tag:blogger.com,1999:blog-86582783818626332772024-02-22T02:22:42.157-08:00Te decet hymnusChuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.comBlogger249125tag:blogger.com,1999:blog-8658278381862633277.post-8421095250599869722024-01-23T12:19:00.000-08:002024-01-23T12:19:46.663-08:00Belonging <p> One of my pastors asked me to contribute a brief thought about how the music ministry--and choir in particular--contribute to the congregation's sense of <i>belonging together</i>. Here, somewhat expanded, is what I wrote:</p><p> Reaching back to David's organization of the music establishment of the temple, we see that biblical worship carries the responsibility of a dual role in the worship of God's people. Some time take a look at 1 Chronicles 25 and see how thoughtful and thorough David's plan was. (There is a lot to unpack here, and I just may do that over a short series on this chapter.) For now, note that the musicians were of the priestly tribe of Levi. They <i>prophesied </i>with instruments and singing, offering thanksgiving and praise. <br /></p><div>Musicians are ministers of the Word, functioning as priests--addressing
God on behalf of the people, and speaking the words of God to the
people. Music with words accomplish this dual function in relatively
apparent ways: Do the words express the praise, prayer, longing (etc.)
of God's people? Do the lyrics communicate biblical words and truths to
the people? (If or when texts do neither, there is a problem!) In
this way, sung music is meant to draw the congregation together--in
community, and in our unity in Christ.</div><div> </div><div>But we should note that, according to Paul the Apostle, this role for music is not limited to <u>musicians</u>! In Ephesians 5 and Colossians 3, music is a "one another" ministry. Paul says that when God's people are together they express the fullness of the Spirit "speaking to one another in psalms and hymns and spiritual songs" (Eph. 5); that the Word of Christ dwells richly in them as they "speak in psalms and hymns and spiritual songs" (Col. 3). Again, lots to unpack here, and you may count on me spending time to do just that! Psalms, hymns, and spiritual songs are Spirit-filled ministry of teaching and admonishing--one vibrant and vital way that the priesthood of believers is exercised. Whether that is through a choir (as in the temple) or in small groups (as in Paul's churches). </div><div> </div><div>Sung music is meant to draw the congregation together, in community, in the Spirit, in the richness of the Word of Christ. We do this for each other when we sing hymns. The choir does this <i>on our behalf</i> in a kind of priestly role--a priest among priests--speaking both to God and for God. <br /></div><div><b></b></div><p>Instrumental
music provides opportunity for the gathered community to reflect on
what has preceded it, to prepare for what follows, to pray, etc. In this
regard I think of the <i>Selah </i>in the Psalms. Its meaning isn't entirely clear, but among the options proposed by scholars is that <i>Selah </i>is
meant to indicate a time for reflection, possibly (likely?) with
instruments playing. It might signal a repeat of what
precedes the <i>Selah</i>. I like to think <i>Selah </i>is a time to
stop and reflect; and this is what our instrumental musicians provide in
our services. How does that contribute to our belonging together? Isn't it a
"private" or individual moment? Without intentionality, yes, it is. But
if we each use the instrumental moments to reflect, prepare, pray,
etc., then those moments are times when we each engage meaningfully--we
become participants in the offering of music. </p><p> With these brief thoughts I want to encourage church musicians--vocal and instrumental--and the congregation alike. What we do is compatible, symbiotic, and priestly. The ministry of music <i>is </i>a ministry of the Word, meant for the building up of the Body of Christ, in unity. <br /></p><p></p>Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-74382637646448839522024-01-09T11:35:00.000-08:002024-01-09T11:35:23.387-08:00New Year . . . new me?<p> 2024 begins with me in a surprising turn. Eleven years after leaving a full-time pastoral music position--eleven years of study and collegiate teaching--I have begun a part-time position as director of music at New Covenant Church in Naperville, IL. (Are there any other Napervilles out there?) </p><p>Having let this site languish . . . after a few fits and starts (more fits than starts) . . . now I am back in this great work on a weekly basis. Oh, this blog is not "the great work," I mean this new position. I hope to turn here to reflect, work out, and communicate about matters related to my vocation. This will also be where I maintain a "newsletter" for the musicians of New Covenant. So if it gets a bit <i>local</i> (hopefully not parochial), you've been warned.</p><p>2023 was not a great year for me and my family. So when I was first approached about this position it was easy to decline the necessary conversations. But at some point late in the fall it seemed wrong to keep my distance. Then (as so often in my experience) I found my interest, my eagerness, and my heart drawn in. New Covenant were kind to let me put off my start date until after Christmas--it was important that my family have an unencumbered season.</p><p>Now here I am again, partnering with preachers, scheduling musicians, directing a choir, and standing in front of a congregation who loves to sing. My decade in the university setting was deeply satisfying at many levels, and never dull. But yes, <i>this feels like home</i>.</p><p>If you are new to <i>Te decet hymnus</i>, follow the link from the panel on the right to find what the name means and why I have chosen it.</p><p>Sing on,<br /></p>Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-51239053655500578552024-01-07T15:40:00.000-08:002024-01-07T15:40:20.994-08:00History<p><b>I wrote this almost a year ago, got busy (and forgetful) and just realized I never published it!</b></p><p><b>Now as I plan to re-boot this page, upon assuming new worship planning duties . . . </b> <br /></p><p>Some time ago, a young couple, students in the Wheaton Grad School Church History program, sang in the College Church Choir. They came to Wheaton from a Christian college in another state, from a particular tradition. When I asked them about their interests in church history, they told me that the one church history course taught at their college <i>began with 1940</i>. Think of that. (And if you are a history of American church history you can pretty much guess the denominational background of said college.)</p><p>I am enjoying the history component of the worship course I am currently teaching. There is so much to know, and so much to learn from our ancestors in faith. It is the temptation of every generation to think of ourselves as the apex of development. It is a particularly modern temptation to discard the practices (and wisdom, perhaps) of the past--even the recent past. [See C. S. Lewis, "<a href="https://www.cslewis.com/why-read-old-books-history-and-its-relevance/" target="_blank">On Reading Old Books</a>" for a bracing reflection on this.]</p><p>As protestant evangelicals, we often leap from the New Testament to Martin Luther (or 1940 USA). We may have read the Church Fathers and jumped from the 4th century to the Reformation (or the Fundamentalist-Modernist controversy of the early 20th century). But it seems to me that we err if we do not take our time with the Middle Ages, the Eastern and Roman churches, and note the many reform initiatives, as well as the details about which we continue to be suspicious or dismissive. To see how the church handled change and reform--and how she also failed to change and reform--in many times and places, helps us see how at risk our own assumptions may be.</p><p>Worship practices that recognize the big historic picture of the public expression of our faith might just avoid some of the blinders and idols of our day. May those of us who plan, lead, and teach worship be committed to <i>semper reformanda, </i>"always reforming," with an eye to the wisdom and lessons of our past.<br /></p>Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-653771688563728332022-01-19T13:45:00.000-08:002022-01-19T13:45:35.879-08:00Class<p> The worship class met last week--online only, because my wrist is broken and I was still getting used to this cast. But we will be online each session anyway, as half the students are remote. I think, in retrospect, (and because I generally try to make the best of things) that this was useful because we could put the whole class in breakout rooms for introductions. </p><p>Among the things I love about Trinity International University is that the <b>I </b>in TIU is really a thing. At the College, and even more so at the Divinity School (TEDS), we have a global community of students. <i>Easily </i>25% of the students in my worship course are not native English speakers; of those we have several trilingual students. A fair number are experienced in ministry and are enrolled in the MDiv program to increase their effectiveness and strengthen their credentials. </p><p>So I look forward to learning every bit as much as to teaching.</p><p>We do not meet today, the Martin Luther King holiday. I will write some thoughts about that later. For now I am limiting my one-handed typing time while my bones heal.</p><p> <br /></p>Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-90595125858042509612022-01-07T06:04:00.020-08:002022-01-07T08:01:16.537-08:00The Pastor's Bookshelf redux<p> Martin Luther said that he did not approve someone for ministry who did not know and appreciate music. (I'll get around to that quotation more accurately and specifically later.) To which I would add: I can't imagine an effective pastoral minister who is not an avid reader. While I will use the image of the <i>bookshelf</i> here, I am less concerned that someone hold and read a physical printed artifact than that they read--deeply and widely. </p><p>I'm thinking about that as I prepare to teach, for the first time, a seminary course, "Christian Worship and Pastoral Practice." I was invited to teach the course by the retiring professor who also gave me his notes, syllabus, and online resources. (Pro tip: when teaching an existing course for the first time, find and use the best syllabus and materials that someone else has developed. Then, after you've gone through the course once, make it your own.) The reading list and other recommendations were appropriate to the breadth of the course, and represent some of the best authors and practitioners. </p><p>Naturally, though, I had some ideas of my own. So it was an interesting and fun challenge to make this part of the syllabus mine, without reinventing the whole list. (For those who may want to peruse it, see the note at the end of this post.) One significant change I made was to limit the <u>required</u> text to a single item, Constance Cherry's <i><a href="https://www.christianbook.com/architect-blueprint-designing-culturally-biblically-services/constance-cherry/9780801038747/pd/038747?en=google&event=SHOP&kw=church-supplies-0-20%7C038747&p=1179710&utm_source=google&dv=c&gclid=Cj0KCQiAw9qOBhC-ARIsAG-rdn5lR1LFgigSGEOZuScwkWeqbA1vrX-HAJ3VxgOoi9XdUIcDSq_bNuIaAjPAEALw_wcB" target="_blank">The Worship Architect</a>.</i> There is a LOT of other <u>required</u> reading, but students will choose a single title from each of five categories; the idea is that students reading in the same theme, from different authors, will have richer classroom discussions. </p><p>In addition to the five categories, the syllabus lists titles that I will reference in class, and other resources under the headings of "worship" and "pastoral ministry." I hope that students will find this list useful as they consider how to stock their own ministry bookshelves. I hope students will read broadly and deeply in this class, and continue to do so in ministry, reading beyond what they find in Twitter, blogs, podcasts, and YouTube. All of which they (and I) will continue to benefit from. <br /></p><p> Along that line, I have just been introduced to a <a href="https://g3min.org/readingchallenge2022/" target="_blank">reading challenge</a> for 2022**. I won't commit to all of the categories in this year, but it's a great constellation of areas in which an evangelical pastor ought to be reading. I do fault it for a paucity of fiction, and the complete absence of poetry--though some of the listed categories can accommodate those genres. And despite that criticism, I will keep this checklist in my "q.v." folder.<br /></p><p>I have written on the "bookshelf" before. You can find those at <a href="https://tedecethymnus.blogspot.com/search?q=bookshelf" target="_blank">THIS</a> query. </p><p>Read on!</p><p>AND FOR THOSE WHO DARE, if you'd like to see the reading portion of my syllabus for "Christian Worship and Pastoral Practice" leave your name and email in Comments. Your comment and email will not be published.</p><p>** upon reading more deeply in the group/site from which this commendable list comes, I want to distance myself from some of the more conservative elements of the organization. I am rightly challenged to rigorous reading, but do not embrace some (many?) of the views expressed throughout the website.<br /></p><p><br /></p>Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-62049478909286628092021-12-31T08:20:00.003-08:002022-01-02T12:42:13.555-08:00Back in (a different) saddle again<p> Whatever 2022 brings, it looks like starting off well. </p><p>I left my position at College Church in Wheaton (October 2012) to finish a MA in Historical Theology, with plans to pursue a ThD and/concurrent with a return to church music and worship ministry. As they say (inaccurately quoted here), "we make our plans, and God laughs." God may laugh, but he does not abandon us. And in my particular case, God kept me active in my vocation . . . but without a church gig to in which to exercise it.</p><p>So I have rather enjoyed eight years of full-time teaching (following one year as an adjunct) at Trinity College in Trinity International University. There I have taught courses related to music history (my first academic discipline) and worship music (my experience and first love). That all began to wrap up when TIU chose to close the music department effective May 2021. (No grumbling here, but this is still a very sore issue, and I'm happy to talk about it offline :~)</p><p>May 2021 began what I thought would be semi-retirement. I planned to teach (adjunct) the music history sequence--ending at Trinity College the way I began! nice, that symmetry--and directing the Trinity Choir. Then a seminary prof (Trinity Evangelical Divinity School, TEDS) called and asked if I would teach the MDiv course in worship and pastoral ministry. Umm, yes please! So that was going to be my last year of teaching. And it seemed pretty good to me.</p><p>In August I received a call from the TEDS dean, inviting me to take a one-year, full-time position. This would include what I had already signed on for, plus TEDS director of chapel, and assist the Assistant Dean for undergraduate Bible and ministry students. Will <i>this </i>be my final year of teaching? Of teaching full-time? Of exercising my calling in a public manner? God knows, and I'm content to have him laugh at my ideas.</p><p>So anyway, teaching the seminary course, Christian Worship and Pastoral Practice, gives me a chance to again reflect upon and write along the topic for which this blog was established. Here we go . . . again!<br /></p>Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-22201716108200027012020-07-21T12:58:00.003-07:002020-07-21T12:58:57.636-07:00So, what are you reading these days?<div dir="ltr" style="text-align: left;" trbidi="on">
As I enter my seventh year teaching full time (seven? how is that
possible?) I am returning again to the "music and worship" part of the cycle.
My role at Trinity International University is a niche that suits me
well -- and I hope the students and College, too -- with an academic
background in music history and historical theology plus three
decades of full-time pastoral music ministry. I teach a three-semester
sequence in music history, and a two-semester sequence of core courses
for church music and the College's new BA in Worship. This is my
"worship year."<br />
<br />
My current summer reading stack is about
six books deep (all in progress) with a few others in line. I
don't think I'm going to get through them all by the start of the semester. Books in both stacks fall into two categories:<br />
* Books that are new, or at least new to me.<br />
* Books that I started by didn't finish, or that I bought and didn't start.<br />
<br />
Books find their way to my list by various routes: reviews in publications, publisher catalogs, recommendations or citations, and random free copies. I guess I am not a systematic reader-scholar . . . this may (almost certainly does) explain why I do not have a doctorate!<br />
<br />
So, what is in <b>my current stack</b>?<br />
<br />
Immanuel Kant, <i>Observations on the Feeling of the Beautiful and the Sublime</i><br />
<br />
Evelyn Underhill, <i>Worship </i><br />
<br />
Allen P. Ross, <i>Recalling the Hope of Glory: Biblical worship from the Garden to the new creation </i><br />
<br />
Greg Scheer, <i>Essential Worship: A Handbook for Leaders</i><br />
<br />
Gerardo Marti, <i>Worship Across the Racial Divide: Religious Music and the Multiracial Congregation </i><br />
<br />
Debra Rienstra and Ron Rienstra, <i>Worship Words: Discipling language for faithful ministry </i><br />
<br />
Still <b>to be cracked </b>before the fall semester:<br />
<br />
Geoffrey Wainwright, <i>Doxology: The Praise of God in Worship, Doctrind, and Life--a Systematic Theology </i><br />
<br />
George Ellis ande William H. Schubert, eds., <i>Reflections from the Heart of Educational Inquiry </i><br />
<br />
Kathleen S. Smith, <i>Stilling the Storm: Worship and Congregational Leadership in Difficult Times </i><br />
<br />
These lists do not include a tall stack of books that I need to keep fresh as I prepare for the year ahead--textbooks I have used and that I am re-evaluating, recommended reading lists, supplemental material for my own presentations and to recommend to students, and so on.<br />
<br />
<i></i>As I read, I often consider the privileges I had serving as a worship pastor. In earlier posts I have reflected on my bookshelves. These days I ask myself, "will my students acquire books, develop a core working library of wisdom, inspiration, and practical ideas? Or will they rely on the quick access of the internet--blogs, YouTube, online courses, eBooks--as admittedly I also find myself doing? What should my approach be to the future pastoral musician in regard to lifelong learning, exploring the past as well as living in the present? Among the students I have worked with over the past few years, a surprising (and, to me, encouraging) number still say they prefer to hold and read a physical book; there are those who purposely are building up their ministry library. At the same time, they live in the digital world--they hold dual passports to learning.<br />
<br />
I probably don't have many years of full-time teaching in my future. While I'm at it, I continue to enjoy the books I have (read, to be finished, and to be started), look for more books to read, and pray I will be a good steward of the reading I am privileged to engage.</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-71239492798941026742018-12-31T08:21:00.000-08:002020-07-20T12:34:14.419-07:00I've Fallen: a song for aging worship leaders<div dir="ltr" style="text-align: left;" trbidi="on">
I think I've had too much time away this season.<br />
<br />
This title struck me yesterday, and I wondered whether it was more apt for a new Rolling Stones release/tour, or a worship song for likewise aging worship leaders. Since I don't think I could write lyrics for the Stones . . .<br />
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
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</xml><![endif]--><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">I’ve Fallen and I Can’t Get Up</i></b>
<br />
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Verse 1</div>
<div class="MsoNoSpacing" style="text-indent: .5in;">
</div>
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My life was stuck in miry clay</div>
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<span style="mso-tab-count: 1;"> </span>The net
they set for me had sprung</div>
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<span style="mso-tab-count: 1;"> </span>I lay
there till the break of day</div>
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<span style="mso-tab-count: 1;"> </span>And
then, O Lord, you loosed my tongue—</div>
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<br /></div>
<div class="MsoNoSpacing">
Chorus</div>
<div class="MsoNoSpacing">
<span style="mso-tab-count: 1;"> </span>I’ve
fallen (fallen) and I can’t get up [repeat]</div>
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<span style="mso-tab-count: 1;"> </span>I’ve fallen
(fallen) and I can’t get up without you.</div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;">Repeat V1 and C </b></div>
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<br /></div>
<div class="MsoNoSpacing">
Bridge</div>
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<span style="mso-tab-count: 1;"> </span>Lift me
up</div>
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<span style="mso-tab-count: 1;"> </span>Fill my
mouth</div>
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<span style="mso-tab-count: 1;"> </span>Set on
me a crown of gold.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Verse 2</div>
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<span style="mso-tab-count: 1;"> </span>I
thought my foot had nearly slipped</div>
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<span style="mso-tab-count: 1;"> </span>And then
I tried to catch myself<span style="mso-tab-count: 1;"> </span></div>
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<span style="mso-tab-count: 1;"> </span>If not
for you I’d break a hip</div>
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<span style="mso-tab-count: 1;"> </span>And put
my life-plans on the shelf.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Chorus </div>
<div class="MsoNoSpacing">
Repeat Chorus</div>
<div class="MsoNoSpacing">
Outro [ortho]</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Chuck King 30 Dec 2018</div>
<div class="MsoNoSpacing">
<br /></div>
<br />
<br />
<br /></div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-52066953077810968602018-10-08T06:00:00.002-07:002018-10-08T11:51:19.434-07:00Milestone<div dir="ltr" style="text-align: left;" trbidi="on">
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<div class="MsoNoSpacing">
It was flagged by a string of “on this day” Facebook
memories. Otherwise I might have missed it. No, rather I would not have <i style="mso-bidi-font-style: normal;">anticipated</i> it. On the day it was marked
in my Bible—in the Psalms and Proverbs readings: “Oct. 7, 2012, last day at
College Church.” And so there it was, my first date and day anniversary, <a href="https://tedecethymnus.blogspot.com/2012/10/where-i-belong.html" target="_blank">Sunday,October 7</a>.
</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Six years ago today I began life apart from full-time
music ministry. Twenty-seven years of Sundays, with up to four services per
Sunday; twenty-seven years of weekly choir rehearsals, planning, meetings;
twenty-seven years of joy and disappointment, successes and failures, kudos and
brickbats. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
I thought I would take a year off to finish a master’s
degree, probably return to church work, and jump into a Th.D. program
somewhere, somehow. I had no idea. But then, I’ve never had any clear idea—never
successfully predicted—what “the next thing” would be!</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
So, this seems like a good time to reflect, to be
grateful, to consider the grace that has filled the past six years.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Finishing the MA in Historical Theology at Wheaton Graduate
School was a thrilling year. Not since my graduate work at Northwestern had I
been so satisfied and challenged intellectually. A year of reading and writing,
of classroom interaction and hanging out with people a lot smarter than I am .
. . yeah, that was great. And during that year, Karen and I again learned what
it means to not really know how our finances were going to work out; we
re-learned that <i style="mso-bidi-font-style: normal;">no one </i>really knows what
each day will bring, and that for decades we had just acted as if we did know.
It was exciting to again know that we were living by faith.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing" style="tab-stops: 207.0pt;">
Writing my MA thesis was a
dream come true. And whilst completing that work, I was surprised by an
invitation to interview, then accept an offer to teach music history at Trinity
College, Deerfield IL.<span style="mso-spacerun: yes;"> </span>What I thought
would be my life, back at Northwestern, was creeping into my life all these
years later. A year as adjunct was followed by a year’s appointment as Visiting
Assistant Professor, renewed a few times, and then this past spring turned into
a three-year renewable appointment. Teaching—long a dream—has been hard and
challenging and fun and rewarding. A year ago I was honored to be handed the
baton for the Trinity Concert Choir. Which is above and beyond all that I could
have asked or imagined six years ago.</div>
<div class="MsoNoSpacing" style="tab-stops: 207.0pt;">
<br /></div>
<div class="MsoNoSpacing" style="tab-stops: 207.0pt;">
Life with Karen gets richer and
more fun all the time. But during these six years both of her parents have
entered their eternal reward. She (and to a lesser extent, we) spent a lot of
time back and forth between our home and her parents’. She was with each of
them when they passed. Her parents’ generation of family is gone: a sobering
reality as we entered our sixties. </div>
<div class="MsoNoSpacing" style="tab-stops: 207.0pt;">
<br /></div>
<div class="MsoNoSpacing" style="tab-stops: 207.0pt;">
I have learned some things
about myself (<a href="https://chuckking.blogspot.com/2017/09/the-hilarious-world-of-depression.html" target="_blank">chronicled elsewhere</a>) that have put in perspective aspects,
memories, and challenges of my past.<span style="mso-spacerun: yes;"> </span>Perhaps
most importantly, I have learned that some of my perceived failures were
lifelong patterns related to depression; and that others were not in fact my weaknesses
but the fault(s) and result(s)—intended or otherwise—of spiritual leadership. Owning
my own problems, and recognizing where I have been wronged, is making my
late-life career much more manageable and fun.</div>
<div class="MsoNoSpacing" style="tab-stops: 207.0pt;">
<br /></div>
<div class="MsoNoSpacing" style="tab-stops: 207.0pt;">
But the bottom-line (for now at
least) is that I am truly done working in the church on a full-time basis.
While I deeply miss the weekly church choir rehearsal, and the privilege of
contributing to the weekly morning service, there is nothing else I miss about
church work. Emphasize <b style="mso-bidi-font-weight: normal;">nothing</b>. So
it has been a special blessing to have had two small church choirs, accounting for
nearly three of the six years I have been away from College Church. I have been
able to work with that special beloved breed—the volunteer church choir—without
the complications of church staff life. I have missed the privilege of choosing
congregational music, but for my psychic health and simply as a reality of time
available, these have been perfect brief godsends. Of course even now I qualify
that bottom-line. Because I will not presume to know what God has in store for
Karen and me; not presume that there isn’t some circumstance in which it will
become obvious that I belong back in the church. I have not relinquished that
part of my identity by which many still know me: pastor. But I am content, and
eager to get back to campus today!</div>
<div class="MsoNoSpacing" style="tab-stops: 207.0pt;">
<br /></div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com2tag:blogger.com,1999:blog-8658278381862633277.post-56611711977456303172018-01-04T07:24:00.000-08:002018-01-04T08:14:13.559-08:00All Psalms All the Time<div dir="ltr" style="text-align: left;" trbidi="on">
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Well, not quite all the psalms, and I don’t know how long
this resource will be available.</div>
<div class="MsoNoSpacing">
</div>
<div class="MsoNoSpacing">
A subscription to <a href="https://www.spotify.com/us/" target="_blank">Spotify </a>Premium is not only a self-indulgence,
it is good for my mental health (the Spotify ads make me angry) and it keeps me
exploring and learning new music. It is also—it turns out—good for my soul.
(Though, full disclosure, as I write this I am listening to an Enrico Morricone
playlist of western movie soundtracks.)</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Weekly and monthly playlists show up in the many “Genres
& Moods” categories. I always look at what’s on offer in the Classical
Category. (For a brief post on the amazing <a href="https://chuckking.blogspot.com/2018/01/a-brief-and-fascinating-review-of.html" target="_blank">Symphonies playlist</a>, see <a href="https://chuckking.blogspot.com/" target="_blank">my other blog</a>.) Right after Thanksgiving a new playlist appeared: <a href="https://open.spotify.com/user/spotify/playlist/37i9dQZF1DXaky0wMRgvaj">150
Psalms in Classical Music</a>. Brilliant! With my pattern of daily psalm
readings, this is how I would engage the psalms through December.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
And what a playlist! It includes Gregorian chant,
Anglican chant, and newly composed chant. Genevan psalms and German Baroque
settings. Settings in Latin, Hebrew, English, German, French, and more. Tracks
lasting barely two minutes, and pieces up to fifteen minutes. It is a rich resource
of the splendid variety of musical engagement with that most musical heart of
the Bible.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Was it well curated? That’s a tough call. I came to terms
with it by acknowledging that it is not called “The Complete Book of Psalms in
Classical Music,” nor “All 150 Psalms in Classical Music.” Not least because of
course musical settings of every complete psalm is <i style="mso-bidi-font-style: normal;">a lot of music</i>! Think of Psalm 119 alone—golly. But as to its including
all psalms, where there’s the catch.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Because the curator of this list apparently did not take
into account that the Latin Bible—while numbering psalms 1 through 150—numbers the
psalms differently from the Hebrew and Protestant Bibles. (Long story there,
and an interesting one, and I have to say that the Latin numbering has a
supportable logic to it.)</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
So, for example, the list includes multiple versions of some
psalms, noting only the numbering used by the composers, and in the process
skips over psalms that got lost in the cracks. For example (the first one I noticed)
Psalm 19 (Latin: Exaudiat te Dominus) is the English Psalm 20. So, the list has
the same text in Latin and in English, but does not have a musical setting of
the Hebrew/English Psalm 19 (the heavens declare the glory of God—of which
there are <i style="mso-bidi-font-style: normal;">many </i>excellent musical
settings). I won’t list the many cases; you get the point.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
And in any case, even though I am a bit OCD about lists
like this (“geez Louise, how hard would it be to get this right and make it
complete?!?”) the playlist was such a gift to me that I would be an ingrate to
find fault with it. Bravo, Spotify! Thank you! (Also, how do I get a job
building Spotify playlists?) A very brief list of the composers I was surprised
to hear includes Steve Reich, Philip Glass, Krzysztof Pendercki. I was
delighted to hear psalms <a href="http://corcantiamo.org/project/psallite/">recorded
by a friend</a>, and a psalm commissioned by an <a href="http://www.sdgmusic.org/">organization I admire</a>. I loved seeing the albums
from which the psalms were selected (that alone will provide me many hours of
exploring). The sheer variety of musical diversity within the broad category of
“classical” is refreshing, stunning, and challenging.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Two takeaway thoughts about this list and the experience
of listening through it. (In my OCD way: sequentially, five psalms a day. Some
things don’t change.)</div>
<div class="MsoNoSpacing">
1—Someone at Spotify seemed to think there is enough
interest is <i style="mso-bidi-font-style: normal;">classical sacred music </i>to
warrant this playlist. Not to be snarky (really) but I wonder if it is even
possible to find all 150 psalms in contemporary Christian musical styles? It
would be interesting to attempt—but I leave that for someone with a higher
tolerance than I have. Only, let such a list be <i style="mso-bidi-font-style: normal;">psalm settings</i>, not musical settings of random verses from the
psalms. That is the challenge.</div>
<div class="MsoNoSpacing">
2—Over and over through December I was struck with the
paucity of psalm singing in the churches I attend. While much of the so-called
evangelical church debates what are hymns and spiritual songs, and what should be
their balance in services, hardly anyone is faithfully, diligently, respectfully,
historically attending to the first part of St. Paul’s injunction: <i style="mso-bidi-font-style: normal;">sing <b style="mso-bidi-font-weight: normal;">psalms
</b>and hymns and spiritual songs</i> . . .</div>
<div class="MsoNoSpacing">
<br /></div>
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<br /></div>
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Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com1tag:blogger.com,1999:blog-8658278381862633277.post-68387877712177352322017-10-08T19:26:00.000-07:002017-10-08T19:26:01.045-07:00Five Years<div dir="ltr" style="text-align: left;" trbidi="on">
Five years ago today (I am writing on a Thursday, October 5; the rehearsal was a Thursday, Oct. 4.) I led my final rehearsal with the College Church Chancel Choir. Three days later I was in my final services as Pastor for Worship and Music at College Church in Wheaton. I guess it's time for a few reflections . . .<br />
<br />
In <a href="https://chuckking.blogspot.com/" target="_blank">another space</a> I have been writing about what turns out to be <a href="https://chuckking.blogspot.com/2017/09/the-hilarious-world-of-depression.html" target="_blank">a related issue</a>. Or at least, I should say, an issue that has some bearing on my ministry, my transition, and how I reflect on both. Those posts are more personal than I'll get here; here I'm more historical I guess.<br />
<br />
In the five years since I served the church full-time, and conducted that splendid choir, I have had an interim stint with a symphonic chorus, two semesters with a college symphonic band, two-and-a-half years with a small church choir, a full year away from the choral conductor podium. I have been musical director for two campus musicals. I am now in my second month with a college choir.<br />
<br />
I have returned to my trombone--though I'm still <i>far </i>from my recital chops. I play in church, sit in with the college band, had a year or so in the college jazz ensemble (trying to learn improvisation), and have even picked up a few bucks in the occasional gig. That has been fun. I even bought a second trombone!<br />
<br />
My voice, which was at risk five years ago, has recovered. I have taken the risk of singing in public and more and more to demonstrate in the classroom and rehearsals. I put my hands on the piano with less self-consciousness (though not more skill), use my ukulele in class, and learned the three necessary guitar chords.<br />
<br />
So, what about my <i>vocation</i>? What part does leadership in musical worship play in my work and relationships?<br />
<br />
I still get calls and emails from former colleagues, with questions and resource requests for regular and seasonal services. I teach music and worship courses at Trinity, and oversee students internships in church music. University chapel personnel are gracious and welcoming of my participation and input. (Even if I <i>am </i>the campus poster boy for hymn-singing, I appreciate that.) Our music department is working our way to a revised church music curriculum, and probably a worship arts major. My experience in the church is considered valuable, and I have the privilege of serving churches by helping prepare young people for music and worship leadership.<br />
<br />
I do have an unsettled relationship with the local church. Karen and I are attending a church associated with College Church, but we also take the freedom of Sundays to visit other congregations. We find it difficult to engage deeply; while we don't like to be, we are pretty much "one and done" church-goers. This is partly due to the uncertainty of my teaching gig (we're
reluctant to move closer to campus without a long-term contract; and
we're reluctant to grow again into a church that we might move away
from), and partly due to a deep sense of loss we both carry from our
departure from ministry at College Church. We long for a deeper and more sustained connection with a congregation. We hope that will again be a part of our life.<br />
<br />
All told, while I am still very much in transition (and aren't we all, always?) the past five years have flown by and have been filled with wonderful surprises, rich blessings, and grace piled upon grace.<br />
<br />
I am thankful.<br />
<br />
<br /></div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-13490082354085519842017-08-13T09:26:00.000-07:002017-08-13T09:26:18.377-07:00Just when we thought it couldn’t get worse<div dir="ltr" style="text-align: left;" trbidi="on">
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Yesterday—August 12, 2017—the nation witnessed an
alarming, disgusting public display of white supremacist/Nazi-symbol-toting protest,
a predictable counter-protest, and the loss of three lives and many injuries.
Social media erupted, with many (Christians and peoples of others faiths and no
faith) decrying the march and calling for the deaths to be named acts of
domestic terror. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Can anything good come of this? Will this be any sort of
wake-up or call to repentance for a number of systemic evils that plague the
U.S.? What are churches saying today? (As I write this on a Sunday morning
while on vacation and not in a service.) Specifically, I wonder what is being
said in the churches called “home” by the supposed 80% of white evangelicals
that voted for Donald Trump—who has still failed to denounce white
supremecists.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
One thing to denounce the players in yesterday’s tragedy.
Another to call the church to take a stand. Yet another to make a personal
commitment to be part of the solution. How will <i style="mso-bidi-font-style: normal;">I </i>do the latter, and from what position, with what convictions,
using which resources?</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
In the course of my typical Sunday morning Bible reading
and prayer, this morning I turned again to the <i style="mso-bidi-font-style: normal;">Evangelisches Kirkengesangbuch </i>(from the Lutheran Church <span style="mso-spacerun: yes;"> </span>in Lower Saxony). (It’s just how I wrap up my
Sunday morning devotions and work on my German.) The opening prayer for this
Sunday of the church year seems so timely. If I understand it correctly, it
translates:</div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">Give us the Spirit,
O Lord, who always desires justice and will bring it about with your help: so
that we, who can do nothing without you, may receive strength to live according
to your will. Through our Lord Jesus Christ, your Son, who lives and reigns
with you and the Holy Spirit forever. Amen. </i></div>
<div class="MsoNoSpacing">
<br /></div>
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Did I get that right, that word “justice” [<i style="mso-bidi-font-style: normal;">das Rechte</i>]? I do want under the
circumstances to avoid “the right” (though it is obviously not a political
reference). “Who always desires us to do what is right” would work, I guess,
but there is not that verb. No, it seems “justice” is not only apt and timely,
but correct. But just to be sure, I check the Book of Common Prayer. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
(Something I should look into: what is the common source
that results in these two traditions sharing so many collects?)<span style="mso-spacerun: yes;"> </span>Anglicans this morning may have heard or
prayed: <i style="mso-bidi-font-style: normal;">Grant to us, Lord, we pray, the
spirit to think and do always those things that are right, that we, who cannot
exist without you, may be enabled to live according to your will; through Jesus
Christ our Lord . . . Amen. </i></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
“The Spirit who always desires justice” . . . “the spirit
to always think and do those things that are right.”<span style="mso-spacerun: yes;"> </span>Yes, they come at it slightly differently,
but pray for the same thing. Because what is justice but doing the right thing?
There is no justice without righteousness. And true righteousness will be just.
</div>
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<br /></div>
<div class="MsoNoSpacing">
My friends in liturgical traditions will today be helped
through the pain of yesterday by prayers long established and often prayed. My
free church evangelical friends will—I hope—be guided by similarly wise
prayers. At my own “family altar” I find myself praying under the guidance of
the cloud of witnesses, learning to pray in troubling times, and prodded to ask
that I “who can do nothing without” the Lord may be “enabled [given strength]
to live according to God’s will.”</div>
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<br /></div>
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Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-36124259965828133552016-12-31T07:03:00.000-08:002016-12-31T07:03:20.709-08:00Pray for those in authority<div dir="ltr" style="text-align: left;" trbidi="on">
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<div class="MsoNoSpacing">
I have again picked up my copy of the Book of Common
Prayer. Advent 2016 took me again to the daily readings of the church year,
which I generally follow until Pentecost—when I then dive into a more free
pattern of Bible reading. I’ve had my copy of the BCP for something like 35
years (it is the 1979 edition from the U. S. Episcopal Church). As the late Mark
Ashton, rector of St. Andrews Church, Cambridge (The Round Church) <a href="http://www.zondervan.com/worship-by-the-book">wrote</a>, Thomas Cranmer
produced a <i style="mso-bidi-font-style: normal;">reformed</i> book of worship
for the new Church of England. Though it has been altered, adjusted, updated,
etc. through the centuries it retains a great deal of reformation piety and
wisdom. It is a thoughtful guide for Bible reading.
</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Though the prayers in my copy are (probably) no longer
Cranmer’s, the BCP is also a rich manual for prayer. And I was reminded of its
breadth, depth, and value when I began reading and praying during
Advent. Looking for one set of prayers, I was reminded again of this other set
of prayers. And I was ashamed to not have prayed <i style="mso-bidi-font-style: normal;">in this way </i>during our recent national election. More importantly,
I was reminded to pray <i style="mso-bidi-font-style: normal;">in this way</i>
for all those in political authority now and as we move into a new federal
administration.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Regardless of political commitments, whether my or your
candidate is out of or in the White House, this is a deeply Christian way to
pray. I will say that if more had prayed in this way, things might have gone a
different direction, long before our final two-party candidates were
chosen.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Prayers for
National Life</b></div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">For our Country</i></div>
<div class="MsoNoSpacing">
Almighty God, who has given us this good land for our
heritage: We humbly ask that we may always prove ourselves a people mindful of
your favor and glad to do your will. Bless our land with honorable industry,
sound learning, and pure manners. Save us from violence, discord, and confusion;
from pride and arrogance, and from every evil way. Defend our liberties, and
fashion into one united people the multitudes brought here out of many kindreds
and tongues. Endue with the spirit of wisdom those to whom in your name we
entrust the authority of government, that there may be justice and peace at
home, and that, through obedience to your law, we may show forth your praise
among the nations of the earth. In the time of prosperity, fill our hearts with
thankfulness, and in the day of trouble, do not allow our trust in you to fail;
all which we ask through Jesus Christ our Lord. <i style="mso-bidi-font-style: normal;">Amen</i>. </div>
<div align="right" class="MsoNoSpacing" style="text-align: right;">
<span style="font-size: 10.0pt;">(language updated from the 1979 edition)</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">For Sound
Government</i></div>
<div class="MsoNoSpacing">
O Lord our Governor, bless the leaders of our land, that
we may be a people at peace among ourselves and a blessing to other nations of
the earth.</div>
<div class="MsoNoSpacing">
To the President and members of the Cabinet, to Governors
of States, Mayors of Cities, and to all in administrative authority, grant
wisdom and grace in the exercise of their duties.</div>
<div class="MsoNoSpacing">
To Senators and Representatives, and those who make our
laws in States, Cities, and Towns, give courage, wisdom, and foresight to
provide for the needs of all our people, and to fulfill our obligations in the community
of nations.</div>
<div class="MsoNoSpacing">
To the Judges and officers of our Courts give
understanding and integrity, that human rights may be safeguarded and justice
served.</div>
<div class="MsoNoSpacing">
And finally, teach our people to rely on your strength
and to accept their responsibilities to their fellow citizens, that they may
elect trustworthy leaders and make wise decisions for the well-being of our society;
that we may serve you faithfully in our generation and honor your holy Name.</div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">For yours is the
kingdom, O Lord, and you are exalted as head above all. Amen. </i></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
These are good patterns for public praying. Too often in
our churches we pray for leaders according to the political calendar (Right to
Life Sunday, July 4, November 11, elections), or when our most cherished values
seem at risk. Shouldn’t we be <a href="https://www.biblegateway.com/passage/?search=1+Timothy+2%3A1-3&version=ESV">biblical
and pray</a>—perhaps this way, but to pray in any case—frequently?</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
It is not too late for me to be praying this way. And it
is never too late to expect and demand from our leaders the kind of character
and commitments that we pray for.</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-56995875907563794912016-12-01T12:15:00.000-08:002016-12-01T12:15:03.678-08:00Gloria in excelsis Deo: A model for balance in our singing<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="mso-tab-count: 1;"></span><span style="mso-tab-count: 1;"></span>When two worlds collide . . .
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<br /></div>
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I regularly attend a collegiate chapel which clearly is
not catering to my taste. It is, after all, a worship service that students are
required to attend, with music planned by and led by students, for students. I
get that. In fact, I celebrate that. But when I assert that it is not catering
to my taste, I am not referring to the musical style. </div>
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<br /></div>
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What I care about is the <i style="mso-bidi-font-style: normal;">content </i>of the typical chapel music set. Again I will say it (I don’t
know where I got this phrase, but I use it all the time) “there is no praise
without proclamation.” So when students are only offered words to sing that are
general or vague praise phrases--however artfully put together, or not--we are
not actually, you know, <i>praising God</i>. </div>
<div class="MsoNoSpacing">
<br /></div>
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Of deeper trouble to me is that many songs do not even
get as far as a string of praise phrases. Because they are stuck in expositing
the emotions that we have, or wish to have, in this time and place. Presumably
evoked by and directed to God; but I use the word <i style="mso-bidi-font-style: normal;">presumably </i>intentionally.</div>
<div class="MsoNoSpacing">
<br /></div>
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That’s one world. The other is writing a program note for
a campus performance of Vivaldi’s <i style="mso-bidi-font-style: normal;">Gloria</i>.
And while writing about the hymn, “Gloria in excelsis Deo,” I was struck with
how this ancient model might serve as a pattern for contemporary student chapel
worship. </div>
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<br /></div>
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By the third century A.D., the hymn, “Gloria in excelsis”
was an established part of worship in the Greek-speaking eastern churches. In
the fourth century it was translated into Latin, and in this form became a
permanent feature in the liturgies of western Christianity. The anonymous hymn
begins with the angels’ words to the Judean shepherds:</div>
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“Glory to God in
the highest, and on earth peace, goodwill to men.”</div>
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To this simple, bold declaration, the unknown author
added a rich doxological<span style="mso-spacerun: yes;"> </span>theology in
direct, exalted poetry. The resultant<span style="mso-spacerun: yes;">
</span>hymn is still said or sung regularly in many worship traditions.</div>
<div class="MsoNoSpacing">
<br /></div>
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So, it has some legs. And maybe, as C. S. Lewis
and G. K. Chesterton might argue, we owe our ancestors the respect of learning
from it.</div>
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The hymn begins where much contemporary praise singing
gets to, and where most of it ends. With ecstatic expressions directed to God: <i style="mso-bidi-font-style: normal;">Glory to God in the highest, and on earth
peace, good will to men. </i>(Thus far, the familiar Luke 2 angels) <i style="mso-bidi-font-style: normal;">We praise you, we bless you, we adore you,
we glorify you; we give you thanks for your great glory. </i>There is nothing
wordy, or academic, or stodgy about this. In effect, this is what much new
worship music expresses. But note that neither we nor listeners nor angels (<a href="https://www.biblegateway.com/passage/?search=1%20Peter+1:12&version=ESV">1
Peter 1:12</a>)necessarily know what all this emotional fuss is about. Yet.</div>
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<br /></div>
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The hymn continues, and it is in the body of <i style="mso-bidi-font-style: normal;">Gloria </i>that <b style="mso-bidi-font-weight: normal;">actual praise </b>is expressed. This is a hymn to Jesus, who is: <i style="mso-bidi-font-style: normal;">Lord God, heavenly King; Lord Jesus Christ,
only begotten Son; Lord God; Lamb of God, Son of the Father who takes away the
sins of the world. (Have mercy and hear our prayer!) Jesus, seated at the right
hand of the Father, the only Holy One, the Most High, with the Holy Spirit in
the glory of God the Father. Amen. </i></div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;">Gloria </i>is a great
model for our sung worship. It is emotionally charged; it is biblical; it uses
simple, direct, powerful language. It shows us Jesus as we are meant to know
him, whom we approach with humble confidence. It wouldn’t hurt to actually <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">sing</i></b>
this hymn . . . but I am arguing here for <i style="mso-bidi-font-style: normal;">Gloria
</i>as a model “worship song set,” much in the way we can both say the Lord’s
Prayer and use it as a<span style="mso-spacerun: yes;"> </span>model for our
praying.</div>
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<br /></div>
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Our worship will be enriched, we will actually be
praising God, we will come to know Jesus more clearly, we will have ample emotional
expression, and (least important of all) no matter the musical style, <i style="mso-bidi-font-style: normal;">my</i> taste (my thirst) will be satisfied.</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-53213653704930522672016-11-10T06:40:00.002-08:002016-11-10T06:40:45.154-08:00The Cultural Impact of Worship<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]-->So, this was serendipitous.
<br />
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<br /></div>
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The day after the election I was tidying up a stack of
papers – a random collection of things I’d kept over the years to use for choir
devotions, my old music ministry newsletter, zingers, or whatever. (I had commandeered a binder in a recent emergency, and there was this stack o’stuff on
my office floor :~)</div>
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<br /></div>
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Sorting through this material was a walk through my first
few years as Music Pastor at College Church in Wheaton. And here was something
that my colleague, Dave Helm, had passed on to me. It is from the November 1997 <i style="mso-bidi-font-style: normal;">Tabletalk</i>, by Douglas Wilson: “The
Cultural Impact of Worship.” There is a lot of incendiary material in the
article . . . it is, after all, by Douglas Wilson! But this is the part that
Dave had highlighted and brought to my attention:</div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;">Christians do not
know how to lift a glass of beer to the glory of God for the simple reason that
they do not know how to sing the </i>Gloria Patri. <i style="mso-bidi-font-style: normal;">We do not know how to compose concertos that honor God because if the
sermon goes longer than fifteen minutes we get a case of the creeping fantods.
We do not know what a statesman is because we do not know what a call to
worship is. </i>(p. 59)</div>
<div class="MsoNoSpacing">
<br /></div>
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Interesting that this quotation would leap out at me the
day after this particular national election. Could the election of Donald Trump
as President be a natural consequence of evangelicals’ “willing adoption of a
breezy formality in worship that has led to a host of problems outside the
church”? (p. 58)</div>
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Well, it’s one way to account for why many who <i style="mso-bidi-font-style: normal;">call themselves </i>evangelicals voted for a
person so antithetical to what evangelicalism supposedly stands for. I continue
to believe that how we worship makes a difference in the world. And it might not
be the difference we think it is or wish it to be.</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com1tag:blogger.com,1999:blog-8658278381862633277.post-51274906762168234142016-10-02T14:42:00.000-07:002016-10-02T14:42:22.582-07:00Hurry up, People of the Risen King!<div dir="ltr" style="text-align: left;" trbidi="on">
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I might have left this alone, except within a couple of
weeks we had the same experience in two separate churches. Both are churches
with fine music programs, whose services we appreciate, and whose ministries we
admire. But both sang the same song <i style="mso-bidi-font-style: normal;">wrongly.
</i></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
You ask, how can I say that a song is sung wrongly?</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Years ago I heard a fascinating interview with Quincy
Jones, the great musician and music producer. He holds the most Grammy
nominations, and nearly 30 Grammy awards. He’s been at it a long time, for
decades racking up awards for producing in many styles of music. Asked for the
key to his success, Mr. Jones replied with one word: “Tempo.” Get the tempo of
a song right, he said, and you get the song right.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Twice within three weeks at the end of summer I was
expected to sing “Come, People of the Risen King” at a tempo that is,
technically, humanly possible—but hardly optimal. Granted, since I didn’t clock
either service with a metronome, I only have my subjective memory to go on. But
in both places the speed of the song was fast enough to just barely get the
words out. Certainly too fast to sing with real understanding or meaning. (And
this is a song I know well.)</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
After the second of these experiences I wondered what
might have driven that fast tempo. Is this how the song is being recorded? Are
service planners so worried about length of service? Are we worried that people
will grow bored, or have grown bored with the song? Nerves?</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
I rather like the song, and am responsible for introducing
it in one of the churches where we sang it this summer. So I came home and did
a bit of YouTubing. Predictably the leading videos are of the <a href="https://www.youtube.com/watch?v=2Hv87IlwvYc">Gettys</a> themselves performing
the song co-written with Stuart Townend. Very near the top of the list is also <a href="https://www.youtube.com/watch?v=cXOLEX-KXJk">Mr. Townend</a> performing
the song. Ah, <i style="mso-bidi-font-style: normal;">there’s </i>the definitive
tempo, right? </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Very singable, with both breadth and welcome. Ironically,
the only really fast version I found in my quick search was by a robed choir
singing a choral arrangement of the piece. It would seem there is not an
unavoidable online move to re-cast the song.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
But can I say the song was wrongly sung in both churches?
I believe so. First, because it was difficult to sing the (excellent) text
clearly. (And again, this is a text I know; I wasn’t trying to parse the text
as I sang.) Second, the song at a too-fast tempo has more of an <i style="mso-bidi-font-style: normal;">urgency</i> than a sense of <i style="mso-bidi-font-style: normal;">invitation </i>to it. And only third, but
importantly, the song creators themselves might be considered to be the best
judge of the appropriate tempo for their own song. (I know this is not always
the case, but in any case, surely we may privilege a song’s creator with
knowing how it goes best?)</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
As we invite congregations to sing any text, let’s
exercise our inner Quincy Jones, and recognize that <i style="mso-bidi-font-style: normal;">tempo </i>is one of the means we have to let our singing be “filled
with the Spirit” and “let the Word of Christ dwell richly” in those who sing.</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-87716483738463878752016-08-01T13:05:00.002-07:002016-08-01T13:05:35.435-07:00Case in Point<div dir="ltr" style="text-align: left;" trbidi="on">
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“How does this church’s worship shape her people’s
ethical wisdom?”
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<br /></div>
<div class="MsoNoSpacing">
I hd not yet <a href="http://tedecethymnus.blogspot.com/2016/07/singing-in-right-act.html" target="_blank">read Samuel Wells, <i style="mso-bidi-font-style: normal;">Improvisation</i></a>, when on July 10 I posted a Facebook question
following a series of national outrages. In the preceding days police officers
in Baton Rouge, LA, had shot and killed a black man on the street. Three days
later, on July 8, five police officers were shot by a sniper during a legal Dallas,
TX, protest. (As we now know, the month would only get worse, and those of us
of a certain age began to feel like it was 1968 again.) Preparing to head out
to church, I stopped long enough to ask others:</div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;">To my church-going
FB friends: If you're willing, would you answer the following questions? ( if
you wish to remain anonymous feel free to answer privately through FB
Messenger)</i></div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">* Especially this
Sunday - did your church read or sing a Psalm?<br />
* This Sunday - were the shooting events of this week mentioned? In what
context?<br />
* Were the shooting events of this week prayed for publicly? Was that typical
of your church's practice, or unusual?<br />
* Were people, peoples, communities related to this week's shooting events
prayed for by name?</i></div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">Just curious, as I
myself head out to church this morning.</i></div>
<div class="MsoNoSpacing">
<br /></div>
<br />
<br />
<div class="MsoNoSpacing">
The responses were interesting, even if predictable. To
summarize: </div>
<div class="MsoNoSpacing" style="margin-left: .5in; mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Churches in which the Psalms are regularly read
or sung incorporated a psalm(s) in the service that morning. In some cases, the
Psalm of the Day fit very aptly into the need of the day. In others, a Psalm
was selected for the occasion.</div>
<div class="MsoNoSpacing" style="margin-left: .5in; mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Some churches that do not regularly read, sing,
or pray from the Psalms, thought it important to incorporate an appropriate
psalm that morning.</div>
<div class="MsoNoSpacing" style="margin-left: .5in; mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Others, in which the Psalms do not play a
regular part of worship, did not go to the Psalms on July 10.</div>
<div class="MsoNoSpacing" style="margin-left: .5in; mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>There did not seem to be a direct correlation
between the presence of a Psalm in the service, and the more personal use of victims’
names in congregational prayer.</div>
<div class="MsoNoSpacing" style="margin-left: .5in; mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>In some services, only the names of the police
officers were spoken, in fewer the names of the other victims of the week.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
If you go <a href="https://www.facebook.com/charles.king3?fref=nf">Here</a> you may be able
to scroll down to my July 10, 2016 post to read the responses. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
I was just interested in what experiences my friends were
having that morning in church. Since then, having read <i style="mso-bidi-font-style: normal;">Improvisation</i>, and thinking about how worship shapes the church’s
ethics, I simply wish to cite this as a case in point. I am not going to take
time to critique or praise any particular church or response. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Apropos Samuel Wells’ argument (I hope I making the
correct application of this point in his book), every church had a chance on
July 10 to help her people shape a Christian response to this summer’s
simmering tensions. Our choices of whom to pray for, whose names to mention in
prayer, and how to pray for our nation, speaks to all who listen and are
learning to pray. More than learning to pray, we are learning how to respond.
Our hearts are being shaped. </div>
<br />
<br />
<div class="MsoNoSpacing">
I was relieved to hear the associate pastor at my church
pray beautifully, meaningfully, and personally along these lines. He prayed for
the victims’ families, and spoke the name Alton Sterling (Baton Rouge) as well
as all five Dallas policemen. He prayed for justice. <i style="mso-bidi-font-style: normal;">If I have one critique of this prayer, it is that the pastor prayed for
</i>the church’s <i style="mso-bidi-font-style: normal;">role in national healing</i>,
<i style="mso-bidi-font-style: normal;">but not for </i>this church’s <i style="mso-bidi-font-style: normal;">role in national or local matters. </i></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Since this church does not regularly sing, read, or pray
the Psalms, I wasn’t sure what to expect. My hypothesis is that a regular
recitation of the Psalms—which appears to have been normal in the New
Testament, and has been practiced in Christian worship in every generation
since—will naturally tune our hearts to pray for, and thus identify with the
poor, the marginalized, the lonely and outcast; to pray and thus stand against
unjust power and powers; and to see God’s hand and understand God’s heart in
the affairs of nations. Hearing the voice of God in the Psalms keeps these
matters from seeming political in church. Singing and Praying and Reciting the
Psalms together ought to provide bridges for civil discourse about political
differences. The Psalms ought to remind us that our hope and hopes are not in
the kingdoms of this world, but in the Kingdom of God. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
In short, the Psalms ought to not only teach us to pray
and praise God, but to live God’s life in the world.</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-49498605716038555282016-07-29T13:21:00.000-07:002016-07-29T13:21:04.506-07:00Singing in the Right Act<div dir="ltr" style="text-align: left;" trbidi="on">
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My summer professional reading has been a mixed bag of
personal curiosity, prep for another year of teaching, and maintaining my
connection to the issues of music in the church. (And yes, there is always a
lot of overlap in that Venn diagram!)</div>
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width="200" /></span></div>
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<br /></div>
<div class="MsoNoSpacing">
For several years I’ve wanted to read Samuel Wells, <i style="mso-bidi-font-style: normal;"><a href="https://www.amazon.com/Improvisation-Christian-Ethics-Samuel-Wells-ebook/dp/B005OYUZ1G/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1469823268&sr=1-1&keywords=Wells+Improvisation#nav-subnav">Improvisation</a>:
The Drama of Christian Ethics </i>(Grand Rapids: Brazos Press, 2004). For odd
personal reasons, I feel a little awkward about reading it now. Still, I’m glad
I did because—perhaps surprisingly—there is actually quite a bit of
intersection in that Venn diagram. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
For one thing, Wells’ thesis is that Christian ethics
arise from the disciplines and practices of Christian living. So that, as he
says, we act in any moment in character shaped by those disciplines and
practices; and we may not realize we have been in a “crisis” until we are already
through it, because our actions were “normal.” And in this regard Wells
highlights the role of gathered worship as a primary shaper of Christian
ethics.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Now, I have believed and taught for years that worship is
the primary vehicle for Christian maturity. So this argument seems quite
natural to me. And it helps me get some perspective on current political
matters. Specifically the question: How can so-called “evangelicals” appear to
support a candidate for the office of U. S. President whose words, actions, and
personal history are so contrary to evangelical convictions? One reason—in my
view, perhaps the greatest reason—is that evangelical worship is so pallid, and
so disconnected from life in the world. Many are simply not making the connection
between their pietistic convictions and political matters. They are happy to be
happy in Jesus, and please just let them pursue worldly power like the world
does.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Don’t think our worship shapes the way we are in the world?
Well, then maybe our worship isn’t what you think it is.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
The other “aha!” thought that drives through the book is
the analogy of where the Church is in the great drama of redemption. Following <a href="https://books.google.com/books?id=JFNLAgAAQBAJ&printsec=frontcover&dq=von+Balthasar+drama&hl=en&sa=X&ved=0ahUKEwizp9ujvZnOAhXOZiYKHVw5AgoQ6AEIHjAA#v=onepage&q=von%20Balthasar%20drama&f=false">von
Balthasar</a>, <a href="https://www.amazon.com/dp/B00OKHZ810/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1#reader_B00OKHZ810">Vanhoozer</a>,
and <a href="https://deadheroesdontsave.com/2012/06/13/wright/">Wright</a>,
Wells describes a five-act drama: I - Creation, II - Israel, III - Jesus, IV - Church,
and V - Eschaton (last things). Acts I–III are written; we have the
script(ures), full of stories, songs, examples, plot and character development,
and, yes, some talky sections of exposition, didactics, and polemics. (Here I
am a bit off-book from Wells; you get the idea.) Act V is written and we are
waiting for the curtain to come up on it. Meanwhile we are in Act IV. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
But Act IV isn’t written. It is improvised. If we are to
improvise well, we will work from what has already been played out (Acts I–III),
rehearse, explore, and play in a community that is rooted in the words and
actions of the previous acts. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
We err when we forget what Act we are in. We err when we
mistake the earlier Acts as the <i style="mso-bidi-font-style: normal;">verbatim </i>playbook
for our Act(ions). We do not want to act <i style="mso-bidi-font-style: normal;">out
of character</i>, and we also do not want to act as if Act V is dependent upon
us. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
I’m not doing justice to the argument of <i style="mso-bidi-font-style: normal;">Improvisation</i>, but bear with me. Read
the book if the analogy interests you, or if you are just generally interested
in ethics, or in dramatic improvisation! </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
But I was struck by the notion of acting (singing,
speaking, behaving, worshiping) without being mindful that we are in Act IV.
Isn’t some of our worship “premature” in the sense that it suggests that all
the promises of our future (Act V) are already fulfilled now? In the sense that
we may get stuck on the denouement of Act III and fail to act out the
implications of the Gospel in our Act? In the sense that being creationists
(for those who still are) we nevertheless fail to integrate the themes of Act I
into our worship, our life together, our ethical responses in our own day? In
the sense that we still long for the blessings of Act II promises that were
already fulfilled in Act III? </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
In this way, this book on Ethics has provided me another
way to think about my own worship, my own need for worship and a worshiping
community, and the responsibilities of planning and leading worship for the
good of the church, for<span style="mso-spacerun: yes;"> </span>the good of the world,
and as good “art” as well.</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-32666430473446705412016-06-23T13:14:00.002-07:002016-06-23T13:14:39.511-07:00Music or Sound?<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]-->There’s an interesting court case in progress. Is the
iconic motif of<span style="mso-spacerun: yes;"> </span>“Stairway to Heaven” by Robert
Plant and Jimmy Page (Led Zeppelin) a copy of another song? Apparently “Taurus”
was sung by the group Spirit in a number of concerts opening for Led Zeppelin. <a href="https://www.theguardian.com/music/2016/apr/12/stairway-to-heavens-opening-chords-may-have-been-stolen-judge-says">This
article</a> from The Guardian is a good enough explanation of the issue, with some
audio for perspective.
<br />
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
The case is likely to be settled soon, and in a sense
while I understand the issues (well enough) it doesn’t really matter to me how
it turns out.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
But today I read this <a href="http://www.salon.com/2016/06/22/free_led_zeppelin_this_is_about_music_its_not_about_sound/">Slate
interview</a> with a USC Law prof who writes about musical plagiarism issues.
It’s interesting throughout. He wants to make a distinction between “music” and
“sound.” At issue in the “Stairway to Heaven” case is a chord progression that
has been in use for centuries. (For more on that sort of thing, read Alex Ross,
“<a href="http://www.therestisnoise.com/chacona/">Chacona, Lamento</a>” – oh
heck, just read as much Alex Ross as you can.) If I may be simplistic: the issue
is whether one can copyright a chord progression.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
So, that’s the background. What leapt out at me this
morning was this:</div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">These cases </i>[musical
plagiarism]<i style="mso-bidi-font-style: normal;"> are about musical works. And
popular music today tend </i>[sic]<i style="mso-bidi-font-style: normal;"> to
have very little original musical expression. It’s typically by musicians who
really don’t understand music – they may understand sound, or in a crude way
how you put something together. But they don’t understand intellectually how
it’s constructed, the relationship between the pitches you’re working with. If
you don’t understand that, you can’t be very original. So popular musicians
build songs using sonic blocks.</i></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Bold statement? Unfair criticism? Worth considering more
deeply? Cranky?</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">If </i></b>the observation is fair, it goes
a long way to helping me identify why so much music fails to connect with me.
And the issue is exacerbated in music in the church, which is already
(generally) derivative; are we rehashing poorly conceived sound blocks
rather than being inspired by thoughtful musical ideas? </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">If </i></b>the observation is fair, it goes
a long way to helping me understand why so many churches are content to hire “worship
leaders” (i.e song-leaders) with minimal musical knowledge. Help me understand
the college student who aspires to be a worship leader but doesn’t want to actually study music.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Do <i><b>I</b></i> think the observation is fair? I’ll have to think
about it more; I’ll have to consider how far I can say I “understand
intellectually how [music is]constructed, the relationship between the pitches,”
etc. I will say this: I love me some good melody, supported by interesting harmony, and that’s a combination I miss in
much new music.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Now if you’ll excuse me, I have to master some chords on
my ukulele. I’ve got a party to go to tonight, and maybe a cute chick will want
to hear “Stairway to Heaven.”</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-46299802717236193662016-01-18T07:57:00.002-08:002016-01-18T07:57:53.547-08:00Interns<div dir="ltr" style="text-align: left;" trbidi="on">
Yesterday one of my College Church interns -- an active blogger, widely read, much discussed, often misunderstood, sometimes vilifiled -- re-posted something I wrote here in 2013. That re-posting will probably be read more than my whole blog history!<br />
<br />
Which is one of my great joys. Jonathan Aigner, at<a href="http://www.patheos.com/blogs/ponderanew/" target="_blank"> Ponder Anew</a>, is just one of a long list of interns that have gone on to have significant -- and growing -- impact in their spheres. They are making an impact on this profession in ways that I could never dream of having myself. If they are kind enough to consider their internship significant in any way, let it be known that they each brought their gifts <i>into </i>the experience. My job was simply to not interfere with those gifts!<br />
<br />
A quick review of those delights:<br />
<br />
Andy Bruhn was in the last class of the Luther Seminary/St. Olaf MSM program, and is now head of <a href="http://rcsfinearts.wix.com/rcsfinearts#!choral/c1qb1" target="_blank">choral</a> music at Rockford (IL) Christian. He is a composer and arranger as well, with several choral publications to his credit.<br />
<br />
Levi Henkel was a parish organist for a couple of years after graduating from Wheaton Conservatory. He is now in the MDiv program at Southern Seminary.<br />
<br />
Levi and Andy were my last two interns, in my last year at College Church. My time with them was deeply satisfying, and as I look back on it, I realize they were God's special gift to me during a time which I did not then completely understand.<br />
<br />
Jordan Newhouse began as an intern following his graduation (piano performance) from the Wheaton Conservatory, as he began his graduate work in Christian Formation. A semester into the internship, I took a sabbatical, and Jordan came on staff to cover the evening services. When I returned, we continued as colleagues. What a gift to me! Jordan took a position of growing responsibility at another church in the area.<br />
<br />
Michael Devine is also a graduate of the Luther/St Olaf MSM program. He is music director at Lookout Mountain Presbyterian Church, and <a href="http://choralartsofchattanooga.weebly.com/artistic-director.html" target="_blank">artistic director</a> of Choral Arts of Chattanooga. Michael is probably the most-networked church musician I know.<br />
<br />
David Doty came back to College Church, where he had been an undergrad, after finishing a grad degree in composition. He helped me in a variety of ways in evening services while exploring a vocation in the church. He brought with him a knack for the Celtic. He also brought along, eventually, the young woman who became his wife, Gloria. They are now in pastoral ministry in Rochester, NY.<br />
<br />
Timothy Smile collaborated with me for Sunday evening services. An extraordinary pianist, a gentleman, and just nice to be around . . . He went on to finish a masters degree in Piano and is now -- what else? -- a medical student!<br />
<br />
Technically, Justin Rojek was not an intern. He was a student employee helping me with concert series mamagement. But this gave us a lot of time together. A fine organist, Justin went to Emory for a grad degree in organ, took a church position in Montgomery, AL, and is now serving the country in the U. S. Army. <i>Small world: </i>Justin's ministry circle intersected with Michael Devine's; and members of his church are relatives of Andy Bruhn.<br />
<br />
Jonathan Aigner is working on yet another graduate degree, has taught grade school music, and is now a thriving church musician. He came to Wheaton Grad School after his degree in vocal music at Baylor.<br />
<br />
Jeremy Selvey is my first intern to become a doctor of the choral arts. His work in choral music and higher eduction is getting recognized in several states, primarily but not exclusively with his <a href="https://www.facebook.com/chorosynthesis/info/?tab=page_info" target="_blank">Chorosynthesis Singers</a>. Other interns through Moody include Darren Weibe, now a MDiv graduate of The Masters Seminary; Kirk Eichelberger, enjoying an opera career; Melissa Doussard, and Lana Norris - Lana, who was left holding the bag when I left the church just as she was beginning her internship.<br />
<br />
Earlier Wheaton College interns were Ben Niemczyk, who is doing <a href="http://benjaminniemczyk.com/wso/index.html" target="_blank">good work</a> in and around New York City; Bryan Park, one of the best sight-readers I know, and an ace with hymn tune names, and singing some of the best sacred music being sung in Philadelphia; Holly (Whitehead) Watson, who was the first Sunday evening pianist intern - much needed, much appreciated, she set the bar for the instrument in that service; and Jonathan Blumhofer, now Dr. Blumhofer, composer and <a href="http://artsfuse.org/139532/fuse-commentary-2015-16-orchestral-winterspring-season-preview/" target="_blank">music critic</a>.<br />
<br />
I am probably missing someone. And I've done none of these interns justice with my short sentences and incomplete bios. But there they are, whose time spent with me did me more good than it did them. And whose work I love to follow.<br />
<br />
<br /></div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-92086068889808480042015-08-03T14:51:00.000-07:002015-08-03T14:51:25.208-07:00. . . and the Ladies<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]-->My previous post is woefully incomplete on many counts.
But especially as it gives the impression that only men were important partners
in my music ministry. Wrong.
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Karen figures into everything I write—often explicitly,
but nearly always implicitly. I survived three decades in this work because of
her. She kept me going when I was discouraged, she saw things in my that I
could not see in myself, and she brought her outstanding gift of hospitality to
the church and our home.</div>
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Karen did not want me to go into ministry. She came into
this life thirty years ago, kicking and screaming. (Not literally, but that is
only because she is so classy.) She was raised in a Baptist church, her father
was an elder, and she saw some terrible things happen to pastors and leaders.
She did not want to see that again, and didn’t want it to be part of our family life.
Not to mention that change is hard, and with this change—10 years into our
marriage—I would be embarking on an exciting new venture, but she would be
leaving behind all her friends, her church, and the home we loved. More to
come.</div>
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There were a number of women at Berean Baptist Church,
Burnsville, MN, who were the strength of the music ministry before I came, and
continued faithfully after I left. The Graded Choir program was run by a creative
and competent trio of directors: Kay Mundt, Sherry Kix, and Kathy Severson. They
kindly called me out when necessary, and gave me one of the best lessons of my
life: I quickly learned that giving a crew like this the freedom and responsibility,
their program was going to be much stronger than if I kept my hand in it. What
a joy to see them love children, prepare good music, and put on great children’s
musicals.</div>
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Elsewhere I have written about<a href="http://chuckking.blogspot.com/2015/07/centuries.html" target="_blank"> my friend Steve</a> (“the
first friend I almost killed on a bicycle”). Steve and Jackie Thompson were
deeply involved in the church’s music program before I came, and stayed
involved until they got involved in a church plant. Jackie was—and I’m sure
still is!—a fantastic pianist. She had style, panache, skill, and a joy that
made working with her a blast. We worked together a lot on Sunday evenings, and
for a time had a bit of a combo going, which I like to call “the JT 5.” Good
times, with a classy lady who loved to take risks.</div>
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Being the kind of Baptist church it was, Berean had an
organ/piano duo that played in all the morning services. Adele (piano) and
Carol (organ) were faithful, devoted, joyful, and fun. They welcomed me into
their well-established routine, then let me change it on them. They refused to
be paid, not because that would place some kind of restraint on them, but
because they were charter members of the church, loved what they did, and lived
to serve. Oh, I put them through a lot. We laughed a lot.</div>
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College Church also had a strong children’s choir
program, with a young mixed choir, a girls’ choir and a boys’ choir. While the
boys’ directors changed occasionally (one director called this choir the Dead
End Kids, but he meant it lovingly, and he did a good job with them), Jennifer
and Debbie had been in their roles for a while, and are still. That long-term
faithfulness sustains one of the best church children’s choir programs around.
Jennifer’s gift of administration is second only to her mastery of the
developing child’s voice. Debbie has the knack of drawing out beautiful music
from girls grades 3–6, with discipline heavily dosed with love. The program
under their long watchful care excels in teaching children the role and place
of music in public worship. Brava!</div>
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Diane Jordan, Children’s Ministry Director at College
Church, is a musician, a horn player, and fiercely committed to the place of
music in children’s programs. Pre-schoolers sing hymns (as well as other
children’s songs). Diane was very visible as a founding and sustaining member
of the church’s excellent brass ensemble. Diane was not only on the same page
as me musically; she often led the charge in staff meetings, private
conversations, and in public. </div>
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Elaine Meyer was my administrative assistant through my
last few years at College Church. An excellent organist, and good with people,
she made my work that much easier as other aspects of my ministry got more
complicated. Elaine was preceded by Claudia Gerwin, whose diligence and passion
inspired and informed me. </div>
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Obviously, in both churches, women were the backbone of
much of the music-making. I would be remiss not to mention choir members,
worship team musicians, accompanists and service players. But if I start
listing names, I won’t be able to stop. So I’ll just say, I’m thankful not to
have done music ministry in a monastery! <span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Thirty years ago I handled this change of life badly. I
knew what I was supposed to do, but I did not handle well Karen’s reservations;
did not really comprehend the nature and extent of<span style="mso-spacerun: yes;"> </span>disruption this was going to mean. But in
time Karen not only saw that it was right for me; she saw that it was right for
us. (Oh, and I should mention that our Baptist church was nothing like what she experienced growing up!) And when—more often than I will admit—I was prepared to toss in the towel,
it was Karen who saw the big picture, and my place in it. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
And she continues to be that partner in our current stage
of life as well.</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-14989415822398322612015-07-29T12:00:00.001-07:002015-07-29T12:00:35.830-07:00Names<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]-->Three decades of music ministry. Hmm . . . which sounds older?
Thirty years, or three decades?
<br />
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<br /></div>
<div class="MsoNoSpacing">
<i><b>Today I name names</b></i>:</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Henri Manasse</b>,
friend, boss, music chair. Karen and I called Henri my godfather. We sat next
to each other in the choir at the Village Church. He hired me part-time while I
was a student, to do some record-keeping work at the U of I College of Pharmacy,
where he was Associate Dean. Later he hired me to manage his office staff. As
chair of the music committee at the church, he also arranged for me to be the
assistant to the minister of music.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Don Doig, </b>minister
of music, Village Church of Western Springs. Don was Chicago’s sweetest-voiced
tenors, a professor at Chicago State University, and our choir director. He
traveled to sing, and as his assistant I had the privilege of directing his
fine choir. As assistant in the church, I also directed the children’s choir,
worked with a high school ensemble, and directed hand bells. I did this for
three years, then when I went back to grad school part-time, I continued as a
volunteer substituting with the choir. Thanks to Don, I had some experience to
offer as I was called into full time church music work. <i style="mso-bidi-font-style: normal;">Shortly after we moved back to Illinois 11 years later, Don was
diagnosed with cancer, and he died way too young. I still regret that I didn’t
have the chance to use him as the tenor soloist in oratorios at College Church.</i></div>
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<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">John F. Wilson</b>,
friend, collaborator, mentor. I’ve mentioned John several times in recent
posts. He set me on the worship pastor track, and encouraged me all along the
way.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Jerry Sheveland</b>,
pastor, Berean Baptist Church, who took a risk on an inexperienced candidate in
1985, when there were plenty of older, experienced options. I served with Jerry
for four years, and when he left I felt that I had worked through a
probationary period. It was good for me to begin this life with a man who
really did not understand music, but well understood his congregation! <i style="mso-bidi-font-style: normal;">Jerry took a church in southern California,
and from there became the “pope” of the Baptist General Conference.</i></div>
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<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Steve Thompson</b>,
friend. Steve could have done my job at Berean, very well indeed. That he did
not want to was something of a mystery to me in 1985. Later, I understood his
wisdom. Steve was a friend, colleague, co-conspirator, and confidant. <i style="mso-bidi-font-style: normal;">Steve was also a <a href="http://chuckking.blogspot.com/2015/07/centuries.html">cycling buddy</a>,
and now is among the cloud of witnesses.</i></div>
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<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Gary Allen</b>,
elder, Berean Baptist. When Jerry moved to California, Gary was head elder.
Under his leadership, I was given the responsibility of where the buck stops in
worship. I did not exactly have free rein (or free reign, ha!) but I did
blossom in ways that surprised me and others. During this long interim—16 months—I
made a lot of mistakes, and had some amazing successes. Gary was a good leader.</div>
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<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Roger Thompson</b>,
pastor, Berean. Roger’s arrival was a timely breath of fresh air. I was beginning
to tire of holding the bag alone. We understood each other. He once said, “If I
tell Chuck, I think this should be <i style="mso-bidi-font-style: normal;">orange</i>,
he knows what I mean.” Well, we never did talk to each other that way, but you
know what he meant, and I (usually) did get it! Also, Roger could read music,
but did not consider himself a musician. We only had five years together, but
they were good ones. <i>I learned a lot, and enjoy the rare times we can be
together.</i></div>
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<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Kent Hughes</b>,
pastor, College Church in Wheaton. More than a year before I landed at College
Church, Kent had preached a sermon, “Vision 2000.” I picked up a copy of this
sermon in August, 1995, read it in October 1995, and was impressed with his
articulate vision and the church’s commitment to historic worship. Imagine my
delighted surprise when I ended up a candidate, then a staff member on Kent’s
team. With Kent, I had a pastor with a strong aesthetic sense to go with his
keen theology with a vibrant ecclesiology. We shared a decade of ministry on
which I look back with gratitude and amazement. It was not always easy, and no
we did not always agree. But I trusted Kent, I admired the staff he assembled,
and I thrived musically, pastorally, and theologically. </div>
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<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Greg Wheatley</b>,
friend, collaborator, coffee conspirator. Like Steve, Greg is a guy who, when I
arrived, I wondered why he wasn’t doing this job. Lucky for me, he wasn’t the
least bit interested, but <i style="mso-bidi-font-style: normal;">was </i>always
available to fill in for me, talk about the work, and inspire me. <i>Happily, I
have lived long enough for Greg to </i><span style="mso-bidi-font-style: normal;">finally
</span><i>take on this work and is currently serving a congregation as their music
director. </i></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Interns</b>. These
young people get their own post.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<b style="mso-bidi-font-weight: normal;">Josh Moody</b>, senior
pastor, College Church. The two-year interim between senior pastors at College
Church was <i style="mso-bidi-font-style: normal;">not </i>the season of thriving
that I had experienced at Berean. That’s a whole different story, probably best
left untold. The short version is that, whereas earlier the interim prepared me
for the long haul, the later interim convinced me that this part of my life was
probably wrapping up. Josh’s ministry, and our work together, did nothing to
disabuse me of that conviction. We had a good relationship, but did not have
the “connection” that I had with Roger and with Kent. Perhaps I was more tired
than I knew; probably I misunderstood and misread the culture of the staff and <span style="mso-spacerun: yes;"> </span>the elder team. Ultimately, it really seemed
the right thing for me to <a href="http://tedecethymnus.blogspot.com/2012/10/where-i-belong.html">step away</a>
while everything was “OK.” Through the process, Josh was understanding,
encouraging, and affirming. Many people in ministry don’t get such a gracious
exit.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
So many more people I could call out. I hope I will over
time. And of course, there are still people of great influence in my life—some continuing,
others are new in the past three years. Each, like these I’ve named today, are
God’s gifts to many, and thankfully I can say, also to me.</div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-18996880883863368072015-07-15T11:25:00.000-07:002015-07-15T11:25:18.550-07:00All the things I'm not<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]-->“I have served two large churches, because I’m not
talented enough to serve a small church.”
<br />
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Another, rather more detailed and disparaging
description: I’m a church musician who does not play the organ; a worship leader
who does not play the piano or guitar; a pastor without a seminary degree; a
choir director whose performance degree is in trombone; a conductor mostly
trained on the job. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
When I am in the mood to put a positive spin on it, I
admit that my strength in music ministry has been as a steward of others’ musical
gifts. I do not deny that I have a certain musical sense and vision. I have a
gift for programming—whether the selection of hymns for a Sunday morning or the
creation of a seasonal service or special concert—I know how to put things together.
I did <i style="mso-bidi-font-style: normal;">not </i>know that 30 years ago; it
took others to recognize and name that as a spiritual gift. Some think I am a
gifted administrator; I think I just have a strong self-defense instinct. </div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Early on, it was a challenge to appreciate the clearly
superior gifts of the musicians in my care. I felt threatened by the amazing
pianist, the creative organist, the guitarist who could instantly harmonize any
melody they heard. I had to get over myself . . . my insecurities and real or
perceived shortcomings . . . to get to the point of celebrating the amazing gifts
that others offered so faithfully and generously. Only then did I have the
freedom to be a steward, and to joyfully put others before myself.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Paradoxically, only as a contented steward could I fully
enter into those activities and undertakings that gave me greatest pleasure and
most fully used my gifts. </div>
<div class="MsoNoSpacing">
* I finally gained the courage to undertake the
preparation and conducting of oratorios. With fond memories of <i style="mso-bidi-font-style: normal;">Messiah</i>, <i style="mso-bidi-font-style: normal;">Creation</i>, and <i style="mso-bidi-font-style: normal;">Saint Paul</i>,
I can—if I have to!—go to my choral grave content.</div>
<div class="MsoNoSpacing">
* A long string of internships blossomed into what was the
highlight of my last few years in full-time ministry. It is a thrill for me to
see former interns thriving in the musical world as they encounter it. </div>
<div class="MsoNoSpacing">
* I still get great pleasure from helping others with
questions of hymnody and related liturgical questions.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
It is good to know my limitations. It is better not to
feel stuck with them.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">Thirty years ago
this month, I became a pastoral musician. I’m still trying to sort out all that
means, and I’m still eager to fulfill that vocation, in whatever form it takes.</i></div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-75292954402629267122015-07-14T15:22:00.001-07:002015-07-14T15:22:53.086-07:00Introductions<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]-->I have the distinction of being the first full-time pastor
for worship and music at two large churches. Both were overdue for this
position—Berean because of its quick growth in less than 25 years; College
Church because of its long history of outstanding music ministry.
<br />
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<br /></div>
<div class="MsoNoSpacing">
A friend of mine in another region of the country was courted
for the College Church position. It seemed a perfect match on all sides. But
when it came down to standing as the candidate, George felt it was not right to
do so. He demurred, and he passed along my name.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
The search committee already had a lead on a guy in the
Chicago area. Who just happened to be in a study cohort with me. Both he and
the search committee felt that this was not going to be a good match. As Dave
left the process, he suggested that they get in touch with me.</div>
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<br /></div>
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Now the search committee was curious. How was it that two
<span style="mso-spacerun: yes;"> </span>people, who did not know each other, and
lived in different regions of the country, with no prior contact with College
Church, would recommend the same unknown person from yet a third region?</div>
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<br /></div>
<div class="MsoNoSpacing">
Every position I have held since college, has come to me
through—because of—someone I know recommending me. My first full-time job, my
post-grad school “day job,” was offered to me by the guy who sang next to me in
the church choir. Henri was also the music committee chair, and arranged for me
to work part-time as the assistant to our minister of music. A friend in an influential publishing company recommended me to Berean.
Two friends who would have been quite happy (and successful) at College Church,
recommended me instead. This trajectory continues right to the present, with my
academic work. But that ‘s a story for another time.</div>
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<br /></div>
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“It’s not what you know, it’s who you know.” That
rankles, doesn’t it? There are many who could have done better than I, wherever
I have been. I haven’t deserved the positions I’ve had. When I pursued
something “on my own,” it was a near disaster. The lesson for me has been to be
faithful to what God has given me to do; do the work of networking and job
hunting when necessary; and then just be surprised at what God is going to do
anyway.</div>
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<br /></div>
<div class="MsoNoSpacing">
Your results may vary. But this is my story, and it is a
story of grace.</div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;">Thirty years ago
this month, I became a pastoral musician. I’m still trying to sort out all that
means, and I’m still eager to fulfill that vocation, in whatever form it takes.</i></div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0tag:blogger.com,1999:blog-8658278381862633277.post-7422059218267641252015-07-13T09:08:00.000-07:002015-07-13T09:08:38.551-07:00Road Hazard<div dir="ltr" style="text-align: left;" trbidi="on">
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<![endif]-->To this day, I suspect that Berean’s search committee had
resumes from two Charles Kings (it is, after all, a pretty common name) and
that they pulled the wrong one when making the call. Mistake or no, there I
was, and I hope Berean will agree God gave us eleven good years together!
<br />
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
During a time of restlessness, nine years into my tenure
in Burnsville, I scanned music ministry job postings. We ended up going to
interview with a church in North Carolina. It was a botched weekend, on the
church’s side: they had not been clear about the expectations, and it seemed
they were eager to move much faster than we were, or than we thought they were.
There were other issues that concerned Karen. We returned to Minnesota,
disagreeing pretty strongly about whether to take the next step, which seemed
to be tantamount to agreeing to go.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
We were approaching our 20<sup>th</sup> wedding
anniversary, and a decade in ministry, and had the most difficult, most
terrifying season of life together. Finally, even my thick head could see that
even if I didn’t see the danger Karen saw, she has a better danger radar than I
do; she is smarter than I am; and that this move might just undo us. Call it
feminine intuition. I call it the Holy Spirit. She was right. And when I gave
that church my final “no,” we stepped back and assessed the situation.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Karen, being Karen, thought she was wrong to be so
obstinate. I believed she had to be in order for me to pay attention to her
keener spiritual sense. She promised never again to say “no” to a job I was
interested in. I asked her to say “no” as often as she needed to to keep me
from being stupid.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
Two years later (during which time I was <i style="mso-bidi-font-style: normal;">not </i>looking for other positions!) I was candidating for the worship and music position at College Church in
Wheaton. True to her word, Karen never said “no.” I had finally learned enough
(if no more) to ask, include, and press her input at every step. When we were
asked to come to College Church, it was for both of us an exciting step to
take. Not easy, mind you . . . leaving people you love, and a home in which you
are happy, is never easy. But it was exciting.</div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<i style="mso-bidi-font-style: normal;">Thirty years ago
this month, I became a pastoral musician. I’m still trying to sort out all that
means, and I’m still eager to fulfill that vocation, in whatever form it takes.</i></div>
</div>
Chuck Kinghttp://www.blogger.com/profile/06869991737804126944noreply@blogger.com0