlottesville]]></category>
		<category><![CDATA[first generation]]></category>
		<category><![CDATA[Melvin Mora Rangel]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[refugees]]></category>
		<category><![CDATA[resources]]></category>
		<category><![CDATA[second generation]]></category>
		<category><![CDATA[Steph Ceraso]]></category>
		<category><![CDATA[Writing With Sound]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=23304</guid>

					<description><![CDATA[Welcome to Next Gen sound studies! Here, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You&#8217;ll read voice biographies (Kaitlyn Liu&#8217;s &#8220;My Voice, or On Not Staying Quiet,&#8221;) check out blog assignments (David Lee&#8217;s &#8220;Mukbang Cooks, Chews, [&#8230;]]]></description>
										<content:encoded><![CDATA[<strong><a href="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg"><img loading="lazy" data-attachment-id="23227" data-permalink="https://soundstudiesblog.com/2019/11/11/my-voice-or-on-not-staying-quiet/next-gen-sound-studies2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg" data-orig-size="249,249" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 6 Plus&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1434195982&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.1&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;latitude&quot;:&quot;40.744788888889&quot;,&quot;longitude&quot;:&quot;-73.943261111111&quot;}" data-image-title="next gen sound studies2" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg?w=249" class="alignleft size-thumbnail wp-image-23227" src="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg?w=150" alt="" width="150" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg 249w" sizes="(max-width: 150px) 100vw, 150px" /></a>Welcome to Next Gen sound studies! Here, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You&#8217;ll read voice biographies (Kaitlyn Liu&#8217;s &#8220;<a href="https://soundstudies.wordpress.com/2019/11/11/my-voice-or-on-not-staying-quiet/">My Voice, or On Not Staying Quiet</a>,&#8221;) check out blog assignments (David Lee&#8217;s &#8220;<a href="https://soundstudies.wordpress.com/2019/11/18/mukbang-cooks-chews-and-heals/">Mukbang Cooks, Chews, and Heals&#8221;)</a>, listen to podcasts (Nic John Ramos and Laura Garbes hosting </strong><a href="https://soundstudiesblog.com/2019/11/25/so-podcast-79-behind-the-podcast-deconstructing-scenes-from-afri0550-african-american-health-activism/"><strong>SO! Podcast #79: Behind the Podcast: deconstructing scenes from AFRI0550, African American Health Activism), </strong></a><strong>and read detailed histories that will inspire and invigorate. Bet.  &#8211;JS</strong>

<strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2019/12/refugee-realities.mp3">SO! Podcast #80: Refugee Realities Miniseries</a></strong>



<strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">APPLE PODCASTS</a></strong>

 

<strong>FOR TRANSCRIPT: </strong><a href="https://podcasts.apple.com/us/podcast/sounding-out/id435193796"><strong>ACCESS EPISODE THROUGH APPLE PODCASTS</strong> </a>, locate the episode and click on the three dots to the far right. Click on &#8220;view transcript.&#8221;

<hr />

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Join hosts Amanda Patton, Ahmad Frahmand, Melvin Mora Rangel, and Brad Joseph as they interview local refugees and organizations in an attempt to learn what brings refugees seeking asylum to Charlottesville, Virginia. This podcast explores the personal experiences of refugees as they navigate the institutional realities of Charlottesville. It probes the experience of assimilation asking if it is easier to assimilate as a second generation refugee? And asks about the unique challenges that second generation refugees face. Finally, the podcast concludes by sharing resources available for refugees in Charlottesville and how listeners can aid the cause.

We are delighted to host this podcast at <em>Sounding Out!</em> and hope that you enjoy this excellent piece.

&#8212;
<p id="facname"><strong>Amanda Patton</strong>, <strong>Ahmad Frahmand</strong>, <strong>Melvin Mora Rangel</strong>, and <strong>Brad Joseph</strong> authored this podcast series as a project in <strong>Steph Ceraso</strong>&#8216;s amazing &#8220;<a href="https://writingwithsound.wordpress.com/">Writing With Sound</a>&#8221; class at the University of Virginia. Here&#8217;s the link to the <a href="https://writingwithsound.wordpress.com/final/">podcast assignment,</a> with a full rubric at the end.</p>
&#8212;

<strong><em><img loading="lazy" data-attachment-id="20898" data-permalink="https://soundstudiesblog.com/2017/11/27/the-firesign-theatres-wax-poetics-how-a-narrative-takes-shape-in-auditory-dissonance-and-experimentation/tape-reel-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" data-orig-size="136,150" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="tape-reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=136" class=" size-full wp-image-20898 alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=135" alt="tape-reel" width="135" height="148" srcset="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=135 135w, https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg 136w" sizes="(max-width: 135px) 100vw, 135px" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:

<strong><a href="https://soundstudiesblog.com/2019/11/25/so-podcast-79-behind-the-podcast-deconstructing-scenes-from-afri0550-african-american-health-activism/" rel="bookmark">SO! Podcast #79: Behind the Podcast: deconstructing scenes from AFRI0550, African American Health Activism</a> – Nic John Ramos and Laura Garbes</strong>

<a href="https://soundstudiesblog.com/2016/02/29/16635/"><strong>A Manifesto, or Sounding Out!’s 51st Podcast!!!</strong></a><strong> – Aaron Trammell</strong>

<strong><a href="https://soundstudiesblog.com/2019/11/18/mukbang-cooks-chews-and-heals/">Mukbang Cooks, Chews, and Heals</a> – David Lee</strong>]]></content:encoded>
					
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<itunes:summary>Welcome to Next Gen sound studies! Here, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You’ll read voice biographies (Kaitlyn Liu’s “My Voice, or On Not Staying Quiet,”) check out blog assignments (David Lee’s “Mukbang Cooks, Chews, […]</itunes:summary>
<googleplay:description>Welcome to Next Gen sound studies! Here, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You’ll read voice biographies (Kaitlyn Liu’s “My Voice, or On Not Staying Quiet,”) check out blog assignments (David Lee’s “Mukbang Cooks, Chews, […]</googleplay:description>

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	<itunes:subtitle>Welcome to Next Gen sound studies! Here, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You&amp;#8217;ll read voice biographies (Kaitlyn Liu&amp;#8217;s &amp;#8220;My Voice, or On Not Staying Quiet,&amp;#8221;) check out blog assignments (David Lee&amp;#8217;s &amp;#8220;Mukbang Cooks, Chews, [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>SO! Podcast #79: Behind the Podcast: deconstructing scenes from AFRI0550, African American Health Activism</title>
		<link>https://soundstudiesblog.com/2019/11/25/so-podcast-79-behind-the-podcast-deconstructing-scenes-from-afri0550-african-american-health-activism/</link>
					<comments>https://soundstudiesblog.com/2019/11/25/so-podcast-79-behind-the-podcast-deconstructing-scenes-from-afri0550-african-american-health-activism/#comments</comments>
		
		<dc:creator><![CDATA[Sounding Out! Author(s)]]></dc:creator>
		<pubDate>Mon, 25 Nov 2019 14:00:22 +0000</pubDate>
				<category><![CDATA[American Studies]]></category>
		<category><![CDATA[Black Studies]]></category>
		<category><![CDATA[Children's Issues]]></category>
		<category><![CDATA[Digital Humanities]]></category>
		<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[Gender]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Medicine]]></category>
		<category><![CDATA[Next Gen Sound Studies]]></category>
		<category><![CDATA[Pedagogy]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Podcasting]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Voice]]></category>
		<category><![CDATA[Amber Parson]]></category>
		<category><![CDATA[Brown University]]></category>
		<category><![CDATA[Harriet Jacobs]]></category>
		<category><![CDATA[Incidents in the Life of a Slave Girl]]></category>
		<category><![CDATA[Laura Garbes]]></category>
		<category><![CDATA[Mali Dandridge]]></category>
		<category><![CDATA[Nic John Ramos]]></category>
		<category><![CDATA[Podcasting and Pedagogy]]></category>
		<category><![CDATA[Sterling Stiger]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=23256</guid>

					<description><![CDATA[Welcome to Next Gen sound studies! In the month of November, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You&#8217;ll read voice biographies (Kaitlyn Liu&#8217;s &#8220;My Voice, or On Not Staying Quiet,&#8221;) check out blog assignments (David [&#8230;]]]></description>
										<content:encoded><![CDATA[<img loading="lazy" data-attachment-id="23287" data-permalink="https://soundstudiesblog.com/2019/11/25/so-podcast-79-behind-the-podcast-deconstructing-scenes-from-afri0550-african-american-health-activism/screenshot-2019-11-24-17-05-35-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2019/11/screenshot-2019-11-24-17.05.35-1.png" data-orig-size="978,748" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Screenshot 2019-11-24 17.05.35" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2019/11/screenshot-2019-11-24-17.05.35-1.png?w=519" class="aligncenter size-full wp-image-23287" src="https://soundstudiesblog.com/wp-content/uploads/2019/11/screenshot-2019-11-24-17.05.35-1.png" alt="" width="519" height="397" srcset="https://soundstudiesblog.com/wp-content/uploads/2019/11/screenshot-2019-11-24-17.05.35-1.png?w=519&amp;h=397 519w, https://soundstudiesblog.com/wp-content/uploads/2019/11/screenshot-2019-11-24-17.05.35-1.png?w=150&amp;h=115 150w, https://soundstudiesblog.com/wp-content/uploads/2019/11/screenshot-2019-11-24-17.05.35-1.png?w=300&amp;h=229 300w, https://soundstudiesblog.com/wp-content/uploads/2019/11/screenshot-2019-11-24-17.05.35-1.png?w=768&amp;h=587 768w, https://soundstudiesblog.com/wp-content/uploads/2019/11/screenshot-2019-11-24-17.05.35-1.png 978w" sizes="(max-width: 519px) 100vw, 519px" />

<strong><a href="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg"><img loading="lazy" data-attachment-id="23227" data-permalink="https://soundstudiesblog.com/2019/11/11/my-voice-or-on-not-staying-quiet/next-gen-sound-studies2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg" data-orig-size="249,249" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 6 Plus&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1434195982&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.1&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;latitude&quot;:&quot;40.744788888889&quot;,&quot;longitude&quot;:&quot;-73.943261111111&quot;}" data-image-title="next gen sound studies2" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg?w=249" class="alignleft size-thumbnail wp-image-23227" src="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg?w=150" alt="" width="150" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2019/11/next-gen-sound-studies2.jpg 249w" sizes="(max-width: 150px) 100vw, 150px" /></a>Welcome to Next Gen sound studies! In the month of November, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You&#8217;ll read voice biographies (Kaitlyn Liu&#8217;s &#8220;<a href="https://soundstudies.wordpress.com/2019/11/11/my-voice-or-on-not-staying-quiet/">My Voice, or On Not Staying Quiet</a>,&#8221;) check out blog assignments (David Lee&#8217;s &#8220;<a href="https://soundstudies.wordpress.com/2019/11/18/mukbang-cooks-chews-and-heals/">Mukbang Cooks, Chews, and Heals&#8221;)</a>, listen to podcasts, and read detailed histories that will inspire and invigorate. Bet.  &#8211;JS</strong>

We are thrilled to bring you today&#8217;s utter <em>gift</em> from Dr. <a href="https://drexel.edu/coas/faculty-research/faculty-directory/nic-ramos/"><strong>Nic John Ramos</strong></a> (Drexel University) and <a href="https://www.lauragarbes.com/"><strong>Laura Garbes</strong></a> (Brown University) who team taught this tremendous course in the Department of Africana Studies at Brown University called <a href="https://blogs.brown.edu/afri0550/sample-page/">African American Health Activism from Colonialism to AIDS  </a>that used podcasting as a critical venue of knowledge production and a pedagogical tool. The introductory paragraph of their syllabus explains the class as follows:
<blockquote>
<p class="has-text-color has-background has-drop-cap has-pale-cyan-blue-color has-luminous-vivid-orange-background-color">This historical survey course examines African American activism and social movements from Colonialism and Emancipation to the contemporary period through the lens of African American access to health resources. The course also explores how marginalized peoples and communities are using new digital technologies, such as podcasting, to represent and intervene on historical inequalities. Thus, the course aims to produce public historians who are well versed in the history of medicine from the perspective of African descended peoples AND can produce social justice-oriented digital content based on their knowledge of history and marginalized communities.</p>
</blockquote>
In other words&#8211; theirs wasn&#8217;t a radio or a podcasting <em>themed</em> course, but instead, Professors Ramos and Garbes introduced podcasting to students as a mode of critical thought and expression. As they reflect:
<blockquote>Like many educators, we see podcasting as an opportunity to enter students on the ground floor of an increasingly popular social medium that many conceive of as a potentially more democratic sound space. We firmly believe spaces of sound, such as podcasting, however, cannot truly be democratic unless more people have the knowledge and know-how to enter their voices and the voices of their communities into the fray. In these troubling times, we especially see podcasting as an opportunity to share and tell stories often misheard, untold, and unheard in history and on the radio. It was important to us that our students recognize that the voices of the communities they come from and/or the histories rarely hear elsewhere have a legitimate place in the academy and on the airwaves.</blockquote>
Today, via the form of a podcast, Ramos and Garbes go fantastically meta- on us, introducing one of the final projects from their course&#8211;an audio story entitled &#8220;Shadows in Harriet&#8217;s Dawn&#8221; by Brown Undergraduates <strong>Mali Dandridge, Sterling Stiger, and Amber Parson</strong>&#8212; giving us rare insight and commentary on the process. The student work understands Harriet Jacobs (activist and author of <em>Incidents in the Life of a Slave Girl)</em> in the context of enslavement and childhood trauma.  The full transcript of their &#8220;Behind the Podcast&#8221; podcast follows this introduction. Here&#8217;s the students&#8217; podcast description:
<blockquote>Through the re-telling of American author and former slave Harriet Jacobs’s girlhood from her autobiography<em> ​Incidents in the Life of a Slave Girl</em> ​there is an opportunity to learn about the adverse childhood experiences (ACEs) of children of American slavery. Harriet’s 19th-century trials of navigating complicated family dynamics, emotional abuse, and sexual harassment at a young age are analyzed in the lens of the modern science supporting the clinical ACEs questionnaire tool. This podcast will hopefully mark the beginning of creating more discussions that uncover the social determinants of well-being and trauma in a way that could be helpful even for the struggles of modern day youth.</blockquote>
You may also download the <strong>syllabus</strong> for their course (<a href="https://soundstudiesblog.com/wp-content/uploads/2019/11/african-american-health-activism-syllabus-1.25.2018-2.pdf">African American Health Activism Syllabus 1.25.2018 </a>), along with their <strong>Podcast Pitching Assignment</strong> (<a href="https://soundstudiesblog.com/wp-content/uploads/2019/11/afri-0550-pitching-assignment-for-webpage.pdf">AFRI 0550 Pitching Assignment for Webpage</a>),  a process assignment they named the <strong>&#8220;fieldwork summary prompt&#8221;</strong> (<a href="https://soundstudiesblog.com/wp-content/uploads/2019/11/afri0550-fieldwork-summary-prompt-1.pdf">AFRI0550 Fieldwork Summary Prompt</a>), and the <strong>grading rubric</strong> for this assignment (<a href="https://soundstudiesblog.com/wp-content/uploads/2019/11/afri0550-podcast-grading-rubric-.docx">AFRI0550 Podcast Grading Rubric</a>). In addition, Ramos and Garbes have also generously documented this experience via their collaborative website: <a href="https://blogs.brown.edu/afri0550/">Case Study: Afri 0550</a>, <a href="https://blogs.brown.edu/afri0550/" rel="home">A PEDAGOGICAL APPROACH TO STORYTELLING AND TECHNOLOGY </a>that you absolutely MUST check out. We all have so much to learn!

<strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2019/11/so-podcast-79_behind-the-podcast_deconstructing-scenes-from-afri0550-african-american-health-activism.mp3">SO! Podcast 79: Behind the Podcast: deconstructing scenes from AFRI0550, African American Health Activism</a></strong>



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<audio class="wp-audio-shortcode" id="audio-23256-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2019/11/africana-podcast-listening-session.mp3?_=2" /><a href="https://soundstudiesblog.com/wp-content/uploads/2019/11/africana-podcast-listening-session.mp3">https://soundstudiesblog.com/wp-content/uploads/2019/11/africana-podcast-listening-session.mp3</a></audio>

<strong><em>Behind the Podcast: deconstructing scenes from AFRI0550, African American Health Activism</em></strong>

<em>In this podcast, Dr. Nic John Ramos and Laura Garbes introduce </em>Shadows in Harriet’s Dawn, <em>a final audio project by Mali Dandridge, Sterling Stiger, and Amber Parson. They analyze the project in the context of the course, </em>African American Health Activism, <em>taught at Brown University in spring 2019. The two reflect on how beginner technical and ethical training come together within in the audio story. Resources mentioned within this podcast provided at the end of this transcript. Listeners are highly encouraged to listen to this as a piece of the larger </em><a href="https://blogs.brown.edu/afri0550/"><em>course blog</em></a><em>, written by Laura and Nic, and developed as a webpage by Leo Selvaggio, Instructional Media Specialist at the Brown MML.</em>

<strong>Nic Ramos:</strong> Hi, this is Nic John Ramos.

<strong>Laura Garbes:</strong> Hi, this is Laura Garbes,

<strong>NR:</strong> and this is, Behind the Podcast…

<strong>LG</strong>: …deconstructing scenes from African American Health Activism.

<strong>NR</strong>: Laura, what are we doing in this podcast?

<strong>LG:</strong> Right, So first of all, we’re trying to display a really awesome audio story that our students made. That’s first and foremost. But we’re also using it as a teaching tool, right?

<strong>NR:</strong> Yeah, that&#8217;s right. For our class called African American Health Activism from Colonialism to AIDS, which is taught in <a href="https://www.brown.edu/academics/africana-studies/">the Department of Africana Studies</a> here at Brown University. This historical survey course examines African American activism and social movements from colonialism and emancipation to the contemporary period, through the lens of African American access to health resources. The course also explores how marginalized people and communities are using new digital technologies such as podcasting to represent and intervene on historical inequalities. The course aims to produce public historians who are well versed in the history of medicine from the perspective of African-descended peoples and can produce social justice oriented digital content based on their knowledge of history and marginalized communities.

<strong>LG:</strong> Yeah. So part of this is really giving space to show the great work on this audio story on Harriet Jacobs and childhood trauma. Through doing so, we want to touch on a few things behind the process that will be good for educators looking to implement similar projects in their own classrooms.

<strong>NR:</strong> If you&#8217;re interested in learning more about podcasting as a pedagogical tool, check out our webpage.

<strong>LG:</strong> Well, check out our webpage, which will put it in the show notes later. Always with the show notes.. [laughs] Right, because there were going to put in a bunch of sound clips of this and sort of a step by step guide of how to replicate the process assigning a podcast. And, you know, there are other sources out there and we linked them at the end of that guide. But what we really wanted to emphasize was like… Okay, cool there is a lot of stuff on the technical recording and the technical interviewing pieces. And then there&#8217;s some scholarship, notably <a href="https://jenniferstoever.com/">Dr. Jenny Lynn Stoever</a> on the sonic color line, and the cultural politics of listening and how our listening ear has been conditioned. We weren&#8217;t really finding something that kind of weaves those two together, and we really think it&#8217;s important that when we&#8217;re teaching the technique, it not be divorced from that theory.

<strong>NR:</strong> The podcast we’re showcasing today is called Shadows in Harriet&#8217;s Dawn, on the childhood trauma of American slavery, through the retelling of American author and former slave Harriet Jacobs’ girlhood from her autobiography, <a href="https://www.goodreads.com/book/show/152519.Incidents_in_the_Life_of_a_Slave_Girl">Incidents in the Life of a Slave Girl</a>. There&#8217;s this opportunity that our students saw to learn about the adverse childhood experiences of children of American slavery. This podcast will hopefully mark the beginning of creating more discussions that uncover the social determinants of well-being and trauma in a way that could be helpful even for the struggles of modern-day youth.

<strong>LG:</strong> Yes, okay, so this podcast was created by three students in your class. Amber, Sterling and Molly. So, let&#8217;s take a listen.

Upbeat, childlike music

<strong><em>Incidents in the Life of a Slave Girl</em> Archive #1:</strong> I was born a slave; but I never knew it till six years of happy childhood had passed away. (Chapter I)

Children’s music box mixed in with the sound of children laughing

<strong>Archive #1:</strong> My father was a carpenter, and considered so intelligent and skilful in his trade, that, when buildings out of the common line were to be erected, he was sent for from long distances, to be head workman. On condition of paying his mistress two hundred dollars a year, and supporting himself, he was allowed to work at his trade, and manage his own affairs. His strongest wish was to purchase his children; but, though he several times offered his hard earnings for that purpose, he never succeeded. In complexion my parents were a light shade of brownish yellow, and were termed mulattoes. They lived together in a comfortable home; and, though we were all slaves, I was so fondly shielded that I never dreamed I was a piece of merchandise, trusted to them for safe keeping, and liable to be demanded of them at any moment. (Chapter I)

Loud thump

Silence

<strong>Mali:</strong> But, almost inevitably, the fond shielding around Harriet would cease to exist, profoundly changing her life for the worse.

<strong>Sterling:</strong> For Harriet, the context in which that happy childhood took place would be revealed to be one filled with abuse and trauma.

<strong>Amber:</strong> Trauma works to stay hidden and unexposed. It knows how and when to enter into the crawl space, and it is always on the run to move from generation to generation.

<strong>Amber:</strong> My name is Amber and I am here alongside my other fellow classmates

Pauses

<strong>Sterling:</strong> Hello, I’m Sterling.

Pauses

<strong>Mali:</strong> Hi, I’m Mali.

<strong>Amber:</strong> And we’re here today to explore Harriet Jacobs’ story in relation to childhood trauma.

<strong>LG:</strong> Ok Nic. I&#8217;m going to stop this right here, just to say two and a half minutes have passed. That&#8217;s it. And there&#8217;s already a collection here of kind of really rich sound clips. You hear from the archive an approximation of Harriet Jacobs’s voice straight from the very beginning. You hear different types of music. You hear their own voices that have to be cut out of different sound clips. It&#8217;s already getting pretty complex. And as we’ll kind of see as we go into it, they&#8217;ll go on to cut in all of the interviewees’ voices and introductions so that you&#8217;ve got a sort of sense of where we&#8217;re going.

<strong>NR:</strong> Yeah, what I really love about this is that they&#8217;ve really set the tone and mood, but also have given us a clue about where they want to take this podcast, what direction they want to take this podcast. What I really love about this is that we get already a very historical context, that they&#8217;re drawing out how they want to connect it to really present-day issues.

<strong>LG:</strong> And I think two things really made those possible. So first is the fact that we have trainings at the MML at Brown, which in that digital resource guide we mentioned there&#8217;s the stuff that is going to be available on arranging tracks. When you specifically focus on arranging tracks, it makes it possible for first-time podcasters to think a little bit more creatively instead of saying: we&#8217;re going to put the entire chunk of what we recorded from person A, the entire chunk from person B, and we&#8217;ll do our analysis in the end. You can see that they&#8217;re being creative. They’re interspersing these things like quotes in an academic essay or a historical essay.

<strong>NR:</strong> Yeah. What I love is that we&#8217;re going to hear in the next couple minutes all the people that they&#8217;re going to interview as experts to craft an argument and perspective on Harriet Jacobs.

<strong>LG:</strong> Let&#8217;s listen.

<strong>Sterling:</strong> Through the  re-telling of this American author and former slave’s girlhood from her autobiography <em>Incidents in the  Life of a Slave Girl,</em> there is an opportunity to learn about the adverse childhood experiences, or ACEs, of children in American slavery.

<strong>Mali:</strong> Harriet’s 19th-century trials of navigating slavery, complicated family dynamics, emotional abuse, and sexual harassment at a young age have a lot to reveal about trauma and the different ways it is able to manifest itself. We hope to offer both a lens of social and scientific understanding of these complexities using knowledge from the following expert sources, starting with our guest Anna Thomas.

Cheeky, academic music

<strong>Enter:</strong> Montage of guest speakers

<strong style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">Anna:</strong><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> I am a PhD candidate in the English Department at Brown. I am graduating this year, and I work on African American literature alongside Caribbean literature. I study the relationship between ethics and form in nineteenth and twentieth century African and Caribbean literature.</span>

<strong>Ramos:</strong> I&#8217;m Nic John Ramos I&#8217;m the Mellon postdoctoral fellow in Race and Science and Medicine at Brown University.

<strong>Dima:</strong> My name is Dima Amso, and I am a professor in the Cognitive Linguistic and Psychological Sciences Department. I study brain and cognitive development.

<strong>Kevin:</strong> My name is Kevin Bath. I am a professor in Cognitive Linguistic and Psychological Sciences. My research focuses on using animal models to understand how real life adversity, especially during early post-neonatal, impact the development of the brain and may drive risk for negative outcomes.

<strong>Amber:</strong> Through the collective perspectives of us, our guests, and several archival sources, we now present to you the story of Harriet&#8230;that is a story that beautifully and remarkably demonstrates resilience towards the mobility of trauma.

19th century music

<strong>Archive #1:</strong> When I was six years old, my mother died; and then, for the first time, I learned, by the talk around me, that I was a slave. My mother&#8217;s mistress was the daughter of my grandmother&#8217;s mistress. She was the foster sister of my mother; they were both nourished at my grandmother&#8217;s breast. In fact, my mother had been weaned at three months old, that the babe of the mistress might obtain sufficient food. They played together as children; and, when they became women, my mother was a most faithful servant to her whiter foster sister. On her death-bed her mistress promised that her children should never suffer for anything; and during her lifetime she kept her word. They all spoke kindly of my dead mother, who had been a slave merely in name, but in nature was noble and womanly. I grieved for her, and my young mind was troubled with the thought who would now take care of me and my little brother. I was told that my home was now to be with her mistress; and I found it a happy one. No toilsome or disagreeable duties were imposed upon me. My mistress was so kind to me that I was always glad to do her bidding, and proud to labor for her as much as my young years would permit. (Chapter I) I would sit by her side for hours, sewing diligently, with a heart as free from care as that of any free-born white child. When she thought I was tired, she would send me out to run and jump; and away I bounded, to gather berries or flowers to decorate her room. Those were happy days—too happy to last. (Chapter I) The slave child had no thought for the morrow; but there came that blight, which too surely waits on every human being born to be a chattel. (Chapter I)

Science music

<strong>Dima:</strong> So, in general, some basic principles of brain development are that there&#8217;s tremendous amounts of change that happens very early on in postnatal life. So after like about three or four, the brain is sort of fine-tuning rather than showing huge amounts of organization. Even still, the way that the brain develops is that continually tries to adapt to its environment so both positive experiences are highly shaping and negative experiences are highly shaping, um and stress in particular has received a lot of attention in the developmental science community, both with respect to human stressors and animal models that try to recapitulate those and try to understand what&#8217;s under the hood so to speak and the idea is that what&#8217;s happening with stress and trauma especially early on in postnatal life is that it&#8217;s um shaping the system and ways that then get sort of set that sort of set up their brains to have long-term consequences of that stressor.

<strong>NR:</strong> So that was Dima Amso, one of the interviewees of this podcast. And what I like what the students are doing here is that they&#8217;re setting up an expert voice to provide context to what we just heard and we&#8217;re going to hear in the future. But as you can tell, they&#8217;re going to set up these experts in a way in which they&#8217;re able to speak for themselves, and the listener is going to be able to hopefully differentiate the different positions that some experts say without them having to directly say the differences between these experts… if that makes sense.

<strong>LG:</strong> Yeah, this was a conversation we had in that Q&amp;A discussion. We went in and we talked through techniques with the students. But then we moved on to OK, actually, you&#8217;ll have to do a little field work log and then we&#8217;ll talk again, because there&#8217;s only so much you can do before you actually go out there and interview.

So I think what was great was building in time to actually discuss the interviews, because there were a few instances and a few groups were saying, OK, there some discrepancies here between either different interviewees’ perspectives. Or there were discrepancies between the interviewees’ perspectives and perhaps the main argument trying to be made. Allowing for those differences to kind of breathe, while weaving a cohesive narrative that&#8217;s fit for a podcast, is an art, and they sort of have to walk this tightrope. And that was definitely one of the skills of argumentation that could definitely be transferred over for them when they&#8217;re writing essays in the future.

<strong>NR:</strong> You know, the students had to edit, and they had to figure out what story they wanted to tell You can tell that some of these experts are giving a story that conflate animal studies with human behavior in a way that&#8217;s really popular in making comparisons today within science. But the students also had to make a decision about whether or not they wanted to go down the road of talking about the history of scientific racism and the conflation of some humans as animals. And while there&#8217;s room here is that I know that they had a lot of work to do around just talking about Harriet&#8217;s story alone.

You&#8217;ll find later that they&#8217;ve just left some of these opportunities to delve deeper, where it&#8217;s on the listener to think about, make their own conclusions about that.

Let me say a note on ethical interviewing is that when we say ethical interviewing, we’re allowing the experts to speak on their terms. And allowing them, allowing their positions and their thoughts to manifest through the other voices that you&#8217;re going to hear right? In the contrast of the comparisons that listeners are going to be able to hear in the different voices and positions they take.

<strong>LG:</strong> Right and coming up next, as we&#8217;ll see, they definitely contextualize all of the different interviewees’ comments, like Sterling here.

<strong>Sterling:</strong> According to Harriet from her narrative, she had an early childhood with “unusually fortunate circumstances” in comparison to other children of American slavery.

<strong>Mali:</strong> This understanding of her background is important to truly capture understanding of how events that would impact her later in life would vastly change herself perception regarding her quality of life. In particular, these events would occur after the death of her described “kind mistress” when the mistress&#8217;s sister and new husband Dr. Flint claimed ownership of Harriet.

<strong>Dima:</strong> You know, childhood development isn&#8217;t happening in a vacuum, it&#8217;s happening in a broader context and a good part of early child development is about the caregiving, no matter how. It&#8217;s really interesting to think about the animal models. I do these examples, so we study socioeconomic status in a lab and what they try to do is recapitulate what happens when a great parent gets their resources taken away, so for animals and the mouse studies, you can take away the bedding and make it really hard for them to keep their babies warm and they are just like working so hard to replace that to take care of that and that then stresses them out, which turns out to have consequences on the growing pup later, and then if you add an additional stressor you kind of see how this sort of balloons into multiple now stressors and formative times.

Loud thump

<strong>Archive #1:</strong> During the first years of my service in Dr. Flint&#8217;s family, I was accustomed to share some indulgences with the children of my mistress. Though this seemed to me no more than right, I was grateful for it, and tried to merit the kindness by the faithful discharge of my duties. (Chapter V)

<strong>Sound:</strong> opening of door…. assertive, domineering footsteps… heartbeat

But I now entered on my fifteenth year—a sad epoch in the life of a slave girl. My master began to whisper foul words in my ear. (Chapter V)

Enter old, southern man whispering

<strong>LG:</strong> So something I&#8217;m hearing here that is fantastic are the sound effects: something to keep our interest, that loud thump you hear before you hear Harriet Jacobs&#8217;s voice again.

<strong>NR:</strong> Just this science music they used…

<strong>LG:</strong> It’s so on point, right?

<strong>NR:</strong> Yeah, the science music, the loud thump, opening the door, footsteps, heartbeat, they’re really layering a lot of stuff to keep the listener interested, and many people wouldn&#8217;t think about doing that. You could imagine that if they didn&#8217;t have these elements in here, you would just be hearing one long monologue, that quite frankly you&#8217;d be just bored.

<div data-shortcode="caption" id="attachment_23274" style="width: 529px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-23274" loading="lazy" data-attachment-id="23274" data-permalink="https://soundstudiesblog.com/2019/11/25/so-podcast-79-behind-the-podcast-deconstructing-scenes-from-afri0550-african-american-health-activism/auditionscreenshot-768x618/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2019/11/auditionscreenshot-768x618.png" data-orig-size="768,618" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="AuditionScreenshot-768&amp;#215;618" data-image-description="" data-image-caption="&lt;p&gt;Figure 1: Final Audition Software File for &amp;#8220;Shadows in Harriet&amp;#8217;s Dawn&amp;#8221;&lt;/p&gt;
" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2019/11/auditionscreenshot-768x618.png?w=519" class="size-full wp-image-23274" src="https://soundstudiesblog.com/wp-content/uploads/2019/11/auditionscreenshot-768x618.png" alt="" width="519" height="418" srcset="https://soundstudiesblog.com/wp-content/uploads/2019/11/auditionscreenshot-768x618.png?w=519&amp;h=418 519w, https://soundstudiesblog.com/wp-content/uploads/2019/11/auditionscreenshot-768x618.png?w=150&amp;h=121 150w, https://soundstudiesblog.com/wp-content/uploads/2019/11/auditionscreenshot-768x618.png?w=300&amp;h=241 300w, https://soundstudiesblog.com/wp-content/uploads/2019/11/auditionscreenshot-768x618.png 768w" sizes="(max-width: 519px) 100vw, 519px" /><p id="caption-attachment-23274" class="wp-caption-text">Figure 1: Final Audition Software File for &#8220;Shadows in Harriet&#8217;s Dawn&#8221;</p></div>

<strong>LG:</strong> Yeah, kind of nodding off even if it&#8217;s really interesting content. You know, the mind can&#8217;t really hold onto that for very long. So finding those ways to vary it and each of the students in the class were actually very thoughtful about this. You noticed more and more as they were listening to podcasts throughout the semester, and they were analyzing using that story sheet, they started thinking about the sound effects. They also started thinking about the music that accompanied voices during the interview. So it wasn&#8217;t strictly just interviewing sound, and then music. You could see earlier on that Mali put in some music behind her voice, the mixing, and so the way that they&#8217;re layering these tracks is reflective of kind of this listening ear they condition throughout the course of the semester. And then the sound of the door opening and footsteps, and then a heartbeat… you can kind of get the emotions associated with it. And that technique was really key to teach in advance.

One thing you&#8217;d also hear in this, which is something that I think we talked about a little bit, Nic, is just a little bit of that <a href="https://transom.org/2016/p-pops-plosives/">p popping</a> and noise leveling, right? This is something that had we had a 13 week-semester of something like we would have been able to do a post-production type of review that would have kind of caught all of these things. But as they are now, they are a fantastic final draft. And we really encourage people to play with those techniques in that way. And we also offered within the digital resource guide a tab specifically catering to the postproduction process. So, if we had more time in an ideal world, what would we have taught?

<strong>NR:</strong> Yeah, exactly. That makes sense.

<strong>Archive #1:</strong>  He was a crafty man, and resorted to many means to accomplish his purposes. Sometimes he had stormy, terrific ways, that made his victims tremble; sometimes he assumed a gentleness that he thought must surely subdue. Of the two, I preferred his stormy moods, although they left me trembling. He tried his utmost to corrupt the pure principles my grandmother had instilled. He peopled my young mind with unclean images, such as only a vile monster could think of. I turned from him with disgust and hatred. But he was my master. I was compelled to live under the same roof with him—where I saw a man forty years my senior daily violating the most sacred commandments of nature. He told me I was his property; that I must be subject to his will in all things. My soul revolted against the mean tyranny. But where could I turn for protection? No matter whether the slave girl be as black as ebony or as fair as her mistress. In either case, there is no shadow of law to protect her from insult, from violence, or even from death; all these are inflicted by fiends who bear the shape of men. The mistress, who ought to protect the helpless victim, has no other feelings towards her but those of jealousy and rage. The degradation, the wrongs, the vices, that grow out of slavery, are more than I can describe. They are greater than you would willingly believe. (Chapter V)

<strong>NR:</strong> In the next couple clips, what you’ll hear is a moment where the students knew that they were going to take a pretty lengthy section from one of the experts, Anna. But they didn&#8217;t want to lose listener interest. And so they did a really interesting thing, which is that they edited in another sound clip just to add something new.

<strong>LG:</strong> And that&#8217;s that whisper that you&#8217;re going to hear. You&#8217;ll hear a little bit of a whisper in between that long passage in which Anna has a lot of really rich insights. But they wanted to make sure to parse it out by different argument so that you&#8217;re getting each part in a digestible way.

<strong>NR:</strong> Right, which essentially allows listeners to be able to absorb and think about what they&#8217;ve just heard.

<strong>Anna:</strong> In the structure of the narrative that’s really a turning point of the “difficult passage”- that’s what she calls it -when she in very adolescence begins to experience the sexual persecution and harassment of her master. It&#8217;s deeply formative, and she doesn&#8217;t know how to talk about it, but there is a perception that the fact that she would even repeat any of the things that he said to her makes her feel like she&#8217;s somehow complicit in what&#8217;s happening to her and she doesn&#8217;t feel like she has any recourse. It’s at that moment where she understands what it means to be owned. In contrast to her early childhood when she somewhat of a normative childhood where she&#8217;s in a stable home life, and then suddenly the danger of her passage into early adolescence and womanhood is marked by the fact that someone who owns her is exerting power over her.

Whispers again

<strong>Anna:</strong> It&#8217;s deeply formative when she goes on to the next years of her life, even before she escapes, intent upon trying to find a way to live outside of the fear of him raping her. The choice that she has in relation with him is to either be raped, a choice that is obviously not &#8230;, or to capitulate to a relationship into which consent can’t exist (i.e., she does not have a choice, this is not a meaningful choice in any sphere).

<strong>Ramos:</strong> It&#8217;s the idea that certain children, white children, inherently hold an idea of racial purity right or a sort of innocence an idea of who ought to have an innocent childhood or who has the ability to have an innocent childhood. But essentially what you can see is from the 19th century onwards is this idea of racial innocence being ascribed unevenly across the entities of race and gender.

<strong>Archive #1:</strong> Everywhere the years bring to all enough of sin and sorrow; but in slavery the very dawn of life is darkened by these shadows. Even the little child, who is accustomed to wait on her mistress and her children, will learn, before she is twelve years old, why it is that her mistress hates such and such a one among the slaves. Perhaps the child&#8217;s own mother is among those hated ones. She listens to violent outbreaks of jealous passion, and cannot help understanding what is the cause. She will become prematurely knowing in evil things. (Chapter V)

Heartbeats

<strong>Archive #1:</strong> Soon she will learn to tremble when she hears her master&#8217;s footfall. She will be compelled to realize that she is no longer a child. If God has bestowed beauty upon her, it will prove her greatest curse. (Chapter V)

Brief musical interlude

<strong>Amber:</strong> In order to understand the direct and intergenerational impacts of the adverse childhood experiences that Harriet faced, we have to dive deeper into her life starting with the years of her young adulthood in which she began her escape from slavery.

<strong>Sterling:</strong> A complicating series of events occurs as a direct result of Dr. Flint pressuring Harriet to have a sexual relationship with him. Rather than being raped by Flint, Harriet made the difficult decision to consent to an illicit relationship and have children with Samuel Tredwell Sawyer, a white attorney who was their neighbor.

Brief musical interlude

<strong>Anna:</strong> What she does in that context is to enter into a relationship with the man who becomes the father for her two children and part of how she&#8217;s thinking of that is that once her master knows he will want to discard her and that this man might be able to purchase her freedom. Thinking about questions of consent and thinking about questions of power, even within the narrative Harriet Jacobs does not have a way of naming that relationship that she has. She calls him the father of her children. She calls him a man who does not own her, she calls him a man that does not despise. You know any other words that we might want to say it like her lover, her partner, her any of these words are so impossible in on the context in which one party is enslaved. When she goes on to have two children and when she has her daughter, she is struck with the sorrow of imagining her daughter having the same exact experiences of childhood that she herself had.

<strong>Mali:</strong> As a result of Harriet’s strategy of coupling up with Sawyer to make Flint refrain himself from her, Flint became more frustrated with her. Flint’s frustration made Harriet wary of his potential to further abuse her and her children. In a complicated series of plans she made to escape slavery and protect her children, she ended up having to remain hidden in the crawlspace of a garret for seven years.

Somber music

<strong>Archive #1:</strong> A small shed had been added to my grandmother&#8217;s house years ago. Some boards were laid across the joists at the top, and between these boards and the roof was a very small garret, never occupied by anything but rats and mice. It was a pent roof, covered with nothing but shingles, according to the southern custom for such buildings. The garret was only nine feet long, and seven wide. The highest part was three feet high, and sloped down abruptly to the loose board floor. There was no admission for either light or air. My uncle Philip, who was a carpenter, had very skillfully made a concealed trap door, which communicated with the storeroom. He had been doing this while I was waiting in the swamp. The storeroom opened upon a piazza. To this hole I was conveyed as soon as I entered the house. (Chapter XXI)

Sounds of nightfall (crickets, owls etc)

The air was stifling; the darkness total. A bed had been spread on the floor. I could sleep quite comfortably on one side; but the slope was so sudden that I could not turn on the other without hitting the roof. The rats and mice ran over my bed; but I was weary, and I slept such sleep as the wretched may, when a tempest has passed over them. (Chapter XXI)

Morning came. I knew it only by the noises I heard; for in my small den day and night were all the same. I suffered for air even more than for light. But I was not comfortless. I heard the voices of my children. (Chapter XXI)

Audio of children laughing

<strong>Anna :</strong> I think one thing that she says in the narrative is she tells us about the injuries of enslavement and their continuities from her time in the garret that restricted space is marked by her body through chronic pain for the rest of life and she tells us that. There&#8217;s something very important to attend to in the way that she&#8217;s figuring pain and justice, and so that even as she&#8217;s moving&#8230; her freedom is eventually purchased which makes her very angry because she thinks that that purchase validates slavery in a way that she would not have chosen at that point in her life. But she also is telling us that there are continuities between enslavement and freedom and one of the places where that&#8217;s located is precisely about about pain and about chronic pain and it is not a metaphorical pain &#8211; her body was in the cramp position for seven years.

Moving and thinking more about the topic of your class, I think that the legacies of injustice are marked generationally and and it&#8217;s also about questions of access to healthcare, access to diagnoses, and access to all these things that Jacobs and the way that she is thinking about about justice and the sort of promises that justice doesn&#8217;t always keep even when you&#8217;re in freedom. I think she has a lot to say about what is sort of carried through and then structurally supported by a system that is only justice in name.

<strong>Kevin:</strong> You could also think about that and you can also think about intergenerational transmission of these kinds of experiences, so how they&#8217;re basically perpetuated again there been studies in the case of animal models where it’s looking at the quality of care that the animal has received from its mother or in the case of other models you can remove either the mother of the father. So it&#8217;s not unique to the mother, it’s about the quality of care they’re receiving per se. But if you change the quality of care and you give the pups high levels of care versus low levels of care, it can actually drive risk for developing behaviors that look like anxiety, like behaviors in those animals and then when they have their first litter of animals, they exhibit the type of care that they received when they were very young, basically showing that how mom treated you when you were young basically perpetuates how you are going to treat your children and then you look at the first generation of offspring of those and you cross fostered them, you could actually see the perpetuation of this through just the genetic information is provided from the father to the female offspring. The female offspring, when they have their first babies, they become mothers like their fathers’ mothers were.

<strong>Ramos:</strong> Yeah, a lot of people think about intergenerational trauma in very different ways. So, if I took Lewis Joylyn West&#8217;s idea of epigenetics you could think about some people coming along and saying well can my genetics be passed along. Meaning that my predisposition to violence: could that be genetically passed on to my children? And there is definitely some of that that you might say that Lewis Joylyn West was thinking about this is his idea that there is such thing as violent people. But I do think that the other way that most people think about it is, intergenerational trauma is a fact. It&#8217;s something that people grow up with.

<strong>NR:</strong> Wow. So there&#8217;s so much here to talk about.

<strong>LG:</strong> All these different voices. You see how they arrange that to have conversation back to back of Anna, then Kevin, and then Nic.

<strong>NR:</strong> Right, and I think that what you see here is that they&#8217;re allowing the listener to think things through. You know, if they had another pass at it, I would encourage them to think about how… you know, what some of these experts are bringing to the fore, and how to punctuate what each of the differences are. So, for instance, they used my voice

<strong>LG:</strong> Is it weird to listen to your own voice recording?

<strong>NR:</strong> It really is [laughs]

As a historian of psychiatry, to talk about epidemiology of violence theory, which becomes popularized in the seventies and eighties as a supposedly colorblind or race-neutral way of saying that neither Black or white people are inherently predisposed to violence as was previously believed, and that what we need to start looking at is how violence is passed along through exposure in childhood. And so you can definitely hear both of those ideas come to the fore, especially in the way in which… you know… the irony that Kevin and Demas narratives provide in this podcast is that now scientists are using animal studies to make arguments <em>for</em> the humanity of children exposed to trauma during their childhood. But for the longest time, these conflations with animal studies were used for the opposite sense to make, particularly people of color more animal-like. So one of those things is they read an article of mine that basically argued for “Why did we have this switch” And it was basically these ideas of that we now know and term epigenetics that were not used in the seventies in the same way that they&#8217;re being used today.

But epidemiology of violence theory is this theory that argues that it&#8217;s not about Black or white people. It&#8217;s not about race. It&#8217;s about exposure to violence, as we saw in the eighties and the nineties. How these ideas of who is violent gets played out means that communities of color being policed. And these are all points that I think could have been a little bit more attenuated at this moment of the podcast and could have been punctured with some sort of other material. I don’t know.

<strong>LG:</strong> Well, I think this kind of points to one of the challenges of teaching in a class, simultaneously teaching content and teaching techniques on how to communicate that content to the public. In an ideal world, it would be just so amazing if there were some two-semester sequence where we could really work with the material, work with the syllabus, well, learning the techniques and then move forward in the second semester, applying those techniques to create a narrative. But I think what&#8217;s quite challenging is it&#8217;s hard to distance yourself from materials that you have just learned, right? Because we&#8217;re in a learning community. We’re there twice a week, every week. And it&#8217;s very easy to start assuming that what you know is common knowledge. So, I think I&#8217;m happy that you unpack that a bit for us Nic. So even another pass through would have sort of given an explanatory comma to all of these different portions that can get sort of jargony. But again, it&#8217;s hard to step back when you&#8217;re in a class setting.

<strong>NR:</strong> Well, I think also what&#8217;s really surprising to me is that my students understand epidemiology violence as so normalized. You know, what they learned in my class is the first time they&#8217;re dealing with what we&#8217;re talking about here, sometimes it&#8217;s the first time they&#8217;re learning about these things. And so what&#8217;s interesting about this is that epidemiology of violence theory is so normalized in their generation, they felt like it doesn&#8217;t didn&#8217;t need to bear any comment. And that was really surprising to me.

<strong>LG:</strong> Yeah, that was really interesting. And then as we move along, they&#8217;re going to continue your voice here as they sort of draw out a different comparison that you&#8217;ve made or a different example.

So, for instance, when Art Spiegelman came out with <em>Maus</em> which is this graphic novel about a descendant of a Jewish family who is inquisitive about the what happened to his family during the Holocaust. You can see that there is trauma that even the descendants of those people who did not experience that traumatic event like the Holocaust they inherit some of that trauma just by the silences that their families keep. So you can imagine that there&#8217;s this big question around of all groups of people who survived some large social community trauma the Holocaust being one of them, slavery being another, genocide, war they are bound. I think there is more work to be done by that but obviously you can see that not all paths of inquiry necessarily lead to the same thing. Some psychiatrists would argue some of the idea of dealing with people&#8217;s trauma after the Holocaust led to epidemiology of violence theory. But the other way we can look at intergenerational trauma is it leads us to much more capacious ideas of reparations that are critiquing this the larger structural issues at hand when we&#8217;re talking about race, classism, capitalism, sexism, homophobia and so on and so forth that require a much more rigorous consideration for the transformation of society. Everything we know about society.

Mighty rider song

<strong>Mali:</strong> Yeah, in talking to Ramos, he really shed light on the fact that intergenerational trauma isn’t an isolated incident….

<strong>Sterling:</strong> Yeah, it’s occurred in multiple populations in multiple time periods and I think that points to the ways in which trauma moves

<strong>Amber:</strong> In resonance with the “Black Radical Tradition”, a concept explained in work by Black Studies and Political Science Professor Cedric Robinson, children of American slavery and their descendants were propelled through their adversities with various sharps and fragments of resilience. Harriet Jacobs is important because of her intersectional identity of being someone impacted by childhood trauma and of being someone in African American history that used the Black Radical Tradition to work against oppression in her life (i.e., childhood trauma) that resulted from the subjugating, hegemonic knowledges of the time. Harriet’s writing and account of her youth was a radical form of activism and resilience that challenged the people of her time to actually consider black people’s humanity as an extension of their mental and emotional well-being.

<strong>NR:</strong> I think that this is this is a really fantastic part of the podcast, and it&#8217;s easy to miss the argument that my students here are making, which is that what Harriet Jacobs did, you know, to stow away and try to find freedom for seven years in a garret, her ability to kind of try to figure out a way to have a different place for children or her ways in which is thinking about, you know, mental well-being, even though that people passed over this incident of her being they get as not being about health or not being about activism.

My students have positioned Harriet Jacobs work as a part of the Black Radical Tradition, and I think it&#8217;s fantastic! And it&#8217;s a really interesting way to think about what is the Black Radical Tradition, which my students were asked every week, “What is the Black Radical Tradition?” after reading a portion of Cedric Robinson&#8217;s work.

<strong>LG:</strong> I’ll just say that after week one, when we discussed the Black Radical Tradition, some of the posts that students do.. they post every week reflecting on it. Some of the main questions were around, “What is this Black Radical Tradition?” And also, “So what will we do with this? How will we reapply it? How do we use this to think through issues in the present, right? How do we look at historical cases and see this tradition present?” And I think they did a fantastic job doing exactly what was one of the main learning objective for the course, really just being critical historians and also people that create audio stories.

So through this audio story they&#8217;re drawing out that circle argument, and they&#8217;re reapplying what I think is a really complex are given a portable theory in the tradition.

<strong>NR:</strong> Yeah, and as we see in the rest of the podcast, I love is that they turned away from questions of violence and trauma that they could have just stayed with and made a decision to say, “Maybe we&#8217;re asking the wrong questions to figure out how to think about this situation, which is to think about resilience.” And I think that&#8217;s a really important move, which is not to ignore the violence and the trauma around them, but to show how they&#8217;re not going to allow that violence and trauma to define people as broken or damaged, as inherently predisposed to violence. People who are struggling to define their own humanity through resilience.

<strong>LG:</strong> And as they make this pivot here, which will listen to you in a second, it&#8217;s holding these two facts at the same time, holding these two experiences of trauma and resilience as inextricably linked.

<strong>Sterling:</strong> Just as trauma can be made to be mobile and transferred intergenerationally, resilience has some shared characteristics that are worthy of exploring within the context of Harriet’s story.

<strong>Anna:</strong> From page one she is still demonstrating extraordinary resilience, and I think one thing that&#8217;s very important about the way that she&#8217;s thinking about resilience is that she&#8217;s not establishing herself as the only resilient person in her world you know if you think about the way that she talks about her grandmother&#8217;s extraordinary resilience, her uncle&#8217;s extraordinary resilience, the efforts that her parents made before they passed and their extraordinary resilience, and she also in observing her children is seeing the ways that resilience is evidenced in them. I think what she really does is show how&#8230; the family structure which is very intent on demonstrating itself as vibrant even as it’s threatened constantly, even as there are family members who have died, even as family members who have been sold away from the family, even in those instances she still very intent on demonstrating the resilience of those relationships that remain and I think that does two things one it speaks to the strength of those ties and the ways that that the world making homemaking are happening throughout her life and also it&#8217;s to mark a particular form of loss which is look at this resilience relationship that I have with the uncle who remains to me.

<strong>Amber:</strong> Wow, I mean being exposed to this sort of loss and hardship from such a young age must have bred resilience within Harriet

<strong>Mali:</strong> Yeah, so with intergenerational trauma comes intergenerational resilience Anna: But I mean resilience is throughout the text. When her children are imprisoned and attempt to flesh her out of hiding her children are extraordinarily resilient and there&#8217;s a moment when one of them after the freed from the prison but not from slavery the master is is saying something to one of them.. ‘you know I want to go back to the jail because I&#8217;d rather be in jail than be near you,’ so the ways in which these children are thinking through really complex ideas of freedom and choice and deeply constrained circumstances I think also demonstrate the way that they are building resilience to existing structures that seek to imprison them in multiple registers. I mentioned that her listening and her watching her children I think that is a big source of resilience for her, it&#8217;s the one consolation that she has and very extreme physical and spatial circumstances

Brief musical interlude of uplifting music

<strong>Ramos:</strong> I mean part of it is what we&#8217;re missing out of all of this is how people of color, women, queer people of color pass on resiliency they pass on struggle they pass on hope they&#8217;d pass on different ideas of what it means to be human. Different ideas of what it means to have a childhood that don&#8217;t necessarily line up with all of these very like scientific, erudite definitions of what an innocent childhood should look like. We all know this. As humans we have the capacity to dream otherwise we have the capacity to take on a whole bunch of pain, but there&#8217;s so much joy. And that&#8217;s one of the difficult things when you&#8217;re a historian. You can show all of the pain that&#8217;s going on. But what&#8217;s more difficult to grasp is how there&#8217;s so much resiliency, so much joy, so much struggle in all of that. That is much more difficult.

<strong>Sterling:</strong> Yeah, it’s important to consider that people often think that there is no joy in black childhood, which simply isn’t true.

<strong>Amber:</strong> Black children cry, but they also laugh, they get sad, but they also experience bliss. There’s beauty in the struggle, just like any other human experience.

<strong>Ramos:</strong> Part of it is what is inspiring for me is it seems for Harriet Jacobs that the concept of freedom was not something that was actually here yet. It was in her mind. And that she could go to it in her mind. It&#8217;s a future past that is not here but that which people strive for. So, wow we&#8217;re getting really philosophical. But that&#8217;s all just to say that&#8217;s the irony and the contradiction of Harry Jacobs form of the black radical tradition. You can only see it by looking at how it&#8217;s been made into our crawl space. And that&#8217;s really profound. It&#8217;s a much more damning critique of modernity than it is of anything else, which is why I&#8217;m saying we need radical transformation of society. You know what does that mean for people&#8217;s everyday lives. Well I don&#8217;t know.

<strong>Dima:</strong> Resilience, I think, is really the million-dollar question right now in the science. That&#8217;s where we spend hours of our lives listening to talks and trying to understand because everybody wants to bottle resilience and it&#8217;s a very complicated issue because of the individual variability in resilience, so there are two ways to think of it: one is that there is some good evidence that there is a genetic predisposition to resilience and there&#8217;s this gentleman named Thomas Boyce who does really great work, and he’s written a book called <em>Orchids and Dandelions</em> and what that means is that some children are dandelions, they’re weeds&#8211; you can put them in any environment and they’re going to thrive. And some children are orchids&#8211; they will thrive but you have to have exactly the perfect environment. And a lot of that, he has been able to do good work to associate that in humans with genetic predispositions and there&#8217;s only one aspect of it. Other things that support resilience is, there’s a wonderful book by a woman named Ann Masten at the University of Minnesota and she calls it “ordinary magic,” where resilience isn&#8217;t coming with like anything fancy, but it&#8217;s coming from the basic, having your basic needs as a human met. Competence, confidence, as a child, feeling like you can do things, support, caregiving, positive interactions with your peers. All those things have been show to support resilience in the developing individual. So having really, you know, if you’re a house, having that house built on solid foundations with respect to the self, and the self as competent in the environment, capable, makes it such that when the world throws you a boulder, you&#8217;re more capable of overcoming that than if you didn&#8217;t have those things as part of your developing experience. If you were, if you didn&#8217;t have a supportive, caregiving environment or supportive peer relationships, if you were consistently told that you weren&#8217;t good enough to do things in a school setting, that person has been shaped to be less resilient, according to the ideas, according to their findings, in Maten’s findings and others, are based on populations that have been maltreated and abused, and they&#8217;ve been able to look for characteristics of individuals that have shown resilience. So resilience is complicated and like everything else, it&#8217;s got some nature, some nurture components to it.

<strong>Mali:</strong> It’s important to keep in mind that even though by the end of <em>Incidents in the Life of a Slave Girl</em> Harriet was not able to realize her dream of making a home for herself and her children to share, that in her life overall, she created a powerful legacy as an activist. Her insight to the social issues facing African Americans is demonstrated in her observations in comparing them to the conditions of people she encountered while traveling to England later in her life.

<strong>Archive #1:</strong> The people I saw around me were, many of them, among the poorest poor. But when I visited them in their little thatched cottages, I felt that the condition of even the meanest and most ignorant among them was vastly superior to the condition of the most favored slaves in America. They labored hard; but they were not ordered out to toil while the stars were in the sky, and driven and slashed by an overseer, through heat and cold, till the stars shone out again. Their homes were very humble; but they were protected by law. No insolent patrols could come, in the dead of night, and flog them at their pleasure. The father, when he closed his cottage door, felt safe with his family around him. No master or overseer could come and take from him his wife, or his daughter. They must separate to earn their living; but the parents knew where their children were going, and could communicate with them by letters. The relations of husband and wife, parent and child, were too sacred for the richest noble in the land to violate with impunity. Much was being done to enlighten these poor people. Schools were established among them, and benevolent societies were active in efforts to ameliorate their condition. There was no law forbidding them to learn to read and write; and if they helped each other in spelling out the Bible, they were in no danger of thirty-nine lashes, as was the case with myself and poor, pious, old uncle Fred. I repeat that the most ignorant and the most destitute of these peasants was a thousand fold better off than the most pampered American slave. (Chapter XXXVII)

<strong>Anna:</strong> Part of the way that the narrative is structured is that she wants to talk about the suffering that she and her family have experienced, but not figure that as destructive to family instant. I think that that&#8217;s something that generations of social scientists and scientists have talked about in terms of black family life is that there are there are fewer, shallower less important ties to family and this is part of the ways that people comforted themselves when they sold people’s children, for example that ‘this mother does not feel in the way that a white mother would.’ So what Jacobs does by chronicling her deep attachment to her children, her deep pain from the separation that they undergo, her deep fears about their fate.

<strong>Amber:</strong> It’s easy to understand the idea of Harriet having fear in regard to her fate and the fate of her children. But it is also important to consider how the fear of individuals and institutions in power has been used as a source of response.

<strong>Sterling:</strong> And this fear, as we later discuss, drives people to consider how much they should be protecting more vulnerable members of society

<strong>Anna:</strong> So I think that part of what that does is to say that part of what establishing herself within a lineage of family resilience it&#8217;s to say that this is the type of pain that each mother experiences. She&#8217;s not saying ‘I alone have felt this’ or that ‘I particularly have felt this.’ I think what she&#8217;s trying to do is to really allow us- us loosely -particularly an abolitionist audience also to see the way that trauma is registering in each generation. We know from her description of her grandmother that her grandmother had many children who were sold into slavery and that she was working to buy as many of her children back from slavery as she possibly could. Then we know that even that she was present in this attenuated way to her children that the structures of enslavement and space meant that she could not be present to her children in the ways that she would like to be. Even in freedom she cannot be present her children in the ways that she would like to be. So I think that while she&#8217;s always talking about suffering and she&#8217;s always talking about trauma she&#8217;s always pointing us to the ways in which that is being structurally enforced and it is structurally enforced in the south in slavery and it is structurally enforced differently and to different ends and with better resolution eventually also in the North.

<strong>Amber:</strong> In “Sick from Freedom: African American Illness and Suffering During the Civil War and Reconstruction” author Jim Downs described the role of abolitionists as health advocates and mentioned Harriet Jacobs to be associated with this in particular.

<strong>Sterling:</strong> Other reformers and abolitionists of the time learned about the conditions of the formerly enslaved due to the work of people like Harriet. Along with other former slaves, Harriet went on to become a benevolent reformer herself. She created orphanages and dedicated rest of life to teaching and providing health as social worker.

<strong>Mali:</strong> While reformers like Harriet were able to realize social determinants of health and contribute to efforts to improve the quality of life for black children and their families, it is important to also understand how some used these understandings and subjected them to further social stigmatization to create other questionable insutionsions of reform. Such institutions include those like the epidemiology of violence theory. Epidemiology of violence theory served to justify the policing and overregulation of black youth and people out of a supposed intent to protect them.

<strong>Ramos:</strong> Yeah, what&#8217;s difficult about all of this stuff around childhood studies is that it all comes out of people&#8217;s desire to protect members of society that we all want to protect. We want to protect children and provide them an atmosphere where they&#8217;re going to live there you know healthy, maximized lives. The unfortunate matter is that even these liberal conceptions is really productive really desirable things that people have asked to protect children end up having a dark edge to them which is why we need to protect them from something. And what we&#8217;re trying to pay attention to here is the idea that protecting children from something means what are we protecting them from. And I&#8217;m saying that when we say let&#8217;s protect the children, we should ask what are we protecting them from? Are we protecting them from people of color? Are we protecting them from crime? If we build up these fences to protect children, what also are we keeping in? You know does that make sense. Like what are we of actually upholding when we build up protections for children. And it just seems as if the contradiction of child protection is is totally unearthed when you look at what happens to black children particularly in all of these instances.

<strong>Amber:</strong> Overall, unhealed trauma of all kinds have the potential to lead to recurring “mobile” adversities that extend past their origin and can be integrated into larger systems of oppression for vulnerable populations- especially children. Harriet Jacobs’s life and legacy as an author discussing these themes that countered the narrow racialized practices of her time serve as a testament to the significance of understanding and intervening to improve the mental and emotional well being of children. Even as Harriet continued into adulthood, the effects of her childhood followed her in her later obstacles of being a fugitive slave woman and a mother whose children also faced serious adverse childhood experiences. However, by working to ensure that her reflections on the trauma she faced as an enslaved girl were accounted for, Harriet secured a contributing position to African American health activism that should be understood, celebrated, and never forgotten.

Triumphant yet somber music

<strong>Archive #1:</strong> Reader, my story ends with freedom; not in the usual way, with marriage. I and my children are now free! We are as free from the power of slaveholders as are the white people of the north; and though that, according to my ideas, is not saying a great deal, it is a vast improvement in my condition.

The dream of my life is not yet realized. I do not sit with my children in a home of my own. I still long for a hearthstone of my own, however humble. I wish it for my children&#8217;s sake far more than for my own. (Chapter XLI)

<strong>Archive #1:</strong> It has been painful to me, in many ways, to recall the dreary years I passed in bondage. I would gladly forget them if I could. Yet the retrospection is not altogether without solace; for with those gloomy recollections come tender memories of my good old grandmother, like light, fleecy clouds floating over a dark and troubled sea. (Chapter XLI)

<strong>NR:</strong> Wow, that was a great podcast!

<strong>LG:</strong> It was really awesome to get to listen to this semester&#8217;s worth of work, which we&#8217;ve been seeing them putting in.

<strong>NR:</strong> We hope that for all the educators out there that you consider using podcasts as a pedagogical tool, that you look to our website to be able to look for things. Before we close out, we just want to thank some of our partners out there.

<strong>LG:</strong> We&#8217;re lucky enough to work alongside and have some resources from, first and foremost, the <a href="https://www.brown.edu/initiatives/slavery-and-justice/">Center for the Study of Slavery and Justice</a>, particularly Johanna Obenda and Babette Thomas, who are working as fellows there.

<strong>NR:</strong> They&#8217;ve got a great project called <a href="https://www.brown.edu/initiatives/slavery-and-justice/cssj-intensive-audio-story-workshop">Working Out Loud</a>. We also received significant help from the <a href="https://www.brown.edu/academics/public-humanities/home">John Nicholas Brown Center for Public Humanities</a> and the <a href="https://it.brown.edu/services/type/multimedia-labs">MML at Brown</a>. We’d also like to thank the Department of Africana Studies and the Cogut Institute for Humanities.

<strong>LG:</strong> Overarching this entire thank you is the grant that made this possible from the <a href="https://www.brown.edu/academics/college/swearer/">Swearer Center</a>.

<strong>NR:</strong> We could not have done it without the Swearer Center. Thanks.

<strong>LG:</strong> Thanks so much, and thanks for listening.

<strong>Resources from <em>Behind the Podcast: deconstructing scenes from AFRI0550, African American Health Activism.</em></strong>
<ul>
 	<li>“P-Pops And Other Plosives.” Transom, April 27, 2016. <a href="https://transom.org/2016/p-pops-plosives/">https://transom.org/2016/p-pops-plosives/</a>.</li>
 	<li>Workshop I: Intro to Audio Editing Multimedia Lab at Brown. <a href="https://docs.google.com/presentation/d/1xNoz4xO50AYJyEahLLuAOXx_TfPWdP_iBke7j7jTXcI/edit?usp=sharing">https://docs.google.com/presentation/d/1xNoz4xO50AYJyEahLLuAOXx_TfPWdP_iBke7j7jTXcI/edit?usp=sharing</a></li>
 	<li>AFRI0550: Hearing a Story Structure <a href="https://drive.google.com/file/d/10F0EcgIApO1Nw0W3ZB4edFliWroR31bA/view?usp=sharing">https://drive.google.com/file/d/10F0EcgIApO1Nw0W3ZB4edFliWroR31bA/view?usp=sharing</a></li>
</ul>
&#8212;
<p id="facname"><strong>Nic John Ramos</strong> is an Assistant Professor in the Department of History at Drexel University and held a Mellon Postdoctoral Fellowship of Race in Medicine and Science at Brown University from 2017-2019. His article &#8220;Poor Influences and Criminal Locations: Los Angeles&#8217;s Skid Row, Multicultural Identities, and Normal Homosexuality&#8221; was recently published in <em>American Quarterly</em>.</p>
<em><a href="https://www.brown.edu/academics/sociology/people/laura-garbes"><strong>Laura Garbes</strong></a> is a PhD student in sociology at Brown University, where she studies racism, whiteness, and cultural organizations. Her research explores the racialization of sound in public broadcasting. She is also a fellow at Brown University’s Swearer Center for Public Service, and a member of the Du Boisian Scholar Network.</em>

&#8212;

<strong><em><img loading="lazy" data-attachment-id="20898" data-permalink="https://soundstudiesblog.com/2017/11/27/the-firesign-theatres-wax-poetics-how-a-narrative-takes-shape-in-auditory-dissonance-and-experimentation/tape-reel-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" data-orig-size="136,150" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="tape-reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=136" class=" size-full wp-image-20898 alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=135" alt="tape-reel" width="135" height="148" srcset="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=135 135w, https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg 136w" sizes="(max-width: 135px) 100vw, 135px" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:

<strong><a href="https://soundstudiesblog.com/2019/09/26/so-podcast-78-ethical-storytelling-in-podcasting/" rel="bookmark">SO! Podcast #78: Ethical Storytelling in Podcasting</a></strong>

<a href="https://soundstudiesblog.com/2016/02/29/16635/"><strong>A Manifesto, or Sounding Out!’s 51st Podcast!!! – Aaron Trammell</strong></a>

<strong><a href="https://soundstudiesblog.com/2017/07/10/deep-listening-as-philogynoir-playlists-black-girl-idiom-and-love/">Deep Listening as Philogynoir: Playlists, Black Girl Idiom, and Love</a>&#8211;Shakira Holt</strong>]]></content:encoded>
					
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<itunes:summary>Welcome to Next Gen sound studies! In the month of November, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You’ll read voice biographies (Kaitlyn Liu’s “My Voice, or On Not Staying Quiet,”) check out blog assignments (David […]</itunes:summary>
<googleplay:description>Welcome to Next Gen sound studies! In the month of November, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You’ll read voice biographies (Kaitlyn Liu’s “My Voice, or On Not Staying Quiet,”) check out blog assignments (David […]</googleplay:description>

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	<itunes:subtitle>Welcome to Next Gen sound studies! In the month of November, you will be treated to the future. . . today! In this series, we will share excellent work from undergraduates, along with the pedagogy that inspired them. You&amp;#8217;ll read voice biographies (Kaitlyn Liu&amp;#8217;s &amp;#8220;My Voice, or On Not Staying Quiet,&amp;#8221;) check out blog assignments (David [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>SO! Podcast #78: Ethical Storytelling in Podcasting</title>
		<link>https://soundstudiesblog.com/2019/09/26/so-podcast-78-ethical-storytelling-in-podcasting/</link>
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		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 26 Sep 2019 13:00:39 +0000</pubDate>
				<category><![CDATA[Civic Engagement]]></category>
		<category><![CDATA[Digital Humanities]]></category>
		<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[Gender]]></category>
		<category><![CDATA[Humanism]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[methodology]]></category>
		<category><![CDATA[Pedagogy]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Podcasting]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Public Debate]]></category>
		<category><![CDATA[Race]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Voice]]></category>
		<category><![CDATA[accessibility]]></category>
		<category><![CDATA[Alex Hanesworth]]></category>
		<category><![CDATA[audio storytelling]]></category>
		<category><![CDATA[Babette Thomas]]></category>
		<category><![CDATA[barriers to entry]]></category>
		<category><![CDATA[Brown University]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[ethics]]></category>
		<category><![CDATA[Jennifer Lynn Stoever]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[Laura Garbes]]></category>
		<category><![CDATA[Now Hear This]]></category>
		<category><![CDATA[objectivity]]></category>
		<category><![CDATA[panel]]></category>
		<category><![CDATA[podcasting]]></category>
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					<description><![CDATA[CLICK HERE TO DOWNLOAD: SO! Podcast #78: Ethical Storytelling in Podcasting SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST FOR TRANSCRIPT: AFRI0550 ethical considerations panel transcript final or  ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on &#8220;view transcript.&#8221; Here [&#8230;]]]></description>
										<content:encoded><![CDATA[<p></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2019/09/so-podcast-92619.mp3"><strong>SO! Podcast #78: Ethical Storytelling in Podcasting</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p><strong>FOR TRANSCRIPT: <a href="https://soundstudiesblog.com/wp-content/uploads/2019/09/afri0550-ethical-considerations-panel-transcript-final.docx">AFRI0550 ethical considerations panel transcript final</a> or  </strong><a href="https://podcasts.apple.com/us/podcast/sounding-out/id435193796"><strong>ACCESS EPISODE THROUGH APPLE PODCASTS</strong> </a>, locate the episode and click on the three dots to the far right. Click on &#8220;view transcript.&#8221;</p>
<p>Here at <em>Sounding Out! </em>we think that it&#8217;s best to learn from the experts. That&#8217;s why we sat in as a fly on a wall for a panel on ethics in podcasting put together by Laura Garbes at Brown University. Please join Laura as she discusses the politics of sound, podcasts, and more with <em>SO! </em>Editor-in-Chief Jennifer Lynn Stoever, storyteller Alex Hanesworth, and radio producer Babette Thomas (<a href="https://www.nowherethis.org/"><em>Now Hear This</em></a>).</p>
<p>Laura Garbes was awarded a 2019 Engaged Scholarship award by the Swearer Center for Public Service. She&#8217;s recently published an academic essay entitled &#8220;Sound Archive Access: Revealing Emergent Cultures.&#8221; for the <i>Journal of Radio and Audio Media. </i>In addition to this, check out Laura&#8217;s more public facing scholarship: Both the excellent <a href="https://current.org/2017/11/how-a-cpb-task-force-advanced-a-prescient-vision-for-diversity-in-public-radio/">&#8220;How a CPB task force advanced a prescient vision for diversity in public radio&#8221;</a> for <em>Current</em> and <a href="http://chs.asa-comparative-historical.org/excellence-reflexivity-and-racism-on-sociologys-nuclear-contradiction-and-its-abiding-crisis/">&#8220;Excellence, Reflexivity, and Racism: On Sociology&#8217;s Nuclear Contradiction and Its Abiding Crisis,&#8221;</a> with Michael D. Kennedy and Prabhdeep S. Kehal for <em>Critical Historical Sociology</em>.</p>
<p>If you want to learn more about Laura&#8217;s excellent work, check out the page &#8220;<a href="https://blogs.brown.edu/afri0550/">A Pedagogical Approach to Storytelling and Technology&#8221;</a> that details her collaboration with Dr. Nic John Ramos (now of Drexel University) in Spring 2019</p>
<blockquote><p><span class="emphasis-top">for a course taught within the Department of Africana Studies at Brown University called African American Health Activism from Colonialism to AIDS. We have crafted this page to provide guidance and help to educators interested in experimenting with podcasting as a pedagogical tool, particularly in courses where sound or radio is not the primary object of study.</span></p></blockquote>
<p>This panel, &#8220;Ethical Audio Stories: Teaching in the Age of the Sonic Color Line&#8221; was convened in conjunction with this course on April 18th, 2019 at the John Nicholas Brown Center for Public Humanities.  The panel discussed questions such as:</p>
<blockquote><p>If we are to be coming at the practice through a racial justice lens, does the code of ethics differ from journalistic professional ethics? Does it change the questions we ask? The way we interact with stories? How does this affect our notions of objectivity? How to make the audio storytelling more accessible: When we say audio storytelling has a “low barrier to entry,” what aren’t we considering in terms of resources and in terms of more complex cultural barriers?</p></blockquote>
<p>and also offered general tips to audio storytelling and a Q and A with the audience. For a full transcript of the podcast, click here: <a href="https://soundstudiesblog.com/wp-content/uploads/2019/09/afri0550-ethical-considerations-panel-transcript-final.docx">AFRI0550 ethical considerations panel transcript final</a></p>
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<p><em>Featured image is &#8220;Podcast&#8221; by Aristocrat @Flickr CC BY-NC-ND.</em></p>
</div>
<div><em><strong>—</strong></em></div>
<div><strong>Moderator:</strong></div>
<div><a href="https://www.brown.edu/academics/sociology/people/laura-garbes"><strong>Laura Garbes</strong></a> is a PhD student in sociology at Brown University, where she studies racism, whiteness, and cultural organizations. Her research explores the racialization of sound in public broadcasting. She is also a fellow at Brown University&#8217;s Swearer Center for Public Service, and a member of the Du Boisian Scholar Network.</div>
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<p><strong><a href="https://www.nowherethis.org/person/alex-hanesworth/">Alex Hanesworth</a> </strong>is the managing editor for <a href="https://www.nowherethis.org/person/alex-hanesworth/"><em>Now Hear This</em></a>.  She grew up listening to audiobooks in a nook somewhere on Fidalgo Island, WA and now spends her days studying, teaching, and making radio for Now Here This and the RISD Museum. She mostly makes stories about art, history, intimacies, and the intersection of the three.</p>
<p><a href="https://www.nowherethis.org/person/babette-thomas/"><strong>Babette Thomas</strong></a> is a Black radio producer originally from Oakland, California and is also one of the current managing editors of <a href="https://www.nowherethis.org/"><em>Now Hear This</em></a>. Her work is largely concerned with using sound and narrative to bring Black history in conversation with the present.</p>
<p><strong><a href="https://soundstudiesblog.com/author/profjstack/">Jennifer Lynn Stoever </a></strong>is Associate Professor at SUNY Binghamton where she teaches courses on African American literature and race and gender representation in popular music<strong>. </strong>She has published in <i>Social Text</i>, <i>Social Identities</i>, <i>Sound Effects</i>, <em>Modernist Cultures,</em> <i>American Quarterly </i>and <em>Radical History Review </em>among others; her most recent research, “Crate Digging Begins at Home: Black and Latinx Women Collecting and Selecting Records in the 1960s and 1970s Bronx” was published in <a href="http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190281090.001.0001/oxfordhb-9780190281090-e-1?print=pdf"><em>T</em></a><a href="http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190281090.001.0001/oxfordhb-9780190281090-e-1?print=pdf"><em>he Oxford Handbook of Hip Hop Studies</em> </a> (and is FREE to download as of September 2019).  <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">In 2016, she published her first book, </span><em style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"><a href="https://www.amazon.com/Sonic-Color-Line-Listening-Postmillennial/dp/1479889342/ref=sr_1_1?ie=UTF8&amp;qid=1488222702&amp;sr=8-1&amp;keywords=sonic+color+line">The Sonic Color Line: Race and the Cultural Politics of Listening</a></em><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif"> (NYU Press).</span></p>
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<div><em><strong>—</strong></em></div>
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<p><strong><em><img loading="lazy" data-attachment-id="20898" data-permalink="https://soundstudiesblog.com/2017/11/27/the-firesign-theatres-wax-poetics-how-a-narrative-takes-shape-in-auditory-dissonance-and-experimentation/tape-reel-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" data-orig-size="136,150" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="tape-reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=136" class=" size-full wp-image-20898 alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" alt="tape-reel" width="136" height="150" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><a href="https://soundstudiesblog.com/2014/04/14/diy-histories-podcasting-the-presenting-of-the-past/"><strong>DIY Histories: Podcasting the Past &#8211; Andrew Salvati</strong></a></p>
<p><a href="https://soundstudiesblog.com/2016/02/29/16635/"><strong>A Manifesto, or Sounding Out!&#8217;s 51st Podcast!!! &#8211; Aaron Trammell</strong></a></p>
<p><a href="https://soundstudiesblog.com/2011/10/10/music-is-not-bread-a-comment-on-the-economics-of-podcasting/"><strong>Music is Not Bread &#8211; Andreas Duus Pape</strong></a></p>
</div>
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<itunes:summary>CLICK HERE TO DOWNLOAD: SO! Podcast #78: Ethical Storytelling in Podcasting SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST FOR TRANSCRIPT: AFRI0550 ethical considerations panel transcript final or  ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on “view transcript.” Here […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: SO! Podcast #78: Ethical Storytelling in Podcasting SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST FOR TRANSCRIPT: AFRI0550 ethical considerations panel transcript final or  ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on “view transcript.” Here […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: SO! Podcast #78: Ethical Storytelling in Podcasting SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST FOR TRANSCRIPT: AFRI0550 ethical considerations panel transcript final or  ACCESS EPISODE THROUGH APPLE PODCASTS , locate the episode and click on the three dots to the far right. Click on &amp;#8220;view transcript.&amp;#8221; Here [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast X!: Blog-o-Versary 10.0</title>
		<link>https://soundstudiesblog.com/2019/07/29/sounding-out-podcast-x-blog-o-versary-10-0/</link>
					<comments>https://soundstudiesblog.com/2019/07/29/sounding-out-podcast-x-blog-o-versary-10-0/#comments</comments>
		
		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Mon, 29 Jul 2019 12:59:32 +0000</pubDate>
				<category><![CDATA[Blog-O-Versary]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Aaron Trammell]]></category>
		<category><![CDATA[Airek Beauchamp]]></category>
		<category><![CDATA[and Labrinth]]></category>
		<category><![CDATA[Beyonce]]></category>
		<category><![CDATA[Brother Ali]]></category>
		<category><![CDATA[Carlo Petrao]]></category>
		<category><![CDATA[Conan Osiris]]></category>
		<category><![CDATA[D-Lite]]></category>
		<category><![CDATA[Diplo]]></category>
		<category><![CDATA[Drake]]></category>
		<category><![CDATA[Eddy Alvarez]]></category>
		<category><![CDATA[Enongo Lumumba-Kasongo]]></category>
		<category><![CDATA[Fever Ray]]></category>
		<category><![CDATA[Ghostface Killah]]></category>
		<category><![CDATA[Government Cheese]]></category>
		<category><![CDATA[Holly Herndon]]></category>
		<category><![CDATA[James Tlsty]]></category>
		<category><![CDATA[Jenna Perez]]></category>
		<category><![CDATA[Jennifer Stoever]]></category>
		<category><![CDATA[John Melillo]]></category>
		<category><![CDATA[Julie Beth Napolin]]></category>
		<category><![CDATA[Kaitlyn Liu]]></category>
		<category><![CDATA[Kelly Hiser]]></category>
		<category><![CDATA[Kevin Archer]]></category>
		<category><![CDATA[Kristin Leigh Moriah]]></category>
		<category><![CDATA[Liana Silva]]></category>
		<category><![CDATA[Lizzo]]></category>
		<category><![CDATA[LSD]]></category>
		<category><![CDATA[Lucreccia Quintanilla]]></category>
		<category><![CDATA[Meridian]]></category>
		<category><![CDATA[Mitski]]></category>
		<category><![CDATA[Phillip Sintiec]]></category>
		<category><![CDATA[Priests]]></category>
		<category><![CDATA[Princess Nokia]]></category>
		<category><![CDATA[Reina Prado]]></category>
		<category><![CDATA[Rob Ryan]]></category>
		<category><![CDATA[Sammus]]></category>
		<category><![CDATA[Sia]]></category>
		<category><![CDATA[Sly & the Family Stone]]></category>
		<category><![CDATA[Solange]]></category>
		<category><![CDATA[The Beths]]></category>
		<category><![CDATA[Walter Gershon]]></category>
		<category><![CDATA[X-Ray Spex]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=22736</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: X! SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST X! Priests, “Texas Instruments”—THE EDITORIAL COLLECTIVE Government Cheese, “Fish Stick Day”—Kevin Archer Princess Nokia, “Brujas”—Reina Prado Sammus, “Mighty Morphing”—Enongo Lumumba-Kasongo Lucreccia Quintanilla, “Como Mujer (Ivy Queen+General Feelings+NaRemix)—Lucreccia Quintanilla LSD, feat. Sia, Diplo, and Labrinth, “Genius”—Kaitlyn Liu The Beths, “Future [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-22736-4" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2019/07/so-mix-x.mp3?_=4" /><a href="https://soundstudiesblog.com/wp-content/uploads/2019/07/so-mix-x.mp3">https://soundstudiesblog.com/wp-content/uploads/2019/07/so-mix-x.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2019/07/so-mix-x.mp3"><strong>X!</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p><em><strong>X!</strong></em></p>
<p><span style="font-weight:400;">Priests, “Texas Instruments”—THE EDITORIAL COLLECTIVE</span><br />
<span style="font-weight:400;">Government Cheese, “Fish Stick Day”—Kevin Archer</span><br />
<span style="font-weight:400;">Princess Nokia, “Brujas”—Reina Prado</span><br />
<span style="font-weight:400;">Sammus, “Mighty Morphing”—Enongo Lumumba-Kasongo</span><br />
<span style="font-weight:400;">Lucreccia Quintanilla, “Como Mujer (Ivy Queen+General Feelings+NaRemix)—Lucreccia Quintanilla</span><br />
<span style="font-weight:400;">LSD, feat. Sia, Diplo, and Labrinth, “Genius”—Kaitlyn Liu</span><br />
<span style="font-weight:400;">The Beths, “Future Me Hates Me”—James Tlsty</span><br />
<span style="font-weight:400;">Fever Ray, “To The Moon and Back”—Airek Beauchamp </span><br />
<span style="font-weight:400;">Solange, “Binz”—Liana Silva</span><br />
<span style="font-weight:400;">Ghostface Killah, “9 Milli”—Rob Ryan</span><br />
<span style="font-weight:400;">Sly &amp; the Family Stone, “Thankful &amp; Thoughtful”—Walter Gershon</span><br />
<span style="font-weight:400;">Conan Osiris, “Telemoveis”—Carlo Patrão </span><br />
<span style="font-weight:400;">Beyoncé, feat. Kendrick Lamar, “Freedom”—Jenna Perez</span><br />
<span style="font-weight:400;">Lizzo, “Tempo”—Jennifer Lynn Stoever</span><br />
<span style="font-weight:400;">Brother Ali, “Own Light (What Hearts Are For)”—Phillip Sintiere</span><br />
<span style="font-weight:400;">Holly Herndon, “Frontier”—John Melillo</span><br />
<span style="font-weight:400;">X-Ray Spex, “Identity”—Aaron Trammell</span><br />
<span style="font-weight:400;">Mitski, “Washing Machine Heart”—Kelly Hiser</span><br />
<span style="font-weight:400;">Meridian, “A Fire in the City”—Julie Beth Napolin</span><br />
<span style="font-weight:400;">D-Lite, “Groove Is In The Heart”—Eddy Alvarez</span><br />
<span style="font-weight:400;">Drake, “Started from the Bottom”—Kristin Leigh Moriah</span></p>
<p>&#8212;</p>
<p><strong>***Click <a href="https://soundstudiesblog.com/2019/07/29/x-blog-o-versary-10-0/">here</a> to read our Blog-o-versary year-in-review by Ed. in Chief JS </strong></p>
]]></content:encoded>
					
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<itunes:summary>CLICK HERE TO DOWNLOAD: X! SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST X! Priests, “Texas Instruments”—THE EDITORIAL COLLECTIVE Government Cheese, “Fish Stick Day”—Kevin Archer Princess Nokia, “Brujas”—Reina Prado Sammus, “Mighty Morphing”—Enongo Lumumba-Kasongo Lucreccia Quintanilla, “Como Mujer (Ivy Queen+General Feelings+NaRemix)—Lucreccia Quintanilla LSD, feat. Sia, Diplo, and Labrinth, “Genius”—Kaitlyn Liu The Beths, “Future […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: X! SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST X! Priests, “Texas Instruments”—THE EDITORIAL COLLECTIVE Government Cheese, “Fish Stick Day”—Kevin Archer Princess Nokia, “Brujas”—Reina Prado Sammus, “Mighty Morphing”—Enongo Lumumba-Kasongo Lucreccia Quintanilla, “Como Mujer (Ivy Queen+General Feelings+NaRemix)—Lucreccia Quintanilla LSD, feat. Sia, Diplo, and Labrinth, “Genius”—Kaitlyn Liu The Beths, “Future […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: X! SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST X! Priests, “Texas Instruments”—THE EDITORIAL COLLECTIVE Government Cheese, “Fish Stick Day”—Kevin Archer Princess Nokia, “Brujas”—Reina Prado Sammus, “Mighty Morphing”—Enongo Lumumba-Kasongo Lucreccia Quintanilla, “Como Mujer (Ivy Queen+General Feelings+NaRemix)—Lucreccia Quintanilla LSD, feat. Sia, Diplo, and Labrinth, “Genius”—Kaitlyn Liu The Beths, “Future [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>SO! Podcast #76: F*** U Pay Us @ UC Riverside PunkCon</title>
		<link>https://soundstudiesblog.com/2019/06/03/so-podcast-76-f-u-pay-us-uc-riverside-punkcon/</link>
					<comments>https://soundstudiesblog.com/2019/06/03/so-podcast-76-f-u-pay-us-uc-riverside-punkcon/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Mon, 03 Jun 2019 13:00:11 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Podcasting]]></category>
		<category><![CDATA[Punk Sound]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[anti-blackness]]></category>
		<category><![CDATA[Arielle Bapiste]]></category>
		<category><![CDATA[Fuck You Pay Us]]></category>
		<category><![CDATA[FUPU]]></category>
		<category><![CDATA[Jasmine Nyende]]></category>
		<category><![CDATA[live recording]]></category>
		<category><![CDATA[Marlen Rios-Hernandez]]></category>
		<category><![CDATA[Mikaela Elson]]></category>
		<category><![CDATA[patriarchy]]></category>
		<category><![CDATA[punkCon]]></category>
		<category><![CDATA[Sunny War]]></category>
		<category><![CDATA[Susana Sepulveda]]></category>
		<category><![CDATA[UC Riverside]]></category>
		<category><![CDATA[Uhuru Moore]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=22640</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: F*** U Pay Us @ UC Riverside PunkCon SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Sounding Out! was naturally curious about the amazing UC Riverside Punk Con&#8211;organized by Marlen Rios-Hernandez and Susana Sepulveda&#8211;and so we asked if we could listen in on some of the amazing conversations [&#8230;]]]></description>
										<content:encoded><![CDATA[<p></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2019/06/fubu-ucr.mp3"><strong>F*** U Pay Us @ UC Riverside PunkCon</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>Sounding Out! was naturally curious about the amazing <a href="https://ucrpunkcon.blogspot.com/p/who-we-are.html">UC Riverside Punk Con</a>&#8211;organized by Marlen Rios-Hernandez and Susana Sepulveda&#8211;and so we asked if we could listen in on some of the amazing conversations happening there. Fortunately the wonderful Mikaela Elson volunteered to be our ears on the ground and recorded this excellent keynote presentation by femme and them punk band <a href="https://fuckupayus.bandcamp.com/track/outrun" target="_blank" rel="noopener">FUPU (Fuck U Pay Us)</a>.</p>
<p>Mikaela chose to feature this keynote because of how they discuss how the voice can be used as a tool to undermine the white male patriarchy. In this talk they discuss how their music is used to cure the sting of a society that is anti-black and which thrives off of using power to suppress black folk, people of color, lgbtq+, disabled, and otherwise marginalized folk. BOOM!!!!</p>
<div>—</div>
<div>
<p><em>Featured image of FUPU borrowed from the UCR PunkCon site.</em></p>
</div>
<div><em><strong>—</strong></em></div>
<div></div>
<div><strong>Mikaela Elson</strong> is a media and culture scholar from the University of California, Riverside. She also has an associates degree in art. She creates and documents underground media that stands in opposition to the mass media. Her work focuses on helping to facilitate representation for folks from marginalized communities. She is the personal assistant for graphic novelist and artist John Jennings and host of “Hybrid Virtue&#8221; a college radio show on KUCR 88.3fm. To learn more about Mikaela follow her on Instagram @thisismik_</div>
<div></div>
<div><em><strong>—</strong></em></div>
<div>
<p><strong><em><img loading="lazy" data-attachment-id="20898" data-permalink="https://soundstudiesblog.com/2017/11/27/the-firesign-theatres-wax-poetics-how-a-narrative-takes-shape-in-auditory-dissonance-and-experimentation/tape-reel-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" data-orig-size="136,150" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="tape-reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=136" class=" size-full wp-image-20898 alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" alt="tape-reel" width="136" height="150" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:<br />
<a href="https://soundstudiesblog.com/2016/12/05/so-amplifies-the-women-in-l-a-punk-archive/"><strong>SO! Amplifies: The Women in L.A. Punk Archive- Alice Bag</strong></a></p>
<p><a href="https://soundstudiesblog.com/2017/10/05/sounding-out-podcast-63-the-sonic-landscapes-of-unwelcome-women-of-color-sonic-harassment-and-public-space/"><strong>Sounding Out! Podcast #63: The Sonic Landscapes of Unwelcome </strong></a></p>
<p><strong><a href="https://soundstudiesblog.com/2017/09/10/oh-how-so-east-l-a-the-sound-of-80s-flashbacks-in-chicana-literature/"><strong>“Oh how so East L.A.”: The </strong></a></strong><strong><a href="https://soundstudiesblog.com/2017/09/10/oh-how-so-east-l-a-the-sound-of-80s-flashbacks-in-chicana-literature/"><strong>Sound of 80s Flashbacks in Chicana Literature- Wanda Alarcon</strong></a></strong></p>
</div>
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		<post-id xmlns="com-wordpress:feed-additions:1">22640</post-id><itunes:author>guestlistener</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: F*** U Pay Us @ UC Riverside PunkCon SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Sounding Out! was naturally curious about the amazing UC Riverside Punk Con–organized by Marlen Rios-Hernandez and Susana Sepulveda–and so we asked if we could listen in on some of the amazing conversations […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: F*** U Pay Us @ UC Riverside PunkCon SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Sounding Out! was naturally curious about the amazing UC Riverside Punk Con–organized by Marlen Rios-Hernandez and Susana Sepulveda–and so we asked if we could listen in on some of the amazing conversations […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: F*** U Pay Us @ UC Riverside PunkCon SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Sounding Out! was naturally curious about the amazing UC Riverside Punk Con&amp;#8211;organized by Marlen Rios-Hernandez and Susana Sepulveda&amp;#8211;and so we asked if we could listen in on some of the amazing conversations [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>SO! Podcast #75: Wring Out Fairlea</title>
		<link>https://soundstudiesblog.com/2019/04/01/so-podcast-75-wring-out-fairlea/</link>
					<comments>https://soundstudiesblog.com/2019/04/01/so-podcast-75-wring-out-fairlea/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Mon, 01 Apr 2019 13:00:28 +0000</pubDate>
				<category><![CDATA[Civic Engagement]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA[Urban Space]]></category>
		<category><![CDATA[3CR Community Radio]]></category>
		<category><![CDATA[Coalition Against Women's Imprisonment]]></category>
		<category><![CDATA[Emma Russell]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[Melbourne]]></category>
		<category><![CDATA[prison]]></category>
		<category><![CDATA[protest]]></category>
		<category><![CDATA[social movements]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Wring Out Farilea]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=22445</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Wring Out Fairlea SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast commemorates the thirty-year anniversary of the first Wring Out Fairlea demonstration, which was organised by the Coalition Against Women&#8217;s Imprisonment to take place at the former Fairlea women&#8217;s prison in Melbourne on 26 June 1988. [&#8230;]]]></description>
										<content:encoded><![CDATA[<p></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2019/04/wring-out-fairlea.mp3"><strong>Wring Out Fairlea</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>This podcast commemorates the thirty-year anniversary of the first Wring Out Fairlea demonstration, which was organised by the Coalition Against Women&#8217;s Imprisonment to take place at the former Fairlea women&#8217;s prison in Melbourne on 26 June 1988. The Wring Out action was repeated three more times over the next eight years, bringing thousands of people to encircle Fairlea prison in protest and in solidarity with the women inside.</p>
<p>The podcast draws on original broadcasts of the Wring Outs and interviews with activists. It grows out of a collaborative research project conducted by Bree Carlton and Emma Russell on the history of an anti-carceral feminist movement in Melbourne, Australia.</p>
<p>The podcast is produced and narrated by Emma Russell at the studios of 3CR Community Radio in Naarm / Melbourne, on the land of the Wurundjeri people of the Kulin Nations.</p>
<div>—</div>
<div>
<p><em>Featured image used with permission by the author.</em></p>
</div>
<div><em><strong>—</strong></em></div>
<div><b>Emma Russell&#8217;</b>s research centres on social movements, punishment and policing. It aims to interrogate punitive logics and the nature of carceral and securitised space. Emma is particularly interested in feminist and queer activist histories, theories of prison abolition, and sound as a tool for understanding carceral space and resistance.</div>
<div><em><strong>—</strong></em></div>
<div>
<p><strong><em><img loading="lazy" data-attachment-id="20898" data-permalink="https://soundstudiesblog.com/2017/11/27/the-firesign-theatres-wax-poetics-how-a-narrative-takes-shape-in-auditory-dissonance-and-experimentation/tape-reel-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" data-orig-size="136,150" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="tape-reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=136" class=" size-full wp-image-20898 alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" alt="tape-reel" width="136" height="150" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:<br />
<strong><a href="https://soundstudiesblog.com/2017/01/26/sounding-out-podcast-59-soundwalk-of-the-womens-march-santa-ana/" target="_blank" rel="noopener noreferrer">Sounding Out! Podcast #59: Soundtrack to the Women&#8217;s March, Santa Ana</a>&#8211;Aaron Trammell</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/">Sounding Out! Podcast #50: Yoshiwara Soundwalk: Taking the Underground to the Floating World</a>– <b>Gretchen Jude</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/06/03/regulating-the-carceral-soundscape-media-policy-in-prison/">Regulating the Carceral Soundscape: Media Policy in Prison</a>&#8211;Bill Kirkpatrick</strong></p>
</div>
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		<post-id xmlns="com-wordpress:feed-additions:1">22445</post-id><itunes:author>guestlistener</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Wring Out Fairlea SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast commemorates the thirty-year anniversary of the first Wring Out Fairlea demonstration, which was organised by the Coalition Against Women’s Imprisonment to take place at the former Fairlea women’s prison in Melbourne on 26 June 1988. […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Wring Out Fairlea SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast commemorates the thirty-year anniversary of the first Wring Out Fairlea demonstration, which was organised by the Coalition Against Women’s Imprisonment to take place at the former Fairlea women’s prison in Melbourne on 26 June 1988. […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Wring Out Fairlea SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast commemorates the thirty-year anniversary of the first Wring Out Fairlea demonstration, which was organised by the Coalition Against Women&amp;#8217;s Imprisonment to take place at the former Fairlea women&amp;#8217;s prison in Melbourne on 26 June 1988. [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>SO! Podcast #74: Bonus Track for Spanish Rap &amp; Sound Studies Forum</title>
		<link>https://soundstudiesblog.com/2019/02/07/so-podcast-74-bonus-track-for-spanish-rap-sound-studies-forum/</link>
					<comments>https://soundstudiesblog.com/2019/02/07/so-podcast-74-bonus-track-for-spanish-rap-sound-studies-forum/#comments</comments>
		
		<dc:creator><![CDATA[lucrecciaquintanilla4010]]></dc:creator>
		<pubDate>Thu, 07 Feb 2019 15:00:10 +0000</pubDate>
				<category><![CDATA[Caribbean Studies]]></category>
		<category><![CDATA[Chican@/Latin@ Studies]]></category>
		<category><![CDATA[Cultural Studies]]></category>
		<category><![CDATA[Hip Hop]]></category>
		<category><![CDATA[Latin American Studies]]></category>
		<category><![CDATA[Mixtapes]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[No Pare Sigue Sigue]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=22174</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Bonus Track for Spanish Rap &#38; Sound Studies Forum SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In “Asesina,” Darell opens the track shouting “Everybody go to the discotek,” a call for listeners to respond to the catchy beat and come dance. In this series on rap in [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-22174-7" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2019/02/finalist-mix.mp3?_=7" /><a href="https://soundstudiesblog.com/wp-content/uploads/2019/02/finalist-mix.mp3">https://soundstudiesblog.com/wp-content/uploads/2019/02/finalist-mix.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2019/02/finalist-mix.mp3"><strong>Bonus Track for Spanish Rap &amp; Sound Studies Forum</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<img loading="lazy" data-attachment-id="22089" data-permalink="https://soundstudiesblog.com/2019/01/14/everyones-going-to-the-rumba-trap-latino-and-the-cuban-internet/nopare2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2019/01/nopare2.jpg" data-orig-size="1024,1024" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="nopare2" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2019/01/nopare2.jpg?w=519" class="alignleft size-thumbnail wp-image-22089" src="https://soundstudiesblog.com/wp-content/uploads/2019/01/nopare2.jpg?w=150" alt="nopare2" width="150" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2019/01/nopare2.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2019/01/nopare2.jpg?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" />In “<a href="https://www.youtube.com/watch?v=AhQcNVyndSM" target="_blank" rel="noopener noreferrer">Asesina</a>,” Darell opens the track shouting “Everybody go to the discotek,” a call for listeners to respond to the catchy beat and come dance. In this series on rap in Spanish and Sound Studies, we’re calling you out to the dance floor…and we have plenty to say about it. Your playlist will not sound the same after we’re through.</p>
<p>Throughout the forum, we explored what Spanish rap has to say on the dance floor, in our cars, and through our headsets. <a href="https://soundstudiesblog.com/2019/01/14/everyones-going-to-the-rumba-trap-latino-and-the-cuban-internet/" target="_blank" rel="noopener noreferrer">Michael Levine</a> discussed trap in Cuba and el paquete semanal. <a href="https://soundstudiesblog.com/2019/01/21/reggaeton-and-dissonance-in-naarm-melbourne/" target="_blank" rel="noopener noreferrer">Lucreccia Quintanilla</a> mused about about Latinx identity in Australia. <a href="https://soundstudiesblog.com/2019/02/04/22142/" target="_blank" rel="noopener noreferrer">Ashley Luthers</a> broke down femme sexuality in Cardi B’s music.</p>
<p>A forum on Spanish rap couldn&#8217;t be complete without a mixtape, and Lucreccia Quintanilla obliged. She has provided SO! readers with a free playlist that acts as a soundtrack to our series. Also? <em>It&#8217;s hot. </em>We wrap up <em>No Pare, Sigue Sigue: Spanish Rap &amp; Sound Studies </em>with this bonus track.</p>
<div></div>
<div>Songs:</div>
<div>We will dance to the light of the moon &#8211; Lucreccia and Ruben Heller-Quintanilla</div>
<div>La Cumbia Modular &#8211; Galambo</div>
<div>Festividad &#8211; Funeral</div>
<div>6 De la Mañana &#8211; Kelman Duran</div>
<div>Daddy Yankee, DJ Playero Baby Yankee Rio Bamba Remix</div>
<div>New Freezer- DJ Na</div>
<div>Contra La Pared &#8211; Moro</div>
<div>Como Mujer &#8211; Ivy Queen Lucreccia Quintanilla Edit</div>
<div>Dimelo &#8211; Demphra</div>
<div>Fuego &#8211; Lisa M.</div>
<div>El-Apache-ness- x-jlo-mueve-el-cucta-x-jenny-from-the-block    Tayhana-Turra-Edit</div>
<div>La Chilaperra &#8211; Mixeo Dj&#8217;s</div>
<div>Try Again (Chaboi &#8216;Mas Duro&#8217; Dembow Refix)</div>
<div>Sueltate el dembow &#8211; Bigote Edit</div>
<div>Y Que Lo Mueva (feat.MC Buseta) &#8211; Rosa Pistola and YNFYNYT SCROLL</div>
<div>—</div>
<div>
<p><em>Featured image: &#8220;<a href="https://www.flickr.com/photos/tabacaleralavapies/5070786343/in/photostream/" target="_blank" rel="noopener noreferrer">La Flor de Reggaetón</a>&#8221; by Flickr user La Tabacalera de Lavapiés, </em><em><span class="cc-license-identifier">CC BY-NC-ND 2.0</span></em></p>
</div>
<div><em><strong>—</strong></em></div>
<div><em><strong>Lucreccia Quintanilla</strong>  is an artist/DJ/writer and PhD candidate at Monash University in Naarm, Melbourne, Australia</em>.</div>
<div><em><strong>—</strong></em></div>
<div>
<p><strong><em><img loading="lazy" data-attachment-id="20898" data-permalink="https://soundstudiesblog.com/2017/11/27/the-firesign-theatres-wax-poetics-how-a-narrative-takes-shape-in-auditory-dissonance-and-experimentation/tape-reel-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" data-orig-size="136,150" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="tape-reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg?w=136" class=" size-full wp-image-20898 alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2017/11/tape-reel.jpg" alt="tape-reel" width="136" height="150" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:<br />
<strong><a href="https://soundstudiesblog.com/2015/07/27/sounding-out-podcast-45-keep-on-pushin/" target="_blank" rel="noopener noreferrer">Sounding Out! Podcast #44: Keep on Pushing!</a>&#8211;Editorial Collective</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/04/24/sounding-out-podcast-28-off-the-60/" target="_blank" rel="noopener noreferrer">Sounding Out! Podcast #28: Off the 60: A Mix-Tape Dedication to Los Angeles&#8211;Jennifer Stoever</a></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/02/27/sounding-out-podcast-26-tktktk/" target="_blank" rel="noopener noreferrer">Sounding Out! Podcast #26: Wobbling the Speakerspace&#8211;Justin Burton</a></strong></p>
</div>
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		<post-id xmlns="com-wordpress:feed-additions:1">22174</post-id><itunes:author>lucrecciaquintanilla4010</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Bonus Track for Spanish Rap &amp; Sound Studies Forum SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In “Asesina,” Darell opens the track shouting “Everybody go to the discotek,” a call for listeners to respond to the catchy beat and come dance. In this series on rap in […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Bonus Track for Spanish Rap &amp; Sound Studies Forum SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In “Asesina,” Darell opens the track shouting “Everybody go to the discotek,” a call for listeners to respond to the catchy beat and come dance. In this series on rap in […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Bonus Track for Spanish Rap &amp;#38; Sound Studies Forum SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In “Asesina,” Darell opens the track shouting “Everybody go to the discotek,” a call for listeners to respond to the catchy beat and come dance. In this series on rap in [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>SO! Podcast #73: NYC Highline Soundwalk</title>
		<link>https://soundstudiesblog.com/2019/01/31/so-podcast-73-nyc-highline-soundwalk/</link>
					<comments>https://soundstudiesblog.com/2019/01/31/so-podcast-73-nyc-highline-soundwalk/#comments</comments>
		
		<dc:creator><![CDATA[Andrew J. Salvati]]></dc:creator>
		<pubDate>Thu, 31 Jan 2019 14:00:38 +0000</pubDate>
				<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundwalk]]></category>
		<category><![CDATA[Urban Space]]></category>
		<category><![CDATA[Andrew Salvati]]></category>
		<category><![CDATA[gentrification]]></category>
		<category><![CDATA[hellskitchentochelsea]]></category>
		<category><![CDATA[highland]]></category>
		<category><![CDATA[NYC Highline]]></category>
		<category><![CDATA[sound walk]]></category>
		<category><![CDATA[urban space]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=22132</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD:  SO! Podcast #73: NYC Highline Soundwalk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In a recent profile, New Yorkmagazine’s Justin Davidson called the NYC High Line, a “tunnel through glass towers,” an urban beautification project that had been designed with local real estate prices in mind, which [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-22132-8" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2019/01/high-line-soundwalk.mp3?_=8" /><a href="https://soundstudiesblog.com/wp-content/uploads/2019/01/high-line-soundwalk.mp3">https://soundstudiesblog.com/wp-content/uploads/2019/01/high-line-soundwalk.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2019/01/high-line-soundwalk.mp3"><strong> SO! Podcast #73: NYC Highline Soundwalk</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>In a <a href="http://nymag.com/intelligencer/2019/01/the-high-line-has-become-a-tunnel-through-glass-towers.html">recent</a> profile, <em>New York</em>magazine’s Justin Davidson called the NYC <a href="https://www.thehighline.org/">High Line</a>, a “tunnel through glass towers,” an urban beautification project that had been designed with local <a href="https://ny.curbed.com/maps/nyc-high-line-construction-map">real estate prices</a> in mind, which has since become a “cattle chute for tourists,” wending its way through Manhattan’s Lower West Side from Gansevoort Street to 34<sup>th</sup>, and lined on each side by newly sprouted luxury apartment towers designed by some of the world’s preeminent architects. Conceived in the mid-2000s and completed in several phases through 2018, the High Line has been an epicenter of <a href="https://ny.curbed.com/nyc-gentrification">gentrification</a>: From the 10,000 square foot glass-and-steel wedge of <a href="https://40tenthave.com/">40 10<sup>th </sup>Avenue</a>, to twisty twins of <a href="https://thexi.com/">76 Eleventh Avenue</a>, to the massive <a href="https://www.hudsonyardsnewyork.com/discover/the-western-yard/">Western Yard project</a>, the sounds of the High Line – as I experienced them this past August – are redolent with the city’s <a href="https://www.citylab.com/solutions/2017/02/the-high-lines-next-balancing-act-fair-and-affordable-development/515391/">rising inequality</a>, and the remaking of <a href="https://www.nytimes.com/2015/10/25/nyregion/in-chelsea-a-great-wealth-divide.html?_r=0">working class neighborhoods</a> and <a href="https://ny.curbed.com/2013/8/28/10203828/from-scuzzy-to-chic-how-meatpacking-evolved-since-1985">small businesses</a> into stretches of upscale high rises and posh boutiques.</p>
<p>Having not visited the High Line for a year or so – and having never walked the route from end to end – I decided this past August to make this viaduct-turned-urban greenway the subject of a soundwalk. How, I wonder, might the <em>sound</em>of this space reveal its complex relationships and uses to the city surrounding it – its use as a public park, a tourist-trap, a space for small business, a featured attraction for builders and real estate agents marketing location? The whole walk is about a mile and a half, and I have about an hour to play with before heading up to midtown to make a research appointment, so I hoof down to the Meatpacking District to pick up the trail at its southwestern terminus.</p>
<p><img loading="lazy" data-attachment-id="22137" data-permalink="https://soundstudiesblog.com/2019/01/31/so-podcast-73-nyc-highline-soundwalk/the-high-line-soundwalk/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png" data-orig-size="1920,1080" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="the high line soundwalk" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png?w=519" class="aligncenter size-full wp-image-22137" src="https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png" alt="" width="519" height="292" srcset="https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png?w=519&amp;h=292 519w, https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png?w=1038&amp;h=584 1038w, https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png?w=150&amp;h=84 150w, https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png?w=300&amp;h=169 300w, https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png?w=768&amp;h=432 768w, https://soundstudiesblog.com/wp-content/uploads/2019/01/the-high-line-soundwalk.png?w=1024&amp;h=576 1024w" sizes="(max-width: 519px) 100vw, 519px" /></p>
<p>Climbing up a set of stairs directly next to the <a href="https://whitney.org/">Whitney</a> museum, the shrill sounds of the streets gradually melt away and I emerge into a peaceful grove of birches and thick shrubs. It’s relatively quiet at the moment, and one gets the sense of being in a rooftop garden – an urban meadow at once removed from the city, yet still immersed in its ambient hum. As I walk the length of the route, these city sounds become the leitmotif of my journey: the din of traffic along the avenues and cross-streets; the distant car horns; the sirens; the weekday morning sounds of unseen trucks loading and unloading their wares at nearby businesses; the constant drone of rooftop air conditioners; the sounds of tourists conversing in myriad languages; the inescapable jingling of mobile phones. And it’s from these latter sounds that I can begin to see – particularly as I’m here at an off-hour – why some local residents <a href="http://gothamist.com/2012/05/24/high_line_neighbors_has_some_issues.php">are a bit ticklish</a> about the High Line’s popularity with out-of-towners.</p>
<p>But overlaying all of this are the sounds of construction – the drills, circular saws, massive trucks, and heavy equipment of every description – that pierces the air on every block. Such sounds are not unusual in New York City, of course. But here, on each side of the High Line, the scale of such projects is enormous, and I can’t help but think of each pop of a nail gun, each hammer, each whirring crane, and creaking construction elevator making its sonic contribution to the glass and steel monstrosities piling up on the site of former slaughterhouses. Here, in this tumult, is the city-as-palimpsest: the writing-over of the industrial past with a plutocratic future.</p>
</div>
</div>
<p>&#8211;</p>
<p><em>Featured image by Moltkeplatz. It is in the public domain.</em></p>
<p>&#8211;</p>
<p><em><strong>Andrew J. Salvati</strong> </em>is a PhD candidate in Journalism and Media Studies at the School of Communication and Information at Rutgers University. His research examines the ways in which American history is packaged in popular media forms including film, television, computer games, mash-ups, and podcasts. Andrew currently live in New Jersey with his wife and two cats.</p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><a href="https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/"><strong>Sounding Out! Podcast #57: The Reykjavik Sound Walk</strong></a><strong>— </strong><b>Andrew Salvati</b></p>
<p><strong><a href="https://soundstudiesblog.com/2014/04/14/diy-histories-podcasting-the-presenting-of-the-past/">DIY Histories: Podcasting the Past</a>— Andrew Salvati</strong></p>
<p><a href="https://soundstudiesblog.com/2011/04/11/springtime-in-kc-soundwalk-2/"><strong>Sounding Out! Podcast #2: Springtime in KC: Soundwalking Kansas City</strong></a><strong>—Liana Silva</strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD:  SO! Podcast #73: NYC Highline Soundwalk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In a recent profile, New Yorkmagazine’s Justin Davidson called the NYC High Line, a “tunnel through glass towers,” an urban beautification project that had been designed with local real estate prices in mind, which […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD:  SO! Podcast #73: NYC Highline Soundwalk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In a recent profile, New Yorkmagazine’s Justin Davidson called the NYC High Line, a “tunnel through glass towers,” an urban beautification project that had been designed with local real estate prices in mind, which […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD:  SO! Podcast #73: NYC Highline Soundwalk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In a recent profile, New Yorkmagazine’s Justin Davidson called the NYC High Line, a “tunnel through glass towers,” an urban beautification project that had been designed with local real estate prices in mind, which [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>SO! Podcast #72: Not Your Muse (Episode 1 feat. Hailey Niswanger)</title>
		<link>https://soundstudiesblog.com/2018/11/29/so-podcast-72-not-your-muse-episode-1-feat-hailey-niswanger/</link>
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		<dc:creator><![CDATA[allisonoyoung1]]></dc:creator>
		<pubDate>Thu, 29 Nov 2018 14:00:40 +0000</pubDate>
				<category><![CDATA[Gender]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Live Music]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Popular Music Studies]]></category>
		<category><![CDATA[abuse]]></category>
		<category><![CDATA[Allison Young]]></category>
		<category><![CDATA[boundaries]]></category>
		<category><![CDATA[consent]]></category>
		<category><![CDATA[Esperanza Spalding]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[Hailey Niswanger]]></category>
		<category><![CDATA[jazz industry]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[Not Your Muse]]></category>
		<category><![CDATA[sexism]]></category>
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					<description><![CDATA[CLICK HERE TO DOWNLOAD:  SO! Podcast #72: Not Your Muse (Episode 1 feat. Hailey Niswanger) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Not Your Muse is a podcast series that dissects the unique experience of being a woman in the music industry. Each episode features an interview with a different [&#8230;]]]></description>
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<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2018/11/not-your-muse-1.mp3"><strong> SO! Podcast #72: Not Your Muse (Episode 1 feat. Hailey Niswanger)</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<div dir="auto">Not Your Muse is a podcast series that dissects the unique experience of being a woman in the music industry. Each episode features an interview with a different artist; we talk about their entry into music, and the struggles and triumphs that followed. The goal of this series is to bring attention to the sexism, both blatant and subtle, that women have to process as professionals.</div>
<div dir="auto"></div>
<div dir="auto">You can find more here: <a href="https://soundcloud.com/notyourmusepodcast" target="_blank" rel="noopener">https://soundcloud.com/notyourmusepodcast</a></div>
<div dir="auto">and <a href="https://allisonoyoung.wixsite.com/allisonoyoung/podcast" target="_blank" rel="noopener">https://allisonoyoung.wixsite.com/allisonoyoung/podcast</a></div>
<div dir="auto"></div>
<div dir="auto">
<div dir="auto">Our debut episode features Hailey Niswanger, a 28-year-old experimental jazz artist based in Brooklyn, NY. From playing Saturday Night Live to touring with Esperanza Spalding, Hailey&#8217;s career has been nothing short of extraordinary. So what did she do when her former mentor, who helped shape her relationship with music, crossed a line? Listen in to learn more about her story.</div>
<div dir="auto"></div>
<div dir="auto">Links to Hailey&#8217;s work:</div>
<p>&nbsp;</p>
<div dir="auto"><a href="http://haileyniswanger.com/" target="_blank" rel="noopener">haileyniswanger.com/</a></div>
<div dir="auto"><a href="http://www.maesunmusic.com/" target="_blank" rel="noopener">www.maesunmusic.com/</a></div>
<div dir="auto"><a href="http://open.spotify.com/album/3Eo4i1UkqM1rDoLoF8x8aj" target="_blank" rel="noopener">open.spotify.com/album/3Eo4i1UkqM1rDoLoF8x8aj</a></div>
<div dir="auto"><a href="http://saxsideproject.com/" target="_blank" rel="noopener">saxsideproject.com/</a></div>
</div>
<p>&#8211;</p>
<p><em>Featured image by Lexie Farabaugh used with permission by the author.</em></p>
<p>&#8211;</p>
<p><em><strong>Allison Young</strong> graduated from Binghamton University this past May with a degree in English rhetoric, and devoted her education to fueling her passion for media and its place in social activism and culture. She currently works as a copywriter and content strategist at <a href="http://www.idea-kraft.com/" target="_blank" rel="noopener">Idea Kraft</a>, a creative agency in Binghamton, NY. She believes storytelling is all around us. It has the unique ability to connect and shape our society for the better; sometimes the best thing we can do is just listen.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2017/10/05/sounding-out-podcast-63-the-sonic-landscapes-of-unwelcome-women-of-color-sonic-harassment-and-public-space/">Sounding Out! Podcast #63: The Sonic Landscapes of Unwelcome: Women of Color, Sonic Harassment, and Public Space</a></strong><strong>— </strong><b>Mala Muñoz and Diosa Femme</b></p>
<p><strong><a href="https://soundstudiesblog.com/2016/12/05/so-amplifies-the-women-in-l-a-punk-archive/">SO! Amplifies: The Women in L.A. Punk Archive</a>— Alice Bag</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2017/01/26/sounding-out-podcast-59-soundwalk-of-the-womens-march-santa-ana/">Sounding Out! Podcast #59: Soundwalk of the Women&#8217;s March, Santa Ana</a>—</strong><strong> Aaron Trammell</strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD:  SO! Podcast #72: Not Your Muse (Episode 1 feat. Hailey Niswanger) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Not Your Muse is a podcast series that dissects the unique experience of being a woman in the music industry. Each episode features an interview with a different […]</itunes:summary>
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		<title>SO! Podcast #71: Everyday Sounds of Resilience and Being: Black Joy at School</title>
		<link>https://soundstudiesblog.com/2018/11/01/so-podcast-71-everyday-sounds-of-resilience-and-being-black-joy-at-school/</link>
					<comments>https://soundstudiesblog.com/2018/11/01/so-podcast-71-everyday-sounds-of-resilience-and-being-black-joy-at-school/#comments</comments>
		
		<dc:creator><![CDATA[wsgershon]]></dc:creator>
		<pubDate>Thu, 01 Nov 2018 13:00:01 +0000</pubDate>
				<category><![CDATA[Amplifying Du Bois Forum]]></category>
		<category><![CDATA[Pedagogy]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA["Criteria of Negro Art"]]></category>
		<category><![CDATA[affect]]></category>
		<category><![CDATA[joy]]></category>
		<category><![CDATA[middle school]]></category>
		<category><![CDATA[W.E.B. Du Bois]]></category>
		<category><![CDATA[Walter Gershon]]></category>
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					<description><![CDATA[CLICK HERE TO DOWNLOAD:  SO! Podcast #71: Everyday Sounds of Resilience and Being: Black Joy at School SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Inspired by the recent Black Perspectives “W.E.B. Du Bois @ 150” Online Forum, SO!’s “W.E.B. Du Bois at 150” amplifies the commemoration of the occasion of the 150th anniversary of Du Bois’s [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-21861-10" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2018/10/gershon-podcast.mp3?_=10" /><a href="https://soundstudiesblog.com/wp-content/uploads/2018/10/gershon-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2018/10/gershon-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2018/10/gershon-podcast.mp3"><strong> SO! Podcast #71: Everyday Sounds of Resilience and Being: Black Joy at School</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p><img loading="lazy" data-attachment-id="21637" data-permalink="https://soundstudiesblog.com/2018/08/20/i-dreamed-and-loved-and-wandered-and-sang-sounding-blackness-in-w-e-b-du-boiss-dark-princess/amplifying-dubois-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2018/08/amplifying-dubois.jpg" data-orig-size="519,519" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="amplifying-dubois" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2018/08/amplifying-dubois.jpg?w=519" class="alignleft size-thumbnail wp-image-21637" src="https://soundstudiesblog.com/wp-content/uploads/2018/08/amplifying-dubois.jpg?w=150&amp;h=150" alt="" width="150" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2018/08/amplifying-dubois.jpg?w=150&amp;h=150 150w, https://soundstudiesblog.com/wp-content/uploads/2018/08/amplifying-dubois.jpg?w=300&amp;h=300 300w" sizes="(max-width: 150px) 100vw, 150px" />Inspired by the recent <em>Black Perspectives</em> <a href="https://www.aaihs.org/online-forum-w-e-b-du-bois-150/">“W.E.B. Du Bois @ 150” Online Forum</a>, <em>SO!’s </em>“W.E.B. Du Bois at 150” amplifies the commemoration of the occasion of the 150<sup>th</sup> anniversary of Du Bois’s birth in 2018 by examining his all-too-often and all-too-long unacknowledged role in developing, furthering, challenging, and shaping what we now know as “sound studies.”</p>
<p>&#8211;</p>
<p>This soundwork resides somewhere between a podcast and academic scholarship. Using W.E.B. DuBois’ (1926) arguments about the centrality of aesthetics and the Arts to liberatory practices and justice in Criteria for Negro Art, this piece argues for the significance of Black joy at school as a powerful pathway for interrupting layers of oppression in schooling. It is a work that seeks to convey these understandings as much affectively as epistemologically, where getting a feel for the argument matters at least as much as grasping the points raised throughout.</p>
<p>Sounds for this work are drawn from a four-year longitudinal sonic ethnographic project that was first rendered as a piece of soundart, exhibited at the Akron Art Museum from March through July 2012. The purpose of this project was to examine how writing songs about science might help students of color and girls (of color) more deeply experience and otherwise engage academic content. Students and teachers serves as co-researchers, documenting students’ songwriting processes, gathering audio and video recordings of their work, interviewing one another and the like. Given the collaborative nature of this project, with proper layers of student assent and parental consent, participating first, fifth, seventh, and eighth graders and their teachers used their actual names to receive credit for their work. As the study was winding to a close, I also engaged in an extension activity with first graders to better get a sense of how they conceptualized the school. To these ends, I first took pairs of first graders then had them work with one-on-one with their fifth grade buddies to video and audio record their three favorite places in the school.</p>
<p>Bookending the piece are two slices of the same half hour recording of fifth graders in Mrs. Grindall’s 5th grade classroom, Taris, Gayle, Tia, and Ki-Auna as they negotiate one of their songs about planetary motion and phases of the moon. The piece continues with Colton’s recording of the spaces and places he likes most at school including the art room, followed by part of Lanaria’s recording of the cafetorium (period!), then Delante’s recording of his first grade teacher Mr. Bennett’s room where he spent most of his days (lockers is amazing!). The sounds at the end of the piece start with Najah’s talk at the library as she looks out the window and the school’s “wall of fame” located there, with Gayle helping along. The middle sounds are exactly what one might think, bunches of first graders and their fifth grade buddies passing each other along the hall, ending with the friends doing a take of their song, messing up, and keeping rolling for the joy of it.</p>
<p>Along with layering and assembling the above recordings, all other sounds, their composition and arrangement are played, edited, and recorded by the author (Instrumentation: shaker, chekere, guataca, vibratone, udu, and bass). A short reference list for scholarship supporting the arguments made can be found below.</p>
<p>&#8211;</p>
<p><em>Featured image by Jambox998 @Flickr CC BY-NC-ND.</em></p>
<p>&#8211;</p>
<p><strong>Walter S. Gershon</strong> (Ph.D.) is an Associate Professor in the School of Teaching, Learning &amp; Curriculum Studies, LGBTQ Affiliate Faculty, and served as Provost Associate Faculty for Diversity, Equity, and Inclusion (2014-2017) at Kent State University. His scholarly interests focus on questions of justice about the ways in which young people make sense, the sociocultural processes that inform their everyday sense-making, and the qualitative methods used to study those processes, especially in relation to sound and the sensory. Though his work most often attends to how continually marginalized youth negotiate schools and schooling, Walter is also interested in how people of all ages negotiate educational contexts and knowledges outside of institutions. Recent publications include serving as co-editor (with Peter Appelbaum, Arcadia University) for a special issue of <i>Educational Studies: A Journal of the American Educational Studies Association</i>, the first to focus on sound studies in education, and as editor of a forthcoming book titled, <i>Sensuous Curriculum: Politics and the Senses in Education</i>. He is the recipient of the 2018 Outstanding Book Award from Division B (Curriculum Studies) of the American Educational Research Association for his work, <i>Sound Curriculum: Sonic Studies in Educational Theory, Method, and Practice</i>(2017, Routledge).</p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><a href="https://soundstudiesblog.com/2018/09/24/du-bois-freud-and-psychoanalytic-listening/"><strong>Listening to and as Contemporaries: W.E.B. Du Bois &amp; Sigmund Freud </strong></a><strong>— <b>Julie Beth Napolin</b></strong></p>
<p><a href="https://soundstudies.wordpress.com/2018/08/27/music-more-ancient-than-words-w-e-b-du-boiss-theories-on-africana-aurality/"><strong>“Music More Ancient than Words”: W.E.B. Du Bois’s Theories on Africana Aurality</strong></a> <strong>— Aaron Carter-Ényì</strong></p>
<p><a href="https://soundstudies.wordpress.com/2018/08/13/most-pleasant-to-the-ear-w-e-b-du-boiss-itinerant-intellectual-soundscapes/"><strong>“Most pleasant to the ear”: W. E. B. Du Bois’s Itinerant Intellectual Soundscapes </strong></a><strong>– Phillip Luke Sinitiere</strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD:  SO! Podcast #71: Everyday Sounds of Resilience and Being: Black Joy at School SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Inspired by the recent Black Perspectives “W.E.B. Du Bois @ 150” Online Forum, SO!’s “W.E.B. Du Bois at 150” amplifies the commemoration of the occasion of the 150th anniversary of Du Bois’s […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD:  SO! Podcast #71: Everyday Sounds of Resilience and Being: Black Joy at School SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Inspired by the recent Black Perspectives “W.E.B. Du Bois @ 150” Online Forum, SO!’s “W.E.B. Du Bois at 150” amplifies the commemoration of the occasion of the 150th anniversary of Du Bois’s […]</googleplay:description>

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		<title>SO! Podcast #70: Listening In with Sounding Out! (Shauna Bahssin)</title>
		<link>https://soundstudiesblog.com/2018/09/27/so-podcast-70-listening-in-with-sounding-out-shauna-bahssin/</link>
					<comments>https://soundstudiesblog.com/2018/09/27/so-podcast-70-listening-in-with-sounding-out-shauna-bahssin/#respond</comments>
		
		<dc:creator><![CDATA[jtlsty1]]></dc:creator>
		<pubDate>Thu, 27 Sep 2018 13:00:10 +0000</pubDate>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Radio]]></category>
		<category><![CDATA[Anne Le Troter]]></category>
		<category><![CDATA[Bulleted List]]></category>
		<category><![CDATA[James Tlsty]]></category>
		<category><![CDATA[Shauna Bahssin]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Sounding Out!]]></category>
		<category><![CDATA[WHRW]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=21755</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (Shauna Bahssin) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries&#8211;&#8220;Listening In with Sounding Out!&#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" data-attachment-id="21058" data-permalink="https://soundstudiesblog.com/2018/01/29/podcast-65-listening-in-with-sounding-out-feat-jenny-stoever/liwso/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg" data-orig-size="438,510" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="LIWSO" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=438" class="aligncenter size-full wp-image-21058" src="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg" alt="" width="438" height="510" srcset="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg 438w, https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=129&amp;h=150 129w, https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=258&amp;h=300 258w" sizes="(max-width: 438px) 100vw, 438px" /></p>
<p><audio class="wp-audio-shortcode" id="audio-21755-11" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2018/09/listening-in-to-so-5.mp3?_=11" /><a href="https://soundstudiesblog.com/wp-content/uploads/2018/09/listening-in-to-so-5.mp3">https://soundstudiesblog.com/wp-content/uploads/2018/09/listening-in-to-so-5.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2018/09/listening-in-to-so-5.mp3"><strong> Listening In with Sounding Out! (Shauna Bahssin)</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>Join host <strong>James Tlsty</strong> in the second installment of his podcast miniseries&#8211;&#8220;Listening In with <em>Sounding Out!</em>&#8221; In this miniseries Tlsty and co-host <strong>Shauna Bahssin</strong> dig deep into the archives of <em>Sounding Out!</em> and interview authors to get a sense of what they were thinking as they wrote their essays. In their final episode Tlsty interviews Bahssin about her SO! piece from October 2017, &#8220;<a href="https://soundstudiesblog.com/2017/05/01/so-amplifies-anne-le-troters-bulleted-list/">SO! Amplifies: Anne Le Troter&#8217;s &#8216;Bulleted List&#8217;</a>.&#8221;</p>
<p>&#8211;</p>
<p><em><a href="https://soundstudiesblog.com/james-tlsty/"><strong>James <span class="il">Tlsty</span></strong></a> is a Junior studying English and Philosophy, Politics and Law (PPL) at Binghamton University. James draws from literature and philosophy for pragmatic applications in social policy and activism. James is an active champion of the arts, as evidenced by his work with on-campus art initiative OPEN, a hybrid art gallery and open mic. He is also the resident Pop Music Department Director and an E-Board member at WHRW, where he is a registered radio engineer and programmer.</em></p>
<p><em><a href="https://soundstudiesblog.com/shauna-bahssin-2/"><strong>Shauna Bahssin</strong></a> is a junior double-majoring in English and art history. She currently serves as the managing editor for Binghamton University’s student newspaper, Pipe Dream, after maintaining the position of copy desk chief for three semesters. Outside of the paper, she helps supervise student fundraising initiatives through the Binghamton Telefund, and she hopes to work within the field of arts advancement after she graduates.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2017/05/01/so-amplifies-anne-le-troters-bulleted-list/">SO! Amplifies: Anne Le Troter&#8217;s &#8216;Bulleted List&#8217;</a> — <b>James Tlsty and Shauna Bahssin</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2018/04/23/so-amplifies-basilica-hudsons-24-hour-drone/">SO! Amplifies: Basilica Hudson&#8217;s 24 HOUR DRONE</a></strong> <strong>— Shauna Bahssin</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2018/01/29/podcast-65-liste…at-jenny-stoever/">Sounding Out! Podcast #65: Listening In with Sounding Out! (feat. Jenny Stoever)</a> – <b>James Tlsty and Shauna Bahssin</b></strong></p>
<p>&nbsp;</p>
]]></content:encoded>
					
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<itunes:summary>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (Shauna Bahssin) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! and […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (Shauna Bahssin) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! and […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (Shauna Bahssin) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries&amp;#8211;&amp;#8220;Listening In with Sounding Out!&amp;#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! and [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #69: Sound The Alarm</title>
		<link>https://soundstudiesblog.com/2018/07/30/sounding-out-podcast-69-sound-the-alarm/</link>
					<comments>https://soundstudiesblog.com/2018/07/30/sounding-out-podcast-69-sound-the-alarm/#respond</comments>
		
		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Mon, 30 Jul 2018 12:59:20 +0000</pubDate>
				<category><![CDATA[Blog-O-Versary]]></category>
		<category><![CDATA[Mixtapes]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Aaron Trammell]]></category>
		<category><![CDATA[Allison Young]]></category>
		<category><![CDATA[Amali Dhumali]]></category>
		<category><![CDATA[Descendents]]></category>
		<category><![CDATA[Diana Gordon]]></category>
		<category><![CDATA[Dr. Dre]]></category>
		<category><![CDATA[Elvis Costello and the Attractions]]></category>
		<category><![CDATA[Gina Arnold]]></category>
		<category><![CDATA[Guerrilla Toss]]></category>
		<category><![CDATA[J. Ballin and Carla Morrison]]></category>
		<category><![CDATA[James Tlsty]]></category>
		<category><![CDATA[Jenny Stoever]]></category>
		<category><![CDATA[Jeremy Braddock]]></category>
		<category><![CDATA[Justin Burton]]></category>
		<category><![CDATA[Karen Cook]]></category>
		<category><![CDATA[Liana Silva]]></category>
		<category><![CDATA[Marlen Rios]]></category>
		<category><![CDATA[Monika Mehta]]></category>
		<category><![CDATA[Nabel Zuber]]></category>
		<category><![CDATA[Pete Seeger]]></category>
		<category><![CDATA[Princess Nokia]]></category>
		<category><![CDATA[Rhianna]]></category>
		<category><![CDATA[Rina Sawayama]]></category>
		<category><![CDATA[Robin James]]></category>
		<category><![CDATA[Sam Cooke]]></category>
		<category><![CDATA[Shabazz Palaces]]></category>
		<category><![CDATA[Shakira Holt]]></category>
		<category><![CDATA[Shauna Bahssin]]></category>
		<category><![CDATA[Snap]]></category>
		<category><![CDATA[Tara Rodgers]]></category>
		<category><![CDATA[The Ergs]]></category>
		<category><![CDATA[The Raincoats]]></category>
		<category><![CDATA[Wanda Alarcon]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=21509</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Sound The Alarm SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Sound The Alarm Elvis Costello and the Attractions, “Night Rally”—Jeremy Braddock J. Ballin and Carla Morrison, “Mi Gente”—Liana Silva Snap!, “I’ve Got the Power!”—Robin James Diana Gordon, “Woman”—Allie Young The Raincoats, “No One’s Little Girl”—Gina Arnold Sam [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-21509-12" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2018/07/soundthealarmmix2.mp3?_=12" /><a href="https://soundstudiesblog.com/wp-content/uploads/2018/07/soundthealarmmix2.mp3">https://soundstudiesblog.com/wp-content/uploads/2018/07/soundthealarmmix2.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2018/07/soundthealarmmix2.mp3"><strong>Sound The Alarm</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p><em><strong>Sound The Alarm</strong></em></p>
<p>Elvis Costello and the Attractions, “Night Rally”—Jeremy Braddock<br />
J. Ballin and Carla Morrison, “Mi Gente”—Liana Silva<br />
Snap!, “I’ve Got the Power!”—Robin James<br />
Diana Gordon, “Woman”—Allie Young<br />
The Raincoats, “No One’s Little Girl”—Gina Arnold<br />
Sam Cooke, “This Little Light of Mine (Live)”—Shakira Holt<br />
The Ergs, “Books About Miles Davis”—Aaron Trammell<br />
Descendents, “Parents”—Marlen Rios-Hernandez<br />
Guerrilla Toss, “Betty Dreams of Green Men”—James T Tlsty<br />
Shabazz Palaces, &#8220;Shine a Light w/ Thaddillac&#8221;—Nabeel Zuberi<br />
Amali Dhumali, “DHOOM3”—Monika Mehta<br />
Rhianna, “Man Down”—Justin Burton<br />
Dr. Dre, “Keep Their Heads Ringing”—Karen Cook<br />
<a href="https://tararodgers.bandcamp.com/">Analog Tara, “Percolation”—Tara Rodgers</a><br />
Princess Nokia, “Kitana”—Jennifer Stoever<br />
Rina Sawayama, “Ordinary Superstar”—Shauna Bahssin<br />
Nina Diaz, “January 9th”—Wanda Alarcon</p>
<p>&#8212;</p>
<p><strong>***Click <a href="https://soundstudiesblog.com/2018/07/31/sound-the-alarm-blog-o-versary-9-0/">here</a> to read our Blog-o-versary year-in-review by Ed. in Chief JS </strong></p>
]]></content:encoded>
					
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<itunes:summary>CLICK HERE TO DOWNLOAD: Sound The Alarm SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Sound The Alarm Elvis Costello and the Attractions, “Night Rally”—Jeremy Braddock J. Ballin and Carla Morrison, “Mi Gente”—Liana Silva Snap!, “I’ve Got the Power!”—Robin James Diana Gordon, “Woman”—Allie Young The Raincoats, “No One’s Little Girl”—Gina Arnold Sam […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Sound The Alarm SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Sound The Alarm Elvis Costello and the Attractions, “Night Rally”—Jeremy Braddock J. Ballin and Carla Morrison, “Mi Gente”—Liana Silva Snap!, “I’ve Got the Power!”—Robin James Diana Gordon, “Woman”—Allie Young The Raincoats, “No One’s Little Girl”—Gina Arnold Sam […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Sound The Alarm SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Sound The Alarm Elvis Costello and the Attractions, “Night Rally”—Jeremy Braddock J. Ballin and Carla Morrison, “Mi Gente”—Liana Silva Snap!, “I’ve Got the Power!”—Robin James Diana Gordon, “Woman”—Allie Young The Raincoats, “No One’s Little Girl”—Gina Arnold Sam [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>SO! Podcast #68: Listening In with Sounding Out! (feat. Pavitra Sundar)</title>
		<link>https://soundstudiesblog.com/2018/05/31/so-podcast-68-listening-in-with-sounding-out-feat-pavitra-sundar/</link>
					<comments>https://soundstudiesblog.com/2018/05/31/so-podcast-68-listening-in-with-sounding-out-feat-pavitra-sundar/#comments</comments>
		
		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Thu, 31 May 2018 13:00:21 +0000</pubDate>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Radio]]></category>
		<category><![CDATA[James Tlsty]]></category>
		<category><![CDATA[Pavitra Sundar]]></category>
		<category><![CDATA[Queen of Dandiya]]></category>
		<category><![CDATA[Shauna Bahssin]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Sounding Out!]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=21374</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Pavitra Sundar) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries&#8211;&#8220;Listening In with Sounding Out!&#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" data-attachment-id="21058" data-permalink="https://soundstudiesblog.com/2018/01/29/podcast-65-listening-in-with-sounding-out-feat-jenny-stoever/liwso/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg" data-orig-size="438,510" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="LIWSO" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=438" class="aligncenter size-full wp-image-21058" src="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg" alt="" width="438" height="510" srcset="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg 438w, https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=129&amp;h=150 129w, https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=258&amp;h=300 258w" sizes="(max-width: 438px) 100vw, 438px" /></p>
<p><audio class="wp-audio-shortcode" id="audio-21374-13" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2018/05/listening-in-to-so-4.mp3?_=13" /><a href="https://soundstudiesblog.com/wp-content/uploads/2018/05/listening-in-to-so-4.mp3">https://soundstudiesblog.com/wp-content/uploads/2018/05/listening-in-to-so-4.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2018/05/listening-in-to-so-4.mp3"><strong> Listening In with Sounding Out! (feat. Pavitra Sundar)</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>Join host <strong>James Tlsty</strong> in the second installment of his podcast miniseries&#8211;&#8220;Listening In with <em>Sounding Out!</em>&#8221; In this miniseries Tlsty and co-host <strong>Shauna Bahssin</strong> dig deep into the archives of <em>Sounding Out!</em> and interview authors to get a sense of what they were thinking as they wrote their essays. In this episode Tlsty and Bahssin interview the amazing Pavitra Sundar discussing her SO! piece from October 2017, &#8220;<a href="https://soundstudiesblog.com/2017/10/23/the-queer-sound-of-the-dandiya-queen/" rel="bookmark">The Queer Sound of the Dandiya Queen, Falguni Pathak</a>&#8221;</p>
<p>&#8211;</p>
<p><em><a href="https://soundstudiesblog.com/james-tlsty/"><strong>James <span class="il">Tlsty</span></strong></a> is a Junior studying English and Philosophy, Politics and Law (PPL) at Binghamton University. James draws from literature and philosophy for pragmatic applications in social policy and activism. James is an active champion of the arts, as evidenced by his work with on-campus art initiative OPEN, a hybrid art gallery and open mic. He is also the resident Pop Music Department Director and an E-Board member at WHRW, where he is a registered radio engineer and programmer.</em></p>
<p><em><a href="https://soundstudiesblog.com/shauna-bahssin-2/"><strong>Shauna Bahssin</strong></a> is a junior double-majoring in English and art history. She currently serves as the managing editor for Binghamton University’s student newspaper, Pipe Dream, after maintaining the position of copy desk chief for three semesters. Outside of the paper, she helps supervise student fundraising initiatives through the Binghamton Telefund, and she hopes to work within the field of arts advancement after she graduates.</em></p>
<p><em><a href="https://soundstudiesblog.com/pavitra-sundar/"><strong>Pavitra Sundar</strong></a> is Assistant Professor of Literature at Hamilton College, where she teaches courses on global film and literature. Her scholarly interests span the fields of cinema studies, sound studies, postcolonial literary and cultural studies, and gender-sexuality studies. She is currently completing a book manuscript on the politics of Bollywood film sound and music. Her work has been published in journals such as Meridians, Jump Cut, South Asian Popular Culture, and Communication, Culture, and Critique, as well as in anthologies on South Asian and other cinematic traditions.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://wp.me/pwK4N-5w3">SO! Podcast #66: Listening In with Sounding Out! (feat. Marlen Rios)</a> — <b>James Tlsty and Shauna Bahssin</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2018/01/29/podcast-65-liste…at-jenny-stoever/">Sounding Out! Podcast #65: Listening In with Sounding Out! (feat. Jenny Stoever)</a> – <b>James Tlsty and Shauna Bahssin</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/04/18/sounding-shakespeare-in-seoul/">Sounding Out! Podcast #13: Sounding Shakespeare in S(e)oul</a> – <b>Brooke A. Carlson</b></strong></p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">21374</post-id><itunes:author>Aaron Trammell</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Pavitra Sundar) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Pavitra Sundar) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Pavitra Sundar) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries&amp;#8211;&amp;#8220;Listening In with Sounding Out!&amp;#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>SO! Podcast #67: Listening In with Sounding Out! (feat. Claire Cooley)</title>
		<link>https://soundstudiesblog.com/2018/04/30/so-podcast-66-listening-in-with-sounding-out-feat-claire-cooley/</link>
					<comments>https://soundstudiesblog.com/2018/04/30/so-podcast-66-listening-in-with-sounding-out-feat-claire-cooley/#respond</comments>
		
		<dc:creator><![CDATA[jtlsty1]]></dc:creator>
		<pubDate>Mon, 30 Apr 2018 13:00:28 +0000</pubDate>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Radio]]></category>
		<category><![CDATA[Claire Cooley]]></category>
		<category><![CDATA[James Tlsty]]></category>
		<category><![CDATA[Shauna Bahssin]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Sounding Out!]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=21300</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Claire Cooley) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries&#8211;&#8220;Listening In with Sounding Out!&#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! [&#8230;]]]></description>
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<p><audio class="wp-audio-shortcode" id="audio-21300-14" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2018/04/listening-in-to-so-3.mp3?_=14" /><a href="https://soundstudiesblog.com/wp-content/uploads/2018/04/listening-in-to-so-3.mp3">https://soundstudiesblog.com/wp-content/uploads/2018/04/listening-in-to-so-3.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2018/04/listening-in-to-so-3.mp3"><strong> Listening In with Sounding Out! (feat. Claire Cooley)</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>Join host <strong>James Tlsty</strong> in the second installment of his podcast miniseries&#8211;&#8220;Listening In with <em>Sounding Out!</em>&#8221; In this miniseries Tlsty and co-host <strong>Shauna Bahssin</strong> dig deep into the archives of <em>Sounding Out!</em> and interview authors to get a sense of what they were thinking as they wrote their essays. In this episode Tlsty and Bahssin interview the amazing Claire Cooley discussing her SO! piece from October 2017, &#8220;<a href="https://soundstudiesblog.com/2017/10/16/gender-and-the-first-sound-films-in-bombay-1930s/" rel="bookmark">Gender and the First Sound Films in 1930s Bombay</a>&#8221;</p>
<p>&#8211;</p>
<p><em><a href="https://soundstudiesblog.com/james-tlsty/"><strong>James <span class="il">Tlsty</span></strong></a> is a Junior studying English and Philosophy, Politics and Law (PPL) at Binghamton University. James draws from literature and philosophy for pragmatic applications in social policy and activism. James is an active champion of the arts, as evidenced by his work with on-campus art initiative OPEN, a hybrid art gallery and open mic. He is also the resident Pop Music Department Director and an E-Board member at WHRW, where he is a registered radio engineer and programmer.</em></p>
<p><em><a href="https://soundstudiesblog.com/shauna-bahssin-2/"><strong>Shauna Bahssin</strong></a> is a junior double-majoring in English and art history. She currently serves as the managing editor for Binghamton University’s student newspaper, Pipe Dream, after maintaining the position of copy desk chief for three semesters. Outside of the paper, she helps supervise student fundraising initiatives through the Binghamton Telefund, and she hopes to work within the field of arts advancement after she graduates.</em></p>
<p><em><strong>Claire Cooley</strong> is a PhD student in the Department of Middle Eastern Studies at the </em><em>University of Texas at Austin. Her research interests center on overlapping Middle East </em><em>and South Asia film histories. Claire’s dissertation project traces connections between </em><em>Egyptian, Iranian, and Indian cinemas with a focus on the 1930s-1960s, and uses sound </em><em>as a framework to capture the dynamics of cinematic circulations across this contiguous </em><em>region. In 2010, she received her BA from Tufts University, and from 2010-2013 she </em><em>lived in Cairo, Egypt where she pursued a project translating, mapping, and blogging </em><em>about graffiti during the 2011 Egyptian Revolution. Claire also teaches Persian and </em><em>Arabic.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://wp.me/pwK4N-5w3">SO! Podcast #66: Listening In with Sounding Out! (feat. Marlen Rios)</a> — <b>James Tlsty and Shauna Bahssin</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2018/01/29/podcast-65-liste…at-jenny-stoever/">Sounding Out! Podcast #65: Listening In with Sounding Out! (feat. Jenny Stoever)</a> – <b>James Tlsty and Shauna Bahssin</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/04/18/sounding-shakespeare-in-seoul/">Sounding Out! Podcast #13: Sounding Shakespeare in S(e)oul</a> – <b>Brooke A. Carlson</b></strong></p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">21300</post-id><itunes:author>jtlsty1</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Claire Cooley) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Claire Cooley) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Claire Cooley) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries&amp;#8211;&amp;#8220;Listening In with Sounding Out!&amp;#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>SO! Podcast #66: Listening In with Sounding Out! (feat. Marlen Rios)</title>
		<link>https://soundstudiesblog.com/2018/03/26/so-podcast-66-listening-in-with-sounding-out-feat-marlen-rios/</link>
					<comments>https://soundstudiesblog.com/2018/03/26/so-podcast-66-listening-in-with-sounding-out-feat-marlen-rios/#respond</comments>
		
		<dc:creator><![CDATA[jtlsty1]]></dc:creator>
		<pubDate>Mon, 26 Mar 2018 13:00:20 +0000</pubDate>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[James Tlsty]]></category>
		<category><![CDATA[Marlen Rios]]></category>
		<category><![CDATA[miniseries]]></category>
		<category><![CDATA[musicology]]></category>
		<category><![CDATA[Punk]]></category>
		<category><![CDATA[Sounding Out!]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=21207</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Marlen Rios) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries&#8211;&#8220;Listening In with Sounding Out!&#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" data-attachment-id="21058" data-permalink="https://soundstudiesblog.com/2018/01/29/podcast-65-listening-in-with-sounding-out-feat-jenny-stoever/liwso/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg" data-orig-size="438,510" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="LIWSO" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=438" class="aligncenter size-full wp-image-21058" src="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg" alt="" width="438" height="510" srcset="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg 438w, https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=129&amp;h=150 129w, https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=258&amp;h=300 258w" sizes="(max-width: 438px) 100vw, 438px" /></p>
<p><audio class="wp-audio-shortcode" id="audio-21207-15" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2018/03/listening-in-to-so-2.mp3?_=15" /><a href="https://soundstudiesblog.com/wp-content/uploads/2018/03/listening-in-to-so-2.mp3">https://soundstudiesblog.com/wp-content/uploads/2018/03/listening-in-to-so-2.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2018/01/listening-in-to-so-2.mp3"><strong> Listening In with Sounding Out! (feat. Marlen Rios)</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>Join host <strong>James Tlsty</strong> in the second installment of his podcast miniseries&#8211;&#8220;Listening In with <em>Sounding Out!</em>&#8221; In this miniseries Tlsty and co-host <strong>Shauna Bahssin</strong> dig deep into the archives of <em>Sounding Out!</em> and interview authors to get a sense of what they were thinking as they wrote their essays. In this episode Tlsty and Bahssin<strong> </strong>interview one of our favorite contributors, Marlen Rios.</p>
<p>&#8211;</p>
<p><em><a href="https://soundstudiesblog.com/james-tlsty/"><strong>James <span class="il">Tlsty</span></strong></a> is a Junior studying English and Philosophy, Politics and Law (PPL) at Binghamton University. James draws from literature and philosophy for pragmatic applications in social policy and activism. James is an active champion of the arts, as evidenced by his work with on-campus art initiative OPEN, a hybrid art gallery and open mic. He is also the resident Pop Music Department Director and an E-Board member at WHRW, where he is a registered radio engineer and programmer.</em></p>
<p><em><a href="https://soundstudiesblog.com/shauna-bahssin-2/"><strong>Shauna Bahssin</strong></a> is a junior double-majoring in English and art history. She currently serves as the managing editor for Binghamton University’s student newspaper, Pipe Dream, after maintaining the position of copy desk chief for three semesters. Outside of the paper, she helps supervise student fundraising initiatives through the Binghamton Telefund, and she hopes to work within the field of arts advancement after she graduates.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2015/01/29/sounding-out-podcast-38-radio-frequencies-radio-forms-live/">Sounding Out! Podcast #38: Radio Frequencies, Radio Forms LIVE</a> — Monteith McCollum, Jennifer Stoever, and Daniel Santos</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2018/01/29/podcast-65-liste…at-jenny-stoever/">Sounding Out! Podcast #65: Listening In with Sounding Out! (feat. Jenny Stoever)</a> – <b>James Tlsty and Shauna Bahssin</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/04/18/sounding-shakespeare-in-seoul/">Sounding Out! Podcast #13: Sounding Shakespeare in S(e)out</a> – <b>Brooke A. Carlson</b></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Marlen Rios) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Marlen Rios) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Marlen Rios) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries&amp;#8211;&amp;#8220;Listening In with Sounding Out!&amp;#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>SO! Podcast #65: Listening In with Sounding Out! (feat. Jenny Stoever)</title>
		<link>https://soundstudiesblog.com/2018/01/29/podcast-65-listening-in-with-sounding-out-feat-jenny-stoever/</link>
					<comments>https://soundstudiesblog.com/2018/01/29/podcast-65-listening-in-with-sounding-out-feat-jenny-stoever/#comments</comments>
		
		<dc:creator><![CDATA[jtlsty1]]></dc:creator>
		<pubDate>Mon, 29 Jan 2018 14:00:02 +0000</pubDate>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[James Tlsty]]></category>
		<category><![CDATA[Jenny Stoever]]></category>
		<category><![CDATA[Listening In]]></category>
		<category><![CDATA[miniseries]]></category>
		<category><![CDATA[Sounding Out!]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=21043</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Jenny Stoever) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty as he kicks off a special podcast miniseries&#8211;&#8220;Listening In with Sounding Out!&#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" data-attachment-id="21058" data-permalink="https://soundstudiesblog.com/2018/01/29/podcast-65-listening-in-with-sounding-out-feat-jenny-stoever/liwso/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg" data-orig-size="438,510" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="LIWSO" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=438" class="aligncenter size-full wp-image-21058" src="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg" alt="" width="438" height="510" srcset="https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg 438w, https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=129&amp;h=150 129w, https://soundstudiesblog.com/wp-content/uploads/2018/01/liwso.jpg?w=258&amp;h=300 258w" sizes="(max-width: 438px) 100vw, 438px" /></p>
<p><audio class="wp-audio-shortcode" id="audio-21043-16" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2018/01/listening-in-to-so-1.mp3?_=16" /><a href="https://soundstudiesblog.com/wp-content/uploads/2018/01/listening-in-to-so-1.mp3">https://soundstudiesblog.com/wp-content/uploads/2018/01/listening-in-to-so-1.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2018/01/listening-in-to-so-1.mp3"><strong> Listening In with Sounding Out! (feat. Jenny Stoever)</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>Join host <strong>James Tlsty</strong> as he kicks off a special podcast miniseries&#8211;&#8220;Listening In with <em>Sounding Out!</em>&#8221; In this miniseries Tlsty and co-host <strong>Shauna Bahssin</strong> dig deep into the archives of <em>Sounding Out!</em> and interview authors to get a sense of what they were thinking as they wrote their essays. In this first episode Tlsty and Bahssin<strong> </strong>interview the music maven herself, <em>Sounding Out! </em>Editor-In-Chief Jenny Stoever. Listen in for a rare glimpse of the special glue that holds <em>Sounding Out! </em>together!</p>
<p>&#8211;</p>
<p><em><a href="https://soundstudiesblog.com/james-tlsty/"><strong>James <span class="il">Tlsty</span></strong></a> is a Junior studying English and Philosophy, Politics and Law (PPL) at Binghamton University. James draws from literature and philosophy for pragmatic applications in social policy and activism. James is an active champion of the arts, as evidenced by his work with on-campus art initiative OPEN, a hybrid art gallery and open mic. He is also the resident Pop Music Department Director and an E-Board member at WHRW, where he is a registered radio engineer and programmer.</em></p>
<p><em><a href="https://soundstudiesblog.com/shauna-bahssin-2/"><strong>Shauna Bahssin</strong></a> is a junior double-majoring in English and art history. She currently serves as the managing editor for Binghamton University’s student newspaper, Pipe Dream, after maintaining the position of copy desk chief for three semesters. Outside of the paper, she helps supervise student fundraising initiatives through the Binghamton Telefund, and she hopes to work within the field of arts advancement after she graduates.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2015/01/29/sounding-out-podcast-38-radio-frequencies-radio-forms-live/">Sounding Out! Podcast #38: Radio Frequencies, Radio Forms LIVE</a> — Monteith McCollum, Jennifer Stoever, and Daniel Santos</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/03/27/sounding-out-podcast-27-interview-with-jonathan-sterne/">Sounding Out! Podcast #27: Interview with Jonathan Sterne</a> – <b>Aaron Trammell</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/04/18/sounding-shakespeare-in-seoul/">Sounding Out! Podcast #13: Sounding Shakespeare in S(e)out</a> – <b>Brooke A. Carlson</b></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Jenny Stoever) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty as he kicks off a special podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Jenny Stoever) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty as he kicks off a special podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD:  Listening In with Sounding Out! (feat. Jenny Stoever) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty as he kicks off a special podcast miniseries&amp;#8211;&amp;#8220;Listening In with Sounding Out!&amp;#8221; In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #64: Standing Rock, Protest, Sound and Power (Part 2)</title>
		<link>https://soundstudiesblog.com/2017/11/30/sounding-out-podcast-64-standing-rock-protest-sound-and-power-part-2/</link>
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		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 30 Nov 2017 14:00:44 +0000</pubDate>
				<category><![CDATA[American Indian Studies]]></category>
		<category><![CDATA[Environmental Issues]]></category>
		<category><![CDATA[Indigenous Studies]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[Choctaw]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Marcella Ernest]]></category>
		<category><![CDATA[Nancy Mithlo]]></category>
		<category><![CDATA[peaceful protest]]></category>
		<category><![CDATA[protest]]></category>
		<category><![CDATA[Seminole]]></category>
		<category><![CDATA[Sioux Tribe]]></category>
		<category><![CDATA[Standing Rock]]></category>
		<category><![CDATA[Tracy Rector]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=20912</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Standing Rock, Protest, Sound and Power (Part 2) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Part Two of a special series on Standing Rock, Protest, Sound and Power. The guest for today&#8217;s podcast is Tracy Rector. Tracy is a Choctaw/Seminole filmmaker, curator, community organizer, and Executive Director [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-20912-17" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2017/11/protest-sound-power-ii.mp3?_=17" /><a href="https://soundstudiesblog.com/wp-content/uploads/2017/11/protest-sound-power-ii.mp3">https://soundstudiesblog.com/wp-content/uploads/2017/11/protest-sound-power-ii.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2017/11/protest-sound-power-ii.mp3"><strong>Standing Rock, Protest, Sound and Power (Part 2)</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>Part Two of a special series on Standing Rock, Protest, Sound and Power. The guest for today&#8217;s podcast is <a href="https://en.wikipedia.org/wiki/Tracy_Rector">Tracy Rector</a>. Tracy is a Choctaw/Seminole filmmaker, curator, community organizer, and Executive Director and Co-founder of Longhouse Media. In 2017 Indigenous grassroots leaders called upon allies across the United States and around the world to peacefully march in support of the Standing Rock Sioux Tribe. They asked allies to simply exist, resist, and rise in solidarity with Indigenous peoples and their rights&#8211;rights which protect mother earth for all future generations. In this podcast we talk about Tracy’s thoughts and observations as a filmmaker who was present at Standing Rock. We discuss the election of a new administration, increasing threats to native land, and police violence in today&#8217;s podcast.</p>
<p>In <a href="https://soundstudiesblog.com/2017/03/30/sounding-out-podcast-60-standing-rock-protest-sound-and-power/">Part One</a>, our host Marcella Ernest spoke with Dr. Nancy Marie Mithlo, a Native American art historian and Associate Professor of Art History and American Indian studies. They discussed how Nancy experiences the sonic elements of Native activism as a trained anthropologist. In Part Two, Tracy&#8217;s experience playing with sound and visuals as a documentarian brings a different perspective to understanding Native activism.</p>
<p>&#8211;</p>
<p><em><strong><a href="https://soundstudiesblog.com/marcella-ernest/">Marcella Ernest</a></strong> is a Native American (Ojibwe) interdisciplinary video artist and scholar. Her work combines electronic media with sound design with film and photography in a variety of formats; using multi-media installations incorporating large-scale projections and experimental film aesthetics. Currently living in California, Marcella is completing an interdisciplinary Ph.D. in American Studies at the University of New Mexico. Drawing upon a Critical Indigenous Studies framework to explore how “Indianness” and Indigenity are represented in studies of American and Indigenous visual and popular culture, her primary research is an engagement with contemporary Native art to understand how members of colonized groups use a re-mix of experimental video and sound design as a means for cultural and political expressions of resistance.</em></p>
<p>&#8211;</p>
<p><em>Featured image used with permission by Tracy Rector.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2017/03/30/sounding-out-podcast-60-standing-rock-protest-sound-and-power/">Sounding Out! Podcast #60: Standing Rock, Protest, Sound, and Power (Part 1)</a> — </strong><b>Marcella Ernest</b></p>
<p><strong><a href="https://soundstudies.wordpress.com/2016/02/25/sounding-out-podcast-50-creating-new-words-from-lost-sounds/?iframe=true&amp;preview=true/">Sounding Out! Podcast #51: Creating New Worlds From Old Sounds</a> – <b>Marcella Ernest</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/09/29/sounding-out-podcast-58-the-meaning-of-silence/">Sounding Out! Podcast #58: The Meaning of Silence</a> – <b>Marcella Ernest</b></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Standing Rock, Protest, Sound and Power (Part 2) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Part Two of a special series on Standing Rock, Protest, Sound and Power. The guest for today’s podcast is Tracy Rector. Tracy is a Choctaw/Seminole filmmaker, curator, community organizer, and Executive Director […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Standing Rock, Protest, Sound and Power (Part 2) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Part Two of a special series on Standing Rock, Protest, Sound and Power. The guest for today’s podcast is Tracy Rector. Tracy is a Choctaw/Seminole filmmaker, curator, community organizer, and Executive Director […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Standing Rock, Protest, Sound and Power (Part 2) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Part Two of a special series on Standing Rock, Protest, Sound and Power. The guest for today&amp;#8217;s podcast is Tracy Rector. Tracy is a Choctaw/Seminole filmmaker, curator, community organizer, and Executive Director [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #63: The Sonic Landscapes of Unwelcome: Women of Color, Sonic Harassment, and Public Space</title>
		<link>https://soundstudiesblog.com/2017/10/05/sounding-out-podcast-63-the-sonic-landscapes-of-unwelcome-women-of-color-sonic-harassment-and-public-space/</link>
					<comments>https://soundstudiesblog.com/2017/10/05/sounding-out-podcast-63-the-sonic-landscapes-of-unwelcome-women-of-color-sonic-harassment-and-public-space/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 05 Oct 2017 13:00:58 +0000</pubDate>
				<category><![CDATA[Chicana Soundscapes Forum]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Public Debate]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[The Body]]></category>
		<category><![CDATA[Urban Space]]></category>
		<category><![CDATA[aggressive behavior]]></category>
		<category><![CDATA[Diosa Femme]]></category>
		<category><![CDATA[femme tech]]></category>
		<category><![CDATA[harassment]]></category>
		<category><![CDATA[Locatora Radio]]></category>
		<category><![CDATA[Male Muñoz]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Public Space]]></category>
		<category><![CDATA[sonic landscape]]></category>
		<category><![CDATA[Soundscape]]></category>
		<category><![CDATA[women of color]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=20550</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: The Sonic Landscapes of Unwelcome: Women of Color, Sonic Harassment, and Public Space SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast focuses on the sonic landscapes of unwelcome which women and femmes of color step into when we walk down the street, take the bus, and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-20550-18" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2017/10/the-sonic-landscape-of-unwelcome.mp3?_=18" /><a href="https://soundstudiesblog.com/wp-content/uploads/2017/10/the-sonic-landscape-of-unwelcome.mp3">https://soundstudiesblog.com/wp-content/uploads/2017/10/the-sonic-landscape-of-unwelcome.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2017/10/the-sonic-landscape-of-unwelcome.mp3"><strong>The Sonic Landscapes of Unwelcome: Women of Color, Sonic Harassment, and Public Space</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p><img loading="lazy" data-attachment-id="20297" data-permalink="https://soundstudiesblog.com/2017/08/28/introduction-to-chicana-soundscapes-forum/chicana-soundscapes-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2017/08/chicana-soundscapes-2.jpg" data-orig-size="569,569" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="Chicana Soundscapes (2)" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2017/08/chicana-soundscapes-2.jpg?w=519" class="alignleft size-thumbnail wp-image-20297" src="https://soundstudiesblog.com/wp-content/uploads/2017/08/chicana-soundscapes-2.jpg?w=150" alt="" width="150" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2017/08/chicana-soundscapes-2.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2017/08/chicana-soundscapes-2.jpg?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" />This podcast focuses on the sonic landscapes of unwelcome which women and femmes of color step into when we walk down the street, take the bus, and navigate public and professional spaces. Women of color must navigate harassment, violent, and sexually abusive language and noise in public space. While walking to the market or bus, a man or many might yell at us, blow us an unwanted kiss, comment on our bodies, describe explicit sexual acts, or call us &#8220;bitch.&#8221; The way that women and femmes do or do not respond to such unwelcome language can result in retaliation and escalated violence. A type of harm reduction, women often wear headphones and listen to music while in public for the specific purpose of cancelling out the hostile sonic landscape into which we are walking. The way that women and femmes make use of technology and music as a tool of survival in hostile sonic landscapes is a form of femme tech as well as femme defense. What sort of psychological and emotional effect does constant and repeated exposure to abusive noise have on the minds and bodies of women of color?</p>
<p><a href="https://soundcloud.com/locatora-radio"><strong>Locatora Radio</strong></a> is a Radiophonic Novela  hosted by Mala Muñoz and Diosa Femme, two self-identified locxs. Also known as &#8220;Las Mamis of Myth &amp; Bullshit&#8221;, Las Locatoras make space for the exploration and celebration of the experiences, brilliance, creativity, and legacies of femmes and womxn of color. Each Capitulo of Locatora Radio is made with love and brujeria, a moment in time made by brown girls, for brown girls. Listen as Las Locatoras keep brown girl hour and discuss the layers and levels of femmeness and race, mental health, trauma, gender experience, sexuality, and oppression.</p>
<p><em>AI Transcript:<a href="https://docs.google.com/document/d/1oR837xqcFjht93_mEe_xhw28CsBs8tJC/edit?usp=sharing&amp;ouid=113742383044022029952&amp;rtpof=true&amp;sd=true"> Sonic Landscapes of Unwelcome</a></em></p>
<p>&#8211;</p>
<div><em><strong>Mala Muñoz</strong></em> is a writer, advocate, and crisis counselor from Los Angeles. Her writing profiles Latinx artists and creators and has been featured online in VIBE Magazine’s VIBE Viva section. A self-defense instructor and one half of Locatora Radio, Mala’s work online and in real life focuses on the creativity, genius, and legacies of women and survivors of color.</div>
<div></div>
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<div>
<div><em><strong>Diosa Femme</strong></em> is a Peruana-Mexicana from Los Angeles. She&#8217;s a model for Mi Vida Boutique, and co-founder of Locatora Radio. She intentionally creates and sustains virtual and material spaces that promote alternative self and collective healing work for queer femmes and womxn of color. <a href="https://www.instagram.com/diosafemme/?hl=en">Catch her on Instagram</a>, making magic, conjuring self-love, and sharing selfies</div>
</div>
</div>
<p>&#8211;</p>
<p><em>Featured image of Mala and Diosa is used with permission by the authors.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2017/08/28/introduction-to-chicana-soundscapes-forum/">Chicana Soundscapes: Introduction</a> — Michelle Habell-Pallán</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2017/03/20/if-la-llorona-was-a-punk-rocker-detonguing-the-off-key-caos-and-screams-of-alice-bag/">If La Llorona Was a Punk Rocker: Detonguing The Off-Key Caos and Screams of Alice Bag</a>– Marlen Ríos-Hernández</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2017/03/30/sounding-out-podcast-60-standing-rock-protest-sound-and-power/">Sounding Out! Podcast #60: Standing Rock, Protest, Sound, and Power (Part 1)</a> – <b>Marcella Ernest</b></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: The Sonic Landscapes of Unwelcome: Women of Color, Sonic Harassment, and Public Space SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast focuses on the sonic landscapes of unwelcome which women and femmes of color step into when we walk down the street, take the bus, and […]</itunes:summary>
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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: The Sonic Landscapes of Unwelcome: Women of Color, Sonic Harassment, and Public Space SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast focuses on the sonic landscapes of unwelcome which women and femmes of color step into when we walk down the street, take the bus, and [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #62: ¡¡¡¡RESIST!!!!</title>
		<link>https://soundstudiesblog.com/2017/07/31/sounding-out-podcast-62-resist/</link>
					<comments>https://soundstudiesblog.com/2017/07/31/sounding-out-podcast-62-resist/#respond</comments>
		
		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Mon, 31 Jul 2017 12:59:13 +0000</pubDate>
				<category><![CDATA[Blog-O-Versary]]></category>
		<category><![CDATA[Mixtapes]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[A Tribe Called Red]]></category>
		<category><![CDATA[Aaron Trammell]]></category>
		<category><![CDATA[Airek Beauchamp]]></category>
		<category><![CDATA[Alice Bag]]></category>
		<category><![CDATA[Ariel B Taub]]></category>
		<category><![CDATA[Aurelio Meza]]></category>
		<category><![CDATA[Bjork]]></category>
		<category><![CDATA[Body Count]]></category>
		<category><![CDATA[Cabaret Voltaire]]></category>
		<category><![CDATA[Carlo Patrao]]></category>
		<category><![CDATA[Charlie Haden & Liberation Music Orchestra]]></category>
		<category><![CDATA[Chris Chien]]></category>
		<category><![CDATA[Dolores Inés Casillas]]></category>
		<category><![CDATA[El Jornaleros del Norte]]></category>
		<category><![CDATA[Elizabeth Newton]]></category>
		<category><![CDATA[Green Velvet and Prok & Fitch]]></category>
		<category><![CDATA[Gretchen Jude]]></category>
		<category><![CDATA[Holger Shulze]]></category>
		<category><![CDATA[Jenny Stoever]]></category>
		<category><![CDATA[Joe Strummer and the Mescaleros]]></category>
		<category><![CDATA[Justin Burton]]></category>
		<category><![CDATA[Kate Bush]]></category>
		<category><![CDATA[Leonard Cohen]]></category>
		<category><![CDATA[Liana Silva]]></category>
		<category><![CDATA[Lucid Nation (feat. Jody Bleyle)]]></category>
		<category><![CDATA[OutKast]]></category>
		<category><![CDATA[Pega Monstro]]></category>
		<category><![CDATA[Pet Shop Boys]]></category>
		<category><![CDATA[Regina Bradley]]></category>
		<category><![CDATA[Reina Prado]]></category>
		<category><![CDATA[Resorte]]></category>
		<category><![CDATA[Shakira Holt]]></category>
		<category><![CDATA[Speedy Ortiz]]></category>
		<category><![CDATA[Tamra Lucid]]></category>
		<category><![CDATA[The Clash]]></category>
		<category><![CDATA[The Staple Singers]]></category>
		<category><![CDATA[Yetta Howard]]></category>
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					<description><![CDATA[CLICK HERE TO DOWNLOAD: ¡¡¡¡RESIST!!!! SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST ¡¡¡¡RESIST!!!! The Clash, “Guns of Brixton”—The Editorial Collective Alice Bag, “Programmed”—Jenny Stoever Speedy Ortiz, &#8220;Raising the Skate”—Liana Silva OutKast, “Humble Mumble”—Regina Bradley The Staple Singers, “Freedom Highway”—Shakira Holt El Jornaleros del Norte, “Serenata a un Indocumentado”—Dolores Inés Casillas A [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-20171-19" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2017/07/resistmix.mp3?_=19" /><a href="https://soundstudiesblog.com/wp-content/uploads/2017/07/resistmix.mp3">https://soundstudiesblog.com/wp-content/uploads/2017/07/resistmix.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2017/07/resistmix.mp3"><strong>¡¡¡¡RESIST!!!!</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p><em><strong>¡¡¡¡RESIST!!!!</strong></em></p>
<p>The Clash, “Guns of Brixton”—The Editorial Collective<br />
Alice Bag, “Programmed”—Jenny Stoever<br />
Speedy Ortiz, &#8220;Raising the Skate”—Liana Silva<br />
OutKast, “Humble Mumble”—Regina Bradley<br />
The Staple Singers, “Freedom Highway”—Shakira Holt<br />
El Jornaleros del Norte, “Serenata a un Indocumentado”—Dolores Inés Casillas<br />
A Tribe Called Red (feat. Yasiin Bey, Narcy &amp; Black Bear), “R.E.D.”—reina alejandra prado<br />
Body Count, “No Lives Matter”—Holger Schulze<br />
Pega Monstro, “Partir a Loiça”—Carlo Patrão<br />
Björk, “Declare Independence”—Chris Chien<br />
Green Velvet and Prok &amp; Fitch, &#8220;Sheeple”—Justin Burton<br />
Pet Shop Boys, “Go West”—Airek Beauchamp<br />
Kate Bush, “Waking the Witch”—Gretchen Jude<br />
Cabaret Voltaire, &#8220;Do the Mussolini (Headkick)”—Yetta Howard<br />
Lucid Nation (feat. Jody Bleyle), “Fubar”—Tamra Lucid<br />
Resorte, “Opina o Muere”—Aurelio Meza<br />
Leonard Cohen, “You Want it Darker”—Ariel B Taub<br />
Charlie Haden &amp; Liberation Music Orchestra, “We Shall Overcome”—Elizabeth Newton<br />
Joe Strummer and the Mescaleros, “Johnny Appleseed”—Aaron Trammell</p>
<p>&#8212;</p>
<p><strong>***Click <a href="https://soundstudiesblog.com/2017/07/31/resist-blog-o-versary-8-0/">here</a> to read our Blog-o-versary year-in-review by Ed. in Chief JS </strong></p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">20171</post-id><itunes:author>Aaron Trammell</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: ¡¡¡¡RESIST!!!! SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST ¡¡¡¡RESIST!!!! The Clash, “Guns of Brixton”—The Editorial Collective Alice Bag, “Programmed”—Jenny Stoever Speedy Ortiz, “Raising the Skate”—Liana Silva OutKast, “Humble Mumble”—Regina Bradley The Staple Singers, “Freedom Highway”—Shakira Holt El Jornaleros del Norte, “Serenata a un Indocumentado”—Dolores Inés Casillas A […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: ¡¡¡¡RESIST!!!! SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST ¡¡¡¡RESIST!!!! The Clash, “Guns of Brixton”—The Editorial Collective Alice Bag, “Programmed”—Jenny Stoever Speedy Ortiz, “Raising the Skate”—Liana Silva OutKast, “Humble Mumble”—Regina Bradley The Staple Singers, “Freedom Highway”—Shakira Holt El Jornaleros del Norte, “Serenata a un Indocumentado”—Dolores Inés Casillas A […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: ¡¡¡¡RESIST!!!! SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST ¡¡¡¡RESIST!!!! The Clash, “Guns of Brixton”—The Editorial Collective Alice Bag, “Programmed”—Jenny Stoever Speedy Ortiz, &amp;#8220;Raising the Skate”—Liana Silva OutKast, “Humble Mumble”—Regina Bradley The Staple Singers, “Freedom Highway”—Shakira Holt El Jornaleros del Norte, “Serenata a un Indocumentado”—Dolores Inés Casillas A [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #61: Ni Le Pen, ni Macron: Parisian Soundscapes of Resistance</title>
		<link>https://soundstudiesblog.com/2017/05/25/sounding-out-podcast-61-ni-le-pen-ni-macron-parisian-soundscapes-of-resistance/</link>
					<comments>https://soundstudiesblog.com/2017/05/25/sounding-out-podcast-61-ni-le-pen-ni-macron-parisian-soundscapes-of-resistance/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 25 May 2017 13:00:20 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA[suburban space]]></category>
		<category><![CDATA[Urban Space]]></category>
		<category><![CDATA[Le Pen]]></category>
		<category><![CDATA[Macron]]></category>
		<category><![CDATA[Naomi Waltham-Smith]]></category>
		<category><![CDATA[neoliberalism]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[protest]]></category>
		<category><![CDATA[resistance]]></category>
		<category><![CDATA[Soundscape]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=19846</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Ni Le Pen, ni Macron: Parisian Soundscapes of Resistance SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST What does the opposition to global Trumpism sound like? Or the opposition to neoliberalism? With extreme centrist Emmanuel Macron the frontrunner and eventual winner of the French presidential elections, there were calls [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-19846-20" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2017/05/parisian-soundscapes-of-resistance.mp3?_=20" /><a href="https://soundstudiesblog.com/wp-content/uploads/2017/05/parisian-soundscapes-of-resistance.mp3">https://soundstudiesblog.com/wp-content/uploads/2017/05/parisian-soundscapes-of-resistance.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2017/05/parisian-soundscapes-of-resistance.mp3"><strong>Ni Le Pen, ni Macron: Parisian Soundscapes of Resistance</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>What does the opposition to global Trumpism sound like? Or the opposition to neoliberalism? With extreme centrist Emmanuel Macron the frontrunner and eventual winner of the French presidential elections, there were calls from the Left to take the struggle to the streets, rejecting both the fascism of the Front National and the continuation of the neoliberal status quo. This podcast puts the listener into the midst of the many demonstrations in Paris and its suburbs during the presidential election campaign. By listening in on these recordings (made over the course of three months of fieldwork) we hear a determination to fight for a genuine alternative to state repression alongside the difficulties in uniting a divided left. These recordings also provide a testament to the horror of police violence and an opportunity to reflect on the value and limitations of black-bloc tactics.</p>
<p>&#8211;</p>
<p><em><strong>Naomi Waltham-Smith</strong> is Assistant Professor Music at the University of Pennsylvania. A graduate of the University of Cambridge and King&#8217;s College London, her research sits at the intersection of music theory, recent European philosophy, and sound studies. Music and </em>Belonging Between Revolution and Restoration<em> comes out with Oxford University Press on July 1, 2017 and she is writing a second monograph on </em>The Sound of Biopolitics<em>. She has published articles in journals including </em>Music Theory Spectrum<em>, </em>Music Analysis<em>, </em>Journal of Music Theory<em>, and </em>boundary 2<em>, and writes reviews for the </em>LA Review of Books<em> and </em>b2o<em>. She is currently engaged in a multi-site, comparative project on &#8220;Listening under global Trumpism&#8221; that involves building a sound archive of resistance on the streets in the US, the UK, and France; for more information or to contribute recordings, please send an email to </em>naomiwal@sas.upenn.edu<em>.</em></p>
<p>&#8211;</p>
<p><em>Featured image is of a black bloc demonstration on May Day in Paris. Image used with permission by the author.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2017/01/26/sounding-out-podcast-59-soundwalk-of-the-womens-march-santa-ana/">Sounding Out! Podcast #59: Soundwalk of the Women&#8217;s March, Santa Ana</a> — </strong><b>Aaron Trammell</b></p>
<p><strong><a href="https://soundstudies.wordpress.com/2016/02/25/sounding-out-podcast-50-creating-new-words-from-lost-sounds/?iframe=true&amp;preview=true/">Sounding Out! Podcast #51: Creating New Worlds From Old Sounds</a> – <b>Marcella Ernest</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2017/03/30/sounding-out-podcast-60-standing-rock-protest-sound-and-power/">Sounding Out! Podcast #60: Standing Rock, Protest, Sound, and Power (Part 1)</a> – <b>Marcella Ernest</b></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Ni Le Pen, ni Macron: Parisian Soundscapes of Resistance SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST What does the opposition to global Trumpism sound like? Or the opposition to neoliberalism? With extreme centrist Emmanuel Macron the frontrunner and eventual winner of the French presidential elections, there were calls […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Ni Le Pen, ni Macron: Parisian Soundscapes of Resistance SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST What does the opposition to global Trumpism sound like? Or the opposition to neoliberalism? With extreme centrist Emmanuel Macron the frontrunner and eventual winner of the French presidential elections, there were calls […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Ni Le Pen, ni Macron: Parisian Soundscapes of Resistance SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST What does the opposition to global Trumpism sound like? Or the opposition to neoliberalism? With extreme centrist Emmanuel Macron the frontrunner and eventual winner of the French presidential elections, there were calls [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #60: Standing Rock, Protest, Sound and Power (Part 1)</title>
		<link>https://soundstudiesblog.com/2017/03/30/sounding-out-podcast-60-standing-rock-protest-sound-and-power/</link>
					<comments>https://soundstudiesblog.com/2017/03/30/sounding-out-podcast-60-standing-rock-protest-sound-and-power/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 30 Mar 2017 13:00:37 +0000</pubDate>
				<category><![CDATA[American Indian Studies]]></category>
		<category><![CDATA[Environmental Issues]]></category>
		<category><![CDATA[Indigenous Studies]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[Consumption]]></category>
		<category><![CDATA[institutions]]></category>
		<category><![CDATA[Marcella Ernest]]></category>
		<category><![CDATA[Nancy Mithlo]]></category>
		<category><![CDATA[Native Nations]]></category>
		<category><![CDATA[peaceful protest]]></category>
		<category><![CDATA[protest]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Standing Rock]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=19434</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Standing Rock, Protest, Sound and Power (Part 1) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST On March 10th 2017, The Standing Rock Sioux Tribe and Indigenous grassroots leaders called upon allies across the United States and around the world to peacefully March on Washington DC. The March [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-19434-21" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2017/03/standing-rock-protest-sound-power.mp3?_=21" /><a href="https://soundstudiesblog.com/wp-content/uploads/2017/03/standing-rock-protest-sound-power.mp3">https://soundstudiesblog.com/wp-content/uploads/2017/03/standing-rock-protest-sound-power.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2017/03/standing-rock-protest-sound-power.mp3"><strong>Standing Rock, Protest, Sound and Power (Part 1)</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>On March 10<sup>th</sup> 2017, The Standing Rock Sioux Tribe and Indigenous grassroots leaders called upon allies across the United States and around the world to peacefully March on Washington DC. The March on Washington was to exist, resist, and rise in solidarity with the Indigenous peoples of the world whose rights protect mother earth for the future generations of all. The March on Washington was a reaction to the United States government&#8217;s unwillingness to be accountable for the construction recent Dakota Access Pipeline (DAPL) on the Standing Rock Sioux Tribe&#8217;s land. This and other subsequent events such as the election of a new administration, increasing threats to native land, and violence of the police have galvanized indigenous communities in the last four months. Thousands have taken to the streets and to rural sites of political occupation.</p>
<p>Join Marcella Ernest as she discusses the sounds of these protests with Nancy Mithlo. They discuss the noises made by the minds, bodies, and songs of those who have taken to public spaces to confront and object to the current political moment. Understanding the sonic elements of protest helps us to better understand how protest is heard and felt.</p>
<p>&#8211;</p>
<p><em><strong><a href="https://soundstudiesblog.com/marcella-ernest/">Marcella Ernest</a></strong> is a Native American (Ojibwe) interdisciplinary video artist and scholar. Her work combines electronic media with sound design with film and photography in a variety of formats; using multi-media installations incorporating large-scale projections and experimental film aesthetics. Currently living in California, Marcella is completing an interdisciplinary Ph.D. in American Studies at the University of New Mexico. Drawing upon a Critical Indigenous Studies framework to explore how “Indianness” and Indigenity are represented in studies of American and Indigenous visual and popular culture, her primary research is an engagement with contemporary Native art to understand how members of colonized groups use a re-mix of experimental video and sound design as a means for cultural and political expressions of resistance.</em></p>
<p><em><a href="http://nancymariemithlo.com/"><strong>Nancy Mithlo </strong></a>teaches in the Art History and Visual Arts department at Occidental as an Associate Professor while also working at the Autry in program development, exhibition planning and community outreach. She comes to Occidental from the University of Wisconsin at Madison, where she was an Associate Professor of Art History and American Indian studies. Prior to joining the Wisconsin faculty in 2001, Mithlo taught at Smith College, Santa Fe Community College, the University of New Mexico and the Institute of American Arts.</em></p>
<p>&#8211;</p>
<p><em>Featured image &#8220;Hey Wells Fargo &#8211; No DAPL! Rally&#8221; by Joe Piette @Flickr CC BY-NC.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2015/10/29/sounding-out-podcast-47/">Sounding Out! Podcast #47: Finding the Lost Sounds of Kaibah</a> — </strong><b>Marcella Ernest</b></p>
<p><strong><a href="https://soundstudies.wordpress.com/2016/02/25/sounding-out-podcast-50-creating-new-words-from-lost-sounds/?iframe=true&amp;preview=true/">Sounding Out! Podcast #51: Creating New Worlds From Old Sounds</a> – <b>Marcella Ernest</b></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/09/29/sounding-out-podcast-58-the-meaning-of-silence/">Sounding Out! Podcast #58: The Meaning of Silence</a> – <b>Marcella Ernest</b></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Standing Rock, Protest, Sound and Power (Part 1) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST On March 10th 2017, The Standing Rock Sioux Tribe and Indigenous grassroots leaders called upon allies across the United States and around the world to peacefully March on Washington DC. The March […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Standing Rock, Protest, Sound and Power (Part 1) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST On March 10th 2017, The Standing Rock Sioux Tribe and Indigenous grassroots leaders called upon allies across the United States and around the world to peacefully March on Washington DC. The March […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Standing Rock, Protest, Sound and Power (Part 1) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST On March 10th 2017, The Standing Rock Sioux Tribe and Indigenous grassroots leaders called upon allies across the United States and around the world to peacefully March on Washington DC. The March [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #59: Soundwalk of the Women’s March, Santa Ana</title>
		<link>https://soundstudiesblog.com/2017/01/26/sounding-out-podcast-59-soundwalk-of-the-womens-march-santa-ana/</link>
					<comments>https://soundstudiesblog.com/2017/01/26/sounding-out-podcast-59-soundwalk-of-the-womens-march-santa-ana/#comments</comments>
		
		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Thu, 26 Jan 2017 14:00:42 +0000</pubDate>
				<category><![CDATA[Gender]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundwalk]]></category>
		<category><![CDATA[Urban Space]]></category>
		<category><![CDATA[Aaron Trammell]]></category>
		<category><![CDATA[civil rights]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Orange County Women's March]]></category>
		<category><![CDATA[Santa Ana]]></category>
		<category><![CDATA[soundwalk]]></category>
		<category><![CDATA[Women's March]]></category>
		<category><![CDATA[Yost Theater]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=18947</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Soundwalk of the Women&#8217;s March, Santa Ana SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST WOMEN, UNITED, WILL NEVER BE DEFEATED! As reported by the statistics gurus at fivethirtyeight.com, almost half a million people marched in Washington and Los Angeles each on Saturday, January 21st 2017. New York City [&#8230;]]]></description>
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<p><audio class="wp-audio-shortcode" id="audio-18947-22" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2017/01/santa-ana-soundwalk.mp3?_=22" /><a href="https://soundstudiesblog.com/wp-content/uploads/2017/01/santa-ana-soundwalk.mp3">https://soundstudiesblog.com/wp-content/uploads/2017/01/santa-ana-soundwalk.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2017/01/santa-ana-soundwalk.mp3"><strong>Soundwalk of the Women&#8217;s March, Santa Ana</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>WOMEN, UNITED, WILL NEVER BE DEFEATED!</p>
<p>As reported by the statistics gurus at fivethirtyeight.com, <a href="http://fivethirtyeight.com/features/the-long-march-ahead-for-democrats/">almost half a million people marched in Washington and Los Angeles each on Saturday, January 21st 2017</a>. New York City reported 400,000 folks in attendance at their own march and Boston, Chicago and Seattle each tallied over 100,000 people in their streets. Just south of Los Angeles, I attended the Women&#8217;s March in Santa Ana where 12,000 folks took to the streets with signs and pussy hats in support of civil rights. As friends to my side chanted along with the crowd, I documented the aural contours of the event with my recorder. Here it is, for posterity&#8217;s sake, a soundwalk of the women&#8217;s march in Santa Ana, CA.</p>
<p>WOMEN, UNITED, WILL NEVER BE DEFEATED!</p>
<p>&#8211;</p>
<p><strong>Co-Founder and Multimedia Editor</strong> Aaron Trammell is an Assistant Professor of Informatics at UC Irvine. He earned his doctorate from the Rutgers University School of Communication and Information in 2015 and was a a Provost’s Postdoctoral Scholar for Faculty Diversity in Informatics and Digital Knowledge at the Annenberg School for Communication and Journalism at the University of Southern California from 2015-2016. Aaron’s research is focused on revealing historical connections between games, play, and the United States military-industrial complex. He is interested in how military ideologies become integrated into game design and how these perspectives are negotiated within the imaginations of players. He is the Co-Editor-in-Chief of the journal <em><a href="http://analoggamestudies.org/">Analog Game Studies</a></em> and the Multimedia Editor of <em><a href="https://soundstudiesblog.com/">Sounding Out!</a></em></p>
<p>&#8211;</p>
<p><em>Featured image taken before the Yost Theater in Santa Ana, image used with permission by the author.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/">Sounding Out! Podcast #57: The Reykjavik Sound Walk</a> &#8211; Andrew J. Salvati<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2012/12/03/park-sound-a-kansas-city-soundwalk-for-fall/">Park Sounds: A Kansas City Soundwalk for Fall</a> – Liana M. Silva</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/">Sounding Out! Podcast #50: Yoshiwara Soundwalk: Taking the Underground to the Floating World</a>– <b>Gretchen Jude</b></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Soundwalk of the Women’s March, Santa Ana SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST WOMEN, UNITED, WILL NEVER BE DEFEATED! As reported by the statistics gurus at fivethirtyeight.com, almost half a million people marched in Washington and Los Angeles each on Saturday, January 21st 2017. New York City […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Soundwalk of the Women’s March, Santa Ana SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST WOMEN, UNITED, WILL NEVER BE DEFEATED! As reported by the statistics gurus at fivethirtyeight.com, almost half a million people marched in Washington and Los Angeles each on Saturday, January 21st 2017. New York City […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Soundwalk of the Women&amp;#8217;s March, Santa Ana SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST WOMEN, UNITED, WILL NEVER BE DEFEATED! As reported by the statistics gurus at fivethirtyeight.com, almost half a million people marched in Washington and Los Angeles each on Saturday, January 21st 2017. New York City [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #58: The Meaning of Silence</title>
		<link>https://soundstudiesblog.com/2016/09/29/sounding-out-podcast-58-the-meaning-of-silence/</link>
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		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 29 Sep 2016 13:00:12 +0000</pubDate>
				<category><![CDATA[American Indian Studies]]></category>
		<category><![CDATA[American Studies]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Silence]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[Candace Gala]]></category>
		<category><![CDATA[Hula]]></category>
		<category><![CDATA[Marcella Ernest]]></category>
		<category><![CDATA[Nancy Marie Mithlo]]></category>
		<category><![CDATA[Native languages]]></category>
		<category><![CDATA[refusal]]></category>
		<category><![CDATA[resistance]]></category>
		<category><![CDATA[silence]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=18356</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: The Meaning of Silence SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In this podcast Marcella Ernest discusses the cultural use of sound in Hula and other Native languages with discussants Candace Gala and Nancy Marie Mithlo. They consider the role of silence in understand an Indigenous intellectual [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-18356-23" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2016/09/the-meaning-of-silence.mp3?_=23" /><a href="https://soundstudiesblog.com/wp-content/uploads/2016/09/the-meaning-of-silence.mp3">https://soundstudiesblog.com/wp-content/uploads/2016/09/the-meaning-of-silence.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2016/09/the-meaning-of-silence.mp3"><strong>The Meaning of Silence</strong></a></p>
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<p>In this podcast Marcella Ernest discusses the cultural use of sound in Hula and other Native languages with discussants Candace Gala and Nancy Marie Mithlo. They consider the role of silence in understand an Indigenous intellectual system. How do we use silence as a tool in Native creative processes? What does silence demand from us? Tune in as Ernest tackles these demanding questions!</p>
<p><strong>Guests: </strong></p>
<p><a href="http://www.candacekgalla.com/">Candace Gala</a>, PhD, The University of British Columbia, Language and Literacy Education</p>
<p><a href="http://www.nancymariemithlo.com/">Nancy Marie Mithlo</a>, PhD, Occidental College, Art History and Visual Arts</p>
<p>&#8211;</p>
<p><em><strong><a href="https://soundstudiesblog.com/marcella-ernest/">Marcella Ernest</a></strong> is a Native American (Ojibwe) interdisciplinary video artist and scholar. Her work combines electronic media with sound design with film and photography in a variety of formats; using multi-media installations incorporating large-scale projections and experimental film aesthetics. Currently living in California, Marcella is completing an interdisciplinary Ph.D. in American Studies at the University of New Mexico. Drawing upon a Critical Indigenous Studies framework to explore how “Indianness” and Indigenity are represented in studies of American and Indigenous visual and popular culture, her primary research is an engagement with contemporary Native art to understand how members of colonized groups use a re-mix of experimental video and sound design as a means for cultural and political expressions of resistance.</em></p>
<p><a href="http://www.marcellakwe.com/">www.marcellakwe.com</a></p>
<p>&#8211;</p>
<p><em>Featured image &#8220;Silenced&#8221; by János Csongor Kerekes @Flickr CC BY-SA</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/">Sounding Out! Podcast #57: The Reykjavik Sound Walk</a> &#8211; Andrew J. Salvati<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/10/29/sounding-out-podcast-47/">Sounding Out! Podcast #47: Finding the Lost Sounds of Kaibah</a> — </strong><b>Marcella Ernest</b></p>
<p><strong><a href="https://soundstudies.wordpress.com/2016/02/25/sounding-out-podcast-50-creating-new-words-from-lost-sounds/?iframe=true&amp;preview=true/">Sounding Out! Podcast #51: Creating New Worlds From Old Sounds</a> – <b>Marcella Ernest</b></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: The Meaning of Silence SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In this podcast Marcella Ernest discusses the cultural use of sound in Hula and other Native languages with discussants Candace Gala and Nancy Marie Mithlo. They consider the role of silence in understand an Indigenous intellectual […]</itunes:summary>
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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: The Meaning of Silence SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In this podcast Marcella Ernest discusses the cultural use of sound in Hula and other Native languages with discussants Candace Gala and Nancy Marie Mithlo. They consider the role of silence in understand an Indigenous intellectual [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #57: The Reykjavik Sound Walk</title>
		<link>https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/</link>
					<comments>https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/#comments</comments>
		
		<dc:creator><![CDATA[Andrew J. Salvati]]></dc:creator>
		<pubDate>Thu, 25 Aug 2016 13:00:49 +0000</pubDate>
				<category><![CDATA[Field Recording]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundwalk]]></category>
		<category><![CDATA[Urban Space]]></category>
		<category><![CDATA["accents"]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[Alþingishúsið]]></category>
		<category><![CDATA[Andrew Salvati]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[New Jersey]]></category>
		<category><![CDATA[Reykjavik]]></category>
		<category><![CDATA[sound walk]]></category>
		<category><![CDATA[Soundscape]]></category>
		<category><![CDATA[Túngata]]></category>
		<category><![CDATA[the sublime]]></category>
		<category><![CDATA[urban space]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=18186</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: The Reykjavik Sound Walk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Standing in front of our rented apartment in Túngata, a residential street just a few blocks from central Reykjavík, I am struck by the stillness of the city that surrounds me. Having lived most of my [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-18186-24" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-sound-walk.mp3?_=24" /><a href="https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-sound-walk.mp3">https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-sound-walk.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-sound-walk.mp3"><strong>The Reykjavik Sound Walk</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>Standing in front of our rented apartment in Túngata, a residential street just a few blocks from central Reykjavík, I am struck by the stillness of the city that surrounds me. Having lived most of my life in the densely-populated suburbs of northern New Jersey, my experience of urban soundscapes has typically been frenetic and noisy. Here, even the busiest parts of town seem subdued. It’s a pleasant contrast. At 8AM on a weekday, the quietness is eerily enveloping, broken only occasionally by a gust of arctic wind, a passing car, or a neighbor closing her door and setting off for work.</p>
<p>Quiet tranquility and natural beauty have attracted a growing number of tourists to Iceland in recent years, my wife and I included. With only 330,000 people inhabiting an area roughly the size of Kentucky (and two-thirds of those settled in and around Reykjavík), one needn’t venture far out into Iceland’s otherworldly landscape to feel far removed from civilization – like exploring a distant planet. While the island may be still now, the belated realization that Iceland’s bizarre terrain, its vast lava fields, meandering fissures, and Dr. Seuss rock formations are the result of earth-shattering eruptions – like <a href="http://news.bbc.co.uk/2/hi/8622978.stm">Eyjafjallajökull in 2010</a>, <a href="https://www.youtube.com/watch?v=5R7R37y-1GY">Bárðarbunga in 2014-15</a>, or the more recent rumblings around <a href="http://icelandreview.com/news/2016/07/26/increased-seismic-activity-katla-continues-no-signs-eruption?language=en">Katla</a> – can be a little unnerving. Travelling through the Icelandic countryside, one imagines the thundering cracks, seething magma, and the infernal growl of the awesome geophysical forces that churned up these vast panoramas.</p>
<p><img loading="lazy" data-attachment-id="18188" data-permalink="https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/reykjavik-soundwalk-map/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png" data-orig-size="1088,816" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Reykjavik Soundwalk Map" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png?w=519" class="aligncenter size-large wp-image-18188" src="https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png?w=519" alt="Reykjavik Soundwalk Map" width="519" height="389" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png?w=519 519w, https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png?w=1038 1038w, https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png?w=300 300w, https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png?w=768 768w, https://soundstudiesblog.com/wp-content/uploads/2016/08/reykjavik-soundwalk-map.png?w=1024 1024w" sizes="(max-width: 519px) 100vw, 519px" /></p>
<p>To a certain extent, the absence of sound here heightens a sense of the sublimity of the world around us; that from certain perspectives, nature is fundamentally ineffable – incapable of being fully represented by language, data, or art. Sound, I think, can complicate this experience. On the one hand, the extraordinary sounds of earthquakes and volcanic eruptions, of great storms, or the roiling of heavy seas, contribute to the overwhelming experience of the grand and fantastic. On the other, these sounds, like perhaps the everyday noise of a busy street corner, may also break the spell by yielding up the audibly familiar. Wandering around Reykjavík at this early hour, a settlement that has clung defiantly to a desolate rock in the North Atlantic for over 1000 years, I become acutely aware of each new sound to disrupt the ethereal silence. Each of these, even the most mundane and urban, seems to take on larger significance and intention as audible signs of the ways in which human beings have forged order and meaning from a wild and indifferent world.</p>
<p>But for now, all remains quiet, and the island’s primordial silence seems to reach even into the capital itself. Of course, Reykjavík is a vibrant international city resonating with the familiar sounds of urban life. But at certain times the quietness that seems to subsume everything else – a subtle reminder of the relatively small scale and frailty of the human compared to the geological.</p>
<p>Soon enough however, as I walk up Túngata there’s a siren in the distance, and the neighborhood begins to echo with the sounds of children playing in the yard at <a href="http://www.landakotsskoli.is/index.php">Landakotsskóli</a>, one of Iceland’s oldest schools. I follow the street as it arcs towards the city center, passing several foreign embassies and the imposing gothic edifice of <a href="http://www.catholica.is/um-domkirkju-krists-konungs">Dómkirkja Krists Konungs</a>. A few other cars motor past and there’s a brief gust of cold wind, but these are momentary disruptions. Soon enough the world returns to the now-familiar stillness.</p>
<p><div data-shortcode="caption" id="attachment_18190" style="width: 210px" class="wp-caption alignleft"><img aria-describedby="caption-attachment-18190" loading="lazy" data-attachment-id="18190" data-permalink="https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/8493863763_6692df1958_o/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/8493863763_6692df1958_o.jpg" data-orig-size="1437,2160" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;Philippe MARTIN&quot;,&quot;camera&quot;:&quot;NIKON D700&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1344212836&quot;,&quot;copyright&quot;:&quot;tous droits reserves&quot;,&quot;focal_length&quot;:&quot;28&quot;,&quot;iso&quot;:&quot;640&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="8493863763_6692df1958_o" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/8493863763_6692df1958_o.jpg?w=519" class="wp-image-18190 size-medium" src="https://soundstudiesblog.com/wp-content/uploads/2016/08/8493863763_6692df1958_o.jpg?w=200" alt="8493863763_6692df1958_o" width="200" height="300" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/08/8493863763_6692df1958_o.jpg?w=200 200w, https://soundstudiesblog.com/wp-content/uploads/2016/08/8493863763_6692df1958_o.jpg?w=400 400w, https://soundstudiesblog.com/wp-content/uploads/2016/08/8493863763_6692df1958_o.jpg?w=100 100w" sizes="(max-width: 200px) 100vw, 200px" /><p id="caption-attachment-18190" class="wp-caption-text">Grafitti in Reykjavik. Image by Rog01 @Flickr CC-BY-NC-SA.</p></div></p>
<p>But the sounds of morning traffic pick up a bit as I walk further down the hill – the rush of passing cars, the groan of a utility truck turning off a side street, and the muffled sounds of a radio floating from a car window. At its end, Túngata bends to the left at the bottom of the hill, where I see a large excursion bus stopped in front of a hotel, and a knot of tourists quietly talking nearby. It’s time for morning pickups, and the idling of these busses, and the hushed, expectant voices of day-trippers outside hotels and guesthouses around the city turn out to be common vignettes along my morning walk. They’re a reminder of the vast growth in tourism this year, which is expected to increase 29% over 2015 to <a href="http://grapevine.is/news/2016/02/29/tourism-predicted-to-increase-by-a-third-this-year/">1.6 million foreign visitors</a>.</p>
<p>Continuing straight onto Kirkjustrӕti, I pass the <a href="http://www.althingi.is/">Alþingishúsið</a> (Parliament House) on my right, and Austurvӧllur, a large public square on my left. The place is relatively quiet now. The cafes lining Vallarstrӕti and Pósthússtrӕti are closed, and there are only a handful of people walking through the square. Later on, the cafes will be buzzing with patrons enjoying the balmy (for Iceland) weather and the long hours of sunlight.</p>
<p>But aside from the nightlife, Austurvӧllur’s proximity to Parliament means that historically it’s been a focal point of political protest in Reykjavík. Two months before our visit, some 24,000 people crowded into this space to demand the resignation of Prime Minister <a href="https://en.wikipedia.org/wiki/Sigmundur_Dav%C3%AD%C3%B0_Gunnlaugsson">Sigmundur Davíð Gunnlaugsson</a>, who was revealed by the Panama Papers to have undisclosed connections with an <a href="http://www.theguardian.com/news/2016/apr/03/iceland-pm-calls-snap-election-offshore-revelations">offshore shell company with interest in failed Iceland banks</a>. Walking past the square today, I can only imagine the chants, claps, whistles, shouts, barricade-banging, and <a href="https://twitter.com/Eliasthorsson/status/717057929912918016?ref_src=twsrc%5Etfw">yogurt-throwing</a> of Icelanders expressing their collective frustration with corrupt officials.</p>
<p><div data-shortcode="caption" id="attachment_18191" style="width: 529px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-18191" loading="lazy" data-attachment-id="18191" data-permalink="https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/money-destroying-art-and-culture-valt-weinig-tegenin-te-brengen/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg" data-orig-size="5184,3456" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;10&quot;,&quot;credit&quot;:&quot;Patrick Rasenberg&quot;,&quot;camera&quot;:&quot;Canon EOS 550D&quot;,&quot;caption&quot;:&quot;Money destroying art and culture. Valt weinig tegenin te brengen.&quot;,&quot;created_timestamp&quot;:&quot;1372851546&quot;,&quot;copyright&quot;:&quot;Patrick Rasenberg&quot;,&quot;focal_length&quot;:&quot;17&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.0025&quot;,&quot;title&quot;:&quot;Money destroying art and culture. Valt weinig tegenin te brengen.&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;latitude&quot;:&quot;64.146036111111&quot;,&quot;longitude&quot;:&quot;-21.923702777778&quot;}" data-image-title="Money destroying art and culture. Valt weinig tegenin te brengen." data-image-description="" data-image-caption="&lt;p&gt;Construction in Reykjavik. Image by Patrick Rasenberg @Flickr CC BY-NC.&lt;/p&gt;
" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg?w=519" class="size-large wp-image-18191" src="https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg?w=519" alt="Construction in Reykjavik. Image by Patrick Rasenberg @Flickr CC BY-NC." width="519" height="346" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg?w=519 519w, https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg?w=1038 1038w, https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg?w=300 300w, https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg?w=768 768w, https://soundstudiesblog.com/wp-content/uploads/2016/08/9200797181_497cc8238c_o.jpg?w=1024 1024w" sizes="(max-width: 519px) 100vw, 519px" /><p id="caption-attachment-18191" class="wp-caption-text">Construction in Reykjavik. Image by Patrick Rasenberg @Flickr CC BY-NC.</p></div></p>
<p>This morning however, apart from the early morning sound of chirping birds and pedestrian commuters, there’s a bit of construction going on here – I can hear a few landscapers and  a pair of contractors clanking and clunking as they lay out equipment for work on a building next to the Alþingishúsið. From these men and others I pass along this stretch of road, I hear the hushed and slightly groggy speech of early morning. The talk is all in Icelandic of course, a language whose place and street names I valiantly try to pronounce when I visit. Icelandic is a notoriously difficult language for foreigners in general, and its <a href="https://www.youtube.com/watch?v=K9JVIEPmnEo">tongue-twisting staccato and subtle consonants</a>, not to mention its intimidating alphabet, usually leave my mouth sounding a bit too awkwardly Jersey (as you can hear for yourself in this podcast!).</p>
<p>Continuing on my walk, I follow Pósthússtrӕti as it threads around <a href="http://domkirkjan.is/english/">Dómkirkjan</a> and out to Lӕkjargata, the main avenue in this section of town. Here, the soundscape is more typically urban. The sound of trucks and cars passing, a bus groaning into gear as it pulls out into traffic, the multi-lingual chatter of pedestrians at a crosswalk, a group of teenage volunteers chatting in Icelandic as they do groundskeeping work near the <a href="http://www.government.is/">Stjórnarráðið</a> government offices, all speak the language of a city’s morning routine.</p>
<p><div data-shortcode="caption" id="attachment_18192" style="width: 210px" class="wp-caption alignright"><img aria-describedby="caption-attachment-18192" loading="lazy" data-attachment-id="18192" data-permalink="https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/6855467278_bd0e7c5615_o/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/6855467278_bd0e7c5615_o.jpg" data-orig-size="2867,4300" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 60D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1332284949&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;69&quot;,&quot;iso&quot;:&quot;250&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="6855467278_bd0e7c5615_o" data-image-description="" data-image-caption="&lt;p&gt;Street art in Reykjavik. Image by Toni Syvänen @Flickr CC BY-NC-SA.&lt;/p&gt;
" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/6855467278_bd0e7c5615_o.jpg?w=519" class="size-medium wp-image-18192" src="https://soundstudiesblog.com/wp-content/uploads/2016/08/6855467278_bd0e7c5615_o.jpg?w=200" alt="Street art in Reykjavik. Image by Toni Syvänen @Flickr CC BY-NC-SA." width="200" height="300" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/08/6855467278_bd0e7c5615_o.jpg?w=200 200w, https://soundstudiesblog.com/wp-content/uploads/2016/08/6855467278_bd0e7c5615_o.jpg?w=400 400w, https://soundstudiesblog.com/wp-content/uploads/2016/08/6855467278_bd0e7c5615_o.jpg?w=100 100w" sizes="(max-width: 200px) 100vw, 200px" /><p id="caption-attachment-18192" class="wp-caption-text">Street art in Reykjavik. Image by Toni Syvänen @Flickr CC BY-NC-SA.</p></div></p>
<p>Bankastrӕti, the main commercial district, is also coming to life. It’s still early, and most shops are closed, but heading east up the street, I hear a few snatches of conversations in Icelandic and American English – and there seems to be more of the latter than I remember from the last time we visited, testament to Iceland’s <a href="http://www.ferdamalastofa.is/static/files/ferdamalastofa/Frettamyndir/2016/juni/tourism_-in_iceland_in_figures_may2016.pdf">growing attraction</a> for U.S. tourists. All along Bankastrӕti, the sounds of lively conversation, music, and the clinking of tableware floats out of open doors as people pop in and out of cafes and restaurants for breakfast and morning coffee. As I bear right on Skólavӧrðustigur and up the hill towards <a href="http://www.hallgrimskirkja.is/">Hallgrímskirkja</a> – the Lutheran church that dominates the city skyline like an art deco rocket ship – these sounds start to thin out again. Apart from a passing car or pedestrian, and the occasional rumbling of a tour bus or ATV, I am left in the comforting hush of a Reykjavík morning.</p>
<p>At the top of the hill, the large stone plaza before Hallgrímskirkja echoes with the clattering sounds of workers hammering at the roof of a nearby building, as the great green statue of Leifur Erikíksson silently watches on. I turn left on Frakkastígur and head downhill towards Faxa Bay, which looms in the middle distance. Frakkastígur turns out to be the noisiest stretch of my walk: there’s the roofers; the slapping of lanyards on the flagpoles that surround Hallgrímskirkja; the busy bakery where I buy morning croissants surrounded by Beatles music, the English and Icelandic chatter of customers, and the pounding, rolling, and cutting of dough; and finally the two large construction sites that I pass between Laugavegur and Hverfisgata streets. Here, the motoring of earthmovers, the shrieking of a circular saw, and the pounding of a massive pile driver jar the neighborhood with an intense mechanized racket.</p>
<p>I’ve noticed a fair amount of construction around Reykjavík this trip. The skyline bristles with cranes. It’s another marker of the booming tourism industry, and its complicated place in the Icelandic economy. Since the <a href="https://www.washingtonpost.com/news/wonk/wp/2015/06/17/the-miraculous-story-of-iceland/">financial collapse of 2008</a>, there’s been pent-up demand for residential housing. But with the local construction industry strained from the current spate of hotel building, <a href="http://icelandmag.visir.is/article/hotel-construction-boom-threatens-exacerbate-shortage-new-housing">it’s been difficult to find builders to work on residential projects</a>. What I hear around me is a sign that Iceland’s economy has improved, but it’s also a reminder that improvement sometimes makes life <a href="http://fusion.net/story/305584/airbnb-reykjavik/">more difficult</a> for local residents.</p>
<p><div data-shortcode="caption" id="attachment_18193" style="width: 529px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-18193" loading="lazy" data-attachment-id="18193" data-permalink="https://soundstudiesblog.com/2016/08/25/sounding-out-podcast-57-the-reykjavik-sound-walk/5029684305_bb18e46773_o/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg" data-orig-size="2656,1768" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;5.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;DMC-LX3&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1280667562&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;5.1&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.0005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="5029684305_bb18e46773_o" data-image-description="" data-image-caption="&lt;p&gt;Sculpture on the shore of Reykjavik. Image by Ainhoa Sánchez Sierra @Flickr CC-BY-NC-SA.&lt;/p&gt;
" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg?w=519" class="size-large wp-image-18193" src="https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg?w=519" alt="Sculpture on the shore of Reykjavik. Image by Ainhoa Sánchez Sierra @Flickr CC-BY-NC-SA." width="519" height="345" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg?w=519 519w, https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg?w=1038 1038w, https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg?w=300 300w, https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg?w=768 768w, https://soundstudiesblog.com/wp-content/uploads/2016/08/5029684305_bb18e46773_o.jpg?w=1024 1024w" sizes="(max-width: 519px) 100vw, 519px" /><p id="caption-attachment-18193" class="wp-caption-text">Sculpture on the shore of Reykjavik. Image by Ainhoa Sánchez Sierra @Flickr CC-BY-NC-SA.</p></div></p>
<p>The sounds of heavy construction fade as I wind my way down to the bay and cross over Sӕbraut to the promenade that lines the shore. Like any highway, at this point in the morning Sӕbraut fairly hums with commuter traffic; here, the ambient sound of suburbanites making the morning drive to work, complete with attendant sound of brakes, horns, and Icelandic drive-time radio mix with the rushing sound of wind rolling off the waterfront. Walking along the promenade now, I pass a few joggers and bicyclists as a walk over to <a href="http://en.harpa.is/">Harpa</a>, the newly-built glass and steel concert hall that is home to the Icelandic Symphony Orchestra and which, every autumn, becomes a focal point of the week-long <a href="http://www.rollingstone.com/music/news/10-best-things-we-saw-at-iceland-airwaves-2015-20151109">Iceland Airwaves music festival</a>. It’s this annual event, I muse, that should be the subject of a future sound walk (for me or someone else) – five days in which Reykjavík pulsates with the sound and music of dozens of bands playing formal and informal shows at venues, cafes, bookstores, and basements around the city.</p>
<p>From a large dig site next to Harpa (<a href="http://icelandmonitor.mbl.is/news/news/2015/04/15/iceland_s_most_luxurious_hotel_to_open/">the possible site of yet another hotel</a>), I cross back over Sӕbraut to the clicking sounds of a crossing signal for blind pedestrians. I pass <a href="http://www.bbp.is/information-in-english">Bӕjarins Beztu Pylsur</a> (The Best Hot Dog in Town), which is closed for the morning, and walk back into the city center, which is by now clearly awake and buzzing with locals and tourists. After stopping in a 24-hour supermarket for some morning milk, I walk east on Austurstrӕti past the <a href="http://www.thelaundromatcafe.com/en/home">Laundromat Café</a> and other restaurants that are now busy serving the breakfast crowd.</p>
<p>Up through Ingólfstorg square (which appears to double as a skate park, but is right now a stopping point for a walking tour group), south on Aðalstrӕti, and around the turn by the <a href="http://www.visitreykjavik.is/reykjavik-871-2-settlement-exhibition">Reykjavík Settlement Museum</a>, I’m soon walking back up through the quiet neighborhood lining Túngata.</p>
<p>—</p>
<p><em><strong>Featured Image by </strong></em>SambaClub | Camisetas com conteúdo (a t-shirt site) @Flickr CC BY.</p>
<p>—</p>
<p><a href="https://soundstudiesblog.com/12508-2/"><strong>Andrew J. Salvati</strong></a> is a Media Studies Ph.D. candidate at Rutgers University. His interests include the history of television and media technologies, theory and philosophy of history, and representations of history in media contexts. Additional interests include play, authenticity, the sublime, and the absurd. Andrew has co-authored a book chapter with colleague Jonathan Bullinger titled “Selective Authenticity and the Playable Past” in the recent edited volume <a href="http://www.bloomsbury.com/us/playing-with-the-past-9781623567286/">Playing With the Past (2013)</a>, and has written a recent blog post for <em>Play the Past</em> titled <a href="http://www.playthepast.org/?p=4305">“The Play of History.”</a></p>
<p>—</p>
<p><strong><em>REWIND!</em>…If you liked this post, you may also dig:</strong><strong><em><img loading="lazy" data-attachment-id="2187" data-permalink="https://soundstudiesblog.com/2011/06/20/play-it-again-and-again-sam-the-tape-recorder-in-film-part-one/tape-reel/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg" data-orig-size="206,227" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="tape reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=206" class="alignleft size-thumbnail wp-image-2187" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=272&amp;h=300" alt="tape reel" width="136" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136&amp;h=150 136w, https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg 206w" sizes="(max-width: 136px) 100vw, 136px" /></em></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/12/18/sounding-out-podcast-37/">SO! Podcast #37: The Edison Soundwalk</a>–Frank Bridges</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/05/23/17382/">This is What it Sounds Like&#8230;&#8230;..On Prince and Interpretive Freedom</a>–Benjamin Tausig</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/">Soundwalking New Brunswick, NJ and Davis, CA</a>–Aaron Trammell</strong></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">18186</post-id><itunes:author>Andrew J. Salvati</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: The Reykjavik Sound Walk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Standing in front of our rented apartment in Túngata, a residential street just a few blocks from central Reykjavík, I am struck by the stillness of the city that surrounds me. Having lived most of my […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: The Reykjavik Sound Walk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Standing in front of our rented apartment in Túngata, a residential street just a few blocks from central Reykjavík, I am struck by the stillness of the city that surrounds me. Having lived most of my […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: The Reykjavik Sound Walk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Standing in front of our rented apartment in Túngata, a residential street just a few blocks from central Reykjavík, I am struck by the stillness of the city that surrounds me. Having lived most of my [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #56: !!!!!!!</title>
		<link>https://soundstudiesblog.com/2016/07/28/sounding-out-podcast-56/</link>
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		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Thu, 28 Jul 2016 12:59:58 +0000</pubDate>
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					<description><![CDATA[CLICK HERE TO DOWNLOAD: !!!!!!! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST !!!!!!! Beyoncé, &#8220;Formation&#8221;—Regina N. Bradley &#38; André Carrington Mitski, “My Body&#8217;s Made of Crushed Little Stars”—Liana Silva &#38; Chris Chien Desi Arnaz, “Babalu&#8221;—Reina Prado Celia Cruz, &#8220;La Vida es un Carnaval&#8221;—Dolores Inés Casillas Audra Mae, [&#8230;]]]></description>
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<p><strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2016/07/unnamed-file.mp3">!!!!!!! Mix</a></strong></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p><strong><em>!!!!!!!</em></strong></p>
<p>Beyoncé, &#8220;Formation&#8221;—Regina N. Bradley &amp; André Carrington<br />
Mitski, “My Body&#8217;s Made of Crushed Little Stars”—Liana Silva &amp; Chris Chien<br />
Desi Arnaz, “Babalu&#8221;—Reina Prado<br />
Celia Cruz, &#8220;La Vida es un Carnaval&#8221;—Dolores Inés Casillas<br />
Audra Mae, &#8220;Jebidiah Moonshine&#8217;s Friday Night Shack Party&#8221;—Will Stabile<br />
Skrillex And Diplo, “Febreze” (Feat. 2 Chainz)—Robin James<br />
Desiigner, &#8220;Panda&#8221; (LUCA LUSH remix)—Justin Burton<br />
David Bowie, “I&#8217;m Afraid of Americans”—Primus Luta<br />
Jlin, &#8220;Black Diamond”—Mitchell Akiyama<br />
Selena Gomez, &#8220;Hands to Myself&#8221;—Emma Leigh Waldron<br />
1st Generation, &#8220;Remain Cool”—Natalia Linares<br />
The Raincoats,  &#8220;In Love&#8221;—Josh Shepperd<br />
Lithuania, “Kill the Thing You Love”—Frank Bridges<br />
Alma Cogan, “In the Middle of the House”—Cynthia Wang<br />
The Books, &#8220;I Didn&#8217;t Know That&#8221;—Carlo Patrão<br />
Kyary Pamyu Pamyu, “Candy Candy”—Gretchen Ju<br />
Saki Kabata, &#8220;Lonely Rolling Star&#8221;—Aaron Trammell<br />
Mega Ran, &#8220;Infinite Lives&#8221; (Feat. D&amp;D Sluggers)—Jennifer Stoever</p>
]]></content:encoded>
					
					<wfw:commentRss>https://soundstudiesblog.com/2016/07/28/sounding-out-podcast-56/feed/</wfw:commentRss>
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		<post-id xmlns="com-wordpress:feed-additions:1">17888</post-id><itunes:author>Aaron Trammell</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: !!!!!!! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST !!!!!!! Beyoncé, “Formation”—Regina N. Bradley &amp; André Carrington Mitski, “My Body’s Made of Crushed Little Stars”—Liana Silva &amp; Chris Chien Desi Arnaz, “Babalu”—Reina Prado Celia Cruz, “La Vida es un Carnaval”—Dolores Inés Casillas Audra Mae, […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: !!!!!!! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST !!!!!!! Beyoncé, “Formation”—Regina N. Bradley &amp; André Carrington Mitski, “My Body’s Made of Crushed Little Stars”—Liana Silva &amp; Chris Chien Desi Arnaz, “Babalu”—Reina Prado Celia Cruz, “La Vida es un Carnaval”—Dolores Inés Casillas Audra Mae, […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: !!!!!!! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST !!!!!!! Beyoncé, &amp;#8220;Formation&amp;#8221;—Regina N. Bradley &amp;#38; André Carrington Mitski, “My Body&amp;#8217;s Made of Crushed Little Stars”—Liana Silva &amp;#38; Chris Chien Desi Arnaz, “Babalu&amp;#8221;—Reina Prado Celia Cruz, &amp;#8220;La Vida es un Carnaval&amp;#8221;—Dolores Inés Casillas Audra Mae, [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #55: The New Brunswick Music Scene Symposium</title>
		<link>https://soundstudiesblog.com/2016/06/30/sounding-out-podcast-55-the-new-brunswick-music-scene-symposium/</link>
					<comments>https://soundstudiesblog.com/2016/06/30/sounding-out-podcast-55-the-new-brunswick-music-scene-symposium/#comments</comments>
		
		<dc:creator><![CDATA[fbridges]]></dc:creator>
		<pubDate>Thu, 30 Jun 2016 13:00:39 +0000</pubDate>
				<category><![CDATA[Archival]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Popular Music Studies]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[archive]]></category>
		<category><![CDATA[Christine Lutz]]></category>
		<category><![CDATA[counter-culture]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[Don Giovanni Records]]></category>
		<category><![CDATA[Frank Bridges]]></category>
		<category><![CDATA[Jim Testa]]></category>
		<category><![CDATA[Joe Steinhardt]]></category>
		<category><![CDATA[Libraries]]></category>
		<category><![CDATA[Marissa Paternoster]]></category>
		<category><![CDATA[New Brunswick]]></category>
		<category><![CDATA[New Jersey]]></category>
		<category><![CDATA[Punk]]></category>
		<category><![CDATA[Ronen Kauffman]]></category>
		<category><![CDATA[The Screaming Females]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=17615</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: The New Brunswick Music Scene Symposium SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Frank Bridges and Christine Lutz&#8211;founders of the New Brunswick Music Scene Archive, at Rutgers University&#8211;as they converse with a panel of seasoned veterans from the New Jersey music scene. Included on the panel [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-17615-26" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2016/06/frank-bridges-nb-scene-archive-podcast.mp3?_=26" /><a href="https://soundstudiesblog.com/wp-content/uploads/2016/06/frank-bridges-nb-scene-archive-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2016/06/frank-bridges-nb-scene-archive-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2016/06/frank-bridges-nb-scene-archive-podcast.mp3"><strong>The New Brunswick Music Scene Symposium</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>Join Frank Bridges and Christine Lutz&#8211;founders of the New Brunswick Music Scene Archive, at Rutgers University&#8211;as they converse with a panel of seasoned veterans from the New Jersey music scene. Included on the panel are Ronen Kauffman, author of <em><a href="https://www.amazon.com/New-Brunswick-Jersey-Goodbye-Basements/dp/0967728746">New Brunswick, NJ Goodbye</a>; </em>Marissa Paternoster, singer and guitarist of <a href="http://screamingfemales.com">The Screaming Females</a>; Joe Steinhardt, co-founder of <a href="http://dongiovannirecords.com">Don Giovanni Records</a>; and Jim Testa, the editor of <a href="http://www.jerseybeat.com"><em>Jersey Beat</em></a>.The discussion becomes intimate very quickly as the audience converses intently with the panelists. Together the group compares inter-generational notes about what makes a music scene and the affordances of situating a counter-culture archive in a university setting.</p>
<p>—</p>
<p><em><strong>Featured Image:</strong> </em>Excerpt from the cover of <em>Jersey Beat #14</em>. Image used with permission by the author.</p>
<p>—</p>
<p><strong><a href="https://soundstudiesblog.com/frank-bridges/">Frank Bridges</a></strong> is a Doctoral Candidate at The Rutgers University School of Communication and Information. He is also a part-time lecturer, musician, and graphic designer. His research interests are the DIY and Internet-based production and distribution of music, and visual communication with a focus on semiotic analysis and street art.</p>
<p>—</p>
<p><strong><em>REWIND!</em>…If you liked this post, you may also dig:</strong><strong><em><img loading="lazy" data-attachment-id="2187" data-permalink="https://soundstudiesblog.com/2011/06/20/play-it-again-and-again-sam-the-tape-recorder-in-film-part-one/tape-reel/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg" data-orig-size="206,227" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="tape reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=206" class="alignleft size-thumbnail wp-image-2187" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=272&amp;h=300" alt="tape reel" width="136" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136&amp;h=150 136w, https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg 206w" sizes="(max-width: 136px) 100vw, 136px" /></em></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/12/18/sounding-out-podcast-37/">SO! Podcast #37: The Edison Soundwalk</a>–Frank Bridges</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/05/23/17382/">This is What it Sounds Like&#8230;&#8230;..On Prince and Interpretive Freedom</a>–Benjamin Tausig</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/">Soundwalking New Brunswick, NJ and Davis, CA</a>–Aaron Trammell</strong></p>
]]></content:encoded>
					
					<wfw:commentRss>https://soundstudiesblog.com/2016/06/30/sounding-out-podcast-55-the-new-brunswick-music-scene-symposium/feed/</wfw:commentRss>
			<slash:comments>3</slash:comments>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">17615</post-id><itunes:author>fbridges</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: The New Brunswick Music Scene Symposium SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Frank Bridges and Christine Lutz–founders of the New Brunswick Music Scene Archive, at Rutgers University–as they converse with a panel of seasoned veterans from the New Jersey music scene. Included on the panel […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: The New Brunswick Music Scene Symposium SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Frank Bridges and Christine Lutz–founders of the New Brunswick Music Scene Archive, at Rutgers University–as they converse with a panel of seasoned veterans from the New Jersey music scene. Included on the panel […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: The New Brunswick Music Scene Symposium SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Frank Bridges and Christine Lutz&amp;#8211;founders of the New Brunswick Music Scene Archive, at Rutgers University&amp;#8211;as they converse with a panel of seasoned veterans from the New Jersey music scene. Included on the panel [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #54: The Sound of Magic</title>
		<link>https://soundstudiesblog.com/2016/05/12/sounding-out-podcast-54-the-sound-of-magic/</link>
					<comments>https://soundstudiesblog.com/2016/05/12/sounding-out-podcast-54-the-sound-of-magic/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 12 May 2016 13:00:48 +0000</pubDate>
				<category><![CDATA[Medieval Sounds]]></category>
		<category><![CDATA[Pedagogy]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Ritual]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[charm]]></category>
		<category><![CDATA[Community]]></category>
		<category><![CDATA[K. A. Laitey]]></category>
		<category><![CDATA[magic]]></category>
		<category><![CDATA[Sound]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=17315</guid>

					<description><![CDATA[Each of the essays in this month’s “Medieval Sound” forum focuses on sound as it, according to Steve Goodman’s essay “The Ontology of Vibrational Force,” in The Sound Studies Reader, “comes to the rescue of thought rather than the inverse, forcing it to vibrate, loosening up its organized or petrified body (70).  These investigations into medieval sound [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" data-attachment-id="17023" data-permalink="https://soundstudiesblog.com/2016/05/09/desiring-medieval-sound/medieval-sound/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/03/medieval-sound.jpg" data-orig-size="1659,1500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="Medieval Sound" data-image-description="" data-image-caption="&lt;p&gt;series co-editors Dorothy Kim and Christopher Roman&lt;/p&gt;
" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/03/medieval-sound.jpg?w=519" class="alignleft size-thumbnail wp-image-17023" src="https://soundstudiesblog.com/wp-content/uploads/2016/03/medieval-sound.jpg?w=300&amp;h=272" alt="Medieval Sound" width="150" height="136" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/03/medieval-sound.jpg?w=150&amp;h=136 150w, https://soundstudiesblog.com/wp-content/uploads/2016/03/medieval-sound.jpg?w=300&amp;h=271 300w" sizes="(max-width: 150px) 100vw, 150px" />Each of the essays in this month’s “Medieval Sound” forum focuses on sound as it, according to Steve Goodman’s essay “The Ontology of Vibrational Force,” in <em><a href="http://www.amazon.com/Sound-Studies-Reader-Jonathan-Sterne/dp/0415771315/ref=sr_1_1?ie=UTF8&amp;qid=1458845878&amp;sr=8-1&amp;keywords=the+sound+studies+reader">The Sound Studies Reader</a>, </em>“comes to the rescue of thought rather than the inverse, forcing it to vibrate, loosening up its organized or petrified body (70).  These investigations into medieval sound lend themselves to a variety of presentation methods loosening up the “petrified body” of academic presentation. Each essay challenges concepts of how to hear the Middle Ages and how the sounds of the Middle Ages continue to echo in our own soundscapes.</p>
<p>The posts and podcast in this series begins an ongoing conversation about medieval sound in <em>Sounding Out!.</em> Our opening gambit in April 2016, “Multimodality and Lyric Sound,” reframes how we consider the lyric from England to Spain, from the twelfth through the sixteenth centuries, pushing ideas of openness, flexibility, and productive creativity. We will post several follow-ups throughout the rest of 2016 focusing on “Remediating Medieval Sound.”  And, HEAR YE!, in April 2017, look for a second series on Aural Ecologies of noise! <strong>–Guest Editors Dorothy Kim and Christopher Roman</strong></p>
<p>—</p>
<p><audio class="wp-audio-shortcode" id="audio-17315-27" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2016/05/sound-of-magic-podcast.mp3?_=27" /><a href="https://soundstudiesblog.com/wp-content/uploads/2016/05/sound-of-magic-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2016/05/sound-of-magic-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2016/05/sound-of-magic-podcast.mp3"><strong>The Sound of Magic</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>Medieval charms run the gamut from offering protection for journeys (travel was often perilous) to warding your cattle from thieves (the runic letter for ‘cattle’ also means ‘wealth’) to various kinds of healing for people, animals and even the earth. Many of them include verses that are meant to be sung.</p>
<p>What is the sound of magic? How do you sing it properly without notation? Does it affect the efficacy of the charm if you sing it wrong?</p>
<p>‘Sing ðis gealdor’ Sing this charm the Anglo-Saxon texts command. The words are even linked as ‘galdorsangas’ incantations, but the doom-and-gloom 11th century preacher Archbishop Wulfstan uses that term in the pejorative sense of things to avoid, lumping it together with ‘sorceries’ as things to avoid. In its time the right way of singing was understood but, as is the case about much of the social context, we have lost the specifics.</p>
<p>How to recreate an Anglo-Saxon charm in a modern sound file then? If you’re going to do it right, how do you capture the magic in a way that’s true to the source material and yet accessible to a modern audience (even if it’s just my students)? I was determined to do it and do it right.</p>
<div class="embed-soundcloud"><iframe loading="lazy" title="Æcerbot Charm by Victoria Squid" width="519" height="400" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F190437908&#038;show_artwork=true&#038;maxheight=779&#038;maxwidth=519"></iframe></div>
<p>&#8212;</p>
<p><em><a href="https://soundstudiesblog.com/k-a-laitey/"><strong>K. A. Laity</strong></a> is the author of the novels <a href="http://foxspiritbooks.co.uk/" target="_blank">White Rabbit</a>, <a href="http://tirgearrpublishing.com/authors/Marlowe_Kit/" target="_blank">Knight of the White Hart</a>, <a href="http://tirgearrpublishing.com/authors/Laity_KA/" target="_blank">A Cut-Throat Business</a>, <a href="http://tirgearrpublishing.com/authors/Laity_KA/lush-situation.htm" target="_blank">Lush Situation</a>, <a href="http://www.immanion-press.com/info/book.asp?id=436&amp;referer=Catalogue" target="_blank">Owl Stretching</a>, <a href="http://www.immanion-press.com/info/book.asp?id=394&amp;referer=Hp">Pelzmantel</a>, <a href="http://www.amazon.com/gp/product/B006MX828G/ref=as_li_ss_tl?ie=UTF8&amp;tag=magicwombat-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B006MX828G" target="_blank">The Mangrove Legacy</a>, <a href="http://www.amazon.com/gp/product/B002M78P1A/ref=as_li_ss_tl?ie=UTF8&amp;tag=magicwombat-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B002M78P1A" target="_blank">Chastity Flame</a> and the collections <a href="http://www.tirgearrpublishing.com/authors/Laity_KA/unquiet-dreams.htm">Unquiet Dreams</a> and <a href="http://www.amazon.com/gp/product/0982172508?ie=UTF8&amp;tag=magicwombat-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0982172508">Unikirja</a>, as well as editor of <a href="http://www.foxspirit.co.uk/?page_id=85" target="_blank">Weird Noir</a>, <a href="http://foxspiritbooks.co.uk/">Noir Carnival</a> and <a href="http://foxspiritbooks.co.uk/" target="_blank">Drag Noir</a>, writer of <a href="https://katelaity.wordpress.com/bib/">other stories, plays and essays</a>. Her stories tend to slip across genres and categories, but all display intelligence and humour. Myths and fairy tales influence much of her writing. The short stories in <a href="http://foxspiritbooks.co.uk/" target="_blank">Dreambook</a> [originally <a href="http://www.amazon.com/gp/product/0982172508/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0982172508&amp;linkCode=as2&amp;tag=magicwombat-20">Unikirja]</a> found their inspiration from The Kalevala, Kanteletar, and other Finnish myths and legends: the stories won the 2005 Eureka Short Story Fellowship and a 2006 Finlandia Foundation grant.</em></p>
<p><em>Dr. Laity teaches medieval literature, film, digital humanities and popular culture at the College of Saint Rose, though she was at <a href="http://www.scribd.com/doc/55852249/Fulbright-Project-Statement">NUI Galway as a Fulbright scholar</a> for the 2011-2 academic year.</em></p>
<p>—</p>
<p><strong><em>REWIND!</em>…If you liked this post, you may also dig:</strong><strong><em><img loading="lazy" data-attachment-id="2187" data-permalink="https://soundstudiesblog.com/2011/06/20/play-it-again-and-again-sam-the-tape-recorder-in-film-part-one/tape-reel/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg" data-orig-size="206,227" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="tape reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=206" class="alignleft size-thumbnail wp-image-2187" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=272&amp;h=300" alt="tape reel" width="136" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136&amp;h=150 136w, https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg 206w" sizes="(max-width: 136px) 100vw, 136px" /></em></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/05/02/a-clateryng-of-knokkes-multimodality-and-performativity-in-the-blacksmiths-lament/">&#8216;A Clateryng of Knokkes&#8217;: Multimodality and Performativity in &#8220;The Blacksmith&#8217;s Lament&#8221;</a>–Katherine Jager</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/04/04/mouthing-the-passion-richard-rolles-soundscapes/">Mouthing the Passion: Richard Rolle’s Soundscapes</a>–Christopher Roman</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/02/25/sounding-out-podcast-50-creating-new-words-from-lost-sounds/">EPISODE LI: Creating New Words from Old Sounds</a>&#8211;Marcella Ernest, Candace Gala, Leslie Harper, and Daryn McKenny</strong></p>
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<itunes:summary>Each of the essays in this month’s “Medieval Sound” forum focuses on sound as it, according to Steve Goodman’s essay “The Ontology of Vibrational Force,” in The Sound Studies Reader, “comes to the rescue of thought rather than the inverse, forcing it to vibrate, loosening up its organized or petrified body (70).  These investigations into medieval sound […]</itunes:summary>
<googleplay:description>Each of the essays in this month’s “Medieval Sound” forum focuses on sound as it, according to Steve Goodman’s essay “The Ontology of Vibrational Force,” in The Sound Studies Reader, “comes to the rescue of thought rather than the inverse, forcing it to vibrate, loosening up its organized or petrified body (70).  These investigations into medieval sound […]</googleplay:description>

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	<itunes:subtitle>Each of the essays in this month’s “Medieval Sound” forum focuses on sound as it, according to Steve Goodman’s essay “The Ontology of Vibrational Force,” in The Sound Studies Reader, “comes to the rescue of thought rather than the inverse, forcing it to vibrate, loosening up its organized or petrified body (70).  These investigations into medieval sound [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #53: H. Cecilia Suhr’s “From Ancient Soul to Ether”</title>
		<link>https://soundstudiesblog.com/2016/04/28/sounding-out-podcast-53-from-ancient-soul-to-ether-an-immersion-of-discursive-voices-from-the-vortex/</link>
					<comments>https://soundstudiesblog.com/2016/04/28/sounding-out-podcast-53-from-ancient-soul-to-ether-an-immersion-of-discursive-voices-from-the-vortex/#comments</comments>
		
		<dc:creator><![CDATA[suhrhcmiamiohedu]]></dc:creator>
		<pubDate>Thu, 28 Apr 2016 13:00:53 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Sound Art]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[being]]></category>
		<category><![CDATA[Cecilia Suhr]]></category>
		<category><![CDATA[contradictions]]></category>
		<category><![CDATA[From Ancient Soul to Ether]]></category>
		<category><![CDATA[Future]]></category>
		<category><![CDATA[harmony]]></category>
		<category><![CDATA[human]]></category>
		<category><![CDATA[machine]]></category>
		<category><![CDATA[past]]></category>
		<category><![CDATA[Simone Vitale]]></category>
		<category><![CDATA[Time]]></category>
		<category><![CDATA[timelessness]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=17180</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: H. Cecilia Suhr&#8217;s &#8220;From Ancient Soul to Ether&#8221; SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Cecilia Suhr&#8217;s sound art piece, From Ancient Soul to Ether, reflects on how sound can describe beings from the past, present and future in simultaneous coexistence. From the vibrational level of the earth to the futuristic murmurs [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-17180-28" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2016/04/cecilia-suhr-so-podcast.mp3?_=28" /><a href="https://soundstudiesblog.com/wp-content/uploads/2016/04/cecilia-suhr-so-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2016/04/cecilia-suhr-so-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2016/04/cecilia-suhr-so-podcast.mp3"><strong>H. Cecilia Suhr&#8217;s &#8220;From Ancient Soul to Ether&#8221;</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>Cecilia Suhr&#8217;s sound art piece, <em>From Ancient Soul to Ether,</em> reflects on how sound can describe beings from the past, present and future in simultaneous coexistence. From the vibrational level of the earth to the futuristic murmurs of aliens and robots, from the sound of blossoming plants to that of technological advancement, this recording captures the timeless and paradoxical interweaving of contradictory sounds. For instance: harmony vs. disharmony, past vs. future, human vs. machine, time vs. timelessness. In juxtaposing these contradictions, <em>From Ancient Soul to Ether</em> captures the sound of all things in harmony. The sounds of multiple dimensions and eras blend and dissolve together, creating one cohesive sound in an attempt to represent <em>being</em> without judgement, <em>being</em> without discrimination, and <em>being</em> amongst the ideology and difference of all things. Here Suhr expresses how the energy fields from all dimensions evokes not just the here and now, but also eternity.</p>
<p>Note:  The violin in this recording is specifically tuned to 432 HZ as opposed 440 HZ. I was first introduced to 432 HZ tuning by Simone Vitale, a voice yoga teacher, sound healer, and musician based in Germany. 432 HZ is a specific tuning method that seeks alignment with the universal frequencies and harmonies.</p>
<p>—</p>
<p><em><strong>Featured Image:</strong> &#8220;crop circle Windmill Hill &#8211; fusion&#8221; by Ian Burt @Flickr CC BY.</em></p>
<p>—</p>
<p><em><a href="https://soundstudiesblog.com/h-cecilia-suhr/"><strong>H. Cecilia Suhr</strong></a> (<a href="http://www.ceciliasuhr.com/" target="_blank">www.ceciliasuhr.com</a>) is an Assistant Professor in the Department of Media, Journalism and Film at Miami University-Hamilton and Affiliate Faculty in the Department of Art at Miami University, Oxford, Ohio.  Starting from August 2016, She will be an Associate Professor in a new department called Humanities and Creative Arts at Miami University Hamilton while maintaining her current ties at Oxford campus.  She is also a three-time award-winning interdisciplinary and multimedia artist whose work spans paintings, digital art, video art, sonic art, and music. Her work has been exhibited in New York City, Washington, D.C., Los Angeles, Cincinnati/West Chester, OH, Fort Thomas/NewPort Kentucky, Laurel, Maryland, and internationally in cities such as Moscow, London, Seoul and Tokyo. It has been publicly collected by the Marina Tsvetaeva House Museum in Moscow, NamSeoul University, Sisters of St. Paul of Charities, and KT Korea.  She is the author of two academic books&#8211;</em>Social Media and Music: The Digital Field of Cultural Production<em> (Peter Lang Press, 2012) and </em>Evaluation and Credentialing in Digital Music Communities<em> (MIT Press, 2014)&#8211;and an editor and contributing author of </em>Online Evaluation of Creativity and the Arts<em> (Routledge Press, 2014). In 2012, she was the recipient of a MacArthur Foundation Research Award for Digital Media and Learning.</em></p>
<p>—</p>
<p><strong><em>REWIND!</em>…If you liked this post, you may also dig:</strong><strong><em><img loading="lazy" data-attachment-id="2187" data-permalink="https://soundstudiesblog.com/2011/06/20/play-it-again-and-again-sam-the-tape-recorder-in-film-part-one/tape-reel/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg" data-orig-size="206,227" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="tape reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=206" class="alignleft size-thumbnail wp-image-2187" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=272&amp;h=300" alt="tape reel" width="136" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136&amp;h=150 136w, https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg 206w" sizes="(max-width: 136px) 100vw, 136px" /></em></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/08/28/sounding-out-podcast-33-sonia-lis-whale/">SO! Podcast #34: Sonia Li&#8217;s &#8220;Whale&#8221;</a>–Sonia Li</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/04/18/sounding-shakespeare-in-seoul/">SO! Podcast #13: Sounding Shakespeare in S(e)oul</a>–Brooke A. Carlson</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/01/17/sounding-out-podcast-10-interview-with-theremin-guru-eric-ross/">SO! Podcast #10: Interview with Theremin Master Eric Ross</a>–Aaron Trammell</strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: H. Cecilia Suhr’s “From Ancient Soul to Ether” SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Cecilia Suhr’s sound art piece, From Ancient Soul to Ether, reflects on how sound can describe beings from the past, present and future in simultaneous coexistence. From the vibrational level of the earth to the futuristic murmurs […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: H. Cecilia Suhr’s “From Ancient Soul to Ether” SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Cecilia Suhr’s sound art piece, From Ancient Soul to Ether, reflects on how sound can describe beings from the past, present and future in simultaneous coexistence. From the vibrational level of the earth to the futuristic murmurs […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: H. Cecilia Suhr&amp;#8217;s &amp;#8220;From Ancient Soul to Ether&amp;#8221; SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Cecilia Suhr&amp;#8217;s sound art piece, From Ancient Soul to Ether, reflects on how sound can describe beings from the past, present and future in simultaneous coexistence. From the vibrational level of the earth to the futuristic murmurs [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #52: Listening to the New England Soundscape Project</title>
		<link>https://soundstudiesblog.com/2016/03/31/sounding-out-podcast-52/</link>
					<comments>https://soundstudiesblog.com/2016/03/31/sounding-out-podcast-52/#comments</comments>
		
		<dc:creator><![CDATA[Daniel A. Walzer]]></dc:creator>
		<pubDate>Thu, 31 Mar 2016 13:00:27 +0000</pubDate>
				<category><![CDATA[Acoustic Ecology]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Daniel Walzer]]></category>
		<category><![CDATA[field recording]]></category>
		<category><![CDATA[meditation]]></category>
		<category><![CDATA[New England Soundscape Project]]></category>
		<category><![CDATA[Soundscape]]></category>
		<category><![CDATA[space]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=17084</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Listening to the New England Soundscape Project SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week&#8217;s podcast is a continuation of this Monday&#8217;s article &#8220;Reflective Sound Gathering via the New England Soundscape Project.&#8221; Here Daniel Walzer shows how his work in gathering sounds from different New England areas [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-17084-29" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2016/03/daniel-walzer-podcast.mp3?_=29" /><a href="https://soundstudiesblog.com/wp-content/uploads/2016/03/daniel-walzer-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2016/03/daniel-walzer-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2016/03/daniel-walzer-podcast.mp3"><strong>Listening to the New England Soundscape Project</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>This week&#8217;s podcast is a continuation of this Monday&#8217;s article &#8220;<a href="https://soundstudiesblog.com/2016/03/28/reflective-sound-gathering-through-the-new-england-soundscape-project/">Reflective Sound Gathering via the New England Soundscape Project</a>.&#8221; Here Daniel Walzer shows how his work in gathering sounds from different New England areas encouraged him to understand the world less through his eyes and more through his ears. As Walzer travels around from Connecticut to Massachusetts to Rhode Island, he prompts us to consider the impact of everyday sounds on our day-to-day behavior. How does attuning oneself to the sounds in the environment lead to meditative and embodied reflection?</p>
<p>—</p>
<p><em><strong>Featured Image:</strong> Merrimack River. Used with permission by the author.</em></p>
<p>—</p>
<p><strong>Acknowledgements</strong></p>
<p>An Internal Seed Grant from the University of Massachusetts Lowell supports the <em><a href="http://newenglandsoundscapeproject.org/">New England Soundscape Project. </a></em></p>
<p>—</p>
<p><em><strong>Daniel A. Walzer</strong> is an Assistant Professor of Composition for New Media at the University of Massachusetts Lowell.  Walzer’s research and reviews appear in the</em>Leonardo Music Journal, <em>the</em> Journal of Music, Technology &amp; Education, the Journal of Radio &amp; Audio Media <em>and forthcoming articles in</em> TOPICS for Music Education Praxis, <em>and the</em> Music Educators Journal.  <em>Walzer received his MFA in Music Production and Sound Design for Visual Media from Academy of Art University, his MM in Jazz Studies from the University of Cincinnati and his BM in Jazz Studies from Bowling Green State University.</em>  <em>Walzer is currently pursuing doctoral studies in education at the University of the Cumberlands</em>. Read more at <a href="http://www.danielwalzer.com/">http://www.danielwalzer.com</a></p>
<p>—</p>
<p><strong><em>REWIND!</em>…If you liked this post, you may also dig:</strong><strong><em><img loading="lazy" data-attachment-id="2187" data-permalink="https://soundstudiesblog.com/2011/06/20/play-it-again-and-again-sam-the-tape-recorder-in-film-part-one/tape-reel/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg" data-orig-size="206,227" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="tape reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=206" class="alignleft size-thumbnail wp-image-2187" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=272&amp;h=300" alt="tape reel" width="136" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136&amp;h=150 136w, https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg 206w" sizes="(max-width: 136px) 100vw, 136px" /></em></strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/03/28/reflective-sound-gathering-through-the-new-england-soundscape-project/">Reflective Sound Gathering via the New England Soundscape Project</a>–Daniel A. Walzer</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/06/25/sounding-out-podcast-44-listening-to-americas-malls/">SO! Podcast #43: Retail Soundscapes and the Ambience of Commerce</a>–James Hodges</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2016/03/14/so-amplifies-hearmyhome-and-the-soundscapes-of-the-everyday/">SO! Amplifies: #hearmyhome and the Soundscapes of the Everyday</a>–Cassie J. Bownell and Jon M. Wargo</strong></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">17084</post-id><itunes:author>Daniel A. Walzer</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Listening to the New England Soundscape Project SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week’s podcast is a continuation of this Monday’s article “Reflective Sound Gathering via the New England Soundscape Project.” Here Daniel Walzer shows how his work in gathering sounds from different New England areas […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Listening to the New England Soundscape Project SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week’s podcast is a continuation of this Monday’s article “Reflective Sound Gathering via the New England Soundscape Project.” Here Daniel Walzer shows how his work in gathering sounds from different New England areas […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Listening to the New England Soundscape Project SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week&amp;#8217;s podcast is a continuation of this Monday&amp;#8217;s article &amp;#8220;Reflective Sound Gathering via the New England Soundscape Project.&amp;#8221; Here Daniel Walzer shows how his work in gathering sounds from different New England areas [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #51: Creating New Words From Old Sounds</title>
		<link>https://soundstudiesblog.com/2016/02/25/sounding-out-podcast-50-creating-new-words-from-lost-sounds/</link>
					<comments>https://soundstudiesblog.com/2016/02/25/sounding-out-podcast-50-creating-new-words-from-lost-sounds/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 25 Feb 2016 14:00:57 +0000</pubDate>
				<category><![CDATA[Identity]]></category>
		<category><![CDATA[Indigenous Studies]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Memory]]></category>
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		<category><![CDATA[finding lost sounds]]></category>
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		<category><![CDATA[lost sounds]]></category>
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		<guid isPermaLink="false">http://soundstudiesblog.com/?p=16604</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Creating New Words from Old Sounds SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast looks at how ancestral languages are spoken in today&#8217;s changing environment of technology and popular culture. Here, Marcella Ernest leads a discussion considering how Indigenous people are adapting heritage languages to modern times. With an open mind [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-16604-30" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2016/02/new-words-from-lost-sounds.mp3?_=30" /><a href="https://soundstudiesblog.com/wp-content/uploads/2016/02/new-words-from-lost-sounds.mp3">https://soundstudiesblog.com/wp-content/uploads/2016/02/new-words-from-lost-sounds.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2016/02/new-words-from-lost-sounds.mp3"><strong>Creating New Words from Old Sounds</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>This podcast looks at how ancestral languages are spoken in today&#8217;s changing environment of technology and popular culture. Here, Marcella Ernest leads a discussion considering how Indigenous people are adapting heritage languages to modern times. With an open mind and creative methodologies, Native language communities, activists, scholars, and educators are working to integrate and inspire our heritage languages to continue into the 21<sup>st</sup> century and beyond. Finding new words with old sounds is intended as a means of both preserving language and helping people to learn it. How do heritage languages change to accommodate new things like computers, cell phones, and popular culture? Can ancestral sounds be translated to create new words?</p>
<p><strong>Guests: </strong></p>
<p>Candace Gala, PhD (Hawaiian) The University of British Columbia, Language and Literacy Education</p>
<p>Leslie Harper (Ojibwe) Director, National Coalition of Native American Language Schools and Programs (NCNALSP)</p>
<p>Daryn McKenny, (Gamilaraay – Aboriginal Australian) Miromaa Aboriginal Language &amp; Technology Centre</p>
<p>&#8211;</p>
<p><em><strong><a href="https://soundstudiesblog.com/marcella-ernest/">Marcella Ernest</a></strong> is a Native American (Ojibwe) interdisciplinary video artist and scholar. Her work combines electronic media with sound design with film and photography in a variety of formats; using multi-media installations incorporating large-scale projections and experimental film aesthetics. Currently living in California, Marcella is completing an interdisciplinary Ph.D. in American Studies at the University of New Mexico. Drawing upon a Critical Indigenous Studies framework to explore how “Indianness” and Indigenity are represented in studies of American and Indigenous visual and popular culture, her primary research is an engagement with contemporary Native art to understand how members of colonized groups use a re-mix of experimental video and sound design as a means for cultural and political expressions of resistance.</em></p>
<p><a href="http://www.marcellakwe.com/">www.marcellakwe.com</a></p>
<p>&#8211;</p>
<p><em>Featured image is used with permission by the author.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2013/12/26/sounding-out-podcast-24-the-raitt-street-chronicles/">Sounding Out! Podcast #24: The Raitt Street Chronicles: A Survivor&#8217;s History</a> &#8211; Sharon Sekhon and Manuel &#8220;Manny&#8221; Escamilla<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/10/29/sounding-out-podcast-47/">Sounding Out! Podcast #47: Finding the Lost Sounds of Kaibah</a> — </strong><b>Marcella Ernest</b></p>
<p><strong>Sounding Out! Podcast #40: Linguicide, Indigenous Community, and the Search for Lost Sounds – <b>Marcella Ernest</b></strong></p>
]]></content:encoded>
					
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<itunes:summary>CLICK HERE TO DOWNLOAD: Creating New Words from Old Sounds SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast looks at how ancestral languages are spoken in today’s changing environment of technology and popular culture. Here, Marcella Ernest leads a discussion considering how Indigenous people are adapting heritage languages to modern times. With an open mind […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Creating New Words from Old Sounds SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast looks at how ancestral languages are spoken in today’s changing environment of technology and popular culture. Here, Marcella Ernest leads a discussion considering how Indigenous people are adapting heritage languages to modern times. With an open mind […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Creating New Words from Old Sounds SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast looks at how ancestral languages are spoken in today&amp;#8217;s changing environment of technology and popular culture. Here, Marcella Ernest leads a discussion considering how Indigenous people are adapting heritage languages to modern times. With an open mind [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>SO! Amplifies: Radio Coyote’s #DIASPORADICAL Sound</title>
		<link>https://soundstudiesblog.com/2016/02/01/so-amplifies-the-diasporadical-sound-of-sfs-radio-coyote-from-the-worldwild/</link>
					<comments>https://soundstudiesblog.com/2016/02/01/so-amplifies-the-diasporadical-sound-of-sfs-radio-coyote-from-the-worldwild/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Mon, 01 Feb 2016 14:00:46 +0000</pubDate>
				<category><![CDATA[American Studies]]></category>
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		<category><![CDATA[Radio Coyote]]></category>
		<category><![CDATA[Radio Valencia]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=16545</guid>

					<description><![CDATA[SO! Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome! — &#160; This whole world&#8217;s wild at heart and weird on top &#8212;Wild at Heart Por tu amor. . . &#8212; Buyepongo Radio Coyote is a San Francisco-based web radio program [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" data-attachment-id="13071" data-permalink="https://soundstudiesblog.com/2014/06/19/so-amplifies-yvon-bonenfants-voice-bubbles-app/document3-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2014/06/document3.jpg" data-orig-size="1852,1472" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="Document3" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2014/06/document3.jpg?w=519" class="alignleft wp-image-13071" src="https://soundstudiesblog.com/wp-content/uploads/2014/06/document3.jpg?w=400&amp;h=318" alt="Document3" width="200" height="159" srcset="https://soundstudiesblog.com/wp-content/uploads/2014/06/document3.jpg?w=200&amp;h=159 200w, https://soundstudiesblog.com/wp-content/uploads/2014/06/document3.jpg?w=400&amp;h=318 400w, https://soundstudiesblog.com/wp-content/uploads/2014/06/document3.jpg?w=150&amp;h=119 150w, https://soundstudiesblog.com/wp-content/uploads/2014/06/document3.jpg?w=300&amp;h=238 300w" sizes="(max-width: 200px) 100vw, 200px" /><strong><em>SO!</em> Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome!</strong></p>
<p><span style="line-height:1.5;">—</span></p>
<p>&nbsp;</p>
<p>This whole world&#8217;s wild at heart and weird on top &#8212;<em>Wild at Heart</em></p>
<p>Por tu amor. . . &#8212; <a href="https://soundcloud.com/buyepongo/por-tu-amor"><em>Buyepongo</em></a></p>
<p><a href="http://www.facebook.com/radiocoyoteSF"><strong>Radio Coyote</strong></a> is a San Francisco-based web radio program &amp; podcast I co-host with my friend Jesus Varela, aka Sweet Jesus.   Radio Coyote is our effort at amplifying expression which is #DIASPORADICAL &#8211; acknowledging movement and humanity in a world alive with ART; most especially of those on the margins who in the current structure, have become the invisible inspiration for the priviliged, hardly benefiting from the soul they emit.</p>
<p>Recently, Jesus and I recorded with Los Angeles&#8217;s own future-rooted band of immigrant brothers &#8211; <a href="https://www.buyepongo.com/">Buyepongo</a> &#8211; live from the scrappy but charming <a href="http://www.radiovalencia.fm/">Radio Valencia</a> studios in the Mission District.  Some topics we talked about included connections between the Bay Area and Los Angeles, the hip-hop influence of Wu-tang Clan &amp; Madlib on the group, and, importantly, the burgeoning yet connected #DIASPORADICAL network building alternatives and manifesting the visceral spirit of our ancestors through drumming.</p>
<p><iframe width="100%" height="450" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F237026689&auto_play=false&hide_related=false&visual=true&show_comments=true&color=false&show_user=true&show_reposts=false"></iframe></p>
<p>This particular episode’s conversation is emblematic of how we use sound and voice on Radio Coyote to bring energies together to counter the hegemonic corporate $tandard currently funding the arts and culture industries—live music and entertainment but also tech and media, not to mention the spaces where they intersect—all reflective of a standard which is essentially: THE STRIVE FOR MONETARY SUCCESS MARKED AS WHITE ACHIEVEMENT A/K/A the land of the &#8220;Free&#8221; where the inspired benefit from those on the margins.</p>
<blockquote><p>Nahhhhh, FUCK THAT. &#8211; emcee Nani Castle in <a href="https://soundcloud.com/nanicastle/14-to-the-people-beat-prod-by">To The People</a></p></blockquote>
<p>The type of capitalist cultural extraction we challenge on Radio Coyote can be heard and seen everywhere. Justin Bieber, for example, has a #1 record right now (produced by Skrillex) that is clearly influenced by Caribbean <a href="http://wayneandwax.com/?p=7697">dembow</a><u>.</u> I&#8217;m still waking up from that dream where Macklemore wins a Grammy award over the 2014 jazz griot giant that is <a href="http://hypetrak.com/2015/09/quincy-jones-kendrick-lamar-hypetrak-magazine-cover-story/">Kendrick Lamar</a>. The FADER, like so many media outlets, assigns white writers to cover emerging Latin culture in the US:  Exhibit <a href="http://www.thefader.com/2015/07/30/is-cuban-music-about-to-blow-up-in-america">A</a> on contemporary cuban music &amp; Exhibit <a href="https://www.thefader.com/2015/11/23/j-balvin-reggaeton-interview">B</a> on J. Balvin and reggaton. And, I could go on. But because it is so pervasive, we need to keep asking, &#8220;Who benefits?&#8221;</p>
<blockquote><p>It don&#8217;t make you right cause you majority.- <a href="http://www.democracynow.org/2015/7/6/bree_newsome_as_sc_lawmakers_debate?autostart=true&amp;get_clicky_key=suggested_related">Bree Newsome</a>, South Carolina-based activist &amp; artist who removed the Confederate Flag earlier this past Summer from SC&#8217;s capital</p>
<p>Mamacita, pass me a beer-a &#8211; Will Smith on Bomba Estereo&#8217;s <a href="https://www.youtube.com/watch?v=VQnOHx--AVk">&#8220;Fiesta&#8221; (Remix)</a> for SONY</p></blockquote>
<p>Because all around the world &#8211; or the worldwild, I like to say, people are waking up and acknowledging themselves, their neighbors, and the stories of their movement, exploring what those moves truly meant and what they will mean for a humanity needing to be increasingly inter-reliant in our crumbling late-Capitalist era.<em>  </em>Radio Coyote is a product, a revelation, and a confluence of these worldwild movements, amplifying the true vibration and rhythms of a very specific history and examining how they will mutate in the future.</p>
<p><img loading="lazy" data-attachment-id="16549" data-permalink="https://soundstudiesblog.com/2016/02/01/so-amplifies-the-diasporadical-sound-of-sfs-radio-coyote-from-the-worldwild/12107994_884357794945397_3976500164667214883_n/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/02/12107994_884357794945397_3976500164667214883_n.jpg" data-orig-size="640,640" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="12107994_884357794945397_3976500164667214883_n" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/02/12107994_884357794945397_3976500164667214883_n.jpg?w=519" class="aligncenter size-large wp-image-16549" src="https://soundstudiesblog.com/wp-content/uploads/2016/02/12107994_884357794945397_3976500164667214883_n.jpg?w=519" alt="12107994_884357794945397_3976500164667214883_n" width="519" height="519" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/02/12107994_884357794945397_3976500164667214883_n.jpg?w=519 519w, https://soundstudiesblog.com/wp-content/uploads/2016/02/12107994_884357794945397_3976500164667214883_n.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/02/12107994_884357794945397_3976500164667214883_n.jpg?w=300 300w, https://soundstudiesblog.com/wp-content/uploads/2016/02/12107994_884357794945397_3976500164667214883_n.jpg 640w" sizes="(max-width: 519px) 100vw, 519px" /></p>
<p>Our voices and spirits have always been dangerous. During the conquest in what is now Mexico, for example, the Spansh conquistadors killed the ceremonial drummers first.  In Chile, when Augosto Pinochet seized power in 1973, <a href="http://america.aljazeera.com/articles/2015/4/16/killer-of-chilean-victor-jara-to-face-us-justice.html">he ordered revolutionary singer Victor Jara executed</a>, and his soldiers kidnapped Jara, smashed his hands and wrists and shot him 44 times. But what was once dangerous has been disempowered and I predict, increasingly exploited. Now Canadian DJ A-Trak calls himself &#8220;Plantain Papi,” Roots drummer Questlove goes by &#8220;Questlove Gomez,&#8221; and Kendrick raps in Spanish. Bieber just dropped that dembow-influenced pop record while dembow legacy artists, Los Rakas (via Panama &amp; Oakland) switched to Latin pop.</p>
<blockquote><p>Cause I just need one more shot at second chances &#8211; Justin Bieber in &#8220;<a href="https://itunes.apple.com/us/album/purpose/id1049603169">Sorry</a>&#8221;</p>
<p>I get a lot of success because I&#8217;m white. &#8211; Diplo in <a href="http://www.youredm.com/2015/05/26/diplo-i-get-a-lot-of-success-because-im-white/">YourEDM.com</a></p></blockquote>
<p>Radio Coyote is our chance to explore these ideas and who benefits from the global flows of culture . To empower me. To empower us. To get back to the place where this expression was dangerous . We are smuggling these sounds to you over what was once pirate radio &#8211; now, online &#8211; because the boundaries between u$ are quite pronounced. Radio Coyote is my moment of love in a land$cape of domination and hate. We are powerful. It&#8217;s clarity through the confusion. Radio Coyote simply must be. It&#8217;s an effort at radically witnessing the expressions all over the world of people who&#8217;ve had access to Internet these last 10 &#8211; 15 years, but who also seek to honor, understand &amp; feel a past which we are indisputably products of!</p>
<p><img loading="lazy" data-attachment-id="16559" data-permalink="https://soundstudiesblog.com/2016/02/01/so-amplifies-the-diasporadical-sound-of-sfs-radio-coyote-from-the-worldwild/12308779_898185223562654_5327525627229606953_n/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/02/12308779_898185223562654_5327525627229606953_n.jpg" data-orig-size="960,960" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="12308779_898185223562654_5327525627229606953_n" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/02/12308779_898185223562654_5327525627229606953_n.jpg?w=519" class="aligncenter size-large wp-image-16559" src="https://soundstudiesblog.com/wp-content/uploads/2016/02/12308779_898185223562654_5327525627229606953_n.jpg?w=519" alt="12308779_898185223562654_5327525627229606953_n" width="519" height="519" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/02/12308779_898185223562654_5327525627229606953_n.jpg?w=519 519w, https://soundstudiesblog.com/wp-content/uploads/2016/02/12308779_898185223562654_5327525627229606953_n.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/02/12308779_898185223562654_5327525627229606953_n.jpg?w=300 300w, https://soundstudiesblog.com/wp-content/uploads/2016/02/12308779_898185223562654_5327525627229606953_n.jpg?w=768 768w, https://soundstudiesblog.com/wp-content/uploads/2016/02/12308779_898185223562654_5327525627229606953_n.jpg 960w" sizes="(max-width: 519px) 100vw, 519px" /></p>
<p><iframe width="100%" height="450" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F235351442&auto_play=false&hide_related=false&visual=true&show_comments=true&color=false&show_user=true&show_reposts=false"></iframe></p>
<p>Though I am fiercely frightened to get on the mic every Friday from 2 &#8211; 4 PM PST, I like to think I&#8217;m reversing the common programming Latinas go through, constantly told to shush in this world.  I also feel a true duty. We simply need to step up and be ourselves! We need to acknowledge and be proud of our own particular story of being human in a world with the same level of equality as the other, together, with immense respect for the planet we live on and all the resources she provides (another topic I like to think about, but more on #PACHAMAMAISM at another time&#8230;).</p>
<p>There is nothing else we should be doing but seeing ourselves in each other and being very adamant about that. So this is my love force to you and I hope you continue to enjoy/share it. Lift your voice in love, too, in any way you feel is important out in the worldwild! And, then, tell me about it so we can have you call in and talk to us on Radio Coyote: <a href="mailto:radiocoyotesf@gmail.com">radiocoyotesf@gmail.com</a>! <img src="https://s0.wp.com/wp-content/mu-plugins/wpcom-smileys/twemoji/2/72x72/1f600.png" alt="😀" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><iframe loading="lazy" class="youtube-player" width="519" height="292" src="https://www.youtube.com/embed/CnBqpowAV8s?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe></p>
<p>Tune-in to #RadioCoyote: Smuggling #DIASPORADICAL Sounds Across Borders Every Friday From 2 &#8211; 4 Pm PST With DJ Nipslip aka Naticonrazon and Jesucio aka Sweet Jesus: <a href="http://www.radiovalencia.fm/">www.radiovalencia.fm</a>. Archives:<a href="http://www.soundcloud.com/radiocoyote">www.soundcloud.com/radiocoyote</a></p>
<p>&#8212;</p>
<p><em>all images courtesy of the author</em></p>
<p>&#8212;</p>
<p><em><a href="https://soundstudiesblog.com/nati-linares/">Nati Linares aka Nati Conrazon</a> is an artist advocate and cultural lobbyist rebalancing the world who was raised in New York City, but is currently living a #Bicoastalidad lifestyle which is rooted in Oakland, California. Her womanagement clients include Brazil-via-Brooklyn&#8217;s Vocalista Making Interracial Music Babies, <strong>Zuzuka Poderosa</strong> &amp; Powerfully Raw Chilean/Irish Emcee, <strong>Nani Castle</strong>. Check out all her current projects: </em><a href="http://www.conrazon.me/projects/current-projects"><em>www.conrazon.me/projects/current-projects</em></a><em> and follow her on Twitter: @conrazon, Instagram: naticonrazon and beyond! Embrace the hybrid!</em></p>
<p>&#8212;</p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" data-attachment-id="2187" data-permalink="https://soundstudiesblog.com/2011/06/20/play-it-again-and-again-sam-the-tape-recorder-in-film-part-one/tape-reel/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg" data-orig-size="206,227" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;JM&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="tape reel" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=206" class="alignleft size-thumbnail wp-image-2187" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=272&amp;h=300" alt="tape reel" width="136" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136&amp;h=150 136w, https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg 206w" sizes="(max-width: 136px) 100vw, 136px" />REWIND!</em>…If you liked this post, you may also dig:</strong></p>
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<p><strong><a href="https://soundstudiesblog.com/2014/11/13/so-amplifies-shizu-saldamandos-ouroboros/">SO! Amplifies: Shizu Saldamando’s OUROBOROS</a>–J.L. Stoever</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/08/17/so-amplifies-feminatronic/" rel="bookmark">SO! Amplifies: Feminatronic</a></strong></p>
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<itunes:summary>SO! Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome! —   This whole world’s wild at heart and weird on top —Wild at Heart Por tu amor. . . — Buyepongo Radio Coyote is a San Francisco-based web radio program […]</itunes:summary>
<googleplay:description>SO! Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome! —   This whole world’s wild at heart and weird on top —Wild at Heart Por tu amor. . . — Buyepongo Radio Coyote is a San Francisco-based web radio program […]</googleplay:description>

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		<title>Sounding Out! Podcast #50: Yoshiwara Soundwalk: Taking the Underground to the Floating World</title>
		<link>https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/</link>
					<comments>https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/#comments</comments>
		
		<dc:creator><![CDATA[Gretchen Jude]]></dc:creator>
		<pubDate>Thu, 28 Jan 2016 14:00:01 +0000</pubDate>
				<category><![CDATA[Field Recording]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA[Soundwalk]]></category>
		<category><![CDATA[affect]]></category>
		<category><![CDATA[embodiment]]></category>
		<category><![CDATA[Gretchen Jude]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Kawabata Yasunari]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[reflection]]></category>
		<category><![CDATA[song]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundscape]]></category>
		<category><![CDATA[soundwalk]]></category>
		<category><![CDATA[The Floating World]]></category>
		<category><![CDATA[Tokyo]]></category>
		<category><![CDATA[Yoshiwara]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=16517</guid>

					<description><![CDATA[&#160; CLICK HERE TO DOWNLOAD: Yoshiwara Soundwalk: Taking the Underground to the Floating World SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Gretchen Jude as she performs a soundwalk of the Yoshiwara district in Tokyo. Throughout this soundwalk, Jude offers her thoughts on the history, materiality, and culture of the Yoshiwara, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>
<a href='https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/yoshiwara-asakusa-map/'><img width="139" height="150" src="https://soundstudiesblog.com/wp-content/uploads/2016/01/yoshiwara-asakusa-map.png?w=139" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/01/yoshiwara-asakusa-map.png?w=139 139w, https://soundstudiesblog.com/wp-content/uploads/2016/01/yoshiwara-asakusa-map.png?w=278 278w" sizes="(max-width: 139px) 100vw, 139px" data-attachment-id="16535" data-permalink="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/yoshiwara-asakusa-map/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/yoshiwara-asakusa-map.png" data-orig-size="626,675" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Yoshiwara-Asakusa-map" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/yoshiwara-asakusa-map.png?w=519" /></a>
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<a href='https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/kannon-jizo_statues/'><img width="150" height="112" src="https://soundstudiesblog.com/wp-content/uploads/2016/01/kannon-jizo_statues.jpg?w=150" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/01/kannon-jizo_statues.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/01/kannon-jizo_statues.jpg?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" data-attachment-id="16530" data-permalink="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/kannon-jizo_statues/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/kannon-jizo_statues.jpg" data-orig-size="2592,1936" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 4&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1433349991&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;3.85&quot;,&quot;iso&quot;:&quot;80&quot;,&quot;shutter_speed&quot;:&quot;0.025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="Kannon-Jizo_statues" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/kannon-jizo_statues.jpg?w=519" /></a>
<a href='https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/hauta-sheetmusic-collection/'><img width="112" height="150" src="https://soundstudiesblog.com/wp-content/uploads/2016/01/hauta-sheetmusic-collection.jpg?w=112" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/01/hauta-sheetmusic-collection.jpg?w=112 112w, https://soundstudiesblog.com/wp-content/uploads/2016/01/hauta-sheetmusic-collection.jpg?w=224 224w" sizes="(max-width: 112px) 100vw, 112px" data-attachment-id="16529" data-permalink="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/hauta-sheetmusic-collection/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/hauta-sheetmusic-collection.jpg" data-orig-size="1936,2592" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 4&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1450527752&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;3.85&quot;,&quot;iso&quot;:&quot;80&quot;,&quot;shutter_speed&quot;:&quot;0.041666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="hauta-sheetmusic-collection" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/hauta-sheetmusic-collection.jpg?w=519" /></a>
<a href='https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/contents/'><img width="150" height="112" src="https://soundstudiesblog.com/wp-content/uploads/2016/01/contents.jpg?w=150" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/01/contents.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/01/contents.jpg?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" data-attachment-id="16528" data-permalink="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/contents/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/contents.jpg" data-orig-size="2592,1936" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 4&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1450527791&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;3.85&quot;,&quot;iso&quot;:&quot;80&quot;,&quot;shutter_speed&quot;:&quot;0.041666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="contents" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/contents.jpg?w=519" /></a>
<a href='https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/restaurant-vendingmachine/'><img width="150" height="112" src="https://soundstudiesblog.com/wp-content/uploads/2016/01/restaurant-vendingmachine.jpg?w=150" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/01/restaurant-vendingmachine.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/01/restaurant-vendingmachine.jpg?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" data-attachment-id="16531" data-permalink="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/restaurant-vendingmachine/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/restaurant-vendingmachine.jpg" data-orig-size="2592,1936" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 4&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1433348318&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;3.85&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.0083333333333333&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="restaurant-vendingmachine" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/restaurant-vendingmachine.jpg?w=519" /></a>
<a href='https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/byyoshiwarapolicebox/'><img width="150" height="112" src="https://soundstudiesblog.com/wp-content/uploads/2016/01/byyoshiwarapolicebox.jpg?w=150" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/01/byyoshiwarapolicebox.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/01/byyoshiwarapolicebox.jpg?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" data-attachment-id="16527" data-permalink="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/byyoshiwarapolicebox/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/byyoshiwarapolicebox.jpg" data-orig-size="2592,1936" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 4&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1433348582&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;3.85&quot;,&quot;iso&quot;:&quot;80&quot;,&quot;shutter_speed&quot;:&quot;0.0069444444444444&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="byYoshiwaraPoliceBox" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/byyoshiwarapolicebox.jpg?w=519" /></a>
</p>
<p><audio class="wp-audio-shortcode" id="audio-16517-31" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2016/01/g-jude-podcast.mp3?_=31" /><a href="https://soundstudiesblog.com/wp-content/uploads/2016/01/g-jude-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2016/01/g-jude-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2016/01/g-jude-podcast.mp3"><strong>Yoshiwara Soundwalk: Taking the Underground to the Floating World</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>Join Gretchen Jude as she performs a soundwalk of the Yoshiwara district in Tokyo. Throughout this soundwalk, Jude offers her thoughts on the history, materiality, and culture of the Yoshiwara, Tokyo&#8217;s red-light district. An itinerary is provided below for the curious, as well as a translation of the <em>Ume wa saiti ka, </em>intended to help orient listeners to the history of the Yoshiwara. What stories do the sounds of this district help to tell and can they help us to navigate its sordid history?</p>
<p>&nbsp;</p>
<p><strong><u>Itinerary:</u></strong></p>
<p>From the outer regions of the capital’s northwestern surburban sprawl to Ikebukuro Station (Tobu Tojo Line), transferring from Ikebukuro to Iidabashi (Yurakucho Line), from Iidabashi to Ueno-okachimachi (Oedo Line), from Naka-okachimachi to Minowa (Hibiya Line), then by foot from Minowa to Asakusa:</p>
<p>Due east, past Tōsen Elementary School</p>
<p>South on a nameless narrow lane parallel to Edomachi Street, with a short stop at Yoshiwara Park</p>
<p>Turning from Edomachi Street west onto Nakanomachi Street</p>
<p>Curving around to the south, just past the Kuritsu-taito Hospital and Senzoku Nursery School, with a long stop at Benzaiten Yoshiwara Shrine</p>
<p>Due south toward the throngs of tourists at the Sensō-ji Temple grounds, then across the Sumida River to my <em>hauta</em> teacher’s studio in a quiet residential neighborhood south of the Tokyo Sky Tree</p>
<p><img loading="lazy" data-attachment-id="16539" data-permalink="https://soundstudiesblog.com/2016/01/28/sounding-out-podcast-49/screen-shot-2016-01-28-at-1-18-11-am/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png" data-orig-size="1580,1012" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Screen Shot 2016-01-28 at 1.18.11 AM" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png?w=519" class="aligncenter size-large wp-image-16539" src="https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png?w=519" alt="Screen Shot 2016-01-28 at 1.18.11 AM" width="519" height="332" srcset="https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png?w=519 519w, https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png?w=1038 1038w, https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png?w=300 300w, https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png?w=768 768w, https://soundstudiesblog.com/wp-content/uploads/2016/01/screen-shot-2016-01-28-at-1-18-11-am.png?w=1024 1024w" sizes="(max-width: 519px) 100vw, 519px" /></p>
<p>&#8211;</p>
<p><a href="https://soundstudiesblog.com/gretchen-jude/"><strong>Gretchen Jude</strong></a> is a PhD candidate in Performance Studies at the University of California Davis and a performing artist/composer based in the San Francisco Bay Area. Her doctoral research explores the intersections of voice and electronics in transcultural performance contexts, delving into such topics as presence and embodiment in computer music, language and cultural difference in vocal genres, and collaborative electroacoustic improvisation. Interaction with her immediate environment forms the core of Gretchen’s musical practice. Gretchen has been studying Japanese music since 2001 and holds multiple certifications in <em>koto</em> performance from the Sawai Koto Institute in Tokyo, as well as an MFA in Electronic Music and Recording Media from Mills College in Oakland, California. In the spring of 2015, a generous grant from the Pacific Rim Research Program supported Gretchen’s intensive study of <em>hauta</em> and <em>jiuta</em> singing styles in Tokyo. This podcast (as well as a chapter of her dissertation) are direct results of that support. Infinite thanks also to the gracious and generous assistance of Shibahime-sensei, Mako-chan and my many other friends and teachers in Japan.</p>
<p>&#8211;</p>
<p><em>All images used with permission by the author.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2012/12/03/park-sound-a-kansas-city-soundwalk-for-fall/">Park Sounds: A Kansas City Soundwalk for Fall</a> &#8211; Liana M. Silva</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/09/24/sounding-out-podcast-47-ruptures-in-the-soundscape-of-disneyland/">Sounding Out! Podcast #46: Ruptures in the Soundscape of Disneyland</a> &#8211; Cynthia Wang</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/12/18/sounding-out-podcast-37/">Sounding Out! Podcast #37: The Edison Soundwalk</a> – Frank Bridges</strong></p>
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<itunes:summary>  CLICK HERE TO DOWNLOAD: Yoshiwara Soundwalk: Taking the Underground to the Floating World SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Gretchen Jude as she performs a soundwalk of the Yoshiwara district in Tokyo. Throughout this soundwalk, Jude offers her thoughts on the history, materiality, and culture of the Yoshiwara, […]</itunes:summary>
<googleplay:description>  CLICK HERE TO DOWNLOAD: Yoshiwara Soundwalk: Taking the Underground to the Floating World SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Gretchen Jude as she performs a soundwalk of the Yoshiwara district in Tokyo. Throughout this soundwalk, Jude offers her thoughts on the history, materiality, and culture of the Yoshiwara, […]</googleplay:description>

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	<itunes:subtitle>&amp;#160; CLICK HERE TO DOWNLOAD: Yoshiwara Soundwalk: Taking the Underground to the Floating World SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Gretchen Jude as she performs a soundwalk of the Yoshiwara district in Tokyo. Throughout this soundwalk, Jude offers her thoughts on the history, materiality, and culture of the Yoshiwara, [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #49: Sound and Sexuality in Video Games</title>
		<link>https://soundstudiesblog.com/2015/11/19/sounding-out-podcast-48-tropes-of-femininity-in-the-digital-battlecry/</link>
					<comments>https://soundstudiesblog.com/2015/11/19/sounding-out-podcast-48-tropes-of-femininity-in-the-digital-battlecry/#comments</comments>
		
		<dc:creator><![CDATA[Milena]]></dc:creator>
		<pubDate>Thu, 19 Nov 2015 14:00:08 +0000</pubDate>
				<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[Games/Gaming]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[The Body]]></category>
		<category><![CDATA[Aaron Trammell]]></category>
		<category><![CDATA[affect]]></category>
		<category><![CDATA[Anita Sarkeesian]]></category>
		<category><![CDATA[battlecry]]></category>
		<category><![CDATA[bodies]]></category>
		<category><![CDATA[code studies]]></category>
		<category><![CDATA[Dragon Age]]></category>
		<category><![CDATA[game sound]]></category>
		<category><![CDATA[game studies]]></category>
		<category><![CDATA[games]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[media affects]]></category>
		<category><![CDATA[media effects]]></category>
		<category><![CDATA[Metroid]]></category>
		<category><![CDATA[Milena Droumeva]]></category>
		<category><![CDATA[repetition]]></category>
		<category><![CDATA[representation]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Tomb Raider]]></category>
		<category><![CDATA[tropes]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=16222</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Sound and Sexuality in Video Games SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week&#8217;s podcast questions how identity is coded into the battle cries shouted by characters in video games. By exploring the tools that sound studies provides to understand the various dynamics of identity, this podcast aims [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-16222-32" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/11/the-battle-cry-in-games.mp3?_=32" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/11/the-battle-cry-in-games.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/11/the-battle-cry-in-games.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/11/the-battle-cry-in-games.mp3"><strong>Sound and Sexuality in Video Games</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>This week&#8217;s podcast questions how identity is coded into the battle cries shouted by characters in video games. By exploring the tools that sound studies provides to understand the various dynamics of identity, this podcast aims to provoke a conversation about how identity is encoded within the design of games. The all too invisible intersection between sound, identity, and code reveals the ways that sound can help explain the interior logic of the games and other digital systems. Here, Milena Droumeva and Aaron Trammell discuss how femininity and sexuality have been coded within game sounds and consider the degree to which these repetitive and objectifying tropes can be resisted by players and designers alike.</p>
<p><span lang="EN-US"><strong><a href="https://soundstudiesblog.com/milena-droumeva/">Milena Droumeva</a></strong> is an Assistant Professor of Communication at Simon Fraser University specializing in mobile technologies, sound studies and multimodal ethnography, with a long-standing interest in game cultures. She has worked extensively in educational research on game-based learning, as well as in interaction design for responsive environments. Milena is a sound studies scholar, a multimodal ethnographer, and a soundwalking enthusiast, published widely in the areas of acoustic ecology, media and game studies, design and technology. </span>You can find her musings on sound and other material goodies at <a href="http://natuaural.com">http://natuaural.com</a>.</p>
<p><a href="https://soundstudiesblog.com/aaron-trammell/"><strong>Aaron Trammell</strong></a> is a Provost Postdoctoral Scholar for Faculty Diversity in Informatics and Digital Knowledge at the Annenberg School for Communication and Journalism at the University of Southern California. He earned his doctorate from the Rutgers University School of Communication and Information in 2015. Aaron’s research is focused on revealing historical connections between games, play, and the United States military-industrial complex. He is interested in how military ideologies become integrated into game design and how these perspectives are negotiated within the imaginations of players. He is the Co-Editor-in-Chief of the journal <em><a href="http://analoggamestudies.org">Analog Game Studies</a></em> and the Multimedia Editor of <em><a href="http://soundstudiesblog.com">Sounding Out!</a></em></p>
<p>&#8211;</p>
<p><em>Featured image borrowed from Geralt @Pixabay CC BY.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2014/05/29/12904/">Sounding Out! Podcast #29: Game Audio Notes I: Growing Sounds for Sim Cell</a> &#8211; Leonard J. Paul<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/08/27/sounding-out-podcast-46-immersion-and-synesthesia-in-role-playing-games/">Sounding Out! Podcast #45: Immersion and Synesthesia in Role-Playing Games</a> — Nick Mizer</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/03/25/surviellance-immersion-and-the-male-voice-in-bastion-and-the-stanley-parable/">Video Gaming and the Sonic Feedback of Surveillance</a> – Aaron Trammell</strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Sound and Sexuality in Video Games SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week’s podcast questions how identity is coded into the battle cries shouted by characters in video games. By exploring the tools that sound studies provides to understand the various dynamics of identity, this podcast aims […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Sound and Sexuality in Video Games SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week’s podcast questions how identity is coded into the battle cries shouted by characters in video games. By exploring the tools that sound studies provides to understand the various dynamics of identity, this podcast aims […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Sound and Sexuality in Video Games SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week&amp;#8217;s podcast questions how identity is coded into the battle cries shouted by characters in video games. By exploring the tools that sound studies provides to understand the various dynamics of identity, this podcast aims [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #48: Languages of Exile</title>
		<link>https://soundstudiesblog.com/2015/11/02/languages-of-exile/</link>
					<comments>https://soundstudiesblog.com/2015/11/02/languages-of-exile/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Mon, 02 Nov 2015 14:00:53 +0000</pubDate>
				<category><![CDATA[Curation]]></category>
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		<category><![CDATA[Aisha Arnaout]]></category>
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		<category><![CDATA[France]]></category>
		<category><![CDATA[Ghada Al-Samman]]></category>
		<category><![CDATA[Hala Mohamed]]></category>
		<category><![CDATA[Languages of Exile]]></category>
		<category><![CDATA[Lebanon]]></category>
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		<category><![CDATA[Mona Fayad]]></category>
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		<category><![CDATA[Saniyya Saleh]]></category>
		<category><![CDATA[sound installation]]></category>
		<category><![CDATA[Syria]]></category>
		<category><![CDATA[Syrian poetry]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=16152</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Languages of Exile SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Factual Dispersion, Poetic Compression With words stepping backwards from the wave of news coverage, attempting to retrace a moment or point in time, to go back where things began, to the innocuous genesis of a single deliberate [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-16152-33" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/11/languages-of-exile.mp3?_=33" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/11/languages-of-exile.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/11/languages-of-exile.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/11/languages-of-exile.mp3"><strong>Languages of Exile</strong></a></p>
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<h3>Factual Dispersion, Poetic Compression</h3>
<p>With words stepping backwards from the wave of news coverage, attempting to retrace a moment or point in time, to go back where things began, to the innocuous genesis of a single deliberate decision, the resentment or, in some camps, the war crime, within the continuous ebb and flow.  The stepping back breaks up the habit of our clear factual articulation – a clear factual articulation that, in its fact, becomes ignorable as it satisfies the need for fact and its pincer click of tiny precision.  This articulation now carries other words, carries them forward from the reversal of the day’s date stamped so firmly and authoritatively on the facts, as if justification itself.</p>
<p>
<a href='https://soundstudiesblog.com/2015/11/02/languages-of-exile/salome_voegelin-2/'><img width="300" height="254" src="https://soundstudiesblog.com/wp-content/uploads/2015/10/salome_voegelin-e1446212006299.jpg?w=300" class="attachment-medium size-medium" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2015/10/salome_voegelin-e1446212006299.jpg?w=300 300w, https://soundstudiesblog.com/wp-content/uploads/2015/10/salome_voegelin-e1446212006299.jpg?w=600 600w, https://soundstudiesblog.com/wp-content/uploads/2015/10/salome_voegelin-e1446212006299.jpg?w=150 150w" sizes="(max-width: 300px) 100vw, 300px" data-attachment-id="16156" data-permalink="https://soundstudiesblog.com/2015/11/02/languages-of-exile/salome_voegelin-2/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2015/10/salome_voegelin-e1446212006299.jpg" data-orig-size="2711,2296" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;4.9&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;23.1&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="salome_voegelin" data-image-description="" data-image-caption="&lt;p&gt;Salomé Voegelin&lt;/p&gt;
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<a href='https://soundstudiesblog.com/2015/11/02/languages-of-exile/david_mollin/'><img width="300" height="225" src="https://soundstudiesblog.com/wp-content/uploads/2015/10/david_mollin.jpg?w=300" class="attachment-medium size-medium" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2015/10/david_mollin.jpg?w=300 300w, https://soundstudiesblog.com/wp-content/uploads/2015/10/david_mollin.jpg?w=600 600w, https://soundstudiesblog.com/wp-content/uploads/2015/10/david_mollin.jpg?w=150 150w" sizes="(max-width: 300px) 100vw, 300px" data-attachment-id="16155" data-permalink="https://soundstudiesblog.com/2015/11/02/languages-of-exile/david_mollin/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2015/10/david_mollin.jpg" data-orig-size="3072,2304" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon DIGITAL IXUS 700&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1395591671&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;7.7&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="david_mollin" data-image-description="" data-image-caption="&lt;p&gt;David Mollin&lt;/p&gt;
" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2015/10/david_mollin.jpg?w=519" /></a>
</p>
<p>Stepping backwards and moving forwards with the words of Syrian poets, women whose poems are oddly and noticeably not dated in the books recovered in translation from the British Library, despite the original words being imminently intelligible within the contemporary language of the particular place from where they were written – whether that be Syria, France, Lebanon or elsewhere. The necessary compression of meaning within each sentence of this poetry is in turn counterpointed against the fact of legal journalistic accuracy and its subsequent dispersal, its general thinning out, particularly in the face of reported death.</p>
<p><strong>Poets:</strong></p>
<p><a href="https://sites.google.com/site/monafayadassociateprofessor/">Mona Fayad</a></p>
<p><a href="http://www.aljazeera.com/programmes/artscape/2012/08/201282711412941304.html">Hala Mohamed</a></p>
<p><a href="http://www.banipal.co.uk/contributors/222/Maram%20al-Massri%20(al-Masri)/">Maram al-Masri</a></p>
<p><a href="http://dungtientran3.blogspot.com/2009/10/saniyya-saleh.html">Saniyya Saleh</a></p>
<p><a href="http://www.wordswithoutborders.org/article/a-scream-has-no-alphabet-an-interview-with-aicha-arnaout">Aisha Arnaout</a></p>
<p><a href="https://en.wikipedia.org/wiki/Ghada_al-Samman">Ghada Al-Samman</a></p>
<p><a href="http://www.poetryfoundation.org/bio/salwa-al-neimi">Salwa Al-Neimi</a></p>
<p>&nbsp;</p>
<p><strong>Artists</strong></p>
<p><a href="http://www.davidmollin.net">David Mollin</a></p>
<p><a href="http://salomevoegelin.net/public_html/salomevoegelin.net/Home.html">Salomé Voegelin</a></p>
<p>&#8212;</p>
<p><em>All images supplied by the artists</em></p>
<p>&#8212;</p>
<p><em><a href="http://www.davidmollin.net">David Mollin</a>’s work is concerned with ideas of contingency within the professionalized contemporary art world, and in particular with the effect of power consolidation and commodification and those elements of the work that disappear as a result of such a process. This has led to an increasing interest in the use of writing as a process of materialization of an artwork that fails to materialize. Mollin has co-founded with Matthew Arnatt the project</em> 100 Reviews <em>(Alberta Press and Greengrassi Gallery) and, with John Reardon, he co-edited</em> ch-ch-ch-changes: Artists talk about teaching <em>(Ridinghouse, 2009). Mollin works collaboratively on text-based sound work with Salomé Voegelin. </em></p>
<p><em><a href="http://salomevoegelin.net/public_html/salomevoegelin.net/Home.html">Salomé Voegelin</a> is an artist and writer engaged in listening and hearing as a socio-political practice. She is the author of</em> Sonic Possible Worlds: Hearing the Continuum of Sound, <em>Bloomsbury, NY, 2014 and</em> Listening to Noise and Silence: Towards a Philosophy of Sound Art, <em>Continuum, NY, 2010. While her solo work focuses on the small and slight, unseen performances and moments that almost fail to happen, her collaborative work, with David Mollin, has a more conceptual basis, establishing through words and sounds conversations and reconfigurations of relationships and realities. <a href="http://www.salomevoegelin.net" rel="nofollow">http://www.salomevoegelin.net</a></em></p>
<p><em>Follow their collaboration at: <a href="https://twitter.com/mollinvoegelin">https://twitter.com/mollinvoegelin</a></em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=109&amp;h=120" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:<br />
<strong><a href="https://soundstudiesblog.com/2015/04/13/detritus/">detritus 1 &amp; 2 and V.F(i)n_1&amp;2 : The Sounds and Images of Postnational Violence in Mexico</a> – Luz Maria Sánchez</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/04/27/sounding-out-podcast-41-sound-art-as-public-art/" rel="bookmark">Sounding Out! Podcast #41: Sound Art as Public Art</a>&#8211;Salomé Voegelin</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/07/18/world-listening-day-2015-mendi-keith-obadikes-blues-speaker-for-james-baldwin-2015-wld2015/" rel="bookmark">World Listening Day 2015: Mendi + Keith Obadike’s “Blues Speaker [for James Baldwin]” (2015) #WLD2015</a></strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Languages of Exile SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Factual Dispersion, Poetic Compression With words stepping backwards from the wave of news coverage, attempting to retrace a moment or point in time, to go back where things began, to the innocuous genesis of a single deliberate […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Languages of Exile SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Factual Dispersion, Poetic Compression With words stepping backwards from the wave of news coverage, attempting to retrace a moment or point in time, to go back where things began, to the innocuous genesis of a single deliberate […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Languages of Exile SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Factual Dispersion, Poetic Compression With words stepping backwards from the wave of news coverage, attempting to retrace a moment or point in time, to go back where things began, to the innocuous genesis of a single deliberate [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #47: Finding the Lost Sounds of Kaibah</title>
		<link>https://soundstudiesblog.com/2015/10/29/sounding-out-podcast-47/</link>
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		<pubDate>Thu, 29 Oct 2015 13:00:09 +0000</pubDate>
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		<category><![CDATA[Kaibah]]></category>
		<category><![CDATA[Kay Bennet]]></category>
		<category><![CDATA[lost sounds]]></category>
		<category><![CDATA[Marcella Ernest]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[Rachael Nez]]></category>
		<category><![CDATA[records]]></category>
		<category><![CDATA[resistance]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=16141</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Finding the Lost Sounds of Kaibah SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In the early 1960s Native American women had few opportunities and rights as citizens. During this politically charged era, a young Navajo woman, Kay Bennett, or &#8220;Kaibah&#8221;, defied those restrictions by recording and releasing [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-16141-34" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/10/finding-the-lost-sounds-of-kaibah.mp3?_=34" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/10/finding-the-lost-sounds-of-kaibah.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/10/finding-the-lost-sounds-of-kaibah.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/10/finding-the-lost-sounds-of-kaibah.mp3"><strong>Finding the Lost Sounds of Kaibah</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>In the early 1960s Native American women had few opportunities and rights as citizens. During this politically charged era, a young Navajo woman, Kay Bennett, or &#8220;Kaibah&#8221;, defied those restrictions by recording and releasing her own albums. Almost fifty years later, we present this conversation with Rachael Nez, a Navajo scholar and filmmaker, whose research explores “Songs from the Navajo Nation” through Kaibah&#8217;s records. Kaibah self-published her own albums until she was signed by Canyon records, wrote and published her own books, and traveled the world performing Navajo music everywhere from the Middle East to Europe. Rachael looks at how Kaibah&#8217;s music acts as a site for the circulation of Indigenous knowledge, oral history, and resistance.</p>
<p>In this podcast Marcella Ernest speaks with Rachael about the scarcity of materials relating to Kaibah&#8217;s history. Although there is no archive of her work, and no coherent trace of her story in one site, she explains how we can piece together a story of Kaibah based on her albums and songs. This dialogue considers the ways in which Indigenous erasure can be recuperated through sound. The project of finding the lost sounds of Kaibah is a fascinating story of how sound can be used to reconstitute indigeneous identity. What social and cultural norms conspire to obfuscate a Navajo woman of such prestige and talent? Finding the lost sounds of Kaibah is a conversation about (re)searching to find a lost sound.</p>
<p>&#8211;</p>
<p><em><strong><a href="https://soundstudiesblog.com/marcella-ernest/">Marcella Ernest</a></strong> is a Native American (Ojibwe) interdisciplinary video artist and scholar. Her work combines electronic media with sound design with film and photography in a variety of formats; using multi-media installations incorporating large-scale projections and experimental film aesthetics. Currently living in California, Marcella is completing an interdisciplinary Ph.D. in American Studies at the University of New Mexico. Drawing upon a Critical Indigenous Studies framework to explore how “Indianness” and Indigenity are represented in studies of American and Indigenous visual and popular culture, her primary research is an engagement with contemporary Native art to understand how members of colonized groups use a re-mix of experimental video and sound design as a means for cultural and political expressions of resistance.</em></p>
<p><a href="http://www.marcellakwe.com/">www.marcellakwe.com</a></p>
<p>&#8211;</p>
<p><em>Featured image is used with permission by the author.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2013/12/26/sounding-out-podcast-24-the-raitt-street-chronicles/">Sounding Out! Podcast #24: The Raitt Street Chronicles: A Survivor&#8217;s History</a> &#8211; Sharon Sekhon and Manuel &#8220;Manny&#8221; Escamilla<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/08/29/sounding-out-podcast-20-the-sound-of-rios-favelas-echoes-of-social-inequality-in-an-olympic-city/">Sounding Out! Podcast #20: The Sound of Rio’s Favelas: Echoes of Social Inequality in an Olympic City</a>— Andrea Medrado</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/02/19/the-tribal-drum-of-radio-gathering-together-the-archive-of-american-indian-radio/" rel="bookmark">The “Tribal Drum” of Radio: Gathering Together the Archive of American Indian Radio</a>–Josh Garrett Davis</strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Finding the Lost Sounds of Kaibah SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In the early 1960s Native American women had few opportunities and rights as citizens. During this politically charged era, a young Navajo woman, Kay Bennett, or “Kaibah”, defied those restrictions by recording and releasing […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Finding the Lost Sounds of Kaibah SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In the early 1960s Native American women had few opportunities and rights as citizens. During this politically charged era, a young Navajo woman, Kay Bennett, or “Kaibah”, defied those restrictions by recording and releasing […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Finding the Lost Sounds of Kaibah SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In the early 1960s Native American women had few opportunities and rights as citizens. During this politically charged era, a young Navajo woman, Kay Bennett, or &amp;#8220;Kaibah&amp;#8221;, defied those restrictions by recording and releasing [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #46: Ruptures in the Soundscape of Disneyland</title>
		<link>https://soundstudiesblog.com/2015/09/24/sounding-out-podcast-47-ruptures-in-the-soundscape-of-disneyland/</link>
					<comments>https://soundstudiesblog.com/2015/09/24/sounding-out-podcast-47-ruptures-in-the-soundscape-of-disneyland/#comments</comments>
		
		<dc:creator><![CDATA[Cynthia Wang]]></dc:creator>
		<pubDate>Thu, 24 Sep 2015 13:00:09 +0000</pubDate>
				<category><![CDATA[Field Recording]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Race]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA[Soundwalk]]></category>
		<category><![CDATA[Aaron Trammell]]></category>
		<category><![CDATA[animatronics]]></category>
		<category><![CDATA[consumer space]]></category>
		<category><![CDATA[Consumption]]></category>
		<category><![CDATA[cultural studies]]></category>
		<category><![CDATA[Cynthia Wang]]></category>
		<category><![CDATA[Disneyland]]></category>
		<category><![CDATA[disturbance]]></category>
		<category><![CDATA[exotic]]></category>
		<category><![CDATA[Haunted Mansion]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[invisibility]]></category>
		<category><![CDATA[orientalism]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[rupture]]></category>
		<category><![CDATA[simulation]]></category>
		<category><![CDATA[singing birds]]></category>
		<category><![CDATA[singing flowers]]></category>
		<category><![CDATA[Soundscape]]></category>
		<category><![CDATA[soundwalk]]></category>
		<category><![CDATA[Tiki Room]]></category>
		<category><![CDATA[whiteness]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=15938</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Ruptures in the Soundscape of Disneyland SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In this podcast, Cynthia Wang shares examples taken from a soundwalk she performed at Disneyland. Disneyland has been an idealized space for the middle-class white American experience, and the aural signals and music used [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-15938-35" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/09/cynthia-disney-podcast.mp3?_=35" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/09/cynthia-disney-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/09/cynthia-disney-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/09/cynthia-disney-podcast.mp3"><strong>Ruptures in the Soundscape of Disneyland</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>In this podcast, Cynthia Wang shares examples taken from a soundwalk she performed at Disneyland. Disneyland has been an idealized space for the middle-class white American experience, and the aural signals and music used throughout the park encourage visitors to become cultural tourists and to share in this mindset. Here Cynthia considers the moments of rupture that disturb Disney&#8217;s controlled soundscape. Join us as we listen for a pathway out of the hyper-consumerist labyrinth of Disney. And, if you would like to learn more about this soundwalk, visit it&#8217;s website <a href="https://sites.google.com/site/soundsofdisneyland/">here</a>.</p>
<p><iframe loading="lazy" class="youtube-player" width="519" height="292" src="https://www.youtube.com/embed/fhApjPASb64?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en&#038;autohide=2&#038;wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe></p>
<p>&#8211;</p>
<p><strong><a href="https://soundstudiesblog.com/cynthia-wang/">Cynthia Wang</a></strong> is currently a PhD candidate at the Annenberg School of Communication at USC, a USC Endowed Fellow, and a USC Diploma in Innovation grant recipient (<a href="http://www.globaltraqs.com">for an LGBTQ stories mapping project called GlobaltraQs</a>). Her work is framed in critical cultural perspectives. In the past she has done research on how Asian American musicians use digital media to build community and collaborate, and how crowdfunding sites like <em>Kickstarter</em> and <em>Indiegogo</em> provide new avenues of creative production and distribution for independent artists. Her current research seeks to bring health care into this conversation of power, examining how health professionals manage and organize their time throughout the day, using practitioner-facing methods to identify where institutional systems and processes break down through a lens of time and temporality. In particular, she is interested in how communication technologies impact the organization of time and social relations within the health care system while enacting and/or reinforcing hegemonic power dynamics. In addition to research and academic stuffs, Cynthia is also a singer-songwriter, and just released her EP album (Find it on <a href="http://itunes.apple.com/us/album/cynthia-wang-ep/id1031744362">iTunes</a>, <a href="http://www.amazon.com/Cynthia-Wang-EP/dp/B014BU4014/">Amazon</a>, or wherever else you get your music).</p>
<p>&#8211;</p>
<p><em>Featured image &#8220;Toontown Sound Makers&#8221; by Ryutaro Koma @Flickr CC BY-NC. </em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2012/12/03/park-sound-a-kansas-city-soundwalk-for-fall/">Park Sounds: A Kansas City Soundwalk for the Fall</a> &#8211; Liana Silva<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/06/25/sounding-out-podcast-44-listening-to-americas-malls/">Sounding Out! Podcast #43: Retail Sounds and the Ambience of Commerce </a></strong><strong>&#8211; James Hodges</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/02/10/soundwalking-through-smithfield-square-in-dublin/">Sound(Walking) Through Smithfield Square in Dublin</a> &#8211; Linda O Keeffe</strong></p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">15938</post-id><itunes:author>Cynthia Wang</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Ruptures in the Soundscape of Disneyland SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In this podcast, Cynthia Wang shares examples taken from a soundwalk she performed at Disneyland. Disneyland has been an idealized space for the middle-class white American experience, and the aural signals and music used […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Ruptures in the Soundscape of Disneyland SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In this podcast, Cynthia Wang shares examples taken from a soundwalk she performed at Disneyland. Disneyland has been an idealized space for the middle-class white American experience, and the aural signals and music used […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Ruptures in the Soundscape of Disneyland SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In this podcast, Cynthia Wang shares examples taken from a soundwalk she performed at Disneyland. Disneyland has been an idealized space for the middle-class white American experience, and the aural signals and music used [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #45: Immersion and Synesthesia in Role-Playing Games</title>
		<link>https://soundstudiesblog.com/2015/08/27/sounding-out-podcast-46-immersion-and-synesthesia-in-role-playing-games/</link>
					<comments>https://soundstudiesblog.com/2015/08/27/sounding-out-podcast-46-immersion-and-synesthesia-in-role-playing-games/#comments</comments>
		
		<dc:creator><![CDATA[Nick Mizer]]></dc:creator>
		<pubDate>Thu, 27 Aug 2015 13:00:10 +0000</pubDate>
				<category><![CDATA[Games/Gaming]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Play]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[chronomancy]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[dream]]></category>
		<category><![CDATA[Dungeons & Dragons]]></category>
		<category><![CDATA[embodiment]]></category>
		<category><![CDATA[everyday life]]></category>
		<category><![CDATA[experience]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[game studies]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[immersion]]></category>
		<category><![CDATA[Liz Larken]]></category>
		<category><![CDATA[Nick Mizer]]></category>
		<category><![CDATA[physicality]]></category>
		<category><![CDATA[role playing]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Synesthesia]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=15816</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Immersion and Synesthesia in Role-Playing Games SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In tabletop role-playing games like Dungeons &#38; Dragons players collaboratively and improvisationally create and explore imagined worlds primarily constructed through speech. In this episode Nicholas Mizer explores what it means to bring those imagined worlds into [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-15816-36" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/08/synesthesia-and-immersion-podcast.mp3?_=36" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/08/synesthesia-and-immersion-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/08/synesthesia-and-immersion-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/08/synesthesia-and-immersion-podcast.mp3"><strong>Immersion and Synesthesia in Role-Playing Games</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>In tabletop role-playing games like <i>Dungeons &amp; Dragons</i> players collaboratively and improvisationally create and explore imagined worlds primarily constructed through speech. In this episode Nicholas Mizer explores what it means to bring those imagined worlds into the shared space of play. Through interviews and recordings of games sessions with a dungeonmaster names Liz Larsen, he explores the importance of what Liz calls &#8220;color, song, and choice diction,&#8221; for kidnapping this reality with the imagined one. This podcast investigates the often sonic and synesthetic methods needed for conjuring these fantastic realities.</p>
<p>&#8211;</p>
<p><strong><a href="https://soundstudiesblog.com/nick-mizer/">Nicholas Mizer</a></strong> is an anthropology PhD candidate at Texas A&amp;M University.Besides role-playing games his research interests include folklore, mythology, ritual, phenomenology, interpretive anthropology, performance studies, and geek culture.  His dissertation explores how players of tabletop role-playing games collaboratively experience imagined worlds. He is an editor for <em><a href="http://www.thegeekanthropologist.com/" target="_blank">The Geek Anthropologist</a></em> and produces<em> <a href="https://www.youtube.com/playlist?list=PLGK5yCuKwDuoE8eBdKbyv1yBCD2pgRE5d" target="_blank">Spot Check</a></em>, a Youtube series about his research on gaming.</p>
<p>&#8211;</p>
<p><em>Featured image &#8220;Map of Nabonidus IV&#8221; by Liz Larken. Used with permission by the author.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/tag/nordic-larp/">Experiments in Aural Resistance: Nordic Role-Playing, Community, and Sound</a> &#8211; Aaron Trammell<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2012/01/19/sounding-out-podcast-episode-5-sound-and-spirit-on-the-highway/">Sounding Out! Podcast #5: Sound and Spirit on the Highway</a> </strong><strong>&#8211; David B. Greenberg</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2015/03/16/so-amplifies-mega-ran-and-sammus-the-rappers-with-arm-cannons-tour/">SO! Amplifies: Mega Ran and Sammus, The Rappers With Arm Cannons Tour </a>&#8211; Enongo Lumumba-Kasongo</strong></p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">15816</post-id><itunes:author>Nick Mizer</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Immersion and Synesthesia in Role-Playing Games SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In tabletop role-playing games like Dungeons &amp; Dragons players collaboratively and improvisationally create and explore imagined worlds primarily constructed through speech. In this episode Nicholas Mizer explores what it means to bring those imagined worlds into […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Immersion and Synesthesia in Role-Playing Games SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In tabletop role-playing games like Dungeons &amp; Dragons players collaboratively and improvisationally create and explore imagined worlds primarily constructed through speech. In this episode Nicholas Mizer explores what it means to bring those imagined worlds into […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Immersion and Synesthesia in Role-Playing Games SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST In tabletop role-playing games like Dungeons &amp;#38; Dragons players collaboratively and improvisationally create and explore imagined worlds primarily constructed through speech. In this episode Nicholas Mizer explores what it means to bring those imagined worlds into [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #44: Keep on Pushing!</title>
		<link>https://soundstudiesblog.com/2015/07/27/sounding-out-podcast-45-keep-on-pushin/</link>
					<comments>https://soundstudiesblog.com/2015/07/27/sounding-out-podcast-45-keep-on-pushin/#comments</comments>
		
		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Mon, 27 Jul 2015 12:59:04 +0000</pubDate>
				<category><![CDATA[Blog-O-Versary]]></category>
		<category><![CDATA[Mixtapes]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Aaron Trammell]]></category>
		<category><![CDATA[AFG]]></category>
		<category><![CDATA[Alabama Shakes]]></category>
		<category><![CDATA[Alyxandra Vesey]]></category>
		<category><![CDATA[Arrested Development]]></category>
		<category><![CDATA[Art Blake]]></category>
		<category><![CDATA[Bgcolour]]></category>
		<category><![CDATA[Black Steel]]></category>
		<category><![CDATA[Boris Dlugosch]]></category>
		<category><![CDATA[Brian Hanrahan]]></category>
		<category><![CDATA[Cityscape Dreams]]></category>
		<category><![CDATA[Delayed Drone]]></category>
		<category><![CDATA[Do I love you/indeed I do]]></category>
		<category><![CDATA[Dunes]]></category>
		<category><![CDATA[Everyday People]]></category>
		<category><![CDATA[Frank Wilson]]></category>
		<category><![CDATA[Jennifer Stoever]]></category>
		<category><![CDATA[Josh Shepperd]]></category>
		<category><![CDATA[Keep Pushin]]></category>
		<category><![CDATA[Keep Reaching' Up]]></category>
		<category><![CDATA[Kristin Leigh Moriah]]></category>
		<category><![CDATA[Kyle Stedman]]></category>
		<category><![CDATA[Liana Silva]]></category>
		<category><![CDATA[Look Around]]></category>
		<category><![CDATA[Luis-Manuel Garcia]]></category>
		<category><![CDATA[Neil Verma]]></category>
		<category><![CDATA[Never]]></category>
		<category><![CDATA[Nicole Willis and the Should Investigators]]></category>
		<category><![CDATA[Nina Simone]]></category>
		<category><![CDATA[Odon]]></category>
		<category><![CDATA[People Get Ready]]></category>
		<category><![CDATA[Physics]]></category>
		<category><![CDATA[Power Ups]]></category>
		<category><![CDATA[Primus Luta]]></category>
		<category><![CDATA[Regina Bradley]]></category>
		<category><![CDATA[Sabrepulse]]></category>
		<category><![CDATA[Salome Vogelin]]></category>
		<category><![CDATA[Sammus]]></category>
		<category><![CDATA[Sounding Out!]]></category>
		<category><![CDATA[Stuart Fokes]]></category>
		<category><![CDATA[The Impressions]]></category>
		<category><![CDATA[The Slits]]></category>
		<category><![CDATA[The Style Council]]></category>
		<category><![CDATA[Tricky]]></category>
		<category><![CDATA[tUnE yArDs]]></category>
		<category><![CDATA[Typical Girls]]></category>
		<category><![CDATA[Walls Come Tumbling Down]]></category>
		<category><![CDATA[Will Stabile]]></category>
		<category><![CDATA[Work Song]]></category>
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					<description><![CDATA[CLICK HERE TO DOWNLOAD: Keep on Pushing! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Keep On Pushing! The Style Council, &#8220;Walls Come Tumbling Down&#8221;—Aaron Trammell Tricky, “Black Steel”—Brían Hanrahan Alabama Shakes, “Dunes&#8221;—Liana Silva INSTRUMENTAL #1: Physics, &#8220;Delayed Drone&#8221;—Stuart Fowkes Boris Dlugosch, &#8220;Keep Pushin&#8221; (Original Club Mix)—Luis-Manuel Garcia [&#8230;]]]></description>
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<p><strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2015/07/keep-on-pushin-blog-mix-61.mp3">Keep on Pushing! Mix</a></strong></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p><em>Keep On Pushing!</em></p>
<p>The Style Council, &#8220;Walls Come Tumbling Down&#8221;—Aaron Trammell<br />
Tricky, “Black Steel”—Brían Hanrahan<br />
Alabama Shakes, “Dunes&#8221;—Liana Silva<br />
INSTRUMENTAL #1: Physics, &#8220;Delayed Drone&#8221;—Stuart Fowkes<br />
Boris Dlugosch, &#8220;Keep Pushin&#8221; (Original Club Mix)—Luis-Manuel Garcia<br />
Nicole Willis and the Soul Investigators, “Keep Reaching’ Up”—Will Stabile<br />
The Slits, &#8220;Typical Girls”—Art Blake<br />
INSTRUMENTAL #2: AGF, “Bgcolour”—Salomé Voegelin<br />
Nina Simone, &#8220;Work Song”—Neil Verma<br />
Frank Wilson, &#8220;Do I love you/indeed I do&#8221;—Josh Shepperd<br />
INSTRUMENTAL #3: Odon, &#8220;Never”—Primus Luta<br />
tUnE-yArDs,  &#8220;Look Around&#8221;—Alyxandra Vesey<br />
Sammus, “Power Ups”—Jennifer Stoever<br />
INSTRUMENTAL #4: Sabrepulse, “Cityscape Dreams.”—Kyle Stedman<br />
The Impressions, &#8220;People Get Ready&#8221; —Regina Bradley<br />
Arrested Development, “Everyday People”—Kristin Leigh Moriah</p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">15678</post-id><itunes:author>Aaron Trammell</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Keep on Pushing! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Keep On Pushing! The Style Council, “Walls Come Tumbling Down”—Aaron Trammell Tricky, “Black Steel”—Brían Hanrahan Alabama Shakes, “Dunes”—Liana Silva INSTRUMENTAL #1: Physics, “Delayed Drone”—Stuart Fowkes Boris Dlugosch, “Keep Pushin” (Original Club Mix)—Luis-Manuel Garcia […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Keep on Pushing! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Keep On Pushing! The Style Council, “Walls Come Tumbling Down”—Aaron Trammell Tricky, “Black Steel”—Brían Hanrahan Alabama Shakes, “Dunes”—Liana Silva INSTRUMENTAL #1: Physics, “Delayed Drone”—Stuart Fowkes Boris Dlugosch, “Keep Pushin” (Original Club Mix)—Luis-Manuel Garcia […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Keep on Pushing! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Keep On Pushing! The Style Council, &amp;#8220;Walls Come Tumbling Down&amp;#8221;—Aaron Trammell Tricky, “Black Steel”—Brían Hanrahan Alabama Shakes, “Dunes&amp;#8221;—Liana Silva INSTRUMENTAL #1: Physics, &amp;#8220;Delayed Drone&amp;#8221;—Stuart Fowkes Boris Dlugosch, &amp;#8220;Keep Pushin&amp;#8221; (Original Club Mix)—Luis-Manuel Garcia [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #43: Retail Soundscapes and the Ambience of Commerce</title>
		<link>https://soundstudiesblog.com/2015/06/25/sounding-out-podcast-44-listening-to-americas-malls/</link>
					<comments>https://soundstudiesblog.com/2015/06/25/sounding-out-podcast-44-listening-to-americas-malls/#comments</comments>
		
		<dc:creator><![CDATA[James Hodges]]></dc:creator>
		<pubDate>Thu, 25 Jun 2015 13:00:00 +0000</pubDate>
				<category><![CDATA[Cultural Studies]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Noise]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA[Soundwalk]]></category>
		<category><![CDATA[suburban space]]></category>
		<category><![CDATA[ambience]]></category>
		<category><![CDATA[Brian Eno]]></category>
		<category><![CDATA[commerce]]></category>
		<category><![CDATA[Dover Street Market]]></category>
		<category><![CDATA[Dunkin Donuts]]></category>
		<category><![CDATA[James Hodges]]></category>
		<category><![CDATA[Jonathan Sterne]]></category>
		<category><![CDATA[Menlo Park Mall]]></category>
		<category><![CDATA[New Jersey]]></category>
		<category><![CDATA[Parsonage Road Target]]></category>
		<category><![CDATA[retail stores]]></category>
		<category><![CDATA[Soundscape]]></category>
		<category><![CDATA[Wal-Mart]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=15452</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Retail Soundscapes and the Ambience of Commerce SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST What is the ambient sound of commerce? Equally reviled and revered, the programmed soundscapes of retail space combine wonderful serendipity with quotidian blandness. This podcast examines field recordings from luxury megastores, suburban fast [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://soundstudiesblog.com/2015/06/25/sounding-out-podcast-44-listening-to-americas-malls/#gallery-15452-1-slideshow">Click to view slideshow.</a></p>
<p><audio class="wp-audio-shortcode" id="audio-15452-38" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/06/retail-soundscapes-and-the-ambience-of-commerce.mp3?_=38" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/06/retail-soundscapes-and-the-ambience-of-commerce.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/06/retail-soundscapes-and-the-ambience-of-commerce.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/06/retail-soundscapes-and-the-ambience-of-commerce.mp3"><strong>Retail Soundscapes and the Ambience of Commerce</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>What is the ambient sound of commerce? Equally reviled and revered, the programmed soundscapes of retail space combine wonderful serendipity with quotidian blandness. This podcast examines field recordings from luxury megastores, suburban fast food joints, and everything in between. As it turns out, the corporate ambience of chain-store retail isn&#8217;t so far away from the high-brow ambitions of ambient music. Ambience is whatever surrounds us, and it&#8217;s embroiled within the same kinds of aesthetic, political, and economic struggles that have been recognized in architecture for centuries.</p>
<p>While a long line of thinkers have identified the links between retail and modernity, surprisingly few have addressed the phenomena in auditory terms. Following up on Jonathan Sterne&#8217;s 1997 inquiry regarding environmental music in the Mall of America, this podcast examines new developments in ambient sound that have accompanied the rise of e-commerce and the decline of brick-and-mortar stores. Segmentation of markets, nostalgia for the past, and the early history of recording are all addressed, as we take a listening trip through consumer culture.</p>
<div>The podcast presents highlights from field recordings from retail stores, accompanied by voice-over narration. Field recordings were captured with a Zoom H4n handy recorder, at Menlo Park Mall in Edison, NJ, Dover Street Market New York, Parsonage Road Target in Edison, NJ, Wal-Mart Route 27 in Edison, NJ, and Dunkin Donuts Route 27 in Edison, NJ. Also includes excerpts from Brian Eno&#8217;s &#8220;Ambient 1: Music for Airports&#8221; (1978) and Disconscious&#8217; &#8220;Hologram Plaza&#8221; (2013).</div>
<p>&#8211;</p>
<p><em><a href="https://soundstudiesblog.com/james-hodges/"><strong>James Hodges</strong></a> is a PhD student in media studies at Rutgers University. His research focuses on the relationship between promotional culture and media preservation. James is the cofounder of a media archaeology working group at Rutgers, and he runs a small cassette label for fun.</em></p>
<p>&#8211;</p>
<p><em>Featured image by Nicholas Eckhart @Flickr CC BY.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2012/04/19/sounding-out-podcast-episode-6-spaces-of-listening-the-record-shop/">Sounding Out! Podcast #6: Spaces of Listening / The Record Shop</a> &#8211; Aaron Trammell<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/07/18/sounding-out-podcast-mini-series-18-listening-to-the-tuned-city-of-brussels-day-3-ephemeral-atmospheres/">Sounding Out! Podcast #18: Listening to the Tuned City Brussels , Day 3: &#8220;Ephemeral Atmospheres&#8221;</a></strong><strong>&#8211; Felicity Ford and Valeria Merlini</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/04/24/sounding-out-podcast-28-off-the-60/">Sounding Out! Podcast #28: Off the 60: A Mix-Tape Dedication to Los Angeles</a> &#8211; Jennifer Stoever</strong></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">15452</post-id><itunes:author>James Hodges</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Retail Soundscapes and the Ambience of Commerce SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST What is the ambient sound of commerce? Equally reviled and revered, the programmed soundscapes of retail space combine wonderful serendipity with quotidian blandness. This podcast examines field recordings from luxury megastores, suburban fast […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Retail Soundscapes and the Ambience of Commerce SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST What is the ambient sound of commerce? Equally reviled and revered, the programmed soundscapes of retail space combine wonderful serendipity with quotidian blandness. This podcast examines field recordings from luxury megastores, suburban fast […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Retail Soundscapes and the Ambience of Commerce SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST What is the ambient sound of commerce? Equally reviled and revered, the programmed soundscapes of retail space combine wonderful serendipity with quotidian blandness. This podcast examines field recordings from luxury megastores, suburban fast [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #42: Listening in on Noisy Ghost ‘Our Madonnas Our Nobodies’</title>
		<link>https://soundstudiesblog.com/2015/05/28/sounding-out-podcast-42-listening-in-on-the-noisy-ghost-our-madonnas-our-nobodies/</link>
					<comments>https://soundstudiesblog.com/2015/05/28/sounding-out-podcast-42-listening-in-on-the-noisy-ghost-our-madonnas-our-nobodies/#respond</comments>
		
		<dc:creator><![CDATA[Eleanor Russell, PhD]]></dc:creator>
		<pubDate>Thu, 28 May 2015 13:00:40 +0000</pubDate>
				<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Memory]]></category>
		<category><![CDATA[Nostalgia]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Theory/criticism]]></category>
		<category><![CDATA[1980s]]></category>
		<category><![CDATA[André Callot]]></category>
		<category><![CDATA[collective memories]]></category>
		<category><![CDATA[Eleanor Russel]]></category>
		<category><![CDATA[Madonna]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Noisy Ghost]]></category>
		<category><![CDATA[nostalgia]]></category>
		<category><![CDATA[remediation]]></category>
		<category><![CDATA[remix]]></category>
		<category><![CDATA[sonic memory]]></category>
		<category><![CDATA[urban space]]></category>
		<category><![CDATA[Urban studies]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=15367</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Listening in on Noisy Ghost &#8216;Our Madonnas Our Nobodies&#8217; SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week, Sounding Out! is happy to share a podcast on nostalgia, performance, and sound. Please join host, Eleanor Russell (Northwestern University), as she guides us through through the popular sounds of the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-15367-39" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/05/our-friends-our-nobodies.mp3?_=39" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/05/our-friends-our-nobodies.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/05/our-friends-our-nobodies.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/05/our-friends-our-nobodies.mp3"><strong>Listening in on Noisy Ghost &#8216;Our Madonnas Our Nobodies&#8217;</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>This week, <em>Sounding Out! </em>is happy to share a podcast on nostalgia, performance, and sound. Please join host, Eleanor Russell (Northwestern University), as she guides us through through the popular sounds of the 1980s and compares her sonically-mediated memories to the lived perspectives of her co-hosts André Callot (Independent Artist) and Eric Wenzel (Roosevelt University). How do we remember urban space through sonic media, and is their a potential to queer our memories of the decade by revisiting our shared media ouvré? No matter where you stand on the issue, we recommend that if you enjoyed this week&#8217;s podcast you listen in on Eleanor&#8217;s other work exploring performance and sound at <a href="http://www.noisyghost.com/"><em>Noisy Ghost</em></a>.</p>
<p>&#8211;</p>
<p>Podcast host <strong>Eleanor Russell</strong> is a Ph.D student at Northwestern University in the Interdisciplinary Program in Theatre and Drama. Her research interests include sound studies, women&#8217;s stand-up and performance art, and feminist epistemologies and phenomenologies. She is affiliated with the Critical Theory Cluster at Northwestern. MA in Theatre History and Criticism from Brooklyn College, BA Religious Studies from Grinnell College.</p>
<p>&#8211;</p>
<p><em>Featured image by Domriel @Flickr CC BY-NC.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2014/08/28/sounding-out-podcast-33-sonia-lis-whale/">Podcast #34: Sonia Li&#8217;s &#8220;Whale&#8221;</a> &#8211; Sonia Li<br />
</strong></p>
<p><a href="https://soundstudiesblog.com/2015/05/25/so-amplifies-cities-and-memory/"><strong>SO! Amplifies: Cities and Memory</strong></a><strong>&#8211; Stuart Fowkes</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/05/22/learning-to-listen-to-once-lost-lps-the-velvet-underground-in-a-not-so-private-soundscape/">Learning to Listen: The Velvet Underground&#8217;s &#8220;Once Lost&#8221; LPs</a> &#8211; Tim J. Anderson</strong></p>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Listening in on Noisy Ghost ‘Our Madonnas Our Nobodies’ SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week, Sounding Out! is happy to share a podcast on nostalgia, performance, and sound. Please join host, Eleanor Russell (Northwestern University), as she guides us through through the popular sounds of the […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Listening in on Noisy Ghost ‘Our Madonnas Our Nobodies’ SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week, Sounding Out! is happy to share a podcast on nostalgia, performance, and sound. Please join host, Eleanor Russell (Northwestern University), as she guides us through through the popular sounds of the […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Listening in on Noisy Ghost &amp;#8216;Our Madonnas Our Nobodies&amp;#8217; SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This week, Sounding Out! is happy to share a podcast on nostalgia, performance, and sound. Please join host, Eleanor Russell (Northwestern University), as she guides us through through the popular sounds of the [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #41: Sound Art as Public Art</title>
		<link>https://soundstudiesblog.com/2015/04/27/sounding-out-podcast-41-sound-art-as-public-art/</link>
					<comments>https://soundstudiesblog.com/2015/04/27/sounding-out-podcast-41-sound-art-as-public-art/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Mon, 27 Apr 2015 13:00:55 +0000</pubDate>
				<category><![CDATA[Acts of Sonic Intervention]]></category>
		<category><![CDATA[methodology]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Public Debate]]></category>
		<category><![CDATA[Sound Art]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Theory/criticism]]></category>
		<category><![CDATA[civic sound]]></category>
		<category><![CDATA[Clare Gasson]]></category>
		<category><![CDATA[Eisuke Yanagisawa]]></category>
		<category><![CDATA[Heidegger]]></category>
		<category><![CDATA[Henri Lefebvre]]></category>
		<category><![CDATA[Jeremy Deller]]></category>
		<category><![CDATA[Lawrence Abu Hamden]]></category>
		<category><![CDATA[Maurice Merleau-Ponty]]></category>
		<category><![CDATA[ontology]]></category>
		<category><![CDATA[Partick Farmer]]></category>
		<category><![CDATA[resistance]]></category>
		<category><![CDATA[Salome Voegelin]]></category>
		<category><![CDATA[Sarah Jackson]]></category>
		<category><![CDATA[Simon Steen-Anderson]]></category>
		<category><![CDATA[Sol leWitt]]></category>
		<category><![CDATA[sonic intervention]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=15141</guid>

					<description><![CDATA[This April forum, Acts of Sonic Intervention, explores what we over here at Sounding Out! are calling &#8220;Sound Studies 2.0&#8221;&#8211;the movement of the field beyond the initial excitement for and indexing of sound toward new applications and challenges to the status quo. Today Salomé Voegelin, treats us to a multimedia re-sonification of the keynote she gave at 2014&#8217;s Invisible Places, Sounding Cities conference in [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" data-attachment-id="14963" data-permalink="https://soundstudiesblog.com/2015/04/06/14961/actsofsonicintervention/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2015/04/actsofsonicintervention.gif" data-orig-size="470,470" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="ActsofSonicIntervention" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2015/04/actsofsonicintervention.gif?w=470" class="alignleft size-thumbnail wp-image-14963" src="https://soundstudiesblog.com/wp-content/uploads/2015/04/actsofsonicintervention.gif?w=150" alt="ActsofSonicIntervention" width="150" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2015/04/actsofsonicintervention.gif?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2015/04/actsofsonicintervention.gif?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" />This April forum,<a href="https://soundstudiesblog.com/category/acts-of-sonic-intervention/"><strong> Acts of Sonic Intervention</strong></a>, explores what we over here at <em>Sounding Out!</em> are calling &#8220;Sound Studies 2.0&#8221;&#8211;the movement of the field beyond the initial excitement for and indexing of sound toward new applications and challenges to the status quo.</p>
<p>Today <a href="http://salomevoegelin.net/public_html/salomevoegelin.net/About.html"><strong>Salomé Voegelin</strong></a><strong>, </strong>treats us to a multimedia re-sonification of the keynote she gave at 2014&#8217;s <a href="http://invisibleplaces.org/invisibleplaces.html#k02">Invisible Places, Sounding Cities conference</a> in Viseu, Portugal, &#8220;Sound Art as Public Art,&#8221; which revivified the idea of the &#8220;civic&#8221; as a social responsibility enacted through sound and listening. Available for download here as a podcast is an audio recording of the keynote as well as a transcription of its accompanying score. In this final entry of the series, Vogelin shares her insight about how sound can act as intervention, disruption, and resistance.</p>
<p><strong>&#8211;AT, Multimedia Editor</strong></p>
<p><audio class="wp-audio-shortcode" id="audio-15141-40" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/04/keynote-talk-podcast.mp3?_=40" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/04/keynote-talk-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/04/keynote-talk-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/04/keynote-talk-podcast.mp3"><strong>Sound Art as Public Art</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>&#8211;</p>
<p><strong> Sound Art as Public Art </strong><br />
<em>Performance Score</em><br />
Salomé Voegelin</p>
<p><strong>Sit down on a chair</strong></p>
<p><strong>Read</strong>: Listening to Noise and Silence: Towards a Philosophy of Sound Art, pp126-127, line 5 to line 5</p>
<p><strong>Play</strong>: Clare Gasson, Thought and Hand 53”</p>
<p><em>Get up, walk a square around your location, singing each side of the square at a different pitch – step back into the middle of the space and grunt loudly.</em></p>
<p><strong>Stand</strong></p>
<p><strong>Read</strong>: Sol leWitt The Location of a Circle, 1974</p>
<p><strong>Sit</strong></p>
<p><strong>Read</strong>: Listening to Noise and Silence: Towards a Philosophy of Sound Art pp130-131, line 20 to line 3, 3rd word</p>
<p><strong>Stand</strong></p>
<p><strong>Read</strong>: endnoted text [see endnotes below], alternating between life and pre-recorded voice.</p>
<p><strong>Sit</strong></p>
<p><strong>Read</strong>: Sonic Possible Worlds, Hearing the Continuum of Sound, pp49-50, line 1 to line 12</p>
<p><strong>Read</strong>: Maurice Merleau-Ponty, Nature from Course notes from the Collège de France pp68-69, line 32 to line 17, 7<sup>th</sup> word</p>
<p><strong>Stand</strong></p>
<p><strong>Read</strong>: from <a href="http://soundwords.tumblr.com/post/47527855442/the-water-jet">soundwords.tumblr.com: The waterjet</a>, April 09, 2013, 09:39am</p>
<p><strong>Read</strong>: Patrick Farmer Try I Bark from ‘fire turns its back to me…’ to ‘ i have no desire too name’</p>
<p><strong>Sit</strong></p>
<p><strong>Play</strong>: The Red Hook High School Cheerleaders by Jeremy Deller, 2 min excerpt</p>
<p><strong>Stand</strong></p>
<p><strong>Read</strong>: Sarah Jackson Silent Running from her collection of poems Pelt</p>
<p><strong>Sit</strong></p>
<p><strong>Play</strong>: Lawrence Abu Hamdan, Marches 2008, Track 2, 3 min excerpt</p>
<p><strong>Read</strong>: Henri Lefebvre, Rhythmanalysis, pp19-21, line 8 to line 6 (with a slight edit), and p55, line 17 to line 31</p>
<p><strong>Play</strong>: Simon-Steen Anderson Pretty Sound (Up and Down) for priano, from LP Pretty Sound, 3 min excerpt</p>
<p><strong>Read</strong>: Listening to the Stars from Noch (What Matters Now? What can’t you hear?)</p>
<p><strong>Read</strong>: Sonic Possible Worlds pp157-158, line 1 to line 34</p>
<p><strong>Play</strong>: Eisuke Yanagisawa Ultrasonicscapes track 10 streetlight 2, 3 min excerpt.</p>
<p><strong>Read</strong>: Sonic Possible Worlds pp165-166, line 29-4 + p166-167, line 40 line 6 word 6 and pp 168-169, line 33 to line 2, and p174, line 18 to line 34</p>
<p><strong>Stand</strong></p>
<p><strong>Read</strong>: credits while playing Salomé Voegelin: exactly 3 minutes</p>
<p><em>Endnotes</em></p>
<p><strong>Life voice [lv]</strong>: This is a performance of my sonic possibilities in a public context.</p>
<p><strong>Recorded voice [rv]</strong>: Sounds invisible mobility makes accessible, thinkabe and sensible, different and pluralized notions of publicness.</p>
<p><strong>lv</strong>: My public performance invites you to consider your own public performance in this same context.</p>
<p><strong>rv</strong>: The sonic public is a participatory possibility, whose actuality is not a matter of truth and untruth, but of sonic fictions: personal narrations that realize the invisible and conjure the inaudible, rather than settle on what appears to be there visibly and audibly.</p>
<p><strong>lv</strong>: Together we make a civic performance – creating an ephemeral exchange of invisible things that reframe our visible form, relationship and organization.</p>
<p><strong>rv</strong>: Listening challenges the designation of private and public. It overhears their distinction and does not follow the functional architecture of place and civic purpose but proposes formless and invisible alternatives.</p>
<p><strong>lv</strong>: I am performing my private sonic life-world that meets yours in passing, at moments of coincidence, to create not one appreciable entirety, one actuality, but fragmented possibilities of what our shared space is, or could be.</p>
<p><strong>rv</strong>: Sound is not necessarily harmonious, nor definitively antagonistic, but generates the space of an agonistic play: no ideal objective guides or precedes the action that it is.</p>
<p><strong>lv</strong>: I sang a square and talked a circle.</p>
<p><strong>rv</strong>: The public is not a visual concept, a permanent institution and infrastructure, but a transitory practice.</p>
<p><strong>Iv</strong>: made room in the visible space for my invisible possibilities</p>
<p><strong>rv</strong>: Sound makes apparent the frames, edges and boundaries of what is considered the actual place, and implodes the singularity and permanence of that perception through an invisible duration.</p>
<p><strong>lv</strong>: I made an artistic space,<br />
I made a social space<br />
I made a political space<br />
They reveal the limits of actuality, produce possibilities, and hint at the possibility of impossibilities.</p>
<p>&#8211;</p>
<p><em><a href="http://salomevoegelin.net/public_html/salomevoegelin.net/About.html"><strong>Salomé Voegelin</strong></a> is a Swiss artist and writer engaged in listening as a socio-political practice of sound. She is the author of <span class="style_2">Listening to Noise and Silence: Towards a Philosophy of Sound Art</span> (Continuum, 2010) and Sonic Possible Worlds: Hearing the Continuum of Sound (Bloomsbury, 2014). She maintains the blog <a href="http://soundwords.tumblr.com">SoundWords</a>  and has curated the exhibition <a href="http://clickanywhere.crisap.org/%22%20%5Co%20%22clickanywhere.crisap.org">clickanywhere</a>, an online exhibition of spoken and written work. Voegelin is a Reader in Sound Arts at London College of Communication, UAL and has a PhD from Goldsmiths College, London University.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:<br />
<strong><a href="https://soundstudiesblog.com/2015/04/13/detritus/">detritus 1 &amp; 2 and V.F(i)n_1&amp;2 : The Sounds and Images of Postnational Violence in Mexico</a> &#8211; Luz Maria Sánchez</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/12/15/standing-up-for-jose/">Standing Up, for Jose</a> &#8211; Mandie O&#8217;Connell<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/11/28/sounding-out-podcast-22-war-of-the-worlds-revisited-part-1/">Sounding Out! Podcast #23: War of the Worlds Revisited</a> &#8211; Aaron Trammell</strong></p>
]]></content:encoded>
					
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			<slash:comments>4</slash:comments>
		
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<itunes:summary>This April forum, Acts of Sonic Intervention, explores what we over here at Sounding Out! are calling “Sound Studies 2.0”–the movement of the field beyond the initial excitement for and indexing of sound toward new applications and challenges to the status quo. Today Salomé Voegelin, treats us to a multimedia re-sonification of the keynote she gave at 2014’s Invisible Places, Sounding Cities conference in […]</itunes:summary>
<googleplay:description>This April forum, Acts of Sonic Intervention, explores what we over here at Sounding Out! are calling “Sound Studies 2.0”–the movement of the field beyond the initial excitement for and indexing of sound toward new applications and challenges to the status quo. Today Salomé Voegelin, treats us to a multimedia re-sonification of the keynote she gave at 2014’s Invisible Places, Sounding Cities conference in […]</googleplay:description>

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	<itunes:subtitle>This April forum, Acts of Sonic Intervention, explores what we over here at Sounding Out! are calling &amp;#8220;Sound Studies 2.0&amp;#8221;&amp;#8211;the movement of the field beyond the initial excitement for and indexing of sound toward new applications and challenges to the status quo. Today Salomé Voegelin, treats us to a multimedia re-sonification of the keynote she gave at 2014&amp;#8217;s Invisible Places, Sounding Cities conference in [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #40: Linguicide, Indigenous Community and the Search for Lost Sounds</title>
		<link>https://soundstudiesblog.com/2015/03/26/sounding-out-podcast-40-linguicide-indigenous-community-and-the-search-for-lost-sounds/</link>
					<comments>https://soundstudiesblog.com/2015/03/26/sounding-out-podcast-40-linguicide-indigenous-community-and-the-search-for-lost-sounds/#comments</comments>
		
		<dc:creator><![CDATA[guestlistener]]></dc:creator>
		<pubDate>Thu, 26 Mar 2015 13:00:47 +0000</pubDate>
				<category><![CDATA[Cultural Studies]]></category>
		<category><![CDATA[Diasporic Sound]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Indigenous Studies]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Spirituality]]></category>
		<category><![CDATA[The Body]]></category>
		<category><![CDATA[Voice]]></category>
		<category><![CDATA[Alaskan Native]]></category>
		<category><![CDATA[American Indian]]></category>
		<category><![CDATA[American Studies]]></category>
		<category><![CDATA[hearing]]></category>
		<category><![CDATA[indigenous community]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[linguicide]]></category>
		<category><![CDATA[lost sounds]]></category>
		<category><![CDATA[Marcella Ernest]]></category>
		<category><![CDATA[NoeNoe K. Silva]]></category>
		<category><![CDATA[orality]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[pre-contact language]]></category>
		<category><![CDATA[pronunciation]]></category>
		<category><![CDATA[spoken language]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=14917</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: Linguicide, Indigenous Communities and the Search for Lost Sounds SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast is an effort to understand the cultural practices which surround the recovery of &#8220;lost sounds.&#8221; These are early linguistic sounds that have been forgotten after years of [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-14917-41" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/03/marcella-ernest-podcast.mp3?_=41" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/03/marcella-ernest-podcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/03/marcella-ernest-podcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/03/marcella-ernest-podcast.mp3"><strong>Linguicide, Indigenous Communities and the Search for Lost Sounds</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>This podcast is an effort to understand the cultural practices which surround the recovery of &#8220;lost sounds.&#8221; These are early linguistic sounds that have been forgotten after years of cultural and martial violence toward indigenous communities in America.</p>
<p>From the very beginning of the invasion of the Americas that began in 1492, Eurocentric ideologies overwhelmingly failed to recognize the strengths of American Indian cultures. Evaluating Native people as “savage,” efforts to westernize the tribes alternated between genocide and acts of removal. Government supported education, amongst other things, became the primary means to accomplish the forced eradication of Indian language. The loss of language as a component of ongoing colonization is what Hawaiian scholar Noenoe K. Silva has called “linguicide.” The results of “linguicide,” as the suppression of indigenous languages and cultures in the United States, has been catastrophic for American Indian and Alaska Native peoples.</p>
<p>For Indigenous people, the spoken language is a cherished intellectual treasure. Each sound captures how we see the world. Native American languages are oral, but some of them have been written in the last three centuries. There are over two hundred different North American languages still spoken by peoples of the United States and Canada. That is, of the over three hundred pre-contact languages originally spoken, only two hundred languages still remain. Fortunately, Native communities are fighting hard to keep these languages alive through sustainability efforts and revitalization projects.</p>
<p>I wonder about the relationship between &#8220;lost sounds,&#8221; indigenous language, and personal experience. How did we come to lose the language in our own homes? How does this loss continue today? What is being done to “find lost sounds”? How are we, as Native people, searching for the sounds, and what does that process mean to us? The conversation in this podcast is not about the science of linguists, it is not about history or the methods of linguistic preservation. Instead, it is a conversation about the experience of listening and trying to hear how we once were.</p>
<p>&#8211;</p>
<p><em><a href="https://soundstudiesblog.com/marcella-ernest/%20‎"><strong>Marcella Ernest</strong></a> is a Native American (Ojibwe) interdisciplinary video artist and scholar. Her work combines electronic media with sound design with film and photography in a variety of formats; using multi-media installations incorporating large-scale projections and experimental film aesthetics. Currently living in California, Marcella is completing an interdisciplinary Ph.D. in American Studies at the University of New Mexico. Drawing upon a Critical Indigenous Studies framework to explore how “Indianness” and Indigenity are represented in studies of American and Indigenous visual and popular culture, her primary research is an engagement with contemporary Native art to understand how members of colonized groups use a re-mix of experimental video and sound design as a means for cultural and political expressions of resistance.</em></p>
<p><a href="http://www.marcellakwe.com/">www.marcellakwe.com</a></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2014/10/09/sounds-of-science-the-mystique-of-sonification/">Sounds of Science: The Mystique of Sonification</a> &#8211; Margaret Anne Schedel<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/04/10/radio-de-accion-radio-and-the-voice-of-the-aymara-people/">Radio and the Voice of the Aymara People</a> &#8211; Karl Swinehart<br />
</strong></p>
<p><a href="https://soundstudiesblog.com/2015/02/19/the-tribal-drum-of-radio-gathering-together-the-archive-of-american-indian-radio/"><strong>The &#8220;Tribal Drum&#8221; of Radio: Gathering Together the Archive of American indian Radio</strong></a><strong> &#8211; Josh Garrett-Davis</strong></p>
]]></content:encoded>
					
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<itunes:summary>CLICK HERE TO DOWNLOAD: Linguicide, Indigenous Communities and the Search for Lost Sounds SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast is an effort to understand the cultural practices which surround the recovery of “lost sounds.” These are early linguistic sounds that have been forgotten after years of […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Linguicide, Indigenous Communities and the Search for Lost Sounds SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast is an effort to understand the cultural practices which surround the recovery of “lost sounds.” These are early linguistic sounds that have been forgotten after years of […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Linguicide, Indigenous Communities and the Search for Lost Sounds SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This podcast is an effort to understand the cultural practices which surround the recovery of &amp;#8220;lost sounds.&amp;#8221; These are early linguistic sounds that have been forgotten after years of [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #39: Soundwalking New Brunswick, NJ and Davis, CA</title>
		<link>https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/</link>
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		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Thu, 26 Feb 2015 14:00:10 +0000</pubDate>
				<category><![CDATA[Acoustic Ecology]]></category>
		<category><![CDATA[Memory]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA[Soundwalk]]></category>
		<category><![CDATA[Aaron Trammell]]></category>
		<category><![CDATA[bodies]]></category>
		<category><![CDATA[California]]></category>
		<category><![CDATA[Davis]]></category>
		<category><![CDATA[epistemology]]></category>
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					<description><![CDATA[CLICK HERE TO DOWNLOAD: Soundwalking New Brunswick, NJ and Davis, CA SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This is a comparison of two soundwalks performed by SO! Multimedia Editor Aaron Trammell in two different cities&#8211;New Brunswick, NJ and Davis, CA. In this podcast Aaron listens to his [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>
<a href='https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/screen-shot-2015-02-25-at-12-09-03-pm/'><img width="150" height="109" src="https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-09-03-pm.png?w=150" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-09-03-pm.png?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-09-03-pm.png?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" data-attachment-id="14771" data-permalink="https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/screen-shot-2015-02-25-at-12-09-03-pm/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-09-03-pm.png" data-orig-size="1244,904" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Screen Shot 2015-02-25 at 12.09.03 PM" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-09-03-pm.png?w=519" /></a>
<a href='https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/screen-shot-2015-02-25-at-12-11-34-pm/'><img width="150" height="110" src="https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-11-34-pm.png?w=150" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-11-34-pm.png?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-11-34-pm.png?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" data-attachment-id="14772" data-permalink="https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/screen-shot-2015-02-25-at-12-11-34-pm/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-11-34-pm.png" data-orig-size="1258,924" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Screen Shot 2015-02-25 at 12.11.34 PM" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2015/02/screen-shot-2015-02-25-at-12-11-34-pm.png?w=519" /></a>
<a href='https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/img_0105/'><img width="150" height="113" src="https://soundstudiesblog.com/wp-content/uploads/2015/02/img_0105.jpg?w=150" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://soundstudiesblog.com/wp-content/uploads/2015/02/img_0105.jpg?w=150 150w, https://soundstudiesblog.com/wp-content/uploads/2015/02/img_0105.jpg?w=300 300w" sizes="(max-width: 150px) 100vw, 150px" data-attachment-id="14773" data-permalink="https://soundstudiesblog.com/2015/02/26/sounding-out-podcast-39-soundwalking-new-brunswick-nj-and-davis-ca/img_0105/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2015/02/img_0105.jpg" data-orig-size="3264,2448" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5c&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1424801718&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.12&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.0625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="IMG_0105" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2015/02/img_0105.jpg?w=519" /></a>
</p>
<p><audio class="wp-audio-shortcode" id="audio-14769-42" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/02/nb-davis-soundwalk.mp3?_=42" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/02/nb-davis-soundwalk.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/02/nb-davis-soundwalk.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/02/nb-davis-soundwalk.mp3"><strong>Soundwalking New Brunswick, NJ and Davis, CA</strong></a></p>
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<p>This is a comparison of two soundwalks performed by SO! Multimedia Editor Aaron Trammell in two different cities&#8211;New Brunswick, NJ and Davis, CA. In this podcast Aaron listens to his footsteps and considers the sonic interactions between individual and environment. Specifically, he considers how the artist must always contend with the degree to which they are audible in the soundwalks they record, thus marking a radical departure from visual modes of inquiry that render the research invisible. Let&#8217;s join Aaron as he walks us through two cities he loves.</p>
<p>&#8211;</p>
<p><strong><a href="https://soundstudiesblog.com/author/angbandking/">Aaron Trammell </a></strong>is co-founder and Multimedia Editor of Sounding Out! He is also a Media Studies PhD candidate at Rutgers University. His dissertation explores the fanzines and politics of underground wargame communities in Cold War America. You can learn more about his work at <a href="http://www.aarontrammell.com">aarontrammell.com.</a></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2012/12/03/park-sound-a-kansas-city-soundwalk-for-fall/">Park Sounds: A Kansas City Soundwalk for Fall</a> &#8211; Liana Silva<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/12/18/sounding-out-podcast-37/">Sounding Out! Podcast #37: The Edison Soundwalk</a> &#8211; Frank Bridges<br />
</strong></p>
<p><a href="https://soundstudiesblog.com/2014/10/30/sounding-out-podcast-36-anne-zeitzs-retention/"><strong>Sounding Out! Podcast #36: Ann Zeitz and David Boreau&#8217;s &#8220;Retention&#8221;</strong></a> <strong>&#8211; Ann Zeitz</strong></p>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">14769</post-id><itunes:author>Aaron Trammell</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: Soundwalking New Brunswick, NJ and Davis, CA SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This is a comparison of two soundwalks performed by SO! Multimedia Editor Aaron Trammell in two different cities–New Brunswick, NJ and Davis, CA. In this podcast Aaron listens to his […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: Soundwalking New Brunswick, NJ and Davis, CA SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This is a comparison of two soundwalks performed by SO! Multimedia Editor Aaron Trammell in two different cities–New Brunswick, NJ and Davis, CA. In this podcast Aaron listens to his […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: Soundwalking New Brunswick, NJ and Davis, CA SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST This is a comparison of two soundwalks performed by SO! Multimedia Editor Aaron Trammell in two different cities&amp;#8211;New Brunswick, NJ and Davis, CA. In this podcast Aaron listens to his [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #38: Radio Frequencies, Radio Forms LIVE</title>
		<link>https://soundstudiesblog.com/2015/01/29/sounding-out-podcast-38-radio-frequencies-radio-forms-live/</link>
					<comments>https://soundstudiesblog.com/2015/01/29/sounding-out-podcast-38-radio-frequencies-radio-forms-live/#comments</comments>
		
		<dc:creator><![CDATA[j.l. stoever]]></dc:creator>
		<pubDate>Thu, 29 Jan 2015 14:00:01 +0000</pubDate>
				<category><![CDATA[Aesthetics]]></category>
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		<guid isPermaLink="false">http://soundstudiesblog.com/?p=14637</guid>

					<description><![CDATA[. CLICK HERE TO DOWNLOAD: Radio Frequencies, Radio Forms LIVE SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Today’s podcast is an archival recording of “Radio Frequencies, Radio Forms LIVE,” a special program on WHRW, Binghamton University&#8217;s free-format radio station, broadcast on December 15, 2014 from 6:00-7:30.  Part original radio art broadcast and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>
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</p>
<p><audio class="wp-audio-shortcode" id="audio-14637-43" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2015/01/radio-podcast-mm-js.mp3?_=43" /><a href="https://soundstudiesblog.com/wp-content/uploads/2015/01/radio-podcast-mm-js.mp3">https://soundstudiesblog.com/wp-content/uploads/2015/01/radio-podcast-mm-js.mp3</a></audio></p>
<p><span style="color:#ffffff;"><strong>.</strong></span></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <a href="https://soundstudiesblog.com/wp-content/uploads/2015/01/radio-podcast-mm-js.mp3"><strong>Radio Frequencies, Radio Forms LIVE</strong></a></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>Today’s podcast is an archival recording of “Radio Frequencies, Radio Forms LIVE,” a special program on <a href="http://www.whrwfm.org/">WHRW, Binghamton University&#8217;s free-format radio station</a>, broadcast on December 15, 2014 from 6:00-7:30.  Part original radio art broadcast and part “Behind the Artists’ Studio” conversation, “Radio Frequencies” represents the culmination of a semester-long experimental collaboration between Professor Jennifer Stoever (BU English) and Filmmaker, Sound Artist and Professor Monteith McCollum (BU Cinema) and the students of their advanced transdisciplinary seminar “Resonant Frequencies: Exploring Radio Forms.&#8221;</p>
<p>Over the course of the Fall 2014 semester, students learned the fundamentals of recording and editing while discussing radio history, sound production, sound art history, and theories of sound and listening to copious (and diverse) radio pieces ranging from <a href="http://xroads.virginia.edu/~ug00/robertson/asm/front.html">Aimee Temple McPherson</a> sermons to <a href="https://archive.org/details/NormanCorwinWeHoldTheseTruthscombinedAmericanNetworks15December">Norman Corwin’s <em>We Hold These Truths</em></a>, the <em>Suspense</em> episode <a href="https://www.youtube.com/watch?v=1r5GZral6zs">“Sorry, Wrong Number”</a> to Delia Derbyshire’s <a href="https://www.youtube.com/watch?v=WCF_mHKBH3k">“The Dreams.” </a> McCollum and Stoever’s students were creative, interested, driven and exceptionally talented; two from the course, Tara Jackson and Aleks Rikterman, went on to have some of their semester’s work featured in the <a href="mailto:http://www.60x60.com/2014_Wave_Farm_Mix.htm">2014 Mix</a> for <a href="mailto:http://www.60x60.com/submission/">Wavefarm’s annual 60 X 60 competition</a>, the only two students alongside seasoned arts professionals, professors, radio producers, and Prix Italia Winners.</p>
<p>The WHRW broadcast features well-crafted recordings of the course’s capstone project—4 collaboratively developed original 8-10 minute radio pieces—alongside fascinating <strong>live</strong> discussions between Monteith, Jennifer, and their students about radio as medium, broadcast vs. performance aesthetics, the process of  recording, manipulating, and editing sounds, the students’ radio influences, the role of the listener, the value of radio’s past and their forecasts about its future. This podcast is a must listen for anyone interested in radio production and history, creative pedagogy, conversations about sound art, or just interesting and unexpected listening!</p>
<p>Credits:</p>
<ul>
<li><strong>“Amarilli,” </strong>a suspenseful radio drama scripted, performed, recorded, edited, and mixed by Maggie Leung, Hyucksang Sun, and Daniel Hong.</li>
<li><strong>“The Parlor City,”</strong> interwoven radio-verite stories about Binghamton, NY conceived, recorded, edited, and mixed by Yang Gao, Daniel Santos, and Ashley Verbert.</li>
<li><strong>“Untranslatable”</strong> an artistic sono-montage piece about language conceived, recorded, performed, edited, and mixed by Tara Jackson, Anna Li, and Michael Ederer.</li>
<li><strong>“Pura Vida: Solo Travel”</strong> a documentary interview montage conceived, recorded, scored, edited, and mixed by Aleksandr Rikterman and Garrett Bean.</li>
</ul>
<p><strong>Hosts and Executive Producers: </strong>Monteith McCollum and Jennifer Stoever<br />
<strong>Opening Interview: </strong>Daniel Santos<br />
<strong>WHRW Engineer:</strong> Tara Jackson<br />
<strong>WHRW Program Manager: </strong>Daniel Kadyrov</p>
<p><em>McCollum and Stoever&#8217;s course was made possible by a generous transdisciplinary team-teaching grant from the Provost’s Office at Binghamton University, with thanks to Provost Don Neiman and Don Loewen, Vice Provost for Undergraduate Education</em></p>
<p>&#8211;</p>
<p><em><strong><a href="https://soundstudiesblog.com/monteith-mccollum/">Monteith McCollum</a></strong>, Assistant Professor of Cinema at Binghamton University,<strong> </strong>is an inter-media artist working in film, sound, and sculpture. His films have screened at Festivals and Museums including The Museum of Modern Art, Hirshhorn, Wexner Center for the Arts and Festivals including SXSW, Slamdance, Hot Docs, Amsterdam &amp; Osnabruck European Media Arts Festival. His films have garnered dozens of festival awards including an IFP Truer than Fiction Spirit Award. You can learn more about his work at <a href="http://www.monteithmccollum.com/">monteithmcollum.com.</a></em></p>
<p><em><strong><a href="https://soundstudiesblog.com/jennifer-stoever/">Jennifer Stoever </a></strong>is co-founder and Editor-in-Chief of </em>Sounding Out!<em> She is also Associate Professor of English at Binghamton University and a recipient of the 2014 SUNY Chancellor’s Award in Teaching.</em></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2014/05/19/so-reads-chasing-sound-studies-a-review-of-susan-schmidt-hornings-chasing-sound/">SO! Reads: Susan Schmidt Horning&#8217;s Chasing Sound: Technology, Culture, and the Art of Studio Recording From Edison to the LP</a> &#8211; Enongo Lumumba-Kasongo<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/08/28/sounding-out-podcast-33-sonia-lis-whale/">Sounding Out! Podcast #34: Sonia Li&#8217;s &#8220;Whale&#8221; </a>&#8211; Sonia Li </strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/01/17/sounding-out-podcast-10-interview-with-theremin-guru-eric-ross/">Sounding Out! Podcast #10: Interview with Theremin Master Eric Ross</a> &#8211; Aaron Trammell</strong></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">14637</post-id><itunes:author>j.l. stoever</itunes:author>
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<itunes:summary>. CLICK HERE TO DOWNLOAD: Radio Frequencies, Radio Forms LIVE SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Today’s podcast is an archival recording of “Radio Frequencies, Radio Forms LIVE,” a special program on WHRW, Binghamton University’s free-format radio station, broadcast on December 15, 2014 from 6:00-7:30.  Part original radio art broadcast and […]</itunes:summary>
<googleplay:description>. CLICK HERE TO DOWNLOAD: Radio Frequencies, Radio Forms LIVE SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Today’s podcast is an archival recording of “Radio Frequencies, Radio Forms LIVE,” a special program on WHRW, Binghamton University’s free-format radio station, broadcast on December 15, 2014 from 6:00-7:30.  Part original radio art broadcast and […]</googleplay:description>

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	<itunes:subtitle>. CLICK HERE TO DOWNLOAD: Radio Frequencies, Radio Forms LIVE SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Today’s podcast is an archival recording of “Radio Frequencies, Radio Forms LIVE,” a special program on WHRW, Binghamton University&amp;#8217;s free-format radio station, broadcast on December 15, 2014 from 6:00-7:30.  Part original radio art broadcast and [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out! Podcast #37: The Edison Soundwalk</title>
		<link>https://soundstudiesblog.com/2014/12/18/sounding-out-podcast-37/</link>
					<comments>https://soundstudiesblog.com/2014/12/18/sounding-out-podcast-37/#comments</comments>
		
		<dc:creator><![CDATA[fbridges]]></dc:creator>
		<pubDate>Thu, 18 Dec 2014 14:00:28 +0000</pubDate>
				<category><![CDATA[Acoustic Ecology]]></category>
		<category><![CDATA[Curation]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Place and Space]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[birthplace of the modern world]]></category>
		<category><![CDATA[documentation]]></category>
		<category><![CDATA[Frank Bridges]]></category>
		<category><![CDATA[materiality]]></category>
		<category><![CDATA[New Jersey]]></category>
		<category><![CDATA[soundwalk]]></category>
		<category><![CDATA[Thomas Edison]]></category>
		<category><![CDATA[wizard of menlo park]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=14502</guid>

					<description><![CDATA[CLICK HERE TO DOWNLOAD: The Edison Soundwalk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Media Frank Bridges as he takes a soundwalk around the premises of the Thomas Edison Center in Menlo Park New Jersey. Bridges touches upon how the space tells a story of the dense [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://soundstudiesblog.com/2014/12/18/sounding-out-podcast-37/#gallery-14502-3-slideshow">Click to view slideshow.</a></p>
<p><audio class="wp-audio-shortcode" id="audio-14502-44" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2014/12/the-edison-soundwalk.mp3?_=44" /><a href="https://soundstudiesblog.com/wp-content/uploads/2014/12/the-edison-soundwalk.mp3">https://soundstudiesblog.com/wp-content/uploads/2014/12/the-edison-soundwalk.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2014/12/the-edison-soundwalk.mp3">The Edison Soundwalk</a></strong></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p>Join Media Frank Bridges as he takes a soundwalk around the premises of the <a href="http://www.menloparkmuseum.org/">Thomas Edison Center</a> in Menlo Park New Jersey. Bridges touches upon how the space tells a story of the dense contradictions witihin Edison&#8217;s work. He considers how the sounds of construction, museum tours, gramophones, ghosts, and more collect and collide in the history of the Thomas Edison Center.</p>
<div class="embed-vimeo"><iframe loading="lazy" title="Edison Museum: I&#039;m Sitting Pretty in a Pretty Little City" src="https://player.vimeo.com/video/114831577?dnt=1&amp;app_id=122963" width="519" height="292" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write"></iframe></div>
<p>&#8211;</p>
<p><span lang="EN-GB"><strong><a href="https://soundstudiesblog.com/frank-bridges/">Frank Bridges</a></strong> is a Doctoral Candidate at The Rutgers University School of Communication and Information. He is also a part-time lecturer, musician, and graphic designer. His research interests are the DIY and Internet-based production and distribution of music, and visual communication with a focus on semiotic analysis and street art.</span></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2014/05/19/so-reads-chasing-sound-studies-a-review-of-susan-schmidt-hornings-chasing-sound/">SO! Reads: Susan Schmidt Horning&#8217;s Chasing Sound: Technology, Culture, and the Art of Studio Recording From Edison to the LP</a> &#8211; Enongo Lumumba-Kasongo<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/08/28/sounding-out-podcast-33-sonia-lis-whale/">Sounding Out! Podcast #34: Sonia Li&#8217;s &#8220;Whale&#8221; </a>&#8211; Sonia Li </strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/01/17/sounding-out-podcast-10-interview-with-theremin-guru-eric-ross/">Sounding Out! Podcast #10: Interview with Theremin Master Eric Ross</a> &#8211; Aaron Trammell<br />
</strong></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">14502</post-id><itunes:author>fbridges</itunes:author>
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<itunes:summary>CLICK HERE TO DOWNLOAD: The Edison Soundwalk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Media Frank Bridges as he takes a soundwalk around the premises of the Thomas Edison Center in Menlo Park New Jersey. Bridges touches upon how the space tells a story of the dense […]</itunes:summary>
<googleplay:description>CLICK HERE TO DOWNLOAD: The Edison Soundwalk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Media Frank Bridges as he takes a soundwalk around the premises of the Thomas Edison Center in Menlo Park New Jersey. Bridges touches upon how the space tells a story of the dense […]</googleplay:description>

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	<itunes:subtitle>CLICK HERE TO DOWNLOAD: The Edison Soundwalk SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join Media Frank Bridges as he takes a soundwalk around the premises of the Thomas Edison Center in Menlo Park New Jersey. Bridges touches upon how the space tells a story of the dense [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
		<item>
		<title>Sounding Out Podcast #36: Anne Zeitz and David Boureau’s “Retention”</title>
		<link>https://soundstudiesblog.com/2014/10/30/sounding-out-podcast-36-anne-zeitzs-retention/</link>
					<comments>https://soundstudiesblog.com/2014/10/30/sounding-out-podcast-36-anne-zeitzs-retention/#comments</comments>
		
		<dc:creator><![CDATA[Aaron Trammell]]></dc:creator>
		<pubDate>Thu, 30 Oct 2014 13:00:00 +0000</pubDate>
				<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Digital Media]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Field Recording]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Sound and Surveillance]]></category>
		<category><![CDATA[Sound Art]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Soundscapes]]></category>
		<category><![CDATA[Theory/criticism]]></category>
		<category><![CDATA[airplane sounds]]></category>
		<category><![CDATA[Anne Zeitz]]></category>
		<category><![CDATA[Charles de Gualle]]></category>
		<category><![CDATA[David Boureau]]></category>
		<category><![CDATA[illegality]]></category>
		<category><![CDATA[Mesnil Amelot]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[retention]]></category>
		<category><![CDATA[sound and surveillance]]></category>
		<category><![CDATA[Soundscape]]></category>
		<category><![CDATA[waiting zones]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=14165</guid>

					<description><![CDATA[It’s an all too familiar movie trope. A bug hidden in a flower jar. A figure in shadows crouched listening at a door. The tape recording that no one knew existed, revealed at the most decisive of moments. Even the abrupt disconnection of a phone call manages to arouse the suspicion that we are never [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" data-attachment-id="13081" data-permalink="https://soundstudiesblog.com/cfp-sound-and-surveillance-71514/sound-and-surveilance4/" data-orig-file="https://soundstudiesblog.com/wp-content/uploads/2014/06/sound-and-surveilance4.jpg" data-orig-size="1239,1239" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="Sound and Surveilance4" data-image-description="" data-image-caption="" data-large-file="https://soundstudiesblog.com/wp-content/uploads/2014/06/sound-and-surveilance4.jpg?w=519" class="alignleft size-thumbnail wp-image-13081" src="https://soundstudiesblog.com/wp-content/uploads/2014/06/sound-and-surveilance4.jpg?w=300&amp;h=300" alt="Sound and Surveilance4" width="150" height="150" srcset="https://soundstudiesblog.com/wp-content/uploads/2014/06/sound-and-surveilance4.jpg?w=150&amp;h=150 150w, https://soundstudiesblog.com/wp-content/uploads/2014/06/sound-and-surveilance4.jpg?w=300&amp;h=300 300w" sizes="(max-width: 150px) 100vw, 150px" /></p>
<p>It’s an all too familiar movie trope. A bug hidden in a flower jar. A figure in shadows crouched listening at a door. The tape recording that no one knew existed, revealed at the most decisive of moments. Even the abrupt disconnection of a phone call manages to arouse the suspicion that we are never as alone as we may think. And although <span class="il">surveillance</span> derives its meaning the latin <i>“vigilare” </i>(to watch) and French <i>“sur-“</i> (over), its deep connotations of listening have all but obliterated that distinction.</p>
<p>In the final entry to our series on Sound and Surveillance, sound artist Anne Zeitz dissects the theory behind her installation <em>Retention</em>. What are the sounds of capture, and how do the sounds produced in and around spaces of capture affect our bodies? Listen in to find out. -AT</p>
<p>—</p>
<p><a href="https://soundstudiesblog.com/2014/10/30/sounding-out-podcast-36-anne-zeitzs-retention/#gallery-14165-5-slideshow">Click to view slideshow.</a></p>
<p><audio class="wp-audio-shortcode" id="audio-14165-45" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2014/10/retention-zeitz.mp3?_=45" /><a href="https://soundstudiesblog.com/wp-content/uploads/2014/10/retention-zeitz.mp3">https://soundstudiesblog.com/wp-content/uploads/2014/10/retention-zeitz.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2014/10/retention-zeitz.mp3">Anne Zeitz and David Boureau&#8217;s &#8220;Retention&#8221;</a></strong></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
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<p><span lang="EN-US">This podcast presents <i>Reten</i></span><i><span lang="EN-US">tion</span></i><span lang="EN-US">, a quadriphonic sound installation made with <a href="http://davidboureauphotographer.tumblr.com">David Boureau</a>. It considers the sounds of surveillance, detention and migration. <i>Retention</i> concentrates on the “soundscape” of the Mesnil Amelot 2+3 detention center for illegal immigrants situated to the North of Paris just beside the Charles de Gaulle airport. This center constitutes the largest complex for detaining “illegal immigrants” in France, with 240 places for individuals and families. Approximately 350 airplanes pass closely above the center over a 24 hours time span, creating intervals of very high sound levels that regularly drown out all other ambient sounds. <i>Retention</i> uses quadrophonic recording technology to capture and diffuse a live transmission of communication between pilots and the Charles de Gaulle control tower. The work also integrates recordings from inside the center made by communications via mobile phones. In the short intervals of silence (always implying sounds of some sort), the atmosphere seems suspended. This suspension is paradigmatic for the clash between the local and the global, between those who are trapped in a state of detention before being expulsed by the engines moving over their heads and those who circulate freely (nonetheless under surveillance) in our global society. <i>Retention </i>exhibits a changing sonic space in order to consider how “waiting zones” and processes of mobility meet.</span></p>
<p>&#8211;</p>
<p>Featured Image (c) Anne Zeitz and David Boureau, <i>Retention</i>, 2012.</p>
<p>&#8211;</p>
<p><span lang="EN-GB"><a href="https://soundstudiesblog.com/anne-zeitz/"><strong>Anne Zeitz</strong></a> is a researcher and artist working with photography, video, and sound media. Born in Berlin in 1980, she lives and works in Paris. Her research focuses on mechanisms of surveillance and mass media, theories of observation and attention, and practices of counter-observation in contemporary art. Her doctoral thesis (University Paris 8/ Esthétique, Sciences et Technologies des Arts, dissertation defence November 2014) is entitled <a href="http://www.ednm.fr/?page_id=1284"><i>(Counter-)observations, Relations of Observation and Surveillance in Contemporary Art, Literature and Cinema</i></a>. Anne Zeitz was responsible for organizing the project <i>Movement-Observation-Control </i>(2007/2008) for the Goethe-Institut Paris and collaborated on the exhibition and conference <i>Armed Response</i> (2008) at the Goethe-Institut Johannesburg. She is a former member of the <i>Observatoire des nouveaux médias </i>(Paris 8/Ensad) and of the research project <i>Média Médiums</i> (</span>Université Paris 8, ENSAPC, EnsadLAB, Archives Nationales, 2013/2014<span lang="EN-GB">). Her most recent research concentrates on the work of the American artist Max Neuhaus with the publication of <i>De Max-Feed a Radio Net</i> (2014), part of the <i>Média Médiums</i> book series. She is the artist of this year’s Urban Photo Fest and participated at the Urban Encounters / Tate Britain in October 2014.</span></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/author/profjstack/">Toward a Civically Engaged Sound Studies, or ReSounding Binghamton</a> &#8211; Jennifer Stoever<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2014/08/28/sounding-out-podcast-33-sonia-lis-whale/">Sounding Out! Podcast #34: Sonia Li&#8217;s &#8220;Whale&#8221;</a>-Sonia Li </strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/10/14/playing-with-bits-pieces-and-lightning-bolts-an-interview-with-sound-artist-andrea-parkins/">Playing with Bits, Pieces, and Lightning Bolts: An Interview with Sound Artist Andrea Parkins</a> &#8211; Maile Colbert<br />
</strong></p>
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<itunes:summary>It’s an all too familiar movie trope. A bug hidden in a flower jar. A figure in shadows crouched listening at a door. The tape recording that no one knew existed, revealed at the most decisive of moments. Even the abrupt disconnection of a phone call manages to arouse the suspicion that we are never […]</itunes:summary>
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		<title>Sounding Out! Podcast #35: Sonic Beyoncé Roundtable</title>
		<link>https://soundstudiesblog.com/2014/09/18/sounding-out-podcast-35-sonic-beyonce-roundtable/</link>
					<comments>https://soundstudiesblog.com/2014/09/18/sounding-out-podcast-35-sonic-beyonce-roundtable/#comments</comments>
		
		<dc:creator><![CDATA[Liana M. Silva]]></dc:creator>
		<pubDate>Thu, 18 Sep 2014 13:00:08 +0000</pubDate>
				<category><![CDATA[Black Studies]]></category>
		<category><![CDATA[Fandom/Fan Studies]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Music Videos]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Sonic Beyonce]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[Beyonce]]></category>
		<category><![CDATA[Beyonce class]]></category>
		<category><![CDATA[beyonce workout]]></category>
		<category><![CDATA[coolness]]></category>
		<category><![CDATA[Courtney Marshall]]></category>
		<category><![CDATA[discussion]]></category>
		<category><![CDATA[fan]]></category>
		<category><![CDATA[Kevin Allred]]></category>
		<category><![CDATA[Liana Silva-Ford]]></category>
		<category><![CDATA[Priscilla Pena Ovalle]]></category>
		<category><![CDATA[roundtable]]></category>
		<category><![CDATA[Rutgers University]]></category>
		<category><![CDATA[Sonice Beyoncè]]></category>
		<category><![CDATA[style]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=13867</guid>

					<description><![CDATA[. CLICK HERE TO DOWNLOAD: Roundtable on Sonic Beyoncé SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST . This September, Sounding Out! challenged a #flawless group of scholars and critics to give Beyoncé Knowles-Carter a close listen, re-examining the complex relationship between her audio and visuals and amplifying what goes unheard, even as her every move–whether [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-13867-46" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2014/09/sonic-beyonce-roundtable.mp3?_=46" /><a href="https://soundstudiesblog.com/wp-content/uploads/2014/09/sonic-beyonce-roundtable.mp3">https://soundstudiesblog.com/wp-content/uploads/2014/09/sonic-beyonce-roundtable.mp3</a></audio></p>
<p><span style="color:#ffffff;"><strong>.</strong></span></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2014/09/sonic-beyonce-roundtable.mp3">Roundtable on Sonic Beyoncé</a></strong></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p><span style="color:#ffffff;">.</span></p>
<p>This September, <em>Sounding Out! </em>challenged<i> </i>a #flawless group of scholars<em> </em>and critics to give Beyoncé Knowles-Carter a close listen, re-examining the complex relationship between her audio and visuals and amplifying what goes unheard, even as her every move–whether on MTV or in that damn elevator–faces intense scrutiny.   In addition to the <a href="https://soundstudiesblog.com/category/sonic-beyonce/">great posts we have scheduled every <span class="aBn"><span class="aQJ">Monday</span></span> the month of September</a>, please join us for today&#8217;s podcast as <em>Sounding Out!</em>&#8216;s Managing Editor Liana Silva-Ford ( Editor, <em><a href="http://wihe.com/">Women in Higher Education</a>) </em>hosts a roundtable discussion with series guest writers <a href="http://english.uoregon.edu/profile/povalle">Priscilla Peña Ovalle</a> (English, University of Oregon) and <a href="http://womens-studies.rutgers.edu/graduate-program/student-profiles/phd-students/399-2008-kevin-allred">Kevin Allred</a> (Women and Gender Studies, Rutgers) and special guest <a href="http://cola.unh.edu/faculty-member/courtney-marshall">Courtney Marshall</a> (English, University of New Hampshire).</p>
<p>Aside from fanning themselves over Queen Bey&#8217;s style, the five of them talk about what drew them to Bey&#8217;s work, Beyoncé&#8217;s feminism, her status as a pop icon, the interplay between the visual and aural aspects of her work,how students react when they know Beyoncé&#8217;s on the syllabus, and more (yes, you will find out what their favorite Bey tracks are)!</p>
<p>Driver, roll up the partition please, today we&#8217;re having an intimate discussion about all things <em>Sonic Beyoncé</em>!</p>
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<p>&#8212;</p>
<p><b>Managing Editor</b> <a href="https://soundstudiesblog.com/author/silvaphd/" target="_blank">Liana Silva-Ford</a> is a editor, writer, and independent scholar located in Houston, Texas. She is also the editor of the newsletter <a href="http://www.wihe.com/" target="_blank"><em>Women in Higher Education</em></a>. She obtained her PhD from the English department at SUNY Binghamton. Her dissertation, <em>Acts of Home-making</em>, is a study of how African-Americans and Puerto Ricans represent New York City as a home. She is also a regular contributor for the <em>Inside Higher Ed</em> blog <em><a href="http://www.insidehighered.com/blogs/university-venus" target="_blank">University of Venus</a>.</em>  In the past she worked as a Graduate Writing Specialist at the University of Kansas Writing Center and as a graduate writing instructor at the University of Texas Health Sciences Center. Liana is currently working on a book about postcards, stemming from her geeky obsession with quirky postcards. When she’s not talking about writing, tweeting, and thinking deep thoughts, she is busy defending pop culture on an intellectual level, recording her daughter’s latest babbles on her iPhone, listening to baseball on the radio, and asking people where “home” is. You can find out more about what Liana is up to at her website <a href="http://www.lianamsilvaford.com/">www.lianamsilvaford.com</a> or on Twitter: <a href="https://twitter.com/lianamsilvaford" target="_blank">@lianamsilvaford</a></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/2014/07/17/sounding-out-podcast-32/">Sounding Out! Podcast #32: The World Listening Update &#8211; 2014 Edition</a> &#8211; Eric Leonardson</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/12/26/sounding-out-podcast-24-the-raitt-street-chronicles/">Sounding Out! Podcast #24: The Raitt Street Chronicles: A Survivor&#8217;s History</a> &#8211; Manny Escamilla, Sharon Sekhon<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2011/04/29/sounding-out-podcast-episode-1-peter-dicola-at-river-read-books/">Sounding Out! Podcast #1: Peter DiCola at River Read Books</a> &#8211; Peter DiCola<br />
</strong></p>
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					<wfw:commentRss>https://soundstudiesblog.com/2014/09/18/sounding-out-podcast-35-sonic-beyonce-roundtable/feed/</wfw:commentRss>
			<slash:comments>5</slash:comments>
		
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<itunes:summary>. CLICK HERE TO DOWNLOAD: Roundtable on Sonic Beyoncé SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST . This September, Sounding Out! challenged a #flawless group of scholars and critics to give Beyoncé Knowles-Carter a close listen, re-examining the complex relationship between her audio and visuals and amplifying what goes unheard, even as her every move–whether […]</itunes:summary>
<googleplay:description>. CLICK HERE TO DOWNLOAD: Roundtable on Sonic Beyoncé SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST . This September, Sounding Out! challenged a #flawless group of scholars and critics to give Beyoncé Knowles-Carter a close listen, re-examining the complex relationship between her audio and visuals and amplifying what goes unheard, even as her every move–whether […]</googleplay:description>

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	<itunes:subtitle>. CLICK HERE TO DOWNLOAD: Roundtable on Sonic Beyoncé SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST . This September, Sounding Out! challenged a #flawless group of scholars and critics to give Beyoncé Knowles-Carter a close listen, re-examining the complex relationship between her audio and visuals and amplifying what goes unheard, even as her every move–whether [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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		<title>Sounding Out! Podcast #34: Sonia Li’s “Whale”</title>
		<link>https://soundstudiesblog.com/2014/08/28/sounding-out-podcast-33-sonia-lis-whale/</link>
					<comments>https://soundstudiesblog.com/2014/08/28/sounding-out-podcast-33-sonia-lis-whale/#comments</comments>
		
		<dc:creator><![CDATA[sonialidesigns]]></dc:creator>
		<pubDate>Thu, 28 Aug 2014 13:00:12 +0000</pubDate>
				<category><![CDATA[Animals/Animal Studies]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[sound studies]]></category>
		<category><![CDATA[The Body]]></category>
		<category><![CDATA[Voice]]></category>
		<category><![CDATA[animal studies]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[engineering]]></category>
		<category><![CDATA[Sonia Li]]></category>
		<category><![CDATA[Sound Art]]></category>
		<category><![CDATA[transduction]]></category>
		<category><![CDATA[Whale]]></category>
		<guid isPermaLink="false">http://soundstudiesblog.com/?p=13666</guid>

					<description><![CDATA[&#160; CLICK HERE TO DOWNLOAD: Sonia Li&#8217;s &#8220;Whale&#8221; SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Reflecting on Whale, an interactive, multichannel sound installation, this sound art piece documents how the installation came about. When designing Whale, Sonia Li used sound to communicate the often visceral emotions underlying her [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://soundstudiesblog.com/2014/08/28/sounding-out-podcast-33-sonia-lis-whale/#gallery-13666-7-slideshow">Click to view slideshow.</a></p>
<p>&nbsp;</p>
<p><audio class="wp-audio-shortcode" id="audio-13666-47" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://soundstudiesblog.com/wp-content/uploads/2014/08/whalesoundspodcast.mp3?_=47" /><a href="https://soundstudiesblog.com/wp-content/uploads/2014/08/whalesoundspodcast.mp3">https://soundstudiesblog.com/wp-content/uploads/2014/08/whalesoundspodcast.mp3</a></audio></p>
<p><strong>CLICK HERE TO DOWNLOAD</strong>: <strong><a href="https://soundstudiesblog.com/wp-content/uploads/2014/08/whalesoundspodcast.mp3">Sonia Li&#8217;s &#8220;Whale&#8221;</a></strong></p>
<p><strong>SUBSCRIBE TO THE SERIES VIA <a href="http://itunes.apple.com/us/podcast/sounding-out%21/id435193796">ITUNES</a></strong></p>
<p><strong>ADD OUR PODCASTS TO YOUR<a href="http://app.stitcher.com/browse/feed/35258/details"> STITCHER FAVORITES PLAYLIST</a></strong></p>
<p>Reflecting on <em>Whale</em>, an interactive, multichannel sound installation, this sound art piece documents how the installation came about. When designing <em>Whale</em>, Sonia Li used sound to communicate the often visceral emotions underlying her personal narrative.</p>
<p><em>Whale</em> creates an environment where one experiences oneself. By laying in darkness on a subsonic vibrating bed, users openly confess their thoughts and feelings into a sonic field, which then translates their words into correlating amplitudes of whale sounds. This process of transduction prompts listeners to consider how sound works to shape a perception of themselves as they hear a distant and alien rendering of their own voice. By experiencing <em>Whale</em> we can consider how sound challenges our physiological and psychological perceptions of self.</p>
<p><div class="embed-vimeo" style="text-align: center;"><iframe src="https://player.vimeo.com/video/81896971" width="519" height="292" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></div></p>
<p>&#8211;</p>
<p><a href="https://soundstudiesblog.com/sonia-li/">Sonia Li</a> is a Brooklyn based artist, designer, and creative technologist. She holds a Masters in Interactive Design from ITP/NYU, 2014, and a BFA in Interdisciplinary Sculpture/Papermaking from SUNY Purchase, 2005.</p>
<p>Sonia has performed with musicians, exhibited in various group shows, and has been featured on various websites such as Prosoundnetwork.com, <a href="http://create-hub.com" target="_blank">create-hub.com</a>, <a href="http://modcloth.com" target="_blank">modcloth.com</a> blog, and <a href="http://fashionista.com" target="_blank">fashionista.com</a>. She produced soundscapes for the Poison exhibition/iPad app at the American Museum of Natural History, worked in Art Direction for film, architectural lighting, and Art Studio Manager positions.</p>
<p>Sonia is currently working on designing private art storage facilities and personal projects. To find out more about her work, go to <a href="http://www.soniali.org/artandtech" target="_blank">www.soniali.org/artandtech</a></p>
<p>&#8212;</p>
<p><strong><em><img loading="lazy" class="alignleft" src="https://soundstudiesblog.com/wp-content/uploads/2011/06/tape-reel.jpg?w=136" alt="tape reel" width="109" height="120" />REWIND!</em> . . .</strong>If you liked this post, you may also dig:</p>
<p><strong><a href="https://soundstudiesblog.com/author/profjstack/">Toward a Civically Engaged Sound Studies, or ReSounding Binghamton</a> &#8211; Jennifer Stoever<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/09/26/sounding-out-podcast-21-jonathan-skinner-at-the-rutgers-university-cca/">Sounding Out! Podcast #21: Jonathan Skinner at the Rutgers University Center for Cultural Analysis</a> &#8211; Jonathan Skinner<br />
</strong></p>
<p><strong><a href="https://soundstudiesblog.com/2013/10/14/playing-with-bits-pieces-and-lightning-bolts-an-interview-with-sound-artist-andrea-parkins/">Playing with Bits, Pieces, and Lightning Bolts: An Interview with Sound Artist Andrea Parkins</a> &#8211; Maile Colbert<br />
</strong></p>
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<itunes:summary>  CLICK HERE TO DOWNLOAD: Sonia Li’s “Whale” SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Reflecting on Whale, an interactive, multichannel sound installation, this sound art piece documents how the installation came about. When designing Whale, Sonia Li used sound to communicate the often visceral emotions underlying her […]</itunes:summary>
<googleplay:description>  CLICK HERE TO DOWNLOAD: Sonia Li’s “Whale” SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Reflecting on Whale, an interactive, multichannel sound installation, this sound art piece documents how the installation came about. When designing Whale, Sonia Li used sound to communicate the often visceral emotions underlying her […]</googleplay:description>

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	<itunes:subtitle>&amp;#160; CLICK HERE TO DOWNLOAD: Sonia Li&amp;#8217;s &amp;#8220;Whale&amp;#8221; SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Reflecting on Whale, an interactive, multichannel sound installation, this sound art piece documents how the installation came about. When designing Whale, Sonia Li used sound to communicate the often visceral emotions underlying her [&amp;#8230;]</itunes:subtitle><itunes:keywords>sound,sound,studies,music,performance,voice,vinyl,noise</itunes:keywords></item>
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