<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-21039095</atom:id><lastBuildDate>Fri, 15 May 2026 07:45:01 +0000</lastBuildDate><category>heritage conservation</category><category>temples revival</category><category>temple renovation</category><category>REACH FOUNDATION</category><category>restoration</category><category>heritage temples</category><category>Indian Heritage</category><category>Kailasanathar temple</category><category>Kanchipuram</category><category>Perumal temple renovation</category><category>Temples</category><category>Uttaramerur</category><category>Vishnu temple renovation</category><category>pallava temple</category><category>temple cleaning</category><category>uzhavarappani</category><category>Kalki. REACH FOUNDATION</category><category>Tekkalur</category><category>Varadaraja Perumal temple</category><category>conserveheritage.org</category><category>3 tiered temple</category><category>Chola temples</category><category>Dantivarma Pallava temple</category><category>Gangai Kondan Mandapam</category><category>Hanuman Mandapam</category><category>Kidangarai</category><category>Krishnadevaraya</category><category>Ocheri</category><category>Pandya Kingdom</category><category>Pudhur</category><category>Rama temple</category><category>Runahara Iswarar</category><category>Sankara Mutt</category><category>Semmenjeri</category><category>Tekklur</category><category>Thekkaloor</category><category>Tiruttani</category><category>Varadaraja PerumalTemple</category><category>Vijayanagar Period</category><category>Vijayanagara Mandapam</category><category>agneeswarar</category><category>brick temple</category><category>chinese students visit</category><category>cleaning pillaras</category><category>debts</category><category>granite stitching</category><category>mathur</category><category>miracles</category><category>natham village</category><category>neyveli</category><category>parameswarimangalam</category><category>pullamangai</category><category>renovation</category><category>sand blasting</category><category>water jet cleaning</category><title>TEMPLES REVIVAL</title><description>Voluntary organization by Indian youngsters to revive &amp; maintain our past glory- temples!!</description><link>http://templesrevival.blogspot.com/</link><managingEditor>noreply@blogger.com (R.E.A.C.H Foundation)</managingEditor><generator>Blogger</generator><openSearch:totalResults>88</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-4093991609275630990</guid><pubDate>Sat, 28 Jun 2014 06:14:00 +0000</pubDate><atom:updated>2014-06-27T23:14:00.079-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">brick temple</category><category domain="http://www.blogger.com/atom/ns#">debts</category><category domain="http://www.blogger.com/atom/ns#">Kidangarai</category><category domain="http://www.blogger.com/atom/ns#">pallava temple</category><category domain="http://www.blogger.com/atom/ns#">Runahara Iswarar</category><title>Kidangarai Pallava temple springs back to life again -The potter and the clay story!</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
Hope patrons remember the &lt;a href=&quot;http://templesrevival.blogspot.in/2011/05/kidangarai-ancient-pallava-temple.html&quot; target=&quot;_blank&quot;&gt;Kidangarai Runa Hara Iswarar temple&lt;/a&gt; - which was pulled our from no where beneath 2 huge Tamarind trees. The whole Pallava foundation got excavated some 3 years ago.&lt;br /&gt;
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Kidangarai - now we understand is literally Kadan Karai (absolve or dissolve your debts! - in Tamil) has become Kidangarai due to long usage of name by localsin a different slang. But the deiva prasnam revealed this Shiva as KAdan Karai Iswarar- Runa Hara Iswarar! The ponds beside and the Amman&#39;s name all were revealed. &lt;a href=&quot;http://reachactivities.blogspot.com/2010/10/chandra-turns-priest-in-kidangarai.html&quot; target=&quot;_blank&quot;&gt;Chandra turned as priest to start the Bhoomi puja for this temple&lt;/a&gt;, when nobody turned up! Amman sculpture yet to be found, but the Swayambu Shiva Linga was kept in a make shift temple below asbestos roofing all these years.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5DnL4VlF6fF9N1tKxTQ2RCZ2YHJa36ULmHWKYlvbmQKgJGdRkbT80pLqmF79zcwNbXv7psukQBhF7C09LJ07jQOqEx6Lux0o9c1xN1d2T7b3VnLDnGV3fe3obVyXdLKZ44o_0/s1600/IMG_9776.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;/a&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRt-e2NoVMoT2TGEEXNSffFXWTkZYch_jFUpq-ReMJSLmkreiemLiT-Dz4kuz7ymlyPbvW3T60bkJ87VefIX4XhDym_0UIXLK5KmP01uiQy0ZESDMPAVe_iF-lA3wuS7RKn86g/s1600/IMG_9779.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRt-e2NoVMoT2TGEEXNSffFXWTkZYch_jFUpq-ReMJSLmkreiemLiT-Dz4kuz7ymlyPbvW3T60bkJ87VefIX4XhDym_0UIXLK5KmP01uiQy0ZESDMPAVe_iF-lA3wuS7RKn86g/s1600/IMG_9779.JPG&quot; height=&quot;133&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5DnL4VlF6fF9N1tKxTQ2RCZ2YHJa36ULmHWKYlvbmQKgJGdRkbT80pLqmF79zcwNbXv7psukQBhF7C09LJ07jQOqEx6Lux0o9c1xN1d2T7b3VnLDnGV3fe3obVyXdLKZ44o_0/s1600/IMG_9776.JPG&quot; height=&quot;133&quot; width=&quot;200&quot; /&gt;&lt;/div&gt;
Thanks to the sudden funding this year we got from our Epigraphy student Gayatri Anandapadmanabhan, in remembrance of her father, and a dream she had, her seeing a Shiva temple amidst green lush grass and dilapidated. With our data base, we could zero in Two temples, the Poigainallur Iswarar temple in Bangalore Kanchipuram Highway and this one- Kidangarai Runahara Iswarar temple&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCXRcX5EZAZW0Q_X4oDqRLFV3j6HGEUhfqq5M7HK7Se3dMCjeqvqXHCf9XONpqXvt9hyphenhyphenYYe0HSM8FTCWdFt0lzDQqM6aaonjcpKWjhSbV6GSwk1ZNDAyzGQygKaq5Rl134KMFk/s1600/IMG_9781.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCXRcX5EZAZW0Q_X4oDqRLFV3j6HGEUhfqq5M7HK7Se3dMCjeqvqXHCf9XONpqXvt9hyphenhyphenYYe0HSM8FTCWdFt0lzDQqM6aaonjcpKWjhSbV6GSwk1ZNDAyzGQygKaq5Rl134KMFk/s1600/IMG_9781.JPG&quot; height=&quot;133&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;The PRO/Secretary of REACH, Shri J. Chandrasekaran strangely started a nano-clay based water filter unit in the nearby abandoned rice mill at Kidangarai, belonging to a farmer who is struggling to meet his financial ends, as water table is dwindling and labour force becoming rare. Chandra&#39;s first attempt in Tiruttani failed and he was then looking for some place to restart the nano-clay candle electricity free water filter making unit. (www.terafilwater.in).&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGrbT8V3Xri8q2tmkOEx6gA4brco5NH4EBCAK0xG2mrNm572AaDUweuZfM5vBGZbnCiiM2z_q_U_Dxmn90EoR76A_RG5nTrnRpKYH-d2KUnf45hmdV_9TOTntp6VP93d7rdztP/s1600/IMG_9830.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGrbT8V3Xri8q2tmkOEx6gA4brco5NH4EBCAK0xG2mrNm572AaDUweuZfM5vBGZbnCiiM2z_q_U_Dxmn90EoR76A_RG5nTrnRpKYH-d2KUnf45hmdV_9TOTntp6VP93d7rdztP/s1600/IMG_9830.JPG&quot; height=&quot;133&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;It seems that the Lord bestowed him this site, both the temple as well as the rice mill to make his destiny. Chandra took a vow that for each candle he makes, he would partake a fee for rebuilding the temple. After all toil and struggle the basement was completed almost a year agao and the candle unit was also stopped owing to labour problems. Chandra decided to give a deep dig, automating the whole plant to ward off labour problem and rejunuvate the temple activity. With Partial funding of what Gayathri Anantapadmanabhan gave and his own savings again in a year, the temple today has been built till the roof.&lt;br /&gt;
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There are now some hiccups, for purchase of stone lintels and vimana, some shortage in funds, but hopefully we wish we can bring back a brick lime mortar built Pallava temple back to glory before the rains come down this year in 2014!&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT9NpC12C3nR7mheKoHRaa2RoAkXAJCQyOELOleyZFr5LgsMhhwJTpYq_N_XZ2bLnrBFO-J_G0X4AMYOpdH44D0AMnVQ_kqUIkt4Pisz334B6XUyw3hY_vL_zqgTqNl1E_juh-/s1600/IMG_9829.JPG&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT9NpC12C3nR7mheKoHRaa2RoAkXAJCQyOELOleyZFr5LgsMhhwJTpYq_N_XZ2bLnrBFO-J_G0X4AMYOpdH44D0AMnVQ_kqUIkt4Pisz334B6XUyw3hY_vL_zqgTqNl1E_juh-/s1600/IMG_9829.JPG&quot; height=&quot;200&quot; width=&quot;133&quot; /&gt;&lt;/a&gt;....And Runa Hara Iswarar is again smiling, Chandra has got some labours the same day when he started the renovation work just a fortnight ago and candles have started being made in the rice mill premises. Slowly debts are getting warded off! Is it monetary or the debt of birth? (பணக்கடன் அல்லது பிறவிக்கடன் ?) Only he knows!&lt;br /&gt;
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Again the riddle why Chandra got into clay candle making was also solved now.&lt;br /&gt;
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The &lt;a href=&quot;http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/neglect-causes-ruin-of-murals/article463342.ece&quot; target=&quot;_blank&quot;&gt;Veppathur Veetrirunda Perumal temple near Kumbakonam&lt;/a&gt; is also seeing flurry of activity again, plans to restore the temple is now stronger, thanks to the liberal donation of our beloved REACH members, two great sisters, Rohini and Shribala, again two saviours who have planned to garner support from their family to see the temple back in glory.&lt;br /&gt;
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The biggest challenge was to make stronger bricks matching to the Pallava Era bricks, bigger in length and width, just an inch tall! Having learnt the nitty gritties of clay malleability and their properties for all these 6 years, Chandra is now ready to take the plunge - make the 2 lakh bricks which are needed for the Veppathur project using modern technology and making them faster and stronger to satisfy the huge demand of the sthapathis. The Lord has master plans - it is we who are kneaded and moulded under his arms!? Who knows, we just go by his call! What say?&lt;br /&gt;
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</description><link>http://templesrevival.blogspot.com/2014/06/kidangarai-pallava-temple-springs-back.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRt-e2NoVMoT2TGEEXNSffFXWTkZYch_jFUpq-ReMJSLmkreiemLiT-Dz4kuz7ymlyPbvW3T60bkJ87VefIX4XhDym_0UIXLK5KmP01uiQy0ZESDMPAVe_iF-lA3wuS7RKn86g/s72-c/IMG_9779.JPG" height="72" width="72"/><thr:total>5</thr:total><georss:featurename>Kidangarai Village, Tamil Nadu 603107, India</georss:featurename><georss:point>12.686669011827295 79.880261421203613</georss:point><georss:box>12.684732511827296 79.877739921203613 12.688605511827294 79.882782921203614</georss:box></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-1108033149023616574</guid><pubDate>Sun, 17 Nov 2013 03:56:00 +0000</pubDate><atom:updated>2013-11-26T19:26:03.505-08:00</atom:updated><title>REACH HERITAGE Awardees announced for 2013.</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
Dear All,&lt;br /&gt;
The REACH Heritage Awards will be presented this year on the 7th of December 2013, at Chennai. Invitation enclosed. Please visit and make the function a grand success.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTId9fMcP2g6btM4IRK8D-MhW3bw_6K_TLlst-hLCe-HxIlglS6OEzsy1vW45H9tyRBasnTtDq-7Fe5Kb26dtzFm7olazb1GNqns2TwN6MBPiYTCNrV9A9uEBqbq4-6YNbuscm/s1600/RA-2013-invitation-front.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Q8A9dgybjbY8QX5gCA-UkdMNkL_KbgwiryUb9hOP0bVzuWBQW8Cp_Sf7QGZEcybL7bG1l2c102Yj3pozYrEu2JutHZnxMwAcmU42ngmeM2itqUv0jW42pd1W3-7o1RG1iz-4/s1600/RA-2013-invitation-front.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Q8A9dgybjbY8QX5gCA-UkdMNkL_KbgwiryUb9hOP0bVzuWBQW8Cp_Sf7QGZEcybL7bG1l2c102Yj3pozYrEu2JutHZnxMwAcmU42ngmeM2itqUv0jW42pd1W3-7o1RG1iz-4/s1600/RA-2013-invitation-front.jpg&quot; height=&quot;320&quot; width=&quot;228&quot; /&gt;&lt;/a&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiteSTCfXt0btuXMFHSCMnsh6hhk0Bl_8PHPiifEn41yrdzGOZSjb9YBcZt6A1YYbLJUrKA0wPfZ5KDP9pZOWHfQQKoI9DuZe7PpfFOqjEb1HpaF-CXGvF4bslm2DGkYET376yP/s1600/RA-2013-invitation-back.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiteSTCfXt0btuXMFHSCMnsh6hhk0Bl_8PHPiifEn41yrdzGOZSjb9YBcZt6A1YYbLJUrKA0wPfZ5KDP9pZOWHfQQKoI9DuZe7PpfFOqjEb1HpaF-CXGvF4bslm2DGkYET376yP/s1600/RA-2013-invitation-back.jpg&quot; height=&quot;320&quot; width=&quot;228&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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</description><link>http://templesrevival.blogspot.com/2013/11/reach-heritage-awardees-announced-for.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Q8A9dgybjbY8QX5gCA-UkdMNkL_KbgwiryUb9hOP0bVzuWBQW8Cp_Sf7QGZEcybL7bG1l2c102Yj3pozYrEu2JutHZnxMwAcmU42ngmeM2itqUv0jW42pd1W3-7o1RG1iz-4/s72-c/RA-2013-invitation-front.jpg" height="72" width="72"/><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-1646676869308927058</guid><pubDate>Mon, 08 Jul 2013 03:09:00 +0000</pubDate><atom:updated>2013-07-07T20:09:45.672-07:00</atom:updated><title>Dr T Satyamurthy&#39;s article in Sree Jagadguru on Adisankara-1</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
A sequel on exploring the date and time of Adisankara with the evidences available as an archeologist&#39;s view is well written in this article by Dr T Satyamurthy our founder.&lt;br /&gt;
Tamil translation by PRO Chandrasekaran J&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjceW6L75ECfg-8pGNsLn7qMPrCmDipmL6O73APHrjuWyiI5nu0y7s0BY50-pnPmS7ORTCDdYpd8Qpu0K4_WPAyqd1AvYlVUM6zrm4Jf35F7rHJSpe_dPYuhUtbDtukxgDRru6L/s1600/REACH_021.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjceW6L75ECfg-8pGNsLn7qMPrCmDipmL6O73APHrjuWyiI5nu0y7s0BY50-pnPmS7ORTCDdYpd8Qpu0K4_WPAyqd1AvYlVUM6zrm4Jf35F7rHJSpe_dPYuhUtbDtukxgDRru6L/s1600/REACH_021.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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</description><link>http://templesrevival.blogspot.com/2013/07/dr-t-satyamurthys-article-in-sree.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjceW6L75ECfg-8pGNsLn7qMPrCmDipmL6O73APHrjuWyiI5nu0y7s0BY50-pnPmS7ORTCDdYpd8Qpu0K4_WPAyqd1AvYlVUM6zrm4Jf35F7rHJSpe_dPYuhUtbDtukxgDRru6L/s72-c/REACH_021.jpg" height="72" width="72"/><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-3673605746355449644</guid><pubDate>Mon, 08 Jul 2013 03:06:00 +0000</pubDate><atom:updated>2013-07-07T20:06:58.873-07:00</atom:updated><title>Shri Ravi Sam&#39;s interview in Kalki June 2013</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
Our Academy wing Chairman Shri Ravisam&#39;s interview in Kalki dated 23-6-2013 is reproduced here. Thanks Kalki!!!&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIhvgwOBoS54LxxOP6TwrIuCEt3QFkzDYoWlJS-sdR6Afn5sVAD4_GLHd6zx8zrC-cVTInt5oj-1Mso_AT_p7xbUV02QbYobpyGo9reC3AtI9LvEmzViKSJQveM959_USNodxg/s1600/REACH_02.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIhvgwOBoS54LxxOP6TwrIuCEt3QFkzDYoWlJS-sdR6Afn5sVAD4_GLHd6zx8zrC-cVTInt5oj-1Mso_AT_p7xbUV02QbYobpyGo9reC3AtI9LvEmzViKSJQveM959_USNodxg/s1600/REACH_02.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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</description><link>http://templesrevival.blogspot.com/2013/07/shri-ravi-sams-interview-in-kalki-june.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIhvgwOBoS54LxxOP6TwrIuCEt3QFkzDYoWlJS-sdR6Afn5sVAD4_GLHd6zx8zrC-cVTInt5oj-1Mso_AT_p7xbUV02QbYobpyGo9reC3AtI9LvEmzViKSJQveM959_USNodxg/s72-c/REACH_02.jpg" height="72" width="72"/><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-6769594078829451133</guid><pubDate>Fri, 19 Oct 2012 15:55:00 +0000</pubDate><atom:updated>2012-10-19T08:59:07.166-07:00</atom:updated><title>100 pillar hall in Varadaraja Perumal Temple</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
The mandap is restored to its pristine beauty by us and we have so far completed the following tasks in the past 3 years of meticulous work.&lt;br /&gt;
1. Removal of lime from all pillars and bases.&lt;br /&gt;
2. Cleaning of whole mandapa&lt;br /&gt;
3. Strengthening the plinth and floors and relaying granite slabs around the mandapa to avoid seepage of water&lt;br /&gt;
4. Water proofing and re-plastering the entire roof using lime mortar&lt;br /&gt;
5. Re-sculpting all the lime stucco figures atop the mandapa&lt;br /&gt;
6. Laying&amp;nbsp; a 3 feet tall parapet wall around the mandapa&lt;br /&gt;
7. Stainless Steel railing around the mandapa&lt;br /&gt;
&lt;br /&gt;
and finally we will fix spot lighting and electrification with pleasing aesthetics, to enhance the beauty of the carvings. Hope by this September end 2012, the whole Mandapa will glow as a remarkable land mark in Kanchipuram... And let&#39;s not talk of the work done around within this same temple premises, done by various agencies under the endowments department! God bless them :(&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/100PillarHallSsGrillWork17102012&quot; target=&quot;_blank&quot;&gt;The steel grills work is shown here&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
</description><link>http://templesrevival.blogspot.com/2012/10/100-pillar-hall-in-varadaraja-perumal.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-713453637169593808</guid><pubDate>Sun, 09 Sep 2012 12:15:00 +0000</pubDate><atom:updated>2012-10-19T08:56:44.410-07:00</atom:updated><title>Thandarai Shiva temple</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
We blogged the story inadvarently in REACH FOUNDATION history blog.&lt;br /&gt;
&lt;a href=&quot;http://reachhistory.blogspot.in/2012/09/thandarai-mystic-call-from-shiva.html&quot; target=&quot;_blank&quot;&gt;Here it is&amp;nbsp;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
The update on renovation:&lt;br /&gt;
&lt;br /&gt;
Whole work over, stone relaying , removal of trees now Vimana work going on. 21st Nov is Kumbabhishekam, some more funds needed...&lt;br /&gt;
&amp;nbsp;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Thandarai13102012&quot; target=&quot;_blank&quot;&gt;The Vimana work under progress is shown here&lt;/a&gt;&lt;/div&gt;
</description><link>http://templesrevival.blogspot.com/2012/09/thandarai-shiva-temple.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-4192983677013445199</guid><pubDate>Tue, 20 Mar 2012 17:43:00 +0000</pubDate><atom:updated>2012-03-20T10:43:04.309-07:00</atom:updated><title>The Stone temple that would not fall off!</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
See this article advarently published in another web site of REACH&lt;br /&gt;
&lt;br /&gt;
http://reachhistory.blogspot.in/2012/03/stone-temple-which-widens-but-not-fall.html&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2012/03/stone-temple-that-would-not-fall-off.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-7621717109254721550</guid><pubDate>Wed, 08 Feb 2012 14:41:00 +0000</pubDate><atom:updated>2012-10-19T08:58:46.539-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Gangai Kondan Mandapam</category><category domain="http://www.blogger.com/atom/ns#">Hanuman Mandapam</category><category domain="http://www.blogger.com/atom/ns#">heritage temples</category><category domain="http://www.blogger.com/atom/ns#">Kanchipuram</category><category domain="http://www.blogger.com/atom/ns#">restoration</category><category domain="http://www.blogger.com/atom/ns#">Sankara Mutt</category><category domain="http://www.blogger.com/atom/ns#">Varadaraja Perumal temple</category><category domain="http://www.blogger.com/atom/ns#">Vijayanagara Mandapam</category><title>Gangai Kondan Mandap, Kanchipuram</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span style=&quot;font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;&quot;&gt;The GK Mandap as we call, or the Gangai Kondan Mandap in Kanchipuram, just opposite Sankara Mutt, where a big Hanuman is worshiped and where the annual utsavam happens and the traditional Umbrella Makers for the Varadaraja make them for ages,&amp;nbsp; was in danger. We saw the lintel above the entrance hanging almost, wanting to fall off any moment. We immediately supported it with two poles and sought help from members and philanthropists. To our rescue the Lord himself sent his devotee, Shri Narayanan, a Power plant industrialist and our patron. He immediately took up the total cost of the project and after some dilly-dallying with the endowment officials, we finally got the approval and the work is on! The roof was over burdened with extra weight from the shops all around, who were dumping all broken walls and tubes, poles etc on the mandap for ages, as well as extra weight due to cement plastering done some years ago by some renovator, had weakened the structures. We have removed all the extra weight and the broken lintel is to be replaced with a 19 feet long single stone bolster, to be cut and shaped to size, sought from a quarry in Bangalore!&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;font-family: Arial,Helvetica,sans-serif;&quot;&gt;
See the pictures&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/GangaiKondanMandapamKanchipuram?authkey=Gv1sRgCMPe6YWArZ_ATQ&quot; target=&quot;_blank&quot;&gt; here.&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Arial,Helvetica,sans-serif;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;font-family: Arial,Helvetica,sans-serif;&quot;&gt;
The updates on Gangai Kondan Mandap as on May 2012&lt;/div&gt;
&lt;div style=&quot;font-family: Arial,Helvetica,sans-serif;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Arial,Helvetica,sans-serif;&quot;&gt;The police, the shop keepers around and the Umbrella makers inside the 
mandap complicated the work daily and amidst all problems, we were able 
to almost finish the frontage and I have not visited for the last 2 days
 but was told that the same has been painted with yellow ochre with lime
 plaster. The frontage is finished. what is left is the flooring within 
the mandap but was thwarted the Umbrella makers. The E.O promised that 
after the Utsavam we will get them vacated for few days and re-do the 
mandap. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-family: Arial,Helvetica,sans-serif;&quot;&gt;With the help, patience and perseverance of the donor for this mandap, Shri Narayanan, of M/s. PPN Power Limited, an ardent devotee of Shri Varadaraja, we could do this work, and
 we thank him for all the support. Once we complete totally all the work, we will upload those photos too.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-family: Arial,Helvetica,sans-serif;&quot;&gt;The link of photo updates&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/GangaikondanMandapRenovation&quot; style=&quot;font-family: Arial,Helvetica,sans-serif;&quot; target=&quot;_blank&quot;&gt;https://picasaweb.google.com/&lt;wbr&gt;&lt;/wbr&gt;111020195956704115146/&lt;wbr&gt;&lt;/wbr&gt;GangaikondanMandapRenovation&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
The full work is over. There was some delay due to continuous festivals in between and also some resistance from the shop keepers around, as there was no way to go up. Atlast, we could remove all the debris above and restore the mandap, relay the stuccos figures, the frontage and the weather coarse and roof of the mandap.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/GKMandap17102012&quot; target=&quot;_blank&quot;&gt;See the pictures here &lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
</description><link>http://templesrevival.blogspot.com/2012/02/gangai-kondan-mandap-kanchipuram.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>1</thr:total><georss:featurename>Kancheepuram-Chengalpat, Kanchipuram, Tamil Nadu, India</georss:featurename><georss:point>12.8341735 79.7036402</georss:point><georss:box>12.830303 79.6987047 12.838044 79.7085757</georss:box></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-647048007202266327</guid><pubDate>Wed, 09 Nov 2011 17:25:00 +0000</pubDate><atom:updated>2011-11-13T02:56:37.873-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">3 tiered temple</category><category domain="http://www.blogger.com/atom/ns#">conserveheritage.org</category><category domain="http://www.blogger.com/atom/ns#">heritage conservation</category><category domain="http://www.blogger.com/atom/ns#">Pandya Kingdom</category><category domain="http://www.blogger.com/atom/ns#">Perumal temple renovation</category><category domain="http://www.blogger.com/atom/ns#">Rama temple</category><category domain="http://www.blogger.com/atom/ns#">REACH FOUNDATION</category><category domain="http://www.blogger.com/atom/ns#">Vishnu temple renovation</category><title>Cheranmahadevi Ramaswamy Temple</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;When we visited Cheranmahadevi Ramaswamy temple (the locals call it Sermadevi and insist that&#39;s the right way to pronounce!) we were not aware that this temple has a 3 tiered Vimana. Having imposing Rama, Sita and Lakshmana, Hanuman sculptures right at the entrance and some interesting sculptures in the&amp;nbsp;motif&amp;nbsp;at the entrance, the temple stands clearly with tell-tale signs of a Vishnu temple, the Moolavar still is...&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Later Nayakas had patronized and the Bronzes of Rama, Lakshmana and Sita, Hanuman would have been donated to this temple for Urchava Moorthis&#39; worship, but unless we ask the Bhattar to show us above, allow us to climb up the stairs to have a look at the other two tiers, one can never imagine the Vimana having within itself the layers where Original&amp;nbsp;stucco&amp;nbsp;with their sheen lost and mutilated, lie there as a&amp;nbsp;glaring&amp;nbsp;example of the neglect we have on such rare beauties. Leave along the antiquity, but where are the real Vishnu Bhakthas? While we enter the Cheranmahadevi village, we see a contract of sorts, on the right a Vishnu temple renovated with all the&amp;nbsp;jarring&amp;nbsp;colours&amp;nbsp;and spoils, and far off at the banks of Thamirabarani, on the left the elegant Bhaktavatsala temple renovated and maintained by the A.S.I. Not daring to enter the one in the right, with its gory sight, we visited last time the Bhaktavatsala temple, and this temple too.&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;When &lt;a href=&quot;http://www.thehindu.com/arts/history-and-culture/article2369180.ece&quot; target=&quot;_blank&quot;&gt;Pradeep Chakravarthy had written about the sad plight of this temple&lt;/a&gt;, we were asking ourselves, &quot;Was there a Vimana with three tiers?&quot; Yes, true but sad.&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;While climbing on the stairs, we saw two parts of Chola inscriptions, and atop, we saw the abandoned Deities all waiting in silence for someone to spruce their looks up! Ironically, this made us learnt a lot on how the&amp;nbsp;stucco&amp;nbsp;using lime mortar, wood as supporting beams and coconut coir as binders were used to construct and make the deities. Faded original paintings were also carrying the sad story within and waiting for some sensible restorer to uplift them.&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;The roof weather coarse had also eroded, showing signs of leakage. Inside the temple, all stone walls and pillars were white washed, making sure that none of the intricate carvings were made to be seen.&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Mr.Ali, a self made&amp;nbsp;archaeologist&amp;nbsp;and heritage lover, who has some large collection of coins and stamps, also an artist drawing sketches from this temple says, &quot; I frequent this temple, whenever I want to&amp;nbsp;energize&amp;nbsp;myself. This is my&amp;nbsp;cradle. I can&#39;t bear this agony of seeing it crumble. Will I see the light of the day, the restored temple, before my light goes off?,&quot; asks he, tears rolling off his eyes. Dumb struck, we had no answers.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/RamaswamyTempleChermadevi?authkey=Gv1sRgCPnb682RsN7oLQ&quot; target=&quot;_blank&quot;&gt;Look at the pictures&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif;&quot;&gt;We are only heritage lovers as he is, but want to tell the world about this temple and ask all who are concerned, to bring in funds to renovate this&amp;nbsp;magnificent&amp;nbsp;temple. We do not blame the endowments department or the state and central&amp;nbsp;archaeology&amp;nbsp;departments, as they do not have a data base of how many such temples lie across the state nor a foresight of what to do to save a heritage temple. Enough of blame game, we wish only all concerned open their eyes. As a study of contract, we see within Cheranmahadevi (Mr. Ali corrects me again, Sermadevi!) one spoilt renovation, one excellent renovation and one neglected heritage temple! Such is the state of heritage here! Hope the Lord himself shows us the way and answer our queries.&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, sans-serif; font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2011/11/cheranmahadevi-ramaswamy-temple.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>2</thr:total><georss:featurename>Cheranmahadevi Ramaswamy temple, Tamil Nadu, India</georss:featurename><georss:point>8.6751726387143222 77.564314752817154</georss:point><georss:box>8.6750501387143224 77.564160752817159 8.675295138714322 77.564468752817149</georss:box></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-5928686691301773168</guid><pubDate>Fri, 04 Nov 2011 18:15:00 +0000</pubDate><atom:updated>2011-11-04T11:15:58.859-07:00</atom:updated><title>Pathai and Kalakkad visit</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
Post-Symposium, we were worried about the poor response from the Tirunelvelians, who pride themselves about their soil. Dr. Thanumurthy living now in Mumbai, hails from a typical hamlet, Pathai,  near Sermadevi enroute to Kalakkad, where we have seen the murals before, on the inner walls of each tier of the temple Gopuram.&lt;br /&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
There is one Kulasekaranathar temple in Tenkasi wherein the walls were sand blasted and member Poornima and her father Mahadevan raised hue and cry to stop that, but they failed stopping the Giovernment machinery - no pun intended, it is the sand blasting machine ;) But they became our active members and inform us about happenings in Tirunelveli district.&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
Now, when Dr.Thanumurthy called us for inspecting the Kulasekaranathar temple in his village Pathai, the right opportunity came on 14th and 15th of October, 2011, to visit this Kulasekaranathar!&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
On inspection, we found the weather coarse totally fragmented, stones at corners and walls fallen apart, mostly white washed with lime. The Vimanas were quite good. An estimate has been worked out with help of our friend civil Engineering entrepreneur member Shri. Durai from Thoothukudi and has been sent to Dr. Thanumurthy. The village ponds were dry and villagers claimed that the rains failed them.The day we went, the hamlet kissed the first rush of rain from heaven! Blessed we were and the village, thanks to Kulasekaranathar, as the rains were a good sign for things to come. The local Uzavarappani team had done their best to maintain the temple and they were very helpful in assisting us during the inspection.&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/PathaiOct2011?authkey=Gv1sRgCMy54v6Qmr7gkwE&quot;&gt;Few photos from Pathai temple&lt;/a&gt;...&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
From there we tread to Kalakkad, to see the recently finished Gopuram and inspect the murals. The villagers had claimed to maintain the same as they were, and said REACH will be allowed to restore the mural paintings. We have informed them an estimate to restore the paintings. When we visited, we were told that the Sudaii Bommais were falling off from the Gopuram, due to monkeys&#39; menace; the reason was something else. The quality of Sudai bommais were inferior and plaster of paris had been used liberally to finish off (!) the work! Why blame the monkeys, as we had indeed encroachedtheir territory? The Kalakkad Mundandurai Tiger reserve forest is just behind this temple. We were asked by our member SS Mani, to give an estimate to renovate the Murugan Shrine within the temple premises, but there was not much problems, except some polished tiles were laid in front of the shrine. We said the tiles may be removed if possible. Apart from that we observed many inner vimanams and gopurams were plastered with cement and the tell tale signs of overburdened pillars cracking were oblivious signs of fatigue, which needs to be attended too. Sand blasting had cleaned off many intricate carvings of most of the sculptures in the pillars, but the recent renovation committee claimed that sand blasting was done during the earlier Kumbabhishekam!&lt;br /&gt;
&lt;br /&gt;
Worst part, many murals which had bulged and cracked, had been filled with lime mortar by some generous sthapathi! Leave alone this pathetic way of filling the murals, he had also patched the flooring with the paintings in many places along the corridors where the murals were available within the temple Gopuram.&lt;br /&gt;
&lt;br /&gt;
Is it ignorance or negligence? Only the incumbent Lord Sathyavaheeswara knows! We had offered our services for photo documentation and proper&amp;nbsp;restoration&amp;nbsp;to the village temple committee and are awaiting their answers.&lt;br /&gt;
&lt;br /&gt;
The &lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Kalakkad?authkey=Gv1sRgCKzZh4vXxZur9gE&quot; target=&quot;_blank&quot;&gt;photos here&lt;/a&gt; are self explanatory!&lt;br /&gt;
&lt;br /&gt;
The surprise part of this tour came&amp;nbsp;somewhere&amp;nbsp;else, and those spots were Pappankulam and Sermadevi. Let&#39;s see in the next blog these surprises!&lt;/div&gt;
&lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2011/11/pathai-and-kalakkad-visit.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-5107083150631522663</guid><pubDate>Fri, 26 Aug 2011 05:41:00 +0000</pubDate><atom:updated>2011-08-25T22:41:52.115-07:00</atom:updated><title>Latest update of Uttaramerur temple</title><description>The construction is almost over, and the compound wall is now raising up.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Uttaramerur200811?authkey=Gv1sRgCMexk4WYxLLJ3gE&quot;&gt;See the photos here&lt;/a&gt;&lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2011/08/latest-update-of-uttaramerur-temple.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-2394859671939481410</guid><pubDate>Fri, 26 Aug 2011 01:01:00 +0000</pubDate><atom:updated>2011-08-25T18:25:36.766-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Chola temples</category><category domain="http://www.blogger.com/atom/ns#">Ocheri</category><category domain="http://www.blogger.com/atom/ns#">Pudhur</category><category domain="http://www.blogger.com/atom/ns#">REACH FOUNDATION</category><category domain="http://www.blogger.com/atom/ns#">temple renovation</category><title>Stone Vimana temple lying in ruins..</title><description>&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Georgia; font-size: 13px; background-color: rgb(255, 255, 255); &quot;&gt;Go on Bangalore Highway, off. Ocheri, some 7 kilometers you will land at Pudhur Village. Interestingly en-route to this breathtaking Vikrama Chola Temple (1118 AD), you come across 2 Shiva Temples and a Vishnu Temple belonging to the Nayaka Period, also lying uncared and in ruins.&lt;div style=&quot;clear: none; &quot;&gt;Cross Palar river where sand quarrying with Dippers are going on,  on the pretext of excavating land for building a bridge...&lt;/div&gt;&lt;div style=&quot;clear: none; &quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;clear: none; &quot;&gt;And you suddenly come across this Beauty lying amidst a Sugar Cane field...&lt;/div&gt;&lt;div style=&quot;clear: none; &quot;&gt;&lt;a href=&quot;http://www.flickr.com/photos/18581563@N03/sets/72157627514414846/&quot; style=&quot;text-decoration: none; color: rgb(36, 124, 212); &quot;&gt;Here They Are&lt;/a&gt; &lt;/div&gt;&lt;div style=&quot;clear: none; &quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;clear: none; &quot;&gt;Ramesh Shivan, an ardent shiva devotee, working in T.N. E.B, who mobilizes Uzavarappani groups for cleaning temple in and around Kanchipuram, is keen on seeing this temple back in shape. People please contact reach.foundation.india@gmail.com for donations, to renovate this beautiful temple. 80G IT exemption available for all Indian donors.&lt;/div&gt;&lt;div style=&quot;clear: none; &quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;</description><link>http://templesrevival.blogspot.com/2011/08/stone-vimana-temple-lying-in-ruins.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-3895838477477375683</guid><pubDate>Tue, 16 Aug 2011 03:10:00 +0000</pubDate><atom:updated>2011-08-17T04:31:00.222-07:00</atom:updated><title>Rare Bronzes revealed in Vepenjeri renovation.</title><description>&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: arial; font-size: small; &quot;&gt;&lt;div class=&quot;gmail_quote&quot;&gt;&lt;div dir=&quot;ltr&quot;&gt;&lt;div&gt;Last Saturday we unearthed rare bronzes in Vasthu Deva Pathi Sowmya Narayana Perumal temple, which we are renovating from scratch. The report in TOI and the photo links are here for you to see:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;Rare Bronze sculptures unearthed at Vepenjeri Prumal Temple during excavation.&lt;br /&gt;Please click on the following link to read the item:&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://epaper.timesofindia.com/Repository/ml.asp?Ref=VE9JQ0gvMjAxMS8wOC8xNiNBcjAwNDAy&amp;amp;Mode=Gif&amp;amp;Locale=english-skin-custom&quot; target=&quot;_blank&quot;&gt;http://epaper.timesofindia.&lt;wbr&gt;com/Repository/ml.asp?Ref=&lt;wbr&gt;VE9JQ0gvMjAxMS8wOC8xNiNBcjAwND&lt;wbr&gt;Ay&amp;amp;Mode=Gif&amp;amp;Locale=english-&lt;wbr&gt;skin-custom&lt;/a&gt;&lt;br /&gt;Comment: ECR temple Bronze excavation&lt;br /&gt;&lt;br /&gt;For AOL users: &lt;a href=&quot;http://www.blogger.com/&amp;lt;a%20href=&quot; com=&quot;&quot; repository=&quot;&quot; ref=&quot;VE9JQ0gvMjAxMS8wOC8xNiNBcjAwNDAy&amp;amp;Mode=Gif&amp;amp;Locale=english-skin-custom&amp;quot;&quot; target=&quot;_blank&quot;&gt;http://epaper.&lt;wbr&gt;timesofindia.com/Repository/&lt;wbr&gt;ml.asp?Ref=&lt;wbr&gt;VE9JQ0gvMjAxMS8wOC8xNiNBcjAwND&lt;wbr&gt;Ay&amp;amp;Mode=Gif&amp;amp;Locale=english-&lt;wbr&gt;skin-custom&lt;/a&gt;&quot;&amp;gt;&lt;a href=&quot;http://epaper.timesofindia.com/Repository/ml.asp?Ref=VE9JQ0gvMjAxMS8wOC8xNiNBcjAwNDAy&amp;amp;Mode=Gif&amp;amp;Locale=english-skin-custom&quot; target=&quot;_blank&quot;&gt;http://epaper.&lt;wbr&gt;timesofindia.com/Repository/&lt;wbr&gt;ml.asp?Ref=&lt;wbr&gt;VE9JQ0gvMjAxMS8wOC8xNiNBcjAwND&lt;wbr&gt;Ay&amp;amp;Mode=Gif&amp;amp;Locale=english-&lt;wbr&gt;skin-custom&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;And the photos are &lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/VepenjeriBronzeFinding1382011#&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt; taken soon after the excavation&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;And &lt;a href=&quot;http://www.bbc.co.uk/tamil/arts_and_culture/2011/08/110816_archeodiscovery.shtml&quot;&gt;here is BBC Tamil&#39;s interview &lt;/a&gt;and photos on this finding.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</description><link>http://templesrevival.blogspot.com/2011/08/rare-bronzes-revealed-in-vepenjeri.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-2610600145100599459</guid><pubDate>Sun, 05 Jun 2011 16:53:00 +0000</pubDate><atom:updated>2011-06-07T01:41:43.341-07:00</atom:updated><title>Save ancient Early Chola temples - article in Dinamalar</title><description>&lt;div&gt;The article in Times of India dated 7th June 2011&lt;/div&gt;&lt;div&gt;is &lt;a href=&quot;http://epaper.timesofindia.com/Repository/ml.asp?Ref=VE9JQ0gvMjAxMS8wNi8wNyNBcjAwNjAw&amp;amp;Mode=Gif&amp;amp;Locale=english-skin-custom Comment: Ponsei and Pullamangai temples - report in TOI For AOL users: &amp;lt;a href=&amp;quot;http://epaper.timesofindia.com/Repository/ml.asp?Ref=VE9JQ0gvMjAxMS8wNi8wNyNBcjAwNjAw&amp;amp;Mode=Gif&amp;amp;Locale=english-skin-custom&amp;quot;&amp;gt;http://epaper.timesofindia.com/Repository/ml.asp?Ref=VE9JQ0gvMjAxMS8wNi8wNyNBcjAwNjAw&amp;amp;Mode=Gif&amp;amp;Locale=english-skin-custom&amp;lt;/a&amp;gt;&quot;&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; font-family: arial, sans-serif; font-size: 13px; &quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;img src=&quot;https://mail.google.com/mail/?ui=2&amp;amp;ik=b53965bfbf&amp;amp;view=att&amp;amp;th=13060ac562cc13b8&amp;amp;attid=0.1&amp;amp;disp=emb&amp;amp;realattid=ii_13060a740a65b402&amp;amp;zw&quot; alt=&quot;Ponsei article in Dinamalar.JPG&quot; /&gt;</description><link>http://templesrevival.blogspot.com/2011/06/save-ancient-chold-temples-article-in.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-7583824840294110904</guid><pubDate>Sat, 07 May 2011 03:11:00 +0000</pubDate><atom:updated>2011-05-06T20:38:39.406-07:00</atom:updated><title>Poigainallur - The first ever stone temple?</title><description>We came across last year this temple in Poigainallur, on the Chennai Bangalore Highway, not to be confused with the Korakka Sidar&#39;s Poigainallur, which is mentioned as the Paadal Petra sthalam (meaning in Tamil, the place sung by the Saivaite saints). Member Lakshminarayanan, an ardent devotee and temple renovator prefers to call this small temple as the real Paadal petra sthalam, which is closer to Kanchi, the land of temples.  The Chandikeswara sculpture here looks too old (at least 1400 years old?) which also drives home the point, that this temple is the few of the first made Katrazhi ( கற்றளி) in the combination style with the middle layer being brick, lime mortar?&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Our choice also would be the same, as this temple is exactly on an imaginary line, if drawn from Kanchi to Thiruvalangadu. Imagine the saints walking from Kanchi towards Thiruvalangadu, would have never missed this spot! The flaked stone has slight reminiscences of some inscriptions, and the stones and the construction has clear signs of early period work. Regrouping these stones and raising the foundation would be a week&#39;s job, and we&#39;re aiming at that! REACH wishes to complete restoring this temple &lt;b&gt;within this May 2011&lt;/b&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Then comes another temple may be some 150 years old, but is also in ruins. This is a private property and we believe the brothers would come to terms, to re-build this temple soon.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The surprise package of the village is this relief panel, in which all devatas come and Epigrapher Shri. S. Ramachandran says that this is a very rare panel and is the earliest forms of worship which proves the antiquity of the village. This panel was kept in obscure place in a Kali temple which also had some sculptures belonging to the Sapthamatrika set, few of them missing.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Poigainallur?authkey=Gv1sRgCI6hnsS_3d_SkgE#&quot;&gt;Photos are here to see&lt;/a&gt;. &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2011/05/poigainallur-first-ever-stone-temple.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-8431026579876847537</guid><pubDate>Wed, 04 May 2011 15:57:00 +0000</pubDate><atom:updated>2014-06-27T22:19:36.799-07:00</atom:updated><title>Kidangarai - Ancient Pallava temple revealed</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
Those who were not  following the earlier posts &lt;a href=&quot;http://templesrevival.blogspot.com/2010/10/chandra-turns-priest-in-kidangarai.html&quot;&gt;see&lt;/a&gt;&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUliDDmdxE_X30qLZ-0dFaorHAge8ny8gCQyUM9JnaoB8qcvf6rKiNe_i0RUths5Cc_7dSf2PSw7QZiPLmt4nViUJYZCxnP9T-w4WysSLEbkbzLY3tluKq_45tHSvxPjF28cmK/s1600/PICT0013.JPG&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();}  catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUliDDmdxE_X30qLZ-0dFaorHAge8ny8gCQyUM9JnaoB8qcvf6rKiNe_i0RUths5Cc_7dSf2PSw7QZiPLmt4nViUJYZCxnP9T-w4WysSLEbkbzLY3tluKq_45tHSvxPjF28cmK/s400/PICT0013.JPG&quot; id=&quot;BLOGGER_PHOTO_ID_5603468640954432082&quot; style=&quot;cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 400px;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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Now with a small team of locals lead by our excavator Shri. Parandaman, the trees were safely cut and removed. The Shiva Linga could be seen well. A west facing Pallava Temple, fully built with brick was exposed and the excavation is on. A small budget of Rs. 10.00 lakhs is estimated for rebuilding this temple using similar styled brick mortar and we seek help from all to complete this project. By Deva Prasnam, an interesting aspect got revealed. The Lord is named RuNa Hara Iswar meaning One who removes debts and the Ambal, as AbarNa again meaning remover of debts. The two ponds nearby were revealed as RuNa hara theertham and Dana AGarshana Theertham,interestingly meaning a dip in one will get rid of your debts and the dip in the other gets you wealth!&lt;/div&gt;
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Last Saturday was Shani Pradosham. This year is marked with this one and the only Sani pradosham. We had elaborate Puja done by the villagers and all had opportunity to do Abhishekam on the Linga. A wonderful site to see.&lt;br /&gt;
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The Photos after tree removal are &lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Fotoskidangarai?authkey=Gv1sRgCIT57eXr3KrMrwE#&quot;&gt;here to see&lt;/a&gt;.&lt;br /&gt;
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</description><link>http://templesrevival.blogspot.com/2011/05/kidangarai-ancient-pallava-temple.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUliDDmdxE_X30qLZ-0dFaorHAge8ny8gCQyUM9JnaoB8qcvf6rKiNe_i0RUths5Cc_7dSf2PSw7QZiPLmt4nViUJYZCxnP9T-w4WysSLEbkbzLY3tluKq_45tHSvxPjF28cmK/s72-c/PICT0013.JPG" height="72" width="72"/><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-2705841364978512708</guid><pubDate>Sat, 16 Apr 2011 09:34:00 +0000</pubDate><atom:updated>2016-01-18T22:00:35.693-08:00</atom:updated><title>Kamarasavalli temple renovation now not in REACH&#39;s hands</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;Sorry for not keeping the update. This temple even though was considered to be renovated by REACH, was later controlled and managed by the Mahalakshmi Trust itself. Many of our sthapathis were engaged and the renovation was completely done by the Mahalakshmi Trust, and REACH has nothing to do with the renovation of this temple&lt;/span&gt;&lt;br /&gt;
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&lt;a href=&quot;http://epaper.timesofindia.com/Repository/ml.asp?Ref=VE9JQ0gvMjAxMS8wNC8yMSNBcjAwNzAz&amp;amp;Mode=Gif&amp;amp;Locale=english-skin-custom&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;News in Times of India dated 21st April 2011&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;We are happy to announce that the famous Kamarasavalli temple renovation work has been given to REACH FOUNDATION by &lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse;&quot;&gt;Sri Balambika Seva Samithi &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse;&quot;&gt;and the &lt;/span&gt;Mahalakshmi Charitable Trust of Chennai, who are known for their renovation efforts. Our stressing the temple renovators to maintain the heritage values and aesthetics have now borne fruits and now both the trusts are joining hands. The effort is spear headed by none other than Dr T. Satyamurthy on the technical front and on the execution and planning by our own Sundar Bharadhwaj @ SPS!&lt;/span&gt;&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;His company would take up the construction work and anything which comes beyond the budgeted estimate by the Mahalakshmi Charitable trust would be hopefully done by REACH and other heritage enthusiasts and lovers.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;A puja is to be performed in Kamarasavalli on 20th by noon 11 AM. Those who wish to join this coconut breaking ceremony may please do attend and we all together pray the almighty to give us strength and wealth to sustain and complete this land mark goal.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;Thanks to Mahalakshmi Charitable Trust for entrusting this conservation work to us. Civil engineers, structural engineers and architect members who want to join this effort for some decent  earnings which also would give you an opportunity to work on heritage conservation may write a private email to REACH to: reach.foundation.india@gmail.com, showing their consent for this work, and also explain their skill set.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;A brief with photographs is given below, on and about Kamarasavalli.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: transparent;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;img height=&quot;240px;&quot; id=&quot;internal-source-marker_0.5247058547101915&quot; src=&quot;https://lh6.googleusercontent.com/uY_RZMeSfy7fWuf6C63PumBp2aLKRgwJ1zu1UTbsy-7ULx3CeLgciG04k9K46uHkAgsNHD1p5i-8l8ZzK4B9V45K7diXkTdcTUfLIo46DONwzOZGqSo&quot; width=&quot;320px;&quot; /&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Kamaravalli Chaturvedimangalam&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; which is now known as Kamarasavalli  is located in  Trichi District on the northern bank of the Coleroon (Kollidom), 22.5 km from Kilappaluvur, in Lalgudi-Tanjavur route. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Located in Ariyalur taluk, via Thirumanur. Pin code – 621715. The Temple must have existed during the period of Aditya in brick structure and in stone during Rajaraja period.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Latitude&lt;/span&gt;&lt;/li&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;:11.177&lt;/span&gt;&lt;/li&gt;
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&lt;ul&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Longitude&lt;/span&gt;&lt;/li&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;:78.83949&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Pin Code&lt;/span&gt;&lt;/li&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;:621715&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;District&lt;/span&gt;&lt;/li&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;:Ariyalur&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;State&lt;/span&gt;&lt;/li&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;:Tamil Nadu&lt;/span&gt;&lt;/li&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: disc; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;The presiding deity is known by different names in different periods. If he was called Tirunallur Mahadeva in the 10th century, later he came to be called Karkotakesvaram Udaiya Nayanar. The Godess is Balambigai.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;According to the sthala purana, Karkkodga worshipped the Lord here.&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; The legend also says that King Parikshit cursed the Great Serpant,Karkodaka. Suffering from serious illness worshipped the &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;The temple faces east. The main temple has a tri-tala vimana with round sikhara. Its adhistana (basement) and garbha grha are of stone. The superstructure is of brick and mortar. The garbha griha is 4.9 M square in area.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;The ardhamandapa projects 7.3 M forward. There is a later mukha mandapa as well. On the external walls of the garbha griha are panels of miniature sculptures (friezes) of fine workmanship. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;There are sculptural representations of various deities in the deva koshtas  of the temple.These include Ganapathy, Agasthya, Ardhanareeswara, Lingodbhavar, Kankalamurti, Bhikshatanar, Brahma, Durga .&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; There are sub-shrines for Ganapathy, Subrahmonia and Chandeswarar. There is an Amman Sannidhi in the forecourt which is a later addition during the Pandya hegemony in 14th century.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;The temple has many palm sized miniatures representing sivalila. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;In the north-east corner adjoining the main mukhappu (facade) of the temple, there is a Koothambalam stage, beyond which there is a tunnel (which is closed now).&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Inscriptions&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Kamarasavalli Epigraphs:&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;ol&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: decimal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;ARE  61 of 1914. (Tamil.) On the north wall of the central &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;shrine in the Karkotakesvara temple. Records in the seventeenth &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;year of the Chola king Parakesarivarman alias Rajendra &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;Choladeva ( AD 1039) gift of land to the temple of Tirunallur Mahadeva. &lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;ol start=&quot;2&quot;&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: decimal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;ARE 62 of 1914. (Tamil.) On the same wall. An incomplete &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;record of the Chola king Rajakesarivarman alias Rajarajadeva I, &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;dated in his twentieth year, Kanya, Wednesday, Krittika, corre&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;sponding to 20th September, A.D. 1004. Mentions an assembly of &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;eighty persons.  &lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;ol start=&quot;3&quot;&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: decimal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;ARE 63 of 1914. (Tamil.) On the same wall. Records in the &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;twenty-ninth year (AD 1014) of the Chola king Rajarajakesarivarman alias &lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Rajarajadeva I gift of fifteen kalanjus of gold for a lamp to the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;temple of Tirunallur Mahadeva at Kamarasavalli-chaturvediman&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;galam, a brahmadeya in Mirai-kurram which was a subdivision of &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Vadagarai-Rajendra-sirhha-valanadu. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;ol start=&quot;4&quot;&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: decimal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;ARE 64 /1914. (Tamil.) On the same wall. Records in the &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;twenty-sixth year of the Chola king Rajaraja-Rajakesarivarman &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;(Rajaraja I) gift of ten kalanjus of gold to the temple treasury for a &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;lamp to Mahadeva of Tirukkarkotakisvaram at Tirunallur in &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;Kamaravalli-chaturvedimarigalam, a brahmadeya in Virai-kurram. &lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;ol start=&quot;5&quot;&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: decimal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;ARE 65 /1914. (Tamil.)   &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sakkiyar Koothu on Thiruvadhirai&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;: &lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;div style=&quot;margin-bottom: 0pt; margin-left: 36pt; margin-top: 0pt;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;On the same wall. Dated in the reign of the Chola king Parakesarivarman alias Udaiyar Sri Rajgndra-Choladeva I. Records in his twenty-ninth year, Rishabha, Wednesday, Ardra, RY 21 corresponding to May 6, A.D. 1041, gift of land by the great assembly of Kamarasavalli-chaturvedimarigalam to &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;Sakkai Marayan VikramasOlan for performing the dance (Sakkai &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;kuttu) thrice on each of the festivals Margali-tiruvadirai and &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;Vaigasitiruvadirai. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0pt; margin-left: 36pt; margin-top: 0pt;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 0pt; margin-left: 36pt; margin-top: 0pt;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;Interestingly Margali Thiruvadhirai is also the natal star of Rajendra 1.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style=&quot;background-color: transparent;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;ol start=&quot;6&quot;&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: decimal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;ARE 66 of 1914. (Tamil.) On the north, west and south walls &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;of the same shrine. A record of the Chola king Rajakesarivarman &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;alias Tribhuvanachakravartin Kulottunga-Choladeva I. Records &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;in his twenty-seventh year, Tula, su. di. 10, Sunday, Satabhishaja, &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;corresponding to(18th October 1097), gift of land for a flower garden &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;by the assembly of Kamaravalli-chaturvedimarigalam, a brahma&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;deya in Viraikurram which was a subdivision of – Jaya vindoha Chola &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;valanadu. The land had been waste and it was now given for the &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;garden tax-free, and the assembly resolved to bear the burden in &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;case the tax (irai) was levied. &lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;ol start=&quot;7&quot;&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: decimal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;ARE 67 of 1914. (Tamil.) On the west wall of the same &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;shrine. Records in seventeenth year Chola Rajaraja III( Ad 1213) a sale of land in Vannam alias Madhurantakanallur, a devadana village belonging to the &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;temple of Karkotisvaram-Udaiyar, in Virai-kurram, a subdivision &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of Vikrama-sola-valanadu. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;8 . ARE 68/1914. (Tamil.) &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Akkaradilai On Thiruvadhirai&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;:  On the same wall. Records in the fifteenth year of the Chola king Rajaraja-Rajakesarivarman (Raja &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;raja I) gift of land for the offering of akkaradalai on the festival &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;day of Margali-tiruvadirai. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;ol start=&quot;8&quot;&gt;
&lt;li style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; list-style-type: decimal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;ARE 69 of 1914. (Tamil.) &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Margahzhi Archanai with Lotus:&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;On the same wall. A record of &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;the Chola king Rajaraja-Rajakesarivarman alias Rajarajadeva 1 records in his twenty-second year, Dhanus, su. di. 9, Monday, &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;Revati, gift of tanks and ponds by the Mahasabha for supplying &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;red lotuses daily during the month of Dhanus to the Mahadeva &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;temple. The date corresponded to December 2, A.D- 1006. &lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;9.ARE 70 of 1914. &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sandal paste for every Kala Puja:&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; (Tamil.) On the same wall. Records in the twenty-fourth year of Rajakesarivarman alias Raja-Rajarajadeva &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;I gift of 4 mas of land for sandal paste (l pala every sandi) to Tiru- &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;nallur-Mahadeva of the temple of Tirukkarkotisvaram at Kamara (sa0 &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;valli-chaturvedimarigalam by a native of Priyadhlramarigalam. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;10.ARE  71 of 1914. (Tamil.) On the same wall. Records in &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;seventeenth year and thirty-seventh day of king Rajarajadeva (III) &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;a sale of land. . &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;11.ARE  72 of 1914. (Tamil.) On the west and south walls of the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;same shrine. A record of the Chola king Parakesarivarman alias &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Rajendra-Choladeva I, dated in his eighth year, Tula, Friday 9, &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sravana, corresponding to October 9, A.D. 1019. Records gift of &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;land. The assembly is stated to have met at the temple of Sri- &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Kayilasamudaiyar in this village. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;12. 73 /1914. (Tamil.) On the same walls. A record of &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;the Chola king Rajakesarivarman alias Tribhuvanachakravartin &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Kulotturiga-Choladeva I, dated in his twenty-sixth year, Makara, &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;su. di, 13, Thursday, Ardra (=January 10, A. D. 1096). The assem&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;bly makes provision for festivals and sri-bali in the temple of Sri- K&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;ailasa alias Rajendrasola-Isvaramudaiyar. It resolved that one &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;kuruni of paddy from irrigated fields, one kuruni from lands grow- &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;ing varagu and sesame one nut from every kamugu and one &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;lamp-oil from the owners of every manai was to be collected from &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;the village. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;13. 74 of 1914. (Tamil.) On the south wall of the same &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;shrine. Dated in the reign of the Chola king Rajaksarivarman. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Records in his fifth year, Makara, Friday, Punarvasu, gift of land &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;for Chitari, Akil, Sandal, camphor Neriyasam for fumigation,by Balasiriya-Bhattan Sllan Kuttan of Adanar, a devadana and brahmadeya in Innambarnadu. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;14. 75 of 1914. (Tamil.) On the same wall. Records gift &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of two stones by Kadan Adigal of Arunalur. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;15. 76 of 1914. &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Samaveda during Abhishegam during Margazhi thiruvadhirai.&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;(Tamil.) On the same wall. Records in &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;the thirteenth year of the Chola king Rajaraja-Rajakesarivarman, &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&quot; who destroyed the ships at salai &quot; (Rajaraja I) gift of fifteen &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;kalanjus of gold, the interest on which was to be given to those &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;who recited the Talavakarasamaveda on the day of Tiruvadirai in &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;the month of Margali before the God&#39;s bath. Details of the &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;method of recitation given. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;16. 77 of 1914. (Tamil.) &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Amavasya Bhojanam:&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;On the same wall. Records in the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;seventeenth year of the Chola king Rajaraja-Rajakesarivarman &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;(Rajaraja I) gift of gold for the midday offerings by the madhyastha &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of the village on the new-moon days. Kamaravalli-chaturvedi &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;mangalam is mentioned as a brahmadeya in Vadagarai Rajaraja- &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;valanadu. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;17. 78 of 1914. (Tamil.) On the same wall. A record of &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;the Chola king Parakesarivarman, dated in his ninth year, Dhanus, &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Thursday, Krittika. Registers gift of land for conducting the ser&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;vices of sribali and tiruppalli eluchchi. Mentions Kodandarama &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;vaykkal. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;18. 790/1914. (Tamil.) On the north wall of the mantapa &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;in front of the same shrine. Records that the mantapa was con&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;structed by Araiyan Tiruvararigamudaiyan Appaninum-nalla &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sembiyadaraiyan of Pudukkudi. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;19. 80 of 1914. (Tamil.) On the same wall. A record of &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;the Chola king . . . Chakravartin Vikrama-Choladeva( &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;1135). Records in his fourteenth year gift of land. Built in at &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;the end. Mentions that Venkadan Pandararigamudaiyan alias &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Neriyudaichchola Pallavarayar, a native of a village in Marudadu&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;nadu, a subdivision of Venkunrakottam in Jayarigondasola-manda&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;lam, was also present in the assembly. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;20. 81 of 1914. (Tamil.) On the same wall. A record of &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;the Chola king Parakesarivarman alias Tribhuvanachakravartin &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Vikrama-Choladeva (11 35) in his fourteenth year, relating gift &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of ten kalanjus of gold for a lamp to the temple of Tirukkar&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;kodaisvaramudaiya-Nayanar at Kamarasavalli-chaturvedimarigalam &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;in Viraikurram, a subdivision of Vikramachola-valanadu. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;21. 82 of 1914. (Tamil.) On the south wall of the same &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;mantapa. An incomplete record of the Chola king Tribhuvana- &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;chakravartin Kulothunga Choladeva (I), dated in his fiftieth year. &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Records gift of money for three lamps. States that Kamarasavalli- &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;chaturvedimarigalam was a brahmadeya in Viraikurram, a sub-&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;division of Vadagarai UlaguyyavandasOla-valanadu. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;22. 83 /191 4. &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Thamboolam for Ardha Jamam:&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Tamil. On the same wall. Records in the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;tenth year of the Chola king Tribhuvanachakravartin Kulotturnga &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Choladeva (III), &quot; who was pleased to take Madurai (Madura), &quot; &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;gift of money for a lamp and midnight offerings and for betel- &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;leaves, areca-nuts, a knife (kilikatti) and a pair of scissors to the &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;God and Goddess by a native of Alarigudi. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;23. 84 /1914. (Tamil.) On the same wall. Records in the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;fiftieth year of the Chola king Rajakesarivarman alias Tribhu- &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;vanachakravartin Kulotturiga-Choladeva I, gift of land for worship &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;by the assembly to the temple of Ti ruvagattisvaram udaiya - &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Mahadeva at Valavan-Puliyarigudi *in Vadagarai-Ulaguyyavan- &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;dasola-valanadu. Mentions the irrigation channels Kodandarama- &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;peruvaykkal and Avanigandharva-vaykkal.  &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;24. 85 of 1914. (Tamil.) On the same wall. Records in &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;fourth year of the Chola king Vikrama-Choladeva gift of money &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;for a lamp to the temple of Tirukkarkoti-lsvaramudaiyar at &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Kamadavalli-chaturvedimarigalam in Miraikorram, a subdivision &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of Jeyavinoda-valanadu. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;25. 86 of 1914. (Tamil.) On the same wall. Records that &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Araiyan Tiruvararigamudaiyar alias Sembiyadaraiyar of Puduk&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;kudi covered this mantapa with flat tiles. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;26. 87 of 1914. (Tamil.) On the same wall. Dated in the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;reign of the Chola king Rajakesarivarman alias Tribhuvana- &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;chakravartin Kulottunga-Choladeva II. Records in his third year, &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Simha, su. di. 12, Thursday, Sravana (= August 22, A.D. 1135), &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;gift of land for two lamps. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;27. 88 of 1914. (Tamil.) On the east wall of the first &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;prakara of the same temple. Records in the tenth year of the &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Pandya king Jatavarman Tribhuvanachakravartin Vira-Pandya- &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;deva assignment of certain customs duties on articles of merchan&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;dise for repairs to the temple of Tirukkarkotisuramudaiya-Naya&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;nar at Kamadavalli-chaturvedimarigalam, by the people of the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;eighteen countries and the seventy-nine valanddits. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;28. 89 of 1914. (Tamil.) &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: bold; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Saturday Oil Bath: &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;On the entrance into the gopura &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of the same temple, right side. Records in the twenty-second year &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of the Chola king Tribhuvanachakravartin Rajarajadeva, gift of &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;oil by the oil merchants for bathing the God with it, on Saturdays. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: transparent;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;29. 90 0/1914. (Tamil.) In the same place. Records in the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;sixteenth year of the Chola king Tribhuvanachakravartin Raja- &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;rajadeva, gift of a silver forehead-plate by a native. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;30. 91 of 1914. (Tamil.) On the same entrance, left side. &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;A record of the Chola king Tribhuvanachakravartin Rajarajadeva, &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;III. Records in his nineteenth year, Vrischika, su. di. II, Wednes&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;day, Satabishaj, corresponding to October 4, A.D. 1234 , gift of oil for lamps. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;31. 920/1914. (Tamil.) On the east wall of the Ganapati &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;shrine in the same temple. Records in the eleventh year of the &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Chola king Tribhuvanachakravartin Rajarajadeva that the assem&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;bly of Kamadavalli-Chaturvedimarigalam arranged to have the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;village administration (grama-karya) attended to by those who &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;consented to vacate their seats by the year, according to the old &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;custom. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;32. 93 of 1914. (Tamil.) On the north wall of the same &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;shrine. A record of the Chola king Tribhuvanachakravartin &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Rajendra Choladeva II. Records in his fourteenth year, Vrischika,&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;ba. di. 5, Thursday, Punarvasu ( = November 6, A.D. 1259), gift of &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;land for maintaining a flower-garden to the temple of Kamada&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;valli-chaturvedimarigalam in Virai-kurram in Vadagarai-Vikrama &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Chola-valanadu. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;33. 94 /1914. (Grantha and Tamil.) On the same wall. &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Records in the fifth year of the Hoysala king Pratapachakravartin &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Vira-Somesvara that the king in settling the dispute between the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;temple managers and a private individual regarding the ownership &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of the village Vannam alias Madhurantaka-nallur, decided that it &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;should be enjoyed as a temple property. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;34. 95 /1914. (Tamil.)Sambandar Madam: On the east, north and west walls &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of the Chandikesvara shrine in the same temple. A record of the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Chola king Tribhuvanachakravartin Rajendra-Choladeva, dated in &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;his twelfth year . . . su. di., Friday. Registers gift of land to the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Tirujnanasambandan-tirumadam by Kunrarikilan Tiranavukkarasu- &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;devan, a native of Urrukkattu-kottam . &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;35. 95 1914. (Tamil.) On the east, north and west walls &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;of the Chandikesvara shrine in the same temple. A record of the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Chola king Tribhuvanachakravartin Rajendra-Choladeva, dated in &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;his twelfth year . . . su. di., Friday. Registers gift of land to the &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Tirujnanasambandan-tirumadam by Kunrarikilan Tirana vukkarasu&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;devan, a native of Urrukkattu-kottam in JayarigondasOla-nianda- &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;lam and a devotee of the temple. &lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Gurukkal stays in the temple. No Vahanam.&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Contact person – Mr V Raghunathan of &lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px;&quot;&gt;Sri Balambika Seva Samithi, &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &amp;quot;verdana&amp;quot;; font-size: small;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;who stays in Mumbai. 09867792299. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &amp;quot;verdana&amp;quot;; font-size: small;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &amp;quot;verdana&amp;quot;; font-size: small;&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Special Info:&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Appar Bronze with cymbals in hand – dated to 10th Century by DR R Nagaswamy.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;span style=&quot;background-color: transparent; color: rgb(0 , 0 , 0); font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;&lt;a href=&quot;https://picasaweb.google.com/photos.shriram/KamarasavalliInAriyalurDistrict#&quot;&gt;Photos taken by member Shriram&lt;/a&gt; during his visit there.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot;&gt;Contact person in REACH FOUNDATION: J. Chandrasekaran: 944444 1181&lt;/span&gt;&lt;/div&gt;
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</description><link>http://templesrevival.blogspot.com/2011/04/kamarasavalli-temple-renovation-now-in.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh6.googleusercontent.com/uY_RZMeSfy7fWuf6C63PumBp2aLKRgwJ1zu1UTbsy-7ULx3CeLgciG04k9K46uHkAgsNHD1p5i-8l8ZzK4B9V45K7diXkTdcTUfLIo46DONwzOZGqSo=s72-c" height="72" width="72"/><thr:total>6</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-5863445044372991229</guid><pubDate>Thu, 14 Apr 2011 12:25:00 +0000</pubDate><atom:updated>2012-08-24T00:36:40.574-07:00</atom:updated><title>Andhra Pradesh Temple visits - 2</title><description>&lt;div dir=&quot;ltr&quot; style=&quot;text-align: left;&quot; trbidi=&quot;on&quot;&gt;
&lt;b&gt;February 17, 18 and 19 -2011. &lt;/b&gt;&lt;br /&gt;
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Visits to Dharmalingeswara group of Temples in Darupalam, Vishnu temple at Srikurmam, Narasimhaswamy temples at Simmachalam and again to Mangalagiri.&lt;br /&gt;
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The Dharmalingeswara group of temples are totally neglected temples belonging to the late 11th to 14th centuries and are in constant threat due to the illegal mining happening in the hillocks that surround the temple valley.&lt;/div&gt;
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Floors have moved away, pillars falling apart and the inscriptions gleefully white washed for ages. All this were highlighted during the joint visit done with the local Dharmalingeswara trust personnel and the endowments department officials.&lt;/div&gt;
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Thanks to Chilkur Rangarajan and Shri. Vizag Dhiwakar deserve praises and thanks for bringing this temple to our attention and to that of the AP endowments department. The Commissioner had shown special interest and has promised help soon.&lt;/div&gt;
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Here are the &lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/APVisitPanchadarla17thFebruary2011?authkey=Gv1sRgCMeE6IiBgIW0GA#&quot;&gt;photos of Dharmalingeswara temple &lt;/a&gt;Dharupalam.&lt;/div&gt;
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The problems were common feature in other temples we visited. Srikurmam, Mangalagiri etc. Heavy weather coarse, white wash and heavy usage of modern materials. If these are removed and original structures brought back to life, we can save all these temples.&lt;/div&gt;
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In Srikurmam, the murals of Oriyan style exist only in this temple, not even in Orissa! They must be at least 300 years old and electrical wiring and white wash all around were marring the beauty of this temple. The mandapa also had heavy weather coarse.The Roads department were to renovate using modern materials and God sake, we went there a day before, to stop the tendering process of the modern renovation! We thank Srikurmam Vishnu for this endeavour. The star turtles also are bred in this temple vicinity and the forest department was forcing few enthusiasts to send the turtles to the forest. Luckily a recent court order has made the tortoises stay back in this temple, having the typical Oriyan style of temple architecture.&lt;/div&gt;
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Shri. Dhandapani the ASI engineer, and the team climbed atop the mandapa to dig and expose a small portion of the heavy weather coarse to prove that the dead lime is still inside, cement had not blend with the weathering and worst, vegetation roots have spread inside and were playing havoc in breaking away the structures!&lt;/div&gt;
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&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/ApVisitSrikurmam?authkey=Gv1sRgCMnj2L6FluThFg#&quot;&gt;Srikurmam photos are here to see&lt;/a&gt;&lt;/div&gt;
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Simhachalam temple is well maintained except for the heavy weather coarse we explained earlier. Some stitching of the North Western pillars of the sanctum also needs to be done. Otherwise, we can proudly say that this is one of the well maintained temples in AP, with minimum alterations and modernization. &lt;/div&gt;
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&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/ApVisitSimmachalam?authkey=Gv1sRgCKXYqI2j_ubmJw#&quot;&gt;Here are the Simhachalam photos.&lt;/a&gt;&lt;/div&gt;
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During our Tirupathi workshop we had visited the Vakulamma temple in the Tirupathi Bangalore Highway, just located at the outskirts of the Tirupathi town. Sad plight and the temple atop a small granite hillock is left hanging, as there is no way to climb up and reach the temple. The Vimana and the Gopura seen from below show the masterly work done by the Vijayanagara craftsmen in lime which is still intact, in spite of abandonment and growth of vegetation. heavyquarrying is going on all around and like a rat eats away all the crumbs around a big bun, the merciless quarry men have broken and chipped of huge chunks of granite from all around, and the temple is left high and dry, literally. When Venkateswara is happy in Tirumala and Tirupathi, his hapless mother Vakulamaligai alias Vakulamma is left sobering in this temple atop this cliff, always surrounded by the hounding &#39;click click sound of chisels and hammers all throughout the day and night :( Will the endowmenys board save this temple, make a way to go atop and start poojas there?&lt;/div&gt;
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&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/VakulammaTempleNearTirupathi?authuser=0&amp;amp;feat=directlink&quot; target=&quot;_blank&quot;&gt;Photos of Vakulamma Devi temple, Tirupathi &lt;/a&gt;&lt;/div&gt;
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Hope the trips, reports and the action to be taken by the endowments department will save the temples mentioned above.&lt;/div&gt;
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</description><link>http://templesrevival.blogspot.com/2011/04/andhra-pradesh-temple-visits-2.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-5251654352371194989</guid><pubDate>Thu, 14 Apr 2011 12:15:00 +0000</pubDate><atom:updated>2011-04-14T05:25:13.469-07:00</atom:updated><title>The Andhra Pradesh temple visits -1</title><description>&lt;div&gt;&lt;b&gt;Moopidevi, Machilipatnam and Mangalagiri visits:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;January 26th Dr T Satyamurthy the founder and PRO Chandrasekaran visited the Moopidevi Subrahmanya temple, another devi temple at Machilipatnam and the Mangalagiri Narasimhaswamy temple.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In Moopidevi temple, modernization was done to the maximum way and the temple plinth has sunk below the ground level of the current tar road on its front. So the tiles has not allowed the rain water to seep through and normally stagnates.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;REACH suggested that the plinth around the sanctum at least be exposed and a bridge like entry point be given around to go into the sanctum. Water should be allowed to seep into the ground and not stagnate.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In the devi temple, the renovation is done by utmost care by the temple authorities, the royal family from Machilipatnam, related to our REACH AASAI Chairman, Shri. Ravi Sam.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In Mangalagiri temple, the front tower at the temple blow the hillock, needs to be exposed, by removing the additional weights like cement flooring of each tier, the huge sign boards and the signage done at the footage of the tower. This would save the Gopura, as old as that of the ill-famed Kalahasti temple.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The front mandapa also needs rectification. The heavy weather coarse wrongly done needs to be removed and relaid using lighter lime mortar and to a minimal level.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;We again visited Mangalagiri temple on the 19th of February along with ASI staff who are honorary advisors in REACH too. They studied the Gopura and strictly recommended removal of additional materials and expose the original wooden structure with which the whole Gopura has been built. Plans are also afoot to build the Gopura on the East side too with the help of structural engineers consulting from the IIT.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Here are the photos.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/ApTemplesVisitMopideviSubramanyaTemple?authkey=Gv1sRgCOmniM-aiYrE-QE#&quot;&gt;Moopidevi temple&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/MachilipatnamAmbalTemple26thJan2011?authkey=Gv1sRgCIv_sPLpks_JdA#&quot;&gt;Devi Temple, Machilipatnam&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/ApVisitMangalagiriFeb19th2011?authkey=Gv1sRgCNma_4rm88jisQE#&quot;&gt;Mangalagiri&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2011/04/andhra-pradesh-temple-visits-1.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-5821227234932659395</guid><pubDate>Mon, 11 Apr 2011 17:32:00 +0000</pubDate><atom:updated>2011-04-12T19:00:02.777-07:00</atom:updated><title>Heritage Symposium 2011 in Tirunelveli</title><description>&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:0in;margin-bottom:.0001pt;line-height: 14.25pt&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The symposium on dos and don’ts of temple cleaning and conservation, restoration, to educate and create an awareness among the temple cleaners (Uzavarappani &lt;span&gt; &lt;/span&gt;members) from various parts in and around Tirunelveli was conducted on 27&lt;sup&gt;th&lt;/sup&gt; March 2011, in Tirunelveli, Tamilnadu.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The venue was Sri Sringeri Sharadha Kalyana Mandapam, at Sivapuram Street near the Tirunelveli Railway Station. This Mandap, run and maintained by the Sringeri Mutt had a good ambience and the facilities were good. The Mandapa’s Dharmadigari, Shri. Nataraja Iyer and Shri. Kasi Viswanathan the coordinator from the Mutt charged us a very nominal fee for electricity and cleaning, informed to all the media men and had sent invitations for their members to utilize this opportunity to know more on temple conservation. They had also put a huge digital banner for this occasion. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;REACH members hailing from this region popularly called as Tirunelveli Seemai in Tamil, Shri. Kalakkad S.S. Mani and Shri. R.Ramsundar @ Chandru (who also showed us his ancestral house in Kallidaikurichi) were the coordinators for planning and executing this function with precision and élan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;25&lt;sup&gt;th&lt;/sup&gt; night we had the right starter to unfold more interesting things to come. Trustee P.N. Subramanian and his wife, Mrs. Anu Subramanian were relaxing&lt;span&gt;  &lt;/span&gt;in their home misreading the return ticket time and hardly had 20 minutes to reach the station. Quick brain storming made us tell them they better reach Tambaram, as the train would be there in half an hour’s time, after leaving Egmore. As luck would have it, or call God’s golden hand (like Maradona’s Golden hand in the football world cup match) somebody had pulled the emergency chain in the compartment to make a running couple join their kid who was in the train! So, the train started from Egmore some 7 minutes late, which was good enough for our leading pairs of this story to catch up in Tambaram!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The driver of Mr. PNS was more confident and he drove like the auto rickshaw driver seen in the James bond Advertisement in Manila driving an auto rickshaw through mad crowds!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;PNS was praying that his new car does not incur a huge bill for that race driving and other experienced members who own cars assured Toyota makes would never wear down that badly and he can cherish his moment of thrill and suspense and not worry about the car! Anu was feeling like she enacted an unbelievable climax scene and never thought she could make it to the D-day!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;26&lt;sup&gt;th&lt;/sup&gt; March, Saturday &lt;span&gt;  &lt;/span&gt;morning we reached Tirunelveli junction and were accommodated at the Kalyana Mandapam itself. &lt;span&gt; &lt;/span&gt;We had planned for a one day heritage trip to cover both important temples as well as some dilapidated temples which need care.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;We first went to Chermadevi, (as spelt by history enthusiast Muhammad Ali, a retired teacher who is spending his life on such temples and their history, a native of this small hamlet). There is Bhaktavatsala Temple, well maintained by the ASI, belonging to Chola (Rajendra -1, 1012- 1041), patronized by later Pandyas as well as the Vijayanagara and Nayaks as well.&lt;span&gt;  &lt;/span&gt;We spent some time analyzing the structures and epigraphs in the temple. As usual Epigraphist Ramachandran was at his best reading out some rare epigraphs for us. The deity, standing alone is a rarity and had the sure marks of a late Nayaka sculpture, but locals say the sculpture would have been replaced later. The standing Vishnu has a serpent hood above his head. The Maha Mandapa has a safe room on its floor, and members Chandra, Ramsundar, Ramnath and Gopalan braved to go in and come out. Epigraphist Ramachandran, as ever, young in mind, also went in. The height of the safe room was hardly 2.5 feet and the width by length some 8 x 6 feet. As people keep telling that there is a tunnel leading to another temple or city, which is mostly untrue, normally such rooms were made to save the jewels and main deities from invaders, which were nothing but ancient locker rooms!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Dr. T. Satyamurthy reminded his earlier days, when he and K.K. Ramamurthy used to walk a long path and struggle through the ruins of this temple to locate parts and pieces, for restoring them. Today it is remains a temple worth the visit and has all the typical ASI trademark, spick and span. While coming from Tirunelveli to Chermadevi, another temple just opposite to the location of this Bhaktavatsala temple, a Vishnu temple stands out for showing as an example, of HOW NOT TO RENOVATE A TEMPLE! Funded by some local corporate, the renovators were using all materials that are taboo for heritage stuff, like acrylic paints, heavy cementing and finally a gory look. We did not have hearts to go into the temple, fearing we may get into fist fights with those who were renovating. So much for the passion of our REACH members on preserving heritage with all its original ingredients!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;After this visit, we went to Ramasamy Temple located in Chermadevi itself, which Mr. Muhammad Ali was talking about. Liberally coated with white wash and renovated some years ago with loads of heavy cemented brick bats and weather course, this temple needs immediate cleaning and then documenting. The ceilings of the Mahamandapa have all the scenes of Ramayana sculpted in granite and those were also not spared, with white wash! There is a single pillar with Rama, Seetha and Hanuman sculpted within itself. The front fascia of the temple dwara also has some interesting sculptures like calf and cow, frog, snake etc. Wonder why these were carved atop at such vintage point!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;By noon, we proceeded to Thirupudaimarudur which stands majestically besides the river Tamirabarani. Photographs inside the temple were strictly not allowed, which makes enthusiasts not get an opportunity to share the beauty of this temple in full through internet. But the seven tiered Gopuram has plenty of mural paintings which have many interesting paintings starting from mythology till recording the trading of various countrymen through Indian seas. The colours, the shades used to show different races, men, their clothing and style is mind boggling.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;line-height:14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Among the wooden carvings seen in this tower, one may miss out the famous mysterious siddha if one does not see the miniatures carved atop carefully. Men, animals, gods and apsaras all in one go need more than a day to understand and assimilate the beauty into our minds.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The noon lunch was ready at the spacious guest house of retired Chief Justice Shri. Ratnavel Pandian, the first REACH Heritage awardee, who hails from this village. Tress of all shades and fruits abandoned painted storks nurtured and bred here are a sight to see. We had hands full of Gooseberries picked from the farm house.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;After this we went to Kallidaikurichi to see the streets were the shooting of the anniyan song, “Andan kakka kondai kari”, in which the first house belongs to the family of our member Ram Sundar. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Then we proceeded to Adichanallur where remains to get excavated further to unearth the sites enormity of size and civilization, once existed. The site predominantly was a burial sites, which had three tire of burial done. After Alexander Rhea in 1906 it was our founder T.Satyamurthy who excavated this site during his service with the ASI, to find out many remnants of bye-gone civilization. The dates are similar to that of Mohenjo-Daro and Harappa. He and Mr. Ramachandran lamented that the huge site, across the road also needs to be unearthed and also some 54 other sites in and around this region to expose fully the antiquity of this region. Unfortunately neither the central nor the state archaeology departments force the Government to fund for such projects of international importance. Just before leaving the site, we saw the upper rim of a buried pot, but due to paucity of time, we had to rush further. One day may be one group of REACH members would excavate this site! &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Then we went to Sri Venkatachalapathy Temple at Krishnapuram, known for its famous pillar sculptures. Sad part, the watchman acted very peculiar, opposing us taking snaps of the famous pillar sculptures, but we were wondering how come the photos are very much available in the internet!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The mythology the watchman was pouring out was mostly fictious and had nothing in tune with the real facts from the figures. After persuaded efforts and giving him our credentials and contacts, including the HR&amp;amp;CE commissioner himself, he relented and allowed us to photograph. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The front Mandapa also has some beautiful sculptures of Rathi, Manmatha and warriors. Sand blasting done recently had its own loss, as well as thick oil was smeared on the sculptures to mask the ill-effects the sand blasting.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The night was spent by few members by arranging chairs, tying banners and a fortunate few who had their forty winks intact!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;There was a press note on Saturday 26&lt;sup&gt;th&lt;/sup&gt; March in the vernacular Tamil Dinamalar, detailing about proposed heritage wardens’ meet.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Again the in the morning, few went to the Nellaiappar temple and few served around to make last minute arrangements. Heritage wardens started to turn up as early as 8 a.m.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The reception and registration was taken by the Tirunelveli conveners. Registration of new members and data on old dilapidated temples in and around the district were also recorded in separate papers.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;After lightening the kuthivilaku by the chief guests, the meeting started off with an invocation by Shri. Senthilandavan Ayya, a senior Uzavarappani member from Nagercoil.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Dr. T.Satyamurthy, REACH founder welcomed all members on behalf of REACH and gave a brief on how REACH is imparting knowledge to the rural folks and creating awareness on how to restore and maintain heritage temples. He also emphasized that if the old building materials were available, the cost also would be minimal, only involving skilled ASI trained workers to re-lay the stone structures. On making lime sculptures around the Vimana one has to study the period, the style and replace them with similarly looking ones. He mentioned Tirunelveli as Purna Bhoomi and hence close to his heart. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The Nellai Chapter of REACH was opened officially by Sri Nambirajan in presence of other chief guests.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Sri Nambirajan, the Superintendant, of ASI Trichur Circle, also a native of Tirunelveli district was the Chief Guest. He shared his experiences in conservation by presenting a PowerPoint and also extended his help in giving consultation for those who sought his office’s help in technical expertise. The representatives of Sringeri Mutt, Shri. Natarajan and Shri. Kasi Viswanathan also addressed the gathering. They reminded us that the Sashtiabhdapoorthi of the Sringeri Seer, Shri. Bharathi Theertha Swamigal is being celebrated all across the globe and it was a coincidence and the almighty’s wishes that they had to collaborate with REACH to start the Tirunelveli Chapter to attend to dilapidated temples and monuments.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Shri. Kasi Viswanathan assured all his help and said that he had a list of temples in need, almost some 7000 temples, and was interested in sharing the data with REACH. He also had identified Sthapathis from local areas who work adhering to the Sastras and old architectural practice, and also at an affordable cost.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;There was power point presentation by Shri J. Chandrasekaran, the secretary and P.R.O of REACH on the start and the current growth of REACH. He said it was a coincidence that the first Heritage wardens’ symposium was also conducted at Tatvaloka, again another body of the Sringeri Mutt, Teynampet, Chennai. His PowerPoint showed how negligence and official apathy spoilt the very basics of heritage conservation. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Shri Ramachandran, REACH historian and epigraphist, an authority on epigraphs insisted on how inscriptions depicted in various temples highlighted by him clearly explain the stanzas of the history and the deep knowledge the makers had in as well as in the temple history. He requested the restorers to at least appreciate the real methodology and the hard work the workers had put in those days, and not re-arrange the stones with which the temples were built.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Dr Padmanabhan, reminisced how at the instance of Dr T Satyamurthy, had started an information centre in Nagercoil. He lamented that the Pandya history is not well projected compared to the other famed Cholas and Pallavas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Mr. Aravind Neelakanthan the editor of tamilhindu.com and the author of a twelve year researched book on fault line of Aryan Invasion, spoke how temples centric town planning were done and his powerpoint was bedecked with ancient texts and sketches. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Mohammad Ali of Chermadevi spoke of his interest in Hindu temples and their art and architecture marvels. Sri K.K. Ramamurthy Ex ASI Tirunelveli region shared his experiences &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;&lt;span&gt; &lt;/span&gt;Sri Naveethakrishnan, an Uzavarappani enthusiast, from the village Eral cautioned the propaganda done by other religious heads and insisted the importance to prevent conversion to evolve a temple centric activity in all villages.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Shri. Kalakkad Chandrasekaran shared is experiences and invited Uzavarappani members to further do cleaning of their huge temple.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Sri Nellai Nedumaran could not make it to the function but had sponsored for the food expenses of this event. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;In his concluding address, Dr T Satyamurthy on behalf of REACH thanked everybody who had made arrangements for the meeting, the participants and the guests of the function. He wished every member collect the data of all dilapidated heritage structures in this region and start working on them to enable us find out how best we can find solutions to renovate them. Shri. Durai, the member of Tamil Heritage Foundation, having their deep presence in the net, as a Google group called Mintamil, observed the proceedings along his enthusiastic wife. When we talked to them later, they revealed that this meeting opened their eyes in many fronts, and would surely chip in, being a civil contractor, on temple conservation more actively in days to come. He was the one to report on Manimurthiswaram Ganesh temple, as soon as we were back to our places!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;Sri S.S. Mani of Kalakkad made the vote of thanks thanking everybody for their participation &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;After lunch, most members attended the live reporting on the dilapidated conditions, the reasons and the methods to renovate duly explained by K.K. Ramamurthy, Shri. Dhandapani, Shri. Nambirajan, all from ASI, Trichur, as well as by Dr. T. Satyamurthy himself.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-family: Cambria, serif; &quot; &gt;&lt;b&gt;&lt;i&gt;The return on the same night by train to Chennai also had its share of climax! Mrs. Satyamurthy had not brought her ID card, but the Ticket examiner was generous enough to glance at passport of hers, got through the email of her daughter. Ramnath and SS Mani punched their laptops and wireless net cards to get the same in their emails, thanks to the frantic call of Dr T Satyamurthy to his daughter in US! Communication is the key to development and we saw that in real life experience! Did someone say 2G? We just heard it as 3 cheers, when the Ticket examiner agreed and walked away!&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12pt; text-align: justify; line-height: 14.25pt; &quot;&gt;&lt;span class=&quot;Apple-style-span&quot;  &gt;&lt;b&gt;&lt;i&gt;The photos taken by PRO Chandra, of the 26&lt;sup&gt;th&lt;/sup&gt; heritage trip are here to see.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12pt; text-align: justify; line-height: 14.25pt; &quot;&gt;&lt;span class=&quot;Apple-style-span&quot;  &gt;&lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/BakthavatsalaTemple19032011?authkey=Gv1sRgCODmk-za54SXQw&quot;&gt;Bakthavatsala Temple&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12pt; text-align: justify; line-height: 14.25pt; &quot;&gt;&lt;span class=&quot;Apple-style-span&quot;  &gt;&lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://www.google.com/accounts/TokenAuth?auth=APh-3FzlpZUP5UyUZMYosc56jhrqi9v_dxc1zCFXB6izcjCYpBS3Aal3k3Ygu-6aPF-PDArToXXNmVR43psS-RZ7YKilYFNMaXdSsz21WUDoOW_KBOu460VnU3nYk0ZOGo-uPFgPvUjCFkxdeGk_NSepmhJjYfSZZTl6-iNWI7Gt2XtqQaakaujhM4FFEFq5r7dX98TIRPtRUPwLk&quot;&gt;Ramaswami Temple&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12pt; text-align: justify; line-height: 14.25pt; &quot;&gt;&lt;span class=&quot;Apple-style-span&quot;  &gt;&lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Adichanallur?authkey=Gv1sRgCOC_1Zzwz7mDUA#5594878260187074578&quot;&gt;Adichanallur&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12pt; text-align: justify; line-height: 14.25pt; &quot;&gt;&lt;span class=&quot;Apple-style-span&quot;  &gt;&lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Kallidaikurichi19032011?authkey=Gv1sRgCIPFid3x5cGRDg&quot;&gt;Kallidaikurichi&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12pt; text-align: justify; line-height: 14.25pt; &quot;&gt;&lt;span class=&quot;Apple-style-span&quot;  &gt;&lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Thirupudaimarudur19032011?authkey=Gv1sRgCImdwsyCpp3OuAE&quot;&gt;Thirupudaimarudhur&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12pt; text-align: justify; line-height: 14.25pt; &quot;&gt;&lt;b&gt;&lt;i&gt;&lt;a href=&quot;https://picasaweb.google.com/111020195956704115146/Krishnapuram?authkey=Gv1sRgCLWkh4Li3ePTzwE&quot;&gt;&lt;span class=&quot;Apple-style-span&quot;  &gt;Krishnapuram&lt;/span&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-family: Cambria, serif; &quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;&quot;&gt;&lt;b&gt;&lt;i&gt;The photos of the function are &lt;a href=&quot;https://picasaweb.google.com/lh/sredir?uname=r.ramsundar&amp;amp;target=ALBUM&amp;amp;id=5589380930881707649&amp;amp;authkey=Gv1sRgCOvDmcTN58-6Tg&amp;amp;feat=email&quot;&gt;here to see&lt;/a&gt;, courtesy Kallidaikurichi, &quot;oye&quot; Shri. Ramsundar@ Chandru :)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;margin-bottom:12.0pt;text-align:justify;line-height: 14.25pt&quot;&gt;&lt;span style=&quot;font-size:12.0pt;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-font-family:&amp;quot;Times New Roman&amp;quot;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://templesrevival.blogspot.com/2011/04/heritage-symposium-2011-in-tirunelveli.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-4575918021517771550</guid><pubDate>Tue, 04 Jan 2011 17:57:00 +0000</pubDate><atom:updated>2011-01-04T09:58:28.716-08:00</atom:updated><title>Another temple seeking restoration</title><description>&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: arial, sans-serif; font-size: 13px; border-collapse: collapse; &quot;&gt;&lt;h1&gt;&lt;a href=&quot;http://www.poetryinstone.in/lang/en/2011/01/04/a-crumbling-treasure-in-pullalur.html&quot; rel=&quot;bookmark&quot; title=&quot;Permanent Link to A crumbling treasure in Pullalur &quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;A crumbling treasure in Pullalur&lt;/a&gt;&lt;/h1&gt;&lt;p&gt;&lt;a href=&quot;http://www.poetryinstone.in/wp-admin/post.php?action=edit&amp;amp;post=3623&quot; title=&quot;Edit post&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;It was almost noon and despite my folks showing various signals that it was past their endurance point, I was lost amidst the treasures of kanchi kailasanthar temple, when the jolt of my ( ok loan from Dad) samsung handphone brought me back to my senses.&lt;/p&gt;&lt;p&gt;“Vijay, come over on Kanchipuram Arakkonam route, am waiting near Tirumalpuram railway station. ” It was heritage enthusiast K.S. Shankaranarayanan. We were to go and try and cover the Early Chola temple in Tirumalpuram. Little did i realise what the rest of the day held in store for me. Halfway through, the landscape got the best of my brother’s ford and my folks. Quick decision to send them on their way back to chennai and i shifted to shankar’s vehicle. The next two hours was an amazing experience but that post will follow shortly, as what we witnessed later on during that day, churned our insides out. The image has been haunting me every since, and i sincerely hope and pray that there can be something that we can all collectively do to save this astounding structure from crumbling to dust.&lt;/p&gt;&lt;p&gt;What and where is this structure that i talk of ? Its an area that has surprisingly witnessed two historic battles. ofcourse, the name Pullalur, wouldn’t register as a Panipet would do, however a little flashback - for those who have read Kalki’s Sivagamiyin sabatham - thanks to Pavithra for the online English translation - am sure Sivagami &amp;amp; Gundotharan along with Pullikesi and Narasimha Pallava would come back to refresh our memories.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://sivagamiyin-sabadham.blogspot.com/2005/06/chapter-24-battle-at-pullalur-part-2.html&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;Sivagamiyin Sabatham - Battle at Pullalur&lt;/a&gt;&lt;/p&gt;&lt;p&gt;The site also witnessed an astounding defeat of the British by Tippu and the french in 1780 - read more from Sri Muthiah’s -&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://madrasmusings.com/Vol%2019%20No%2013/otherstories.html&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;The story of Two Obelisks.&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Ok, enough of the location, what you are going to see below is possibly a ….&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8321&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;where+am+i&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8320&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;where+am+i&quot; width=&quot;107&quot; height=&quot;150&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;No self publicity here. You will understand the reason for me posing here after a couple of progressive longer shots ! Now, where am ?&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8324&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;where+am+i2&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8323&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;where+am+i2&quot; width=&quot;112&quot; height=&quot;150&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;Hmm, lets zoom out a bit more.&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8304&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;the+front+view&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8303&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;the+front+view&quot; width=&quot;112&quot; height=&quot;150&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;We were actually returning after visiting the temples in worship in Pullalur, when from inside these bushes Shankar spotted this structure. When we enquired around, the villagers mentioned ” Oh, that’s our tonsured Vimana ( mottai Gopuram)”&lt;/p&gt;&lt;p&gt;It was only when we went nearer, that we could gauge the actual scale of this beauty.&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8263&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;brick+vimana&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8262&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;brick+vimana&quot; width=&quot;112&quot; height=&quot;150&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8272&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;fantastic+structure&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8271&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;fantastic+structure&quot; width=&quot;86&quot; height=&quot;150&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8292&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;scale&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8291&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;scale&quot; width=&quot;104&quot; height=&quot;150&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;The lower base has been subject to parasitic activity - obviously the bricks have been put to ` better’ uses.&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8258&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;base+stripped+bricks&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8259&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;base+stripped+bricks&quot; width=&quot;150&quot; height=&quot;66&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8269&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;entrance&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8268&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;entrance&quot; width=&quot;150&quot; height=&quot;76&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;The towering tower really started overpowering us with its imposing presence, like an aged warrior, despite its visible marks of valor, it still held its head high in the skies. We counted six tiers capped by a beautiful shikara ( the top dome is missing now)&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8276&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;first+tier&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8277&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;first+tier&quot; width=&quot;150&quot; height=&quot;57&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8293&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;second+tier&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8294&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;second+tier&quot; width=&quot;150&quot; height=&quot;53&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8305&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;third+tier&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8306&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;third+tier&quot; width=&quot;150&quot; height=&quot;40&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8308&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;third+tier&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8309&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;third+tier&quot; width=&quot;150&quot; height=&quot;40&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8279&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;fourth+tier&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8280&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;fourth+tier&quot; width=&quot;150&quot; height=&quot;53&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8273&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;fifth+tier&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8274&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;fifth+tier&quot; width=&quot;150&quot; height=&quot;56&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8296&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;sizth+tier+sudai+narasimhar&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8297&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;sizth+tier+sudai+narasimhar&quot; width=&quot;150&quot; height=&quot;60&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8299&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;sudhai+narasimhar&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8300&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;sudhai+narasimhar&quot; width=&quot;150&quot; height=&quot;60&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8313&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;top+shikara&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8312&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;top+shikara&quot; width=&quot;150&quot; height=&quot;71&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;There were still a few Sudhai ( lime &amp;amp; mortar) sculptures on the Vimana.&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8288&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;narasimhar+sudai&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8289&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;narasimhar+sudai&quot; width=&quot;115&quot; height=&quot;150&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8317&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;who+could+it+be&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8318&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;who+could+it+be&quot; width=&quot;148&quot; height=&quot;150&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;Despite all the destruction around it, centuries of obvious neglect spawning a profusion of vegetation eating into it - the real beauty of this Vimana came to us. What we cannot delivery today, with the best of engineering talent, machines, science, technology, advances in materials - this lonely edifice proclaimed its mastery in silence, with a profound sense of grief and overpowering sadness that enveloped us, touching a raw chord in our hears was its core, which revealed itself to us in a powerful manner as we stepped inside the Vimana.&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8266&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;engineering+marvel&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8265&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;engineering+marvel&quot; width=&quot;150&quot; height=&quot;91&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8287&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; title=&quot;insideview+of+vimana&quot; rel=&quot;lightbox[3623]&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;&lt;img src=&quot;http://gallery.poetryinstone.in/main.php?g2_view=core.DownloadItem&amp;amp;g2_itemId=8286&amp;amp;g2_serialNumber=2&amp;amp;g2_GALLERYSID=1459735324c9fe91c199a1b6bf1c1fbc&quot; alt=&quot;insideview+of+vimana&quot; width=&quot;150&quot; height=&quot;111&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;The engineering skill of the ancients - it was still picture perfect, the sacred geometry of the tiers were still doing their duty. But in that, they seem to place an appeal to us. Duty bound to their task, despite the main deity not being present, they conveyed the essence of the Omnipresent. The Tamil equivalent of the central core of a temple is called the ” karu varai” which essentially means a mother’s womb - such a profound significance for a name and the selfless dedication that is associated with it. Can we do something in return?&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.poetryinstone.in/2011/01/04/a-crumbling-treasure-in-pullalur.html&quot; target=&quot;_blank&quot; style=&quot;color: rgb(0, 0, 204); &quot;&gt;http://www.poetryinstone.in/&lt;wbr&gt;2011/01/04/a-crumbling-&lt;wbr&gt;treasure-in-pullalur.html&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Thanks to Vijay for bringing this to notice.&lt;/p&gt;&lt;/span&gt;</description><link>http://templesrevival.blogspot.com/2011/01/another-temple-seeking-restoration.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-5076333287752519125</guid><pubDate>Sat, 23 Oct 2010 04:06:00 +0000</pubDate><atom:updated>2010-10-22T21:15:38.732-07:00</atom:updated><title>Cheruvi-Sricity-Temple-visit</title><description>Sri City Developers who are owning a BIG S.E.Z site at outskrtis of tamilnadu border, on the Nellore Highway, at TADA, have a social responsibility team and their Chief Mr.Vishwanath invited REACH team to visit two ancient temples lying with their project site, in village Cheruvi for suggesting renovations.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;We were happy to receive a warm welcome from the Sri City team as well as visit the site on October 9, 2010. Our PRO Chandrasekaran visited the site on behalf of REACH.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The temple tower is imposing and tall, but the maha mandapas, artha mandapas and sanctum sanctorum of the Vishnu temple there was in total dilapidated condition. Vegetation has grown over there and villagers claimed that the idols were shifted to some other temple, century ago! Except for the two dwarapalakas standing on either side of the Maha mandapa no sculptures were there! We were frantically checking for the signs for ascertaining the period of the temple, when to our joy found the boar, moon, sun and the  sword symbol, which clearly states this to be aVijayanagara period temple, in one of the pillars!&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Just close by, another Shiva temple, with the devi intact but the Shiva linga turned upside down was found and it is interesting to note that the builders, developers, Sri City owners themselves were keen on restoring these temples soon. A meeting with their M.D Shri.Reddygaru is awaited and after that we will keep you posted with the renovation/ restoration efforts soon!&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Here is the slide show of the temples.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;embed type=&quot;application/x-shockwave-flash&quot; src=&quot;http://picasaweb.google.com/s/c/bin/slideshow.swf&quot; width=&quot;288&quot; height=&quot;192&quot; flashvars=&quot;host=picasaweb.google.com&amp;amp;hl=en_US&amp;amp;feat=flashalbum&amp;amp;RGB=0x000000&amp;amp;feed=http%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2Freach.aasai%2Falbumid%2F5530931722510464225%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCNmc24fmhJ6MmQE%26hl%3Den_US&quot; pluginspage=&quot;http://www.macromedia.com/go/getflashplayer&quot;&gt;&lt;/embed&gt;&lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2010/10/cheruvi-sricity-temple-visit.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-4177648938515710053</guid><pubDate>Sat, 23 Oct 2010 03:57:00 +0000</pubDate><atom:updated>2010-10-22T20:57:36.623-07:00</atom:updated><title>Chandra turns priest in Kidangarai!</title><description>Pls see&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;http://reachactivities.blogspot.com/2010/10/chandra-turns-priest-in-kidangarai.html&quot;&gt;http://reachactivities.blogspot.com/2010/10/chandra-turns-priest-in-kidangarai.html&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2010/10/chandra-turns-priest-in-kidangarai.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-7423103619014119961</guid><pubDate>Wed, 04 Aug 2010 05:45:00 +0000</pubDate><atom:updated>2010-08-03T22:50:32.877-07:00</atom:updated><title>Article in Pudaiya Thalaimurai on temples of South</title><description>&lt;div style=&quot;text-align: justify;&quot;&gt;The Pudiya Thalaimurai magazine covered a cover article on the after effect of Kalahasti and the reporter had an elaborate article covering the trevails of Tamilnadu temples. Our founder Dr. T. Satyamurthy had given a detailed report as well as I (Chandra) shared the centre piece photo) of the cracked lintel stone of Varadaraja Perumal East tower, which is unfortunately not yet repaired, but only white wash (to our eyes?) is going on without mending the cracks.. Also, the claim of the IIT academician does not stand any weight. Negligence and use of cement to further add weight to the already cleaving Gopura is the root cause. The cover picture is of the Perumathur temple which I took while returning from the Chidambaram Symposium.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Please see the&lt;a href=&quot;http://picasaweb.google.com/reach.aasai/TemplesOfTamilnaduArticleInPudiyaThalamurai?authkey=Gv1sRgCKq-yPzCtu-GKA#&quot;&gt; link here&lt;/a&gt;. &lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2010/08/article-in-pudaiya-thalaimurai-on.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-21039095.post-3251774288486045580</guid><pubDate>Mon, 02 Aug 2010 07:26:00 +0000</pubDate><atom:updated>2010-08-02T05:56:08.113-07:00</atom:updated><title>Pullamangai - the miniature marvel now becoming more worser</title><description>Pullamangai @ Pasupathikoil, as it is called by the locals, situated next to Ayyampettai on the Kumbakonam - Tanjavur highway, is a treasure trove for iconography, sculpture, temple art and miniatre lovers. This temple was renovated with shoddy knowledge and now there are more vegetation seen than before. We from REACH saw this temple, before we went to Mathur, the temple at the forest, situated at stone&#39;s throw distance from this temple. &lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;A Early Chola architecture, epitome of miniature art this Pullamangai temple, also a Padal Petra Sthalam &lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:small;&quot;&gt;(பாடல் பெற்ற ஸ்தலம்) &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:medium;&quot;&gt;will soon loose its&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:small;&quot;&gt; &lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:medium;&quot;&gt;beauty if we allow mindless renovations. Trees are now full grown, which needs immediate removal. The over-done terrace tiles should be removed and the scrappy &#39;Salas&#39; done should be replaced with well carved stone Salas. &lt;/span&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:medium;&quot;&gt;The &lt;a href=&quot;http://picasaweb.google.com/reach.aasai/PullamangaiJuly2010?authkey=Gv1sRgCKfKutGI1t-HAw&quot;&gt;latest photos taken at Pullamangai&lt;/a&gt; by Chandrasekaran the PRO of REACH and &lt;a href=&quot;http://picasaweb.google.fr/photos.shriram/PullamangaiPasupathyKovil#&quot;&gt;Shriram&#39;s photos &lt;/a&gt;en-route to &lt;a href=&quot;http://picasaweb.google.com/reach.aasai/MathurNearPullamangai?authkey=Gv1sRgCPvt2aP22tyDXA#&quot;&gt;Mathur Vishnu temple&lt;/a&gt; shows the state of affairs today.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:medium;&quot;&gt;Old blogs(&lt;a href=&quot;http://maraboorjc.blogspot.com/2006/02/2.html&quot;&gt;1&lt;/a&gt;,&lt;a href=&quot;http://maraboorjc.blogspot.com/2006/02/3_06.html&quot;&gt;2&lt;/a&gt;,&lt;a href=&quot;http://maraboorjc.blogspot.com/2006/02/4_08.html&quot;&gt;3&lt;/a&gt;,&lt;a href=&quot;http://maraboorjc.blogspot.com/2006/02/5.html&quot;&gt;4&lt;/a&gt;) from our Moderator Chandrasekaran and few other interesting blogs &lt;a href=&quot;http://www.flickr.com/photos/shanmugamsriraman/sets/72157620836984165/&quot;&gt;1&lt;/a&gt; &amp;amp; &lt;a href=&quot;http://kozhakattai-at-kumars-verandah.blogspot.com/2009/12/temple-travelogues-pullamangai.html&quot;&gt;2&lt;/a&gt; explain this temple in detail, but allowing it to detoriate is a serious crime to the future generation and to the everlasting Chola fame. Any listeners?&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot;  style=&quot;font-size:medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><link>http://templesrevival.blogspot.com/2010/08/pullamangai-miniature-marvel-now.html</link><author>noreply@blogger.com (R.E.A.C.H Foundation)</author><thr:total>0</thr:total></item></channel></rss>