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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:idx="urn:atom-extension:indexing" xmlns:gr="http://www.google.com/schemas/reader/atom/" xmlns:media="http://search.yahoo.com/mrss/" idx:index="no"><!--
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--><generator uri="http://www.google.com/reader">Google Reader</generator><id>tag:google.com,2005:reader/user/08540535938320656119/label/blog_stwallskull</id><title>"blog_stwallskull" via sstwalley in Google Reader</title><gr:continuation>CPCdkI33t50C</gr:continuation><author><name>sstwalley</name></author><updated>2009-11-04T02:45:49Z</updated><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/StwallskullsInterestingLinks" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="stwallskullsinterestinglinks" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><logo>http://stwallskull.com/blog/images/stwallskull.gif</logo><entry gr:crawl-timestamp-msec="1257302749410"><id gr:original-id="http://wfmu.org/playlists/shows/33518">tag:google.com,2005:reader/item/45c911387c138d43</id><title type="html">WFMU's Antique Phonograph Music Program from Nov 3, 2009</title><published>2009-11-04T02:39:56Z</published><updated>2009-11-04T02:39:56Z</updated><link rel="alternate" href="http://wfmu.org/playlists/shows/33518" type="text/html" /><link rel="enclosure" href="http://podcast.wfmu.org/kdb/mp3jump.mp3/0:4:53/0/AP/ap091103.mp3" type="audio/mpeg" length="68320405" /><summary xml:base="http://wfmu.org/playlists/AP" type="html">Antique Phonograph Music Program episode from 11/3/2009

| &lt;br&gt;&lt;a href="http://wfmu.org/playlists/shows/33518"&gt;Full playlist at http://wfmu.org/playlists/shows/33518&lt;/a&gt;&lt;br&gt;
The Virginians - "Blue"&lt;br&gt;
Esther Walker - "Blues"&lt;br&gt;
Leona Williams - "The Meanest Man in the World (Milady's Blues)"&lt;br&gt;
Sara Martin - "Achin' Hearted Blues"&lt;br&gt;
Chain Gang Blues - "George Williams"&lt;br&gt;
James Lent - "The Ragtime Drummer"&lt;br&gt;
Valentine Abt - "Angel's Serenade"&lt;br&gt;
Sam Moore &amp;amp; Horace Davis - &amp;quot;Laughing Rag&amp;quot;&lt;br&gt;
Vess Osman - "Down South"&lt;br&gt;
Shannon Quartet - "The Sidewalks Of New York"&lt;br&gt;
Premier Quartet - "My Little Lovin' Sugar Babe"&lt;br&gt;
Allen Cross - "Sheba"&lt;br&gt;
George O'Connor - "These Feet of Mine"&lt;br&gt;
Dolly Connolly - "Sweet Cider Time When You Were Mine"&lt;br&gt;
Sam Ash and Mixed Quintette - "My Lady of The Telephone"&lt;br&gt;
The Southern Negro Quartette - "I'll Be Good But I'll Be Lonesome"&lt;br&gt;
The Cotton Pickers - "Snakes' Hips"&lt;br&gt;
&lt;br&gt;
&lt;br&gt;</summary><author gr:unknown-author="true"><name>(author unknown)</name></author><source gr:stream-id="feed/http://wfmu.org/podcast/AP.xml"><id>tag:google.com,2005:reader/feed/http://wfmu.org/podcast/AP.xml</id><title type="html">WFMU&amp;#39;s Antique Phonograph Music Program</title><link rel="alternate" href="http://wfmu.org/playlists/AP" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1257269391570"><id gr:original-id="http://tcj.com/journalista/?p=1105">tag:google.com,2005:reader/item/5237bcb67d8c4ed0</id><category term="News Round-Up" /><title type="html">Nov. 3, 2009: The death of an innocent child</title><published>2009-11-03T16:40:26Z</published><updated>2009-11-03T16:40:26Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1105" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“I am taking your suggestion regarding Charlotte Braun and will eventually discard her. If she appears anymore it will be in strips that were already completed before I got your letter or because someone writes in saying that they like her. Remember, however, that you and your friends will have the death of an innocent child on your conscience. Are you prepared to accept such responsibility?”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://www.lettersofnote.com/2009/11/ax.html"&gt;Charles M. Schulz&lt;/a&gt;&lt;br&gt; (link trail: &lt;a href="http://www.comicsalliance.com/2009/11/02/charles-schulz-master-of-fan-relations-and-killing-a-peanuts/"&gt;Caleb Goellner&lt;/a&gt; ← &lt;a href="http://twitter.com/evandorkin/status/5368147138"&gt;Evan Dorkin&lt;/a&gt;)&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; A recent public appearance and gallery exhibition by Robert Crumb has &lt;a href="http://www.thecollegianur.com/2009/11/02/r-crumb-exhibit-and-speech-spark-controversy/"&gt;stirred up controversy&lt;/a&gt; at &lt;strike&gt;Virginia Commonwealth University&lt;/strike&gt; the University of Richmond:&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;Timothy Patterson, a Richmond College senior, cited a quote from Crumb’s speech in his response to The Collegian: “Every woman has a rape fantasy. Every man deep down… hates women.”&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;[...]&lt;/p&gt;
&lt;p&gt;Crumb, the founder of Underground Comix, has a reputation for producing controversial material. Crumb’s 1989 graphic novel, &lt;i&gt;My Troubles with Women&lt;/i&gt;, depicts autobiographical sexual encounters, sexual fantasies and family life.&lt;/p&gt;
&lt;p&gt;“[The] book features a number of appalling depictions, such as the raping of a little girl, forced oral sex with a woman chained to a desk, and a picture of Crumb sitting on top of a pile of drugged, raped women dressed as a king,” Patterson said.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://comicsworthreading.com/2009/11/02/r-crumb-w-francoise-mouly-in-richmond-va-october-27-2009-part-2-music-genesis-open-questions/"&gt;Ben Towle&lt;/a&gt; and &lt;a href="http://comicsworthreading.com/2009/11/02/eds-thoughts-on-the-crumbmouly-event/"&gt;Ed Sizemore&lt;/a&gt; have further coverage of the underground-comix legend’s recent appearance on-stage with Françoise Mouly.

&lt;p&gt;
&lt;li&gt; Cut off a limb and two shall take its place: According to &lt;a href="http://www.pcpro.co.uk/news/broadband/353011/pirate-bay-closure-sparked-file-sharing-boom"&gt;Stewart Mitchell&lt;/a&gt;, the closure of the Pirate Bay torrent-tracking site has led to a 300% increase in in sites providing access to copyrighted material.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://tech.slashdot.org/story/09/11/02/1821232/Pirate-Bay-Closure-Sparked-P2P-Explosion"&gt;&lt;i&gt;Slashdot&lt;/i&gt;&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Marvel executive Ira Rubenstein discusses the company’s recent decision to begin &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23535"&gt;selling digital comics on iTunes&lt;/a&gt; — an unsurprising move, given the &lt;a href="http://venturebeat.com/2009/11/01/flurry-says-books-surpass-game-releases-on-iphone-in-september/"&gt;surging book sales&lt;/a&gt; on that platform. From the sound of things, downloads of new comic books are still off-limits, at least for the moment.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Links via &lt;a href="http://robot6.comicbookresources.com/2009/11/slash-print-following-the-digital-evolution-27/"&gt;J.K. Parkin&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://nonsensicalwords.blogspot.com/2009/11/from-japan-with-foreboding.html"&gt;Michael Buntag&lt;/a&gt; connects a few dots related to the decline of manga in Japan.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; More about us, &lt;i&gt;us&lt;/i&gt;, &lt;b&gt;&lt;i&gt;us&lt;/i&gt;&lt;/b&gt;: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/11/groths-mouthpiece.html"&gt;Noah Berlatsky&lt;/a&gt; responds to Jeet Heer’s analysis of &lt;i&gt;The Comics Journal&lt;/i&gt;.&lt;/li&gt;


&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Consumer news]&lt;/b&gt;&lt;/font&gt; New this week&lt;br&gt;
Link: &lt;a href="http://joglikescomics.blogspot.com/2009/11/anticipation-post-that-goes-near-and.html"&gt;Joe McCulloch&lt;/a&gt;, &lt;a href="http://warren-peace.blogspot.com/2009/11/this-week-i-thought-i-could-avoid-trip.html"&gt;Matthew Brady&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A look at the best-sounding books scheduled to hit the comics shops tomorrow.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Françoise Mouly and Art Spiegelman&lt;br&gt;
Link: &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23541"&gt;Chris Mautner&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The lit-comics power couple discuss their latest collaboration, &lt;i&gt;The Toon Treasury of Chidren’s Comics&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Matt Kindt&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/11/talking-comics-with-tim-matt-kindt/"&gt;Tim O’Shea&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;An interview with the &lt;i&gt;Super Spy&lt;/i&gt;/&lt;i&gt;3 Story&lt;/i&gt; author.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Best American Comics 2009&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.comicsreporter.com/index.php/index/cr_review_the_best_american_comics_2009/"&gt;Tom Spurgeon&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“The thing I like most about The Best American Comics series is the massive migraine they inflict upon anyone who tries to figure out exactly what it is they’re doing and how well they’re doing it.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Pim &amp;amp; Francie: The Golden Bear Days&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/11/comics_time_pim_francie.html"&gt;Sean T. Collins&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“The genius of &lt;i&gt;Pim &amp;amp; Francie&lt;/i&gt; is harnessing the power of that demon — whatever it is or was that led [Al] Columbia to abandon his impossibly immaculate conceptions of monstrousness and murder half-drawn on the page time and time again — and deploying it as a conscious aesthetic decision.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/dylanrevisitedmattotti.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Bob Dylan Revisited&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://potrzebie.blogspot.com/2009/10/bob-dylan-comics.html"&gt;Bhob Stewart&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;An advance look at the English language edition of &lt;i&gt;Bob Dylan Revisited&lt;/i&gt; “featuring visual interpretations of Dylan’s lyrics by more than a dozen top international illustrators.”&lt;/p&gt;
&lt;p&gt;(Above: sequence from Lorenzo Mattotti’s contribution to the book, “A Hard Rain’s A-Gonna Fall,” copyright information unknown.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/ripoff26vampirecowboys.gif" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “Vampire Cowboys”&lt;br&gt;
Link: &lt;a href="http://johnglenntaylor.blogspot.com/2009/10/jr-williams-vampire-cowboys.html"&gt;John Glenn Taylor&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;In which J.R. Williams does what he does best.&lt;/p&gt;
&lt;p&gt;(Above: sequence from &lt;i&gt;Rip-Off Comix&lt;/i&gt; #26, ©1990 J.R. Williams.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Batwoman in &lt;i&gt;Detective Comics&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://savagecritic.com/2009/10/review-of-batwoman-in-detective-comics_30.html"&gt;Joe McCulloch&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;An illustration-centric view of the Greg Rucka/J.H. Williams superhero series.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Blackest Night&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://groovyageofhorror.blogspot.com/2009/11/blackest-night-midpoint.html"&gt;Curt Purcell&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Halfway through the Green Lantern zombie crossover event, we “have everything in hand that was on the original checklist, which only covered the event to this midpoint (is there a new official checklist for the next half? — I’d sure like to see one). Looking back over that list, and at the stack of comics corresponding to it, what’s most astounding to me is how little ground it’s actually covered, story-wise.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Troublemakers&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.eyeoncomics.com/?p=593"&gt;Don MacPherson&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Not surprisingly, [Gilbert] Hernandez populates his story with some thoroughly grounded and intriguing figures, but what’s fascinating about the plot is how it criss-crossed over on itself so that not only do the characters remain unaware of who’s conning who but so does the reader. The plot is an intricately woven web of lies and truths, and it’s peppered, of course, with Hernandez’s trademark touch of raw sexuality.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Gotham Sirens&lt;/i&gt; #5&lt;br&gt;
Link: &lt;a href="http://www.factualopinion.com/the_factual_opinion/2009/11/gotham_city_sirens_5.html"&gt;Nina Stone&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Basically — get ready for this, please — Poison Ivy ‘encourages’ a cactus cock to grow and cum. Seriously. It’s ridiculous. And the following page has all three girls covered in a white milky substance. What the fuck?”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Black and white and startlingly offensive all over&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/11/bound-to-blog-wonder-woman-19-black-and.html"&gt;Noah Berlatsky&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Kicking off the &lt;i&gt;Hooded Utilitarians&lt;/i&gt;‘ roundtable on race in comics, Berlatsky examines the less-than-progressive racial attitudes on display in Marston and Peters’ &lt;i&gt;Wonder Woman&lt;/i&gt; #19.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/geraldmcboingboingodd.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Gerald McBoing Boing&lt;br&gt;
Link: &lt;a href="http://www.bigblogcomics.com/2009/10/gerald-mcboing-boing.html"&gt;&lt;i&gt;Big Blog of Kids’ Comics!&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A great kids’ humor strip, written by Theodore Geisel (a.k.a. Dr. Seuss) and drawn by P.D. Eastman.&lt;/p&gt;
&lt;p&gt;(Above: sequence from &lt;i&gt;Gerald McBoing Boing and the Nearsighted Mr. Magoo&lt;/i&gt; #1, ©1952 UPA.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/creepy11hopfrog.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “Hop-Frog!”&lt;br&gt;
Link: &lt;a href="http://againwiththecomics.blogspot.com/2009/10/drunken-imp-and-blazing-chimps-in-hop.html"&gt;Brian Hughes&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Archie Goodwin and Reed Crandall present a case of rough justice skillfully applied.&lt;/p&gt;
&lt;p&gt;(Above: sequence from &lt;i&gt;Creepy&lt;/i&gt; #11, ©1966 Warren Publishing.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.lelionquirit.com/"&gt;&lt;img src="http://tcj.com/journalista/madbutnotdumb.gif" border="0"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; The brushwork of Leonard Starr&lt;br&gt;
Link: &lt;a href="http://illustrationart.blogspot.com/2009/10/brushwork-of-leonard-starr-appreciation.html"&gt;David Apatoff&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;An appreciation of the cartoonist behind &lt;i&gt;Mary Perkins On Stage&lt;/i&gt;.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Digital Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Ray and Roast Beef meet Drinky Crow and Uncle Gabby&lt;br&gt;
Link: &lt;a href="http://www.achewood.com/index.php?date=11022009"&gt;&lt;i&gt;Achewood&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Yes, it’s Tony Millionaire playing in Chris Onstad’s sandbox. No, I’m not going to spoil it with an excerpted image — go see it for yourself!

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Kurt Westergaard&lt;br&gt;
Link: &lt;a href="http://www.google.com/hostednews/ap/article/ALeqM5gneQ4LOOQSBJHMmS9MRxLQ0XyQ0gD9BK9C880"&gt;Jan Olsen&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A visit with perhaps the most notorious of the artists behind the Killer Danish Muhammed Cartoons.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Charles Addams&lt;br&gt;
Link: &lt;a href="http://www.greenwichcitizen.com/localnews/ci_13674123"&gt;Anne Semmes&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A look back at the life and art of the macabre cartoonist.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/alexdukalmascarones.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Alex Dukal&lt;br&gt;
Link: &lt;a href="http://www.circografico.com.ar/"&gt;Online portfolio&lt;/a&gt;, &lt;a href="http://alexdukal.blogspot.com/"&gt;illustration blog&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;This stuff is just plain fun to look at.&lt;/p&gt;
&lt;p&gt;(Above: “Mascarones,” ©2009 Alex Dukal. Link via &lt;a href="http://www.illustrationmundo.com/wp/2063"&gt;Nate Williams&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/fernandovicentelighters.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Fernando Vicente&lt;br&gt;
Link: &lt;a href="http://www.fernandovicente.es/"&gt;Online portfolio&lt;/a&gt;, &lt;a href="http://fernandovicentepinups.blogspot.com/"&gt;illustration blog&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Joyously sexy pin-up work from an artist who clearly &lt;i&gt;likes&lt;/i&gt; women and doesn’t draw his visual cues from &lt;i&gt;Hustler&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;(Above: illustration ©2009 Fernando Vicente. Link via &lt;a href="http://dadanoias.net/2009/11/02/las-pin-up-de-fernando-vicente/"&gt;&lt;i&gt;Dadanoias&lt;/i&gt;&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; YALSA “Great Graphic Novels for Teens” nominations announced&lt;br&gt;
Link: &lt;a href="http://www.ala.org/ala/mgrps/divs/yalsa/booklistsawards/greatgraphicnovelsforteens/nominations.cfm"&gt;Young Adult Library Services Association&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Aside from the inexplicable inclusion of that &lt;i&gt;Secret Invasion&lt;/i&gt; thing, not a bad list at all.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/observercapeprizepaint.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Observer&lt;/i&gt;/Cape/Comica Graphic Short Story Prize winner announced&lt;br&gt;
Link: &lt;a href="http://www.guardian.co.uk/books/2009/nov/01/cape-graphic-short-story-competition"&gt;Rachel Cooke&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“In 2008, we received 240 entries yet as this year’s deadline approached, we’d taken delivery of only a handful. Were local postal strikes behind this strange lack of enthusiasm? We certainly hoped so, and duly decided to extend the deadline. This turned out to be a good call. By the closing date, we had more than 300 entries.”&lt;/p&gt;
&lt;p&gt;(Above: panel from the winning entry, “Paint,” by and ©2009 Vivien McDermid.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Women in Comics conference in Cambridge&lt;br&gt;
Link: &lt;a href="http://www.metabunker.dk/?p=2193"&gt;Matthias Wivel&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“This past Sunday saw a conference on Women in Comics at Murray Edwards College here in Cambridge. Organised jointly by the college and the particularly strong contingent of comics scholars at the University of Glasgow, it presented a full day’s programming of papers and artists’ talks to go along with an already planned exhibition by organiser and artist Sarah Lightman.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/buenavistadocvid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
&lt;i&gt;Buena Vista Social Club&lt;/i&gt;, Wim Wenders’ documentary of the Cuban musicians featured in the album of the same name, is now available for &lt;a href="http://www.hulu.com/watch/62618/buena-vista-social-club"&gt;free viewing on Hulu&lt;/a&gt;.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: That’s Compay Segundo in this screenshot from the film.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/malikimoon.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
“Sitting at home with H1N1 (no, really), I thought I’d provide some more French &lt;i&gt;bande-dessinée&lt;/i&gt; for your enjoyment. Today you’re getting a taste of one of my favourite webcomics, &lt;a href="http://asylums.insanejournal.com/scans_daily/1150380.html"&gt;&lt;i&gt;Maliki&lt;/i&gt;&lt;/a&gt;.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: panel from &lt;a href="http://www.maliki.com/"&gt;the strip&lt;/a&gt;, ©2009 whoever owns this strip.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;November 2-7 (Sandusky, OH):&lt;/b&gt; If you haven’t already registered for the International Society of Caricature Artists 2009 Annual Caricature Convention and Competition, then you probably aren’t attending anyway. Still, there are &lt;a href="http://mikelynchcartoons.blogspot.com/2009/08/international-society-of-caricature.html"&gt;details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 3 (New York City, NY):&lt;/b&gt; Eric Drooker, Tom Hart, Tim Kreider and Peter Kuper will discuss political cartooning at the New York Center for Independent Publishing on 44th Street, beginning at 6:30PM. Admission is $15. &lt;a href="http://robot6.comicbookresources.com/2009/11/things-to-do-political-cartooning-in-nyc-on-nov-3/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 3 (Montreal, Quebec):&lt;/b&gt; Seth will offer a slideshow presentation at the Librairie Drawn &amp;amp; Quarterly on Bernard, beginning at 7PM. &lt;a href="http://www.drawnandquarterly.com/211bernard/2009_11_01_archive.php#6777446196423652405"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 3 (Columbus, OH):&lt;/b&gt; Filmmaker and animation historian John Canemaker will give a presentation on cartoonist and animator Winsor McCay at Ohio State University’s Wexler Center for the Arts on Neil Avenue Mall, beginning at 7PM. &lt;a href="http://cartoons.osu.edu/?q=events/john-canemaker-art-and-life-winsor-mccay"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 3 (Hertfordshire, England):&lt;/b&gt; &lt;i&gt;Watchmen&lt;/i&gt; artist Dave Gibbons will discuss his most famous book at the Stevenage Library, beginning at 8PM. &lt;a href="http://www.hertsdirect.org/libsleisure/libraries/dgibbons"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;November 4 (Los Angeles, CA):&lt;/b&gt; R. Crumb  — maybe? Anyway, &lt;i&gt;someone&lt;/i&gt; will give an informal, fifteen-minute talk on Crumb’s new book, &lt;i&gt;The Book of Genesis Illustrated&lt;/i&gt;, at the Hammer Museum on Wilshire Boulevard, beginning at 12:30PM. &lt;a href="http://hammer.ucla.edu/programs/detail/program_id/316"&gt;Details here&lt;/a&gt;. (Thanks to Kelly Kilmer for throwing a question mark on the possible Crumb appearance.)&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 5 (Evanston, IL):&lt;/b&gt; Cartoonist and editor Paul Karasik will present a multimedia discussion of the life and art of Fletcher Hanks at Comix Revolution on Davis Street, beginning at 6PM. &lt;a href="http://www.online-revolution.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 5 (Chicago, IL):&lt;/b&gt; Matt Groening and Lynda Barry will talk shop onstage at the UIC Forum on Roosevelt Road, from 7-8PM. Tickets are $15. &lt;a href="http://www.chicagohumanities.org/Genres/Arts-And-Architecture/2009-Not-So-Funny-Situation-of-Alternative-Comix.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 6-26 (London, England):&lt;/b&gt; The Comica London International Comics Festival eats the month of November, with a wide variety of events taking place in a number of locations. &lt;a href="http://www.comicafestival.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 7-8 (New York City, NY):&lt;/b&gt; King Con Brooklyn! takes place at the Brooklyn Lyceum on Fourth Avenue, from 11AM-7PM each day. Guests include Al Jaffee, Harvey Pekar, Denny O’Neil and more. &lt;a href="http://kingconbrooklyn.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 7 (London, England):&lt;/b&gt; &lt;i&gt;Mouse Guard&lt;/i&gt; author David Petersen makes an appearance at the Forbidden Planet Megastore on Shaftesbury Avenue, from 1-2PM. &lt;a href="http://forbiddenplanet.com/events/2009/11/07/david-petersen-mouse-guard-winter-1152/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 7 (London, England):&lt;/b&gt; Eddie Campbell will be signing books and meeting readers at Gosh! Comics on Great Russell Street, from 2-4PM. &lt;a href="http://goshlondon.blogspot.com/2009/10/eddie-campbell-signing-at-gosh-comics.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 7 (Chicago, IL):&lt;/b&gt; Matt Groening, Lynda Barry, Jules Feiffer and Chris Ware will discuss the state of alt-comics onstage at the Francis W Parker School on Clark Street, from 4:30-6PM. Admission is $5. &lt;a href="http://www.chicagohumanities.org/Genres/Arts-And-Architecture/2009-Not-So-Funny-Situation-of-Alternative-Comix.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 7 (Seattle, WA):&lt;/b&gt; Join Al Columbia for the opening reception of an exhibit of his work at the Fantagraphics Bookstore on Vale Street, from 6-8PM. &lt;a href="http://www.fantagraphics.com/index.php?option=com_eventlist&amp;amp;Itemid=117&amp;amp;func=details&amp;amp;did=133"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 7 (London, England):&lt;/b&gt; Comedian Arnold Brown will talk comics with Eddie Campbell at the Institute Of Contemporary Arts’ Nash Room, from 7-9PM. A book signing takes place afterward. &lt;a href="http://www.comicafestival.com/index.php/festival/festival_detail/eddie_campbell/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 8 (Los Angeles, CA):&lt;/b&gt; The Los Angeles Comic Book and Science Fiction Convention will take place at the Shrine Auditorium Expo Center on 32nd Street, from 10AM-5PM. There are a couple of guests, but it sound like a back-issue bin-stravaganza from over here. Admission is $8. &lt;a href="http://www.comicbookscifi.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1257188993384"><id gr:original-id="http://tcj.com/journalista/?p=1100">tag:google.com,2005:reader/item/7f2b3de33c7e4321</id><category term="News Round-Up" /><title type="html">Nov. 2, 2009: Even the indie guys need some spending money</title><published>2009-11-02T18:31:46Z</published><updated>2009-11-02T18:31:46Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1100" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“There will never be a website that has a comics writer like Peel. Like movie reviews and music criticism, the Internet has destroyed all of the potential jobs available for future John Peels.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://www.comixology.com/articles/321/Phil-John"&gt;Tucker Stone&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“For all we know, Newsarama could have been acquired for a dozen copies of &lt;i&gt;Superman&lt;/i&gt; #75. With the bags opened.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://www.comicmix.com/news/2009/10/29/whats-missing-from-the-newsarama-sale-info/"&gt;Glenn Hauman&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=The-Comics-Journal---new-subscription-details.html&amp;amp;Itemid=113"&gt;Mike Baehr&lt;/a&gt; presents subscription information for the new &lt;i&gt;TCJ&lt;/i&gt; publishing plan. Those with questions are encouraged to &lt;a href="http://www.fantagraphics.com/contact"&gt;contact Fantagraphics Books&lt;/a&gt;. One note: If you have a currently active online subscription, please be advised that while we are no longer offering online subscriptions, your account will work with the soon-to-be-archived present version of the website, if not forever, then at least for the forseeable future — so far as I’m concerned, your TCJ.com account no longer has an expiration date.&lt;/p&gt;
&lt;p&gt;Elsewhere: &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23532"&gt;Kiel Phegley&lt;/a&gt; and &lt;a href="http://www.comicsreporter.com/index.php/gary_groth_on_tcj_post_300_moves/"&gt;Tom Spurgeon&lt;/a&gt; recently spoke to various &lt;i&gt;TCJ&lt;/i&gt; staffers about last week’s announcement. &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/hu-is-moving-to-tcjcom.html"&gt;Noah Berlatsky&lt;/a&gt; notes that the new &lt;i&gt;Journal&lt;/i&gt; site will play host to the blog he edits, the &lt;i&gt;Hooded Utilitarian&lt;/i&gt;. Finally, &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23493"&gt;Steven Grant&lt;/a&gt; and &lt;a href="http://comicscomicsmag.blogspot.com/2009/11/what-comics-journal-does-right.html"&gt;Jeet Heer&lt;/a&gt; offer commentary on the &lt;i&gt;Journal&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;Sorry for the late posting. Playing catch-up takes time, but better late than never…?&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; Two Chicago men &lt;a href="http://www.nytimes.com/2009/10/28/us/28terror.html"&gt;have been arrested&lt;/a&gt; over an alleged plot to attack employees of Danish newspaper &lt;i&gt;Jyllands-Posten&lt;/i&gt; for the 2005 publication of the infamous Killer Danish Muhammed Cartoons. &lt;a href="http://www.suntimes.com/news/1848431,terror-plot-denmark-chicago-newspaper-102709.article"&gt;Natasha Korecki&lt;/a&gt; offers further details, including word that the would-be terrorists also planned to target Kurt Westergaard, one of the twelve cartoonists.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/rupertk1covdet.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Quebecois cartoonist Bruno Laporte, creator of the Franch-language &lt;i&gt;Rupert K&lt;/i&gt; series of comics albums, &lt;a href="http://www.actuabd.com/Deces-de-Bruno-Laporte-createur-de"&gt;died on October 25&lt;/a&gt; (&lt;a href="http://translate.googleusercontent.com/translate_c?hl=en&amp;amp;ie=UTF-8&amp;amp;sl=fr&amp;amp;tl=en&amp;amp;u=http://www.actuabd.com/Deces-de-Bruno-Laporte-createur-de"&gt;Google translation&lt;/a&gt;) in Montreal, at the age of 45.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: detail from the cover of the first &lt;i&gt;Rupert K&lt;/i&gt; volume.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Also passed on: comics podcaster &lt;a href="http://www.npccomics.com/geektragedy/?p=191"&gt;Mike Nebeker&lt;/a&gt;.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://robot6.comicbookresources.com/2009/10/comics-a-m-the-comics-internet-in-two-minutes-48/"&gt;Kevin Melrose&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Former &lt;i&gt;Baltimore Sun&lt;/i&gt; editorial cartoonist Mike lane has &lt;a href="http://news.editorialcartoonists.com/aaec/2009/10/mike-lane-retires.html"&gt;announced his retirement&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.king5.com/news/local/Thief-Targets-Interbay-Cartoonist-67841992.html"&gt;Lori Matsukawa&lt;/a&gt; reports that a thief has stolen several computers containing the life’s work of freelance cartoonist Stu Heinecke.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Civic leaders in Angoulême, France are &lt;a href="http://www.charentelibre.com/article-5-grand-angouleme-festival-de-la-bande-dessinee-georges-chavanes-une-grosse-erreur-de-com-de-la-mairie.html?id_article=293790"&gt;backpedalling furiously&lt;/a&gt; (&lt;a href="http://translate.googleusercontent.com/translate_c?hl=en&amp;amp;ie=UTF-8&amp;amp;sl=fr&amp;amp;tl=en&amp;amp;u=http://www.charentelibre.com/article-5-grand-angouleme-festival-de-la-bande-dessinee-georges-chavanes-une-grosse-erreur-de-com-de-la-mairie.html%3Fid_article%3D293790"&gt;Google translation&lt;/a&gt;) after word spread that budget difficulties might &lt;a href="http://www.letelegramme.com/ig/generales/france-monde/france/bande-dessinee-le-festival-d-angouleme-2010-pourrait-ne-pas-se-tenir-29-10-2009-631814.php"&gt;complicate their sponsorship&lt;/a&gt; (&lt;a href="http://translate.googleusercontent.com/translate_c?hl=en&amp;amp;ie=UTF-8&amp;amp;sl=fr&amp;amp;tl=en&amp;amp;u=http://www.letelegramme.com/ig/generales/france-monde/france/bande-dessinee-le-festival-d-angouleme-2010-pourrait-ne-pas-se-tenir-29-10-2009-631814.php"&gt;Google translation&lt;/a&gt;) of the city’s annual comics festival.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; A decision by the British Home Office not to renew any Artists’ Visas &lt;a href="http://downthetubescomics.blogspot.com/2009/10/comic-artist-refused-permission-to.html"&gt;has stranded&lt;/a&gt; cartoonist Nikhil Singh in South Africa for five months, preventing him even from attending the launch of his latest book.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; R. Crumb’s &lt;i&gt;The Book of Genesis Illustrated&lt;/i&gt; makes its debut at #80 on the latest &lt;a href="http://content.usatoday.com/life/books/booksdatabase/default.aspx"&gt;&lt;i&gt;USA Today&lt;/i&gt;&lt;/a&gt; top-150 bestselling books chart. Holding tight at #1 is last week’s #1 debut, Jay Kinney’s &lt;i&gt;Diary of a Wimpy Kid: Dog Days&lt;/i&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Incidentally: Last week the three bestselling books in France were &lt;a href="http://www.bleedingcool.com/2009/10/31/the-three-bestselling-books-in-france-all-comics/"&gt;all comics&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; In Italy, &lt;a href="http://www.afnews.info/public/afnews/2009/11/140mila-presenze-per-lucca-comics-and.html"&gt;140,000 people attended&lt;/a&gt; the recent Lucca Comics and Games 2009 (&lt;a href="http://translate.googleusercontent.com/translate_c?hl=en&amp;amp;ie=UTF-8&amp;amp;sl=it&amp;amp;tl=en&amp;amp;u=http://www.afnews.info/public/afnews/2009/11/140mila-presenze-per-lucca-comics-and.html"&gt;Google translation&lt;/a&gt;).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Sean T. Collins charts the latest developments in the ongoing devolution of &lt;i&gt;Wizard&lt;/i&gt; Magazine: &lt;a href="http://robot6.comicbookresources.com/2009/10/wizard-drops-its-comics-price-guide-and-the-pages-it-occupied/"&gt;one&lt;/a&gt;, &lt;a href="http://robot6.comicbookresources.com/2009/10/is-wizards-message-board-another-con-war-casualty/"&gt;two&lt;/a&gt;. There will now be a brief pause while I whistle my way past the graveyard…&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; The haphazard re-release of &lt;i&gt;Ghost in the Shell&lt;/i&gt; has &lt;a href="http://www.icaruscomics.com/wp_web/?p=3484"&gt;Simon Jones&lt;/a&gt; wondering if the folks at Kodansha’s new North American division have any idea what they’re doing.&lt;/li&gt;


&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Consumer News]&lt;/b&gt;&lt;/font&gt; The end of civilization&lt;br&gt;
Link: &lt;a href="http://www.progressiveruin.com/2009_10_25_archive.html#6742687719240819414"&gt;Mike Sterling&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Sterling finds the most dubious items from the latest Diamond catalog, so you don’t have to.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; R. Crumb&lt;br&gt;
Link: &lt;a href="http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/10/30/DD1G1A2NP9.DTL"&gt;Kenneth Baker&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A short Q&amp;amp;A with the &lt;i&gt;The Book of Genesis Illustrated&lt;/i&gt; creator. Wait: Sophie’s expecting a baby? I did not know that.&lt;/p&gt;
&lt;p&gt;Also: &lt;a href="http://www.adhousebooks.com/blog/?p=201"&gt;Chris Pitzer&lt;/a&gt; and &lt;a href="http://comicsworthreading.com/2009/10/30/r-crumb-w-francoise-mouly-in-richmond-va-october-27-2009-part-1-france-women/"&gt;Ben Towle&lt;/a&gt; report from the cartoonist’s public appearance last week in Richmond, Virginia; W.W. Norton executive editor Robert Weil discusses editing Crumb with &lt;a href="http://www.publishersweekly.com/article/CA6703965.html"&gt;Calvin Reid&lt;/a&gt;; and &lt;a href="http://comicsworthreading.com/2009/10/30/the-book-of-genesis-illustrated-by-r-crumb/"&gt;Ed Sizemore&lt;/a&gt; reviews the book.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/janekkozapromotion.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Janek Koza&lt;br&gt;
Link: &lt;a href="http://www.paulgravett.com/index.php/articles/article/janek_koza/"&gt;Paul Gravett&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The Polish indy cartoonist is profiled.&lt;/p&gt;
&lt;p&gt;(Above: sequence from &lt;i&gt;Wszystko zle&lt;/i&gt; (&lt;i&gt;Everything is Wrong&lt;/i&gt;), ©2008 Janek Koza.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Ken Dahl&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/27/interview-ken-dahl-pt-3-of-3/"&gt;Brian Heater&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The conclusion of a three-part conversation with the author of &lt;i&gt;Monsters&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;Related: &lt;a href="http://www.readaboutcomics.com/2009/11/02/monsters/"&gt;Greg McElhatton&lt;/a&gt; reviews Dahl’s new book.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/randholmesexhibitvid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; 2007 Rand Holmes exhibit in Canada&lt;br&gt;
Link: &lt;a href="http://www.youtube.com/watch?v=bM7S4XHsxJg"&gt;YouTube&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Underground-comix historian Patrick Rosenkranz presents this video record of a retrospective of the cartoonist’s work, held on British Columbia’s Lasqueti Island.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video. Link via &lt;a href="http://mikelynchcartoons.blogspot.com/2009/10/video-rand-holmes-exhibit.html"&gt;Mike Lynch&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Complete Jack Survives&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.du9.org/Complete-Jack-Survives-The,1191"&gt;Derik Badman&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Jerry Moriarty’s series of stories from &lt;i&gt;Raw&lt;/i&gt; Magazine “is like a hybrid of comics strips that preceded it and the autobiographical comics that followed.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Fair Weather&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://tearoomofdespair.blogspot.com/2009/10/9-days-of-reviewin-9-oh-god-that-was-me.html"&gt;Bob Temuka&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“While it ends on an upbeat (and slightly confusing) note, Joe [Matt] displays an irritating smugness throughout the book, unwilling to help unless there is something in it for him, proud of the fact he has ripped off former friends and unable to see why it’s wrong if they don’t know about it.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/wareunmaskednewyorker.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “Unmasked”&lt;br&gt;
Link: &lt;a href="http://www.newyorker.com/fiction/features/2009/11/02/091102fi_fiction_ware"&gt;Chris Ware&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A Halloween strip for the latest &lt;i&gt;New Yorker&lt;/i&gt; cartoon issue.&lt;/p&gt;
&lt;p&gt;(Above: sequence from the strip, ©2009 F.C. Ware.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/kalmanepluribusunum.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “E Pluribus Unum”&lt;br&gt;
Link: &lt;a href="http://kalman.blogs.nytimes.com/2009/10/29/e-pluribus-unum/"&gt;Maira Kalman&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A visit to the nation’s capital.&lt;/p&gt;
&lt;p&gt;(Above: panel from the comic, ©2009 Maira Kalman.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/mickeymousegurs.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Mickey Mouse in Gurs&lt;br&gt;
Link: &lt;a href="http://www.scribd.com/doc/21860527/Horst-Rosenthal-Mickey-Mouse-in-Gurs"&gt;Horst Rosenthal&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A satirical 1942 tour of a Nazi internment camp in France, drawn before Rosenthal was killed in Auschwitz later that year.&lt;/p&gt;
&lt;p&gt;(Above: excerpt from the comic. Link via &lt;a href="http://www.boingboing.net/2009/10/30/mickey-mouse-comics.html"&gt;Cory Doctorow&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Richard Corben&lt;br&gt;
Link: &lt;a href="http://www.pmkane.com/BBP/bd_13_102809.htm"&gt;Bill Baker&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The underground legend discusses his recent projects.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/afrodesiac1mockcover.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Jim Rugg&lt;br&gt;
Link: &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23475"&gt;Shaun Manning&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The &lt;i&gt;Street Angel&lt;/i&gt; artist discusses his latest collaboration with co-writer Brian Maruca, &lt;i&gt;Afrodesiac&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;(Above: fake comic-book cover from the new book, ©2009 Jim Rugg and Brian Maruca.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Far Arden&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.readaboutcomics.com/2009/10/28/far-arden/"&gt;Greg McElhatton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Do you ever feel like you’ve been faked out by a book’s presentation? I certainly did with Kevin Cannon’s &lt;i&gt;Far Arden&lt;/i&gt;. Somehow along the way I’d mistakenly got the impression that Far Arden was a light-hearted, full-of-fun, slightly-silly adventure story.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Strange Tales&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/not-so-strange-tales_4990.html"&gt;Richard Cook&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“But, hell, even the indie guys need some spending money every now and then, which is how &lt;i&gt;Strange Tales&lt;/i&gt; came into being.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Anita Blake: The Laughing Corpse: Executioner&lt;/i&gt; #1&lt;br&gt;
Link: &lt;a href="http://www.the-isb.com/?p=2559"&gt;Chris Sims&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“To be honest, your humble annotator has been dreading this one, but it turns out that this is actually the most exciting issue of &lt;i&gt;Anita Blake&lt;/i&gt; ever. Of course, that’s sort of like saying that it’s the most exciting pudding cup or Bob Ross’s most action-packed painting, but still, it’s an improvement.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://www.factualopinion.com/the_factual_opinion/2009/11/31.html"&gt;Tucker Stone&lt;/a&gt;, &lt;a href="http://warren-peace.blogspot.com/2009/10/pamphleteering-october-and-probably.html"&gt;Matthew Brady&lt;/a&gt;, &lt;a href="http://www.omnivoracious.com/2009/10/graphic-novel-friday-a-dark-horse-halloween.html"&gt;Alex Carr&lt;/a&gt;, &lt;a href="http://ifdestroyed.blogspot.com/2009/11/x-axis-1-november-2009.html"&gt;Paul O’Brien&lt;/a&gt;, &lt;a href="http://everydayislikewednesday.blogspot.com/2009/10/weekly-haul-october-28th.html"&gt;J. Caleb Mozzocco&lt;/a&gt;, &lt;a href="http://www.the-isb.com/?p=2529"&gt;Chris Sims&lt;/a&gt;, &lt;a href="http://savagecritic.com/2009/10/hibbs-on-1028.html"&gt;Brian Hibbs&lt;/a&gt; and &lt;a href="http://www.eyeoncomics.com/?p=582"&gt;Don MacPherson&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I am the world’s forgotten boy, the one who searches and… finds funnybooks in back-issue bins!”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Six deeply creepy alt-horror cartoonists&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/six-by-6-by-6-six-deeply-creepy-alt-horror-cartoonists/"&gt;Sean T. Collins&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“These alt-horror cartoonists may not even think of themselves as horror-comics creators at all, eschewing as most of them do the rhythms and staples of conventional horror fiction. But by deploying altcomix’ usual emphasis on tone and emotional effect in service of dark and macabre imagery, their comics haunt me all the more.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/babe10magiclamp.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “Babe and the Magic Lamp!”&lt;br&gt;
Link: &lt;a href="http://pappysgoldenage.blogspot.com/2009/10/number-618-babe-and-magic-lamp-boody.html"&gt;Pappy&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Boody Rogers! &lt;i&gt;Boody Rogers!&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;(Above: panel from &lt;i&gt;Babe, Darling of the Hills&lt;/i&gt; #10, ©1950 Prize Comics.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/blackcatmystery41room.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Bob Powell horror comics&lt;br&gt;
Link: &lt;a href="http://hairygreeneyeball2.blogspot.com/2009/10/powelloween-celebration.html"&gt;Harry Lee Green&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Four classic chillers drawn by one of the golden-age greats.&lt;/p&gt;
&lt;p&gt;(Above: splash panel from &lt;i&gt;Black Cat Mysteries&lt;/i&gt; #41, ©1954 Harvey Comics.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.lelionquirit.com/"&gt;&lt;img src="http://tcj.com/journalista/madbutnotdumb.gif" border="0"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Frederik Schodt&lt;br&gt;
Link: &lt;a href="http://www.animenewsnetwork.com/interview/2009-10-27/interview-fred-schodt"&gt;Evan Miller&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A conversation with the author of the seminal English-language book on Japanese comics, &lt;i&gt;Manga! Manga!&lt;/i&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Red Snow&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.comicmix.com/news/2009/10/30/manga-friday-red-snow-by-susumu-katsumata/"&gt;Andrew Wheeler&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“[Susumu] Katsumata’s stories are earthy, encompassing the sound of a monk killing his fleas and the violent battles of young kids over minor, pointless thing. They’re similarly clear-eyed about sex, which rarely works out well for the women in these villages, with their extremely limited choices.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Yotsuba&amp;amp;!&lt;/i&gt; Vol. 6&lt;br&gt;
Link: &lt;a href="http://joykim.net/posts/azuma-kiyohiko-yotsuba-vol-6/"&gt;Joy Kim&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Few manga series have given me so much joy, and I am happy to report that volume 6 is no exception. It made me laugh and laugh.”&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.mangablog.net/?p=5924"&gt;Brigid Alverson&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/mangashakespearetwelfthnight.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Manga Shakespeare: Twelfth Night&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://forbiddenplanet.co.uk/blog/2009/manga-shakespeare-twelth-night-if-music-be-the-food-of-love/"&gt;Richard Bruton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“It’s yet another very classy adaptation that stays very true to the original whilst updating the styling and storytelling for a modern audience.”&lt;/p&gt;
&lt;p&gt;(Above: double-page spread from the book, ©2009 Richard Appignanesi, Nana Li, Self Made Hero or some combination thereof.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Aria&lt;/i&gt; Vol. 5&lt;br&gt;
Link: &lt;a href="http://comicsworthreading.com/2009/11/01/aria-book-5-recommended/"&gt;Johanna Draper Carlson&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“It’s the manga equivalent of a hot cup of tea and a sit-down, a lovely mediation on appreciating the quieter aspects of life.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; The manga cargo cult&lt;br&gt;
Link: &lt;a href="http://www.comixology.com/articles/322/The-Manga-Cargo-Cult-How-Manga-Got-Long-and-Short-Again-%22"&gt;Jason Thompson&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;How manga stories got really, really long — and then short again.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Top five untranslated manga&lt;br&gt;
Link: &lt;a href="http://www.comixology.com/articles/320/Shaenons-Top-Five-Untranslated-Manga-The-2009-List-"&gt;Shaenon Garrity&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Five titles that should be in English-language print but aren’t.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Tom Tomorrow&lt;br&gt;
Link: &lt;a href="http://www.campusprogress.org/asktheexpert/4753/toon-man"&gt;Jen Sorensen&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The alt-weekly cartoonist talks shop.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Neil Swaab&lt;br&gt;
Link: Brian Heater (&lt;a href="http://thedailycrosshatch.com/2009/10/28/interview-neil-swaab-pt-1-of-3/"&gt;one&lt;/a&gt;, &lt;a href="http://thedailycrosshatch.com/2009/11/02/interview-neil-swaab-pt-2-of-3/"&gt;two&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The first two-thirds of a three-part conversation with the &lt;i&gt;Rehabilitating Mr. Wiggles&lt;/i&gt; creator.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Editorial Cartoons&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;          &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Hana Hajjar&lt;br&gt;
Link: &lt;a href="http://www.cnn.com/2009/WORLD/meast/10/27/hajjar.female.cartoonist/"&gt;Olivia Sterns&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“For Saudi Arabia’s lone female cartoonist, drawing is more than just satire, it’s ‘a duty.’”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Alan Kawahara, Aries Barry win Herblock Award&lt;br&gt;
Link: &lt;a href="http://www.buffalonews.com/185/story/843364.html"&gt;Sharon Gleason&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Two students from Buffalo, New York take the prize.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Digital Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Robert Berry&lt;br&gt;
Link: &lt;a href="http://www.newsarama.com/comics/091028-Ulysses-seen-joyce.html"&gt;Steve Ekstrom&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The &lt;i&gt;Ulysses Seen&lt;/i&gt; creator discusses his attempt to adapt James Joyce to comics.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Mike Bannon&lt;br&gt;
Link: &lt;a href="http://comics.gearlive.com/comix411/article/q308-webcomics-qa-mike-bannon-and-mordant-orange/"&gt;Tom Mason&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A Q&amp;amp;A with the cartoonist behind the online gag panel &lt;i&gt;Mordant Orange&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/erikamoenintvid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; Erika Moen&lt;br&gt;
Link: YouTube (&lt;a href="http://www.youtube.com/watch?v=HD0XFjqVyrw"&gt;one&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=yZyzPz-_NEg"&gt;two&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A conversation with the artist responsible for &lt;i&gt;DAR: A Super Girly Top Secret Comic Diary&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the first video — that’s Moen on the right, by the way.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Small Press/Minicomics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;          &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://highlowcomics.blogspot.com/2009/10/minicomics-round-up-krall-turnbull.html"&gt;Rob Clough&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Quick takes on work by Matt Runkle, Jason Viola, Ibrahim Ineke, Hawk Krall, Jack Turnbull, Rusty Jordan and Brent Harada.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; R.O. Blechman&lt;br&gt;
Link: &lt;a href="http://www.nationalpost.com/arts/story.html?id=2151855"&gt;Mark Medley&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A visit with “one of the most innovative and influential cartoonists and animators of the 20th century.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Todd Klein&lt;br&gt;
Link: &lt;a href="http://sardinianconnection.blogspot.com/2009/10/todd-klein-interview.html"&gt;&lt;i&gt;Sardinian Connection&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A chat with the famous comic-book letterer and typographer.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/facc17kids.gif" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Craft]&lt;/b&gt;&lt;/font&gt; Famous Artists Cartoon Course: Kids&lt;br&gt;
Link: &lt;a href="http://comicrazys.com/2009/11/01/famous-artists-cartoon-course-lesson-17-kids/"&gt;&lt;i&gt;Comicrazys&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The latest chapter from the renowned mail-order instruction course.&lt;/p&gt;
&lt;p&gt;(Above: page detail ©1956, 1965 Famous Artists Cartoon Course, Inc.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/dougtennapelinkvid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Craft]&lt;/b&gt;&lt;/font&gt; Inking with Doug Tennapel&lt;br&gt;
Link: &lt;a href="http://www.youtube.com/watch?v=RIxF06_ypHg"&gt;YouTube&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A practical demonstration.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video. Link via &lt;a href="http://scottmccloud.com/2009/10/28/there-and-back-again/"&gt;Scott McCloud&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/chasaddamsheadless.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Still more Charles Addams&lt;br&gt;
Link: &lt;a href="http://hairygreeneyeball2.blogspot.com/2009/10/you-certainly-have-peculiar-sense-of.html"&gt;Harry Lee Green&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Yeah, like anyone needs an excuse to post more Addams.&lt;/p&gt;
&lt;p&gt;(Above: cartoon from &lt;i&gt;Drawn and Quartered&lt;/i&gt;, ©1942 Random House, Inc.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/walterwylescopsecouple.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Walter Wyles&lt;br&gt;
Link: Leif Peng (&lt;a href="http://todaysinspiration.blogspot.com/2009/10/walter-wyles-my-oldest-and-closest.html"&gt;one&lt;/a&gt;, &lt;a href="http://todaysinspiration.blogspot.com/2009/10/walter-wyles-he-decided-that-he-wanted.html"&gt;two&lt;/a&gt;, &lt;a href="http://todaysinspiration.blogspot.com/2009/10/walter-wyles-at-top-of-his-profession.html"&gt;three&lt;/a&gt;, &lt;a href="http://todaysinspiration.blogspot.com/2009/10/walter-wyles-across-pond.html"&gt;four&lt;/a&gt; and &lt;a href="http://todaysinspiration.blogspot.com/2009/10/walter-wyles-something-out-of-ordinary.html"&gt;five&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;All last week, Peng introduced us to yet another fantastic commercial artist from the 20th century.&lt;/p&gt;
&lt;p&gt;(Above: a typically lush Wyles image, source unknown.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/weimarhartfieldcover.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Weimar book covers&lt;br&gt;
Link: &lt;a href="http://ajourneyroundmyskull.blogspot.com/2009/10/blickfang-eye-catching-covers-of-weimar.html"&gt;&lt;i&gt;A Journey Round My Skull&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A look back at one aspect of the doomed German culture that flowered between two wars.&lt;/p&gt;
&lt;p&gt;(Above: a 1927 photomontage cover by John Heartfield. Link via &lt;a href="http://drawn.ca/2009/10/30/blickfang-the-eye-catching-covers-of-weimar-berlin/"&gt;John Martz&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; The “Comics Culture” and “Events Calendar” sections return tomorrow.&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256740445126"><id gr:original-id="http://wfmu.org/playlists/shows/33436">tag:google.com,2005:reader/item/bc816c246b484e4a</id><title type="html">WFMU's Antique Phonograph Music Program from Oct 27, 2009</title><published>2009-10-28T13:51:42Z</published><updated>2009-10-28T13:51:42Z</updated><link rel="alternate" href="http://wfmu.org/playlists/shows/33436" type="text/html" /><link rel="enclosure" href="http://podcast.wfmu.org/kdb/mp3jump.mp3/0:3:33/0/AP/ap091027.mp3" type="audio/mpeg" length="69597918" /><summary xml:base="http://wfmu.org/playlists/AP" type="html">Mr Ken Boyd Klemens Pt1 from 1998 - English Music Hall artists

| &lt;br&gt;&lt;a href="http://wfmu.org/playlists/shows/33436"&gt;Full playlist at http://wfmu.org/playlists/shows/33436&lt;/a&gt;&lt;br&gt;
G H Elliot - "Hello Susie Green"&lt;br&gt;
Frank Curtis - "The Ragtime Curate"&lt;br&gt;
Florrie Ford - "Cabagges, Carrots, Ca Beans"&lt;br&gt;
Frank Curtis - "If They Bury Alexander's Band"&lt;br&gt;
Robert Nash - "Take Me Up With You Dearie"&lt;br&gt;
Florrie Ford - "How'd You Like to Spoon With Me?"&lt;br&gt;
Vesta Temple - "Poor Adam Was My Father"&lt;br&gt;
Sam Stern - "You Take The Steamboat, I Take The Train"&lt;br&gt;
Alice Lloyd - "Young Men Lodgers"&lt;br&gt;
Sam Stern - "Nobody"&lt;br&gt;
Rose Hayes - "Mary Used To Love A Sailor"&lt;br&gt;
Jay Laureat - "Don't Let 'em Scrap The English Navy"&lt;br&gt;
Florrie Ford - "We Got a Jazz Band Here"&lt;br&gt;
Billy Meerson - "They Can't Find Kelly"&lt;br&gt;
Billy Meerson - "The Spaniard That Blighted My Life"&lt;br&gt;
G H Elliot - "I'm Certainly Living A Ragtime Life"&lt;br&gt;
&lt;br&gt;
&lt;br&gt;</summary><author gr:unknown-author="true"><name>(author unknown)</name></author><source gr:stream-id="feed/http://wfmu.org/podcast/AP.xml"><id>tag:google.com,2005:reader/feed/http://wfmu.org/podcast/AP.xml</id><title type="html">WFMU&amp;#39;s Antique Phonograph Music Program</title><link rel="alternate" href="http://wfmu.org/playlists/AP" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256740445125"><id gr:original-id="http://wfmu.org/playlists/shows/33275">tag:google.com,2005:reader/item/0e9cef4e36f2a47f</id><title type="html">WFMU's Antique Phonograph Music Program from Oct 13, 2009</title><published>2009-10-14T01:39:50Z</published><updated>2009-10-14T01:39:50Z</updated><link rel="alternate" href="http://wfmu.org/playlists/shows/33275" type="text/html" /><link rel="enclosure" href="http://podcast.wfmu.org/kdb/mp3jump.mp3/0:3:34/0/AP/ap091013.mp3" type="audio/mpeg" length="69581618" /><summary xml:base="http://wfmu.org/playlists/AP" type="html">virtual guest Ed Ferraro

| &lt;br&gt;&lt;a href="http://wfmu.org/playlists/shows/33275"&gt;Full playlist at http://wfmu.org/playlists/shows/33275&lt;/a&gt;&lt;br&gt;
Peerless Quartet - "Arizona Mona"&lt;br&gt;
Billy Williams - "Save a Little One For Me"&lt;br&gt;
D Viniot - "Morte de Valentin - The Death Of Valentine" [from Faust]&lt;br&gt;
Giacomo Ramini - "Invocation" [from Faust]&lt;br&gt;
Laura Hoffman - "My Hero"&lt;br&gt;
American Republic Band - "Feist Hit Medley #2"&lt;br&gt;
American Republic Band - "The Tune That You Can't Forget Medley"&lt;br&gt;
The Pathe Military Band - "The Marriage Market - A Two Step"&lt;br&gt;
Orpheus Trio - "Somebody's Mother"&lt;br&gt;
American Republic Band - "I'm Always Chasing Rainbows"&lt;br&gt;
Rudolph Gans&lt;br&gt;
Rudolph Gans - "Polinaise Militaire in A Major"&lt;br&gt;
The Pathephone Orchestra - "Midsummer Intermezzo"&lt;br&gt;
The Pathephone Orchestra - "Kukocamo Estoppa" [an African Intermezzo]&lt;br&gt;
Joseph Samuels Orchestra - "Peggt"&lt;br&gt;
Joseph Samuels Orchestra - "Tensive Arabs"&lt;br&gt;
D Vignon&lt;br&gt;
Ernest Hare &amp;amp; Steve Porter - &amp;quot;The Arkansas Traveler&amp;quot;&lt;br&gt;
The County Harmonizers - "Casey Jones"&lt;br&gt;
American Republic Band - "Arabian Nights"&lt;br&gt;
&lt;br&gt;
&lt;br&gt;</summary><author gr:unknown-author="true"><name>(author unknown)</name></author><source gr:stream-id="feed/http://wfmu.org/podcast/AP.xml"><id>tag:google.com,2005:reader/feed/http://wfmu.org/podcast/AP.xml</id><title type="html">WFMU&amp;#39;s Antique Phonograph Music Program</title><link rel="alternate" href="http://wfmu.org/playlists/AP" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256736074675"><id gr:original-id="http://tcj.com/journalista/?p=1095">tag:google.com,2005:reader/item/8de91ed5917a374d</id><category term="News Round-Up" /><title type="html">Oct. 28, 2009: We’re turning again</title><published>2009-10-28T12:27:14Z</published><updated>2009-10-28T12:27:14Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1095" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;img src="http://tcj.com/journalista/tcj300.jpg" border="2" align="right"&gt;First things first: &lt;i&gt;The Comics Journal&lt;/i&gt; #300, due out in late November (and cover pictured at right), will be the last issue to be published on a magazine schedule. Thereafter, the &lt;i&gt;Journal&lt;/i&gt; will publish twice a year, in bigger and more elaborate editions, while the TCJ.com website will be redesigned, expanded and relaunched in a few weeks to pick up the slack.&lt;/p&gt;
&lt;p&gt;Here’s what the official press release looked like as of late last night:&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;
&lt;div align="center"&gt;&lt;b&gt;&lt;i&gt;The Comics Journal&lt;/i&gt;’s Cup Runneth Over&lt;/b&gt;&lt;/div&gt;
&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;OCTOBER 28, SEATTLE, WA — &lt;i&gt;The Comics Journal&lt;/i&gt; is about to take two major steps forward in its evolution. 1) After 33 years and several incarnations, &lt;i&gt;TCJ&lt;/i&gt; is answering everybody’s prayers and upping the Web content on TCJ.com. 2) The print publication will be consolidated around expanded semi-annual editions, each customized to fit its content.&lt;/p&gt;
&lt;p&gt;The expanded, full-service TCJ.com will deliver everything readers love — in-depth interviews, smart columns, sharp criticism, real journalism — on a daily basis. And not only will readers get the traditional &lt;i&gt;Comics Journal&lt;/i&gt; content faster, but they will also be able to access features beyond the reach of print magazines: videos, slide shows, audio files, original-art galleries and an army of both new and established &lt;i&gt;Journal&lt;/i&gt;-caliber bloggers filtering the comics world through their unique perspectives. In short, it is the dawning of a &lt;i&gt;Comics Journal&lt;/i&gt; that knows no bounds.&lt;/p&gt;
&lt;p&gt;Focusing on what print does best, &lt;i&gt;The Comics Journal&lt;/i&gt; magazine will be more beautiful than ever, an elegant combination of criticism, journalism and &lt;i&gt;objet d’art&lt;/i&gt;. Uniquely sized and formatted, evocatively visual and tactile, each issue will be an event. Readers will get their first look at the direction &lt;i&gt;The Comics Journal&lt;/i&gt; will be moving in with issue #300.&lt;/p&gt;
&lt;p&gt;Coming in November 2009: issue #300 of &lt;i&gt;The Comics Journal&lt;/i&gt; and a wondrous new website!&lt;/p&gt;
&lt;p&gt;Asked about the rationale behind the moves, executive editor Gary Groth said the following:&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;At one time, &lt;i&gt;The Comics Journal&lt;/i&gt; was able to cover everything of significance — and much of insignificance — in the comics profession, but over the last dozen or so years the creative activity has expanded so vastly that it’s impossible for any magazine to keep up with it, much less scrutinize it as closely as we used to. I don’t want the magazine to necessarily be all things to all people, but in trying to cover as wide a gamut of comics as we can, the editorial focus has become more diffuse and less idiosyncratic than I’d like. A website with many autonomous voices and a more or less unlimited bandwidth is better able to cover the range of comics on a day-to-day basis, whereas we can devote more resources to refining fewer issues of the print edition of the &lt;i&gt;Journal&lt;/i&gt; so that each issue represents a more unified whole, both editorially and in terms of packaging and design. We intend to customize each issue to accommodate the specific content of that issue.&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;As for the website, we’re still nailing down contributors and solidifying our initial plans, but I can say a few things about it now:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;Everything will be free.&lt;/b&gt; We’ll maintain an archival copy of the current website for our online subscribers — more on that soon, I promise — but the new site will have no “subscriber area” or special features that need a password to access (with the obvious exception of the message board).&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; We’re going to roll the new features out slowly. Oh, we have all kinds of ideas about what to do with the new site, but I refuse to throw too many moving parts in at once, at least until I’ve had a chance to watch the basic website in action and determine how much time and blood are needed to maintain it. The big challenge at the outset will be the new bloggers and essayists, so that’s where I’m going to apply my concentration — as that gets absorbed into the routine, we’ll set to work on adding to TCJ.com’s set of features.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; There is one thing that I can definitely plug in without too much effort: a relaunched audio archive. Most of the initial work has already been done, so it’s just a matter of selecting files. Expect to see the beginnings of this feature up and running at the relaunch, with more to come in the following weeks.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Boy howdy, am I ever glad not to be the guy doing the redesign this time.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Setting aside the website for a moment, I have to say: If you &lt;i&gt;had&lt;/i&gt; to publish a final issue of &lt;i&gt;The Comics Journal&lt;/i&gt; as a regular magazine, &lt;i&gt;TCJ&lt;/i&gt; #300 really is the one you’d want to publish. Mike, Kristy and Gary have outdone themselves.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;In any event: There’s still &lt;i&gt;The Comics Journal&lt;/i&gt; #300 to get online, and I need to work my way through the rest of the file preparations so that I’ll have time to deal with the relaunch. With that in mind, &lt;b&gt;this blog is hereby placed on hiatus for the rest of the week. &lt;i&gt;¡Journalista&lt;/i&gt; returns on Monday, November 2.&lt;/b&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 28 (Ashland, VA):&lt;/b&gt; Noah Berlatsky will lecture on Wonder Woman in the Old Chapel’s Topping Room at Randolph-Macon College, from 7:30-9PM. Admission is free and open to the public. &lt;a href="http://www.rmc.edu/News/09-09-21%20Bound%20for%20Feminism.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 29 (Ann Arbor, MI):&lt;/b&gt; Peter Kuper will deliver a visual presentation and lecture in the University of Michigan’s Hatcher Graduate Library on University Avenue, from 7-8:30PM. &lt;a href="http://www.lib.umich.edu/mlibrarys-gallery-room-100/events/revolutions-and-art-comics-and-political-art"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 29 (Los Angeles, CA):&lt;/b&gt; R. Crumb will discuss his work, including his new adaptation of Genesis, onstage with Françoise Mouly at UCLA’s Royce Hall on Royce Drive, beginning at 8PM. Admission begins at $36 for the cheap seats. &lt;a href="http://www.uclalive.org/event.asp?Event_ID=676"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 31 (Toronto, Ontario):&lt;/b&gt; R.O. Blechman and Seth talk comics in the Brigantine Room of the Harbourfront Centre on Queens Quay West, beginning at noon. Admission is $15. &lt;a href="http://www.readings.org/?q=ifoa/interview_r_o_blechman_seth_by_sean_rogers"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 31 (San Francisco, CA):&lt;/b&gt; R. Crumb will discuss his work, including his new adaptation of Genesis, onstage with Françoise Mouly at the Jewish Community Center of San Francisco on California Street, beginning at 8PM. Admission is $35 for the general public. &lt;a href="http://www.jccsf.org/content_main.aspx?catid=542#3197"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 1 (Albany, NY):&lt;/b&gt; The Albany Comic Con takes place at the Holiday Inn on Wolf Road, from 10AM-4PM. Admission is $3. Guests onclude Joe Sinnott, Joe Staton and Herb Trimpe. &lt;a href="http://www.myspace.com/comicbookshow"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256693498824"><id gr:original-id="http://wfmu.org/playlists/AP#33436">tag:google.com,2005:reader/item/19719643075cdc5f</id><title type="html">WFMU's Antique Phonograph Music Program from Oct 27, 2009</title><published>2009-10-28T00:31:46Z</published><updated>2009-10-28T00:31:46Z</updated><link rel="alternate" href="http://wfmu.org/playlists/AP#33436" type="text/html" /><link rel="related" href="http://wfmu.org/playlists/AP" /><link rel="enclosure" href="http://podcast.wfmu.org/kdb/mp3jump.mp3/0:3:33/0/AP/ap091027.mp3" type="audio/mpeg" length="69597918" /><summary xml:base="http://wfmu.org/playlists/AP" type="html">Previously unarchived show: Mr Ken Clemmons (Pt1 from 1998)</summary><author gr:unknown-author="true"><name>(author unknown)</name></author><source gr:stream-id="feed/http://wfmu.org/podcast/AP.xml"><id>tag:google.com,2005:reader/feed/http://wfmu.org/podcast/AP.xml</id><title type="html">WFMU&amp;#39;s Antique Phonograph Music Program</title><link rel="alternate" href="http://wfmu.org/playlists/AP" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256660297228"><id gr:original-id="http://tcj.com/journalista/?p=1090">tag:google.com,2005:reader/item/1a05c0662031b9da</id><category term="News Round-Up" /><title type="html">Oct. 27, 2009: Raw materials</title><published>2009-10-27T15:40:10Z</published><updated>2009-10-27T15:40:10Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1090" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“Your raw materials cost is going to be half of your cover price? Really?”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://comics212.net/2009/10/24/omg-just-take-a-basic-business-course-shojoberry/"&gt;Christopher Butcher&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;a href="http://www.rsf.org/spip.php?page=article&amp;amp;id_article=33433"&gt;Reporters Without Borders&lt;/a&gt; brings word that Iranian cartoonist Hadi Heidari was arrested in Tehran on October 22:&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;He was among several people arrested while taking part in a religious ceremony in honour of political prisoners, held at the home of Shehaboldin Tabatabai, one of the prisoners close to the reformist party, Participation. Some of them were released the following day but around a dozen others, including Heidari, were moved to Evin prison.&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://dailycartoonist.com/index.php/2009/10/26/iranian-cartoonist-hadi-heidari-jailed/"&gt;Alan Gardner&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; According to the Audit Bureau of Circulations, newspaper circulations “shrank at &lt;a href="http://finance.yahoo.com/news/Newspaper-circulation-down-apf-3182126693.html?x=0&amp;amp;.v=3"&gt;an accelerated pace&lt;/a&gt; in the past six months, driven in part by stiff price increases imposed by publishers scrambling to offset rapidly eroding advertising sales.” &lt;a href="http://www.editorandpublisher.com/eandp/news/article_display.jsp?vnu_content_id=1004030296"&gt;&lt;i&gt;Editor &amp;amp; Publisher&lt;/i&gt;&lt;/a&gt; has figures for the top-25 papers, while economic pundit &lt;a href="http://meganmcardle.theatlantic.com/archives/2009/10/the_media_death_spiral.php"&gt;Megan McArdle&lt;/a&gt; has commentary.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; “The New Jersey State Library has &lt;a href="http://www.nj.com/sunbeam/index.ssf?/base/news-6/1256367019239370.xml&amp;amp;coll=9"&gt;announced the award&lt;/a&gt; of $3,000 grants to 14 libraries, including the Salem Free Public Library, to assist them with establishing and growing graphic novel collections.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://robot6.comicbookresources.com/2009/10/comics-a-m-the-comics-internet-in-two-minutes-44/"&gt;Kevin Melrose&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Utah online-content company TopTenReviews “&lt;a href="http://robot6.comicbookresources.com/2009/10/toptenreviews-buys-newsarama-and-sibling-sites/"&gt;has purchased&lt;/a&gt; the consumer media division of Imaginova Inc., parent company of Newsarama.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.comicsreporter.com/index.php/a_few_thoughts_on_con_wars_2010/"&gt;Tom Spurgeon&lt;/a&gt; offers a few thoughts on the current convention war between Wizard and Reed Exhibitions, while &lt;a href="http://robot6.comicbookresources.com/2009/10/heroes-con-supercon-make-con-love-not-con-war/"&gt;Sean T collins&lt;/a&gt; offers a reminder that comics-convention organizers don’t have to fight.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.publishersweekly.com/article/CA6703770.html"&gt;Carol Fitzgerald&lt;/a&gt; discusses a Teenreads.com survey on the reading habits of young people, which discovered that 20% of the participants read comics:&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;For those who read graphic novels or manga, the top five genres they enjoy in this format are romance (51%), humor (45%), mystery (33%), sci-fi/fantasy (31%) and action/superhero (26%).&lt;/blockquote&gt;&lt;/p&gt;



&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Consumer news]&lt;/b&gt;&lt;/font&gt; New this week&lt;br&gt;
Link: &lt;a href="http://joglikescomics.blogspot.com/2009/10/consumer-updates-of-all-sorts.html"&gt;Joe McCulloch&lt;/a&gt;, &lt;a href="http://warren-peace.blogspot.com/2009/10/this-week-grooooooo.html"&gt;Matthew Brady&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A look at the best-sounding books scheduled to hit the comics shops tomorrow.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Brian Fies&lt;br&gt;
Link: &lt;a href="http://www.sequentialtart.com/article.php?id=1547"&gt;M.K. Czerwiec&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A chat with the author of &lt;i&gt;Whatever Happened to the World of Tomorrow?&lt;/i&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Seattle Bookfest graphic-novel panel&lt;br&gt;
Link: &lt;a href="http://www.comixology.com/articles/319/Seattle-Bookfest-Graphic-Novel-Panel"&gt;Kristy Valenti&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Megan Kelso, Ellen Forney and Gary Groth sit down to talk comics.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Mome&lt;/i&gt; #16&lt;br&gt;
Link: &lt;a href="http://highlowcomics.blogspot.com/2009/10/back-to-zero-zero-mome-16.html"&gt;Rob Clough&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“One of the best things about &lt;i&gt;Mome&lt;/i&gt; is that, as a reader, I feel like I’m getting work from each artist that’s their ‘A’ material.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/alcolumbiaamnesia.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; The short stories of Al Columbia&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/collect-this-now-the-short-stories-of-al-columbia/"&gt;Chris Mautner&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;An appreciation of the cult-favorite cartoonist’s uncollected works.&lt;/p&gt;
&lt;p&gt;(Above: panel from “Amnesia,” first printed in &lt;i&gt;Zero Zero&lt;/i&gt; #20 and ©1997 Al Columbia.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/crumbwmaggallery.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; R. Crumb on the BBC&lt;br&gt;
Link: &lt;a href="http://www.bbc.co.uk/worldservice/arts/2009/03/000000_strand_friday.shtml"&gt;&lt;i&gt;The Strand&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Historian Paul Gravett appears as well, in the first eight minutes or so in the streaming audio for this U.K. arts program.&lt;/p&gt;
&lt;p&gt;(Above: piece from an &lt;a href="http://www.wmagazine.com/artdesign/2009/11/r_crumb?showall=true"&gt;online gallery&lt;/a&gt; of Crumb’s work. Thanks to Robert Whitaker for e-mailing me the first link.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Charlie Adlard&lt;br&gt;
Link: &lt;a href="http://brokenfrontier.com/lowdown/p/detail/7-horrific-questions-with-charlie-adlard"&gt;Bart Croonenborghs&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A short Q&amp;amp;A with the &lt;i&gt;Walking Dead&lt;/i&gt; artist.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Noir&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.npr.org/templates/story/story.php?storyId=114164218"&gt;Glen Weldon&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“As you might expect, the thrills tend toward the cheap, the &lt;i&gt;femmes&lt;/i&gt; tend toward the &lt;i&gt;fatale&lt;/i&gt;, and Things Are Seldom What They Seem. Within these genre constraints, most of the collection’s authors manage to uncover something new.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Marvel Adventures: Spider-Man&lt;/i&gt; #55&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/face-down-in-mainstream-spider-man.html"&gt;Vom Marlowe&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I hauled it home and read it on the porch, with the dog at my feet, and laughed and laughed.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Blue Beetle: Shellshocked&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/blue-beetle-shellshocked.html"&gt;Noah Berlatsky&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Overall, the visuals have to be endured rather than enjoyed, which makes this a hard comic to recommend, despite the writing’s pleasures.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/ghostmanor2roam.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Steve Ditko’s &lt;i&gt;Ghost Manor&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://diversionsofthegroovykind.blogspot.com/2009/10/diggin-ditko-ghost-manor-tuesday-double.html"&gt;&lt;i&gt;Diversions of the Groovy Kind&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Two wild horror tales from the Spider-Man co-creator.&lt;/p&gt;
&lt;p&gt;(Above: panel from “It Will Roam Tonight,” first published in &lt;i&gt;Ghost Manor&lt;/i&gt; #2 and ©1971 Charlton Press, Inc.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/darkmysteries6revenge.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “Cannibal’s Revenge”&lt;br&gt;
Link: &lt;a href="http://thehorrorsofitall.blogspot.com/2009/10/cannibals-revenge.html"&gt;Karswell&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;There’s something a bit &lt;i&gt;off&lt;/i&gt; about these drawings that makes them perversely fun to look at.&lt;/p&gt;
&lt;p&gt;(Above: sequence from &lt;i&gt;Dark Mysteries&lt;/i&gt; #6, creator[s] unknown; ©1952 Master Comics.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.lelionquirit.com/"&gt;&lt;img src="http://tcj.com/journalista/madbutnotdumb.gif" border="0"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Red Snow&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://blog.newsarama.com/2009/10/26/review-red-snow/"&gt;Michael Lorah&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“Setting all his stories in the pre-industrial Japanese countryside of his own youth, [Susumu] Katsumata’s comics are securely anchored in the details of rural life. Permeated with a sense of melancholy and small-town corruption, each tale beckons readers to explore the darker side of small town life.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/wonderfulworld.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;What a Wonderful World&lt;/i&gt; Vol. 1-2&lt;br&gt;
Link: &lt;a href="http://goodcomics.comicbookresources.com/2009/10/26/danielle-leighs-reading-diary-what-a-wonderful-world-vol-1-and-2/"&gt;Danielle Leigh&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“These stories feature entirely too young drunks, orphaned teenagers, purposeless young adults, lonely sell outs, and those who even lack the wherewithal to sell out. No one seems understands what it means to be happy or even how to wish for happiness.”&lt;/p&gt;
&lt;p&gt;(Above: two-page spread from the first volume, ©2003 Inio Asano.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Recommended horror manga&lt;br&gt;
Link: &lt;a href="http://www.comicsreporter.com/index.php/flipped_david_welsh_and_a_few_friends_on_recommended_spooky_scary_and_super/"&gt;David Welsh&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Will walking fish be the new zombies?”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Small Press/Minicomics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;          &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Denis St. John&lt;br&gt;
Link: &lt;a href="http://groovyageofhorror.blogspot.com/2009/10/monsters-girls-interview-with.html"&gt;Curt Purcell&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A chat with the cartoonist behind &lt;i&gt;Monsters &amp;amp; Girls: Amelia&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Blood Orange&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.eyeoncomics.com/?p=566"&gt;Don MacPherson&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“This one (out of California, I think) is a slice-of-life story based on a poignant premise. That being said, writer Justin Giampaoli and artist Grant Lee offer up some awkward storytelling.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Andrei Molotiu&lt;br&gt;
Link: &lt;a href="http://www.catherinespaeth.com/blog/2009/10/12/abstract-comics-an-interview-with-andrei-molotiu.html"&gt;Catherine Spaeth&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;In which the rules of the abstract comics “game” are discussed.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Craft]&lt;/b&gt;&lt;/font&gt; Formatting digital comics&lt;br&gt;
Link: &lt;a href="http://www.bleedingcool.com/2009/10/26/uncanny-valleygirl-by-alex-de-campi-3-elves-of-death-metal/"&gt;Alex De Campi&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“The first is for iPhone/Android, etc, and is colour at 480×320. This is the acid test — your comic, or the panel you are intending to display, should be legible at about 10-15% smaller than 480×320.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/ballyhoo37diary.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Ballyhoo&lt;/i&gt; 1937&lt;br&gt;
Link: &lt;a href="http://hairygreeneyeball2.blogspot.com/2009/10/ballyhoo-1937.html"&gt;Harry Lee Green&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Humor from seven decades past. &lt;i&gt;Ballyhoo&lt;/i&gt; was a humor magazine founded by George Delacorte (Dell). It was a Depression-era sensation, ending in 1939.”&lt;/p&gt;
&lt;p&gt;(Above: gag panel ©1937 Dell Publishing, Inc.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/tuomasikonenbomb.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Tuomas Ikonen&lt;br&gt;
Link: &lt;a href="http://www.tuomasikonen.com/"&gt;Online portfolio&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Communicative and cute as a button, this is the sort of work that art directors love.&lt;/p&gt;
&lt;p&gt;(Above: Illustration ©2009 Tuomas Ikonen.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/dugaldwalkerrainbowgold.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Dugald Walker’s &lt;i&gt;Rainbow Gold&lt;/i&gt;&lt;br&gt;
Link: Thom Buchanan (&lt;a href="http://mydelineatedlife.blogspot.com/2009/10/rainbow-gold.html"&gt;one&lt;/a&gt;, &lt;a href="http://mydelineatedlife.blogspot.com/2009/10/rainbow-gold-2.html"&gt;two&lt;/a&gt;, &lt;a href="http://mydelineatedlife.blogspot.com/2009/10/rainbow-gold-3.html"&gt;three&lt;/a&gt; and &lt;a href="http://mydelineatedlife.blogspot.com/2009/10/rainbow-gold-4.html"&gt;four&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Illustrations for a 1926 edition of “poems old and new, selected for boys and girls by Sara Teasdale.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
The cast of &lt;i&gt;Star Trek&lt;/i&gt; records an &lt;a href="http://www.youtube.com/watch?v=yB8cH25Uch0"&gt;anti-drug PSA&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://blog.wfmu.org/freeform/2009/10/8-cool-things-on-the-internet-this-week.html"&gt;Kliph Nesteroff&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/tammy1slaves.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
Sequences from the first issue of the weekly comics anthology for U.K. girls, &lt;a href="http://asylums.insanejournal.com/scans_daily/1077907.html"&gt;&lt;i&gt;Tammy&lt;/i&gt;&lt;/a&gt;:&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;i&gt;Tammy&lt;/i&gt; is a typical product of its period, a combination of “Plucky adventurous girl” stories and “Kitchen sink drama”. The stories are all continuing (so you’d be tempted to [buy] #2 I suppose…) and 3 pages each, so in the spirit of SD, I won’t post all of any story, but a sample from a few.&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;(Above: panel from “Slaves of War Orphan Farm,” ©1971 IPC.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 27 (New York City, NY):&lt;/b&gt; &lt;i&gt;Logicomix&lt;/i&gt; co-creator Christos Papadimitriou will discuss the book at Idlewild Books on Nineteenth Street, beginning at 7PM. &lt;a href="http://www.idlewildbooks.com/index"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 27 (Richmond, VA):&lt;/b&gt; R. Crumb will discuss his work, including his new adaptation of Genesis, onstage with Françoise Mouly at the University of Richmond’s Modlin Center for the Arts, beginning at 7:30PM. Admission begins at $19 for the cheap seats. &lt;a href="http://modlin.richmond.edu/contentmgr/showdetails.php/id/2225/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 28 (Ashland, VA):&lt;/b&gt; Noah Berlatsky will lecture on Wonder Woman in the Old Chapel’s Topping Room at Randolph-Macon College, from 7:30-9PM. Admission is free and open to the public. &lt;a href="http://www.rmc.edu/News/09-09-21%20Bound%20for%20Feminism.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 29 (Ann Arbor, MI):&lt;/b&gt; Peter Kuper will deliver a visual presentation and lecture in the University of Michigan’s Hatcher Graduate Library on University Avenue, from 7-8:30PM. &lt;a href="http://www.lib.umich.edu/mlibrarys-gallery-room-100/events/revolutions-and-art-comics-and-political-art"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 29 (Los Angeles, CA):&lt;/b&gt; R. Crumb will discuss his work, including his new adaptation of Genesis, onstage with Françoise Mouly at UCLA’s Royce Hall on Royce Drive, beginning at 8PM. Admission begins at $36 for the cheap seats. &lt;a href="http://www.uclalive.org/event.asp?Event_ID=676"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 31 (Toronto, Ontario):&lt;/b&gt; R.O. Blechman and Seth talk comics in the Brigantine Room of the Harbourfront Centre on Queens Quay West, beginning at noon. Admission is $15. &lt;a href="http://www.readings.org/?q=ifoa/interview_r_o_blechman_seth_by_sean_rogers"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 31 (San Francisco, CA):&lt;/b&gt; R. Crumb will discuss his work, including his new adaptation of Genesis, onstage with Françoise Mouly at the Jewish Community Center of San Francisco on California Street, beginning at 8PM. Admission is $35 for the general public. &lt;a href="http://www.jccsf.org/content_main.aspx?catid=542#3197"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 1 (Albany, NY):&lt;/b&gt; The Albany Comic Con takes place at the Holiday Inn on Wolf Road, from 10AM-4PM. Admission is $3. Guests onclude Joe Sinnott, Joe Staton and Herb Trimpe. &lt;a href="http://www.myspace.com/comicbookshow"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256577217799"><id gr:original-id="http://tcj.com/journalista/?p=1086">tag:google.com,2005:reader/item/dc6c181a7211bf69</id><category term="News Round-Up" /><title type="html">Oct. 26, 2009: Interesting model</title><published>2009-10-26T17:01:01Z</published><updated>2009-10-26T17:01:01Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1086" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“Interesting model, treating the online much like the phonebook-sized manga anthologies that release weekly in Japan, but are seen as a disposable means of driving readers to the collections.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://www.fleen.com/archives/2009/10/23/far-corners/"&gt;Gary Tyrrell&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;a href="http://www.wtvq.com/news/672-librarians-wont-give-child-porn-book"&gt;WTVQ News&lt;/a&gt; reports that in Nicholasville, Kentucky, two librarians have been fired after refusing to allow an eleven-year-old girl to check out a volume of Alan Moore and Kevin O’Neill’s &lt;i&gt;League of Extraordinary Gentleman&lt;/i&gt;. As &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/10/carnival_of_souls_338.html"&gt;Sean T. Collins&lt;/a&gt; notes, “Regardless of the wisdom of letting your 11-year-old read Alan Moore’s Mina Murray/Allan Quartermain May-December fanfic, you have to admit it’s delightful to see the kinds of nitwits who’d label this book ‘pornographic’ get shitcanned for it.”&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;img src="http://tcj.com/journalista/choiinsult.jpg" border="0" align="right"&gt;In South Korea, “a cartoonist who drew a cartoon bearing an abusive word directed toward President Lee Myung-bak in a local public relations paper was asked to &lt;a href="http://www.koreatimes.co.kr/www/news/nation/2009/10/113_54222.html"&gt;pay indemnities&lt;/a&gt; of 20 million won ($17,000) by a court.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Right: the cartoon in question, ©2009 Choi.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.publishersweekly.com/article/CA6703587.html"&gt;Jim Milliot&lt;/a&gt; notes that Amazon.com announced upbeat Q3 results:&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;The results appear to have been driven by the Kindle. Although no sales figures were released, Amazon chairman Jeff Bezos said in a statement that the e-reader “has become the #1 bestselling item by both unit sales and dollars — not just in our electronics store but across all product categories on Amazon.com. It’s also the most wished for and the most gifted.”&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.graphicnovelreporter.com/content/robert-weil-beyond-pages"&gt;John Hogan&lt;/a&gt; speaks with W.W. Norton executive editor Robert Weil about the publisher’s graphic-novel line.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://robot6.comicbookresources.com/2009/10/comics-a-m-the-comics-internet-in-two-minutes-43/"&gt;Kevin Melrose&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.bleedingcool.com/2009/10/23/con-wars-wizard-vs-reed-where-did-it-begin/"&gt;Rich Johnston&lt;/a&gt; attempts to map the origins of Wizard’s War with Reed Exhibitions.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://jhuniverse.blogspot.com/2009/10/rich-hafstead-my-partner.html"&gt;Jim Hanley&lt;/a&gt; eulogizes Rich Hafstead, his recently deceased partner in the Jim Hanley’s Universe comics-shop chain in New York City.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.icaruscomics.com/wp_web/?p=3446"&gt;Simon Jones&lt;/a&gt; notes that the new Barnes &amp;amp; Noble Nook e-reader isn’t even remotely configured for comics:&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;Some disappointments… zoom function is not available for viewing PDF documents (and perhaps, images), and there is no folder architecture, a very surprising oversight. If these are still true when nook launches on November 30th, that means a few things… comics that are unreadable at the nook’s native resolution of 600×800 must either be broken down (i.e. reflowed) into individual panels, which is already commonly done for manga on cellphones, or the size of the lettering must be tweaked. Also, users who wish to port their CBR or CBZ files to the nook cannot simply unpack those files into a folder, they will need to be converted to a single PDF or other supported eBook format. Converting a set of images to PDF is actually rather easy (and only slightly less so for ePub), with no degradation in visual quality (images in most PDFs are basically JPEGs to begin with, while ePub is a zip file with support for JPEG, PNG, and GIF), but some may still see this as an unnecessary and indefensible nuisance.&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;Also via Jones: Drawing porn is &lt;a href="http://www.alligator.org/the_avenue/sex/article_0746644a-beab-11de-b304-001cc4c002e0.html"&gt;harder than it looks&lt;/a&gt;. Sorry, had to get that one in.
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Oh, hey: Simon Jones &lt;a href="http://www.icaruscomics.com/wp_web/?p=3471"&gt;&lt;i&gt;also&lt;/i&gt; catches&lt;/a&gt; the news that Japanese manga-publishing titan Shogakukan will be closing down three comics magazines.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://online.wsj.com/article/SB125627260506603407.html?mod=googlenews_wsj"&gt;Gaurav Jain&lt;/a&gt; examines India’s comic-book industry, and finds it wanting:&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;India, too, has a long history of comics, going as far back as the 1940’s. Yet Indian comics have unfortunately had no such zenith accorded to them. The industry has continued to move sideways rather than forward with its low production values and ham-fisted content, often just ripped off from the west to suit a local reader.&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.eurogamer.net/articles/digital-survival-article"&gt;Is this&lt;/a&gt; the future of the Direct Market?&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://games.slashdot.org/story/09/10/25/1425248/Game-Retailers-Facing-Digital-Distribution-Transition"&gt;&lt;i&gt;Slashdot&lt;/i&gt;&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23435"&gt;Brian Hibbs&lt;/a&gt; offers a defense of Diamond Comics Distributors.&lt;/li&gt;



&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Eddie Campbell&lt;br&gt;
Link: &lt;a href="http://www.avclub.com/articles/eddie-campbell,34501/"&gt;Leonard Pierce&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The author of &lt;i&gt;The Years Have Pants&lt;/i&gt; discusses his work.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Guy Delisle&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/26/interview-guy-delisle-pt-3-of-4/"&gt;Brian Heater&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Third installment of a four-part conversation with the cartoonist behind &lt;i&gt;Burma Chronicles&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Years of the Elephant&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.paulgravett.com/index.php/articles/article/willy_linthout/"&gt;Paul Gravett&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A look at Flemish cartoonist Willy Linthout’s forthcoming English-language debut, a book about the sucide of his son.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/crumbgenesisark.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Book of Genesis Illustrated&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.nytimes.com/2009/10/25/books/review/Hajdu-t.html"&gt;David Hajdu&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Crumb’s book is serious and, for Crumb, restrained. He resists the temptation to go all-out Crumb on us and exaggerate the sordidness, the primitivism and the outright strangeness (by contemporary standards) of parts of the text. What is Genesis about, after all, but resisting temptation?”&lt;/p&gt;
&lt;p&gt;&lt;a href="http://comicscomicsmag.blogspot.com/2009/10/cynicalnaive.html"&gt;Dan Nadel&lt;/a&gt; offers a rebuttal.&lt;/p&gt;
&lt;p&gt;(Above: panel from the book, ©2009 R. Crumb.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/robot-reviews-stitches-monsters/"&gt;Chris Mautner&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Under examination: David Small’s &lt;i&gt;Stitches&lt;/i&gt; and Ken Dahl’s &lt;i&gt;Monsters&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Oddity]&lt;/b&gt;&lt;/font&gt; The winding road to Diddie-Wa-Diddie&lt;br&gt;
Link: &lt;a href="http://www.comixology.com/articles/318/The-Winding-Road-to-Diddie-Wa-Diddie"&gt;Joe McCulloch&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A porn film featuring Mr. Natural and the Fabulous Furry Freak Brothers? According to McCulloch, it exists.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Cat Burglar Black&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.omnivoracious.com/2009/10/graphic-novel-friday-richard-salas-cat-burglar-black.html"&gt;Jeff VanderMeer&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Richard Sala’s latest book is “a charming and stylish escapade.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Invincible Iron Man&lt;/i&gt; #19&lt;br&gt;
Link: &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/10/comics_time_invincible_iron_ma_2.html"&gt;Sean T. Collins&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“It’s been a long time since I read superhero comic that wasn’t by Grant Morrison more than once out of enthusiasm rather than confusion. But golly, I enjoyed this one, and I enjoyed it just as much the second time around.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Dungeon: The Early Years Vol. 2: Innocence Lost&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://highlowcomics.blogspot.com/2009/10/dream-team-dungeon-early-years-volume-2.html"&gt;Rob Clough&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“This volume marked the first time I wished that NBM could have kept the larger page format. There are some spectacular action scenes that felt cramped shrunk down to a smaller size, and other pages crammed with panels that felt similarly claustrophobic.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://www.factualopinion.com/the_factual_opinion/2009/10/24cotw.html"&gt;Tucker Stone&lt;/a&gt;, &lt;a href="http://ifdestroyed.blogspot.com/2009/10/x-axis-25-october-2009.html"&gt;Paul O’Brien&lt;/a&gt;, &lt;a href="http://www.eyeoncomics.com/?p=557"&gt;Don MacPherson&lt;/a&gt; and the &lt;a href="http://www.avclub.com/articles/october-23-2009,34505/"&gt;&lt;i&gt;A.V. Club&lt;/i&gt;&lt;/a&gt;’s circle of critics&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Not necessarily beautiful, but &lt;i&gt;mutated&lt;/i&gt;…”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/advintounknown108little.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; John Buscema’s &lt;i&gt;Adventures Into the Unknown&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://pappysgoldenage.blogspot.com/2009/10/number-616-buscema-acg-i-dont-need-to.html"&gt;Pappy&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Two stories from the prolific comic-book artist’s early career.&lt;/p&gt;
&lt;p&gt;(Above: splash panel from &lt;i&gt;Adventures Into the Unknown&lt;/i&gt; #108, ©1959 Best Syndicated Features, Inc.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.lelionquirit.com/"&gt;&lt;img src="http://tcj.com/journalista/madbutnotdumb.gif" border="0"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Akiko Morishima&lt;br&gt;
Link: &lt;a href="http://okazu.blogspot.com/2009/10/interview-with-yuri-manga-artist.html"&gt;Erica Friedman&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A Q&amp;amp;A with “one of the most prolific and popular Yuri manga artists.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Pluto&lt;/i&gt; Vol. 5&lt;br&gt;
Link: &lt;a href="http://warren-peace.blogspot.com/2009/10/pluto-too-much-philosophical-pondering.html"&gt;Matthew Brady&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“The great thing about science fiction is that while it can ostensibly be about fantastical concepts and futuristic technology, it’s often at its best when examining the nature of humanity itself, whether through symbols or by placing people in an unfamiliar situation that can provoke thought about how they would react. That’s exactly what Naoki Urasawa does in this series, following in Osamu Tezuka’s lead after he spent a career doing much the same thing.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/twentcentboys3run.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;20th Century Boys&lt;/i&gt; Vol. 3&lt;br&gt;
Link: &lt;a href="http://nonsensicalwords.blogspot.com/2009/10/20th-century-boys-vol-3.html"&gt;Michael Buntag&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Speaking of Naoki Urasawa…&lt;/p&gt;
&lt;p&gt;(Above: panel from the comic, ©2000 Naoki Urasawa/Studio Nuts.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Japan as Viewed By 17 Creators&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.readaboutcomics.com/2009/10/26/japan-as-viewed-by-17-creators/"&gt;Greg McElhatton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“It’s an ambitious, far-reaching project, with half of the creators flying over to Japan in order to learn about their assigned spot and then trying to convey its charms to the reader. What I found, though, was that some creators who I’d expected great things from didn’t quite hit the mark, while others surprised me with their strong contributions.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Domu: A Child’s Dream&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://mangacritic.com/?p=2260"&gt;Katherine Dacey&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Though both manga include elements of horror and science fiction, the two are utterly different in approach: &lt;i&gt;Akira&lt;/i&gt; is sweeping, grand, and allegorical, whereas &lt;i&gt;Domu&lt;/i&gt; is compact, a taut psychological thriller that unfolds in a mere 230 pages.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Misadventures of Jane&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://downthetubescomics.blogspot.com/2009/10/in-review-misadventures-of-jane.html"&gt;John Freeman&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“Charts some of the cartoon (mis)adventures of Britain’s first and best-loved World War 2 pin-up — the scintillating, blue eyed, blonde-haired, clothes-phobic cartoon legend that is Lady Jane Gay.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/jackieormesolddoc.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; Jackie Ormes on film&lt;br&gt;
Link: &lt;a href="http://www.youtube.com/watch?v=xqfgmNasqGE"&gt;YouTube&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Footage from the 1953 documentary &lt;i&gt;One Tenth of a Nation&lt;/i&gt;, by the African-American film company American Newsreel.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video. Link via &lt;a href="http://mikelynchcartoons.blogspot.com/2009/10/video-jackie-ormes.html"&gt;Mike Lynch&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Digital Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “The Harappa Files”&lt;br&gt;
Link: &lt;a href="http://www.spiked-online.com/index.php/censorshipcomic/image_full/89"&gt;Sarnath Banerjee&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/sarnathbanerjeeharappafiles.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;The author of &lt;i&gt;Barn Owl’s Wondrous Capers&lt;/i&gt; illustrates how a porn-comics website “got the censors hot under the collar.”&lt;/p&gt;
&lt;p&gt;(Above: panel from the strip, ©2009 Sarnath Banerjee.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Small Press/Minicomics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;          &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Nine Gallons&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.poopsheetfoundation.com/profiles/blogs/review-nine-gallons"&gt;Henry Chamberlain&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“You can’t make these people up. Well, you can, but it’s so true that truth is stranger than fiction. Raj is the first and most important member of the group that Susie meets as a volunteer for Food Not Bombs. Raj speaks very abruptly and, although quite humorless, steals each panel he’s a part of in Susie Cagle’s wonderful mini comic, &lt;i&gt;Nine Gallons&lt;/i&gt;.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Al Williamson&lt;br&gt;
Link: &lt;a href="http://www.linesandcolors.com/2009/10/23/al-williamson/"&gt;Charley Parker&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A look back at the art and career of the master adventure cartoonist.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/gahanwilsonplayboyprimecuts.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Gahan Wilson’s &lt;i&gt;Playboy&lt;/i&gt; cartoons&lt;br&gt;
Link: &lt;a href="http://goldenagecomicbookstories.blogspot.com/2009/10/gahan-wilson-assotment-of-cartoons-from.html"&gt;&lt;i&gt;Golden Age Comic Book Stories&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Need I say more?

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Comics in the closet&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/comics-in-closet-part-3.html"&gt;Noah Berlatsky&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“So, for example, Clark Kent’s relationship with Superman can be seen as erotic, in that Superman can be seen fairly easily as a power fantasy; Clark desires to be Superman. That’s erotic — and since they’re both men, it can be read as homoerotic (and when I say ‘can be read’ I mean it can be read that way not just by me but by Clark and to some extent by his creators.) Similarly, Lois desires to humiliate Clark — that’s erotic. Superman desires to humiliate Lois — again, that’s erotic — and, obviously, sado-masochistic.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
&lt;a href="http://www.buzzmachine.com/2009/10/23/howard-stern-3-0-the-future-of-entertainment/"&gt;Jeff Jarvis&lt;/a&gt; on radio personality Howard Stern’s future with the Internet. No, seriously, it’s an interesting, practical example of how people with a bit of branding to their names can cut out the middleman in the digital world.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/gyosharkattack.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
Three pages from Junji Ito’s &lt;a href="http://asylums.insanejournal.com/scans_daily/1106293.html"&gt;&lt;i&gt;Gyo&lt;/i&gt;&lt;/a&gt;.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: C’mon, three pages is really all you need for a shark attack in a building, right? Sequence ©2009 Junji Ito.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 27 (New York City, NY):&lt;/b&gt; &lt;i&gt;Logicomix&lt;/i&gt; co-creator Christos Papadimitriou will discuss the book at Idlewild Books on Nineteenth Street, beginning at 7PM. &lt;a href="http://www.idlewildbooks.com/index"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 27 (Richmond, VA):&lt;/b&gt; R. Crumb will discuss his work, including his new adaptation of Genesis, onstage with Françoise Mouly at the University of Richmond’s Modlin Center for the Arts, beginning at 7:30PM. Admission begins at $19 for the cheap seats. &lt;a href="http://modlin.richmond.edu/contentmgr/showdetails.php/id/2225/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 28 (Ashland, VA):&lt;/b&gt; Noah Berlatsky will lecture on Wonder Woman in the Old Chapel’s Topping Room at Randolph-Macon College, from 7:30-9PM. Admission is free and open to the public. &lt;a href="http://www.rmc.edu/News/09-09-21%20Bound%20for%20Feminism.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 29 (Los Angeles, CA):&lt;/b&gt; R. Crumb will discuss his work, including his new adaptation of Genesis, onstage with Françoise Mouly at UCLA’s Royce Hall on Royce Drive, beginning at 8PM. Admission begins at $36 for the cheap seats. &lt;a href="http://www.uclalive.org/event.asp?Event_ID=676"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 31 (Toronto, Ontario):&lt;/b&gt; R.O. Blechman and Seth talk comics in the Brigantine Room of the Harbourfront Centre on Queens Quay West, beginning at noon. Admission is $15. &lt;a href="http://www.readings.org/?q=ifoa/interview_r_o_blechman_seth_by_sean_rogers"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 31 (San Francisco, CA):&lt;/b&gt; R. Crumb will discuss his work, including his new adaptation of Genesis, onstage with Françoise Mouly at the Jewish Community Center of San Francisco on California Street, beginning at 8PM. Admission is $35 for the general public. &lt;a href="http://www.jccsf.org/content_main.aspx?catid=542#3197"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;November 1 (Albany, NY):&lt;/b&gt; The Albany Comic Con takes place at the Holiday Inn on Wolf Road, from 10AM-4PM. Admission is $3. Guests onclude Joe Sinnott, Joe Staton and Herb Trimpe. &lt;a href="http://www.myspace.com/comicbookshow"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256313391031"><id gr:original-id="http://tcj.com/journalista/?p=1078">tag:google.com,2005:reader/item/5c54e4fc2c59456b</id><category term="News Round-Up" /><title type="html">Oct. 23, 2009: A stamp-sized comic</title><published>2009-10-23T14:59:00Z</published><updated>2009-10-23T14:59:00Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1078" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“Henry Allen’s patience is shrinking like a stamp-sized comic. Pica by evaporating pica, the funnypages are testing his will to read.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://voices.washingtonpost.com/comic-riffs/2009/10/when_the_incredible_shrinking.html"&gt;Michael Cavna&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;img src="http://tcj.com/journalista/jommekeright.jpg" border="0" align="right"&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;a href="http://www.comicsreporter.com/index.php/jef_nys_1927_2009/"&gt;Tom Spurgeon&lt;/a&gt; reports the death of Belgian cartoonist Jef Nys, at the age of 82.&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;(Right: Nys’ most popular creation, &lt;a href="http://en.wikipedia.org/wiki/Jommeke"&gt;Jommeke&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; In New Glasgow, Nova Scotia, a pair of twin brothers has been sentenced to three months in jail over “possession of child pornography”:&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;Most of the images downloaded onto home computers by David Scott Hammond and James Cory Hammond, 20, of New Glasgow were drawn in the Japanese style known as anime or manga.&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;This popular style of drawing is featured in a number of cartoons and comic books, but the kind the brothers downloaded onto their home computers was pornographic because it depicted drawings of children in sexual situations.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.animevice.com/news/canada-on-manga-kiddy-porn-handley-update/2795/"&gt;Gia Manry&lt;/a&gt; has further commentary.&lt;/p&gt;
&lt;p&gt;(Both links via &lt;a href="http://www.icaruscomics.com/wp_web/?p=3442"&gt;Simon Jones&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; “Morocco on Thursday &lt;a href="http://www.middle-east-online.com/english/?id=35188"&gt;blocked distribution&lt;/a&gt; of the Thursday and Friday editions of the French newspaper &lt;i&gt;Le Monde&lt;/i&gt; over cartoons deemed unrespectful to the royal family, a senior Moroccan official said.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; “The American Booksellers Association [...] has asked the department of justice to investigate Amazon, Walmart, and Target” over allegations of “illegal predatory pricing,” according to &lt;a href="http://www.icv2.com/articles/news/16089.html"&gt;&lt;i&gt;ICv2&lt;/i&gt;&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Nickelodeon has &lt;a href="http://www.reuters.com/article/pressRelease/idUS136549+21-Oct-2009+PRN20091021"&gt;acquired the global rights&lt;/a&gt; to the Teenage Mutant Ninja Turtles in their entirety from The Mirage Group and 4Kids Entertainment, Inc.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.cartoonbrew.com/tv/meet-the-new-nicktoon.html"&gt;Jerry Beck&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://robot6.comicbookresources.com/2009/10/brian-michael-bendis-con-war-conscientious-objector-and-other-dispatches-from-the-front-line/"&gt;Sean T. Collins&lt;/a&gt; has the latest developments in Wizard’s convention grudge war against Reed Exhibitions’ pop-culture events.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.bleedingcool.com/2009/10/22/vertigo-crime-ad-and-its-a-crime/"&gt;Rich Johnston&lt;/a&gt; is less than impressed with the Vertigo Crime television ad.&lt;/li&gt;



&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Imposter’s Daughter&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/review-laurie-sandells-impostors.html"&gt;Ng Suat Tong&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“There are certain standards which can be applied across all playing fields and [Laurie] Sandell’s comic clearly comes up short when these are applied.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/giraffesinmyhairhitchhike.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Giraffes in My Hair: A Rock ‘N’ Roll Life&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://graphicnyc.blogspot.com/2009/10/graphically-speaking-giraffes-in-my.html"&gt;Jared Gniewek&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“It is a trough of information… of impressions of a world we who grew up in the counterculture of the nineties can barely understand. Every generation must struggle to create that which is taken for granted by the following one. Being a hippie or a punk nowadays, for example, is as easy as a self proclamation and a trip to a shopping mall. Being a hippie or a punk got guys my age beaten up in high school, it got guys Bruce’s age dead.”&lt;/p&gt;
&lt;p&gt;(Above: sequence from the book, ©2009 Bruce Paley and Carol Swain.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Book of Genesis Illustrated&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.newsweek.com/id/219002"&gt;Malcolm Jones&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Without a trace of irony, and certainly no mockery, Crumb delivers a literal — one might even say traditional — rendition of the events in the Judeo-Christian account of Creation and its aftermath.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Stitches&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.comicmix.com/news/2009/10/22/review-stitches-by-david-small-a-comics-memoir-of-an-amazingly-bad-childhood/"&gt;Andrew Wheeler&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;David Small’s novel “feels like a book of short stories at times, as threads are picked up, important for a dozen or two pages, and then drop away again.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Chris Wisnia&lt;br&gt;
Link: &lt;a href="http://www.comicon.com/new/ubb/ubbthreads.php?ubb=showflat&amp;amp;Number=559462#Post559462"&gt;Jennifer Contino&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;An interview with the &lt;i&gt;Doris Danger&lt;/i&gt; cartoonist.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Jeff Smith in San Francisco&lt;br&gt;
Link: &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23409"&gt;J.K. Parkin&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A report from the &lt;i&gt;Bone&lt;/i&gt; creator’s panel at last weekend’s Alternative Press Expo in California.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Best of Battle&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://downthetubescomics.blogspot.com/2009/10/in-review-best-of-battle.html"&gt;John Freeman&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“For the casual reader who may remember the comic this is a good purchase with its wide range of stories and its cheap price.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;West Coast Blues&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.readaboutcomics.com/2009/10/23/west-coast-blues/"&gt;Greg McElhatton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I feel a little guilty for having not pursued Tardi’s works more in the past fifteen years, but on the plus side it was well worth the wait.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://www.the-isb.com/?p=2476"&gt;Chris Sims&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Criticism: How to avoid thinking about comics for yourself.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/talesofvoodoov5n1merchant.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Tales of Voodoo&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://magiccarpetburn.blogspot.com/2009/10/tales-of-voodoo-scales-of-death.html"&gt;Prof. Grewbeard&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Not the first Eerie Publications mag I ever saw or read but the first one I ever bought and brought home with me, it freaked me out good ‘n’ proper, especially these two tales of tacky terror…”&lt;/p&gt;
&lt;p&gt;(Above: sequence from “The Nightmare Merchant” from &lt;i&gt;Tales of Voodoo&lt;/i&gt; Vol. 5 #1, creator[s] unknown, ©1972 Eerie Publications.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.lelionquirit.com/"&gt;&lt;img src="http://tcj.com/journalista/madbutnotdumb.gif" border="0"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Rumiko Takahashi&lt;br&gt;
Link: &lt;a href="http://www.shonensunday.com/articles/003/index.shtml"&gt;&lt;i&gt;Shonen Sunday&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A Q&amp;amp;A with one of the world’s most popular cartoonists.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Akira&lt;/i&gt; Vol. 1&lt;br&gt;
Link: &lt;a href="http://mangacritic.com/?p=2250"&gt;Katherine Dacey&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I was pleasantly surprised to discover that [Katsuhiro] Otomo’s epic tale works better on the page than it does on the screen, though it’s easy to see why Otomo felt the lengthy motorcycle chases and fight scenes were swell fodder for a movie.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;img src="http://tcj.com/journalista/tripletboys1905right.jpg" border="0" align="right"&gt;&lt;br&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Triplet Boys&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.barnaclepress.com/list.php?directory=TripletBoys"&gt;Barnacle Press&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Hy Leonard’s 1905 strip “definitely has a look of its own.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Digital Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Fart Party&lt;/i&gt; Vol. 2&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/22/the-fart-party-vol-2-by-julia-wertz/"&gt;Jillian Steinhauer&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Julia Wertz’ second collection “is still incredibly amusing and a lot of fun, but sometimes it just feels like more of the same.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Leigh Rubin in Oregon&lt;br&gt;
Link: &lt;a href="http://www.nrtoday.com/article/20091022/NEWS/910229994/1063/NEWS&amp;amp;ParentProfile=1055"&gt;Heather Morse&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The creator of the newspaper gag panel &lt;i&gt;Rubes&lt;/i&gt; makes an appearance in Roseburg, and Morse was there.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/rodolfodamaggiooverpass.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Rodolfo Damaggio&lt;br&gt;
Link: &lt;a href="http://homepage.mac.com/damaggio/PhotoAlbum18.html"&gt;Online portfolio&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Described by &lt;a href="http://drawn.ca/2009/10/22/concept-artist-rodolfo-damaggio/"&gt;Leif Peng&lt;/a&gt; as “one of the most impressive illustrators working in film production today.”&lt;/p&gt;
&lt;p&gt;(Above: piece for a project still in development, ©2009 Rodolfo Damaggio.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/lowellhesscolliersspot.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Praise for the little things&lt;br&gt;
Link: Leif Peng (&lt;a href="http://todaysinspiration.blogspot.com/2009/10/rockwell-to-parker-praise-for-little.html"&gt;one&lt;/a&gt;, &lt;a href="http://todaysinspiration.blogspot.com/2009/10/lowell-hess-in-praise-of-little-things.html"&gt;two&lt;/a&gt;, &lt;a href="http://todaysinspiration.blogspot.com/2009/10/praise-for-little-things-paperback-book.html"&gt;three&lt;/a&gt; and &lt;a href="http://todaysinspiration.blogspot.com/"&gt;counting&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Speaking of whom: This week, Peng spotlights seemingly generic bits of commercial illustration that nonetheless display great creativity and craftsmanship.&lt;/p&gt;
&lt;p&gt;(Above: spot illo from an early-1950s issue of &lt;i&gt;Collier’s&lt;/i&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedioa]&lt;/b&gt;&lt;/font&gt; Comics-related podcasts&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; This week on &lt;i&gt;Inkstuds&lt;/i&gt;: conversations with &lt;i&gt;Masterpiece Comics&lt;/i&gt; cartoonist &lt;a href="http://inkstuds.com/?p=2414"&gt;R. Sikoryak&lt;/a&gt; (58.3MB), &lt;i&gt;Beasts of Burden&lt;/i&gt; creators &lt;a href="http://inkstuds.com/?p=2421"&gt;Jill Thompson and Evan Dorkin&lt;/a&gt; (55.2MB) and &lt;i&gt;Manga Kamishibai&lt;/i&gt; author &lt;a href="http://inkstuds.com/?p=2419"&gt;Eric Nash&lt;/a&gt; (35.4MB).&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; The &lt;a href="http://comixclaptrap.podomatic.com/entry/eg/2009-10-21T09_16_07-07_00"&gt;&lt;i&gt;Comix Claptrap&lt;/i&gt;&lt;/a&gt; returns for a second season in grand style, with &lt;i&gt;Love and Rockets&lt;/i&gt; co-creator Jaime Hernandez serving as special guest (47.5MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://panelborders.wordpress.com/2009/10/22/panel-borders-eclectic-micks-and-stars-of-solipsistic-pop/"&gt;&lt;i&gt;Panel Borders&lt;/i&gt;&lt;/a&gt;‘ Alex Fitch speaks with the Electric Micks cartooning collective, as well as with some of the folks behind the &lt;i&gt;Solipsistic Pop&lt;/i&gt; anthology (51.4MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Writer Tom Peyer is the guest on the latest &lt;a href="http://warrocketajax.com/2009/10/19/episode-9-championship-edition-w-tom-peyer/"&gt;&lt;i&gt;War Rocket Ajax&lt;/i&gt;&lt;/a&gt; (78.8MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; The &lt;a href="http://thecomiccast.com/2009/10/20/comic-cast-live-panel-getting-started-in-small-press-web-comics/"&gt;&lt;i&gt;Comic Cast&lt;/i&gt;&lt;/a&gt; presents a panel discussion on starting out in small-press comics, featuring Philip Barrett, Hilary Lawlor and Paddy Brown (24.8MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Dale Lazarov talks about the challenges of writing erotic comics in the &lt;a href="http://deconstructingcomics.com/?p=193"&gt;&lt;i&gt;Deconstructing Comics&lt;/i&gt;&lt;/a&gt; (47.4MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Alex Robinson and Mike Dawson present another episode of the &lt;a href="http://www.mikedawsoncomics.com/the-ink-panthers-show-episode-xx/"&gt;&lt;i&gt;Ink Panthers Show&lt;/i&gt;&lt;/a&gt; (35.8MB).&lt;/li&gt;

&lt;p&gt;All podcasts are available in downloadable MP3 audiofile format.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
“Perhaps in an effort to rehabilitate the United States’ image in the Muslim world, the Obama administration has joined a U.N. effort to &lt;a href="http://blogs.usatoday.com/oped/2009/10/column-just-say-no-to-blasphemy-laws-.html"&gt;restrict religious speech&lt;/a&gt;.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/madmancomicsmrrobot.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
You know who’s awesome? &lt;a href="http://asylums.insanejournal.com/scans_daily/1128046.html"&gt;Dr. Robot!&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Incidentally: It looks like Scans_Daily &lt;a href="http://asylums.insanejournal.com/scans_daily/1126436.html"&gt;will be moving again&lt;/a&gt;, sometime soon.&lt;/p&gt;
&lt;p&gt;(Above: sequence from an unidentified issue of &lt;i&gt;Madman Comics&lt;/i&gt;, ©1999 Bernie Mireault.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 23 (Boston, MA):&lt;/b&gt; Tim Fish and Abby Denson will appear at Comicopia on Commonwealth Avenue, from 1-4PM. &lt;a href="http://www.comicopia.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 23 (Portland, ME):&lt;/b&gt; Tim Fish, Abby Denson and Hugh Tims will appear at Casablanca Comics on Middle Street, from 6-8PM. &lt;a href="http://www.casablancacomics.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 23 (New York City, NY):&lt;/b&gt; R. Crumb discusses his work with &lt;i&gt;New Yorker&lt;/i&gt; art director Françoise Mouly at Barnes &amp;amp; Noble on Seventeenth Street, beginning at 7PM. &lt;a href="http://store-locator.barnesandnoble.com/event/61918"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;&lt;/ul&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This weekend:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 24-25 (London, England):&lt;/b&gt; The London MCM Expo happens at Excel London. Guests include Gary Millidge, Al Davison, Kieron Gillen, Jamie McKelvie, Emma Vieceli, Marc Ellerby and many others. &lt;a href="http://www.londonexpo.com/show_features/comic_village__expo.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 24 (Poughkeepsie, NY):&lt;/b&gt; Cartoonist R.O. Blechman will discuss his work at Oblong Books &amp;amp; Music on Montgomery Street, beginning at 7:30PM. &lt;a href="http://www.poughkeepsiejournal.com/article/20091021/NEWS01/910210316/1006/Cartoonist-Blechman-to-speak-at-Oblong-Books"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Portland, OR/Flemington, NJ):&lt;/b&gt; Iiiiiiiiit’s Wonder Woman Day! All kinds of things are happening. &lt;a href="http://www.wonderwomanmuseum.com/WWDay4/WWDay4.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Teaneck, NJ):&lt;/b&gt; &lt;i&gt;The Big Khan&lt;/i&gt; writer Neil Kleid will be signing books and meeting readers at A&amp;amp;S Comics &amp;amp; Cards on Cedar Lane, beginning at noon. &lt;a href="http://nbmpub.com/blog/2009/10/19/kleid-signing-the-big-kahn-in-teaneck-nj-1025-12pm/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Carrboro, NC):&lt;/b&gt; The October meeting of the North Carolina WebComic Coffee Clatch takes place at Jesse’s Coffee &amp;amp; Bar on Main Street, from 2-4PM. &lt;a href="http://ncwccc.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; An Irish wake will be held for retailer Rich Hafstead at Jim Hanley’s Universe on 33rd Street, beginning at 3PM. &lt;a href="http://jhuniverse.blogspot.com/2009/10/remembering-rich-hafstead.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Washington DC):&lt;/b&gt; &lt;i&gt;Fun Home&lt;/i&gt; author Alison Bechdel will lecture at the Katzen Arts Center’s Abramson Family Recital Hall on Massachusetts Avenue, from 3-4:30PM. &lt;a href="http://www.american.edu/cas/literature/colloquium/index.cfm"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; Marc Bell makes an appearance at Brooklyn’s own Desert Island on Metropolitan Avenue, from 5-7PM. &lt;a href="http://www.desertislandbrooklyn.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Minneapolis, MN):&lt;/b&gt; John Porcellino and Zak Sally will hold a book-release party at Big Brain Comics on Washington Avenue, from 5-7:30PM. &lt;a href="http://lamano21slog.blogspot.com/2009/10/john-pmap-of-my-heartzak-sallylike-dog.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; &lt;i&gt;Dolltopia&lt;/i&gt; author Abby Denson will give a multimedia presentation at the Wonderland Beauty Parlor on Thirteenth Street, from 6-8PM. &lt;a href="http://www.wonderlandbeautyparlor.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Richmond, VA):&lt;/b&gt; Chris Pitzer moderates a panel discussion on comics featurting Gabrielle Bell, Kim Deitch, Hope Larson and Anders Nilsen at the University of Richmond’s Modlin Center for the Arts on Three Chopt Road, beginning at 7PM. Admission is free. &lt;a href="http://modlin.richmond.edu/contentmgr/showdetails.php/id/2320/cid/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256225202601"><id gr:original-id="http://tcj.com/journalista/?p=1075">tag:google.com,2005:reader/item/e6ef138c1878e467</id><category term="News Round-Up" /><title type="html">Oct. 22, 2009: Shared memories</title><published>2009-10-22T15:16:59Z</published><updated>2009-10-22T15:16:59Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1075" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“People are always coming and going in comics. Communities are accidents that happen once in a while when a critical mass of like-minded artists stay in one physical or virtual place long enough to fall into each others’ orbits. They’re never permanent, but you can tell when they start generating the kinds of shared memories that will eventually earn that time and place a name — at least for those who were part of it.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://scottmccloud.com/2009/10/21/snapshot/"&gt;Scott McCloud&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“Top Cow does intentionally place sexy artwork on our convention variant covers. We recognize there’s a part of our audience that digs them and we’d be bad business people for not giving our fanbase what they want.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- Top Cow publisher &lt;b&gt;&lt;a href="http://blog.newsarama.com/2009/10/21/filip-sablik-%E2%80%9Cgetting-over-preconceptions-is-hard-to-do%E2%80%9D-or-%E2%80%9Cthe-girls-next-door%E2%80%9D/"&gt;Filip Sablik&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; An unknown Uncle Scrooge script by Carl Barks &lt;a href="http://sekvenskonst.blogspot.com/2009/10/unknown-barks-script-found.html"&gt;has been found&lt;/a&gt;, entitled “Happi Happi Island.”&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; “Meiji University has &lt;a href="http://www.animenewsnetwork.com/news/2009-10-22/tokyo-international-manga-library-officially-announced"&gt;officially announced&lt;/a&gt; on Thursday that it aims to establish the tentatively titled Tokyo International Manga Library in 2014.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; In Danville, Illinois, “Dragon’s Horde, the only store in the city specializing in used paperback books, new and used comic books and gaming supplies, &lt;a href="http://www.news-gazette.com/news/local/2009/10/22/danville_bookstore_closing_nov"&gt;plans to close Nov. 20&lt;/a&gt;.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.publishersweekly.com/article/CA6703179.html"&gt;Calvin Reid&lt;/a&gt; attends the unveiling of the Barnes &amp;amp; Noble Nook e-reader device.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.graphicnovelreporter.com/content/comics-age-digital-piracy-roundtable"&gt;John Hogan&lt;/a&gt; discusses digital piracy with Dark Horse Books’ Aaron Colter, Top Shelf’s Brett Warnock and Fantagraphics’ Eric Reynolds.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; A visit to the recent Alternative Press Expo in San Francisco gave &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23399"&gt;Steven Grant&lt;/a&gt; the opportunity to take the pulse of the “not one of the Diamond axis powers” comics market.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.comicsreporter.com/index.php/ernie_colon_remembers_george_tuska/"&gt;Ernie Colón&lt;/a&gt; remembers George Tuska.&lt;/li&gt;



&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Abby Denson&lt;br&gt;
Link: &lt;a href="http://www.timesargus.com/article/20091022/NEWS02/910220329/1003/NEWS02"&gt;Daniel Barlow&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The &lt;i&gt;Dolltopia&lt;/i&gt; author discusses her new book.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Book of Genesis Illustrated&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.ew.com/ew/article/0,,20314277,00.html"&gt;Ken Tucker&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“If the surprise here is how faithful, so to speak, the great satirical cartoonist has been in drawing and transcribing the first book of the Old Testament (he spent years studying various translations and biblical commentaries), the beauty and seriousness of Robert Crumb’s art are no surprise at all.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/joeandazatdrive.gif" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Joe and Azat&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://highlowcomics.blogspot.com/2009/10/embedded-joe-and-azat.html"&gt;Rob Clough&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Jesse Lonergan’s &lt;i&gt;Joe and Azat&lt;/i&gt; occupies some unusual territory. Part of it is a slightly distanced account of a country under totalitarian rule like Guy Delisle’s trio of Asian travelogues. Part of it features the sort of first-person reportage of someone who sought to become part of a community before telling its story, like Joe Sacco’s work. There’s certainly a sense of the sort of chaos and corruption that Ted Rall brings to the table in his comics. These are all important features of this story, but the real focus of the book is on a single relationship: the friendship between the narrator Joe and his Turkmen friend Azat.”&lt;/p&gt;
&lt;p&gt;(Above: sequence from the book, ©2009 Jesse Lonergan.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Stitches&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://warren-peace.blogspot.com/2009/10/stitches-not-type-from-laughter.html"&gt;Matthew Brady&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“[David] Small certainly had a difficult childhood, and he attempts to chronicle that difficulty through showing his parents’ strained relationship, his mother’s description of her parents’ shotgun marriage, his grandmother’s poor treatment of him and his mother, and worst of all, the indifference they seemed to show toward him when he had medical problems.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Cross Country&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/21/cross-country-by-mk-reed/"&gt;Brian Heater&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“The book plays out like a sociological experiment conducted in a rolling laboratory — two people interacting as a blurry country whizzes by.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Slow Storm&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/10/comics_time_slow_storm.html"&gt;Sean T. Collins&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“This is like half of a good book. The visual half, for the most part.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Toon Treasury of Classic Children’s Comics&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.npr.org/templates/story/story.php?storyId=113965045"&gt;Milo Miles&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“Heartfelt thanks to Art Spiegelman and Francoise Mouly for bringing back a nearly forgotten popular art form with their groundbreaking new collection [...]“
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://everydayislikewednesday.blogspot.com/2009/10/weekly-haul-october-21st.html"&gt;J. Caleb Mozzocco&lt;/a&gt;, &lt;a href="http://savagecritic.com/2009/10/what-scares-you.html"&gt;Brian Hibbs&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Go, Nerd Racer, &lt;i&gt;go!&lt;/i&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Stop buying Greg Land comics&lt;br&gt;
Link: &lt;a href="http://www.4thletter.net/2009/10/stop-buying-greg-land-comics/"&gt;David Brothers&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“No equivocation, no wishy-washiness: he’s terrible and supporting him is even &lt;i&gt;worse&lt;/i&gt;.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/sparkler92nancy.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Nancy&lt;/i&gt; tsunami&lt;br&gt;
Link: Sam Henderson (&lt;a href="http://themagicwhistle.blogspot.com/2009/09/nancy.html"&gt;one&lt;/a&gt;, &lt;a href="http://themagicwhistle.blogspot.com/2009/10/nancy-part-2.html"&gt;two&lt;/a&gt;, &lt;a href="http://themagicwhistle.blogspot.com/2009/10/nancypart-3.html"&gt;three&lt;/a&gt;, &lt;a href="http://themagicwhistle.blogspot.com/2009/10/nancy-part-4.html"&gt;four&lt;/a&gt; and &lt;a href="http://themagicwhistle.blogspot.com/2009/10/nancy-v.html"&gt;five&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Ernie Bushmiller’s classic strip, rejiggered for the funnybooks.&lt;/p&gt;
&lt;p&gt;(Above: sequence from &lt;i&gt;Sparkler Comics&lt;/i&gt; #92, ©1950 United Features.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.lelionquirit.com/"&gt;&lt;img src="http://tcj.com/journalista/madbutnotdumb.gif" border="0"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;A Foreign Love Affair&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/gluey-tart-foreign-love-affair.html"&gt;&lt;i&gt;Hooded Utilitarian&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“I read huge amounts of &lt;i&gt;yaoi&lt;/i&gt;, and most of it makes me smile a little bit, or makes me kind of wish I hadn’t shelled out $10-$15 for that. Or really wish I hadn’t. But &lt;i&gt;A Foreign Love Affair&lt;/i&gt; delivers on the promise of &lt;i&gt;yaoi&lt;/i&gt; — it’s crazy and sweet and romantic and pretty, pretty, pretty (albeit heavy and pointy and small of type). Embrace the fundoshi!”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Essential Dykes to Watch Out For&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://blog.newsarama.com/2009/10/21/it-came-from-the-nypl-essential-dykes-to-watch-out-for/"&gt;Michael Lorah&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“As the strip grew more assuredly artistically, the depth of the characters grew exponentially. Perhaps the quality of the line work allowed Bechdel to show ideas that had always been brewing in the strip but never communicated clearly. Her ability to depict characters across the entire spectrum of experience added humanity to their storylines.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/buzsawyerfirststrip.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Buz Sawyer&lt;/i&gt; and the death of newspapers&lt;br&gt;
Link: &lt;a href="http://potrzebie.blogspot.com/2009/10/death-of-newspapers-9-buz-sawyer.html"&gt;Bhob Stewart&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Rant enhanced with the first five Sundays in Roy Crane’s classic strip. What’s not to love?&lt;/p&gt;
&lt;p&gt;(Above: panel from the first &lt;i&gt;Buz Sawyer&lt;/i&gt; Sunday, ©1943 King Features Syndicate, Inc.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Craft]&lt;/b&gt;&lt;/font&gt; Rules for writing long-form stories&lt;br&gt;
Link: &lt;a href="http://www.bleedingcool.com/2009/10/21/how-to-write-comics-and-graphic-novels-by-dennis-o%E2%80%99neil-4-%E2%80%93-why-dont-you-grow-a-spine/"&gt;Dennis O’Neil&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“As I mentioned last time, single-issue stories are relatively uncommon in mainstream comics these days, a situation that may or may not persist. But some of what applies to a self-contained story applies equally to one that stretches from here to yonder.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Craft]&lt;/b&gt;&lt;/font&gt; Naoki Urasawa on making comics&lt;br&gt;
Link: &lt;a href="http://www.gottsu-iiyan.ca/gib/index.php/2009/10/22/naoki-urasawa-on-making-comics"&gt;&lt;i&gt;Eastern Edge&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Back at the studio I start by doing things like tiding up the bookshelves and cleaning the windows (laughs). While everyone around me is wondering what in the world I’m doing, I’m getting into my groove. Well, I guess you could say I’m wasting time, too (laughs). I’m going through the story as discussed in the meeting in my head thinking, ‘This panel should be like this, then this, then that, this, this, this…. That’s it!’”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/alexeiefffallusher.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Alexander Alexeieff’s “The Fall of the House of Usher”&lt;br&gt;
Link: &lt;a href="http://ajourneyroundmyskull.blogspot.com/2009/10/alexeieffs-fall.html"&gt;&lt;i&gt;A Journey Round My Skull&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Art for a 1930 edition of the Edgar Allan Poe story.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/mathieureynesfederico.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Mathieu Réynès&lt;br&gt;
Link: &lt;a href="http://mathieureynes.blogspot.com/"&gt;Illustration blog&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;More of that “cartoon cheesecake” that everybody loves so much.&lt;/p&gt;
&lt;p&gt;(Above: illustration ©2009 Mathieu Réynès. Link via &lt;a href="http://dadanoias.net/2009/10/19/mathieu-reynes/"&gt;&lt;i&gt;Dadanoias&lt;/i&gt;&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/rubenslegatus.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Peter Paul Rubens: Graphic Designer&lt;br&gt;
Link: &lt;a href="http://observatory.designobserver.com/entry.html?entry=11437"&gt;Mark Lamster&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Not remotely comics, but what the hell.&lt;/p&gt;
&lt;p&gt;(Above: “The title page Rubens designed for &lt;i&gt;Legatus&lt;/i&gt;, a primer on diplomatic conduct by Frederik de Marselaer.”)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Ink and commitment&lt;br&gt;
Link: &lt;a href="http://illustrationart.blogspot.com/2009/10/ink-and-commitment.html"&gt;David Apatoff&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Ink is the medium for artists who are prepared to stand by their actions.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Pierre Feuille Ciseaux&lt;br&gt;
Link: &lt;a href="http://www.flickr.com/photos/sarahglidden/sets/72157622613437292/"&gt;Sarah Glidden&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Photos from the recent event, described as “an opportunity to bring together 25 cartoonists for a collective weeklong residence at the Saline Royale of Arc-et-Senans.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/takeaweirdbreaknewlips.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
&lt;a href="http://takeaweirdbreak.blogspot.com/"&gt;Take a weird break.&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.timemachinego.com/linkmachinego/2009/10/22/take-a-weird-break-blog/"&gt;&lt;i&gt;LinkMachineGo&lt;/i&gt;&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/binbougamigastreet.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
Excerpts from Yoshiaki Sukeno’s &lt;a href="http://asylums.insanejournal.com/scans_daily/1115772.html"&gt;&lt;i&gt;Binbougami-ga!&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: panel from the series, ©2009 Yoshiaki Sukeno.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 22 (White River Junction, VT):&lt;/b&gt; &lt;i&gt;Dolltopia&lt;/i&gt; author Abby Denson will give a multimedia presentation at Revolution on Main Street, beginning at 6PM. &lt;a href="http://www.shoptherev.com/events/info/18"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 22 (New York City, NY):&lt;/b&gt; Author Nevin Martell and cartoonist Ruben Bolling discuss the life and art of &lt;i&gt;Calvin and Hobbes&lt;/i&gt; creator Bill Waterson at the Museum of Comic and Cartoon Art on Broadway, beginning at 7PM. &lt;a href="http://www.moccany.org/events.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 22 (New York City, NY):&lt;/b&gt; Join Gary Panter, Michael Kupperman, Gabrielle Bell, Jillian Tamaki, David Sandlin, Ben Katchor, Jessica Abel and Matt Madden for a launch party celebrating &lt;i&gt;The Best American Comics 2009&lt;/i&gt; at Brooklyn’s own Powerhouse Arena on Main Street, from 7-9PM. &lt;a href="http://mattmadden.blogspot.com/2009/10/best-american-comics-2009-event-in.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 23 (Portland, ME):&lt;/b&gt; Tim Fish, Abby Denson and Hugh Tims will appear at Casablanca Comics on Middle Street, from 6-8PM. &lt;a href="http://www.casablancacomics.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 23 (Boston, MA):&lt;/b&gt; Tim Fish and Abby Denson will appear at Comicopia on Commonwealth Avenue, from 1-4PM. &lt;a href="http://www.comicopia.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;li&gt; &lt;b&gt;October 24-25 (London, England):&lt;/b&gt; The London MCM Expo happens at Excel London. Guests include Gary Millidge, Al Davison, Kieron Gillen, Jamie McKelvie, Emma Vieceli, Marc Ellerby and many others. &lt;a href="http://www.londonexpo.com/show_features/comic_village__expo.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 24 (Poughkeepsie, NY):&lt;/b&gt; Cartoonist R.O. Blechman will discuss his work at Oblong Books &amp;amp; Music on Montgomery Street, beginning at 7:30PM. &lt;a href="http://www.poughkeepsiejournal.com/article/20091021/NEWS01/910210316/1006/Cartoonist-Blechman-to-speak-at-Oblong-Books"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Portland, OR/Flemington, NJ):&lt;/b&gt; Iiiiiiiiit’s Wonder Woman Day! All kinds of things are happening. &lt;a href="http://www.wonderwomanmuseum.com/WWDay4/WWDay4.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Teaneck, NJ):&lt;/b&gt; &lt;i&gt;The Big Khan&lt;/i&gt; writer Neil Kleid will be signing books and meeting readers at A&amp;amp;S Comics &amp;amp; Cards on Cedar Lane, beginning at noon. &lt;a href="http://nbmpub.com/blog/2009/10/19/kleid-signing-the-big-kahn-in-teaneck-nj-1025-12pm/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Carrboro, NC):&lt;/b&gt; The October meeting of the North Carolina WebComic Coffee Clatch takes place at Jesse’s Coffee &amp;amp; Bar on Main Street, from 2-4PM. &lt;a href="http://ncwccc.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; An Irish wake will be held for retailer Rich Hafstead at Jim Hanley’s Universe on 33rd Street, beginning at 3PM. &lt;a href="http://jhuniverse.blogspot.com/2009/10/remembering-rich-hafstead.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Washington DC):&lt;/b&gt; &lt;i&gt;Fun Home&lt;/i&gt; author Alison Bechdel will lecture at the Katzen Arts Center’s Abramson Family Recital Hall on Massachusetts Avenue, from 3-4:30PM. &lt;a href="http://www.american.edu/cas/literature/colloquium/index.cfm"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; Marc Bell makes an appearance at Brooklyn’s own Desert Island on Metropolitan Avenue, from 5-7PM. &lt;a href="http://www.desertislandbrooklyn.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; &lt;i&gt;Dolltopia&lt;/i&gt; author Abby Denson will give a multimedia presentation at the Wonderland Beauty Parlor on Thirteenth Street, from 6-8PM. &lt;a href="http://www.wonderlandbeautyparlor.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Richmond, VA):&lt;/b&gt; Chris Pitzer moderates a panel discussion on comics featurting Gabrielle Bell, Kim Deitch, Hope Larson and Anders Nilsen at the University of Richmond’s Modlin Center for the Arts on Three Chopt Road, beginning at 7PM. Admission is free. &lt;a href="http://modlin.richmond.edu/contentmgr/showdetails.php/id/2320/cid/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256141809738"><id gr:original-id="http://tcj.com/journalista/?p=1071">tag:google.com,2005:reader/item/978b3174a7692f44</id><category term="News Round-Up" /><title type="html">Oct. 21, 2009: Saying the sky is blue</title><published>2009-10-21T15:50:56Z</published><updated>2009-10-21T15:50:56Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1071" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“You know you’re at a cartooning college when a lettering joke brings down the house.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://ccsvisitingfaculty.wordpress.com/2009/10/19/alison-bechdel-on-cheating/"&gt;Robyn Chapman&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“But saying Jeph Loeb is a terrible writer is like saying the sky is blue; no aesthetic judgment is actually being made.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/worlds-finest-crap.html"&gt;Richard Cook&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;img src="http://tcj.com/journalista/vizlogo.jpg" border="0" align="right"&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; In San Francisco, a flash flood &lt;a href="http://www.animenewsnetwork.com/news/2009-10-20/viz-hq-shuts-down-for-2-days-after-flash-flood"&gt;has shut down&lt;/a&gt; the offices of Viz Media.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Now &lt;i&gt;this&lt;/i&gt; is news: According to &lt;a href="http://www.bleedingcool.com/2009/10/20/vertigo-crime-line-hits-bbc-america/"&gt;Rich Johnston&lt;/a&gt;, someone at Vertigo has actually prepared media and advertising plans for its crime-fiction line. &lt;i&gt;Give that person a raise!&lt;/i&gt;&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Reed Exhibitions’ Lance Fensterman discusses Wizard’s apparent grudge match over convention scheduling with &lt;a href="http://www.comicsreporter.com/index.php/index/cr_newsmaker_lance_fensterman/"&gt;Tom Spurgeon&lt;/a&gt; and &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23386"&gt;Kiel Phegley&lt;/a&gt;. Foolishly, Wizard’s Mark Allen Haverty decides to &lt;a href="http://www.bleedingcool.com/2009/10/21/wizard-staff-answer-convention-criticism-and-gets-pwned-all-over-the-shop/"&gt;fire back&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Longbox frontman Rantz Hoseley talks to &lt;a href="http://www.suntimes.com/technology/ihnatko/1835595,ihnatko-longbox-comics-apple-tablet-102009.article"&gt;Andy Inhatko&lt;/a&gt; about his company’s “iTunes for digital comics.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.publishersweekly.com/article/CA6702808.html"&gt;Ben McCool&lt;/a&gt; speaks with Com.x publishers Eddie Deighton and Ben Shahrabani about the relaunch of their line.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; “Nearly everyone reads. Soon, nearly &lt;a href="http://seedmagazine.com/content/article/a_writing_revolution/"&gt;everyone will publish&lt;/a&gt;.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.bookslut.com/blog/archives/2009_10.php#015299"&gt;Jessa Crispin&lt;/a&gt;.)



&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Guy Delisle&lt;br&gt;
Link: &lt;a href="http://www.publishersweekly.com/article/CA6702980.html"&gt;Ada Price&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A Q&amp;amp;A with the &lt;i&gt;Pyongyang&lt;/i&gt; author.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Ken Dahl&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/20/interview-ken-dahl-pt-2-of-3/"&gt;Brian Heater&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Second installment in the multi-part conversation with the cartoonist behind &lt;i&gt;Monsters&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Luba&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://blog.newsarama.com/2009/10/20/review-luba/"&gt;Michael Lorah&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Although &lt;i&gt;Luba&lt;/i&gt; doesn’t hit as hard as &lt;i&gt;Palomar&lt;/i&gt;, it remains a compelling portrait of family in all its messy glory.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/likeadogkilledwallywood.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Like a Dog&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.publishersweekly.com/article/CA6702750.html"&gt;&lt;i&gt;Publishers Weekly&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Excerpts from three tales in the new Zak Sally collection.&lt;/p&gt;
&lt;p&gt;(Above: page detail ©2009 Zak Sally.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Steve Lieber&lt;br&gt;
Link: &lt;a href="http://wrightopinion.com/2009/10/20/interview-steve-lieber/"&gt;Brendan Wright&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The veteran artist discussed his career.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Jim Steranko in New York City&lt;br&gt;
Link: &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23371"&gt;Caleb Goellner&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Introduced by moderator David Spurlock of Vanguard Productions as a writer, artist, magician, musician, lover of dogs and good-looking women, a sunglasses-clad Jim Steranko jogged to an illuminated stage before a room of fans at the recent Big Apple Comic-Con.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Concrete: Strange Armor&lt;/i&gt; and &lt;i&gt;The Human Dilemma&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/concrete-strange-armor-and-human.html"&gt;Noah Berlatsky&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Paul Chadwick’s Concrete stories — about a giant rock monster with a human brain — have always pulled in two different directions. On the one hand, Chadwick is interested in slice-of-life narratives, emphasizing character development and quiet, realistic plots. On the other hand, he wants to write pulp adventure stories with spies, alien invasions, and gunfights.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;B.P.R.D. 1947&lt;/i&gt; #4&lt;br&gt;
Link: &lt;a href="http://www.factualopinion.com/the_factual_opinion/2009/10/the-virgin-read-when-you-get-old-and-think-you-are-sweet-take-off-your-shoes-and-smell-your-feet.html"&gt;Nina Stone&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I’d forgotten what the initials stood for and read the comic thinking to myself, ‘Oh yeah, this book has some science-fiction-y-weird-supernatural stuff in it… but it’s so intriguing!’ From the ringleted little girl suddenly appearing, to the cats and the strange old… person and his/her (?!?) information, to the vampire sisters and all their craziness, all within a storyline that had me engaged wondering what was going to happen next and how this guy was going to get rescued, rather than all the ‘weird stuff’ sort of taking me out of the story to wonder if things were plausible. This is smart stuff, but most of all, it’s fun.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/myromanticadv49jailbird.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Two pre-Code crime stories&lt;br&gt;
Link: &lt;a href="http://pappysgoldenage.blogspot.com/2009/10/number-614-two-tough-broads-in-his.html"&gt;Pappy&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Get out your gat and plug that copper, see!&lt;/i&gt; Wow, even in print, my Edward G. Robinson impersonation &lt;i&gt;sucks&lt;/i&gt;…&lt;/p&gt;
&lt;p&gt;(Above: splash panel from &lt;i&gt;Romantic Adventures&lt;/i&gt; #49, ©1954 Best Syndicated Features, Inc.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/judyjrorders.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “Doctor’s Orders”&lt;br&gt;
Link: &lt;a href="http://www.drawnandquarterly.com/blog/2009_10_01_archive.php#404423456883438261"&gt;Tom Devlin&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;One more Judy Junior tale by John Stanley, because you deserve it.&lt;/p&gt;
&lt;p&gt;(Above: sequence from an unidentified Harvey comic.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Happy Hooligan&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://comicscomicsmag.blogspot.com/2009/10/quick-one-2.html"&gt;Dan Nadel&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“This is stupid art at its best.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/tweedledumgitbusy.gif" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Tweedledum, Twedleedee and the Other Triplet&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.barnaclepress.com/list.php?directory=Tweedledum"&gt;Barnacle Press&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Selected strips from William F. Marriner’s 1903 newspaper run.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Adventures in Cartooning&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.emaki.net/blog/2009/10/review-adventures-in-cartooning.html"&gt;Neil Cohn&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“It is designed as a how-to create comics book, though the lessons almost wholly come in narrative form as the Magic Cartooning Elf and other characters discuss the properties of comic creation while carrying out a simple and fun story. The book is aimed largely at children, and the humor reflects it (though did make me laugh aloud at parts — particularly the ‘Warning’ on the back cover, which is just the sort of thing to get kids to pick it up).”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/ellenvanengelenmixmag.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Ellen van Engelen&lt;br&gt;
Link: &lt;a href="http://www.ellenvanengelen.be/"&gt;Online portfolio&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;I totally love the light touch in her compositions and linework.&lt;/p&gt;
&lt;p&gt;(Above: illustration ©2009 E. van Engelen.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/alicewellingermigraene.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Alice Wellinger&lt;br&gt;
Link: &lt;a href="http://www.alice-wellinger.com/"&gt;Online portfolio&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Somewhere between Fauvism, children’s illustration and a touch of Art Young…? That’s as close as I can get.&lt;/p&gt;
&lt;p&gt;(Above: “Migräne,” ©2009 Alice Wellinger.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Komikon 2009&lt;br&gt;
Link: Michael Buntag (&lt;a href="http://nonsensicalwords.blogspot.com/2009/10/komikon-2009-part-1.html"&gt;one&lt;/a&gt;, &lt;a href="http://nonsensicalwords.blogspot.com/2009/10/komikon-2009-part-2.html"&gt;two&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“If the Metro Comic Con is the unholy spawn of Comic Con International, then Komikon, held last Sunday, is the closest the Filipino comic industry has to an SPX.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
&lt;a href="http://arstechnica.com/tech-policy/news/2009/10/100-years-of-big-content-fearing-technologyin-its-own-words.ars"&gt;Nate Anderson&lt;/a&gt; recaps “100 years of Big Content fearing technology — in its own words.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://yro.slashdot.org/story/09/10/13/0037246/100-Years-of-Copyright-Hysteria"&gt;K. Dawson&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/tresenumber.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
“&lt;a href="http://asylums.insanejournal.com/scans_daily/1112554.html"&gt;&lt;i&gt;Trese&lt;/i&gt;&lt;/a&gt; is a local Philippine comic series that’s made a big splash over the past year or so.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: sequence from the series, ©2009 Budjette Tan and Kajo Baldisimo.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 21 (San Francisco, CA):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; co-creators Scott Allie and Kevin McGovern will appear at Comix Experience on Divisadero Street, from 5-7PM. &lt;a href="http://savagecritic.com/2009/10/scott-allie-and-kevin-mcgovern-ce-1021.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 21 (Madison, WI):&lt;/b&gt; John Porcellino will be signing books and meeting readers at the Rainbow Bookstore on Gilman Street, beginning at 7PM. &lt;a href="http://www.rainbowbookstore.org/node/8686"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 21 (Los Angeles):&lt;/b&gt; Nude mud-wrestling between Johnny Ryan and Marc Bell? Oh, if only it were true! They will, however, be making an appearance at Family on Fairfax Avenue, beginning at 8PM. &lt;a href="http://www.familylosangeles.com/blog/2009/10/theyre-both-coming.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 22 (White River Junction, VT):&lt;/b&gt; &lt;i&gt;Dolltopia&lt;/i&gt; author Abby Denson will give a multimedia presentation at Revolution on Main Street, beginning at 6PM. &lt;a href="http://www.shoptherev.com/events/info/18"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 22 (New York City, NY):&lt;/b&gt; Author Nevin Martell and cartoonist Ruben Bolling discuss the life and art of &lt;i&gt;Calvin and Hobbes&lt;/i&gt; creator Bill Waterson at the Museum of Comic and Cartoon Art on Broadway, beginning at 7PM. &lt;a href="http://www.moccany.org/events.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 22 (New York City, NY):&lt;/b&gt; Join Gary Panter, Michael Kupperman, Gabrielle Bell, Jillian Tamaki, David Sandlin, Ben Katchor, Jessica Abel and Matt Madden for a launch party celebrating &lt;i&gt;The Best American Comics 2009&lt;/i&gt; at Brooklyn’s own Powerhouse Arena on Main Street, from 7-9PM. &lt;a href="http://mattmadden.blogspot.com/2009/10/best-american-comics-2009-event-in.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 23 (Portland, ME):&lt;/b&gt; Tim Fish, Abby Denson and Hugh Tims will appear at Casablanca Comics on Middle Street, from 6-8PM. &lt;a href="http://www.casablancacomics.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 23 (Boston, MA):&lt;/b&gt; Tim Fish and Abby Denson will appear at Comicopia on Commonwealth Avenue, from 1-4PM. &lt;a href="http://www.comicopia.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;li&gt; &lt;b&gt;October 24-25 (London, England):&lt;/b&gt; The London MCM Expo happens at Excel London. Guests include Gary Millidge, Al Davison, Kieron Gillen, Jamie McKelvie, Emma Vieceli, Marc Ellerby and many others. &lt;a href="http://www.londonexpo.com/show_features/comic_village__expo.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 24 (Poughkeepsie, NY):&lt;/b&gt; Cartoonist R.O. Blechman will discuss his work at Oblong Books &amp;amp; Music on Montgomery Street, beginning at 7:30PM. &lt;a href="http://www.poughkeepsiejournal.com/article/20091021/NEWS01/910210316/1006/Cartoonist-Blechman-to-speak-at-Oblong-Books"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Portland, OR/Flemington, NJ):&lt;/b&gt; Iiiiiiiiit’s Wonder Woman Day! All kinds of things are happening. &lt;a href="http://www.wonderwomanmuseum.com/WWDay4/WWDay4.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Carrboro, NC):&lt;/b&gt; The October meeting of the North Carolina WebComic Coffee Clatch takes place at Jesse’s Coffee &amp;amp; Bar on Main Street, from 2-4PM. &lt;a href="http://ncwccc.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; An Irish wake will be held for retailer Rich Hafstead at Jim Hanley’s Universe on 33rd Street, beginning at 3PM. &lt;a href="http://jhuniverse.blogspot.com/2009/10/remembering-rich-hafstead.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Washington DC):&lt;/b&gt; &lt;i&gt;Fun Home&lt;/i&gt; author Alison Bechdel will lecture at the Katzen Arts Center’s Abramson Family Recital Hall on Massachusetts Avenue, from 3-4:30PM. &lt;a href="http://www.american.edu/cas/literature/colloquium/index.cfm"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; Marc Bell makes an appearance at Brooklyn’s own Desert Island on Metropolitan Avenue, from 5-7PM. &lt;a href="http://www.desertislandbrooklyn.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; &lt;i&gt;Dolltopia&lt;/i&gt; author Abby Denson will give a multimedia presentation at the Wonderland Beauty Parlor on Thirteenth Street, from 6-8PM. &lt;a href="http://www.wonderlandbeautyparlor.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Richmond, VA):&lt;/b&gt; Chris Pitzer moderates a panel discussion on comics featurting Gabrielle Bell, Kim Deitch, Hope Larson and Anders Nilsen at the University of Richmond’s Modlin Center for the Arts on Three Chopt Road, beginning at 7PM. Admission is free. &lt;a href="http://modlin.richmond.edu/contentmgr/showdetails.php/id/2320/cid/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256090005077"><id gr:original-id="http://wfmu.org/playlists/AP#33361">tag:google.com,2005:reader/item/0f93a9bed2ec18c7</id><title type="html">WFMU's Antique Phonograph Music Program from Oct 20, 2009</title><published>2009-10-21T01:38:31Z</published><updated>2009-10-21T01:38:31Z</updated><link rel="alternate" href="http://wfmu.org/playlists/AP#33361" type="text/html" /><link rel="related" href="http://wfmu.org/playlists/AP" /><link rel="enclosure" href="http://podcast.wfmu.org/kdb/mp3jump.mp3/0:11:33/0/AP/ap091020.mp3" type="audio/mpeg" length="61919590" /><summary xml:base="http://wfmu.org/playlists/AP" type="html">The Wiyos live</summary><author gr:unknown-author="true"><name>(author unknown)</name></author><source gr:stream-id="feed/http://wfmu.org/podcast/AP.xml"><id>tag:google.com,2005:reader/feed/http://wfmu.org/podcast/AP.xml</id><title type="html">WFMU&amp;#39;s Antique Phonograph Music Program</title><link rel="alternate" href="http://wfmu.org/playlists/AP" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1256056823377"><id gr:original-id="http://tcj.com/journalista/?p=1067">tag:google.com,2005:reader/item/bb18f0cc4875a58b</id><category term="News Round-Up" /><title type="html">Oct. 20, 2009: Everything is comics</title><published>2009-10-20T16:13:46Z</published><updated>2009-10-20T16:13:46Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1067" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“If work was available at Timely Comics and nowhere else, they worked for Timely Comics. If the available work was on romance comics, they drew romance comics. If the editor wanted them to pencil, they pencilled. If the editor wanted them to ink, they inked. If the editor wanted them to pencil and for the work to be inked by someone really bad… well, it was inked by someone really bad. A competent artist today has a lot more ability to say, ‘Gee, I don’t want to draw that strip’ or ‘I don’t feel I can work with that writer.’”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://www.newsfromme.com/archives/2009_10_18.html#017896"&gt;Mark Evanier&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“Everything is comics. Comics are air. Cave paintings, the Stations of the Cross, the Bayeux Tapestry, woodcut novels, army maintenance guides, airplane safety cards — all comics. Comics are everywhere, the ideoplasmic universe of human culture from its dawn to one second ago and up the line until the sun goes dark. Nothing but words and pictures: but they are what define the way we frame ideas and experiences. They do anything.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://www.bleedingcool.com/2009/10/20/do-anything-021-by-warren-ellis/"&gt;Warren Ellis&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;img src="http://tcj.com/journalista/donivanpunchatzjester.jpg" border="2" align="right"&gt;Greg Punchatz, the son of illustrator and cartoonist &lt;a href="http://en.wikipedia.org/wiki/Don_Ivan_Punchatz"&gt;Don Ivan Punchatz&lt;/a&gt;, has released a statement:&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;I have some sad news, my dad is not going to make it. The doctors have told us there is no chance for his brain to recover at this stage, dad is gone and only his body remains.&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;We are going to have the doctors remove the respirator on Thursday as dad would want. He never wanted to be kept alive like this so we are respecting his wishes.&lt;/p&gt;
&lt;p&gt;We are waiting till thursday so people can say there goodbyes tomorow. If you would like to visit him the visiting hours are 9-2:30 , 4-6:30 and 7-8:30.&lt;/p&gt;
&lt;p&gt;As plans for a celabration of his life firm up I will send out the info to everyone.&lt;/p&gt;
&lt;p&gt;(Right: illustration ©1978 Don Ivan Punchatz.)&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;And now, a totally unrelated request: We had a site meltdown over the weekend — by the way, if you sent mail to anyone with a TCJ.com address during this time, please resend — and while just about everything is back to normal, My web-browsers are doing the damnedest thing. One displays the homepage just fine, while the other gives me the following error message:&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;Fatal error:&lt;/b&gt; Allowed memory size of 8388608 bytes exhausted (tried to allocate 47621 bytes) in &lt;b&gt;/home/deppey/public_html/includes/database.php&lt;/b&gt; on line 409&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;At first I thought is was just something screwy with browser caching, but I just received e-mail from someone else who’s seeing the same thing. Does anyone have any idea what’s going on here?&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; Akira Toriyama’s &lt;i&gt;Dragon Ball&lt;/i&gt; &lt;a href="http://www.wboc.com/Global/story.asp?S=11321353"&gt;has been pulled&lt;/a&gt; from the shelves of Wicomico County, Maryland’s school libraries.&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://robot6.comicbookresources.com/2009/10/comics-a-m-the-comics-internet-in-two-minutes-39/"&gt;Kevin Melrose&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;img src="http://tcj.com/journalista/blackestnight3cov.jpg" border="2" align="right"&gt;&lt;a href="http://www.icv2.com/articles/news/16024.html"&gt;&lt;i&gt;ICv2&lt;/i&gt;&lt;/a&gt; has posted its estimates for comics sales to Direct Market retailers for the month of September. The big story, according to the &lt;a href="http://www.icv2.com/articles/news/16025.html"&gt;sales analysis&lt;/a&gt;: “Sell-in of comics to comic stores was up 12% in September over the year-ago period, bringing sales in Q3 up a healthy 7% over Q3 in 2008.” Graphic novels are down 2% for the month, however, and year-to-date sales are still down from last year as well.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Here are the top-300 &lt;a href="http://www.icv2.com/articles/news/16022.html"&gt;bestselling comic books&lt;/a&gt; for September, and here are the top-300 &lt;a href="http://www.icv2.com/articles/news/16023.html"&gt;bestselling graphic novels&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Right: the cover to &lt;i&gt;Blackest Night&lt;/i&gt; #3, the bestselling comic book for the month of September.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.mediabistro.com/galleycat/ebooks/whats_this_about_the_barnes_noble_nook_140632.asp"&gt;What’s this&lt;/a&gt; about the Barnes &amp;amp; Noble Nook?&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.azcentral.com/arizonarepublic/business/articles/2009/10/17/20091017biz-abg-smallbiz1017.html"&gt;Georgann Yara&lt;/a&gt; speaks with Mike Banks, owner of Phoenix, Arizona’s Samurai Comics.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Bookstore owner &lt;a href="http://www.powells.com/blog/?p=9454"&gt;Vincent McCaffrey&lt;/a&gt; ponders the coming death of the printed book.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.indignantonline.com/2009/10/19/is-wizard-rebranding/"&gt;Todd Allen&lt;/a&gt; asks, “Is Wizard re-branding?”&lt;/li&gt;


&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Consumer news]&lt;/b&gt;&lt;/font&gt; New this week&lt;br&gt;
Link: &lt;a href="http://joglikescomics.blogspot.com/2009/10/stuff-coming-up.html"&gt;Joe McCulloch&lt;/a&gt;, &lt;a href="http://warren-peace.blogspot.com/2009/10/this-week-is-this-week.html"&gt;Matthew Brady&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A look at the best-sounding books scheduled to hit the comics shops tomorrow.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Guy Delisle&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/19/interview-guy-delisle-pt-2/"&gt;Brian Heater&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The second installment of a multi-part conversation with the &lt;i&gt;Burma Chronicles&lt;/i&gt; author.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Driven by Lemons&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/10/comics_time_driven_by_lemons.html"&gt;Sean T. Collins&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“So yeah, this is pretty much the ideal Josh Cotter comic for me. Didja like the bizarre, symbol-laden wordless reveries of &lt;i&gt;Skyscrapers of the Midwest&lt;/i&gt;? Here’s a whole book full of them! This shit makes the locust/migraine sequence from &lt;i&gt;Skyscrapers&lt;/i&gt; #2 look like &lt;i&gt;Dilbert&lt;/i&gt;!”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/biblestoriessarah.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Picture Stories From the Bible&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.comixology.com/articles/317/Tale-as-Old-as-Time-i-Picture-Stories-from-the-Bible-i-"&gt;Kristy Valenti&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“There’s something very contemporary about &lt;i&gt;Picture Stories from the Bible: Complete Old Testament Edition&lt;/i&gt;, copyrighted in 1943 to M.C. Gaines, publisher of EC Comics, even though the comics therein are more than 60 years old.”&lt;/p&gt;
&lt;p&gt;(Above: panel from the book, ©1943 M.C. Gaines.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Best of 2008 meta-list&lt;br&gt;
Link: &lt;a href="http://iloverobliefeld.blogspot.com/2009/10/best-comics-of-2008-meta-list.html"&gt;Sandy Bilus&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“This meta-list of the top 100 comic books of 2008 is compiled from over a hundred ‘best comics of 2008′ lists from critics across the internet.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Jamie S. Rich&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/talking-comics-with-tim-jamie-s-rich/"&gt;Tim O’Shea&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;An interview with the writer behind &lt;i&gt;You Have Killed Me&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Dungeon: The Early Years Vol. 2: Innocence Lost&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://blog.newsarama.com/2009/10/19/review-dungeon-the-early-years-vol-2-innocence-lost/"&gt;Michael Lorah&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Joann Sfar, Lewis Trondheim and Christophe Blain’s fantasy-adventure novel “is the latest reminder of the great work being done in comics, a testament to the fun, adventurous style of storytelling many readers claim to want from their sequential arts entertainment.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://www.eyeoncomics.com/?p=542"&gt;Don MacPherson&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Quick takes on recent releases.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/bbbbriders14headhunter.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “The Head-Hunter of Pirates Peak”&lt;br&gt;
Link: &lt;a href="http://thehorrorsofitall.blogspot.com/2009/10/head-hunter-of-pirates-peak.html"&gt;Karswell&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Decapitation on the lonesome prairie!&lt;/p&gt;
&lt;p&gt;(Above: sequence from &lt;i&gt;Bobby Benson’s B-Bar-B Riders&lt;/i&gt; #14, creator[s] unknown, ©1952 Magazine Enterprises.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/madmagtvspecial74.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Mad Magazine TV Special&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.cartoonbrew.com/tv/the-mad-magazine-tv-special-1974.html"&gt;Jerry Beck&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I admit it, this one has me stumped. Don Martin, Antonio Prohias, Al Jafee, Mort Drucker and Dave Berg — adapted to animation! How did I miss this? Did it ever air? If so, what network?” Full program in three parts, at the link.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the 1974 special.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Bettina Kurkoski&lt;br&gt;
Link: &lt;a href="http://www.animenewsnetwork.com/the-gallery/2009-10-17"&gt;Evan Miller&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A chat with the prolific Tokyopop cartoonist and creator of &lt;i&gt;My Cat Loki&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.mangablog.net/?p=5806"&gt;Brigid Alverson&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/lfgpelu1covdet.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Little Fluffy Gigolo Pelu&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.comicsreporter.com/index.php/flipped_david_welsh_on_junko_mizuno_and_little_fluffy_gigolo_pelu/"&gt;David Welsh&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I wonder if editors and publishers of mainstream manga just weep when they think about Junko Mizuno.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Inspirations and aspirations of &lt;i&gt;Nana&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://apartment-707.blogspot.com/2009/08/as-brief-warning-this-series-contains.html"&gt;José Gonzalez&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Warning: It’s a long one.&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;There are plenty of other works that have examined such a topic with a serious intention before, but what makes &lt;i&gt;Nana&lt;/i&gt; so interesting is not that it retreads old ground, but does so in a way that is both modern, and a deliberate attempt to subvert the norms assumed of &lt;i&gt;sh?jo&lt;/i&gt; manga, and the more common western notion of the romance genre.&lt;/blockquote&gt;&lt;/p&gt;


&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Comics festival in Algiers&lt;br&gt;
Link: &lt;a href="http://blog.cagle.com/daryl/2009/10/19/my-cartoonist-week-in-algiers-2/"&gt;Daryl Cagle&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“Since emerging from the violence there seems to be a yearning for a cultural renaissance here, and the cartoon arts benefit from that. Algerians like a strange mix of Arabic manga and euro-style storytelling comics, but the star cartoonists are political cartoonists.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/ninetofiversgateley.gif" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; More &lt;i&gt;Nine-to-Fivers&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hairygreeneyeball2.blogspot.com/2009/10/more-nine-to-fivers.html"&gt;Harry Lee Green&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Further excerpts from a 1962 collection of &lt;i&gt;Saturday Evening Post&lt;/i&gt; cartoons.&lt;/p&gt;
&lt;p&gt;(Above: gag panel ©1962 E.P. Dutton Co.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/johnaustenscheherezade.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; John Austen&lt;br&gt;
Link: Thom Buchanan (&lt;a href="http://mydelineatedlife.blogspot.com/2009/10/grand-style.html"&gt;one&lt;/a&gt;, &lt;a href="http://mydelineatedlife.blogspot.com/2009/10/another-austen.html"&gt;two&lt;/a&gt;, &lt;a href="http://mydelineatedlife.blogspot.com/2009/10/at-his-best.html"&gt;three&lt;/a&gt; and &lt;a href="http://mydelineatedlife.blogspot.com/2009/10/filigree.html"&gt;four&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“His style was influenced by Beardsley and was akin to Harry Clarke. Later, his style and technique evolved into something less ornate and more caricaturized.”&lt;/p&gt;
&lt;p&gt;(Above: Austen’s vision of &lt;i&gt;Scheherezade&lt;/i&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Storytelling, Japanese-style&lt;br&gt;
Link: &lt;a href="http://www.bleedingcool.com/2009/10/19/look-it-moves-by-adi-tantimedh-19-storytelling-japanese-style/"&gt;Adi Tantimedh&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I’m constantly studying Japanese comics and cartoons, or ‘manga’ and ‘anime’ to you cognoscenti, because they have a hard-to-define directness in their themes and ideas, and the ability to hook you very quickly in the way the best serialized stories do, almost effortlessly, while the majority of Hollywood movies and American and Western comics seem to struggle with trying to make their stories compelling enough to have the audience keep coming back for more. When I want efficient stories, I look at American comics and movies. When I want cutting edge narrative pacing and ideas that push the envelope to the point of sheer fucking — and exhilarating — insanity, I look to Japan.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Alternative Press Expo 2009&lt;br&gt;
Link: &lt;a href="http://sfist.com/2009/10/19/sfist_goes_to_alternative_press_exp.php"&gt;Amy Crocker&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“For all the off-color topics explored in the comics at the Alternative Press Expo, the convention itself was downright professional. Maybe it was the dark wood paneled walls of The Concourse Exhibition Center that subdued the crowd, but there was nothing of the costumed mayhem of San Diego Comic Con. Attendees approached tables with a very serious devotion to the subject matter.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Comics in the closet&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/comics-in-closet-part-2.html"&gt;Noah Berlatsky&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Berlatsky’s two-part examination of sexual- and gender-identity issues in comic books concludes.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; The proto-graphic novel&lt;br&gt;
Link: &lt;a href="http://comicscomicsmag.blogspot.com/2009/10/proto-graphic-novel-notes-on-form.html"&gt;Jeet Heer&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“[Now] that the form exists, we can see all sorts of ancestors of the form. Books that previously existed as isolated oddities can now be seen as precursors of a form.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/vinckeboonscalimap.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
&lt;a href="http://associatesdegree.org/free-edu/fascinating-ancient-maps/"&gt;Twenty fascinating ancient maps.&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: Joan Vvinckeboons’ 1650 map of California. Link via &lt;a href="http://www.xplane.com/xblog/2009/09/01/20-fascinating-ancient-maps/"&gt;&lt;i&gt;xBlog&lt;/i&gt;&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/vaultofhorror31thelake.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
Al Feldstein and Joe Orlando’s adaptation of Ray Bradbury’s short story “&lt;a href="http://asylums.insanejournal.com/scans_daily/1113242.html"&gt;The Lake&lt;/a&gt;.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Above: panel from &lt;i&gt;Vault of Horror&lt;/i&gt; #31, ©1953 E.C. Publications.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 21 (San Francisco, CA):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; co-creators Scott Allie and Kevin McGovern will appear at Comix Experience on Divisadero Street, from 5-7PM. &lt;a href="http://savagecritic.com/2009/10/scott-allie-and-kevin-mcgovern-ce-1021.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 21 (Madison, WI):&lt;/b&gt; John Porcellino will be signing books and meeting readers at the Rainbow Bookstore on Gilman Street, beginning at 7PM. &lt;a href="http://www.rainbowbookstore.org/node/8686"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 21 (Los Angeles):&lt;/b&gt; Nude mud-wrestling between Johnny Ryan and Marc Bell? Oh, if only it were true! They will, however, be making an appearance at Family on Fairfax Avenue, beginning at 8PM. &lt;a href="http://www.familylosangeles.com/blog/2009/10/theyre-both-coming.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 24-25 (London, England):&lt;/b&gt; The London MCM Expo happens at Excel London. Guests include Gary Millidge, Al Davison, Kieron Gillen, Jamie McKelvie, Emma Vieceli, Marc Ellerby and many others. &lt;a href="http://www.londonexpo.com/show_features/comic_village__expo.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Carrboro, NC):&lt;/b&gt; The October meeting of the North Carolina WebComic Coffee Clatch takes place at Jesse’s Coffee &amp;amp; Bar on Main Street, from 2-4PM. &lt;a href="http://ncwccc.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; An Irish wake will be held for retailer Rich Hafstead at Jim Hanley’s Universe on 33rd Street, beginning at 3PM. &lt;a href="http://jhuniverse.blogspot.com/2009/10/remembering-rich-hafstead.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Washington DC):&lt;/b&gt; &lt;i&gt;Fun Home&lt;/i&gt; author Alison Bechdel will lecture at the Katzen Arts Center’s Abramson Family Recital Hall on Massachusetts Avenue, from 3-4:30PM. &lt;a href="http://www.american.edu/cas/literature/colloquium/index.cfm"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; Marc Bell makes an appearance at Brooklyn’s own Desert Island on Metropolitan Avenue, from 5-7PM. &lt;a href="http://www.desertislandbrooklyn.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Richmond, VA):&lt;/b&gt; Chris Pitzer moderates a panel discussion on comics featurting Gabrielle Bell, Kim Deitch, Hope Larson and Anders Nilsen at the University of Richmond’s Modlin Center for the Arts on Three Chopt Road, beginning at 7PM. Admission is free. &lt;a href="http://modlin.richmond.edu/contentmgr/showdetails.php/id/2320/cid/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1255971108723"><id gr:original-id="http://tcj.com/journalista/?p=1062">tag:google.com,2005:reader/item/66578b6e15f22b87</id><category term="News Round-Up" /><title type="html">Oct. 19, 2009: Almost everyone</title><published>2009-10-19T16:40:41Z</published><updated>2009-10-19T16:40:41Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1062" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“I know general average folks appreciate cartooning talent because I witness it all the time. Almost everyone. But when I got in the business I found out that the business itself didn’t appreciate the people who are the reason the business has a market at all.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://johnkstuff.blogspot.com/2009/10/are-cartoonists-valued-in-cartoon.html"&gt;John Kricfalusi&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;a href="http://www.comicsreporter.com/index.php/george_tuska_1916_2009/"&gt;Tom Spurgeon&lt;/a&gt; brings word of the death of George Tuska on October 15. He was 93 years old. Tuska was a veteran comic-book cartoonist who created a prodigious body of work between the 1930s and the 1970s.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; The big NYC comic-book conventions, they all be &lt;a href="http://pwbeat.publishersweekly.com/blog/2009/10/17/con-wars-heat-up-at-big-apple/"&gt;fighting and shit&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.icv2.com/articles/news/16068.html"&gt;&lt;i&gt;ICv2&lt;/i&gt;&lt;/a&gt; reports that the Diamond Retailer Summit in Baltimore drew over 600 participating retailers.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Not comics: &lt;a href="http://antickmusings.blogspot.com/2009/10/british-style-book-price-wars-come-to.html"&gt;Andrew Wheeler&lt;/a&gt; looks at a war over book prices recently kicked off by Wal-Mart’s online division.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;i&gt;Questionable Content&lt;/i&gt; creator &lt;a href="http://tcj.com/journalista"&gt;Jeph Jacques&lt;/a&gt; offers his State of the Webcomics Union address.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://comixtalk.com/el_santo/captain_nihilist_responds_state_webcomics_union"&gt;Larry Cruz&lt;/a&gt;, who offers a rebuttal.)



&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; R. Crumb&lt;br&gt;
Link: &lt;a href="http://www.usatoday.com/life/books/news/2009-10-18-r-crumb-old-testament_N.htm"&gt;David Colton&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Today’s interview with the cartoonist behind &lt;i&gt;The Book of Genesis Illustrated&lt;/i&gt;. Oh, and here’s &lt;a href="http://printmag.com/Article/R_Crumb_and_the_Bible"&gt;today’s review&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Eddie Campbell&lt;br&gt;
Link: &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23336"&gt;Alex Dueben&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The &lt;i&gt;Alec&lt;/i&gt; author discusses his work.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Craig Thompson in Brazil&lt;br&gt;
Link: &lt;a href="http://blog.dootdootgarden.com/2009/10/16/quadrinhos/"&gt;Dootdootgarden.com&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Visiting Fábio Moon and Gabriel Bá, with photos.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; John Porcellino in Ohio&lt;br&gt;
Link: &lt;a href="http://blog.newsarama.com/2009/10/16/a-stop-on-john-porcellinos-a-map-of-my-heart-tour/"&gt;J. Caleb Mozzocco&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“It’s silly to expect an autobiographical cartoonist, particularly one whose style is as abstract as Porcellino’s, to look like the comic book character you’re used to spending time with, but the Porcellino of my imagination shouldn’t have as many lines on him as the real Porcellino does.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Gigantic Robot&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://highlowcomics.blogspot.com/2009/10/jokes-on-us-gigantic-robot.html"&gt;Rob Clough&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Tom Gauld’s comics have often had the hallmark of juxtaposing frequently tiny, minimalist figures against vast backgrounds. His comics are frequently about futility and humanity’s struggle for relevance as a cosmically absurd battle that can’t be won.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/deformitorycovdet.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Deformitory&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://warren-peace.blogspot.com/2009/10/deformitory-do-i-belong-there.html"&gt;Matthew Brady&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“[Sophia] Wiedeman definitely has something here, and hopefully she’ll be able to explore this unique sensibility in her further work.”&lt;/p&gt;
&lt;p&gt;(Above: detail from the cover.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Abstract Comics&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/10/comics_time_abstract_comics.html"&gt;Sean T. Collins&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“One of the pleasures inherent in anthologies is the way proximity draws out the contrast between successful and unsuccessful work. One of the &lt;i&gt;unique&lt;/i&gt; pleasures of &lt;i&gt;this&lt;/i&gt; anthology is how that success or lack thereof can be determined not just by the subjective standards of the reader but also by the ostensibly objective standards of the anthology itself.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Exist Wounds&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://eddiecampbell.blogspot.com/2009/10/i-n-exit-wounds-rutu-modan-gives-me.html"&gt;Eddie Campbell&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“In &lt;i&gt;Exit Wounds&lt;/i&gt; Rutu Modan gives me something that’s getting harder to find in my ‘graphic novel’ reading. That is, she’s telling me something I don’t already know. It’s set in an actual place I’ve never been to, and the characters are involved in plausible actions that are outside of my experience.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Gene Colan&lt;br&gt;
Link: &lt;a href="http://www.sequentialtart.com/article.php?id=1523"&gt;Katherine Keller&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A conversation with the legendary artist.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Parker: The Hunter&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://nonsensicalwords.blogspot.com/2009/10/richard-starks-parker-hunter.html"&gt;Michael Buntag&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A mixed judgement on Darwyn Cooke’s adaptation of the Donald Westlake crime novel.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://www.factualopinion.com/the_factual_opinion/2009/10/cotw.html"&gt;Tucker Stone&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“This week’s reviews were written by fictional characters created by controversial French writer Michel Houllebecq.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Half a century on, Asterix still holding out&lt;br&gt;
Link: &lt;a href="http://www.google.com/hostednews/afp/article/ALeqM5jAFFBLDsebXhYlpGaL4A6nlDjT5Q"&gt;Celine Agniel and Dominique Chabrol&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Despite their defiantly French character, the comic book adventures of the first century BC warrior have sold 325 million copies — 200 million of them abroad — and been translated into 107 languages and dialects.”&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://robot6.comicbookresources.com/2009/10/comics-a-m-the-comics-internet-in-two-minutes-38/"&gt;Kevin Melrose&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Gary Groth peeks under Superman’s cape&lt;br&gt;
Link: &lt;a href="http://www.oregonlive.com/news/oregonian/steve_duin/index.ssf/2009/10/gary_groth_peeks_under_superma.html"&gt;Steve Duin&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Dredging up old Groth miscellania seems to be “in” right now, doesn’t it?
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/littlelulu55fortuneteller.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “The Fortune Teller”&lt;br&gt;
Link: &lt;a href="http://www.bigblogcomics.com/2009/10/little-lulu-in-fortune-teller.html"&gt;&lt;i&gt;The Big Blog of Kids’ Comics!&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Here’s a dose of John Stanley’s &lt;i&gt;Little Lulu&lt;/i&gt; comics.&lt;/p&gt;
&lt;p&gt;(Above: panel from &lt;i&gt;Marge’s Little Lulu&lt;/i&gt; #55, ©1958 Marjorie H. Buell. Hat tip: &lt;a href="http://cartoonsnap.blogspot.com/2009/10/comic-book-scans-new-fountain-of-youth.html"&gt;Sherm Cohen&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/gorgo1splash.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Steve Ditko’s &lt;i&gt;Gorgo&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hairygreeneyeball2.blogspot.com/2009/10/steve-ditkos-gorgo-1.html"&gt;Harry Lee Green&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Classic monster comics from a master of the form.&lt;/p&gt;
&lt;p&gt;(Above: splash panel from &lt;i&gt;Gorgo&lt;/i&gt; #1, ©1960 King Bros. Productions, Inc.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Snark]&lt;/b&gt;&lt;/font&gt; The worst sex scene in comics&lt;br&gt;
Link: &lt;a href="http://www.comicsalliance.com/2009/10/16/oh-god-my-eyes-the-worst-sex-scene-in-comics/"&gt;Chris Sims&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;We have a &lt;i&gt;loser!&lt;/i&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Chinese comics in Frankfurt&lt;br&gt;
Link: &lt;a href="http://www.telegraph.co.uk/expat/6350389/Chinese-comics-ready-to-open-minds---but-sex-is-still-out.html"&gt;Jonathan Liew&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“The presence of Chinese comic book artists as guests of honour at the world’s biggest bookfair, in Frankfurt, is a sign that their work is beginning to reach a global audience.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;What a Wonderful World&lt;/i&gt; Vol. 1&lt;br&gt;
Link: &lt;a href="http://www.readaboutcomics.com/2009/10/19/what-a-wonderful-world-vol-1/"&gt;Greg McElhatton&lt;/a&gt;, &lt;a href="http://oakhaus.blogspot.com/2009_10_18_archive.html#7050294815643846505"&gt;Bill Sherman&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Two views of Inio Asano’s short-story collection.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/dragonballzflash.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; “Low class filth” in manga&lt;br&gt;
Link: &lt;a href="http://io9.com/5383540/dragon-ball-spice-and-wolf-and-low+class-filth-in-manga-nsfw"&gt;Jason Thompson&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The argument over age ratings and content isn’t quite as clear-cut as one might want.&lt;/p&gt;
&lt;p&gt;(Above: panel from an early volume of &lt;i&gt;Dragon Ball&lt;/i&gt;, ©2009 Akira Toriyama.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/robot-reviews-comic-strips-aplenty/"&gt;Chris Mautner&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Under the microscope: Work by Gustave Verbeek, Frederick Burr Opper and more.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/tomgammillmelllazarus.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; Tom Gammill meets Mell Lazarus&lt;br&gt;
Link: &lt;a href="http://www.youtube.com/watch?v=EIKwVYFTy34"&gt;YouTube&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A visit with the creator of &lt;i&gt;Miss Peach&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.cartoonbrew.com/comics/gammill-meets-mell-lazarus.html"&gt;Jerry Beck&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Digital Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Jason Thompson&lt;br&gt;
Link: &lt;a href="http://www.sequentialtart.com/article.php?id=1518"&gt;Patti Martinson&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The cartoonist behind &lt;i&gt;The Stiff&lt;/i&gt; discusses his work.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Small Press/Minicomics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;          &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[SUBJECT]&lt;/b&gt;&lt;/font&gt; Will Dinski wins Isotope Award&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/will-dinski-wins-isotope-award-for-minicomics/"&gt;J.K. Parkin&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The minicomics award finds another worthy vessel.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Book About Moomin, Mymble and Little My&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://blog.newsarama.com/2009/10/16/review-the-book-of-moomin-mymble-and-little-my/"&gt;Michael Lorah&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A look at one of Tove Jansson’s internationally cherished picture books.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Craft]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Comic Tools&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://comictool.blogspot.com/"&gt;Homepage&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;I’m surprised no one else thought of a blog devoted to the tools of the trade earlier.&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.timemachinego.com/linkmachinego/2009/10/15/comic-tools-blog/"&gt;&lt;i&gt;LinkMachineGo&lt;/i&gt;&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/harvardlampoon63esquire.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Esquire&lt;/i&gt; parody&lt;br&gt;
Link: &lt;a href="http://themagicwhistle.blogspot.com/2009/10/esquire-parody.html"&gt;Sam Henderson&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Reproducing satirical cartoons from a 1963 issue of &lt;i&gt;Harvard Lampoon&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/duncantonatiuhgandhiinchiapas.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Duncan Tonatiuh&lt;br&gt;
Link: &lt;a href="http://duncantonatiuh.wordpress.com/"&gt;Illustration blog&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Form and content, working in harmony as only cartoon images can.&lt;/p&gt;
&lt;p&gt;(Above: “Gandhi in Chiapas,” ©2009 Duncan Tonatiuh.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/sundstromoregontrail.gif" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;8 Days and 3,700 Miles on the Oregon Trail&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.driveintothesun.com/"&gt;Matt Sundstrom&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A cross-country journey depicted in line.&lt;/p&gt;
&lt;p&gt;(Above: illustration ©2009 Matt Sundstrom. Link via &lt;a href="http://drawn.ca/2009/10/16/8-days-and-3700-miles-on-the-oregon-trail/"&gt;John Martz&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Comics Studies Conference seeking proposals&lt;br&gt;
Link: &lt;a href="http://www.mediumatlarge.net/2009/10/comic-studies-conference-at-c2e2.html"&gt;Press release&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Deadline is December 1; details at the link.&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://pwbeat.publishersweekly.com/blog/2009/10/16/kibbles-n-bits-1016/"&gt;Heidi MacDonald&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Comics in the closet&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/comics-in-closet-part-1.html"&gt;Noah Berlatsky&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;First installment of a two-part essay on sexual and gender identity in the funnybooks.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
A &lt;a href="http://www.mentalfloss.com/blogs/archives/36250"&gt;pictoral tour&lt;/a&gt; of Bodie, California: the last, best ghost town in the once-frontier.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.boingboing.net/2009/10/13/ghost-town-tour.html"&gt;Maggie Koerth-Baker&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/nekorahmen.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
And now, a manga about a ramen shop &lt;a href="http://asylums.insanejournal.com/scans_daily/1096662.html"&gt;run by a cat&lt;/a&gt;.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: excerpt from the strip &lt;i&gt;Neko Rahmen&lt;/i&gt;, ©2009 Kenji Sonishi.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 19 (Vancouver, British Columbia):&lt;/b&gt; Marc Bell makes an appearance at Lucky’s Comics on Main Street, from 7-10PM. &lt;a href="http://www.luckys.ca/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 21 (San Francisco, CA):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; co-creators Scott Allie and Kevin McGovern will appear at Comix Experience on Divisadero Street, from 5-7PM. &lt;a href="http://savagecritic.com/2009/10/scott-allie-and-kevin-mcgovern-ce-1021.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 21 (Madison, WI):&lt;/b&gt; John Porcellino will be signing books and meeting readers at the Rainbow Bookstore on Gilman Street, beginning at 7PM. &lt;a href="http://www.rainbowbookstore.org/node/8686"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 21 (Los Angeles):&lt;/b&gt; Nude mud-wrestling between Johnny Ryan and Marc Bell? Oh, if only it were true! They will, however, be making an appearance at Family on Fairfax Avenue, beginning at 8PM. &lt;a href="http://www.familylosangeles.com/blog/2009/10/theyre-both-coming.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 24-25 (London, England):&lt;/b&gt; The London MCM Expo happens at Excel London. Guests include Gary Millidge, Al Davison, Kieron Gillen, Jamie McKelvie, Emma Vieceli, Marc Ellerby and many others. &lt;a href="http://www.londonexpo.com/show_features/comic_village__expo.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Carrboro, NC):&lt;/b&gt; The October meeting of the North Carolina WebComic Coffee Clatch takes place at Jesse’s Coffee &amp;amp; Bar on Main Street, from 2-4PM. &lt;a href="http://ncwccc.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; An Irish wake will be held for retailer Rich Hafstead at Jim Hanley’s Universe on 33rd Street, beginning at 3PM. &lt;a href="http://jhuniverse.blogspot.com/2009/10/remembering-rich-hafstead.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Washington DC):&lt;/b&gt; &lt;i&gt;Fun Home&lt;/i&gt; author Alison Bechdel will lecture at the Katzen Arts Center’s Abramson Family Recital Hall on Massachusetts Avenue, from 3-4:30PM. &lt;a href="http://www.american.edu/cas/literature/colloquium/index.cfm"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (New York City, NY):&lt;/b&gt; Marc Bell makes an appearance at Brooklyn’s own Desert Island on Metropolitan Avenue, from 5-7PM. &lt;a href="http://www.desertislandbrooklyn.com/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 25 (Richmond, VA):&lt;/b&gt; Chris Pitzer moderates a panel discussion on comics featurting Gabrielle Bell, Kim Deitch, Hope Larson and Anders Nilsen at the University of Richmond’s Modlin Center for the Arts on Three Chopt Road, beginning at 7PM. Admission is free. &lt;a href="http://modlin.richmond.edu/contentmgr/showdetails.php/id/2320/cid/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1255714055690"><id gr:original-id="http://tcj.com/journalista/?p=1058">tag:google.com,2005:reader/item/cfd241a4591cea70</id><category term="News Round-Up" /><title type="html">Oct. 16, 2009: The Internet’s like that</title><published>2009-10-16T16:34:31Z</published><updated>2009-10-16T16:34:31Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1058" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“I’ve been doing a bunch of interviews recently and they’re all being sat on until the books come out. I’m sure I’ve repeated myself all over the place. I remember watching an old Hollywood songwriter, when his memoir was published, doing the rounds of the UK talk shows, giving the same spiel every time, not realising that the UK is so small that it would be the same audience watching every show. The internet’s like that, when you break it down into communities.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://eddiecampbell.blogspot.com/2009/10/c-hris-staros-master-of-ceremonies-at.html"&gt;Eddie Campbell&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; Hey, this could be important: Google &lt;a href="http://www.icv2.com/articles/news/16055.html"&gt;has announced&lt;/a&gt; that “it would begin offering electronic books to any device with a Web browser through a new online store, beginning in the first half of 2010.”&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23333"&gt;Kiel Phegley&lt;/a&gt; examines the difficulties faced by Filipino cartoonists after the storms and floods that have wracked the Philippines.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://pwbeat.publishersweekly.com/blog/2009/10/16/indie-month-to-month-sales-august-2009/"&gt;Matthew Murray&lt;/a&gt; presents month-to-month comparisons of indy genre-comics sales to Direct Market retailers, now updated for August.&lt;/li&gt;



&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; “Adult comics” in Ohio&lt;br&gt;
Link: &lt;a href="http://www.toledofreepress.com/2009/10/16/the-art-of-%E2%80%98adult-comic-books%E2%80%99-on-display-at-tma/"&gt;Jeff McGinnis&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“I am in the Toledo Museum of Art, but I am not walking by the kind of work I am used to seeing in this building.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Fever in Ubricand&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/philosophical-cities-part-2-of-3.html"&gt;Ng Suat Tong&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Benoît Peeters and François Schuiten’s second album in the &lt;i&gt;Cités&lt;/i&gt; series seems, in part, a reverberation from the events in &lt;i&gt;The Great Walls of Samaris&lt;/i&gt;. It may in fact suggest a path humanity should be taking.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Festering Romance&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.readaboutcomics.com/2009/10/16/festering-romance/"&gt;Greg McElhatton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I almost feel bad in saying this, but at times &lt;i&gt;Festering Romance&lt;/i&gt; didn’t feel like a graphic novel, but rather an illustrated movie pitch.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Stitches&lt;/i&gt; is young adult?&lt;br&gt;
Link: &lt;a href="http://www.chasingray.com/archives/2009/10/into_the_brink_so_to_speak.html"&gt;Colleen Mondor&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“So the National Book Award finalists are out and as usual there are books folks expected and books a lot of folks have never heard of. A quick controversy brewed in the Young People (YP) category however with the inclusion of David Small’s fine graphic novel &lt;i&gt;Stitches&lt;/i&gt;. The issue is not about it being a graphic novel but that it was published for adults and yet Norton entered it for consideration into the YP category.”&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.bookslut.com/blog/archives/2009_10.php#015278"&gt;Michael Schaub&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/qsethwrightvid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; Seth&lt;br&gt;
Link: &lt;a href="http://www.youtube.com/watch?v=_m5D9kGmxlk"&gt;YouTube&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Jian Ghomeshi sits down for a chat with the author of &lt;i&gt;George Sprott: 1894-1975&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video. Link via &lt;a href="http://mikelynchcartoons.blogspot.com/2009/10/video-seth.html"&gt;Mike Lynch&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Indian comics in Los Angeles&lt;br&gt;
Link: &lt;a href="http://online.wsj.com/article/SB10001424052748704107204574471603479496362.html"&gt;Candace Jackson&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“The Los Angeles County Museum of Art is trying to raise interest in its extensive collection of ancient Indian paintings by showing how they connect to modern day Indian comics in a new exhibit starting Saturday.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Cent mètres carrés&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.comicsreporter.com/index.php/conversational_euro_comics_bart_beaty_on_francois_henninger_and_cent_metres/"&gt;Bart Beaty&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;François Henninger’s book “traces the ‘adventures’ of an architect who is randomly pulled into several non-sequitur murder mysteries.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Filthy Rich&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.chicagotribune.com/entertainment/chi-1015-azzarellooct15,0,4918895.story"&gt;Christopher Borrelli&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“What Azzarello has accomplished, however, is more perverse, and charming for it: a graphic pulp crime novel too enamored of vintage, scuzzball paperback morality tales to transcend them. After all, the world needs louts.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Mourning Star&lt;/i&gt; Vol. 2&lt;br&gt;
Link: &lt;a href="http://highlowcomics.blogspot.com/2009/10/inner-lives-mourning-star-volume-2.html"&gt;Rob Clough&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Kaz Strzepek’s MOURNING STAR series provides a number of visceral thrills and and an opportunity for readers to explore a carefully designed world.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://www.the-isb.com/?p=2432"&gt;Chris Sims&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Remember: It’s not the bullet that kills you, it’s the hole.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/thirteengoingeighteenhole.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “Hole in One”&lt;br&gt;
Link: &lt;a href="http://www.drawnandquarterly.com/blog/2009_10_01_archive.php#225259159855734505"&gt;Tom Devlin&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I really do love these Judy Junior stories by John Stanley. They are just relentlessly mean and funny.”&lt;/p&gt;
&lt;p&gt;(Above: excerpt from an unidentified issue of &lt;i&gt;Thirteen Going on Eighteen&lt;/i&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/strangeadv116kanewood63.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Strange Adventures&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://goldenagecomicbookstories.blogspot.com/2009/10/strange-adventures-batch-of-stories-all.html"&gt;&lt;i&gt;Golden Age Comic Book Stories&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Classic DC sci-fi tales featuring art by Russ Heath, Murphy Anderson, Carmine Infantino, Gil Kane and Wally Wood. Oh, and here’s a &lt;a href="http://goldenagecomicbookstories.blogspot.com/2009/10/strange-adventures-batch-of-covers-from.html"&gt;batch of covers&lt;/a&gt;, while we’re at it.&lt;/p&gt;
&lt;p&gt;(Above: sequence from “Earth’s Friendly Invader’s” [sic], written by France Herron with art by Gil Kane and Wally Wood; first published in &lt;i&gt;Strange Adventures&lt;/i&gt; #154, ©1963 National Periodical Publications, Inc.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; Evan Dorkin&lt;br&gt;
Link: &lt;a href="http://www.blogtalkradio.com/slgradio/2009/10/15/SLG-Radio--10152009"&gt;Dan Vado&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A streaming-audio conversation with the cartoon funnyman.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/tuckerstoneacs5.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Advanced Common Sense&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.youtube.com/watch?v=qjXjUuuMnNI"&gt;YouTube&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Tucker Stone, anarchy critic! Seriously, he should put that on his business cards.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Nigar Nazar&lt;br&gt;
Link: &lt;a href="http://www.gazette.com/entertainment/thought-63832-bubble-cartoonist.html"&gt;Lauren Arnest&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“Meet Gogi, the alter-ego of Nigar (rhymes with ‘cigar’) Nazar, the first woman cartoonist of Pakistan.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Keeneland library to house original drawings by “Peb”&lt;br&gt;
Link: &lt;a href="http://www.thoroughbredtimes.com/national-news/2009/October/15/Keeneland-library-to-house-original-drawings-by-Peb.aspx"&gt;Steve Bailey&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“On Thursday, Keeneland announced that its library would house [Pierre] Bellocq’s entire collection of original artwork, many of which have graced the front cover of &lt;i&gt;Daily Racing Form&lt;/i&gt; since the 1950s.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/ouseetravekgag.gif" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;O U Auto C The U.S.&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hairygreeneyeball2.blogspot.com/2009/10/jokes-that-were-old-when-grandpa-was.html"&gt;Harry Lee Green&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Back a couple of generations ago booklets like O U AUTO C THE U.S. were for sale at souvenir stands, in diners and drug stores across the United States, any place along the highway a traveler might stop.”&lt;/p&gt;
&lt;p&gt;(Above: gag panel ©1941 Thos. W. Jackson Pub. Co.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/rockwellhuckfinnwatson.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Norman Rockwell’s &lt;i&gt;Huckleberry Finn&lt;/i&gt;&lt;br&gt;
Link: Tom Watson (&lt;a href="http://todaysinspiration.blogspot.com/2009/10/norman-rockwells-illustrations-for.html"&gt;one&lt;/a&gt;, &lt;a href="http://todaysinspiration.blogspot.com/2009/10/norman-rockwells-illustrations-for_15.html"&gt;two&lt;/a&gt;, &lt;a href="http://todaysinspiration.blogspot.com/2009/10/norman-rockwells-illustrations-for_3598.html"&gt;three&lt;/a&gt; and &lt;a href="http://todaysinspiration.blogspot.com/2009/10/norman-rockwells-illustrations-for_16.html"&gt;four&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A close reading of the master commercial illustrator’s interpretations of the Mark Twain novel.&lt;/p&gt;
&lt;p&gt;(Above: “Then Miss Watson took me in the closet and prayed, but nothing came of it,” one of the illustrations under consideration.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/shigerumizukiyokaidaizukai.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Shigeru Mizuki’s &lt;i&gt;yokai&lt;/i&gt; anatomy&lt;br&gt;
Link: &lt;a href="http://www.pinktentacle.com/2009/10/anatomy-of-japanese-folk-monsters/"&gt;&lt;i&gt;Pink Tentacle&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“&lt;i&gt;Y?kai Daizukai&lt;/i&gt;, an illustrated guide to y?kai authored by manga artist Shigeru Mizuki, features a collection of cutaway diagrams showing the anatomy of 85 traditional monsters from Japanese folklore (which also appear in Mizuki’s &lt;i&gt;GeGeGe no Kitar?&lt;/i&gt; anime/manga). Here are a few illustrations from the book.”&lt;/p&gt;
&lt;p&gt;(Above: one of the diagrams, ©2009 Shigeru Mizuki. Link via &lt;a href="http://io9.com/5381724/glimpse-the-ghastly-innards-of-japans-folkloric-monsters/gallery/"&gt;Lauren Davis&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/sendakytvid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; Maurice Sendak on being an illustrator&lt;br&gt;
Link: &lt;a href="http://www.youtube.com/watch?v=-CuIdeTI9Ro"&gt;YouTube&lt;/a&gt;)&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The revered children’s-book illustrator discusses the meaning behind the craft.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video. Link via &lt;a href="http://drawn.ca/2009/10/14/maurice-sendak-on-what-being-an-illustrator-means/"&gt;John Martz&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Patrick Findlay&lt;br&gt;
Link: &lt;a href="http://forbiddenplanet.co.uk/blog/2009/you&amp;#39;ll-go-home-wanting-to-make-comics-a-conversation-with-patrick-findlay/"&gt;Matthew Badham&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A chat with one of the folks behind the UK Web ‘n’ Mini Comix Thing.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; APE 2009 preview&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/15/ape-2009-preview/"&gt;&lt;i&gt;Daily Cross Hatch&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A quick guide to this weekend’s Alternative Press Expo in San Francisco.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; Comics-related podcasts&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; This week on &lt;i&gt;Inkstuds&lt;/i&gt;, Robin McDonnell is &lt;a href="http://inkstuds.com/?p=2408"&gt;joined by retailers&lt;/a&gt; Dustin Harbin and Christopher Butcher (49.6MB), and chats with &lt;a href="http://inkstuds.com/?p=2371"&gt;Kim Thompson&lt;/a&gt; about Jacgues Tardi (50.2MB).&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://panelborders.wordpress.com/2009/10/14/panel-borders-swedish-manga/"&gt;&lt;i&gt;Panel Borders&lt;/i&gt;&lt;/a&gt;‘ Dickon Harris presents Fredrik Strömberg and Sofia Falkenhem’s panel on Swedish Manga from the 2008 Bristol International Comics Expo (32.5MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;i&gt;Otaku USA&lt;/i&gt; editor-in-chief &lt;a href="http://patrickmacias.blogs.com/er/2009/10/podcast-hot-tears-of-shame-x-episode-thirtyfive.html"&gt;Patrick Macias&lt;/a&gt; presents a roundtable discussion on the mainstreaming of Japanese fan culture, with participants Patrick Galbraith, Renato Rivera and Adrian Lozano (59MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://warrocketajax.com/2009/10/11/episode-8-the-bonus-round-w-spx-2009/"&gt;&lt;i&gt;War Rocket Ajax&lt;/i&gt;&lt;/a&gt; presents a report from the recent Small Press Expo in Maryland (69.5MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Andy Runton joins Mike Dawson and Alex Robinson for this week’s &lt;a href="http://www.mikedawsoncomics.com/the-ink-panthers-show-episode-19/"&gt;&lt;i&gt;Ink Panthers Show&lt;/i&gt;&lt;/a&gt; (35.8MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Paul O’Brien and Al Kennedy talk industry news and review funnybooks in the latest installment of &lt;a href="http://housetoastonish.podomatic.com/entry/eg/2009-10-10T10_14_42-07_00"&gt;&lt;i&gt;House to Astonish&lt;/i&gt;&lt;/a&gt; (59.1MB).&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://savagecritic.com/2009/10/wait-whatting-for-godot-graeme-jeff.html"&gt;&lt;i&gt;Wait, What?&lt;/i&gt;&lt;/a&gt; critics Graeme McMillan and Jeff Lester go into… &lt;i&gt;&lt;b&gt;Comics-Talk Overdrive&lt;/b&gt;&lt;/i&gt; (multiple files of various sizes).&lt;/li&gt;

&lt;p&gt;All podcasts available in downloadable MP3 audiofile format.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
Eight experts weigh in on the &lt;a href="http://www.popularmechanics.com/science/air_space/4333599.html"&gt;future of human spaceflight&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/spidermanreignjism.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
Pretentious superhero crap, thy name is &lt;a href="http://asylums.insanejournal.com/scans_daily/1089092.html"&gt;&lt;i&gt;Spider-Man: Reign&lt;/i&gt;&lt;/a&gt; — I’m choosing this set of excerpts because they feature one of the all-time hilarious examples of superhero decadence, Peter Parker’s radioactive jism.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: sequence from Kaare Andrews’ comic, ©2007 Marvel Characters, Inc.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 15-17 (Chicago, IL):&lt;/b&gt; The 2009 International Comic Arts Forum, an academic conference devoted to the study of comics, takes place at the School of the Art Institute of Chicago on Wabash Avenue. &lt;a href="http://www.internationalcomicartsforum.org/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16-18 (New York City, NY):&lt;/b&gt; The Big Apple Comic-Con takes place at Pier 94. B-list celebrities galore! &lt;a href="http://www.wizardworld.com/home-apple.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16 (Chicago, IL):&lt;/b&gt; John Porcellino makes an appearance at Quimby’s Bookstore on North Avenue, beginning at 7PM. &lt;a href="http://quimbys.com/blog/store-events/john-porcellino/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16 (Chicago, IL):&lt;/b&gt; John Porcellino makes an appearance at Quimby’s Bookstore on North Avenue, beginning at 7PM. &lt;a href="http://quimbys.com/blog/store-events/john-porcellino/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This weekend:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 17-18 (San Francisco, CA):&lt;/b&gt; The Alternative Press Expo takes place at the Concourse Exhibition Center on Seventh Street. Guests include Phoebe Gloeckner, Jeff Smith, Dash Shaw, Dean Haspiel, Lark Pien, Jamaica Dyer and many others. &lt;a href="http://www.comic-con.org/ape/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (Seattle, WA):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; creators Scott Allie and Kevin McGovern will be signing books and meeting readers at the Comics Dungeon on 45th Street, from 2-5PM. &lt;a href="http://comicsdungeon.com/default.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (New Orleans, LA):&lt;/b&gt; A grand-opening party featuring a live art show by Kody Chamberlain and Rob Guillory will be held at Crescent City Comics on Freret Street, from 7-11PM. &lt;a href="http://www.facebook.com/event.php?eid=150880783504#/event.php?eid=150880783504"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (San Francisco, CA):&lt;/b&gt; An APE afterparty takes place at Isotope on Fell Street, from 8PM-2AM. &lt;a href="http://www.isotopecomics.com/2009/10/alternative-press-expo-weekend.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 18 (Washington DC):&lt;/b&gt; &lt;i&gt;You Shall Die By Your Own Evil Creation!&lt;/i&gt; editor Paul Karasik makes an appearance at the Politics and Prose Bookstore on Connecticut Avenue, beginning at 5PM. &lt;a href="http://tcj.com/journalista"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1255616563142"><id gr:original-id="http://tcj.com/journalista/?p=1054">tag:google.com,2005:reader/item/ea07743b6ad44640</id><category term="News Round-Up" /><title type="html">Oct. 15, 2009: Shorter Journalista 25</title><published>2009-10-15T14:16:41Z</published><updated>2009-10-15T14:16:41Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1054" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“What the heck kind of business are we in where a project like that can’t find an audience? This isn’t John Hankiewicz’s &lt;i&gt;Asthma&lt;/i&gt; we’re talking about, it’s a book described by the creators as ‘&lt;i&gt;90210&lt;/i&gt; meets &lt;i&gt;Archie&lt;/i&gt;.’ Something’s very wrong here.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/10/carnival_of_souls_334.html"&gt;Sean T. Collins&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;It’s catching up and something had to give. (My apologies for not thinking up enough vague clichés to really sell that last sentence. Let’s try again: There’s too much on my plate, and I’m falling behind in the rat race! The levee’s about to break! Oh, I give up.)&lt;/p&gt;
&lt;p&gt;Anyway, here’s a quick, art-free round-up. Hopefully I’ll be back to full speed tomorrow. Maybe my TCJ.com e-mail account will be working by then…?&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;a href="http://bearalley.blogspot.com/2009/10/ricardo-garijo-1953-2009.html"&gt;Steve Holland&lt;/a&gt; reports the death of Argentinean cartoonist, illustrator, teacher and writer Ricardo Garijo on October 3. He was 55 years old.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://pwbeat.publishersweekly.com/blog/2009/10/14/breaking-news-david-small-nominated-for-national-book-award/"&gt;Heidi MacDonald&lt;/a&gt; brings word that “David Small’s acclaimed graphic novel memoir, &lt;i&gt;Stitches&lt;/i&gt;, has been nominated for a National Book Award in the literature for young people category.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Courtesy of &lt;a href="http://www.fleen.com/archives/2009/10/14/its-a-day-full-of-wow/"&gt;Gary Tyrrell&lt;/a&gt;, our first evidence of e-book publishing site Wowio paying in full back royalties owed to its clients.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Ten cartoonists are shipping out with the USO “on a week-long entertainment tour to visit troops stationed in Germany and the Persian Gulf.” &lt;a href="http://dailycartoonist.com/index.php/2009/10/14/10-cartoonists-shipping-off-for-middle-east/"&gt;Alan Gardner&lt;/a&gt; has the press release.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; A reminder from &lt;a href="http://www.rocketbomber.com/2009/10/14/a-special-comment-where-i-draw-spurious-and-perhaps-false-parallels"&gt;Matt Blind&lt;/a&gt;: “Drawings of people aren’t people.”&lt;/li&gt;



&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://www.editorandpublisher.com/eandp/search/article_display.jsp?vnu_content_id=1004021617"&gt;Shawn Moynihan&lt;/a&gt; interviews &lt;i&gt;Chicago Tribune&lt;/i&gt; editorial cartoonist Scott Stantis.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://graphicnyc.blogspot.com/2009/10/tom-hart-from-hutch-owen-to-saying.html"&gt;Christopher Irving&lt;/a&gt; interviews &lt;i&gt;Hutch Owen&lt;/i&gt; creator Tom Hart.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23312"&gt;Alex Dueben&lt;/a&gt; interviews &lt;i&gt;Stuffed!&lt;/i&gt; artist Nick Bertozzi.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://groovyageofhorror.blogspot.com/2009/10/night-business-interview-with-benjamin.html"&gt;Curt Purcell&lt;/a&gt; interviews &lt;i&gt;Night Business&lt;/i&gt; creator Benjamin Marra.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://blogs.columbiaspectator.com/spectacle/2009/10/13/comic-worth-a-conversation-with-kristy-valenti-on-the-importance-of-comics/"&gt;Tommy Hill&lt;/a&gt; speaks with our own Kristy Valenti about “the idea of comics as art, the cultural and academic significance of the medium, and current developments that are shaping the industry in new and exciting ways.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23317"&gt;Steve Sunu&lt;/a&gt; on Stan Sakai’s spotlight panel at last weekend’s Baltimore Comic-Con.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://warren-peace.blogspot.com/2009/10/monsters-thats-more-crusty-penises-than.html"&gt;Matthew Brady&lt;/a&gt; on Ken Dahl’s &lt;i&gt;Monsters&lt;/i&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://thedailycrosshatch.com/2009/10/14/mome-vol-16-edited-by-eric-reynolds-and-gary-groth/"&gt;Brian Heater&lt;/a&gt; on &lt;i&gt;Mome&lt;/i&gt; Vol. 16.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://forbiddenplanet.co.uk/blog/2009/at-last-comics-for-real-manly-boys/"&gt;Richard Bruton&lt;/a&gt; on Steven Tillotson and Gareth Brookes’ &lt;i&gt;The Manly Boys Annual&lt;/i&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/how-to-pen-and-ink-comikers-and-inky.html"&gt;Vom Marlowe&lt;/a&gt; on a pair of Japanese inking manuals.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://blog.newsarama.com/2009/10/14/it-came-from-the-nypl-the-iron-wagon/"&gt;Michael Lorah&lt;/a&gt; on Jason’s &lt;i&gt;The Iron Wagon&lt;/i&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://everydayislikewednesday.blogspot.com/2009/10/weekly-haul-october-14th.html"&gt;J. Caleb Mozzocco&lt;/a&gt; on a variety of recent titles.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://firstsecondbooks.typepad.com/mainblog/2009/10/why-we-should-be-teaching-comics.html"&gt;Calista Brill&lt;/a&gt; makes the case for teaching with comics.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://blog.comicspace.com/?p=1747"&gt;Joey Manley&lt;/a&gt; lays out the cold, hard facts of webcomics failure.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23316"&gt;Steven Grant&lt;/a&gt; on the illustrative flowering in 1970s genre comics.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://eddiecampbell.blogspot.com/2009/10/t-his-one-took-me-while-to-get-hold-of.html"&gt;Eddie Campbell&lt;/a&gt; on David Mazzucchelli’s sense of place.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Oddity]&lt;/b&gt;&lt;/font&gt; Introducing “the &lt;a href="http://newsmanga.com/"&gt;first website&lt;/a&gt; to report daily news &lt;a href="http://www.animenewsnetwork.com/news/2009-10-14/first-site-to-report-through-manga-launched"&gt;through manga&lt;/a&gt;.”&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Oddity]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://comicscomicsmag.blogspot.com/2009/10/gutter-connections.html"&gt;Dash Shaw&lt;/a&gt; spots a connection in the gutter.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Snark]&lt;/b&gt;&lt;/font&gt; &lt;a href="http://precur.wordpress.com/2009/10/14/they-really-do/"&gt;David Welsh&lt;/a&gt; gets results.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 15-17 (Chicago, IL):&lt;/b&gt; The 2009 International Comic Arts Forum, an academic conference devoted to the study of comics, takes place at the School of the Art Institute of Chicago on Wabash Avenue. &lt;a href="http://www.internationalcomicartsforum.org/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 15 (Birmingham, England):&lt;/b&gt; The All You Can Eat Zine is “a night of Zines, comics, small press, music and performance” taking place at the Sunflower Lounge on Smallbrook Queensway, beginning at 8PM. &lt;a href="http://galleryofowls.org/news/all-you-can-eat-zine/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 16-18 (New York City, NY):&lt;/b&gt; The Big Apple Comic-Con takes place at Pier 94. B-list celebrities galore! &lt;a href="http://www.wizardworld.com/home-apple.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16 (Chicago, IL):&lt;/b&gt; John Porcellino makes an appearance at Quimby’s Bookstore on North Avenue, beginning at 7PM. &lt;a href="http://quimbys.com/blog/store-events/john-porcellino/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16 (Chicago, IL):&lt;/b&gt; John Porcellino makes an appearance at Quimby’s Bookstore on North Avenue, beginning at 7PM. &lt;a href="http://quimbys.com/blog/store-events/john-porcellino/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17-18 (San Francisco, CA):&lt;/b&gt; The Alternative Press Expo takes place at the Concourse Exhibition Center on Seventh Street. Guests include Phoebe Gloeckner, Jeff Smith, Dash Shaw, Dean Haspiel, Lark Pien, Jamaica Dyer and many others. &lt;a href="http://www.comic-con.org/ape/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (Seattle, WA):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; creators Scott Allie and Kevin McGovern will be signing books and meeting readers at the Comics Dungeon on 45th Street, from 2-5PM. &lt;a href="http://comicsdungeon.com/default.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (New Orleans, LA):&lt;/b&gt; A grand-opening party featuring a live art show by Kody Chamberlain and Rob Guillory will be held at Crescent City Comics on Freret Street, from 7-11PM. &lt;a href="http://www.facebook.com/event.php?eid=150880783504#/event.php?eid=150880783504"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (San Francisco, CA):&lt;/b&gt; An APE afterparty takes place at Isotope on Fell Street, from 8PM-2AM. &lt;a href="http://www.isotopecomics.com/2009/10/alternative-press-expo-weekend.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 18 (Washington DC):&lt;/b&gt; &lt;i&gt;You Shall Die By Your Own Evil Creation!&lt;/i&gt; editor Paul Karasik makes an appearance at the Politics and Prose Bookstore on Connecticut Avenue, beginning at 5PM. &lt;a href="http://tcj.com/journalista"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1255537074521"><id gr:original-id="http://tcj.com/journalista/?p=1051">tag:google.com,2005:reader/item/eea190b9bd496531</id><category term="News Round-Up" /><title type="html">Oct. 14, 2009: One big mush of fun</title><published>2009-10-14T15:51:39Z</published><updated>2009-10-14T15:51:39Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1051" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“In print, comics are their own category of thing. People think you have to be a special kind of person to read and enjoy them. They’re either intimidated by comics, or superior to comics, or both. Not always. Yeah. But often.&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;“On the web, comics are just one more fun thing to look at. It’s all part of ‘the web,’ and people don’t get their guard up so quickly. They go from blog to animated cartoon to webcomic to photo-sharing site to social network and back to blog again, without paying attention to the differences between these things. It’s just one big mush of fun. They don’t feel like they have to be ‘comics fans’ to read a webcomic.”&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://blog.comicspace.com/?p=1727"&gt;Joey Manley&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“This morning’s Diamond/publisher Q&amp;amp;A session was relatively low-key, with questions on package damage, invoice timing and the possibility of simultaneous hardcover/softcover releases. We’ll wrap up the issues covered shortly, but despite some chatter over the possibility of removing their reorder penalties, Diamond announced no changes in trade term policies. Although Diamond had a profitable year, according to VP Bill Schanes, margins were still tight, and pulling revenue from one column meant that it must be made up for in another. However, he expects more announcements along these lines in a few months.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://pwbeat.publishersweekly.com/blog/2009/10/13/retailer-summit-notes/"&gt;Heidi MacDonald&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;A quick note: My TCJ.com e-mail is down at the moment. People are working on getting it fixed, but if you need to reach me in the next day or so, use firstname@lastname.com (so to speak).&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;a href="http://kleinletters.com/Blog/?p=6013"&gt;Todd Klein&lt;/a&gt; informs us of the recent death of longtime letterer Joe Rosen.&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://robot6.comicbookresources.com/2009/10/comics-a-m-the-comics-internet-in-two-minutes-35/"&gt;Kevin Melrose&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Also &lt;a href="http://pwbeat.publishersweekly.com/blog/2009/10/13/rip-rich-hafstead/"&gt;recently passed on&lt;/a&gt;: New York City retailer Rich Hafstead of Jim Hanley’s Universe.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Marvel Entertainment launches its &lt;a href="http://comicbook.com/blog/2009/10/13/marvel-comics-launches-30-digital-comics-reader/"&gt;comics e-reader software&lt;/a&gt;. Marvel, meet Longbox — oops, I see that you’ve &lt;a href="http://www.bleedingcool.com/2009/10/14/swipe-file-marvel-3-0-and-longbox/"&gt;already met&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; R. Crumb comics &lt;a href="http://www.icv2.com/articles/news/16029.html"&gt;hit the iPhone.&lt;/a&gt;&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://comicsforserious.blogspot.com/2009/10/baltimore-comic-con-2009-youth-market.html"&gt;Brandon Soderberg&lt;/a&gt; explains what the recent Baltimore Comic-Con taught him about the youth market for comics.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; Well, I guess my work here &lt;a href="http://www.afnews.info/public/afnews/2009/10/donald-soffritti-e-i-suoi-supereroi.html"&gt;is done.&lt;/a&gt; (Sorry, private joke.)&lt;/li&gt;



&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Ken Dahl&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/13/interview-ken-dahl-pt-1-of-3/"&gt;Brian Heater&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;First installment of a three-part conversation with the &lt;i&gt;Monsters&lt;/i&gt; author.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/aya3covdet.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Aya: The Secrets Come Out&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://highlowcomics.blogspot.com/2009/10/pride-and-prejudice-aya-secrets-come.html"&gt;Rob Clough&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Some have compared the interactions of the cast in the &lt;i&gt;Aya&lt;/i&gt; books to soap opera, and there are certainly some of those elements in the story. A better comparison might be an extended comedy of manners, much like a Jane Austen book.”&lt;/p&gt;
&lt;p&gt;(Above: detail from the book’s cover.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Low Moon&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.thelmagazine.com/newyork/low-moon/Content?oid=1199089"&gt;Becky Ferreira&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“It isn’t the threat of punitive action, or a badgering conscience that precludes happiness; the desired thing simply turns out not to be worth it. In fact, &lt;i&gt;Low Moon&lt;/i&gt; tends to favor the losers, even when they are the murdered ones.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Neptune&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.readaboutcomics.com/2009/10/14/neptune/"&gt;Greg McElhatton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Sometimes all it takes to attract a reader is an attractive cover. Aron Nels Steinke’s &lt;i&gt;Neptune&lt;/i&gt; is the sort of book whose cover promises exactly what it delivers on the inside. It’s a simple illustration style with a surprising amount of detail the more you look at it, and with the promise of fun.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/robot-reviews-prison-pit-the-squirrel-machine/"&gt;Chris Mautner&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Under the microscope: Johnny Ryan’s &lt;i&gt;Prison Pit&lt;/i&gt; and Hans Rickheit’s &lt;i&gt;The Squirrel Machine&lt;/i&gt;.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[History]&lt;/b&gt;&lt;/font&gt; Jack Kirby and Frank Zappa&lt;br&gt;
Link: &lt;a href="http://latimesblogs.latimes.com/herocomplex/2009/10/jack-kirby-and-frank-zappa-a-cosmic-friendship-.html"&gt;Geoff Boucher&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“So I had to show Ahmet [Zappa] my Blackberry screensaver, the image I had found of his dad and Jack together, and Ahmet goes, ‘Whoa, I never saw that! That’s in my living room… Jack would come over and smoke cigars and Frank would smoke cigarettes, and they’d talk and talk.’”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Planetary&lt;/i&gt; #27&lt;br&gt;
Link: &lt;a href="http://geoffklock.blogspot.com/2009/10/planetary-27.html"&gt;Geoff Klock&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“A third of my life passed between the first and twenty-seventh issues, which makes it very hard to review. People bitched about the long wait between issues, but I think the worst effect was that I can only guess what my 20 year old self would have thought about this issue.”&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.4thletter.net/2009/10/geoff-klock-planetary-3-years/"&gt;David Brothers&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Sulk Vol. 3: The Kind of Strength That Comes from Madness&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/10/comics_time_sulk_vol_3_the_kin.html"&gt;Sean T. Collins&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“As in previous genre-parody works like &lt;i&gt;Incredible Change-Bots&lt;/i&gt;, the sci-fi/action/fantasy hodgepodge of &lt;i&gt;Sulk&lt;/i&gt; #3 presupposes simultaneous knowledge of, affection for, and skepticism of the kinds of stuff he’s swiping from/at, plus (obviously) an appreciation of [Jeffrey] Brown’s visual approach to the material. It’s an acquired taste: The ribbing might be too gentle for people who wanna see an indie stalwart get some yuks at the expense of elves and unicorns, while the irony might be tough to stomach for po-faced ‘new action’ fans.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Yoko Tsuno: Vol. 4: Daughter of the Wind&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://forbiddenplanet.co.uk/blog/2009/yoko-tsuno-volume-4-daughter-of-the-wind/"&gt;Richard Bruton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“From the first page it’s pretty obvious that this is very Tintin-esque. But it’s also got a nice bit of James Bond thrown in — full of undersea lairs, exotic locations and bewildering technology. But most importantly what it has most in common with Tintin is a great sense of fast moving adventure.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://savagecritic.com/2009/10/murder-most-foul.html"&gt;Brian Hibbs&lt;/a&gt; and the &lt;a href="http://mindlessones.com/2009/10/13/whauttup-foos-its-tues-reviews/"&gt;&lt;i&gt;Mindless Ones&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Today’s potpourri!
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/moderncomics69torchy.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Bill Ward’s Torchy&lt;br&gt;
Link: &lt;a href="http://johnglenntaylor.blogspot.com/2009/10/im-back-and-i-brought-torchy.html"&gt;John Glenn Taylor&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“This morning, I am sharing with you some Bill Ward goodness. Bill, who left us in 1998, was one of the major purveyors of Good Girl Art, comics that emphasize the allure of attractive women, and his most famous creation is undoubtedly Torchy. Torchy was so hot that one time she went to work at a prison, and guys started breaking in. See for yourself!”&lt;/p&gt;
&lt;p&gt;(Above: panel from &lt;i&gt;Modern Comics&lt;/i&gt; #69, ©1948 Quality Comics.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/captainrocket1aurora.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “The Man Who Wanted a World!”&lt;br&gt;
Link: &lt;a href="http://pappysgoldenage.blogspot.com/2009/10/number-610-aurora-of-jupiter-were.html"&gt;Pappy&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Exactly what it looks like.&lt;/p&gt;
&lt;p&gt;(Above: splash panel from &lt;i&gt;Captain Rocket&lt;/i&gt; #1, ©1951 P.L. Publishing.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;What a Wonderful World&lt;/i&gt; Vol. 1&lt;br&gt;
Link: &lt;a href="http://www.4thletter.net/2009/10/what-a-wonderful-book/"&gt;David Brothers&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“Each story has a person at a crossroads, or who has fallen from grace, and gives them a motivation to pick up the pieces. Sometimes it’s in the form of a crow, which is itself the embodiment of someone’s fear and self-loathing. At other times, it’s a man in a bear costume with a dark secret. And, once, it was a turtle who recognized that he was in a situation with a bleak future, so he did the only thing he could: changed.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/moyasimon1bacteria.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Moyasimon: Tales of Agriculture&lt;/i&gt; Vol. 1&lt;br&gt;
Link: &lt;a href="http://warren-peace.blogspot.com/2009/10/moyasimon-oh-japan-you-fascinate-me.html"&gt;Matthew Brady&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“This manga seems like one of those ‘only in Japan’ comics, featuring such a narrow-focused, bizarre subject matter that it’s hard to believe anybody reads it at all, which makes the fact that it’s a smash hit even more surprising.”&lt;/p&gt;
&lt;p&gt;(Above: sequence from the book, by and ©2009 Masayuki Ishikawa.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Prince Charming&lt;/i&gt; Vol. 1&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/gluey-tart-prince-charming.html"&gt;&lt;i&gt;Hooded Utilitarian&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I love Akemi Takaido’s drawing style. I love her pretty boys so much that she can almost do no wrong in my eye.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Carl Moore&lt;br&gt;
Link: &lt;a href="http://scottnickel.blogspot.com/2009/10/20-questions-with-carl-moore.html"&gt;Scott Nickel&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Twenty questions for the cartoonist behind &lt;i&gt;State of the Union&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/straubharveyanim.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; “Let me have your attention for a moment.”&lt;br&gt;
Link: &lt;a href="http://vimeo.com/7033559"&gt;Vimeo&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Written, voice acted, and BLAMIMATED by Kristofer Straub with art chores by yours truly. Played at the 2009 Harvey Awards.”&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video. Link via &lt;a href="http://www.fleen.com/archives/2009/10/13/i-keep-watching-this-thing-instead-of-writing/"&gt;Gary Tyrrell&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Editorial Cartoons&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;          &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; Herblock at the Library of Congress&lt;br&gt;
Link: &lt;a href="http://abcnews.go.com/Politics/herblock-remembered-herbert-block-exhibit-library-congress/story?id=8673648"&gt;Lindsey Ellerson&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;Visiting a new exhibit in Washington DC.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/mcnellyliedtome.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Jeff McNelly in the ’70s&lt;br&gt;
Link: &lt;a href="http://illustrationart.blogspot.com/2009/10/jeff-macnelly.html"&gt;David Apatoff&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A look at the master cartoonist in his prime.&lt;/p&gt;
&lt;p&gt;(Above: one of the cartoons, exact date and copyright information unknown.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Digital Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; The webcomics that changed the world&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/unbound-the-webcomics-that-changed-the-world/"&gt;Brigid Alverson&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A look at the practice and effects of scanlations — that is, amateur manga translations, unauthorized and posted online for free viewing and download:&lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;Without intending to, they were doing viral marketing, turning their friends on to new series, drawing new members into the expanding community, and spinning off smaller groups to work on projects of their own. In the beginning, much of this took place via IRC (internet relay chat), and the comics were distributed as downloads. The recent shift to online reading has drastically changed the scanlation scene and may also have led to the current trend of publishers putting new manga online, sometimes before it goes into print.&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/dieselsweetiesnihilism.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; Bugger all down here on Earth&lt;br&gt;
Link: &lt;a href="http://www.dieselsweeties.com/archive/2392"&gt;&lt;i&gt;Diesel Sweeties&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Just remember that you’re standing on a planet that’s evolving and revolving at 900 miles an hour…&lt;/p&gt;
&lt;p&gt;(Above: detail from the strip, by and ©2009 R. Stevens.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Craft]&lt;/b&gt;&lt;/font&gt; Homogenized For Safety&lt;br&gt;
Link: &lt;a href="http://www.bleedingcool.com/2009/10/14/how-to-write-comics-and-graphic-novels-by-dennis-o%E2%80%99neil-3-%E2%80%93/"&gt;Dennis O’Neil&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The discussion on writing for comics continues.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/emmanuellewalkerapreslepluie.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Emmanuelle Walker&lt;br&gt;
Link: &lt;a href="http://www.emmanuellewalker.com/"&gt;Online portfolio&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Your cartoon eye candy for the day.&lt;/p&gt;
&lt;p&gt;(Above: sketch for the student film &lt;i&gt;Après La Pluie&lt;/i&gt;, ©2008 Emmanuelle Walker. Link via the &lt;a href="http://thelittlechimpsociety.com/pagettypol/squidge-magazine-emmanuelle-walker-interview/"&gt;Little Chimp Society&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/samuliheimonenforyouII.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Samuli Heimonen&lt;br&gt;
Link: &lt;a href="http://www.galleriaheino.fi/2009/heimonen_en.htm"&gt;Online gallery&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“I have conceived the paintings more as questions than answers.”&lt;/p&gt;
&lt;p&gt;(Above: &lt;i&gt;For You II&lt;/i&gt;, ©2009 Samuli Heimonen. Link via &lt;a href="http://www.ofellabuta.com/ofellabuta/2009/10/samuli-heimonen.html"&gt;Osamu Nomura&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Just drawn that way&lt;br&gt;
Link: &lt;a href="http://happydays.blogs.nytimes.com/2009/07/10/just-drawn-that-way/"&gt;Michael Arthur&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“It’s been a while since I last drew A.B.T. — seven years — and I can’t help thinking now of that time, and of the grief, luck and the series of rash decisions that first led me here. Being here again reminds me that every day is a blank page upon which anything can be written. Or drawn, as the case may be.”&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://drawn.ca/2009/10/13/michael-arthurlive-drawing/"&gt;Matt Forsythe&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/moulynycovervid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; Françoise Mouly talks cover design&lt;br&gt;
Link: &lt;a href="http://www.newyorker.com/online/blogs/tny/2009/10/money-issue-covers-video.html"&gt;&lt;i&gt;New Yorker&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The magazine’s art director takes us backstage.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video. Link via &lt;a href="http://forbiddenplanet.co.uk/blog/2009/francoise-mouly-talks-cover-design/"&gt;Joe Gordon&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; The Harvey Awards&lt;br&gt;
Link: &lt;a href="http://www.comicbookresources.com/?page=article&amp;amp;id=23297"&gt;Steve Sunu&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A report from the recent awards banquet in Baltimore.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; On criticism&lt;br&gt;
Link: &lt;a href="http://scottmccloud.com/2009/10/14/on-criticism/"&gt;Scott McCloud&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“For myself, I always consider reviews useful—even the hatchet jobs. It makes my heart sink a little when I hear other artists dismiss all reviews as irrelevant to their process. A common claim is that reviews tell us ‘only about the reviewer’ and tell us ‘nothing about the work,’ but I disagree. Yes, reviewers have biases. Yes, they miss the point sometimes. But there’s always some kind of information embedded in any reaction to any creative effort.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/twentyfourminneapolisvid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; 24-Hour Comics Day in Minneapolis&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/13/24-hour-comics-day-2009-minneapolis/"&gt;Vimeo&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Sarah Morean brings the pain. Links to other videos can be &lt;a href="http://thedailycrosshatch.com/2009/10/13/24-hour-comics-day-2009-minneapolis/"&gt;found here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Snark]&lt;/b&gt;&lt;/font&gt; The face of evil&lt;br&gt;
Link: &lt;a href="http://www.bleedingcool.com/2009/10/13/make-money-in-comics-fast-1-by-rich-johnston-a-heavy-bookshelf-of-gold/"&gt;Rich Johnston&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;It never changes: Someone always has to put on the Devil Mask.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
“With trials, harassment, and other forms of intimidation, Russian authorities are &lt;a href="http://www.artnewsonline.com/issues/article.asp?art_id=2757"&gt;striking out&lt;/a&gt; against curators and artists — who are, in turn, organizing projects that are increasingly provocative and political.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.aldaily.com/"&gt;&lt;i&gt;Arts &amp;amp; Letters Daily&lt;/i&gt;&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/westonepage1shitbitch.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
“Ladies and gentlemen, some of the most brain-melting comics you shall ever read…. &lt;a href="http://asylums.insanejournal.com/scans_daily/1082747.html"&gt;Westone Page&lt;/a&gt;.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: page detail from &lt;i&gt;Westone Page&lt;/i&gt; #1, ©2008 Emanuel A. Gill.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 14 (Portland, OR):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; creators Scott Allie and Kevin McGovern will be signing books and meeting readers at Floating World Comics on Fifth Avenue, from 5-7PM. &lt;a href="http://www.floatingworldcomics.com/main/oct-14th-exurbia-scott-allie-book-signing/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 14 (San Francisco, CA):&lt;/b&gt; Writer James Robinson will bless all with his presence at Bloomingdales on Market Street, from 6-8PM. No, seriously. Bloomingdales. &lt;a href="http://www.isotopecomics.com/2009/10/isotope-presents-james-robinson.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 14 (New York City, NY):&lt;/b&gt; A release party and signing for the new &lt;i&gt;Act-i-vate Primer&lt;/i&gt; takes place at Bergen Street Comics, from 6-9PM. &lt;a href="http://www.facebook.com/event.php?eid=148175451425&amp;amp;ref=share"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 15-17 (Chicago, IL):&lt;/b&gt; The 2009 International Comic Arts Forum, an academic conference devoted to the study of comics, takes place at the School of the Art Institute of Chicago on Wabash Avenue. &lt;a href="http://www.internationalcomicartsforum.org/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 15 (Birmingham, England):&lt;/b&gt; The All You Can Eat Zine is “a night of Zines, comics, small press, music and performance” taking place at the Sunflower Lounge on Smallbrook Queensway, beginning at 8PM. &lt;a href="http://galleryofowls.org/news/all-you-can-eat-zine/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16-18 (New York City, NY):&lt;/b&gt; The Big Apple Comic-Con takes place at Pier 94. B-list celebrities galore! &lt;a href="http://www.wizardworld.com/home-apple.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16 (Chicago, IL):&lt;/b&gt; John Porcellino makes an appearance at Quimby’s Bookstore on North Avenue, beginning at 7PM. &lt;a href="http://quimbys.com/blog/store-events/john-porcellino/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16 (Chicago, IL):&lt;/b&gt; John Porcellino makes an appearance at Quimby’s Bookstore on North Avenue, beginning at 7PM. &lt;a href="http://quimbys.com/blog/store-events/john-porcellino/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17-18 (San Francisco, CA):&lt;/b&gt; The Alternative Press Expo takes place at the Concourse Exhibition Center on Seventh Street. Guests include Phoebe Gloeckner, Jeff Smith, Dash Shaw, Dean Haspiel, Lark Pien, Jamaica Dyer and many others. &lt;a href="http://www.comic-con.org/ape/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (Seattle, WA):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; creators Scott Allie and Kevin McGovern will be signing books and meeting readers at the Comics Dungeon on 45th Street, from 2-5PM. &lt;a href="http://comicsdungeon.com/default.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (New Orleans, LA):&lt;/b&gt; A grand-opening party featuring a live art show by Kody Chamberlain and Rob Guillory will be held at Crescent City Comics on Freret Street, from 7-11PM. &lt;a href="http://www.facebook.com/event.php?eid=150880783504#/event.php?eid=150880783504"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (San Francisco, CA):&lt;/b&gt; An APE afterparty takes place at Isotope on Fell Street, from 8PM-2AM. &lt;a href="http://www.isotopecomics.com/2009/10/alternative-press-expo-weekend.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 18 (Washington DC):&lt;/b&gt; &lt;i&gt;You Shall Die By Your Own Evil Creation!&lt;/i&gt; editor Paul Karasik makes an appearance at the Politics and Prose Bookstore on Connecticut Avenue, beginning at 5PM. &lt;a href="http://tcj.com/journalista"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1255486929022"><id gr:original-id="http://wfmu.org/playlists/AP#33275">tag:google.com,2005:reader/item/30a5fac6a4e6ca75</id><title type="html">WFMU's Antique Phonograph Music Program from Oct 13, 2009</title><published>2009-10-14T01:39:50Z</published><updated>2009-10-14T01:39:50Z</updated><link rel="alternate" href="http://wfmu.org/playlists/AP#33275" type="text/html" /><link rel="related" href="http://wfmu.org/playlists/AP" /><link rel="enclosure" href="http://podcast.wfmu.org/kdb/mp3jump.mp3/0:3:34/0/AP/ap091013.mp3" type="audio/mpeg" length="69581618" /><summary xml:base="http://wfmu.org/playlists/AP" type="html">virtual guest Ed Ferraro</summary><author gr:unknown-author="true"><name>(author unknown)</name></author><source gr:stream-id="feed/http://wfmu.org/podcast/AP.xml"><id>tag:google.com,2005:reader/feed/http://wfmu.org/podcast/AP.xml</id><title type="html">WFMU&amp;#39;s Antique Phonograph Music Program</title><link rel="alternate" href="http://wfmu.org/playlists/AP" type="text/html" /></source></entry><entry gr:crawl-timestamp-msec="1255450171859"><id gr:original-id="http://tcj.com/journalista/?p=1047">tag:google.com,2005:reader/item/a40fff50bd0f5ba2</id><category term="News Round-Up" /><title type="html">Oct. 13, 2009: I must apologize to people in Osaka</title><published>2009-10-13T15:27:45Z</published><updated>2009-10-13T15:27:45Z</updated><link rel="alternate" href="http://tcj.com/journalista/?p=1047" type="text/html" /><content xml:base="http://tcj.com/journalista" type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“These &lt;i&gt;gekiga&lt;/i&gt; presented the message that things don’t go well in this world. Drawn by manga artists who had suffered through misfortune — in particular those who hung out around Osaka (though I must apologize to people in Osaka for saying this) — &lt;i&gt;gekiga&lt;/i&gt; were filled with their grudges and feelings of spite, so there were no happy endings. The artists made every effort to provide cynical endings. For a student in examination hell, this disillusioned perspective seemed totally refreshing.”&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://comicscomicsmag.blogspot.com/2009/10/hayao-miyazaki-talks-about-gekiga.html"&gt;Hayao Miyazaki&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;blockquote&gt;&lt;b&gt;“There are many reasons why retailers may be well inclined towards IDW — their high price/profit point, their increasing sales figures, their pursuit of licenses that bring in new customers…&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;“But I think it’s the open bar at the Baltimore Diamond Retailers Summit that really clinched the deal.”&lt;/p&gt;
&lt;div align="right"&gt;- &lt;a href="http://www.bleedingcool.com/2009/10/13/tuesday-bars-open-summits-up-and-a-one-night-stand/"&gt;Rich Johnston&lt;/a&gt;&lt;/div&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Above the Fold&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Top Story]&lt;/b&gt;&lt;/font&gt; Life in interesting times&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; In Alaska, “a state prosecutor who handles child pornography cases wants sexually explicit drawings of children — even computer-generated cartoons — to be &lt;a href="http://www.adn.com/news/government/legislature/story/970371.html"&gt;as illegal as photographs&lt;/a&gt; of actual abuse.”&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.icaruscomics.com/wp_web/?p=3412"&gt;Simon Jones&lt;/a&gt;, who also offers commentary.)
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://www.schoollibraryjournal.com/blog/540000654/post/780049678.html"&gt;&lt;i&gt;Good Comics For Kids&lt;/i&gt;&lt;/a&gt; presents a discussion on &lt;i&gt;Dragonball Z&lt;/i&gt; and age-appropriate content.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;a href="http://comicscomicsmag.blogspot.com/2009/10/portrait-of-comics-critic-as-young-man.html"&gt;Gary Groth: year one.&lt;/a&gt;&lt;/li&gt;


&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Consumer news]&lt;/b&gt;&lt;/font&gt; New this week&lt;br&gt;
Link: &lt;a href="http://joglikescomics.blogspot.com/2009/10/late-cold-columbus-day.html"&gt;Joe McCulloch&lt;/a&gt;, &lt;a href="http://warren-peace.blogspot.com/2009/10/this-week-i-feel-like-ill-never-get.html"&gt;Matthew Brady&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A look at the best-sounding books scheduled to hit the comics shops tomorrow.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.kodansha-intl.com/books/html/en/9784770031013.html"&gt;&lt;img src="http://tcj.com/journalista/kodansha-495x495.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Literary Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Rick Geary&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/crime-and-communism-an-interview-with-rick-geary/"&gt;Chris Mautner&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;The true-life murder-mystery cartoonist discusses his work.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Guy Delisle&lt;br&gt;
Link: &lt;a href="http://thedailycrosshatch.com/2009/10/12/interview-guy-delisle-pt-1/"&gt;Brian Heater&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The first installment of a multi-part conversation behind the author of &lt;i&gt;Pyongyang&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; R. Sikoryak&lt;br&gt;
Link: &lt;a href="http://www.nationalpost.com/arts/story.html?id=2094591"&gt;Mark Medley&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The art-comics chameleon speaks.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Scene]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Logicomix&lt;/i&gt; in Seattle&lt;br&gt;
Link: &lt;a href="http://www.comixology.com/articles/315/The-Rule-of-Three-Logicomix"&gt;Kristy Valenti&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“[Christos] Papadimitrou, a professor of Computer Science at UC Berkeley who has also taught at many prestigious universities such as MIT and Harvard, was in person, manning the Power Point presentation, while [Apostsos] Doxiadis, an equally credentialed mathematician, director and fiction writer, weighed in remotely by way of a laptop and a projector.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Proper Go Well High&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://forbiddenplanet.co.uk/blog/2009/proper-go-well-high-mint/"&gt;Richard Bruton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Oliver East’s new release is “all about documenting the walks for us with an artist’s eye for detail and the beauty of the inconsequential all around him.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Harvey Kurtzman x3&lt;br&gt;
Link: &lt;a href="http://reversedirection.john-seven.com/?p=4915"&gt;John Seven&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A tour of recent books centered around the &lt;i&gt;Mad&lt;/i&gt; Magazine founder.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/suttonwildthings.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “Dave Eggers’s Wild Rumpus”&lt;br&gt;
Link: &lt;a href="http://bnreview.barnesandnoble.com/t5/Drawn-to-Read/The-Wild-Things/ba-p/1576"&gt;Ward Sutton&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A pictorial review of Eggers’ prose re-telling of Maurice Sendak’s &lt;i&gt;Where the Wild Things Are&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;(Above: sequence from the review, ©2009 Ward Sutton.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/brainstormcomix2alchemist.gif" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “From Here to Infinity”&lt;br&gt;
Link: &lt;a href="http://hairygreeneyeball2.blogspot.com/2009/10/psychedelic-alchemist.html"&gt;Harry Lee Green&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Early underground comics by Bryan Talbot.&lt;/p&gt;
&lt;p&gt;(Above: panel from &lt;i&gt;Brain Storm Comix&lt;/i&gt; #2, ©1976 Bryan Talbot.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;——— &lt;b&gt;&lt;i&gt;¡Journalista!&lt;/i&gt; continues after this commercial message. ———&lt;/b&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;a href="http://www.nycgraphicnovelists.com/"&gt;&lt;img src="http://tcj.com/journalista/GNYC_logo_new.jpg" border="2"&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Pop Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Mike Mignola&lt;br&gt;
Link: &lt;a href="http://www.popcultureshock.com/mike-mignola-talks-about-15-years-of-hellboy-b-p-r-d-more/51792/"&gt;&lt;i&gt;PopCultureShock&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;An interview with the &lt;i&gt;Hellboy&lt;/i&gt; creator.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;King City&lt;/i&gt; #2&lt;br&gt;
Link: &lt;a href="http://www.factualopinion.com/the_factual_opinion/2009/10/king_city_2.html"&gt;Nina Stone&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“If you’ve read &lt;i&gt;King City&lt;/i&gt; #2, you probably know that it’s not very linear, and that not much actually happens. But it was certainly entertaining, and it went down smooth and easy.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Air&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://reversedirection.john-seven.com/?p=4908"&gt;John Seven&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“From my vantage point, it’s rare that mainstream comics offer something as vivid and joyful” as G. Willow Wilson and M.K. Perker’s series.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;West Coast Blues&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://www.popmatters.com/pm/review/113007-west-coast-blues/"&gt;Sara Cole&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The adaptation of Jean-Patrick Manchette’s crime novel “stands as a good introduction to [Jacques] Tardi’s work as it adds a new visual component to the original crime thriller that is largely successful, and gives an example of what a good graphic novel adaption of both a novel and the noir aesthetic might look like.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Supergirl&lt;/i&gt; #44&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/face-down-in-mainstream-supergirl.html"&gt;Vom Marlowe&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Lumpy men in gross purple bodysuits and a sad, forlorn, actionless and directionless mini-superheroine.”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/cavegirl12devilboat.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “The Devil Boat”&lt;br&gt;
Link: &lt;a href="http://comicbookcatacombs.blogspot.com/2009/10/cave-girl-in-devil-boat-magazine.html"&gt;Chuck Wells&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Jungle-girl comics drawn by the great Bob Powell.&lt;/p&gt;
&lt;p&gt;(Above: panel from &lt;i&gt;Cave Girl&lt;/i&gt; #12, ©1953 Magazine Enterprises.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/herbie1byrnemother.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Comics]&lt;/b&gt;&lt;/font&gt; “The Most Beautiful Mom in the World!”&lt;br&gt;
Link: &lt;a href="http://againwiththecomics.blogspot.com/2009/10/john-byrnes-herbie-story.html"&gt;Brian Hughes&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;John Byrne takes on Herbie the Fat Fury, demonstrating along the way just how essential to the strip creators Richard Hughes and Ogden Whitney actually were.&lt;/p&gt;
&lt;p&gt;(Above: sequence from the Dark Horse-published &lt;i&gt;Herbie&lt;/i&gt; #1, copyright information unknown.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Manga&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                           &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;A Distant Neighborhood&lt;/i&gt; Vol. 1-2&lt;br&gt;
Link: &lt;a href="http://www.comicsreporter.com/index.php/flipped_david_welsh_on_recent_works_featuring_jiro_taniguchi/"&gt;David Welsh&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“It’s not the freshest question on which to hang a story, but [Jiro] Taniguchi is so scrupulous in his telling that the absence of freshness doesn’t really matter.”&lt;/p&gt;
&lt;p&gt;Related: &lt;a href="http://mangacritic.com/?p=2156"&gt;Katherine Dacey&lt;/a&gt; reviews the first volume of Taniguchi’s &lt;i&gt;Summit of the Gods&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/nana18stagedive.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Nana&lt;/i&gt; Vol. 18&lt;br&gt;
Link: &lt;a href="http://mangabookshelf.com/2009/10/12/nana-volume-18/"&gt;Melinda Beasi&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;I will never, ever stop trying to convince you to read Ai Yazawa’s rock-n-roll soap opera.&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.mangablog.net/?p=5750"&gt;Brigid Alverson&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; Various titles&lt;br&gt;
Link: &lt;a href="http://antickmusings.blogspot.com/2009/10/reviewing-mail-week-of-1010-part-one.html"&gt;Andrew Wheeler&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Quick takes on a variety of Yen Press releases.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comic Strips&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Dudley Watkins&lt;br&gt;
Link: &lt;a href="http://rodmckie.blogspot.com/2009/10/scotlands-greatest-cartoonist-dudley-d.html"&gt;Rod McKie&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A look back at the life and art of the cartoonist behind &lt;i&gt;The Broons&lt;/i&gt; and &lt;i&gt;Oor Wullie&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Nevin Martell&lt;br&gt;
Link: &lt;a href="http://robot6.comicbookresources.com/2009/10/talking-comics-with-tim-nevin-martell/"&gt;Tim O’Shea&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The writer discusses his new book, &lt;i&gt;Looking For Calvin and Hobbes&lt;/i&gt;.

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Editorial Cartoons&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;          &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Review]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;The Art of Ill Will&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://hoodedutilitarian.blogspot.com/2009/10/two-and-half-centuries-of-failure.html"&gt;Noah Berlatsky&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“I guess I had assumed that you wouldn’t edit a sizable monograph on the political cartoon unless you actually liked political cartoons. My mistake.”

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Digital Comics&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;             &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Randall Munroe&lt;br&gt;
Link: &lt;a href="http://www.comicsalliance.com/2009/10/12/randall-munroe-talks-xkcd-volume-one-book-raptors-joss-whed/"&gt;Laura Hudson&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A chat with the guy behind &lt;i&gt;xkcd&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/dreamerstickwithme.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Lora Innes&lt;br&gt;
Link: &lt;a href="http://www.the-trades.com/article.php?id=11428"&gt;Jeff Ritter&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;A Q&amp;amp;A with the author of &lt;i&gt;The Dreamer&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;(Above: sequence from &lt;a href="http://www.thedreamercomic.com/"&gt;the series&lt;/a&gt;, ©2009 Lora Innes, Innes Art LLC.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Profile]&lt;/b&gt;&lt;/font&gt; Julia Wertz&lt;br&gt;
Link: &lt;a href="http://haydensferryreview.blogspot.com/2009/10/cup-of-ambition-cartoonist.html"&gt;Beth Staples&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The &lt;i&gt;Fart Party&lt;/i&gt; creator discusses her job.&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://thedailycrosshatch.com/2009/10/12/the-cross-hatch-dispatch-101109/"&gt;Athena Currier&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Cartooning&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                 &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Craft]&lt;/b&gt;&lt;/font&gt; Thirteen writing tips&lt;br&gt;
Link: &lt;a href="http://chuckpalahniuk.net/features/essays/chuck-palahniuk"&gt;Chuck Palahniuk&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;“For this essay, my goal is to put more in. To put together a kind-of Christmas stocking of ideas, with the hope that something will be useful. Or like packing the gift boxes for readers, putting in candy and a squirrel and a book and some toys and a necklace, I’m hoping that enough variety will guarantee that something here will occur as completely asinine, but something else might be perfect.”&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.alltooflat.com/about/personal/sean/2009/10/carnival_of_souls_332.html"&gt;Sean T. Collins&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/haveanicesex.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Design]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Have a Nice Sex&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://neojaponisme.com/2009/10/12/njp-design-award-have-a-good-sex/"&gt;Ian Lynam&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;Admit it: You’ve always wanted to see a Japanese cartoon-illustrated guide to safe anal sex, haven’t you?&lt;/p&gt;
&lt;p&gt;(Link via &lt;a href="http://www.japanator.com/have-a-nice-sex-the-best-sex-brochure-ever-made-11706.phtml"&gt;Dale North&lt;/a&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/dolgovwt1941.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Art]&lt;/b&gt;&lt;/font&gt; Boris Dolgov&lt;br&gt;
Link: &lt;a href="http://goldenagecomicbookstories.blogspot.com/2009/10/boris-dolgov-virtually-nothing-is-known.html"&gt;&lt;i&gt;Golden Age Comic Book Stories&lt;/i&gt;&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Virtually nothing is known about Dolgov other than that he lived in New York, was a friend of Hannes Bok and contributed art to a handful of pulp magazines in the 1940s-early ’50s.”&lt;/p&gt;
&lt;p&gt;(Above: illustration from a 1941 issue of &lt;i&gt;Weird Tales&lt;/i&gt;.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; Are comics like reading with training wheels?&lt;br&gt;
Link: &lt;a href="http://www.popmatters.com/pm/column/112356-taking-the-experience-of-reading-comics-seriously/"&gt;Shaun Huston&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;“Taken together these arguments, while addressing different readerships from different directions, are complementary: comics are easier reading than prose, tools used to promote basic literacy in school kids, so, naturally, adults need to rationalize reading them by pointing to the importance of a book’s subject, or, at least, to the exploration of adult themes. Both stances presume that reading images, as opposed to written words, is easy, or, maybe even, ‘natural.’”
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/miltonglaserdrawslecturesvid.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Multimedia]&lt;/b&gt;&lt;/font&gt; &lt;i&gt;Milton Glaser Draws &amp;amp; Lectures&lt;/i&gt;&lt;br&gt;
Link: &lt;a href="http://vimeo.com/6986303"&gt;Vimeo&lt;/a&gt;&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;The legendary Pushpin Studios co-founder discusses illustration.&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the video. Link via &lt;a href="http://drawn.ca/2009/10/12/milton-glaser-on-drawing-while-drawing/"&gt;John Martz&lt;/a&gt;.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Comics Culture&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;               &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Commentary]&lt;/b&gt;&lt;/font&gt; These truths we hold self-evident&lt;br&gt;
Link: &lt;a href="http://inkdestroyedmybrush.blogspot.com/2009/10/these-truths-we-hold-self-evident.html"&gt;Charles Yoakum&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;A response to Tom Spurgeon’s essay on comics-related assumptions.
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/rikiohfilm.jpg" border="2"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your not-comics link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
“The long-lost cult film made famous by its excessive gore, &lt;a href="http://video.google.com/videoplay?docid=417949348888674336#"&gt;&lt;i&gt;Riki-Oh: The Story of Ricky&lt;/i&gt;&lt;/a&gt; is a live-action Hong Kong adaptation of a Japanese comic of the same name. [...] Long-lost to the public and dropped by its American distributors, the film remains rare to this day. It really is an amazing flick, both hilarious and horrifying in its over-the-top gore and violence and with a suitably good/bad dub.”&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: screenshot from the film.)
&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;div align="center"&gt;&lt;img src="http://tcj.com/journalista/antiquebakery2caketaste.jpg" border="0"&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;font color="fuchsia"&gt;&lt;b&gt;[Your &lt;a href="http://asylums.insanejournal.com/scans_daily/"&gt;Scans_Daily&lt;/a&gt; link of the day]&lt;/b&gt;&lt;/font&gt;&lt;br&gt;
Because you can never have too much &lt;a href="http://asylums.insanejournal.com/scans_daily/1081237.html"&gt;&lt;i&gt;Antique Bakery&lt;/i&gt;&lt;/a&gt;.&lt;/li&gt;&lt;/p&gt;
&lt;p&gt;(Above: panel from the second volume; ©2001 Fumi Yoshinaga/Shogakukan, English translation ©2005 Digital Manga, Inc.)

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;
&lt;h1&gt;&lt;b&gt;&lt;u&gt;Events Calendar&lt;/u&gt;&lt;/b&gt;&lt;/h1&gt;
&lt;/p&gt;
&lt;p&gt;                  &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Today:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 13 (Bloomington, IN):&lt;/b&gt; John Porcellino makes an appearance at Boxcar Books on Sixth Street, beginning at 7PM. &lt;a href="http://www.boxcarbooks.org/event/2009/10/13/day"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 13 (New York City, NY):&lt;/b&gt; &lt;i&gt;Ball Peen Hammer&lt;/i&gt; co-creators Adam Rapp and George O’Conner will be signing books and meeting readers at Brooklyn’s own BookCourt on Court Street, beginning at 7PM. &lt;a href="http://www.bookcourt.org/category/events/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;This week:&lt;/p&gt;
&lt;p&gt;
&lt;ul&gt;
&lt;li&gt; &lt;b&gt;October 13 (Bloomington, IN):&lt;/b&gt; John Porcellino makes an appearance at Boxcar Books on Sixth Street, beginning at 7PM. &lt;a href="http://www.boxcarbooks.org/event/2009/10/13/day"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/ul&gt;&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 14 (Portland, OR):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; creators Scott Allie and Kevin McGovern will be signing books and meeting readers at Floating World Comics on Fifth Avenue, from 5-7PM. &lt;a href="http://www.floatingworldcomics.com/main/oct-14th-exurbia-scott-allie-book-signing/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 14 (San Francisco, CA):&lt;/b&gt; Writer James Robinson will bless all with his presence at Bloomingdales on Market Street, from 6-8PM. No, seriously. Bloomingdales. &lt;a href="http://www.isotopecomics.com/2009/10/isotope-presents-james-robinson.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 14 (New York City, NY):&lt;/b&gt; A release party and signing for the new &lt;i&gt;Act-i-vate Primer&lt;/i&gt; takes place at Bergen Street Comics, from 6-9PM. &lt;a href="http://www.facebook.com/event.php?eid=148175451425&amp;amp;ref=share"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 15-17 (Chicago, IL):&lt;/b&gt; The 2009 International Comic Arts Forum, an academic conference devoted to the study of comics, takes place at the School of the Art Institute of Chicago on Wabash Avenue. &lt;a href="http://www.internationalcomicartsforum.org/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 15 (Birmingham, England):&lt;/b&gt; The All You Can Eat Zine is “a night of Zines, comics, small press, music and performance” taking place at the Sunflower Lounge on Smallbrook Queensway, beginning at 8PM. &lt;a href="http://galleryofowls.org/news/all-you-can-eat-zine/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16-18 (New York City, NY):&lt;/b&gt; The Big Apple Comic-Con takes place at Pier 94. B-list celebrities galore! &lt;a href="http://www.wizardworld.com/home-apple.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16 (Chicago, IL):&lt;/b&gt; John Porcellino makes an appearance at Quimby’s Bookstore on North Avenue, beginning at 7PM. &lt;a href="http://quimbys.com/blog/store-events/john-porcellino/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 16 (Chicago, IL):&lt;/b&gt; John Porcellino makes an appearance at Quimby’s Bookstore on North Avenue, beginning at 7PM. &lt;a href="http://quimbys.com/blog/store-events/john-porcellino/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17-18 (San Francisco, CA):&lt;/b&gt; The Alternative Press Expo takes place at the Concourse Exhibition Center on Seventh Street. Guests include Phoebe Gloeckner, Jeff Smith, Dash Shaw, Dean Haspiel, Lark Pien, Jamaica Dyer and many others. &lt;a href="http://www.comic-con.org/ape/"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (Seattle, WA):&lt;/b&gt; &lt;i&gt;Exurbia&lt;/i&gt; creators Scott Allie and Kevin McGovern will be signing books and meeting readers at the Comics Dungeon on 45th Street, from 2-5PM. &lt;a href="http://comicsdungeon.com/default.aspx"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (New Orleans, LA):&lt;/b&gt; A grand-opening party featuring a live art show by Kody Chamberlain and Rob Guillory will be held at Crescent City Comics on Freret Street, from 7-11PM. &lt;a href="http://www.facebook.com/event.php?eid=150880783504#/event.php?eid=150880783504"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 17 (San Francisco, CA):&lt;/b&gt; An APE afterparty takes place at Isotope on Fell Street, from 8PM-2AM. &lt;a href="http://www.isotopecomics.com/2009/10/alternative-press-expo-weekend.html"&gt;Details here&lt;/a&gt;.&lt;/li&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;li&gt; &lt;b&gt;October 18 (Washington DC):&lt;/b&gt; &lt;i&gt;You Shall Die By Your Own Evil Creation!&lt;/i&gt; editor Paul Karasik makes an appearance at the Politics and Prose Bookstore on Connecticut Avenue, beginning at 5PM. &lt;a href="http://tcj.com/journalista"&gt;Details here&lt;/a&gt;.&lt;/li&gt;

&lt;p&gt; &lt;/p&gt;
&lt;p&gt;Want to see your comics-related event listed here? Email a link to &lt;a href="mailto:dirk@tcj.com"&gt;dirk@tcj.com&lt;/a&gt; and let me know. Please include an online link to which I can send people for more information. No sales-only events, please — it’s nice that you’ve marked things down at your store or website, but I won’t be listing it here.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;</content><author><name>Dirk Deppey</name></author><source gr:stream-id="feed/http://tcj.com/journalista/?feed=rss2"><id>tag:google.com,2005:reader/feed/http://tcj.com/journalista/?feed=rss2</id><title type="html">Journalista - the news weblog of The Comics Journal</title><link rel="alternate" href="http://tcj.com/journalista" type="text/html" /></source></entry></feed>

