One of my first audible memories is of my brother practicing his guitar to the song “Hideaway” from John Mayall and the Blues Breaker’s famous “Beano” record with Eric Clapton. It’s a melody that would be embedded into my early psyche and was my first introduction to blues at 6 years old. Way too young to be aware of the song’s history. ~TBB

The first time I heard Freddie King (known also as “The Texas Cannonball”) was when my brother brought home his record Freddie King Is a Blues Master back in 1969. Hearing King’s funky revision of his song “Hideaway” on that album caught me by surprise. It was the first time I heard anybody else play it…

As I got a bit older, I developed a keen interest in learning more about music and the history of the artists who created these wonderful treasures. I usually got my answers from reading album liner notes and asking my brother and his musician friends lots of questions. I would eventually learn that the song rooted in my head was credited to Freddie King and was originally recorded in 1960. And a year later would reach number 5 on the Billboard R&B charts and 29 on their Hot 100. The song was named after Mel’s Hide Away Lounge, a Chicago blues club frequented by many blues musicians of the era and adapted from a Hound Dog Taylor instrumental… Knowing that information, even back then helped my creative thought processes and heightened my appreciation for the music.

In Our Basement Back in 1969

My brother and his friends were rehearsing some songs from that particular album. The staging area in our house was crammed as they now added two sax players for a total of seven guys… It changed everything. The band was funkier, more soulful and the sound was bigger and bluesier than ever. They choose songs like “It’s Too Late, She’s Gone”, “Play It Cool” and of course “Hideaway.” If I didn’t know it already, I certainly knew it then; music was going to be a part of my life. But being so young, I still had plenty of time to figure things out.

That was the atmosphere I was raised in for the first nine years of my life; a youthful observer just taking in all the creative energy of the time. I still find it challenging to put those feelings into words. One thing for certain, they will always remain great memories indeed! So how much did Freddie King play an influence on us? Well there’s only one word for that question… HUGE!

Freddie King

was born in Gilmer Texas on September 3rd 1934. Freddie’s mother recognized her son’s early interest in music. At 6 years old Freddie began to learn rural country blues and his interests developed from there. His early music heroes were artists like Sam Lightnin’ Hopkins and Louis Jordan. King would play Jordan’s records continuously until he got the horn parts down note for note. In no time at all Freddie was finding his groove.

After finishing high school the family moved to Chicago. Freddie was ecstatic! He was now living on the Southside of Chicago, the musical turf for Muddy Waters, Howlin’ Wolf, T-Bone Walker, Elmore James, Sonny Boy Williamson and so many blues greats.

On dares from friends, a teenage Freddie sneaked into the clubs to catch these guys perform. He even won a bet with his friends one night that he would sit in with the band. As the story goes, one of the club owners found out Freddie’s age, and as the bouncers were about to escort him out, Howlin Wolf intervened. So impressed with the way Freddie played, he told the owner that he was with him. Afterward Wolf replied, “Young man you pick that guitar like an old soul… The lord sure enough put you here to play the blues.”

Howlin Wolf took King under his wing and taught him street smarts. Along with Muddy Waters and his side men Eddie Taylor, Jimmy Rogers, Robert Lockwood Jr. and Little Walter, Freddie was accepted into their inner circle…

King would audition unsuccessfully for Chess Records. However it was a blessing as it forced King to continue finding his own unique style… Syd Nathan signed him to Federal in 1960 and his first session resulted in three hits “Have You Ever Loved a Woman,” “See See Baby” and the instrumental “Hide Away.” As I mentioned before, King’s career really took off in the early sixties, and in the process inspired several British blues artists that would later show their respect by having him open for many of their shows, or cover his songs on their records. Artists such as Led Zeppelin, Eric Clapton, and Jeff Beck are just a few examples. Shortly after Freddie King was sharing the spotlight in a serious way.

The album Freddie King Is a Blues Master didn’t exactly sell great numbers, but it was a memorable album and a starting point for future discovery for me. Whenever I reflect on my personal relationship with the blues, I realize that King was responsible for that initial impression… He continued to tour even through health concerns and played at The New York Ballroom in Dallas just three days before passing away of heart failure on December 28th 1976. He was only 42 years old.

Freddie King was a serious influence on many musicians of our time, including my older brother and his friends who would practice their craft inspired by his genius.

(It’s interesting to note that the 1961 version of “Hideaway” was inducted into the Grammy Hall of Fame in 1999… And in 2003 Freddie King was placed 25th in Rolling Stone’s list of the 100 greatest guitarists of all time)

It’s impossible to write one post covering King’s amazing and influential career. Perhaps that’s where you can help… Are you a Freddie King fan? Did any of his music inspire you? Were you aware that King would have turned 76 this September 3rd, 2010? Please add your comments below. Together we can discuss his wonderful legacy and perhaps share in some cool moments.

The Blues Blogger

A dollop of Janis Joplin, a slice of Stevie Ray Vaughan, and a big load of soulful individuality. That’s Wonderland, a seething-hot Texas singer-guitarist. And she can write too. ~ Boston Herald

Early Sunday Morning

The alarm accidentally went off at 5:00 am, the same time it usually does every weekday morning. Reaching quickly to stop the shrilling sound, I felt a cool sense of ease knowing I didn’t have to get up if I didn’t want to. Of course Lucille, my golden retriever was now sitting beside the bed panting and looking at me with that hopeful gaze. She had different ideas, and preferred I didn’t sleep in on my birthday.

Getting up, I carefully shut the bedroom door trying not to wake my wife TBBW. I went outside onto the deck and collected my thoughts. It was still too early for some of the projects that needed to be done, and the cool summer breeze wasn’t going to last too long today… So I loaded some tunes on my MP3 player from two of Carolyn Wonderland’s CD’s; Miss Understood from 2008 and an earlier one entitled Bloodless Revolution. I grabbed Lucille’s leash and we headed out on our morning jaunt.

My thoughts then turned to how impressed I was with Wonderland’s talent and driving energy. And how lucky people seeing her perform at The San Jose Jazz Fest on Sunday August 15th were; especially those who may be unfamiliar.

Carolyn Wonderland

Wonderland is an outstanding and versatile artist. Not exactly a stranger to the music world, (especially around Texas) she has developed into an incredibly talented singer, songwriter and guitarist who can definitely groove.

“I still get to play most every night, so the adventure continues. Every musical interlude is a new page, another chance to jump into the Ether.” ~Carolyn Wonderland

Along the way Wonderland has generated fans like Bob Dylan and Ray Benson, founder of Asleep at the Wheel. She has been a collaborator with Benson for many years, and he produced her latest CD Miss Understood. Wonderland also gives credit to Austin singer/songwriter Terri Hendrix for inspiration and covers two Hendrix songs on the album.

Carolyn likes to weave different styles from the blues, to country, soul, gospel and some swing to her repertoire; creating catchy soulful tunes along the way.

Born Nov 9th, 1972 in Houston Texas, she first started writing songs while in elementary school at the age of eight. Growing up with music in her blood, Carolyn picked up her mother’s forbidden Martin guitar whenever she’d get the opportunity; further cementing her passion.

Over the years Wonderland has toured with blues greats like Buddy Guy and Johnny Winter, and jammed with mentors and friends like Bob Dylan, Eddy Shaver and Ray Benson. She’s also co-written songs with Ruthie Foster, Candye Kane and Guy Forsyth.

Wonderland’s virtuosity has earned her an appearance on Austin City Limits. Carolyn has also had her music used on NBC’s “Homicide” and Fox’s “Time of Your Life.” At the 2007 inaugural Road To Austin festival, she was accompanied by Bonnie Raitt, and performed to high praise with Kris Kristofferson and Delbert McClinton, backed by Stephen Bruton’s all-star band.

Her Resume Includes Many Awards Like:

Best Female Vocalist – 2009 Austin Music Awards
Best Blues Band – 2009 Austin Music Awards
Best Female Vocalist – 2000 Houston Press Music Awards
Best Blues Songwriter of the Year – 1999 Houston Press Music Awards
Best Blues Band – 1996 Public News Music Awards

And that’s just to name to a few…

SAN JOSE JAZZ FEST

is a 23 year old mission-driven arts organization that produces culturally diverse performance and educational programs designed to build a stronger, more vibrant cultural atmosphere in San Jose and the Silicon Valley. In 1989 the organization produced its first jazz festival, and in 1993 produced its first youth education program. Today the organization is a well-managed, year-round arts organization that produces 9 educational and 4 performance programs annually. San Jose Jazz brings music to over 5,700 school children a year, and produces hundreds of concerts and events.

With this year’s festival and the many acts it features, including class performers like Carolyn Wonderland, the future has never looked brighter. If you’re in the San Jose area next weekend, make sure you stop by The Blues Stage on Sunday August 15th and catch Carolyn and her band.

Several Hours Later

The music from this morning’s outing continued to play as I walked back into the house. While taking my earphones off, I looked up and there was TBBW and my son smiling and waiting with a fresh cup of coffee and a small gift in hand… Taking a sip of my coffee, you could hear Lucille take a deep expressive sigh of relief as she found a cool spot on the kitchen tile to chill. Hmm, perhaps the alarm this morning wasn’t an accident after all.

Is there anyone who is going to the San Jose Jazz Fest next weekend? Are you planning on stopping by and catching Carolyn Wonderland? If you are, I’d love to hear your comments regarding the show or her music in general.

Hope your summer is going well,

The Blues Blogger

Today (July 30th, 2010) music legend Buddy Guy turns 74. To mark the occasion, here’s an article I wrote last summer with some updated tour information. I hope you enjoy it. ~tbb

In the Summer of 2008

I was asked to write a piece on Buddy Guy’s album Skin Deep, which at the time was close to being released. In the article I mentioned how I warmheartedly remembered the music legend’s work from the sixties… I listened to Skin Deep, and immediately loved what I heard, but for some reason it made me drift back to an album Guy came out with forty years earlier.

A Man & the Blues was released in 1968, and today I can still visualize the album cover in my mind… I associate that particular LP to the upbeat atmosphere I was surrounded by at the time… In last year’s article I had to restrain from drifting too much. So I thought it might be cool to take the reflective trip I wasn’t able to make last year…

Church Gig 1968

Now I never normally go to church. That’s because I was more familiar with the synagogue further down the road. I remember thinking even at eight years old, how the Cantor when he sang sounded like Jack Bruce from the band Cream. That’s where my imagination led me even at that young age. A wild association I still get a kick out of telling today… Yes, I fondly recall those times being very buoyant indeed. So you could imagine how anxious I was going to church for the first time.

I helped my brother’s friend and roadie The Big F load the gear out of the basement of our house (where they usually rehearsed) to the church hall. The guys were playing one their first live gigs that night and I was helping them set up. I remember they even brought in a horn section to back them up. The gig was going to be more of a family evening of entertainment; a moment in time where friends, music lovers and neighbors would get together and just have a blast.

My brother’s band eventually got a reputation as a great blues party band. In 1968 my brother and his friends were all teenagers looking for an outlet to express themselves through the love of the music that inspired them. Their enthusiasm and musicianship was well received. The guys loved what they did and it showed.

Several of the songs that my brother and his musician friends rehearsed leading up to that gig were from the album A Man & The Blues. The tunes the guys played were “Mary Had a Little Lamb,” “One Room Country Shack” and they opened with the classic Berry Gordy tune “Money.” Many of those songs were versions Buddy covered on the album.

Back then I was too young to express how the music made me feel. All I knew was how important it felt to be around for some reason. And even though I knew deep down I wasn’t going to be a musician, I did know one thing: I needed to experience more of what was going on. I knew right then that music was going to play a big part in my life. It was just a matter of when.

Buddy Guy

was born in July 30th,1936 to a sharecropper’s family, and was one of five children raised on a plantation near the small town of Lettsworth, Louisiana. He learned to play guitar on a self made diddley bow and eventually began performing in the fifties with local acts in Baton Rouge.

Shorty after arriving in Chicago in 1957, Guy entered guitar battle contests on Sundays and Mondays against west side guitarists Magic Sam and Otis Rush. With help from Muddy Waters, he eventually got a recording contract. Some of his early influences were T-Bone Walker and Lightnin’ Hopkins. Guy also learned a thing or two from Guitar Slim (a.k.a. Eddie Jones)

“The first guitar player I saw putting on a show was Guitar Slim—I must’ve been 13 years old—he came out riding that guitar, wearing a bright red suit. I thought; ‘I wanna sound like B.B. King, but I wanna play guitar like that.”

In 1960 Guy worked at Chess Records and recorded “First Time I Met The Blues.” Later that same year he started working the first of what would be many projects with Junior Wells. As the sixties progressed, Buddy left Chess and soon got on a serious roll. He entered Billboard’s R&B charts, toured all over the world and shared the stage with many of the best musicians around at the time.

A Man and & The Blues is Buddy Guy’s first full length solo LP. It featured Otis Spann on piano, bassist Jack Myers and drummer Fred Below. This recording is essential listening for any fan of the blues old or new. Hearing the music once again certainly reminded me of the impact it played in my life.

As the sixties closed, so did a chapter in many of our lives. My brother and several of his friend’s would leave home and head out to the bigger cities in hopes of that one gig which would get them the attention they deserved… Buddy Guy continued to record throughout the seventies and eighties, but as the blues scene softened, so did the high profile gigs. It would take close to 20 years of perseverance, until new opportunities would flourish for Guy. And when it did, they would be huge! But that’s a story for another post.

You definitely don’t miss the opportunity to see this true blues music legend as he continues his tour throughout this summer and into the fall… Dates and show times are subject to change, so make sure you double check. If you want more information on Buddy Guy you can go to his web site by clicking here….

Buddy Guy Tour Schedule 2010

Latest Dates Announced

09/03/10 Naperville Last Fling Naperville, IL
09/04/10 American Music Festival Daytona Beach, FL
10/01/10 House Of Blues Boston, MA
10/14/10 Rothschild Pavillion Rothschild, WI
10/19-20/10 Birchmere Alexandria, VA
10/22/10 Count Basie Theatre Red Bank, NJ
10/26/10 The Grand Opera House Wilmington, DE
10/27/10 Pullo Center @ Penn State York, PA
10/28/10 Maya Center for the Perf. Arts Morristown, NJ
10/30/10 Westhampton Beach P.A.C. Westhampton, NY
11/05/10 Silverton Casino Las Vegas, NV
02/06/11 Mahindra Blues Festival Mumbai, India

With Tom Petty & The Heartbreakers

07/28/10 Madison Square Garden Arena New York, NY
07/30/10 Birchmere Alexandria, Virginia
07/31-08-01 Wachovia Center Philadelphia, PA

With B.B. King

08/11/10 Hollywood Bowl Los Angeles, CA
08/12/10 San Miguel Indian Bingo/Casino Highland, CA
08/13/10 Chumash Casino Santa Ynez, CA
08/14/10 Harrah’s Rincon Pavilion Valley Center, CA

With The Robert Cray Band

08/17/10 Tulalip Amphitheatre Tulalip, WA
08/18/10 Rogue Theatre Grants Pass, OR

With B.B. King

08/20/10 Ironstone Vineyards Theater Murphys, CA
08/21/10 Mountain Winery Saratoga, CA
08/24/10 Deer Valley Outdoor Theater Park City, UT
08/25/10 Red Rocks Amphitheater Morrison, CO
08/27/10 Zoo Amphitheatre Oklahoma City, OK
08/28/10 Black Oak Amphitheatre Lampe, MO
08/29/10 Allen Event Center Allen, TX
09/11/10 Bull Durham Blues Festival Durham, NC
09/18/10 Sandia Amphitheatre San Diego, CA
10/01/10 House of Blues Boston, MA

With Jonny Lang

10/7-10/8 Northern Lights Theater Milwaukee, WI
10/09/10 Horseshoe Southern Indiana Elizabeth, IN
10/10/10 Sangamon Auditorium Springfield, IL
10/15/10 Historic Surf Ballroom Clear Lake, IA
10/16/10 State Theater Minneapolis, MN
10/23/10 Patriots Theatre Trenton, NJ
10/24/10 The Ridgefield Playhouse Ridgefield, CT
10/29/10 Ulster Performing Arts Center Kingston, NY

Have you seen Buddy Guy in concert before? Anyone checking out the shows listed above? Where were you when Buddy Guy’s 1968 release A Man & The Blues came out? Your comments are always welcome.

The Blues Blogger

“There is nothing wrong with electronic music as long as you’re putting some soul behind the technology.” ~ Joe Zawinul

Today marks what would have been Joe Zawinul’s 78th birthday. I remember first hearing Zawinul in my early teens when I worked part time in the blues and jazz department of a trendy record boutique back in the seventies. One of my many responsibilities was to keep all the albums in the bins stocked properly and re-order the hot selling items. I loved sifting through all the album covers and reading the liner notes. Something I continue to enjoy today. It was the intriguing vinyl covers of Weather Report where my personal discovery of Joe Zawinul began.

It was also around this time frame that I recall my interest for writing started. And when I heard the eclectic mix of sounds on albums such as I Sing The Body Electric, Sweetnighter, and later the masterpiece Heavy Weather, it opened the door to a whole new world of imaginative thought. I don’t think there’s been a single song that has made me tap my foot or snap my fingers more to its groove than Joe Zawinul’s Birdland. How sad it was to hear of his passing from a rare form of skin cancer back on September 11th 2007 at the age of 75.

Joe Zawinul

Born July 7th 1932, Zawinul grew up in a poor working class family during World War II in Austria. He played accordion on the streets to earn money and received classical piano training at the Vienna Conservatory. After the war, he grew interested in American jazz; and started making a name for himself on the local jazz scene.

“One thing about Viennese musicians, they can really groove, more than even the German bands can,” “It’s something in our nature, perhaps. We’re cosmopolitan and interracial — Czech, Slavic, Hungarian, Romanian, Bulgarian, Turkish a little bit.”

Zawinul came to the United States in 1959 on a scholarship to study at the Berklee School of Music in Boston, but left to join Maynard Ferguson’s big band. He next landed a gig with Dinah Washington; his funky style can be heard on her 1959 hit What a Difference a Day Made.

Zawinul stock started to rise after joining alto saxophonist Cannonball Adderley’s band in 1961. He composed many tunes, but it was most notably the gospel-influenced, Mercy, Mercy, Mercy, which climbed the pop charts and won a Grammy for Adderley.

In the late ’60s, Zawinul recorded with Miles Davis. His tune In a Silent Way served as the title track for the Miles’ first venture into the electric arena. Zawinul’s composition Pharoah’s Dance was featured on Davis’ groundbreaking 1970 jazz-rock fusion album Bitches Brew, which won Davis a Grammy in 1970.

In 1970, Zawinul and saxophonist Wayne Shorter founded Weather Report and produced a series of albums. Weather Report’s album Heavy Weather with Jaco Pastorius enjoyed its biggest commercial success in 1977. Zawinul went on to form The Zawinul Syndicate in 1986. For the next 20 years The Zawinul Syndicate brought together a global village of musicians who recorded such albums as the Grammy-nominated My People (1996) and World Tour. (1998)

Joe Zawinul did for jazz what Clapton and Bloomfield would do for the blues; becoming the leading force behind the often termed Electric Jazz movement. Like I said earlier, I listened to a lot of Zawinul’s music and found his style, groove and experimentation incredibly contagious. He is one of the people responsible for my appreciation for electric jazz; leading me to other jazz artists that would continue to inspire me to this day.

Are you familiar with Joe Zawinul and his musical legacy? Any moments you’d like to share? Please add you comments or birthday wishes below.

The Blues Blogger