The Calligraphy Pen

Quick Calligraphy Pen Cleaning Tips

admin — Wed, 03 Jun 2009 10:42:49 +0000

If you have a calligraphy pen that hasn’t been used for some time and the ink has dried in the nib and cartridge/converter you may be wondering how to clean it out for reuse. There are a number of simple methods that will work, some will work more quickly than others but there’s generally no right or wrong way.

The most simple way to clean your calligraphy pen is to remove the nib and place it in a glass of water, leaving it to soak and changing the water until it eventually remains clear.

Similarly, if you have a converter that is caked in ink you can simply draw clean water in and out until the water runs clean.

A quicker method of cleaning your calligraphy pen is to go out and buy a rubber ear syringe from the local pharmacy. With the syringe you can fit it over the cartridge-piercing nipple of the pen and hold it under water. When you squeeze the syringe you will be forcing water into and out of the nib. As with the other methods you can repeat this process until the ink has been completely removed and the water runs clear.

To give the process an added boost you can dilute a very small amount of ammonia, say, one part ammonia to 10 parts water and use the above techniques on the pen. After the pen has been cleaned, give it a flush out with clean water.

For an even more thorough clean or to remove the most stubborn dried ink you can get yourself an ultrasonic cleaner which uses ultrasound and cleaning solution to clean delicate objects such as pen nibs. You simply place your calligraphy pen nib into the cleaning solution for a short period of time. Ultrasonic cleaners are not expensive and will come in handy if you find that you are forever coming up against clogged nibs.

Try any one of these simple methods for cleaning the nibs of your calligraphy pen. The methods will work equally as well if you have a fountain pen that is clogged, too.

You can also find more calligraphy pen maintenance tips elsewhere at The Calligraphy Pen.

How To Write Left-Handed Calligraphy

admin — Sun, 19 Apr 2009 11:47:18 +0000

The majority of instruction in calligraphy is aimed at the right-handed calligrapher while largely ignoring the left-handed calligraphers who make up a solid proportion of those looking to take up the craft. There are definitely differences and obstacles to be acknowledged and overcome for the left-handed person looking to learn calligraphy. The following article attempts to highlight some of these differences as well as suggest ways that a left-hander may approach their use of the calligraphy pen.

Calligraphy is an art that can be learned by anyone willing to devote a few hours per week to the study and practice of letters. For the left-hander the challenge has been coping with a chisel-edged nib as they try to find the best angle for the required writing line. After this alignment has been achieved the sequence of strokes have to be made in a reverse manner to the right-handed mode. It would seem to the left-handed calligrapher that everything must be done the opposite way around.

When writing in the accepted left to right direction the right-handed writer makes the majority of their strokes by directing the pen away from the body. The left-handed writer makes the majority of strokes by pushing the pen in a movement towards the body. When the right-hander writes the writing hand is well in advance of the damp ink that has just been scribed onto the page. The left-hander pushes the pen in the same direction but must hold the pen in such a way that their hand does not smear the damp ink. This can be accomplished by either holding the pen below or above the line of writing in an unnatural way.

There are three known writing positions that may be chosen by a left-handed writer: the hook position, the under-arm position and the vertical position. The hook position is where the writer writes from above the line of writing with the paper positioned straight down. The under-arm position is where the hand is placed under the line of writing and the paper is positioned on an angle. The vertical position is achieved with the paper turned at 90 degrees and the pen then works from bottom to top rather than from left to right. This position will be most effective for those who want to use a right-handers pen nib.

A mechanical solution to the problems facing left-handed writers was the oblique nib which is cut on the opposite angle to a right-handed nib. Many calligraphers use the left-handed oblique calligraphy nib combined with turning the page on an angle.

A further tip to help the left-hander relates to the way you have the lighting set up. The right-hander should have the light on the left side while the left-hander should have the light coming from the right side. The reason for this is to ensure the shadow of your hand does not fall where you are writing.

Another compensation that may be necessary could well be in the way the left-handed writer must sit at their calligraphy desk. To help get the required pen angle, it may be necessary to sit further to the right of the page than would otherwise be advised. This, of course, will come down to a matter of personal preference and working out what feels most comfortable to you.

Being left-handed should not discourage you from picking up a calligraphy pen and trying this beautiful art. The techniques might be a little different and, at times, challenging bu remember, there are many successful left-handed calligraphers.

The Importance of the Pen Holder When Buying A Calligraphy Pen

admin — Mon, 12 Jan 2009 10:57:58 +0000

One piece of calligraphy equipment that may be overlooked but is definitely an essential part of the calligrapher's utensils is the calligraphy pen holder. Holders can be made of wood or plastic with the very rare and very exquisite Venetian glass an option too and are often combined with metal fittings.

When choosing a calligraphy pen holder you need to take a couple of things into consideration: the mechanism that holds the nib in place and the barrel of the stylus. Some brands of nibs are a different size to others and so will only fit the specific manufacturer's holders. The weight and girth of the pen barrel will affect how easily the pen can be gripped. Some plastic shafts can be very smooth and become slippery after being used for any length of time which causes tension in the hand as the grip tightens.

Some calligraphers prefer to get a pen holder with a cork wrapping or a grooved rubber grip at the point where the fingers grip the barrel. It's all up to the individual calligrapher and you won't know how you feel about a particular pen barrel until you have felt it in your hand. Some calligraphers prefer to feel a heavy instrument while others would rather it to be light to enable them to feel the nib more keenly.

When you buy a calligraphy set, a calligraphy pen holder will be included with it. You don't necessarily have to use the one that comes with the set. Most times you can buy one separately and use the nibs that came with the set. As mentioned earlier, some pen holders are specific to their manufacturers own nibs. Pelikan nibs, for example can only be used with their own holder because of the complex nature of the connection which involves small metal tongues and hooks that link into one another.

It's a good idea to have a test drive with any pen holder you're considering buying. It should feel comfortable from the first moment because, if it's not comfortable to hold before you start writing it's going to be extremely uncomfortable later.

If there is a gripping device on the barrel of the pen you need to make sure that it fits tightly without any movement. A wobbly pen holder will not be conducive to making crisp straight strokes. Next, check that the nib sits straight in alignment with the holder. Any misalignment will prove to be very distracting.

Calligraphy pen holders are not necessarily particularly high priced items. Fitted with a high-quality nib, the plainest looking holder will be just as effective as an expensive, fancy as all get out one.

The Beatles White Album Fountain Pen

admin — Thu, 08 Jan 2009 01:59:10 +0000

Incredibly, The Beatles have made an appearance on my Calligraphy Pen site and it’s for a legitimate reason. As part of the commemoration of the 40th anniversary of the release of The Beatles’ White Album, a commemorative fountain pen has been released.

The fountain pen, which is white, of course, is being sold by Apple who directs you to beatles.com where you can pick one up for £399. The pen was part of a line of memorabilia that was created to honor the album.

It may not appease fans completely who are still waiting for a deluxe remastered version of The White Album which was first released in 1968.

A close look at the pen shows that it has the autographs of John, Paul, George and Ringo on the upper half of the barrel of the pen and it all comes packaged in a tasteful looking white collector’s box.

A Look At A Canadian Calligrapher

admin — Wed, 17 Dec 2008 10:29:51 +0000

One of Canada's foremost calligraphers is designer Martin Jackson who runs his own studio in Vancouver. He has lectured thoughout Canada and the US and has an impressive list of credits including commission pieces for the Prince and Princess of Wales, Poep John Paul II as well as the calligraphy on the wedding reception for Bill Gates.

He is available for all of the usualwork requiring high quality calligraphysuch as certificates, weddings, receptions, letterhead and invitations. Add to that commercial commissions such as wine labels, menus, business cards and the like and Martin creates some important occasion pieces of great quality.

The site contains a section where you can view instructional videos that give an introduction to italics, quill cutting and gilding. You have the opportunity of booking courses and lectures with Martin in all sorts of calligraphy disciplines.

Then there's the fine art work that he has produced, a gallery of which is available to view at his site.

Type of Calligraphy Pen - Pilot Parallel Pen

admin — Sun, 14 Dec 2008 06:17:52 +0000

When the Pilot Parallel Pen calligraphy pen was released it was hailed as a breakthrough in calligraphy pen design. The Pilot Pen Company's Parallel Pen was designed with a nib that consists of two parallel plates that gives the writer the ability to write with lines that are sharper that other calligraphy pens.

The Parallel Pen has proven to be a reliable, durable pen that gives you crisp edges proving suitable to both the beginner and experienced calligrapher alike.

A common problem with calligraphy pens, particularly the larger nibs, is skipping - where the ink is not delivered consistently. The Parallel Pen's construction is such that the ink is directed between two layers of metal forcing the ink to the entire writing edge without fail. If you choose to, you can turn the pen so that the nib is on its side and use it to produce fine handwriting

The Pilot Parallel Pen comes with both an ink cartridge and a bladder giving you the choice of whichever ink delivery system you prefer. Alternatively you can dip the pen or, if you want to try some color changes mid stream you canuse a combination of dipping and cartridge ink. Touching the nib of one Parallel Pen to the nib of a differently colored Parallel Pen will achieve that same effect.

The Parallel Pen is available in 4 different nib sizes - 1.5mm, 2.4mm, 3.8mm and 6.0mm. They are also supplied with a range of colored ink choices and these inks have been specially formulated for use with these types of nibs.

The Pilot Parallel Pen is just one of a number of low-cost alternatives examined here to choose from when buying a calligraphy pen such as the Sheaffer entry level pens, the Pelikan calligraphy pen, and the Rotring Calligraphy Art Pen.

Visit The Calligraphy Lady

admin — Sat, 13 Dec 2008 08:05:53 +0000

The latest in my series of presentations of the sites of calligraphers takes us to the beautiful site called The Calligraphy Lady.

This is the home of calligrapher Dayna Bischof who provides an extensive array of services, notably wedding invitations of outstanding quality, as well as calligraphy services for envelopes, programs, menus, monograms, place cards, escort cards, table cards, stationery, corporate business needs among other things.

The site points out that although The Calligraphy Lady is based in Missouri, she has provided work for all 50 states and has even sent work to Germany and the UK.

There is a stack of samples of Dayna's work and it is quality indeed. Her calligraphy has been featured in Beverly Clark Elite Wedding Collection, Brides, The Knot, Martha Stewart Weddings, Cosmo Bride, Quest NY and City Wedding: a wedding planning guide for brides.

For those planning a wedding this definitely looks like one of the sites you should check out before making a final decision on your invitations and cards.

Knowing The Calligraphy You Write Is Important

admin — Thu, 11 Dec 2008 23:36:32 +0000

The following news story reminds us about knowing the calligraphy we are producing. (A translation is provided at the site that I've linked to).

As attractive and stirring as many of us find Chinese calligraphy, and for us Westerners I guess a lot of us find it mysterious, it must be remembered that the calligraphy we are admiring is actually words.

This fact was obviously forgotten by Max Planck Institute in Germany when they published a special issue about China including some lovely Chinese calligraphy on the cover of the magazine. The problem was that the calligraphy was actually an advertisement for a brothel and rather than giving the mysterious aura of the East to the page, it gave a rather more titillating invitation.

So the next time you decide to use some Chinese characters for a major work that you are planning to exhibit or display, get a translation of what it is you’re writing. It will save the embarrassment that the Max Planck journal must be feeling.

Join A Calligraphy Guild

admin — Tue, 09 Dec 2008 03:48:35 +0000

So you have recently taken up calligraphy, maybe you have taken a calligraphy course or have studied online. It’s very likely that early on in your calligraphy career you will need some advice or guidance on some of the work you are attempting. Or perhaps you need some direction about where to go to get a good deal on some equipment, or even what equipment you should be using.

What you’re actually after is the valuable resources available from your local calligraphy guild. Joining a calligraphy guild will help you network with other calligraphers, many of them seasoned veterans. All kinds of questions can be answered and advice given by calligraphy guild members.

Events such as exhibitions and workshops are an invaluable part of calligraphy guild membership and they are held at regular intervals depending on the guild you have joined. You will also get notification of upcoming national and international events that you will be sure to find you will want to attend.

To quickly find your local calligraphy guild, you might try visiting the Cynscribe site.

Is Calligraphy The Same As Lettering?

admin — Mon, 08 Dec 2008 07:50:23 +0000

Generally speaking, the words calligraphy and lettering are often interchanged to mean the same thing. However, when talking about calligraphy we often refer to the broad form of the art of creating beautiful writing in all its guises. There are three main types of calligraphy today, Western or Roman, Arabic and Chinese or Oriental. Some of the styles of calligraphy can better be described as fine art calligraphy.

Lettering refers to this creation of text and the drawn forms of text. Logos, headlines and most works for reproduction fit this category. With the art of calligraphy, the finished product is usually achieved with one pass of the calligraphy pen. The final result is appreciated for its individuality as well as for the consistency and fluidity.

Lettering differs because the process involves a certain amount of letter sculpting to ensure uniformity in letters because often times the result is meant to meet some sort of commercial need.

Calligraphy does not always require perfection, the finished work often reflects the personality of the person holding the calligraphy pen, their spirit. Lettering is a more exacting form of calligraphy and requires a more definite idea of uniformity and evenness.

The term lettering may also be used to cover every kind of letter-making, including calligraphy, drawn lettering, monumental letter-carving, typeface design, and so on.