the broken gentleman.

Effective Immediately.

2009-08-11T16:29:00.002-04:00

brokengentleman.com is closed for business.

I'm going to keep it up as a storage space for old ideas an inspiration, but for all intents and purposes, I'm not here.

As of today, you can find me at attentionindustry.com, or any of the links under the 'elsewhere' heading on the left hand side.

Thanks for reading.

Jon.

another small change.

2009-05-26T09:06:00.001-04:00

I've changed my twitter account from @brokengentleman to @joncrowley.

Just a quick FYI. Back to your regularly scheduled programming.

housekeeping note.

2009-05-20T13:13:00.003-04:00

brokengentleman has been stagnating somewhat, and I've decided a bit of a change of pace is necessary to keep it interesting and relevant.

I'm keeping the site (and the name), but I'm going to do my best to restrict it to longform, more considered content. The shift of the last year, though rewarding intellectually, wasn't particularly consistent with what had been here previously. As well, the platform has been far from encouraging when it comes to posting snippets, images, etc.

I have nothing but respect for Blogger, and for the things I've posted here, comments they've garnered, and things that will continue to be posted here.

For sporadic, theory-laden, longform content, this is still my home.

For something shorter, punchier, and (I sincerely hope) more regularly updated, you can visit attentionindustry.com. I'm going to be doing my best to 'live' my ideas over there, while making sure the root theories get the attention and consideration they deserve from me over here. It's still very much a work in progress, but I thought I should explain the silence at brokengentleman. I know there isn't a comment structure (and I'm still not sure I won't change that) but feel free to contact me through the twitter / email information posted there, or the information posted here, and I will respond and/or address the point/concern publicly.

Exciting times ahead.

don't look crazy.

2009-05-11T14:21:00.003-04:00

The New York Times launched v2.0 of the TimesReader app today, and it's pretty but useless unless you plan on paying in the neighbourhood of $180 a year to have the website in an app, with better formatting.

This reminds me, as most things do, of advice my mother once gave me. If you endure something intolerable for as long as possible, and then finally speak out and take action, no one understands that you have been heroically enduring the situation, and are only taking a stand now, out of necessity.

People just assume you've gone crazy.

Because the people haven't changed. If people see you tolerating a situation wordlessly for years, and then suddenly railing against it, the only thing that has changed is you. Seemingly out of nowhere, you've changed the rules.

People might not want to pay for content, but they will pay for formatting, delivery and convenience. But your price has to take into account that the content is already considered free. $180 a year for formatting and an app that runs on Adobe AIR doesn't feel all that reasonable, especially if it comes with no extra goodies beyond that.

I want to use the TimesReader app. It looks great, and I would probably be more than happy to pay for it. Just not at anywhere near the current price, when the total displaced revenue is from online ads I wouldn't have clicked, and the cost of developing the application.

another correct prediction.

2009-05-04T11:54:00.002-04:00

Back in 2007 (in a less focused time for this blog), I predicted that someone would make a sci-fi product based on the Svalbard Seed Vault.

And now, due to being followed by the creators on Twitter, I have stumbled on to this comic, the Two Percent solution.

My future-predicting cred is getting pretty solid, these days.

the internet is made of context.

2009-05-04T11:23:00.003-04:00

I found the ad to the right looking at the latest iteration of This Magazine's website. It looks great, and I like the magazine, so I have less than no problem using my blog as ad space for them.

Especially considering I plan on tearing the ad a new one.

This is the kind of argument that can only come from the devastatingly out of touch. That This.org would use this specific quote to highlight the value of the magazine is painful. It perfectly encapsulates the failure of traditional print publications to understand how information works today.

Not how information works online. How information works TODAY, period.

Everything is, and has, context. A link and a search box is access to unlimited context, if people are interested in finding it. I'm not arguing that presenting an idea or opinion shouldn't have clear contextual information, but pretending that online is somehow predisposed against context ignores how information is sorted.

Even in the best print publication, there is limited space allotted for dissenting viewpoints. Very often, they are presented only long enough to be dismissed, straw men to further emphasize the chosen perspective. Similarly, the single, inane quote from a dissenter provides litter context or balance.

Online publishing is not "factoids of information devoid of context". Nothing published online is devoid of context. The internet is MADE of context. Which is why it enforces transparency, updating, editing, and acknowledging other sources via linking.

I often think this is the real problem that many traditional media outlets have with online information - it's nearly impossible to do it right without drawing attention to, and acknowledging the validity of, competing sources of information and insight.

carry oil for squeaky wheels.

2009-04-28T15:46:00.005-04:00

Whenever there is an online backlash against a brand or product, one of the first things I hear (or usually read) is a reminder that those voicing concerns aren't a large part, and at times aren't even a significant part, of the overall audience / customer base.

The problem with that line of thinking is, given current technology, those who voice concerns are the groups with the most visibility, and are usually afforded the most credibility. And that's ignoring the mainstream media's current fascination with anything related to Twitter.

If 4%, or even 0.4% of your customer base is whipping up a frenzy on a social network, it's visible enough to impact a much larger group of customers, or potential customers.

Angry people aren't quiet. And anybody can be loud, today, if they manage to strike a chord with the right people.

content vs object - short version.

2009-04-27T12:52:00.002-04:00

When digital information storage and transfer became the norm, businesses (really, almost all of us) made the same, erroneous assumption: that the content was the value, and the object was waste.

As in, music = product, CD = trash. Or book = trash, story = product. The problem with this, however, is that purchase is about the transfer of ownership. People like to buy things they can gain ownership of. It's hard to feel like you own a digital file, even as you enjoy the text or the music.

Most of us bought into the glorious lie of the internet age, the belief that production costs would plummet, that even at reduced prices income would skyrocket. We forgot that the cost of a book included a durable, attractive copy on your shelf for as long as you like.

In the past, the only way to transfer information without physical form was a mixture of senses and memory. The only way you could charge for this, was to charge for the time of the person re-telling. Charging for performance, you will note, still works.

Digital information equates to augmented memory. Charging for it is counter-intuitive, if you think about it.

the market for communication is flooded.

2009-04-26T19:29:00.004-04:00

[This post is something of a placeholder, transcribing notes I put together for what will hopefully be a somewhat interesting presentation.]

The market for communication is flooded.

Mass is dead or dying, when it comes to building actual relationships. There is no such thing as 'too visible to fail' in an attention economy. There is, however, 'too omnipresent to identify with'.

You might want to consider people.

You are a person, dealing with people. Technology has made it possible (unavoidable) to do a lot of this, ignoring limitations imposed by time or distance. Technology has also added a layer of separation. Meaning and nuance are reduced in comparison to face to face human interaction.

You should take this as a reminder: put as little as possible between yourself, and people you would like to speak, as possible. Things in the way often include: policy, management, NDAs, PR people, fear of transparency, voicemail systems, etc etc etc.

A flooded market means we can be picky. Most of us pick talking to / with a person.

I think there is still a need for communications professionals. But I also think that a trained, informed employee or owner is the best point of contact, not someone who is involved solely as a point of contact. I think it's time to stop pretending that media savvy isn't teachable.

Communications people should be hired for strategy, or input, and for insight. (And then, for connections and THEN in pursuit of coverage.)

The current cycle doesn't reward hype, or launches, or short-term thinking. It rewards community, observation, reaction, and sustained value.

It's not just engagement. It's interaction.

It's communication strategy, more than marketing or PR. Which isn't a chart of impressions, or a clip file, or ROI (Not that these aren't important things). Communication strategy is knowing your community, industry, issues and organization. Knowing what may come. And everyone knowing how to deal with it.

Because (cough, #amazonfail, cough) communication is realtime.

You can't wait until monday morning to let the people who trust you know what's going on. You can't put people, time, or fear between you and your community. You need people on the ground, ready, willing and prepared to act in response to public perception. Which means you need an informed, trained, prepared and updated team. All the time.

A flooded market means that someone else will speak, if you do not.

look to the webcomics.

2009-04-23T11:18:00.004-04:00

I've been reading webcomics for about a decade, now, and every year I get more convinced that no one has figured out the new economic reality better than webcomic creators. And I'm not talking about the Penny Arcade level death-star goldmine webcomic creators. I'm talking about the one-and-two person operations, and the 'collectives'.

I'm not arguing it's an endless goldmine. I'm just saying that a notable number of hardworking, talented artists are making a living on their creativity. I'm not an expert or an insider, but I am impressed.

Business models I've observed include donations, subscriptions, advertising, sponsored content, but mostly a mixture of some of the above with merchandise sales (books, tshirts, tote bags).

All of this comes down to three stages: Make something good. Give it away. Offer the people who care about it a way to support you, and to own a piece of something they have come to love.

This can be merchandise sales (the Topatoco army wins at this, in my opinion), or donations (which have supported Something Positive for a couple of years now, if I'm not mistaken), or most recently, beautiful handcrafted books, sold at a well-justified premium (a la Dresden Codak.)

The important thing is the understanding of the new model of business. It works the same as a new relationship - you give something of value, because you want to. Because you love it. Not with an expectation of return.

If you give something that enough people value, then they will give back, not only to support you, but to own a piece of what you've created. To pull a little more of something they love into their lives, whether as a status object, or as a reminder that this thing they love exists.

The best part? Commerce has another layer of separation from the art. The art is created to be art, to build a following, and to show something of value. When the art is created to build a connection, there's no need to water it down - you want something that people will be connected to, not just unoffended by. Selling tshirts doesn't diminish the art of a cartoonist, web or otherwise. It separates the art from the product.

[Seriously, read webcomics. The quality, humour and consistency of these people is clearly the biggest element of the success they've had thus far. You will not regret it.]

i have powers.

2009-04-22T14:12:00.002-04:00

April 15th, I suggest that Twitter should have a Facebook Connect-style system that would tie user activites (comments) to Twitter accounts.

April 16th, Twitter launches 'Sign In With Twitter', very quietly.

Just. Saying.

the worst biz model in the world.

2009-04-16T13:34:00.003-04:00

I've been noticing the continued popularity of the worst business model in the world. (No, this is not a joke-post about twitter.)

The worst business model in the world is conceptually very common, but rarely implemented. It goes something like this: "A successful company (or industry) has a point of contact with our business, and we think they should have to pay us, because we are not successful, and, well, there is a point of contact."

The most recent example, of course, is newspapers and Google. Ignoring the fact that Google, by pointing people to the source of information, is increasing traffic to newspapers, Google doesn't sell news as a products, and Google's major sources of revenue have more or less nothing to do with news.

The record industry has tried this, arguing that a chunk of ISP income should be given to them, or that internet connections should come with a levy. Which would make sense, if the internet was only useful for downloading records.

Note my earlier description: "point of contact" doesn't mean "incorporate someone else's technology or IP of value and then sell it". It means two businesses cross over slightly, but not in a profitable way, and the less successful one takes a good look at the success and sees dollar signs.

It's the worst business model in the world. Worse than buying patents to sue companies that actually create things. Those lawsuits at least have arguable merit on paper.

twitter for comments.

2009-04-15T15:55:00.003-04:00

There's been a fair amount of talk regarding using Facebook Connect comments, since they launched in February. I was somewhat excited at first, because it attached comments to a fairly persistent identity, which has the potential to curtail some of the negative (or anti-social) behaviours associated with online commenting

I'm starting to think that a comment box that used twitter accounts, and actually connected to the usual twitter feed, would be substantially more useful. The reasoning is fairly simple; twitter is a conversation tool, where facebook was once about the social graph, and is currently confusing me as to it's focus.

If the point of attaching an identity to comments is to create accountability, facebook connect is undoubtedly the better choice. Facebook can easily be a window into a personal social circle. Tying comments to that social circle might reduce some of the more absurd aspects of online comments.

If the point of attaching an identity to comments is to create a dialogue (which can also create accountability) I would suggest the use of a service that is essentially a lightweight dialogue tool.

This came to mind when I was reading a blog post over the weekend, and before I thought to comment on the page, I had opened TweetDeck and started to type. When I think online dialogue, I think twitter. I'm probably not the only one.

[This could also be a potential means of monetization - if a customized twitter interface is embedded on every post, a small percentage of ad revenue shouldn't be completely out of the question, assuming twitter develops, maintains and supports the specifics of the service to an acceptable degree.]

i don't believe in a technological generation gap.

2009-04-14T11:47:00.005-04:00

The assumption of a generation gap when it comes to using technology bothers me, because it almost always actually comes down to one issue: Is the user willing to play with it?

Every single piece of software I can use in a valuable manner, I have learned to use by playing with it until it did what I wanted it to do. Playing can involve rules, obviously, and in these cases my rule books are manuals, tutorials, blog posts and conversations with others who are comfortable with the tool in question. But when it comes to learning how to use tools on a computer, the first step, for me, has always been play.

The only real generation gap that I've seen, is a worry that play is either unproductive, or potentially damaging to the tools. Because comfort is built over time, people who are older, are often less comfortable with some of these tools. Hence, fear of play.

But calling this generational bothers me. There are plenty of people twice my age with a greater willingness to play with computers and softwear than I will ever develop. Some of them, like me, keep their play mostly relegated to the user interface. Many of them continue to play with modifications, with source code, with plug-ins and widgets.

It's not based on generation. It's comfort and willingness to play. Do these traits cluster a certain way demographically? Of course. But the assumption that these tools are for the young is dangerous.

we are not all the same.

2009-04-09T10:32:00.005-04:00

We no longer live in a world where it's okay to ignore the extremes and the outliers. If you can't provide information in a suitable format, with a suitable level of detail, to the right people, you can't connect with anyone.

My mother is an educator, currently working with children who face difficulties learning. Last night, we went out to dinner, and had a truly great conversation, dealing with one of the core problems with education; the impossibility of creating a learning situation that isn't too slow for some people, and too fast for others.

This hits close to home, as I was in an accelerated program in grade school and high school, and generally felt that education came in two speeds: so slow it was boring, or completely self directed, as many teachers seemed to assume that kids in an accelerated program didn't require any guidance.

As a result of this, and (I'm sure) an innate tendency, I was a lazy student until I reached the mid-point of high school. I reflect on these issues regularly, especially when I'm dealing with information delivery, or preparing materials for public consumption.

We're at a point where not only do you need to produce content at every key level of complexity and detail, but also tailored and distributed to the audience and community that is going to interact with it.

This doesn't mean giving the good information to newspapers, and less detailed stuff to new media producers. It means tailoring the kind of information, and the presentation, to the audience at hand. You will find people of more or less equal intelligence in any network. What you won't find is a blurb of text that is equally dynamic on a facebook fan page, as it is coming across in 140 character blasts on twitter.

Tailoring isn't just for direct outreach. It's for your presence in distinct communities, and distinct modes of communication. Speaking to people with an understanding their idiom, at their speed, is the only way you can truly connect with them.

Thanks, Mom.

social media consultants are people too.

2009-04-08T10:53:00.006-04:00

A short word in defence of social media consultants:

When the record companies ignored the way filesharing technology had changed the relationship between music and consumers, we mocked them. We continued mocking them as sales waned, as they got more aggressive with legal tactics, and as we mocked them as their business model collapsed around them.

We're still mocking them now.

Meanwhile, social media is changing the way everyone does business. And our immediate reaction is to mock those who are trying to help companies in nearly every industry ride out the transition better than the music industry did.

Not every social media specialist is a "guru" with 12,000 Twitter friends, and spam on the brain. A lot of people are professional communicators who understand this new space, and would like to help companies understand it. Don't insist that every attempt to introduce business to the new realities of communication is inherently crooked.

[completely inspired by this post at itellstories.org, which is always a good source of inspiration and mood improvements.]

[edited due to truly embarrassing typo]

secrecy is not your friend.

2009-04-07T11:30:00.001-04:00

No one can tell their friends about the amazing, completely secret thing that you’re working on.

Even if it doesn’t materialize, an ambitious and transparent failure is better than continued, unremarkable anonymity.

(All advice is given on the assumption that you aren’t actually full of shit. Infinium Labs, transparency will not save you.)

copyright will kill disney, or disney will kill copyright.

2009-04-06T11:30:00.004-04:00

Disney is the greatest company in the world, when it comes to turning creative content in to money. You can argue, but I’ve only got to say: Miley Cyrus, Beauty and the Beast, High School Musical, and you more or less have to admit that creating massively influential cultural touchstones / money factories is what Disney does best.

I’ve recently become convinced that Disney’s reliance on strong copyright is going to be it’s downfall.

Until recently, things worked pretty simply. You would create content, and then exchange it for money. We can get more specific and discuss distribution, advertising, investment, but mostly, it came down to that singular exchange: a piece of culture would be created, and then sold, to individuals and groups, again and again. As a bonus, you could also create additional related products, to be exchanged for money. If we’re talking about music, it would be posters, concerts, tshirts, limited edition packaging, stickers, etc. If we’re talking about movies, it would be toys, clothing, games, special edition books and dvds, etc.

Many of these things were just clever or attractive repackaging of the content itself. But that packaging was still important.

Things have changed, because the concept of distribution has changed. Access is simple, no one is comfortable with operating on your schedule, and, crucially, piracy has made content free. Not packaging, not experience, not perfectly, but free. It’s easier to download an album than listen to the band on the radio, and it’s easier to download an album than buy it online, if you use certain legal download services (looking at you, PureTracks).

The new map of this experience? Content is released, in hopes to build interest. You can charge for it, sure, but this isn’t where the real money comes from. When interests develops, if you are lucky it can bring loyalty, or a sense of debt. That interest means that people will buy your products, whether they are packaged content, or merchandise, or an experience.

The reality of creativity as business is that ROI has moved further downstream. It’s not money for album, or money for movie anymore. It’s non-rival (digital) content for consideration, and then an exchange of money for a rival good, something tactile, something to be displayed and appreciated.

Strong copyright is now a tool for alienating your audience, and complicating the task of building that key interest. Your core creative products are best considered advertising for the things that really make money. The physical products that can’t be duplicated perfectly, that can’t be supplanted by ‘good enough’ copies.

This isn’t to disparage the importance of the creative arts that companies like Disney create. It makes them more important. Movies, television and music will have to be so good that they inspire consumers to associate themselves with the content in real life. My nephew went to sleep last night in Lightning McQueen pyjamas, and woke up to put on a Lightning McQueen tshirt. This wouldn’t have happened if Cars wasn’t so impressive for him that the only toys he wants are inspired by the movie. The film itself may have earned, total $100 from my family, even counting DVD sales and individual movie tickets. The merchandise has earned thousands, without exaggeration.

Disney has the reach, the intellectual properties, and the tools necessary to restructure a business that is based on the new content/profit map. They can clearly influence culture – look at how successful the company has been when people had to pay for the content. Make it free now, and profit. Copyright used to work. Now it’s only standing between you, and the collective wallet of your audience.

wikipedia is your new agenda.

2009-04-05T21:11:00.004-04:00

If you, your business, or a client is plagued by inaccuracies on wikipedia, the issue isn’t that wikipedia is petty, or inaccurate, or uncontrolled. The issue is that your image is a wreck, because wikipedia is, without fail, a better representation of the public understanding of you, your company, or client, than your own self-image is.

Wikipedia is the first place people will go, after your own website, to decide whether or not they trust you, and what they should trust you about. If an entry is biased, inaccurate, or adversarial, you need to act in response. And you have two things to act on.

1) A Hit List – Every major point on a wikipedia entry that makes you cringe is a point where you need to revisit your messaging and branding, and see how you can address those issues. Again, inaccuracy is less important than influence, and wikipedia is more influential than you. So look at what you can do, or say, differently, to make it clear that you are not being represented fairly. Every issue in the entry is a new point on the agenda for your next conversation.

2) The Truth – If you’re this angry about your image being misrepresented, I’m assuming it’s not an accurate representation. If the truth is on your side, prove it as best you can. Outside information, linking to evidence, transparency. Do it calmly, do it clearly, but make damn sure you aren’t hiding anything that will make you look worse. Don't accuse the community, or wikipedia, of being out to get you - there is almost no chance you are important enough to warrant that type of conspiracy.

You can’t control how you are interpreted or represented. But you can learn from it, and act with it in mind.

weaponized transparency.

2009-03-24T11:15:00.000-04:00

When I think of the future of PR, at least part of what comes to mind deals with every individual in the company being a potential representative for what they do. Information is becoming more personal, and frankly, most interested parties would rather speak to the person responsible for the subject at hand, than speak to the person responsible for speaking to interested parties.

I'm looking forward to seeing a company use transparency as a weapon, both to encourage the best from employees, and to improve image and increase engagement.

Jumping on the bandwagon of the moment, I think the easiest way to do this would be to put the entire company on Twitter. Keep a company directory of accounts (personal or individual business accounts) with people following the rest of their group/department, and the people they are connected to on the ORG chart. The big positions would get followed by everyone, and follow, at the very least, all managers and directors, but preferably the entire company. Projects and divisions would have pre-determined hashtags.

The directory would be made public, available to people outside the company. And employees would be encouraged to use the system to communicate tasks, difficulties, scheduling, ideas, questions, concepts, irritations, etc. I recently compared Twitter to telepathy - imagine knowing what the guy in the next cube is worried about, without delay. Imagine knowing that your staff is all having the same issue, at different times. Imagine knowing what your organization is thinking.

Moreover, a certain (positive) panoptic effect kicks in. People who know they are being watched police their own behaviour. I can't imagine a company that uses public tweets as a major element of internal communications going Enron. I can't imagine anyone who is aware they are representing themselves, and their company, knowingly acting like an ass.

People suck less when they know they can be held accountable for their actions. This is the real essence of transparency - knowing that you can be, and will be, held accountable for what you do. This is the magic. Accountability makes people think before they act. Accountable people try to be great, at least more often than people who feel invisible.

I haven't yet mentioned the benefit of directed, asynchronous communication in a group of people who interact mostly between tasks. Or the benefit of a clear view of communications as it happens withing a group, that you can go back and observe. Or the value of watching your employee ecosystem, and changing strategy based on the patterns that emerge. Or the opportunity that random ideas emerging from the group represents. Or...

From a PR standpoint, this is the best nightmare ever. This much accountability, on an individual level, means that everyone has to be educated on the responsibility they now bear. Everyone needs to be trained in how to conduct themselves appropriately, within reasonable guidelines. The culture needs to change, to reflect a dedication to this level of transparency.

But companies would become more real. More trusted. When the truth is visible in tiny component parts, when the sub-units of meaning and message are visible to be interacted with and dissected, companies become, perceptually, what they are in reality: collections of people, with a common purpose. Given the amount of work that is done 'humanizing' companies, or emphasizing the role of caring individuals in the process, it's clear this is a priority. Fighting against the anonymity of people is going to be the most important part of the next type of company establishing itself as vital.

Put bluntly, the future has a sign on the door that reads 'No Cogs Allowed', and demands that every individual be unique and valuable, and be treated that way.

This is not the type of business that anyone is used to, or prepared for. But it's the kind of business that would best reflect the changes in society. Each individual being a point of contact, directly engaging with the public, is the way things are going to be. For now, and for a bit longer, we can relegate that role to a specific few. That won't be the case forever. Engaging interested individuals is going to be part of everyone's job description soon enough. PR, and other communications roles, are going to be about education, strategy, and facilitation. Which, if you're doing them right, they already should be.

I could not be more excited about the potential of working for a company where EVERYONE has to think about how their actions will look to the public. Because most of us should already be thinking about that, and too few of us are.

on crowdsourcing.

2009-03-23T11:15:00.000-04:00

I've been hearing lately that crowdsourcing is a bad word.

I think the core issue is simpler. If you are asking others to do your work for you, and considering that the magic of collaboration, you are missing the point. A contest that asks the public to create your ads isn't inherently about the audience. It's gluing a high-school essay contest to the emergence of democratized production. This isn't inherently impressive. It's a contest, and this is an old idea.

Gluing it to a multi-million dollar SuperBowl media buy only makes it a worse idea.

If you ask people to work together to create something of value to not only themselves, but to a wider community, the crowd is creating real value. If you want to attach your brand to this, without corrupting it, expect a positive reaction.

Crowdsourcing based entirely on creating value for yourself, your brand, or your client, isn't crowdsourcing. It will either die due to lack of interest, or run entirely on incentive via cash. Paying directly for attention and interaction can be done better and smarter than this.

If you want to get a crowd of people working together on something, it needs to be about that crowd of people. Frankly, everything you do should be about that crowd of people - they decide what your brand means, and exactly how much it's worth.

buying attention is not a long term plan.

2009-03-22T19:55:00.004-04:00

I'm no longer sold on the concept of buying attention.

It makes perfect sense in a broadcast media world with few channels, the world traditional advertising was born in. It even makes sense, to an extent, is a world of hundreds of cable channels, with a few category defining hits in each major time slot. Buying attention makes sense if you can cajole a large number people to sit through something they don't really want, in order to access something else.

A short list of things that break the functionality of buying attention: pvr, p2p file sharing, content distribution across regions and markets, streaming, time shifting, format shifting, fragmented audiences. All of these things are made worse by attempts to control them, as making it harder to do each of these things individually, decreased the barriers to removing the advertising from the content at the same time as sharing, shifting, etc.

As always, the fight to enforce the rules of the past just broke the present a little bit faster. Ask the music industry, they seem to have figured it out, now that it's too late for them to go back.

You can no longer reliably buy attention. You can, however, create something that is worthy of attention. You can create associations with a personality, or outlet, or with content that people would like to pay attention to. You can sponsor things worthy of attention, without interfering. You can earn attention, or positive associations, in any of a million ways.

But none of them are the strict exchange of money for attention that traditional advertising is based on. That deal is no longer as effective as it once was. What's left is earning attention, or supporting others as they earn attention.

The major difference is, before you could get away with piggybacking on the value created by others. If you expect people to watch your messages as the price for watching 'Lost', you aren't earning attention, you are interested in buying it.

If you asked someone to care about you, as a cost for caring about someone, or something else, they would laugh at you. I would laugh at you.

You don't force people to care. You don't ask nicely for them to care. You offer them a reason to care, and you hope that the reason is good enough that they do.

You can't buy attention. But I can give you a long list of ways to earn it, if you're interested.

twitter-lepathy.

2009-03-18T20:36:00.002-04:00

Twitter, hashtags, and mobile devices more or less equate to telepathy. No, seriously, hear me out on this.

This is something I realized at PodCamp Toronto. Searching tweets by hashtag or by location let me know what people were thinking in the sessions I was in, sessions across the venue, and the thoughts of people who couldn't make it to the site.

Twitter enforces brevity, sure. But it's also just about the right size to encapsulate a single thought. I find I only clash with the limit when I actually have several related thoughts that I want to express.

Most people think telepathy would be a curse. I've always disagreed, assuming that we could develop a half-decent filtering mechanism. Twitter deals with a few of those problems naturally; people don't tweet things they are uncomfortable with sharing, and you are only exposed to that you opt in to / search for. Telepathy via Twitter is easily sorted, and more noise only equates to more potential signal.

Telepathy would me mostly mundane. People's thoughts aren't always useful. But this is how we understand people - through the collection of their inanities. Sound familiar?

The big lesson regarding telepathy that I've gleaned from Twitter is just that - there's no such thing as noise, as long as it's coherent. People aren't being inane. They are giving you context and backstory. You don't learn anything about people from seeing them in their edited, presentable best. You learn about them when they are being stream of consciousness, being unedited.

Being people.

Enjoy your faux-telepathy while it lasts. I know I will.

post-scarcity communication.

2009-03-08T20:56:00.003-04:00

[My understanding of the relationship between scarcity and conflict has always been fairly straight forward. Conflict occurs when scarcity necessitates competition for a resource. This happens with land, with food, with money, significant others, etc. If there is one of something, and two people want it, conflict ensues. As such, I've always idealized the concept of a post-scarcity reality. While there are a bunch of ideas associated with the concept of the singularity, the hope of living in a post-scarcity society is the one that interests me the most.]

I recently started flirting with the idea that we have reached a post-scarcity state in the western world, in regards to human-to-human communication. (I'm intentionally not getting into advertising messages, here.)

With email, text messaging, twitter, facebook, blogs, phones, voicemail, call waiting, snail mail, email, instant messaging, skype, MMS, and so on, there are so many means of communication, instant or asynchronous, visual or auditory or both, tied to no specific location, that often the only justifications for not contacting someone are forgetfulness, avoidance or time-scarcity, which is more or less ranking other activities above communicating with the person in question.

This becomes clear when asked why you didn't invite someone along, or ask their opinion before making a choice - when pressed, often the only answer is 'I didn't think to' or 'I didn't want to', very rarely can one honestly respond that it was impossible.

Reaching a post-scarcity state in communication has the effect of intensifying conflict in relation to time-scarcity. By making a decision to not contact someone, you are in essence making the decision that other activities outrank communication with that individual.

This means that failing to respond, react, reach out and share concepts, thoughts and ideas is no longer excusable. If something is important, and not addressed, it is because you have chosen other tasks above addressing it, or you have simply chosen not to.

Post-scarcity communication means you aren't allowed to be too busy, or distracted, or out of reach when opportunity or crisis appears.

No one is going to believe "couldn't be reached for comment" unless you have a very unusual situation that can be clearly demonstrated.

Keep that in mind as you go about your business.

tv and music don't have the same problem.

2009-03-05T09:34:00.002-05:00

Filesharing has complicated things immensely for the music industry, and everyone knows this. The core issue is that money used to be made selling CDs (or records, or tapes...) and now the industry needs to develop new revenue streams to solve that problem.

TV never made money selling TV. The money comes from advertising aired during the programs. Again, this is obvious.

The thing is, making it dead easy to access something means more people do it, and that people do more of it. The average music collection size has skyrocketed due to filesharing. The average amount of TV that people watch is likely similarly impacted by illegal downloads.

If what you sell is eyeballs aimed at a screen, and more eyeballs are watching your content for longer, this is a good thing. If you can't find a way to make money from these added eyes and hours, you have forgotten what your business it.

Dear TV,

You create filmed content, and then sell advertising based on the data you can collect for who is watching individual shows.

None of this has to be tied to cable distribution, or TV screens, time slots, limited availability, production realities, or what came before.

You attract eyeballs, and then sell them based on demographic information. Focus on doing that, rather than doing the specific version that worked perfectly, before everything changed.

Sincerely,

Jon