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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" xml:lang="en-US">
  <id>tag:www.criterion.com,2005:/current/posts/feedburner</id>
  <link rel="alternate" type="text/html" href="http://www.criterion.com" />
  
  <title>The Criterion Current</title>
  <updated>2013-06-19T15:14:00-04:00</updated>
  <atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/TheCriterionCollection-TheCurrent" /><feedburner:info uri="thecriterioncollection-thecurrent" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry>
    <id>tag:www.criterion.com,2005:VideoPost/2814</id>
    <published>2013-06-19T15:19:27-04:00</published>
    <updated>2013-06-19T16:41:46-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/d3wsw8NlLWc/2814-marketa-lazarova-today" />
    <title>Marketa Lazarová Today</title>
    <content type="html">&lt;img alt="Large_film_661w_marketalazarova" src="http://s3.amazonaws.com/criterion-production/post_images/2814/large_Film_661w_MarketaLazarova.jpg?1371669563" /&gt;&lt;p&gt;&lt;/p&gt;
&lt;p&gt;In a new supplement recorded in 2013 for the Criterion Collection, we catch up with Magda Vášáryová, who was a teenager when she played the title character in František Vlácil’s Czechoslovak New Wave landmark &lt;i&gt;Marketa Lazarová.&lt;/i&gt; In this clip from that interview, the former actor (and current Slovakian political figure) talks about how she physically and emotionally prepared for her role as a young woman in the thirteenth century, and what it was like to work with Vlácil, who demanded a naturalistic performance—and a natural look.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=d3wsw8NlLWc:tXq_b0ZvGD8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=d3wsw8NlLWc:tXq_b0ZvGD8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=d3wsw8NlLWc:tXq_b0ZvGD8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=d3wsw8NlLWc:tXq_b0ZvGD8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=d3wsw8NlLWc:tXq_b0ZvGD8:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=d3wsw8NlLWc:tXq_b0ZvGD8:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/d3wsw8NlLWc" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2814-marketa-lazarova-today</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:TextPost/2809</id>
    <published>2013-06-19T12:09:44-04:00</published>
    <updated>2013-06-19T16:45:49-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/p5ToRcQ1Bfw/2809-cinema-of-the-wolf-the-mystery-of-marketa-lazarova" />
    <title>Cinema of the Wolf: The Mystery of Marketa Lazarová</title>
    <content type="html">&lt;img alt="Large_currentthumb_27876id_157" src="http://s3.amazonaws.com/criterion-production/post_images/2809/large_currentthumb_27876id_157.jpg?1371660352" /&gt;&lt;p&gt;Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.criterion.com/current/posts/2809-cinema-of-the-wolf-the-mystery-of-marketa-lazarova"&gt;Read More&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=p5ToRcQ1Bfw:7B2atbAU5EQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=p5ToRcQ1Bfw:7B2atbAU5EQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=p5ToRcQ1Bfw:7B2atbAU5EQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=p5ToRcQ1Bfw:7B2atbAU5EQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=p5ToRcQ1Bfw:7B2atbAU5EQ:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=p5ToRcQ1Bfw:7B2atbAU5EQ:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/p5ToRcQ1Bfw" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2809-cinema-of-the-wolf-the-mystery-of-marketa-lazarova</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:TextPost/2798</id>
    <published>2013-06-12T16:13:00-04:00</published>
    <updated>2013-06-19T19:38:20-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/rIV11hr-OGo/2798-flashback-ingmar-bergman" />
    <title>Flashback: Ingmar Bergman</title>
    <content type="html">&lt;img alt="Large_currentthumb_cowie_bergman" src="http://s3.amazonaws.com/criterion-production/post_images/2798/large_currentthumb_cowie_bergman.jpg?1371137196" /&gt;&lt;p&gt;The author recounts the story of his friendship with the great filmmaker.&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.criterion.com/current/posts/2798-flashback-ingmar-bergman"&gt;Read More&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=rIV11hr-OGo:h6uII1admn4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=rIV11hr-OGo:h6uII1admn4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=rIV11hr-OGo:h6uII1admn4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=rIV11hr-OGo:h6uII1admn4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=rIV11hr-OGo:h6uII1admn4:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=rIV11hr-OGo:h6uII1admn4:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/rIV11hr-OGo" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2798-flashback-ingmar-bergman</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:TextPost/2804</id>
    <published>2013-06-17T13:30:16-04:00</published>
    <updated>2013-06-18T12:12:09-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/sgyw9wuxQHw/2804-safety-last-high-flying-harold" />
    <title>Safety Last!: High-Flying Harold</title>
    <content type="html">&lt;img alt="Large_currentthumb_28446id_021" src="http://s3.amazonaws.com/criterion-production/post_images/2804/large_currentthumb_28446id_021.jpg?1371494521" /&gt;&lt;p&gt;The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.criterion.com/current/posts/2804-safety-last-high-flying-harold"&gt;Read More&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=sgyw9wuxQHw:AdPIq6gea6I:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=sgyw9wuxQHw:AdPIq6gea6I:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=sgyw9wuxQHw:AdPIq6gea6I:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=sgyw9wuxQHw:AdPIq6gea6I:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=sgyw9wuxQHw:AdPIq6gea6I:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=sgyw9wuxQHw:AdPIq6gea6I:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/sgyw9wuxQHw" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2804-safety-last-high-flying-harold</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:TextPost/2805</id>
    <published>2013-06-17T13:38:46-04:00</published>
    <updated>2013-06-19T20:40:09-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/iw-pvL8gKGA/2805-a-series-of-flashbacks" />
    <title>A Series of Flashbacks</title>
    <content type="html">&lt;img alt="Large_current_cowieportrait1" src="http://s3.amazonaws.com/criterion-production/post_images/2805/large_current_cowieportrait1.jpg?1371490721" /&gt;&lt;p&gt;The author introduces a new Current series that will feature his reminiscences about his encounters in international cinema circles over the past six-plus decades.&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.criterion.com/current/posts/2805-a-series-of-flashbacks"&gt;Read More&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=iw-pvL8gKGA:8V2DYuCG9ag:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=iw-pvL8gKGA:8V2DYuCG9ag:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=iw-pvL8gKGA:8V2DYuCG9ag:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=iw-pvL8gKGA:8V2DYuCG9ag:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=iw-pvL8gKGA:8V2DYuCG9ag:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=iw-pvL8gKGA:8V2DYuCG9ag:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/iw-pvL8gKGA" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2805-a-series-of-flashbacks</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:PicturePost/2803</id>
    <published>2013-06-14T17:15:40-04:00</published>
    <updated>2013-06-19T16:46:35-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/8ZASNuOPUek/2803-marvelous-images-from-marketa-lazarova" />
    <title>Marvelous Images from Marketa Lazarová</title>
    <content type="html">&lt;img alt="Large_27876id_159" src="http://s3.amazonaws.com/criterion-production/post_images/2803/large_27876id_159.jpg?1371244710" /&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=8ZASNuOPUek:mGsHcsVGvxw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=8ZASNuOPUek:mGsHcsVGvxw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=8ZASNuOPUek:mGsHcsVGvxw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=8ZASNuOPUek:mGsHcsVGvxw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=8ZASNuOPUek:mGsHcsVGvxw:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=8ZASNuOPUek:mGsHcsVGvxw:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/8ZASNuOPUek" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2803-marvelous-images-from-marketa-lazarova</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:TextPost/2802</id>
    <published>2013-06-14T14:41:23-04:00</published>
    <updated>2013-06-17T09:07:23-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/JCY_OgRgiLU/2802-did-you-see-this" />
    <title>Did You See This?</title>
    <content type="html">&lt;img alt="Large_dyst_german_poster_feature" src="http://s3.amazonaws.com/criterion-production/post_images/2802/large_DYST_German_Poster_Feature.jpg?1371235282" /&gt;&lt;p&gt;• Die &lt;a href="http://www.film.com/movies/german-movie-posters"&gt;poster-geist&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;• Notes on &lt;a href="http://flavorwire.com/397213/12-awesome-photos-of-cultural-icons-at-camp/?utm_source=facebook&amp;amp;utm_medium=flavorwire&amp;amp;utm_campaign=standard-post"&gt;camp&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;• Lost writing from &lt;a href="http://www.bookforum.com/inprint/020_02/11650"&gt;James Agee&lt;/a&gt; comes to light.&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.criterion.com/current/posts/2802-did-you-see-this"&gt;Read More&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=JCY_OgRgiLU:k4_CnOJWkfs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=JCY_OgRgiLU:k4_CnOJWkfs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=JCY_OgRgiLU:k4_CnOJWkfs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=JCY_OgRgiLU:k4_CnOJWkfs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=JCY_OgRgiLU:k4_CnOJWkfs:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=JCY_OgRgiLU:k4_CnOJWkfs:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/JCY_OgRgiLU" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2802-did-you-see-this</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:VideoPost/2800</id>
    <published>2013-06-14T11:47:26-04:00</published>
    <updated>2013-06-19T08:41:37-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/niEPdSQ-xk4/2800-what-s-happening-on-hulu" />
    <title>What’s Happening on Hulu</title>
    <content type="html">&lt;img alt="Large_love_hope_hulu_feature" src="http://s3.amazonaws.com/criterion-production/post_images/2800/large_Love_Hope_hulu_Feature.jpg?1371224843" /&gt;&lt;p class="MsoNormal"&gt;Are you keeping up with our &lt;a href="http://www.hulu.com/browse/picks/criterions-101-days-of-summer"&gt;101 Days of Summer&lt;/a&gt; series on Hulu? You won’t want to miss the selection of favorites and rarities we have on offer there, updated daily, from now through Labor Day. And Hulu Plus nonsubscribers take special note: each film is available for free (with ads) for forty-eight hours.&lt;/p&gt;
&lt;p class="MsoNormal"&gt;Today, we’re spotlighting a newly uploaded title that you won’t find anywhere else. It’s &lt;i&gt;A Street of Love and Hope, &lt;/i&gt;the feature debut of the brilliant Japanese filmmaker, theorist, and critic Nagisa Oshima&lt;i&gt;.&lt;/i&gt; A searing and lyrical tale of class disparity in late-1950s Japan, the film focuses on the growing but ultimately unsustainable friendship between two teenagers, one poor and one wealthy. Watch it below or &lt;a href="http://www.hulu.com/watch/499301"&gt;at Hulu.&lt;/a&gt; And remember that if you sign up for Hulu Plus for just $7.99 a month, you can see this and the more than eight hundred other Criterion films streaming there commercial-free anytime.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=niEPdSQ-xk4:resVAwl40KM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=niEPdSQ-xk4:resVAwl40KM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=niEPdSQ-xk4:resVAwl40KM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=niEPdSQ-xk4:resVAwl40KM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=niEPdSQ-xk4:resVAwl40KM:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=niEPdSQ-xk4:resVAwl40KM:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/niEPdSQ-xk4" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2800-what-s-happening-on-hulu</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:VideoPost/2799</id>
    <published>2013-06-13T13:24:11-04:00</published>
    <updated>2013-06-19T16:18:55-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/xh5_M_Ubmjw/2799-repertory-pick-marriage-punjabi-style" />
    <title>Repertory Pick: Marriage Punjabi Style</title>
    <content type="html">&lt;img alt="Large_film_489w_monsoonwedding" src="http://s3.amazonaws.com/criterion-production/post_images/2799/large_Film_489w_MonsoonWedding.jpg?1371144251" /&gt;&lt;p&gt;The internationally acclaimed director Mira Nair made her most personal film with the energetic, gloriously colorful drama &lt;i&gt;Monsoon Wedding. &lt;/i&gt;This spectacle, concerning an upper-middle-class Indian couple’s preparations for the arranged marriage of their only daughter, is especially luminous on the big screen, as attendees of Austin’s annual, always impressive &lt;a href="http://www.austintheatre.org/site/PageServer?pagename=summer_film_series"&gt;Paramount Summer Classic Film Series&lt;/a&gt; can discover on Sunday in the city’s &lt;a href="http://www.austintheatre.org/site/Calendar?view=Detail&amp;amp;id=34081"&gt;Paramount&lt;/a&gt; movie palace. Watch the original American-release trailer below to get in the festive mood.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=xh5_M_Ubmjw:nvBeSKUGMus:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=xh5_M_Ubmjw:nvBeSKUGMus:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=xh5_M_Ubmjw:nvBeSKUGMus:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=xh5_M_Ubmjw:nvBeSKUGMus:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=xh5_M_Ubmjw:nvBeSKUGMus:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=xh5_M_Ubmjw:nvBeSKUGMus:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/xh5_M_Ubmjw" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2799-repertory-pick-marriage-punjabi-style</feedburner:origLink></entry>
  <entry>
    <id>tag:www.criterion.com,2005:VideoPost/2797</id>
    <published>2013-06-12T13:41:44-04:00</published>
    <updated>2013-06-19T17:18:18-04:00</updated>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheCriterionCollection-TheCurrent/~3/ZH15OhRsH2Y/2797-behind-the-scenes-of-wild-strawberries" />
    <title>Behind the Scenes of Wild Strawberries</title>
    <content type="html">&lt;img alt="Large_ws_feature" src="http://s3.amazonaws.com/criterion-production/post_images/2797/large_WS_Feature.jpg?1371058995" /&gt;&lt;p&gt;&lt;/p&gt;
&lt;p&gt;Among the special features new to our Blu-ray edition of Ingmar Bergman’s &lt;i&gt;Wild Strawberries&lt;/i&gt; is a remarkable sixteen minutes of silent 16 mm footage filmed by Bergman himself on set. The images provide insight into how certain scenes were shot, as well as access to casual moments between takes. The following short excerpt from this supplement is particularly remarkable for being in color (much of the footage is in black and white, like the film itself), which lends an entirely new perspective on some classic images. It features voice-over by Jan Wengström, curator of archival film collections at the Swedish Film Institute.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=ZH15OhRsH2Y:zfaKJWPmP7s:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=ZH15OhRsH2Y:zfaKJWPmP7s:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=ZH15OhRsH2Y:zfaKJWPmP7s:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=ZH15OhRsH2Y:zfaKJWPmP7s:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?a=ZH15OhRsH2Y:zfaKJWPmP7s:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheCriterionCollection-TheCurrent?i=ZH15OhRsH2Y:zfaKJWPmP7s:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheCriterionCollection-TheCurrent/~4/ZH15OhRsH2Y" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.criterion.com/current/posts/2797-behind-the-scenes-of-wild-strawberries</feedburner:origLink></entry>
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