uii2.com

ipad dino

2012-01-19T17:51:00.000+09:00

Untitled from uii2 on Vimeo.

nexon home awards

2012-01-18T12:41:00.000+09:00

nexon stick

2012-01-18T12:28:00.000+09:00

daishin securities

2012-01-18T12:13:00.001+09:00

jj tools

2011-11-09T17:24:00.004+09:00

http://www.jimjagger.com/

Max2011 New Features

2011-09-29T11:59:00.002+09:00

Muscle Strand

2011-09-29T11:53:00.003+09:00

CAT Motion

viewport canvas

2011-09-28T18:28:00.004+09:00

Viewport Canvas hot key

Radius : Ctrl+Shift
Opacity : Alt+Shift
Hardness : Ctrl+Alt

Normal map

2011-09-28T17:45:00.000+09:00

mental-ray setting

2011-09-27T18:04:00.003+09:00

플레시 단축키

2011-09-19T11:23:00.001+09:00

프레임 별로 나누기 Ctrl + Shift + D
이미지 나누기 Ctrl + B

nexon home

2011-09-07T16:27:00.000+09:00

sense NT-300V5A-S66

2011-09-07T14:28:00.002+09:00

filmmaker

2011-09-01T12:46:00.000+09:00

http://filmmakeriq.com/video-library/

AE plugin

2011-08-29T15:37:00.058+09:00

http://filmmakeriq.com/2008/12/aftereffects-plug-in-round-up/

http://www.adobe.com/cfusion/exchange/
Download hundreds of easy-to-install extensions, time-saving functions, code and more.
http://www.trapcode.com/

Horizon

Horizon is a camera-aware color gradient and image mapping tool. It is a fairly straightforward utility plug-in. It is meant to be used on the bottom (backmost) layer in a 3D comp. It generates a background that corresponds to the camera’s viewing direction.

Form

Form is a grid-based 3D particle system with a twist. It can be used to create fluid, organic patterns, complex geometric structures and swirling stringy animations. Using other layers as maps for various properties provides endless possibilities to create unique designs. Furthermore, Form can be used as an audio-visualizer, automatically generating stunning visuals for your audio.

Particular

Particular is a powerful 3D particle system that can produce a wide range of effects from natural smoke and explosions to geometric or organic abstract motion graphics design elements.

Shine

Shine is a fast light effect plug-in. The effect looks very much like volumetric light, but is actually a 2D effect. There are special controls to make shimmering lights and numerous coloring modes. This is an effect that you see everyday on TV and in many movie titles. Before it was only possible to make using 3D apps (real volumetric lights) or using slower rendering 2D plug-ins.

Starglow

Starglow is a fast-rendering glow effect. It creates a star-shaped glow around the highlights of the source. The star shape consists of eight directions, and each direction can be assigned an individual colormap and streak length.

3d Stroke

3D Stroke uses paths from one or more masks to render volumetric strokes that can be rotated and moved freely in 3D space. It has a built-in camera for AE41 and Combustion 3 users and can also use AE5’s comp camera. Path reveals in 3D are easily made using the keyframable sliders for start and end.

Sound Keys

Sound Keys is a keyframe generator plug-in for Adobe After Effects 5.0 and higher. It allows visually selecting a range in the audio spectrum and convert the audio energy in the selected frequencies to a stream of keyframes. It is very handy for making extremely audio-driven animations.

Lux

Lux simulates the phenomena of light reflection in a sparse medium, also known as “visible light”. This can be observed when lights are present in a slightly foggy environment, like on stage during a concert or outdoors on a misty night.

Echospace

Echospace is used to duplicate, manage and animate layers in a convenient manner. It works similair to an echo effect, but instead of creating 2D echoes, it creates new instances of a layer in 3D space.

Zaxwerks

http://www.zaxwerks.com/

Invigorator Pro

· 3D text created directly from fonts
· Render in wireframe, cartoon, and photo-realistic styles
· Advanced modeling tools and Primitives
· Import models from other 3D programs

A great program for creating 3d Text and scenes inside AfterEffects.

3d Flag

A powerful customizable 3D Flag creator.

CycoreFX

http://www.cycorefx.com/

CycoreFX contains 61 professional effects for Adobe After Effects. The effects range from blurs and color adjustments through distortions and particle generators to lighting and transitions.
The best thing about CycoreFX is it comes bundled free with After Effects but you have to manually install it. Make sure you check out the third party software on the Adobe installation disk to install these as well as other free plug-ins.
Once installed, these plug-ins will have a CC_ in front of their name, i.e. CC_Particle Playground.

And Now for the Round-Up!

SteadyMove Pro: Automatic image stabilization plug-in for Adobe Premiere Pro, Premier Elements, After Effects and Discreet Combustion. Supported up to Adobe CS2.
CS5 기본으로 들어감

Eye Candy for After Effects is a set of 20 time-saving special effects that will enhance any film, video, animation or multimedia project. Sophisticated texture, production and distortion effects have never been easier. Eye Candy for after Effects creates fire, smoke, carves, bevels, and more. Create dazzling effects in a fraction of the time they used to require.
이건 사기다!!!

Automatic Duck

Pro Import AE 4.0 With Pro Import AE for Adobe After Effects, your digital desktop has never been more powerful or compete. Translating a sequence from an Avid® or Final Cut Pro editing system, or a project from Apple’s Motion 2 takes just seconds, importing all your media and clips in one step. Effects are translated and recreated for you and your timeline becomes a composition in After Effects, ready for you to take your vision to the next level.

The big momma of Plug-in companies:
Continuum Complete for After Effects is an expansive plug-in filter set that lets you create effects from the practical to the inspired directly in your native host interface for unprecedented workflow. Over 180 filters include advanced keying, matting, compositing, image processing, distortion, temporal effects and motion tracking. These filters provide the creative freedom to animate your graphical elements or video at any speed, acceleration, or position you want.

Final Effects Complete delivers a collection of effects plug-ins for leading nonlinear editing and compositing solutions. Ranging from graceful blurs and edges to radical warps and particle generators, FEC dramatically augments your creative arsenal without forcing you to learn a new application. The simplicity of the filters combined with the native host interface, reduces the learning curve to virtually zero. Most filters feature less than a dozen parameters; only a few simple adjustments are required to create totally unique organic effects.

Boris Red

The only integrated 3D compositing, titling, and effects application to deliver unparalleled performance to over twenty NLE’s. Designed specifically for editors, RED offers an unprecedented range of features and adds a standalone engine for rendering. It integrates 2D and 3D compositing, titling, paint, rotoscoping, a full suite of tools to create and extrude vector objects, 3D creation and animation, and the industry-leading software DVE technology. Save time and money using one interface, in one system.

Boris Blue

Perfect for post facilities with client-supervised sessions or demanding deadlines, Blue uses the latest generation NVIDIA GPU-based graphics cards to provide an interactive effects design experience. Blue delivers real-time processing of 2D and 3D effects as well as real-time playback of video and audio media. Users can adjust effect parameters during playback, a “front room” capability that is ideal for working side by side with clients. The fast export to disk, including hardware rendered anti-aliasing, motion blur, and 3D shadows, provide significant time savings.

Boris FX

FX is a great value with realistic lighting, advanced keying and color correction, compositing, DVE, vector paint and support for third-party After Effects filters. Need an effect completed quickly? FX offers a Library Browser with hundreds of high-quality presets for easy application in over 20 NLEs. Sophisticated vector paint and spline tools allow you to create animatable masks. More than 115 video filters include motion tracking and image stabilization, as well as self-animating natural effects that easily interact with timeline video.

Boris Graffiti

Create titles and graphics directly inside your nonlinear editing system without importing and exporting. Easily create sophisticated title animation including type on text, text on a path, jitter and randomization. Create 3D text with bump maps and reflections. An expansive Style Palette and the BORIS Library Browser provide easy access to hundreds of preset effects and styles. Adding Graffiti to your existing NLE system puts the most innovative and user friendly titling tools in the industry at your fingertips.

Super Resolution is a plugin for Adobe After Effects and Premiere Pro which uses super-resolution method to upsize video. It can be used to make HD videos from SD. The plugin uses information from neighbor frames to upsize current frame. It accumulates information, so the more sequential frames are processed, the better quality you get. When it’s first applied to a layer, it takes just a few frames preceding the current one.

Digieffects Damage harnesses the destructive power of lame rabbit ears, bad BNC cables, tree branch-obstructed satellite dishes, poorly tracking VHS machines, scratched DVDs, low fidelity security cameras, micro-datarate cel phones…the list goes on.

Simulate: Illuma
Practical lighting and glow effects that offer new levels of flexibility and ease of use. Simulate: Illuma was designed to be a workhorse tool for creating post lighting effects. Post production and effects artists will find an unprecedented set of tools in this package of 5 visual effects plugins that creates a new standard for effectiveness and value in function focused plugin packages.

Simulate: Camera
The latest addition to the Simulate Series expands the foundation of any post artist’s toolbox…
Simulate: Camera puts together 4 essential tools for creating effects that mimic camera or projection artifacts. Set a foundation for additional effects with composition instability and exposure oscillation that will save any motion graphics or visual post effects artist time and money.

Digieffects: Delirium: The plugin collection that established the standard for essential visual effects and motion graphics capabilities…The Digieffects flagship plugin collection continues to be a staple in the toolboxes of motion graphics and visual effects artists the world over. This set of 40 effects has helped drive the edge of post production since its introduction and this visual effects favorite continues to add flexibility for new users everyday…

Digieffects: Aurorix: A wide variety of motion graphics effects plugins in one package. With more than 25 visual effects, Aurorix has a wide range of applications. Warp and distortion effects and a variety of texture and pattern generation effects make Aurorix the place to begin for deep, animated graphics backgrounds.

Digieffects: Berserk: A set of VFX plugins that users seem to be…”crazy” about….
The Berserk plugin collection adds a variety of capabilities to the effects collections of pros and enthusiasts alike. This set of 20 plugins has everything from weather to traditional art media to lasers and light effects.

Buena Depth Cue: The most innovative clip and composition-based plugins for creating visual depth in Adobe After Effects. Buena Depth Cue may be the most innovative approach yet for creating visual depth in your After Effects compositions. Using composition-based effects like Rack Focus, Falloff Lighting, or Fog, you can mimic Z depth in your compositions in ways that simply can’t be done using practical depth of field. With a total of 7 effects including the popular Camera Mapper, Buena Depth Cue has capabilities that are simply not available in any other plugin package at any price.

Digital Elements

With Aurora Sky, you can create realistic, three-dimensional skies. More powerful and flexible than simple fractal clouds, Aurora Sky includes a wide array of special effects.

Aurora Water is a unique After Effects plug-in which lets you create circular waves, add reflections, refraction, volumetric light rays and submerged objects. Aurora Water simulates all water types, from ponds to oceans.

Digital Film Tools

Composite Suite includes 28 visual effects plug-ins that were, until recently, only available in-house at Digital FilmWorks, a Los Angeles based film effects facility. Tested in the rigors of everyday production, the Composite Suite plug-ins provide all that is needed to combine multiple images including in house compositing tricks and techniques, color correction, blur, grain, matte manipulation and edge blending using 16 bit processing even if your system is limited to 8 bits.

Power Matte is an easy to use interactive image matting tool capable of extracting almost any object in an image–even if you are dealing with fine hair detail, smoke, or reflections. This extraction process creates what is known as a matte–essentially a black and white cutout. White matte areas are extracted, black areas not, and gray areas in between represent a level of transparency. Once a matte is extracted, the foreground object can be seamlessly composed onto a new background as well as apply filter and image corrections only within the area defined by the matte.

Power Stroke: Designed with the creative workflow of colorists, film/video editors, graphic designers and artists in mind, Power Stroke introduces a simple, interactive stroke-based workflow to quickly and intuitively perform targeted adjustments. Instead of meticulously drawing exact masks, using inaccurate matte extractions or hand painting frame to frame, regions of interest are isolated by drawing a few simple and loose After Effects open or closed masks. Power Stroke then uses the concepts of luminance-weighted chrominance blending and fast intrinsic distance computations to determine the edges of your target area and adjustments are made only in those areas. Masks can be assigned multiple corrections and effects such as color correction, recoloring or desaturation, colorization of black and white images, blur, fill light for dimly lit image areas and diffusion/glow.

Based on the concepts of luminance-weighted chrominance blending and fast intrinsic distance computations, Power Stroke produces high-quality results at a fraction of the complexity and computational cost of previous techniques. At long last, gestural selection and image adjustment have been combined into one natural, fast and easy process.
zMatte is a full-featured keyer that is the result of our experience in creating hundreds of successful blue and green screen composites. Using proprietary matte extraction techniques, zMatte quickly and simply creates mattes with minimal parameters even if you are dealing with fine hair detail, smoke, or reflections. It is easy to use, yet provides the needed tools when faced with good, bad, or ugly shots – tools such as multiple matte creation, automatic spill suppression, sophisticated matte and edge manipulation, and color correction.

PRIME is a suite of over 50 Effect Plug-Ins for Adobe After Effects. It consists of generators, distortions, image adjustments, stylistic filters, effects, and utilities.

Fan Plugins

BikiniDots is a plug-in package containing two plug-ins for Adobe® After Effects®.
1. “b_stroke”, a path stroke plug-in with a Z-depth displacement feature, which lets you to stroke your paths in all directions: X, Y or Z.
2. “b_dots”, a dot matrix generator plug-in that creates a matrix of circles (dots). The color value of each dot is the average sampled pixel value of that area from the source image.

http://www.fandev.com/gallery.html

OpenEXR is visual effects industry-standard floating point file format and the best format to use when working with 32-bit HDR imagery in Photoshop and After Effects. However, Adobe’s support for the format is minimal – only with ProEXR can digital artists finally access all the power available in OpenEXR.
OpenEXR can support multiple layers of imagery, but Photoshop can’t read or save layered EXR files…unless you have ProEXR. Store all your layers in one file and read them into After Effects, Nuke, Shake, and Fusion. Or in one step save layers as individual files for programs that are less EXR savvy. ProEXR will also read all the image buffers created by modern 3D renderers and place each in its own Photoshop layer.

Power Picker gives you what you’ve always wanted – a full-featured, interactive color picker right inside the After Effects interface. Never again will you have to bounce back and forth between the Apple Color Picker and your Comp.

The Foundry

Keylight is an industry-proven blue/green screen keyer. The core algorithm was written by the Computer Film Company and has been refined on scores of films. It is simple to use and is particularly good at tackling reflections, semi-transparent areas and hair. Because spill suppression is built-in, often selecting the screen colour is all you need to do to pull the matte and seat the foreground into the background so it looks photographed rather than composited.
Keylight 1.2v5 is included with AE CS3. Since then we’ve spotted and fixed a couple of bugs. You can download that bug fix version (1.2v8) free of charge here. Customers running After Effects 7.0 Standard can buy Keylight from this web site.

Tinderbox

Tinderbox is an impressive collection of 2D visual effects plug-ins, delivering unlimited creative possibilities for artists involved in producing digital images for film and video. Opt for instant gratification with hundreds of presets or add your unique touch with a multitude of adjustable parameters.

Tinderbox 1 is a collection of 18 filters for the After Effects professional. The plug-ins include tools to manipulate mattes with sub-pixel precision, distortion effects, background generators, lights rays and features the fastest software blurs available. Take a look at the complete list of Tinderbox 1 plug-ins.

Tinderbox 2 plug-ins include LensBlur for simulating the true defocusing characteristics of a camera. Newsprint to give images a half tone look. Render the brightest 9000 stars visible from Earth with NightSky or simulate viewing images through a layer of distorting Glass. Get a hand painted acrylic look with Paint. Crash zoom with RadialBlur or distort your image with Ripple and Swirl. Take a look at the complete list of Tinderbox 2 plug-ins.

Tinderbox 3 is a collection of 18 filters for the After Effects professional. The plug-ins include tools to erode and despot mattes, effects to simulate poor television reception and old film, and sparks, lightning, plasma and starfield generators and much more. Take a look at the complete list of Tinderbox 3 plug-ins.

Tinderbox 4 plug-ins include Security for simulating a security camera feed. Reveal the layers in an image by flowing colour through a matte with Flow and give images a hand drawn look with Cartoon and LineDrawing. Achieve limitless zoom with InfiniteZoom. Generate clean and really effective 2D Rain or go for a winter look with Snow. Wrap background light around foreground objects with LightWrap and apply fast elegant glow effects with SoftGlow. Take a look at the complete list of Tinderbox 4 plug-ins.

Frischluft.com

ZbornToy – the after effects plugin

Our debut product is made to lead a line of tools that introduce a new meaning to depth in compositing. The ZbornToy has the ability to extract a maximum of information out of simple depth images and allows you to not only light and texture them, but to refract backgrounds, cast caustic reflection back onto the background and a whole lot more.

Lensfeed

Lensfeed shows a camera’s live preview inside After Effects. No still frames but a moving live feed! Lensfeed is implemented as regular After Effects filters so the livefeed is displayed inside compositions and can can be treated like regular footage.

Lenscare

Lenscare moves depth of field and out of focus generation to post production. If you need high quality camera blurs with the flexibility of 2d post processing, Lenscare is a great choice. It can get you rid of long extra 3d rendering times. The key aspect during the development of these filters was to match the real thing as good as possible. Lenscare is available as plugins for Adobe After Effects and Photoshop compatible programs.

Flair

Flair brings 8 high quality effects to Adobe After Effects and Photoshop compatible programs. Among them shine, glow and sparkle effects. Of course with 16bit and multi CPU support.

GenArts Sapphire Plug-ins

Over 30 new effects and many enhancements in version 2.
Includes support for Adobe CS3 and Smart FX.
Support for Mac OS 10.5 Leopard and Mac Intel hardware.
Support for Windows Vista.
More than 200 total plug-ins for image processing and synthesis.
All plug-ins have multiple options and parameters that can be adjusted and animated for creating an unlimited range of effects.
Resolution independent, antialiased, high quality images.
Online hyper-linked documentation for all plug-ins.
Dual, Quad, and 8-core support for faster rendering.
On-screen user interface for visual control of parameters in After Effects and Premiere Pro.
Only one license is needed to use the plug-ins with all AE compatible applications on the same computer.
Free network rendering on After Effects, Combustion, and Digital Fusion.

Nucleo Pro 2 is the professional After Effects tool that allows you to get a better handle on your After Effects workflow. Instead of just standard AE renders and previews, Nucleo Pro 2 gives you the opportunity to choose how you work best.Nucleo Pro 2 offers After Effects professionals a wealth of new rendering and preview tools that help to optimize your time and customize the way you work.

Mocha AE is custom designed and priced for the After Effects community, this stand alone 2D tracking tool packed with features that make the effects compositors life easier. Now compositors can avoid the guess work and inaccuracies that result from hand tracking challenging shots, speeding up the process of generating solid 4-point tracks, giving position, scale, rotation, shear and perspective matched tracks and exporting the data to Adobe After Effects. Version 5, 6, 7 and CS3.

LME: Collections:
Presets for AfterEffects and Trapcode plugins Gallery. (좋아)
Purchase LME Collections

Scopio Gigio
Scopo Gigio is a full-featured video waveform monitor and vectorscope plugin for Adobe Photoshop and Adobe After Effects. It emulates most of the features you’d find in a hardware-based waveform monitor / vectorscope combo, at a small fraction of the cost.

Neat Video is a filter plug-in designed to reduce visible noise and grain in digital video sequences produced by digital video cameras, camcorders, TV-tuners, digitizers of film or analog video.
Neat Video highlights:

Neat Video is a video noise reduction plugin for Adobe Premiere Pro / Elements, After Effects, VirtualDub, Sony Vegas Pro / Movie Studio, Pinnacle Studio, Eyeon Fusion
Neat Video provides the most accurate video noise reduction currently available (examples)
Neat Video uses device noise profiles to make noise reduction most accurate
Neat Video efficiently reduces noise of the following types:
- sensor noise produced by digital video capturing devices
- grain visible in digitized film or analog video
- compression artifacts and more…

FREE Cartoon plugin from NewBlueFX

The NewBlue 3D Explosions collection injects explosive energy into your scenes with 180 presets in 13 different transitions. Each easy-to-use plugin introduces creative new ways to blast a scene into pieces. Morph between scenes with explosive energy, swirl pieces that reassemble into the new scene or dramatically blast the image into smithereens.
Includes: Blow Apart, Bouncing Cubes, Bouncing Frames, Box Explode, Confetti, Grid Fall Away, Grid Explosion, Intensity Grid, Plane Explode, Spiral, Spiral Rotation, Vortex, and Wiggle.

The NewBlue 3D Transformations collection features eye-popping transitions that twist, fly, fold, and bounce and more from one scene to the next. This exciting assortment of 165 presets in 13 high energy transitions breaks creative ground with new ways to slice, fly and reassemble a scene with every technique. From a magic carpet ride to hovering pizza boxes, you’ll find it all with NewBlue 3D Transformations.

Includes: Box Fold, Checker Board, Comb, Flip, Fly Away, Louver Grid, Louvers, Magic Carpet, Page Turn, Pizza Boxes, Rotating Frames, Spiral Bounce, and Twist.

The NewBlue Art Blends collection features a rich set of 101 transitions in 10 specialized video effects that shift your images through unique, stunning graphics filters. These visual techniques will captivate your viewers and communicate your vision easily. Using NewBlue Art Blends, you can hammer a shape-shifting transition out of metal, mutate scenes through shifting colors and light, create a painted transition, and much more.
Includes: Color Melt, Color Wash, Contrast, Duochrome, Glow, Halo, Metallic, Shiny Fog, Sketch, and Vivid.

The NewBlue Art Effects collection features 99 effects in 10 specialized video filters that shift your video into a visually stunning alternate reality. All effects have elegant, easy to use controls. Using NewBlue Art Effects, you can make a scene look as if it were hammered out of metal or convert your video image into hand drawn art. NewBlue Art Effects is the perfect way to add visual pizzaz.
Includes: Air Brush, Colorize, Color Melt, Dream Glow, Duochrome, Ghost, Hand Drawn, Line Drawing, Metallic, and Pastel Sketch.

The NewBlue Film Effects collection give your projects a filmic appearance, complete with the blemishes, jitters, spots, scratches, and graininess. This collection of 81 presets in 5 dynamic filters recreates the inexact mechanics of hand cranked cameras, dirty projectors, and decades sitting in film vaults. Best of all, NewBlue Film Effects includes powerful technology to emulate the color and lighting characteristics of film, so you can simulate a particular film stock or create a your own unique look.
Includes: Film Camera, Film Damage, Film Express, Film Look, and Film Pro.

The NewBlue Motion Blends collection features a powerful set of 112 transitions in 10 specialized video effects that twist, turn and transmogrify your video from one scene to the next. These dynamic transitions introduce refreshing new ways to move your imagery and keep your viewer engaged. Using NewBlue Motion Blends, you can shear, spin, zoom, and smear to stretch and blur transitions, rattle the camera, or conjure up a dream/ripple transition.
Includes: Liquify, Roll, Shake, Shear, Shredder, Smear, Spin, Twirl, Wave, and Zoom.

Want to give your video production a dynamic edge? Then you need NewBlue Motion Effects. This collection of 100 effects in 10 specialized video filters adds movement to your images in a number of ways. Use these visual techniques to ratchet up the energy level or create action effects. Using NewBlue Motion Effects, you can simulate an earthquake, add blurred motion effects. All this and more are yours with NewBlue Motion Effects.

Just as every painter needs a canvas, brush, and paint, no video editor should be without NewBlue Video Essentials. This valuable collection of tools features a set of 10 video effects designed to make your workflow more efficient. Think of these as a Swiss army knife of tools designed to enhance, optimize, and accelerate your productivity. Includes Color Fixer Plus, Crop Borders, Detail Enhancer, Flash Remover, Pixelator, Sharpen, Soft Focus, Tint, Touch Up, and Video Tuneup.
(공짜라고 믿으수 없는 수준)

FxFactory is a revolutionary visual effects package for Final Cut Studio, Final Cut Express and Adobe After Effects, powering over 300 hardware-accelerated plug-ins.

Motype is a revolutionary text animation plug-in that works in After Effects, Final Cut Pro, Motion and Final Cut Express.
Motion Mixer – Mix geometric transformations and properties that define the motion of the characters. The Motion mixer allows you to animate without keyframes.

Collection of specialized effects:

SUGARfx World Cup Studio 2.0.1A stunning new version of the popular 3D World Cup theme, endlessly configurable and adaptable to your projects. The unlockable, trial version of World Cup Studio comes with the FxFactory installer.

SUGARfx Video Wall 1.1Video Wall effect, comes with a filter and a generator so you can use it in any which way you want, in two flavors: Light and Pro so you can use the features that you need and nothing more.

SUGARfx Urban StudioComposite your own media inside urban environments. The “Studio” version is highly customizable. This generator requires Mac OS X 10.5 Leopard.
SUGARfx Slate Tools
Slate Tools plug-ins will assist you in creating slates and copyright notices commonly used in the broadcast industry. Requires Mac OS X 10.5 Leopard.
SUGARfx PortfolioThe latest theme from SUGARfx lets you elegantly showcase your work, up to seven media tracks at once.
SUGARfx Perf Motif7 elegantly animated generators with a full set of parameters to quickly adapt the theme to your project.
SUGARfx Light PackFun and useful filters including Marquee, Paparazzi and Lens Flare. The unlockable, trial version of SUGARfx Light Pack comes with the FxFactory installer.
SUGARfx Folding Cards 1.6An elegant, uncluttered 3D theme with 8 elements customizable color palette by SUGARfx. Folding Cards LCrequires Mac OS X 10.5 Leopard.

SUGARfx Drop In Studio
A highly configurable 3D theme with multiple animating title and media elements . Requires Mac OS X 10.5 Leopard.

SUGARfx Design Tools
Design Tools plug-ins help you constrain your projects to specific layouts or color palettes (e.g. for your client’s brand). Requires Mac OS X 10.5 Leopard.

SUGARfx Cine Fest 2.0Add a film festival look to your projects with these 12 theme elements with customizable colors, background media and titles. Version 2.0 is a free update for current CineFest 1.0 customers.

The coolest volumetric light spill plug-in for Final Cut Pro & Motion, Volumetrix produces stunning light effects & transitions by unleashing the power of the graphics card and FxPlug technology. Effects that would take many hours of keyframing and then rendering are now available to use within seconds in Final Cut Pro, Motion and After Effects.
This power is not just limited to making boring text look like a Hollywood trailer, any image that has an alpha can be transformed using a couple of mouse clicks. Go beyond the scope of the internal filters and old style lighting plug-ins, get amazing creativity, power and speed. High on design, low in price. Version 1.03 adds two volumetric light spill transitions; zoom and glow.

SpiceMASTER has long been digital video’s leading visual effects plug-in for custom SOFT/ORGANIC transitions and effects, greatly enhancing your creative flexibility while editing.

Panopticum FX 2.0 — big effects collection for Adobe After Effects. Collection is composed of: AnimaText, Array, Engraver, Figure, Fire, Grid, Lens Pro, Rich Typing, Tools.
Now you save $275 over the cost of buying the programs separately. More…
Panopticum Anima Text 3D — is a powerful tool for creating different effects with volume 3D text in Adobe After Effects. More…
Panopticum Anima Text 2.0 is a very convenient and powerful tool for creating different effects with text in Adobe After Effects. More…
Panopticum AreaFX 1.0 – consists of three filters: Area Transformer, Area Wipe and Area Filler.
Area Transformer available effects are geometric transformations…
Area Wipe is a tool especially designed for appearance/disappearance effect…
Area Filler is a tool especially designed for continuous filling… More…
Panopticum Array 1.6 — tools for creating of backgrounds. This set includes 4 filters: Array, Digital Matrix, Digital Chaos and Digital Galaxy. More…
Panopticum Curtains 1.0 is a set of plug-in modules designed to help you art up you video with eye-catching dynamic pieces of fabric that look perfectly real. More…
Panopticum Engraver 1.0 — the main destination of our module is cutting through images with thin lines that will form a geometric pattern as if to engraving. More…
Panopticum Figure 1.0 is a very convenient tool for creating common flat and 3D figures, such as boxes, ellipses, rhombs, stars, hearts, clouds, tags, and call-outs. More…
Panopticum Fire 3.0 is designed for creating realistic burning effects. Structurally Fire plug-in is one module that contains a great number of different adjustable fire effects. More…
Panopticum Ice Pattern 1.0 is a tool for creating a variety of interesting effects, such as frost flowers and frost patterns.More…
Panopticum Grid 1.0 is a very convenient tool for creating common regular grids including lines, boxes,circles, disks, triangles, and hexagons.More…
Panopticum Lens Pro 3.0 — is a universal tool for designing realistic lenses and 3D-crystals as well as crystalline 3D-models. More…
Panopticum Rich Typing 1.3 — effects for titles. This set includes 3 filters: Rich Typing, Digitalizer and Morphing. More…
Panopticum Rulers 1.0 — with this set you can art up your video with various types of scales, clock-type dials, rulers and more. You can create direct and circular scales, adjust and animate their parameters. Their layout and value ranges can be adjusted as well. You can define the digits type on your dials and much more.More…
Panopticum Water 1.0 this plug-in you can art up your image with breath-taking water effects such as streaming water. More…

Vitascene
Effects and transitions with the aid of deliberate blurring, expertly selected colour matches and understated lighting create sophisticated visual moods on film, enabling glamour, flair, charm and drama to be perfectly accentuated – which is why it is barely possible to imagine a professional production without these kinds of effects:
Vitascene makes a perfect quality stylistic device available to everyone – it’s amazingly easy to use and, thanks to the latest GPU technology, lightning fast!

Mercalli
You’re probably familiar with the following situations:
You’ve got some fantastic footage “in the can”, but realise later that it’s shaky.
Or: you thought while filming a scene: “This’ll be difficult without a tripod”.
But there was no tripod to hand, or it wouldn’t have been practical to use one.
Here’s a solution, that’ll ensure you’ll no longer need to worry about situations like that: it’s called Mercalli.

Red Giant Software LLC is a San Francisco-based company that develops and distributes high-end tools for digital filmmakers. Products are available as plug-ins for popular video editing and effects applications, including Adobe After Effects, Adobe Photoshop, and other compatible applications such as Adobe Premiere Pro, Avid, Vegas and Apple Final Cut Pro. The products are based on production-proven technology developed by visual effects industry veterans such as John Knoll, Visual Effects Supervisor at Industrial Light + Magic; and Stu Maschwitz, CTO and Co-Founder at The Orphanage.

Datamator is a set of eight plug-ins for After Effects that quickly generates animated charts and graphs. Work directly within After Effects instead of using PowerPoint or re-creating graphics from scratch. Your results are perfect for news programs, simulated displays, corporate communication projects, and any other presentations that require animated data visualization.

Image Lounge contains a set of over 20 After Effects filters to give greater impact to your images. Replicate natural elements like fire, smoke, and water. Add realistic touches using shadows, displacement, color mapping, or use accurate camera blur and focus effects to replicate out-of-focus images shot with a film camera.

Created by John Knoll, Photoshop co-creator and Star Wars effects guru, Knoll Light Factory is one of the industry’s most popular motion graphics tools. It is most famous for its high-fidelity simulations of light effects called flares, which simulate reflections from a very bright light source as seen through a camera’s lens. Knoll Light Factory is Hollywood’s go-to tool for adding interest to text or logos or extra pop to FX explosions.

PlaneSpace eliminates the tedious task of managing the individual layers in multi-layer effects. The Creator tools automatically create layers that form cubic, cylindrical, and spheroid shapes or complex matrices, while the six Distribute tools arrange 3D layers throughout 3D space into the shape of your choice without requiring keyframes or complicated math.

Used in Miramax’s movie, “The Aviator,” Psunami generates precise 3D geometry of an ocean surface, then produces ultra-realistic ray-traced output that looks like real water, from flat pools to raging high seas. Choose from hundreds of editable controls, and even place your camera underwater for the ultimate immersive effect. Psunami has been used in many feature films, television
productions and commercials.

Unlike most glow filters that just blur your source video, Radium Glow gives you pinpoint control over the glow, with editable shapes that can generate precise outlines or create glimmering points. Includes advanced edge controls, built-in masking, and output controls that mimic real light behavior. Choose one of three separate glow plug-ins to add nice neon-shaped glows to text, or combine Radium Glow with Trapcode Particular or other plug-ins to create dazzling highlight effects.

Whether you’re adding visual background noise, using text as a texture, or flashing words to reinforce a theme, text is an important element of your composition. Choose from Bezier paths, particle arrays, and Matrix-style patterns: Text Anarchy will generate the coolest effects while giving you fine typographic control. Also includes the Geomancy Shapes plug-ins.

Give video footage that sought-after cartoon look easily and quickly. Red Giant ToonIt uses unique algorithms to transform your image into beautiful cartoon shading and lines. Its four plug-ins free you from time-consuming techniques like rotoscoping and hand painting, and give precise control over styles, shading and outlines. Quickly convert video into a stylized animation with great default settings.

Now that you’ve locked your edit, it’s time to load Magic Bullet Colorista to make your project shine. Under the hood is the next-generation Magic Bullet engine with real-time processing for fast review and rendering. Colorista is ready for action with industry-standard color wheels for precise color control. Plus, use the Power Mask tool to isolate areas – the easiest way to light up your talent. Magic Bullet Colorista and Magic Bullet Looks are the perfect tools for color finishing.

Magic Bullet Looks: Desert sunrise, Arctic tundra, nighttime urban streets: the look of your footage defines the mood. Now you can define the style of your video or film, regardless of on-set conditions, with powerful imaging tools. Choose from 100+ Look presets, to help set the mood for everything from a wedding to the next Sundance original. You also get the standalone Magic Bullet LooksBuilder, for pre-visualizing looks on set or anywhere. Portable presets load into any editing hosts, so the same Looks you create on set are the ones you finish with in the editorial suite: no need for an expensive finishing system.

A classic After Effects compositing tool that hundreds of pros have come to know and love, Composite Wizard includes more than 20 filters for fixing tattered edges, poor matte extractions, improper focal depth cues, or unbalanced color schemes. For higher quality and faster output, we recommend Key Correct Pro.

Key Correct Pro: This set of 15 plug-ins can be in used in combination with any keyer to soften alpha channels, match foreground and background colors, fix outlines, and clean up noise. Ensures top-quality results from popular keyers such as Primatte Keyer, Keylight, and Ultimatte.

Primatte Keyer is a professional greenscreen tool that extracts keys from any color background quickly and easily. Version 4 brings new levels of power and speed to After Effects and Avid, and for the first time, Final Cut Pro. New features include easy-to-use Auto setup, which creates an almost-perfect key with one click. Powerful features allow Primatte Keyer to overcome keying challenges such as uneven lighting, compression artifacts, subtle shadows, and edge light contamination. Best of all, Primatte Keyer 4 works right on the timeline.

Film Fix makes the latest research in film and video restoration accessible to documentary filmmakers and post-production studios. With Film Fix, After Effects users can restore tears, remove dust and dirt particles, and stabilize footage originated on film and video-resolution material transferred from film. The processing is practically automatic and provides high-quality output.

Start with ordinary interlaced video, apply Magic Bullet Frames‘ sophisticated algorithms, and you’ll get the smoother, professional de-interlaced look of 24p film. Choose between motion-adaptive and field-blended approaches, and you’ll get high quality footage at high speeds, right in your editor’s timeline.

Instant HD up-converts DV video into a variety of HD video formats. Choose from a list of preset resolutions to easily integrate DV video into your next High Definition production. When scaling from standard definition (SD) to high definition (HD), Instant HD’s algorithms generate the missing pixels with integrated sharpening and anti-aliasing for sharp, clear results inside your favorite video application.

Unwanted camera movement can be distracting and disturbing to viewers. Enlist the powerful algorithms of Magic Bullet Steady, which will analyze your video, detect motion, and apply one of three filtering modes. The result will be smooth, stabilized motion that preserves camera pans and other desired movements. Other customizable controls remove noise and other low-light artifacts.

DE:Noise handles spurious frame-to-frame defects ranging from fine digital/electronic noise to blotchy spots (e.g. dirt on the film). DE:Noise combines motion estimation techniques with feature-sensitive, edge-preserving spatial filtering methods to reduce the visual impact of various problems such as: noisy video (that can happen with low-light capture), excessive film grain, CG renders affected by ray-tracing sampling artifacts, fingerprints and dust captured during film scan/transfer and printing, snow, drop-outs and many other defects.

FieldsKit provides smarter deinterlacing and better workflow options for interlacing and pulldown.

At the heart of FieldsKit is FieldsKit Deinterlacer that deinterlaces video imagery with superior results. results. Using proprietary field reconstruction and adaptive motion techniques, FieldsKit Deinterlacer can build full frames from fields that are of much higher quality than the standard approaches available in most effects and video editing applications.
The FieldsKit Reinterlacer plugin allows you create interlaced material from progressive material using various techniques, including producing new fields using motion estimation techniques. The FieldsKit Pulldown plugin allows you to animate the pulldown phase for material that has multiple cadences in the same clip.

PV Feather provides per-vertex feather control for After Effects!

PV Feather expands After Effects with per-vertex feathering control! Users have been requesting better feathering control within After Effects for quite some time. PV Feather (the “PV” stands for “per vertex”) performs feathering by using an inner mask for filling, and an outer mask for feather control. The distance between the inside and outside mask controls the amount of feather. PV Feather uses AE’s built-in mask splines, so there there is no new spline interface to learn!

RE:Fill mends holes in images by intelligently filling
user-specified regions.

RE:Fill can replace missing pixels in numerous ways: for example, selecting the nearest “good” pixel, mirroring pixels about a hole’s edge, or cloning from another “good” region… and the good region can even come from another point in time or from another sequence altogether.
(알파따기)

RE:Flex brings intuitive morphing and warping to combustion, After Effects, Shake, Autodesk Systems (IFFFS) and Fusion! Superior results are achieved using RE:Vision Effects’ proprietary and sophisticated technology. RE:Flex is especially easy to learn because it uses the host program’s own drawing and masking tools (when available) to direct the warping and morphing; as such, there is no need to learn a whole new user interface.
(질좋은 모퍼)

RE:Map is a set of 5 plugins:
RE:Map UV takes a UV Map, probably rendered from a 3D system, and renders an image using this mapping. Easily clean up texture maps and remap in post without having to go back to your 3D system for re-rendering. In addition, this plugin allows you you to come up with cool 2D and 3D animated texture map templates and reuse them over again with different image sequences.
RE:Map Inverse UV takes a UV Map and a color image that matches that UV Map, and inversely projects the color image to a rectangular image that may then be used to texture the UV Map with RE:Map UV, or for use as a texture map for your 3D system.
RE:Map Distort takes a color image and automatically distorts the image based on the features for a caricature-like effect.
RE:Map Displace warps an image with a user-supplied displacement map. This plugin includes many more options and advanced filtering controls than most other displacement map filters.
RE:Map Planar maps or inverse maps a perspective plane defined by 4 points (also known as corner pinning).
(움직이는거 알파따기)

By automatically tracking every pixel, ReelSmart Motion Blur applies more natural-looking motion blur with no effort!

Automatically add more natural-looking motion blur to a sequence using ReelSmart Motion Blur. Our tracking technology is at the heart of ReelSmart Motion Blur, so there is no handwork involved. Of course you can add as little or as much blurring as you need and even remove motion blur! Finally, you can create very interesting effects by blurring one sequence by using the motion from another.
(요즘도 잘쓰는거)

Give your imagery volume and depth without the hassle of 3D modeling! Shade/Shape generates 3D models from your 2D graphical and picture elements using RE:Vision’s powerful and proprietary shading-from-shape technology. The models are then lit and rendered in true 3D! Add further detailing to your 3D models by applying reflection and bump maps.

SmoothKit is a set of filters that complements and extends the features of basic blurs and sharpens provided by host applications. Each plugin in SmoothKit is carefully crafted with fine control to provide the ultimate in filtering. SmoothKit’s emphasis is precise control of the filtering process with no compromise on image quality.
SmoothKit allows you to blur without blurring over edges, sharpen with much less ringing, intelligently reduce small image defects, reduce jaggies, blur with per-pixel direction control, and z-blur using greyscale depth images. Many plugins have per-pixel controls, allowing you to vary the amount of blur or the direction of the blur, and many other controls, at each pixel.
As an example, with SmoothKit you can smooth out the skin in someone’s face but not eliminate the details of the hair that hangs in front of the face. In addition to “effects”, the SmoothKit toolset can be used to reduce image defects in a much more intelligent manner.

Twixtor enables you to speed up, slow down or frame rate convert¹ your image sequences with visually stunning results. In order to achieve its unparalleled image quality, Twixtor synthesizes unique new frames by warping and interpolating frames of the original sequence… employing RE:Vision’s proprietary tracking technology that calculates motion for each individual pixel.

Providing an easy and intuitive interface, Video Gogh employs the powerful technology used in “What Dreams May Come,” 1998 Academy Award Winner for Best Visual Effects. How it works: Simply open a movie with Video Gogh, make a few choices and Gogh! Out comes a painted painted animation. Couldn’t be simpler.

TEST GEAR 2
Test Gear 2 provides motion graphics artists and video editors with a variety of test instruments to make objective measurements of their visual and audio work, all from within Adobe After Effects CS3 or CS4. All test instruments appear in standard After Effects panels and do not require that an effect be applied to your layers. Test Gear 2.0 is now shipping for Macintosh OS X and Windows XP/Vista and Adobe After Effects CS3 and CS4.
(디테일 컬러조종)

COLOR FINESSE 2
Now you can have telecine-style color correction that fits your workflow rather than imposing a new one. Color Finesse 2 gives you the high-end color correction and enhancement tools you need both as a plug-in for your favorite application—including After Effects, Final Cut Pro, and Premiere Pro—and as a standalone application. Because the standalone Color Finesse is not limited by restrictions imposed by a host application, it offers improved workflow, video handling, and project management.
(디테일 컬러조종)

Tiffen DfX: Based on the success of its original award-winning Dfx Digital Filter software, Tiffen now introduces Dfx v2 that now features multiple masking and layering capabilities with its Photoshop and Aperture plug-ins and a host of other features including more than 2000 standard, exclusive and special effect filters. Creative control no one else can even come close to, and there’s more!
The Tiffen Dfx digital filter suite is the definitive set of digital optical filters. Simulations of many popular award-winning Tiffen glass filters, specialized lenses, optical lab processes, film grain, exacting color correction plus natural light and photographic effects–are now in a controlled digital environment with either 8 or 16 bits per channel processing.

Topaz Enhance is a set of video effect filters for After Effects, Premiere Pro, Eyeon Fusion and now Final Cut Pro! Able to substantially improve anything ranging from low quality analog videos to high quality DVs, even enhancing SD videos to HD, Topaz Enhance represents a breakthrough in video enhancement technology.

Ultimatte is a set of plug-ins for pulling keys from blue or green screen footage. Ultimatte offers the ability to combine multi-frame images to produce a composited sequence of images.
It allows you to achieve realistic looking composited scenes that would otherwise be too dangerous, impossible or impractical. Ultimatte lets you place your talent in any situation without the expense of transporting them and their entourage to a location shoot.

19 Free After Effects Plugins

2011-08-29T15:28:00.002+09:00

http://ae.tutsplus.com/articles/2182/
공짜

넥슨 홈페이지 가이드 영상

2011-07-29T17:13:00.001+09:00

Untitled from uii2 on Vimeo.

넥슨 캐시 나에게로

memo

2011-06-23T14:31:00.000+09:00

Max
   1. Compound Objects < ShapMerge - 라인을 모델링 이미지에 그리는 방법
( Compound Objects - Boolean 있는곳 )

2. Max reset < C:\Documents and Settings\(컴터이름)\
Local Settings\Application Data\Autodesk\3dsmax 에서..3dsmax.ini 삭재
   3. Sound : Track View < Metronome < 우클릭 < Properties

4. V-ray setting : Global switches - light    (on)
shadows (on)
      image sampler - adaptive subdivision (on)
      indirect ilumination GI    (on)

   5. Object ID : Pbject Properties < Object ID 숫자 설정 < rla 포멧 렌더
   After Effects < Effect < ID Matte

      6. reactor : 1 :오브제를 만든다.
   2 :create < Helpers < reactor 선택 < RBcollection
   3 :RBcollection < Modify < add 클릭 < 오브제 선택
      4 :Utilities < reactor <choose solver - haok 3 < properties    Mass - 무게
   Friction - 마찰력
   Elasticity - 탄성
   5: properties < Unyielding 체크 - 오브젝트의 에니메이션 활성
      6: Simulation Geometry < Concave Mesh

7. AfterBurn : C:\Program Files\Autodesk\3ds Max 9\plugins\afterworks\Common
   크랙파일 붙여넣기

   8. Particle : PF Source < Shape Instance (선택 오브젝트 추가)

   9. 오브제 발광 : V-ray < VrayLightMtl

10. 스켄라인 스텐다드 오류 < 조명의 영향이 잘미치지않는다. < Raytrace 혹은 VraMtl 사용해결

   11. 케릭터 스튜디오 베이저 키조절 < motion < Quaternion/Euler <Euler 선택

12. 정해진 곳으로 판맵 바라보기 Menu < Animation < Constraints < Lookat Constraint

   13. 뷰포트 화질 올리기 < Customize < Preference Settings < Display Drivers
14. 소스정리 < Bitmap/Photometric Paths

1. 영상소스 루핑 : 소스 선택 > ctr + f
2. 사운드 좌우 분리 : Animation > Keyframe Assistant
> Convert Audio to Keyframes

스킨-html.txt

스타일-css.txt

HDR shop
   1. HDR shop : Create < Assemble HDR from image Sequence < Loadimage
< Generate image < 상단 image < Panorama < Panoramic transformations
   < Denstination image < Format < Latitude / Longitude

Photoshop
   1. edit -> keyboard shotcuts    layer -> delete later


lllustrator
1. 핸들생성 : 부분선택(A) < 팬선택(P) < 알트
2. 쪽방향으로 꺽기 : 컨트럴 + 시프트
3. 다수 선택시 빼고 더하기 : 컨트럴 + 알트 + 시프트
4. 자르고 붙이기 : 컨트럴 + x
5. 코너 알지게 : Filter > stylize > Round Corners

room-2

2011-06-23T14:30:00.000+09:00

Vray - volume effect

Pin-Screen

2011-06-14T17:35:00.003+09:00

Calibration Guide

2011-05-23T15:35:00.000+09:00

Scene setup

2011-05-23T15:17:00.000+09:00

chaosgroup.com

2011-05-03T16:16:00.000+09:00

와오 좋아 보이넹 기필코 공부 하리다.
http://chaosgroup.com/en/2/phoenixvideos.html

자 드디어 돌아왔다. 오늘은 카메라의 노출세팅, 렌즈,초점과 심도에 대해서 알아보도록 하자.

2011-03-11T13:46:00.002+09:00

자 드디어 돌아왔다. 오늘은 카메라의 노출세팅, 렌즈,초점과 심도에 대해서 알아보도록 하자.

1. 비디오 카메라의 노출 세팅하기

지난번 색온도에서 언급한 것처럼 먼저 적합한 필터를 선택하고

화이트 밸런스를 조절하는 방법을 사용하여

피사체에 대한 색감을 조정한다.

카메라 내부에 자동 노출장치가 내장되어 있고,

이것을 끄거나 결 수 있는 방법이 없이

늘 작동되고 있는 경우라면

한 프레임 안에 큰 부분의 밝은 빛과 흐린 빛이 같이 있는 상태로

촬영하지 않는 것이 유일한 노출 조절 방법이다.

그렇다. 대부분의 사람들이 겪어본 현상인 역광 같은 현상이 이와 같은 현상이다.

빛이 일정하게 비춰주지 않는다면, 그늘이 지는 곳이 생기게 되며,

이렇게 되면 피사체가 그리 썩 좋게 보이지는 않을 것이다.

노출은 뷰파인더를 통하여 f/stop링을 조절하여 영상이 잘 보이는 지점을 정하고,

적정노출을 얻어, 최상의 색을 재현하는 것이 가장 좋은 방법이지만,

가끔은 과다노출을 통한 색의 표현이나, 과소노출을 통한 색의 표현이

더 좋은 색감을 보여줄 때가 있단.

이것은 경험에 의한 것이니, 그냥 이해하고 넘어가도록 하자.

비디오 카메라 조명의 가장 큰 문제점은 강한 백라이트의

영향으로 프레임 내에 큰 부분의 흰색부분이 있을 경우다.

백라이트는 피사체의 뒤쪽에서 카메라를 향해 빛나는 광원을 말한다.

프레임 안에 너무 많은 밝은 흰색부분이 있을 경우에는

나머지 다른 색깔들은 어둡게 나타날 것이다.

이런때에는 흔히들 알고 있는

찍고 있는 위치를 옮기거나, 피사체를 옮기는 방법, 둘다 옮기는 방법이나,

조명을 사용하는 방법밖에 없으니 참고하도록 하자.

이것말고 방법이 있다면 그것을 사용하는 것도 좋기는 하다만,

과연 다른 방법이 있을지는 의문이다.

2. 필름 카메라에서 조명 세팅하기

필름의 라벨을 보고 사용하려는 필름이 무슨 ISO인지 확인한다.

ISO는 국제규격기구의 약자이다.

ISO번호는 필름의 속 또는 반응도를 나타낸다.

번호가 작아질수록 반응도가 작고 '느린'필름이고,

적정노출그림을 만들기 위해서는 많은 광량이 필요하다.

번호가 커질수록 반응도가 예민해지는 '빠른'필름이다.

빠른 필름을 사용하여 적정노출그림을 만들기 위해서는 적은 광량만 필요하다.

노출계를 사용할때에는 조심해야 할 사항이 있는데,

ISO에 대한 정보를 반드시 설정한 뒤에 조정을 해야 한다.

노출계의 ISO가 설정되지 않으면, 노출과다 또는 부족 현상이 생길 수 있기 때문이다.

노출계는 반사식 노출계와 입사식 노출계가 있다.

반사식 노출계는 피사체에서 나오는 빛을 인식하여 설정을 할 수 있게끔 해주는 것이고,

입사식 노출계는 대상의 위치에서 광량이 얼마나되는지 알려주는 노출계이다.

어떤 노출계를 사용하던지, 노출은 최적의 색감을 찾아주는 매우 좋은 아이템이니

반드시 알아두자~!!

3. 렌즈

사람의 눈은 정말로 신비롭다!!

싱글렌즈시스템인데도 불구하고

주변의 모든 것에서 독립적으로 하나의 작고 세밀한 사물에 집중할 수 있는가 하면

바로 다음 순간 즉각적으로 장엄한 파노라마 뷰의 감상도 가능하다.

생각해보라, 우리 눈이 언제 초점을 맞춰야 하는지,

먼거리를 보기 위해서 의식적으로 생각을 해야 하는가?

알아서 눈이 인식하는 순간 반응해버린다.

현재 다양한 카메라들이 계속해서 나오는 것은

사람이 보는 것과 최대한 동일하게 만들기 위해서 기술개발을 하는 것인다!!

여하튼 불행히도 카메라는 그정도 다재다능하지 못하다.

사람의 눈이 하는 일을 흉내내내는만도 수없이 많은 다른 종류의 렌즈가 필요하다.

흔히들 이야기 하는 표준렌즈부터 망원렌즈까지..

수 많은 렌즈는 카메라가 사람의 눈과 최대한 비슷하게 만들어주기 위한 것이다.

광각렌즈
표준렌즈
망원렌즈

같은 거리에서 표준렌즈보다 큰 부분을 분을 담아낼 수 있다.뒤로 더 갈 수 없을 정도로 좁은 공간에서 유용하게 사용할 수 있다.
같은 거리에서 찍은 피사체가 표준렌즈로 찍었을 때보다 프레임 안에 작게 나온다.
거리와 깊이를 과장한다. 피사체 간의 거리가 실제보다 멀리 떨어져 보이게 한다.
거리감이 과장되어 있기 때문에 카메라를 향하거나 카메라로부터 움직이는 운동감이 실제보다 빠르게 나타난다. 카메라를 향해 1m움직인것이 2m 움직인 것처럼 보인다.
나타나는 이미지의 사이즈가 작기 때문에 카메라의 흔들림이 덜 거슬린다. 핸드헬드로 찍을 때 적합하다.
같은 거리에서 표준렌즈보다 작은 부분을 담아낸다. 가까이 다가가기 어려운 피사체를 찍을 때 유용하게 사용할 수 있다.
같은 거리에서 찍은 피사체가 표준 렌즈로 찍었을 대보다 프레임 안에 크게 나온다.
거리와 깊이를 압축시킨다. 피사체 간의 거리가 실제보다 가깝게 보이게 한다.
거리와 깊이가 압축되어 있기 때문에 카메라를 향하거나 카메라로부터 움직이는 운동감이 실제보다 느리게 나타난다. 카메라를 향해 2m정도 움직인 것이 1m정도 움직인 것처럼 보인다.
나타나는 이미지의 사이즈가 크기 때문에 카메라의 흔들림이 훨씬 눈에 잘 뜨인다. 핸드헬드로 찌긍 ㄹ때 적합하지 않다.

4.초점

건강한 사람의 눈은 사물의 이미지에 초점을 맞춰서 본다.

사물이 뿌옇게 보이는 것이 아니라 또렷하고 예리하게 보이는 것이다.

이것은 눈의 렌즈가 자동으로 각각의 반사광선을

눈의 뒤쪽에 위치한 또렷한 지점의 광각면에 전달하기 때문이다.

이미지의 패턴은 이러한 반사광선들이 모여서 이루어지고

이 패턴은 또렷하고 예리한 이미지를 만들어낸다.

보통은 요새 들어서 대부분 자동 초점을 사용하고 있지만,

이는 광량에 대해서 민감하게 반응하는 것이어서,

원하는 초점을 정확하게 맞춰 줄 수 없다.

한때, 유행했던 아웃포커싱을 생각해보자. 자동카메라를 가지고 할 수 있을까?

(한다면야 할 수 있겠지만, 직접 설정하는 것보다는 불편할 것이다.)

가능하다면 초점은 직접 손으로 맞춰가면서 하는 것이 제일 좋다.

여기서 집고 넘어가야 할 것이 있는데,

카메라에 초점용 아이피스가 있다면 자신의 눈에 먼저 맞춰야 한다.

이것은 본인이 보는 것이 렌즈를 통해서 보는 것과 초점이 맞다고 할 수 없기 떄문이다.

5. 심도

심도란 피사체의 초점이 또렷하게 맞추어 질 수 있는 카메라 앞의 일정부분을 말한다.

초점을 정하게 되면 피사체 근처를 제외하고, 모든 부분이 흐리게 잡힌다.

심도에 관해서 명심해야 할 점이 있는데,

첫째는 사용하는 카메라 렌즈의 초점거리가 증가할 수록 심도의 범위는 줄어든다는 것이다.

다시 말하면 망원렌즈를 사용하게 되면 표준렌즈를 사용했을 때보다

훨씬 더 짧은 심도를 가질 수 밖에 없다는 것이다.

둘째는 사용하는 카메라 렌즈의 초점거리가 감소할수록 심도의 범위는 늘어난다.

광각렌즈를 사용하게 되면, 아웃포커싱 따위는 불가능해질지도 모른다.

초점거리가 감소되어 뚜렷하게 보이는 부분인 심도가 깊어지기 때문이다.

셋째로 중요한 사항은 조리개를 작게 닫을 수록 심도의 범위는 증가한다는 것이다.

이것을 사용해서 많은 사람들이 아웃포커싱 작업을 한 것이다.

위와는 반대로 조리개를 열어서 적은 빛을 가지고 피사체를 촬영하게 되면

피사체 주변은 모두 흐릿하게 보인다.

넷째는 피사체가 카메라로부터 멀어질수록 심도의 범위는 증가한다는 것이다.

카메라로 부터 멀어진 피사체는 주변을 담을 수 있는 범위가 넓어지면서, 심도가 깊어진다.

다섯째 초점이 맞는 피사체 앞보다는 뒤쪽에 더 깊은 심도 범위가 남아 있다는 것이다.

피사체가 가까이 있을 경우에는 심도가 얕은데,

인물촬영을 할 때, 뒷배경이 흐릿하게 보이는 부분들이 이런 이유 때문이다.

보통 증명사진을 찍을 때 뒷배경은 흐릿하게 나와서

마치 부드럽게 펼쳐진 전경처럼 보이는데,이 점을 인식하면 좋을 듯 하다.

자 이렇게 노출세팅과 렌즈 초점 심도를 보면서 많은 부분 도움이 된 듯 하다.

필자도 어설픈 인간이기 때문에 많은 부분 책에서 차용을 해다썻지만,

유용하지 않은 부분들이 많다.

본인이 찍어보고, 느끼는 것이 가장 중요한 것이기 떄문에

다음부터는 직접 촬영을 한 사진을 가지고서 한번 이야기를 해보자.

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RAY FIRE

2011-02-23T15:33:00.000+09:00