1. Biche - B.I.C.H.E. (Ça Va Sound)

Back in the mid-90’s there was a space age bachelor pad musical resurgence. Groups and artists like Stereolab, Air and Bertrand Burgalat were inspired by the space age sounds of Peter Thomas, Esquivel and the Free Design. On their second album, Paris group Biche employ dots and loops and space age inpiration along with guitars and other analog instruments to color their songs with a dynamic sound that sounds retro and futuristic at once. They smartly get Margaux Bouchaudon of En Attendant Ana to take the lead on one song (Americanism) and provide backing vocals on a number of others. B.I.C.H.E. or Breve Interrogation Sur Les Cycles Humains Eternels is endlessly exciting, fun and surprising record.

2. Semi Trucks - Georgia Overdrive (PPM)

On their second album Los Angeles band Semi Trucks hit the highway and deliver a real winner. Combining the shambolic energy of the Pastels, the haunting beauty of Mazzy Star, and the jangling bliss of Teenage Fanclub, Georgia Overdrive doesn’t let up with the great songs coming one after the other.

3. Good Flying Birds - Talulah's Tape (Carpark)

Originally released as a Cassette, Carpark records saw to it that Talulah’s Tape became Talulah’s vinyl and got a wider audience. This Indianapolis, Indiana band claim the Velvets, Guided by Voices and Weezer as influences. I would add them to the Elephant 6 collective if they were 30 years younger. If you dig/dug Apples in Stereo from that era, Good Flying Birds are carrying that DIY torch.

4. People Mover - Cane Trash (Little Lunch)

Brisbane, Australia’s Little Lunch Records who brought us the Soft Covers album a couple of years ago bring us another Australian indiepop gem. People Mover share a drummer with Soft Covers, Dan the brother of singer Lu Sergiacomi who sounds a little like Courtney Barnett to me with her deadpan, slightly melancholy delivery. The trio have a pure garage rock inspired jangle (ECSR’s Mikey Young mastered the LP) that really bring these songs to life.

5. Silk Daisys - Silk Daisys (Self-released)

Dreampop/shoegaze seems to have taken a foothold in the south with Sister Ray Davies in Alabama and Silk Daisys in Atlanta, Georgia. On their debut album Silk Daisys mine the dreamier side of the spectrum bringing to mind the Primitives and the Sundays with a dash of Cocteaus and Mary Chain for good measure. The duo of Karla Jean Davis and James Abercrombie share vocal duties on the album’s 12 songs. No matter who’s singing every song has the just the right amount of shimmering guitars layered on top of classic sounding UK indiepop.

6. Viagra Boys - viagr aboys (Shrimptech Enterprise)

If you haven’t heard, which I’m sure you probably have Viagra Boys are based in Sweden and feature San Rafael, California lead singer Sebastian Murphy. If could be the most perfect combination of irreverent bay area punk and Swedish knack for making crunchy, slightly edgy pop punk rock. Viagr Aboys is their fourth album their best yet. The hooks abound, Murphy makes you laugh and think and the band can deliver a full on rocker or provide just enough restraint to keep you on the edge of your seat.

7. Water Machine - God Park (FatCat)

This Glasgow band combine Orange Juice pop with sparse post punk of Fire Engines on their first album. I love how every song is infectious, but yet there is something odd or off about each one, whether it’s a warbly tuning (River) or odd and funny topics (Dog Park). Sometimes they even shed all pretenses and deliver straightforward pop like on Tiffany.

8. Blood Orange - Essex Honey (RCA)

You might remember Lightspeed Champion, a previous incarnation of Dev Hynes. Blood Orange reminds of those albums in the 90’s by Jah Wobble and Hector Zazou where they acted as the maestro and brought in guest singers for their songs. Essex Honey features the Durutti Column, Caroline Polacheck, Lorde, Brendan Yates and Ben Watt and Dev himself. It’s a chill vibe throughout the 14 songs on the album, combining jazz, ambient, electronic and twee sounds.

9. Sloan - Based On the Best Seller (Yep Roc)

Keeping it going for the kids (and the adults now), Sloan released their 14th album in 2025. They continue their democratic approach to songs with all four members contributing songs and singing. With the experience and wisdom to not tinker with a good recipe, the band deliver another winner.

10. Prism Shores - Out From Underneath (Meritorio)

Out from Underneath is the second album from Montreal-based Prism Shores but first to get released on a physical format and justly so. Influenced by the jangly guitars of bands on Flying Nun and Creation, their airy sound has elements of Close Lobsters which lends a greater emotional dimension to their songs.

11. Mariin K - Rose Skin (Seksound)

Based in Estonia and led by Mariin Kallikorm who has worked with Tricky. The album Rose Skin can safely be file in the shoegaze/dreampop section of our collection. Kallikorm writes, sings and plays everything here with a few exceptions (drums provided by Rein Fuks of Pia Faus). The album contains some future classics like Free Alice, Puddle and Rose Skin.

12. Heartworms - Glutton for Punishment (Speedy Wunderground)

Named after a Shins album, Josephine Orme’s alter ego Heartworms is considerably darker sounding than her inspiration. Glutton for Punishment in the first Heartworms album and it is decidedly gothic in tone. It combines the dancefloor prowess of Siouxsie and the Banshees and Clan of Xymox.

13. BDRMM - Microtonic (Rock Action)

Formerly a shoegaze band, Bdrmm have evolved their sound into more electronic based compositions. Microtonic sees them eschewing their guitars for synth driven etherealness. Space creeps into these songs and a newfound patience to let the melodies shine instead of blurring them with guitars.

14. Horsegirl - Phonetics On and On (Matador)

The Chicago by way of NYC trio employ Cate Le Bon to produce their sophomore album. The group strip things down and remove the layer of noise used on their first album that they seemed to use to hide their fear. Phonetics On and On has a honesty, simplicity and raw beauty to it that brings to mind Young Marble Giants or Stuart Moxham’s other band The Gist.

15. Momma - Welcome To My Blue Sky (Polyvinyl)

Welcome to My Blue Sky is Momma’s fourth album, but the first one that came across my radar. The Brooklyn via California band combine crunchy guitars that aren’t quite grunge and not quite shoegaze. They’ve got the great quite-loud parts to their songs where sweetly sung versus explode into big blasting choruses. Think Pixies, Veruca Sault and Giant Drag.

16. Wet Leg - Moisturizer (Domino)

No sophomore slump for Wet Leg. Hester Chambers and Rhian Teasdale are no longer duo, they’ve expanded the Wet Let membership to be full band now. They keep Dan Carey (Speedy Wunderground) in the production chair and employ Alan Moulder to mix it. Although there isn’t a break out hit like Chaise Longue, Moisturizer is a stronger record overall with quality songs throughout. It’s got everything from dancefloor bangers to introspective bedroom pop.

17. Magic Fig - Valerian Tea (Exploding In Sound)

Magic Fig effortlessly conjure psychedelic landscapes within their songs. They seem to tread just on the edge of oblivion. Where many prog influenced bands don’t know when to reign it in, Magic Fig have just enough collective pop wisdom to pull it back just before it’s all about become indecipherable and unwieldly. I guess this my way of saying these songs contain just right amounts of pop sensibility and wild-eyed daydreaming.

18. Natural Information Society - Perseverance Flow (Eremite)

Josh Abrams and his Natural Information Society has been on this countdown before so you know this one is sort of out of left field given the rest of this list. On Perserverance Flow is one long drone over two sides and probably best heard not on vinyl (because you have to flip the record to hear the entire piece). There’s a bit of a tribal or Dead Can Dance feel throughout, but it keeps going and if you let it, you soon are floating on another plane, unaware of your surroundings. Otherworldly.

19. Chameleons - Arctic Moon (Metropolis)

The Chameleons return again. This time 24 years since their last reunion album. Mark Burgess and Reg Smithies are with out Dave Fielding and John Lever. Lever died in 2017 and Fielding opted out. Even at 50 percent, they sound full of vim and vigour. Opener Where Are You? sounds as anthemic as anything in their catalog. Lady Strange easily worms its way into your conscious with its undeniable chorus. A most welcome return!

20. Belair Lip Bombs - Again (Third Man)

Melbourne’s Belair Lip Bomb’s debut was my favorite album from 2023. Their second album Again is a worthy effort and sees them diversifying their sound a little. Getting out of the garage and adding violin to nice effect on some of the songs. Maisie Everett’s cool croon is still rightly front and center here and the songs are still top notch. The band have developed a more diverse approach to each song in a successful effort to making each one uniquely shine.

21. Beths - Straight Line Was a Lie (Anti)

22. Saint Etienne - International (Heavenly)

23. Andy Bell - Pinball Wanderer (Sonic Cathedral)

24. The Bug Club - Very Human Features (Sub Pop)

25. Garrett T. Capps - Life Is Strange (Tall Texan)

26. Sea Lemon - Diving For a Prize (Luminelle)

27. Green Tea Peng - Tell Dem It's Sunny

28. Mozart Estate - Tower Block In a Jam Jar (Cherry Red)

29. Stereolab - Instant Holograms On Metal Film (Duophonic)

30. Now - Now Does the Trick (Perennial Death)

1. Dummy - Free Energy (Trouble In Mind)

This year featured a lot of really good shoegaze albums inspired by the fertile bed of early 90’s UK groups like My Bloody Valentine, Ride, Chapterhouse, etc. Los Angeles groop Dummy add a Stereolab element to their style of shoegaze to great effect. Free Energy, their second album is a bright vibrant candy shop of noisy pop interspersed with electronic bleeps and bloops. It’s packed with catchy pop songs drenched in sound and paced with interludes of ambient sounds to let you catch your breath while blissing out to this tour de force of a record.

2. Jim Nothing - Grey Eyes, Grey Lynn (Meritorio)

Former Salad Boys drummer Jim Sullivan released his second album under his Jim Nothing moniker this year and it improves on the first in quality and consistency. Hailing from Auckland, New Zealand Mr. Nothing excels at 90’s style indie rock. The album is packed with super catchy songs featuring laid back vocals and ringing guitars that sometimes sounds like the Clean and other times like the Church (I know, their Australian). My favorite song is Raleigh Arena is Nothing’s motorik tinged ode to the bicycle. “I get around town on my bicycle, And it feels so good and it feels so free, I don’t know why everyone don’t have one of these!”

3. TTSSFU - Me, Jed and Andy (Fear of Missing Out)

Me, Jed and Andy is a six song album (ep?) by Manchester based Tasmin Stephens. Jed and Andy refers to Jed Johnson and Andy Warhol and their relationship. The album seems to have been inspired in part by the Warhol Diaries. Sonic-wise though, it sounds heavily influenced by Faith and Seventeen Seconds era Cure dabbed with a little bit of David Lynch and Julie Cruise. The songs conjure moody atmosphere and billowing vibes of chillness and euphoric feelings as it carries you along with it.

4. Juniore - Trois Deux Un (Le Phonographe)

Trois Deux Un is full of upbeat psychedelic French pop and moody soundtrack songs. This is the Parisian collective’s third album. It is in the same vein as the Limiñanas and La Femme, with a bit more polish than Limiñanas and more restraint than La Femme. Every song is classic sounding and so immediate, you think you might have heard them before or maybe dreamed them in French.

5. Royel Otis - Pratts & Pain (Ourness)

The Royel Otis show in Seattle back in May was originally supposed to be at the Tractor with a capacity of 550, it quickly sold out and then was move to the much larger Neptune Theatre (capacity 1000). This Australian duo seemed to exploded this year with their indie guitar driven dance sound and ability to deliver memorable choruses in nearly every song.

6. Mo Dotti - Opaque (Self-relased)

After a couple of ace EP’s (Blurring and Guided Imagery ) this Los Angeles group’s debut album deftly combines elements of Cocteau Twins, Sarah Records and 90’s shoegaze to great effect. There are atmospheric beauties and squalling ragers to satisfy everyone’s shoegaze and dreampop hankerings.

7. Kim Deal - Nobody Loves You More (4AD)

It’s hard to believe that this is Kim Deal’s first solo album. She’s been such a creative and driving force in all of her post-Pixies work and at times slapped on a name like the Amps to make it seem like a band when it was really a solo effort. This album feels different from everything that’s come before. Nobody Loves You More has horns, strings, confidence, direction and miles and miles of style. These songs are beautiful in the way that combines Deal’s indie aesthetic with the sounds of easy listening kings like Bennet, Walker and Jones.

8. Jessica Pratt - Here in the Pitch (Mexican Summer)

I think this is most mainstream sounding record yet from Jessica Pratt and that’s a good thing. Here songs and style have been buffed to shine in the best light and they gleam with near perfection. Here in the Pitch sounds like it could have been recorded by Joe Boyd. Her delivery is a combination of Shirley Collins, Nick Drake and Astrud Gilberto. Every one of these songs is beautiful and sad yet eerily comforting. One of a kind.

9. Garrett T. Capps & NASA Country - Everyone Is Everyone (Spaceflight)

San Antonio’s cosmic cowboy returns with another dose of songs born in some honky-tonk in Düsseldorf. Everyone Is Everyone continues on the same path forged by 2022’s People are Beautiful and improves on Capps’ unique template of blending country music with motorik beats and outer space references. Ouray is a tour de force. Flow State sounds like a Spacemen 3 collaboration and To the End of the World and The Way it Goes Sometimes are mellow beauties.

10. Chime School - The Boy Who Ran the Paisley Hotel (Slumberland)

The second Chime School is so good, I doubt that we’ll need to qualify Chime School as Andy Pastalaniec’s side project (he’s been the drummer in a number of other bands including Seablite). The Boy Who Ran the Paisely Hotel sounds like Pastalaniec’s fully fleshed out vision of jangly pop perfection incorporating influences like the Razorcuts and Velvet Crush. Even though he wrote, recorded and performed the entire thing it sounds like a band. If you have chance to catch them live as a full band the songs and harmonies pack an even bigger wallop.

11. Rachel Love - Lyra (The Cat Collects)

Lyra is a beautiful and beguiling collection of pop songs from this former member of the short-lived and dearly missed Dolly Mixture. Love’s voice is in great form. It’s so smooth and soothing. This record reminds me a lot of early Saint Etienne and if you dug that Birdie reissue (her Dolly Mixture bandmate Deboray Wykes) Lyra is a perfect companion to it.

12. Alvilda - C'est Déjà L'heur (Static Shock)

This French group combine lots of obscurities like Chin Chin, Dolly Mixture the Undertones into a punchy debut album. Every song is short, sharp and brilliant. The pace is astonishing as the hits come fast and don’t let up. They even have a theme song as all great bands should and it’s possibly the best song on the record. Hot hot hot!

13. Richard Hawley - In This City They Call You Love (BMG)

It’s been a minute since Sheffield’s favorite son Richard Hawley has had an album in my best of as we sort of parted ways around 2009’s Truelove’s Gutter. In This City They Call You Love is bit of a return to form of his earlier albums that evoked the 50’s and 60’s with his croon and nods to country, rockabilly and Roy Orbison. The songwriting is up to snuff too with every song gently etching itself into your memory after only a couple of listens. Very easy to like.

14. Ducks Ltd - Harm's Way (Carpark)

Harms Way proves that Ducks Ltd 2021 debut album Modern Fiction was no fluke. The Toronto band picked up and went to Chicago to record their sophomore effort. The high jangle pop standards previously established by the group continue here. Nine new songs influenced by such luminaries as the Verlaines, Railway Children and Orange Juice are virtually guaranteed to get you moving and shaking with delight.

15. Quivers - Oyster Cuts (Merge)

After 2021’s near perfect album Golden Doubt, Merge records smartly snapped up the Australia’s Quivers to their roster. While it isn’t as consistently amazing as Golden Doubt, Oyster Cuts sees the band stretching out and trying new things while still keeping an eye on quality. Quivers songs are tender with power chords and catchy choruses. Their third album feels like there are some growing pains but the band write such good songs (see Pink Smoke, Never Be Lonely and Apparition) even growing pains sound good.

16. The Umbrellas - Fairweather Friend (Slumberland)

On their second album, this bay area band continue to make lovely ramshackle paisley jangle goodness. Sometimes the songs feel like they’re about to fall off the rails from the band’s sheer enthusiasm (see Three Cheers! and Toe the Line), and then they can quickly get control of the steering and create a delicate beauty of song like Echos. They do both so well and seem to be having so much fun doing it that you are bound to get caught up by their wide eyed brilliance.

17. Aluminum - Fully Beat (Felte)

San Francisco’s shoegazer/noise pop specialists really kick it into gear on their debut album (not a surprise if you caught 2022’s Windowpane EP). They are parts Dandy Warhols, Swirlies, exlovers and Chapterhouse mixing in miasmic guitar sounds with fuzzy beats to create their own rocking and fun take on the shoegaze genre which continues to ride waves of resurgence.

18. Kate Bollinger - Songs From a Thousand Frames of Mind (Ghostly International)

Apparently Kanye West is a fan of Kate Bollinger (not what brought her to my attention), or at least of her song Candy. The Richmond, Virginia based singer sounds like she could have been a member of the Elephant 6 collective back in the 90’s if she’d been alive. Her bucolic psychedelic songs have a few similarities with that era of indiepop psychedelia, but she has a more delicate laid back touch that make her songs flutter and float.

19. The Bug Club - On the Intricate Inner Workings of the System (Sub Pop)

The Bug Club are nothing if not prolific. Since they burst onto the scene back in 2021, this duo (formerly trio) has released four albums, multiple singles and a double live album of unreleased songs. They’re definitely not slackers, so it was sort of surprising when they signed to Sub Pop (well known-slackers). For their new label bosses they’ve upped the number of quality pop (pints?) songs and doubled down on their knack for including the absurd into super-hooky songs. Tons of fun!

20. Kelley Stoltz - La Fleur (Dandy Boy)

When he isn’t playing in Robyn Hitchcock’s band or filling in on an Echo & the Bunnymen tour, Kelley Stoltz makes records. Lots of them. Consistently great ones, and La Fleur is no exception. He teams up with like-minded Jason Falkner on a couple songs including the brilliant Hide in a Song. The highlight of this collection has to be Reni’s Car. It’s an earworm of a song and a hilarious narrative of Stoltz house sitting for the Stone Roses drummer and joyriding around Manchester in his black BMW.

21. Ride- Interplay (Wichita)

22. Memorials - Memorial Waterslides (Fire)

23. Pernice Brothers - Who Will You Believe (New West)

24. BV's - Taking Pictures of Taking Pictures (Shelflife)

25. Michael Head & the Red Elastic Band - Loophole (Modern Sky)

26. Naked Roommate - Pass the Loofah (Trouble In Mind)

27. The The - Ensoulment (Ear Music/Cineola)

28. Somesurprises - Perseids (Doom Trip)

29. Fleur - Fille Sauvage (Sound Flat) 

30. Kindsight - No Shame No Fame (Rama Lama)

1. Amyl & the Sniffers – You Should Not Be Doing That (B2B)

You Should Not Be Doing That rocks and you can dance to it too. Singe Amy Taylor sounds like an Aussie Beastie Boy fronting the Stooges. This one is white HOT!

2. Susan James – Time Is Now (Murmurations)
Time Is Now sounds like it was birthed in the 60’s with the help of the Byrds and Mamas & the Papas and warped to the present via a Stereolab time machine. Top shelf single!

3. Touch Girl Apple Blossom – EP (Summer Shade)

Austin group named after a Beat Happening lyric and sounding like they could’ve had a song on Spinart’s One Last Kiss compilation in 1992. A future timeless indiepop record to these ears.

4. Grazia – In Poor Taste (Feel It)

This London group’s four song debut is loaded with sharpe edges and arty disaffection. Cheap is a corker and the other 3 are a blast as well.

5. Fleur- Ty Es Un être Parfait (Sound Flat)

The prolific Danish francophone Fleur’s keeps cranking out great records. This single is a skronky take on French ye-ye rock is virtually guaranteed to get you bopping.

6. Angeladorrrm – Tinc un desig (La Castanya)

Angeladorrrm sound like the Spanish brethren of En Attendant Ana on the A-side and Stereolab siblings on the flip. I love both sides equally and am excited to see what this new groop does next.

7. No Drama- Papershop (Anything Bagel/Hidden Bay)

No Drama are from Toulouse, France, sing in English and sound like they listened to US college radio in the late 80’s & early 90’s. Papershop has some Green on Red and For Against in it and that is a very good thing obscure references and all.

8. Tanlines – Vanishing Point (Lone LTD)

This Brooklyn duo make sophisticated sounding dance pop. Pet Shop Boys meets Destroyer.

9. RYLI – I Think I Need You Around (Dandy Boy)

Yea-Ming Cheng (Yea-Ming & the Rumours) and Rob Good (The Goods) got together to record a Cleaners From Venus cover and ended up writing a few songs of their own. Lucky u. If you dig the surfy sounds of La Luz, this single will beguile yo with its breezy pop hooks.

10. Sea Lions- Out Alive (Yay!)
Flexi in the house! So great to have Sea Lions and Yay! Records back after long hiatuses. These 2 songs have that earnest, surfy vibe you might remember from their LP and single from years back. So much fun decorated with reverb and jangly goodness.

11. Borough Council – Casino (Speedy Wunderground)
This UK trio have a slight Unrest vibe that I love. Casino is an obtuse pop with a circular riff that may make you dizzy with delight. It did me.

12. Keddies Resort – Left Side My Radio (Drunk Dial)

The Drunk Dial MO is to get a band into a studio and get em drunk. This totally works for Keddies Resort power pop tunes. Left Side of the Dial squeals with delight and the Beefheart and Vapors covers are a blast.

13. I-Nichi – Mimiko (Spinout Nuggets)

Mimiko is a sharp little song that pulls from the likes of Le Tigre, Delta 5 and Gang of Four. The B-sides are bit more esoteric and Beffheart-esqu.

14. Kelley Stoltz – When I Look In Your Eyes (Lone LTD)
Kelley Seems to have an endless supply of ideas and pop songs. Here, he works with a motorik palette with great effect. When I Look In Your Eyes is hypnotic and lingers on beyond its 4 minutes of bliss.

15. The Crystal Teardrop – Running Out of Time (Disques Rogue)

The Crystal Teardrop put out 2 singles this year. By the River was probably the better of the two, but it sold out in a minute. Running out of Time is nearly as good. Both are great slices of classic sounding psychedelic garage rock.

16. Royel Otis – Heading For the Door (Speedy Wunderground)
This Aussie duo sort of exploded onto the scene this year. Their dancey guitar rock that the caught on with the younger crowd. If you dig Heading for the Door be sure to check out their Pratts & Pain LP.

17. En Attendant Ana – Magic Lies (Sub Pop)

En Attendant Ana songs always seem to fit multiple songs into one, often metamorphosizing into a groove an unexpected groove subliminally surprises you. This Sub Pop singles club foray is no different and a great addition the bands catalog.

18. The Primitives – I Won’t Care (HHBTM)

Probably best known for their song Crash back in the late 80’s. I Won’t Care sounds like vintage Primitives. It’s great to hear that the band can still crank out an ace single decades later.

19. Comet Gain- Only Happy When I’m Sad (Spinout Nuggets)

These two Comet Gain songs are actually nuggets dug up from the late 90’s. They still sound fresh to these ears. Sarah Bleach takes the vocal lead on the A-side giving it a bit of a Saint Etienne vibe.

20. 7ebra – Normal Song (PnkSlm)

Swedish twin sister are back strutting their nonchalant coolness with Normal Song. Reminds me a little of the Ko-Stars with it minimal instrumentation and buzzing chorus.

21. The Gabys – Ode ( Fruits & Flowers)

The second single from this UK duo is more of the good thing they delivered with their Velvets inspired 2022 debut. Shrouds of guitar and a lo-fi aesthetic that nearly burry the angelic vocals make it sound like a diamond in the rough.

1. Leatherman – Telephone (Legless)

The debut single from this Melbourne band mines the same vein of punky power pop that another Melbourne group, Romero did on their debut from a few years ago. Leatherman mix in some Amyl & the Sniffers too to really liven things up. Telephone is a scorcher of a song with guitars blazing and a chorus infecting you with a crunchy rock and roll virus that no inoculation can protect you from.

2. English Teacher – Song About Love (Speedy Wunderground)
Song About Love is an earworm of a song that snakes itself around you and consumes you. Singer Lily Fontaine knows that too many rock songs are about one thing and then decided to write one more rock song about love. The love song to kill all of the other love songs! I especially appreciate how the band gets into a frenzy at the end. A gigantic crescendo of being overwhelmed by all of the love songs out there.

3. Vicky Tafoya – The Moment (Penrose)

I haven’t heard from Vicky Tafoya since her 2020 single Forever (#2 in that year’s singles roundup). She’s thankfully back, and she’s still got it. the Moment is a smokey soulful ballad that sounds like an instant classic. She isn’t prolific, but I’ll take this kind of quality over quantity every time.

4. Ape-Ettes – Trampoline (Reta)

Ape-Ettes are a trio and hail from Sudbury, Ontario. This EP has a little punk, French punk, spy-surf and plain old pop. Easily excelling in all those styles and staying on point.  They were christened the Ape-Ettes by Tommy and the Commies (#28 in the 2020 singles roundup) because of their fondness for covering girl groups and garage rock. Singer Julie Katrinette sounds a little like Kim Deal and has a knack for a good melody no matter the style employed.

5. Beabadoobee – The Way Things Go (Dirty Hit)

Beabadoobee aka Beatrice Kristi Ilejay Laus wrote a song called I Wish I Was Stephen Malkmus which kinda got my attention. Then she released her Fake It Flowers LP which was really good bedroom pop with a bit of shoegaze influence. Her single The Way Things Go is another very pleasant surprise. She seems to be channeling Elliot Smith on this song with its acoustic backing and haunting vocal. Beautiful and amazing.

6. Blues Lawyer – Have Nots (Dark Entries)

Right from the start of Have Nots you know it’s gonna be a good time. The buzzing guitars, then the bouncing bass and finally the words come in and you are on your way blasting forward into 3:45 of pop bliss. Oakland’s Blues Lawyer have been together making quality indiepop since 2018 and this may their best one yet!

7. Jack Cades – Something New (Outro)

Stratford Upon Avon garage rockers come up with gold on Something New. Their sound is a 21st century take on 60’s psychedelic garage rock that doesn’t veer too far off the main road. Both of these songs are so good, especially Something New that it’s easy to forget that this has been done before. Jack Cades have the chops to hang with the greats.

8. Laughing Chimes – Laurel Heights (Slumberland)

Down in the southeast shoulder of Ohio, in a college town probably with a good college radio station,  (Although you don’t need a radio station these days to know about the Paisley Underground or the southern jangle pop renaissance of the 80’s.) the Laughing Chimes materialized.  These Athens, Ohio brothers from A probably just used the internet. Not matter the source, Laurel Heights reignites the flame of all the afore mentioned brilliance.

9. The Hazmats – Skewed View (Static Shock)

The second single from The Hazmats sees this this group with hard core punk chops continue on their fun-loving jangly pop trajectory. The A-side sounds a bit like the Stone Roses while the b-side goes for a more rocking early Wedding Present blast of guitars. This is classic sounding stuff that harkens back to when the UK indie charts were spotted with Sarah and Subway bands.

10. The Slow Summits – Budge (Too Good To Be True)

Named for a Pastels album (?) and sounding more than a little like Orange Juice, Slow Summits could be mistaken for a Scottish band. They actually call Linköping, Sweden home. Budge has a lovely guitar riff, features a skanky sax and biting lyrics. Excellent juxtaposition of happy sounding music masking a spiteful sentiment.

11. Positive Thinking – Permanent (Space Case)

Austin, Texas’ Positive Thinking were quietly putting out digital EP’s onto the internet until they hooked up with local label Space Case for this single. The hype sticker mentions that you should like this if you dig Opal and Rain Parade, and I can confirm that this is true. Permanent is haunting and catchy with elements of the Paisley Underground mixed with some 60’s futuristic sounds, a la Broadcast.

12. Jeanines – Tilt In Your Eye (Slumberland)

Jeanines songs are the most economical in indiepop today. They immediately grab you with their catchy 60’s inspired folky psychedelia and then usually a minute and 45 seconds later cast you off wanting more. Tilt In Your Eye is a top Jeanines song. It’s inserts bit of Jefferson Airplane into the Bats, Mamas and Papas formula and comes up with a slightly new winning formula.

13. Papernut Cambridge – Cinderella Crazy Golf (Gare du Nord)

The award for the only band to have a record on both the albums and singles list this year goes to Papernut Cambridge. Ian Button is on a hot streak it seems and so we benefit, getting four more songs here. Cinderella Crazy Golf is a great choice for a single. Button’s voice has a buzzy psychedelic vibe, while this chugging song takes an emergency third rail power trip to some place you may or may not have been before. There’s more too. I’ve Loved You the Longest is a pretty Byrds inspired number.

14. Red Sleeping Beauty (Featuring Amelia Fletcher) – Solid Gold (Matinee)

This Red Sleeping Beauty single features covers of Sarah indiepop classics (Sea Urchins’ Pristine Christine and Another Sunny Day’s I’m In Love With A Girl Who Doesn’t Know I Exist) and a couple new ones with guest vocalists. The Swedish group get help from Amelia Fletcher (Heavenly, Talulah Gosh, Marine Research, Tender Trap) on lead vocals on Solid Gold. I’ve probably listened to this song 30 times, and it’s still a mystery to me what it’s about. She’s flipping through old pictures, reminiscing, looking through her old records. Is she clearing out an old friend’s belongings? Did this person die? Or is she just getting rid of things she’s been holding on to for too long. I love it that I don’t know!

15. Chime School – Coming To Your Town (Slumberland)

One man psychedelic jangle pop man Andy Pastalaniec returns with a new single as a follow up to his debut album from a couple years ago. He’s also the drummer in Sea Blight, another great bay area group. Coming To Your Town continues on the 12 string Byrds-inspired path. Throw in some 80’s era UK indie influences like Biff Bang Pow!, Primal Scream and Razorcuts and you have a punchy little single that rails against capitalism and the breakdown of civil society. Wow!

16. Telephone Numbers – Weird Sisters (Meritorio/Perfect )

More SF goodness here! I haven’t done an in depth analysis, but I think that the 7″ single is still a thing in the bay area! Telelphone Numbers is mainly Thomas Rubenstein with some help from Glen Donaldson (Reds Pinks and Purples) and he has come up with a classic in Weird Sisters. It has a melancholy power pop sound that reminds me of late period Replacements mixed with the Lemonheads.

17. Lande Hekt – Pottery Class (Get Better)

You might remember Lande Hekt from last year’s countdown and her great cover of the Wedding Present’s Octopussy. Pottery Class is another slice of slightly melancholy, but still uplifting introspective pop in which Hekt weighs the pros and cons of living in the country vs the city. Is she a country mouse or a city mouse? Listen and find out!

18. Secret Postcards – Never Dreaming (Make Me Happy/Fastcut)

Secret Postcards are from Greece, but you could mistake their bright, sunny, slightly twee pop for a band from the UK or certain parts of the US. The buzzing guitars on Never Dreaming go great with singer Stella’s happy sounding vocals of the verses and then she dials in some melancholy for chorus. The cover is obviously influenced by Sarah records too. Easy to like.

19. Stef + the Sleeveens – Give My Regards To the Dancing Girls (Sweet Time)

Stef and The Sleevens feature members of Cheap Time, Pink Spiders and Sweet Knives and hail from Music City, USA. Give My Regards To the Dancing Girls is a tongue-in-cheek rocker. These pub rockers light it up with a a rollicking 60’s rockabilly riff and pithy attitude. This band definitely sounds like they are having the most fun of any band in this year’s countdown.

20. Wesley Bright – Six Minute Mile (Colemine/Palmetto Street)

Wesley Bright seems to sporadically release brilliant singles. It made me wonder, why he hasn’t put out an album yet. Then I searched and found he actually had already back in 2022, except it didn’t get much attention and isn’t on Bandcamp or vinyl. Go figure. In any event Bright has taken up running, or at least singing about running. Six Minute Mile clocks in at about three minutes. It’s smooth as silk and easily wins the race.

21. The Goods – David Jones Is Dead (Dandy Boy)

More goodness from the bay area. The Goods rev up the power pop engine on David Jones Is Dead. It’s a high quality rocker that fans of Sloan and Tommy Keene will totally dig. The single has 3 songs, and you get a bonus song with the download, all nearly as good as the A-side.

22. Red Mass – A Boy and His Robot (Space Case)

Red Mass are a Montreal collective lead by Roy Vucino and Hannah Lewis. Each song on this single features a different singer and all of them have a garage rock vibe. They’re not as unhinged as Thee Oh Sees, but I hear similarities on A Boy and His Robot, especially the Block of Ice era Oh Sees of 2009. Addicted featuring vocals from Chantal Ambridge is also really good because it adds in some 60’s California Mamas & the Papas ingredients to the dish.

23. Garrett T. Capps – She’s About a Mover (Self-released)

Garrett T. Capps has been described as cowboy kraut which is just about the perfect way to put it. His 2022 album People Are Beautiful was packed with some pretty great country kraut. She’s About a Mover continues his trip down the dusty boogie kraut groove road that goes direct from San Antonio to Düsseldorf.

1. Belair Lip Bombs – Lush Life (Cousin Will Records)
Lush Life by Melbourne, Australia’s Belair Lip Bombs was an album brimming with personality and confidence. It’s got urgent rockers, jangling pop songs, and longing introspective ballads. Pretty much everything I’m looking for in a record. Singer Maisie Everett has a voice that makes each song verge on great. I couldn’t get enough of this record this year and it was easily my most played album even though it came out halfway through the year.

2. Flyying Colours – You Never Know (Poison City Records)
Apparently, shoegaze is big with the kids on the old TicTok. It’s still big here at the Finest Kiss too ;-) The third album from these Melbourne, Australia shoegazers keeps up the high-quality standards established by their previous albums. Songs like Do You Feel the Same and I Live In a Small Town would easily hold their own with OG UK shoegazers of the 90’s.

3. Display Homes – What If You’re Right and They’re Wrong? (Erste Theke Tontrager)
You might remember Display Homes single Climate Change topping the singles charts on TFK back in 2017. The Sydney, Australia trio’s debut album has been a long time coming and its release coincided with the sudden and unexpected death of the band’s guitarist Darrell Beveridge. What If You’re Right and They’re Wrong? is full of great jagged riffs from the late guitarist that Steph King sings and rages over. Display Homes sound like the younger down under siblings of Athens, Georgia foundational post punks Pylon. They jab, swagger and groove in all the most unexpected ways.

4. Melenas – Ahora (Trouble In Mind)
For their third album, Pamplona, Spain’s Melenas trade in Flying Nun influenced garage riffs for a slightly different sound inspired by Electrelane, that features motorik grooves and more keyboards than guitars. It’s not just a schtick, where some bands do this and it’s whitewashed and boring. Ahora features great songs and memorable choruses. I think it’s their best album yet.

5. Co-Pilot – Rotate (Dell’Orso)
Co-Pilot are a team-up of Alan Peter Roberts aka Jim Noir and Leonore Wheatley of Soundcarriers and International Teachers of Pop. The album is chock full of icy pop in the vein of Broadcast which has become a genre in and of itself these days. This is top notch, psychedelic electronic pop, with hints of experimentation and the possibility of floating off into space on song.

6. Papernut Cambridge – Channel Suite (Gare du Nord)
Ian Button has been involved in quite a few bands. He played drums in Catenary Wires, he’s worked with Lawrence on Go-Kart Mozart albums. Going even further back and more obscure(?) he played guitar in the 1980’s band Thrashing Doves and 1990’s band Death In Vegas. Papernut Cambridge is his band and it’s a whole lot of low-key fun. It’s got a light touch of pastoral psychedelia, in the vein of Martin Newell (Cleaners from Venus). He’s got songs about cooking in the kitchen (La Cucina), travelogs (Trip to America) and how to write songs (Grimstone Green Hustle).

7. Rahill – Flowers At Your Feet (Big Dada)
Rahill Jamalifard is a cofounder of the New York garage rockers Habibi. There is no garage rock on her first solo album. Instead, Rahill takes the middle Eastern psychedelic rock of her Iranian heritage and comes up with her own vision of it on Flowers At Your Feet. She creates bucolic visions of childhood in fantastical place. It reminds me a little of the Ko-Stars (the Lucious Jacksons spin-off album). Beck shows up on one track (Fables) too.

8. Morgan and the Organ Doners – M.O.D.s (Perennial Death)
Olympia group features Tobi Vail of Bikin Kill and the Frumpies on drums, but don’t expect any punk songs, just punk influenced country-tinged beauties. The songs have a raw and authentic beauty to them, possibly inspired by the likes of Alex Chilton, Lucinda Willaims and X or similar artists and groups. Good old-fashioned rock that you’d expect to hear coming from one of those greasy spoon tabletop diner juke boxes.

9. Soft Covers – Soft Serve (Little Lunch)
More great music from Australia in the top ten! Soft Covers’ indiepop is classic sounding guy-girl shared vocals where they sound super happy and upbeat while singing about mostly depressing stuff. The perfect soundtrack to distract as we continue our march to oblivion.

10. En Attendant Ana – Principia (Trouble In Mind)
En Attendant Ana have been quietly making quality albums since 2016. Principia is their fourth and contains some of the Paris group’s best songs to date. I like the ones that delve slightly into prog rock territory like the chugging Wonder and Anita. The group feature motorik grooves and saxophones that provide a uniqueness to the is crowded corner of obscurity.

11. The Whiffs – Scratch ‘N’ Sniff (Dig! Records)
Powerpop never seems to get enough respect. Sure, there have been a minor hits by the likes of the Nerves, Plimsouls, the Beat, but it’s a genre that perennially flies under the zeitgeist. Kansas City’s the Whiffs make a very strong argument for powerpop with their second LP. It’s packed with polished gem after gem. Singer and main songwriter Rory Cameron sounds a little like Elvis Costello and his songs have a similar punk influenced urgency.

12. American Analog Set – For Forever (Hometown Fantasy)
The return of Austin’s American Analog Set came as quite a surprise this year. After all, it had been 18 years since their last one Set Free. Older age seems to have given the band a little more urgency than I remember. They keep their prog tendencies and sleek instrumentation intact, but singer Andrew Kinney sounds more animated and alive than before. I really like this (slightly) more upbeat and rocking version of the band.

13. White Poppy – Sound of Blue (Not Not Fun)
White Poppy is essentially Crystal Dorval. She creates widescreen, luscious soundscapes and has an ethereal voice to add the perfect complement to these gorgeous songs. On the cover she sort of looks like Liz Fraser of the Cocteau Twins which is fairly appropriate.

14. The Toads – In the Wilderness (Anti-Fade/Upset the Rhythm)
I’m not sure what’s going on with the Shifters, that Australian band that sounded like early Fall. Main Shifter Miles Jansen teams up with a few Parsnips for this Toads album. It’s a riotous affair that sounds an awful lot like the Shifters in palace of swords reversed only less tone deaf.

15. Jaimie Branch – Fly or Die Fly or Die Fly or Die ((world war)) (International Anthem)
The world lost a truly unique voice in music in 2022. Jaimie Branch was only 39 when she left our world. Fly or Die…World War contains some her last recordings. She was considered to be jazz, but that was just a jumping off point. This record goes to many places, all of them amazing. She covers a Meat Puppets song (Comin’ Down) and turns it into the Mountain. She leads drones and wails over them with her trumpet and then pulls it back into the world of pop with her vocal performance. This album keeps you on the edge of your seat, because you never know what’s going to happen next.

16. Laure Briard – Ne Pas Trop Rester Bleue (Midnight Special/Third Eye Stimuli)
Laure Briard describes here music as a Francois Hardy mixed with the Beatles. Throw in some Lee Hazlewood and Latitia Sadier and you have a pretty good idea of what her album, half sung in French, half in English is about. This is fun eccentric French pop with a healthy dose of good old fashioned pastoral psychedelic country pop.

17. Mozart Estate – Pop-up! Ker-Ching and the Possibilities of Modern Shopping (Cherry Red)
Lawrence of Felt and Denim fame(?) is still putting out records, but they don’t seem to command the amount awe that his former band’s records get these days. Is he ahead of his time? Maybe. Or, just out of time. Pop-up sounds inspired by TV jingles and the Grease soundtrack. If you can manage the cheap sounding synths, these songs are earworms that will make you chuckle. Relative Poverty is the single and my favorite, but there’s loads of good stuff about shopping and longing for stuff that you can’t afford.

18. Wimps – City Lights (Youth Riot)
I was so happy to see that these Seattle punks came out semi-retirement (their last album Garbage People, came out in 2018) with their best album yet. The world of the Wimps has changed a little since we last caught up with them. Singer and guitarist Rachel Ratner is a mom now and singing about it and Naps too. Wimps’ priorities may have changed a bit, but they still deliver short, sharp, shock blasts of wry punk humor. 

19. Pachyman – Switched On (ATO)
Pachyman delivers another hi quality album of dub reggae on the down low. Pachy Garcia was born in Puerto Rico, but calls Los Angeles home these days. On his third full length, he continues stretching the boundaries of dub beyond the obvious influences of Scientist and King Tubby and even takes the lead vocals on some tracks, singing in Spanish.

20. Protomartyr – Formal Growth In the Desert (Domino)
It’s hard to believe that Formal Growth in the Desert is Protomartyr’s sixth album. They just keep making railing against fools. On 3800 Tigers he opens with “there’s 3800 tigers in this world, but there’s far too many of you of you fools”. On this record though, singer Joe Casey takes pity on the listener and infuses more melody and vulnerability in his songs than he has on previous records and it’s a welcome thing.

21. Sullen Eyes – Hardwood Floors and a Hand To Hold (Sunday Records)
These songs have been floating around the internet for a bit, but thanks to Sunday Records, Sullen Eyes debut is collected onto a single slap of vinyl. Recommended if you like Sourpatch, Rocketship and the One Last Kiss Spinart compilation. Long live indiepop!!

22. Smashing Times – This Sporting Life (Perennial Death)
Second album from this Baltimore, group that loves a good ramshackle pop song the same way the Pastels and the Television Personalities did.

23. Slow Pulp – Yard (Anti Records)
Midwestern alternative rockers do great things mixing up bedroom pop with grunge and deliver some great radio friendly rock.

24. Bug Club – Rare Birds: Hour of Song (We Are Busy Bodies)
The prolific Bug Club seem to have a problem of not being able to stop writing a recording songs. No complaints here. Keep ’em coming!

25. Gina Birch – I Play My Bass Loud (Third Man)
Former Raincoat singer and bassist makes her solo debut. She jumps around from dub, to noise pop to spoken word.

More albums that I played and loved this year, but didn’t have enough time to write about.

Modern Cosmology – What Will You Grow? (Duophonic)
Seablite – Lemon Lights (Mt St Mtn)
Holy Wave – Five of Cups (Suicide Squeeze)
Steve Mason – Brothers & Sisters (Domino)
Bar Italia – Tracey Denim & the Twits (Matador)
Vanishing Twin – Afternoon X (Fire)
Rocky – Rocky (Lulu’s Sonic Disc Club)
Blues Lawyer – All In Good Time (Dark Entries)
Holiday Ghosts – Absolute Reality (FatCat)
Sleaford Mods – UK Grim (Rough Trade)
Natural Information Society – Since Time Is Gravity (Eremite)
Shana Cleveland – Manzanita (Hardly Art)
The Reds, Pinks and Purples – The Town that Cursed Your Name (Slumberland)
Tee Vee Repairmann – What’s ON TV? (Total Punk)
The Tubs – Dead Meat (Trouble In Mind)
Being Dead – When Horses Would Run (Bayonet)
Lewsberg – Out and About (12XU)
Clientele – I Am Not There Anymore (Merge)
Deary – Deary (Sonic Cathedral)
Slowdive – Everything Is Alive (Dead Oceans)

2. Mattiel – Georgia Gothic (ATO)

Mattiel Brown’s voice has an obvious similarity to Siouxsie. It’s confident and powerful but the rest of Mattiel really sound nothing like Siouxsie and the Banshees. Georgia Gothic is her third album and best yet. Opener Jeff Goldblum spins a yarn about a guy who she met in the bathroom that looks like a younger Jeff Goldblum. Lighthouse is urgent and anthemic. Subterranean Shut-In Blues smartly repurposes the Dylan song for the pandemic. These songs have some obvious influences, but they use them as jumping off points and the duo’s confident delivery make them sound new and unique, churning the blues, White Stripes and goth pop influences into something that is impactful and unforgettable.

3. Savak – Human Error/Human Delight (Ernest Jenning)

Usually bands five albums in don’t have much left in the tank to surprise you. Hell, most bands don’t even make it to album number Three. New York City’s Savak defy all of these unwritten rules and deliver their best record yet. The band is named after the Iranian secret police that terrorized that country under the Shaw, so you can assume that Savak do not fear controversy and exude melodic and intellectual confidence. Human Error / Human Delight expertly meshes post punk and classic rock into a nearly perfect album. The group has two singers and songwriters – Sorab Habibion (Edsel, Obits) and Mike Jaworski (Cops) that keeps the record balanced between dissonant grooves and more classic sounding rockers. Side one is nearly perfect, blasting off with No Jazz, No Blues lays down the gauntlet for change both for themselves musically and for everyone else socially and otherwise. Cold Ocean thrills with its brilliant Television like guitar lick and the numbing droner Set Apart. Side Two nearly keeps up with both quality and surprises making this one of my top records of the year so far. Be sure to check out the remix version of the album called Error/Delight too!

4. Viagra Boys – Cave World (Year0001)
Swedish weirdo punk rockers are nothing if not entertaining. Sort of a combination of Devo and Tom Waits. Cave World, their third album seems to be a commentary on the dumbing down of the western male that is often disturbing, hilarious and spot on all at once. Troglodytes, liars, thieves, gun-toting unstable anti-vaxers are rampant in the world of the Viagra Boys. Near the end of the record, Sleaford Mod’s Jason Williamson makes an appearance on Big Boy which is a perfect fit. Life in the gutter is fascinating and bleak, but it sounds pretty good as told by Viagra Boys.

5. Bug Club – Green Dream in F# (Bingo)
Bug Club are a busy band. Their single and EP from last year were favorites round here. Then they put out two digital singles early this year that were also favorites round here. Then an album proper Green Dream in F# showed up in October and of course it’s another favorite round here. Their is no downturn in quality and the group have been bitten by the space bug with songs titles like Little Coy Space Boy, Sitting on the Rings of Saturn, Love Letters From Jupiter and Some Things Sound Better in Space. Hopefully planet Earth will get connected to the trio’s seemingly endless stash of Beatles meets Jonathan Richman meets Richard & Linda Thompson inspired greatness.

6. Kemi – Kemi (Inåt Bakåt)

If this was 1987 Gothenburg, Sweden group Kemi would have been on 4AD and likely would have been on the Lonely Is An Eyesore compilation comfortably along side of Cocteau Twins Dead Can Dance, Dif Juz and This Mortal Coil. Their dark, synth heavy sound evokes grey skies and the cold war bleakness of the 80’s. Vocals are in Swedish and range from hopeful and angelic courtesy of Maja Millner (also of Makthaverska) to hopeless and dark when the boys sing. Din Blick and Existens are two easy highlights on this short eight song album that will have you digging back into your 80’s catalog while you anxiously await Kemi next move.

7. Dehd – Blue Skies (Fat Possum)

This Chicago trio have knack for simple stripped down slacker songs that are super catchy at a rudimentary level. Blue Skies is their third LP and in my opinion their best one so far. It’s got so many infectious choruses that the CDC put out a warning. They’re like a slacker Beach Boys or a drowsy Go-Go’s and Dream On, Bop, Bad Love and Memories are songs that have been soundtracking the early summer days.

8. Linqua Franqa – Bellringer (Ernest Jenning)

Linqua Franqa is the nom de guerre of Athens, Georga’s Mariah Parker. She’s a rapper, an activist and a politician. Practicing what she preaches, Parker has knack for delivering her message with a spoonful of sugar. Bellringer has got a great bunch of diverse influences including some trip hop, some daisy age rap and edgy socially conscious edutainment. She can sound can be serious, edgy, and fun depending on the topic. My favorite track is the Of Montreal collaboration Oh Fxck which combines De La Soul sunshine and the Pharcyde lunacy.

9. Michael Head and the Red Elastic Band – Dear Scott (Modern Sky)
Michael Head has never been one to adhere to a frantic release schedule when it comes to albums. His previous bands Pale Fountains, Shack and the Strands all had great but sporadic runs and his latest group is no different when comes to release schedule or the high quality standards he’s set with his previous groups. Dear Scott is decidedly downtrodden in nature, but beautiful in its delivery. There are well placed strings and horns that add flourishes to songs that sound well worn and comfortable and nestle themselves easily into an already crowded room of favorite Michael Head songs.

10. Charlotte Adigéry & Bolis Pupul – Tropical Dancer (DeeWee)

On her first two EP’s Charlotte Adigéry was solo, on her first LP, she’s got a partner to share the spotlight, Bolis Pupul. She’s also loosened up showing a sense of humor that allows her to address sensitive political topics in an friendly manner that isn’t off putting or preachy. That positivity and humor also comes across live, as Adigery and Popul were a ton of fun at their Barboza show in Seattle this spring. Tropical Dancer walks a tightrope of the political, provocative and propulsive.

11. Ribbon Stage – Hit With the Most (Perennial Death)

All of the great indiepop records can’t come out on Slumberland. New York City based indiepopers Ribbon Stage slipped in a near perfect Shop Assistants, Small Factory, Aislers Set inspired record that didn’t seem to get as much attention as I would expect a record this good to get. Maybe the kids these days aren’t as enamored with the lo-fi pop perfection as they were back when the Pains of Being Pure at Heart and Vivian Girls were tearing up the internet combining DIY punk ethos with sweet pop hooks.

12. Gold Dust – The Late Great Gold Dust (Centripetal Force)

The second album by Gold Dust, which is really mainly Stephen Pierce with some help from friends (including J Mascis on one song) is combination of the Paisley Underground, bucolic British folk, and Laurel Canyon influences.  Even though Gold Dust are based in Easthampton, Massachusetts, they sound like they could be the east coast descendants of LA’s Beachwood Sparks. The laid back, spaced out jams on The Late Great Gold Dust are capable of elevating your existence into some other plane, or if you’re not down with that sort of mumbo jumbo, they can at least de-stress help you to leave your anxiety behind for a moment or two.

13. EggS – A Glitter Year (Howlin Banana)

After a single, ep and various other releases, the French EggS get it together in a big way and released an LP. Originally I had them pegged with an obvious Flying Nun/Clean fetish. A Glitter Year sees them taking that original inspiration and blasting off to new reaches. The vocals sort of sound like a combination of John Cale and Iggy Pop and the band get a little help from Camille Fréchou and Margaux Bouchaudon, of En Attendant Ana on this record too. Not a total reinvention of their original sound but evidence they are full of ideas and capable of delivering on them. This record has its heart on its sleeve and feels gritty and urgent but it’s never overdone or overwrought.

14. Nilufer Yanya – Painless (ATO)

Born and raised in London. The daughter of Turkish father and Irish mother. Her take on rock is a fresh take of dance music, punky pop, dreamy indiepop, soul and current top 40. Stabalise sounds like she stole a Clash riff and transmogrified it into something frantic and urgent, but decades removed from 1976. She deftly combines beats, riffs and pops hoods in what sort of alludes to cut and paste, but pulls it together into fully fleshed out wonderful pop songs.

15. Fleur – Bouquet Champetre (Soundflat)

The second album from these dutch francophiles continues down the 60’s inspired ye-ye path popularized by such French pop luminaries as Serge Gainsbourg Françoise Hardy, France Gall and Johnny Hallyday. Bouquet Champetre as its cover suggests has more of a groovy psychedelic flair to than the debut’s more garage-girl group bent. The label mentions the Zombies’ Odessey and Oracle and the Beach Boys’ Pet Sounds as influences. So, yeah it’s a total throwback, but the songwriting by Arjan Spies and the voice of Floor “Fleur” Elman bring this era back to life to everyone that missed it in its original go round.

16. Thus Love – Memorial (Captured Tracks)

Back in the late 80’s there was a band in Morgantown, West Virginia in the early part of my college days that were sort of goth, but obviously dug U2 and the Chameleons and I always thought that Captured Tracks would be a great fit for them to reissue the songs they released on cassette at the time. My hunch is further confirmed with Thus Love’s album. This band from Brattleboro, Vermont share a small town heritage, a love of a big dark guitar sound and an ability to craft great pop songs with it. Memorial is a great post-punk, goth-tinged record that evokes the afore mentioned groups as well more recent believers like Interpol and RVG.

17. Loose Fit – Social Graces (Fatcat)

When I first saw the name Loose Fit, I thought that they might be a Happy Mondays cover band. They’re not. Though like the that Manchester group, this Australian group’s is pretty good good at laying down the grove. Their debut record is a mover, pretty much guaranteed to get you going if you’re into the jittery grooves inspired by groups like Pylon, Public Image Limited and more recently French Vanilla. Every song builds on quality dance rhythms peppered with jagged guitars and bits of saxophone. Anna Langdon’s deadpan vocals take the party to the next level with her pithy barbs and zingers.

18. Young Guv – III & IV (Run For Cover)

The Guv, Ben Cook adhere’s to the more is more credo. Depending how you got III and IV, two single albums released month apart or the double album, it was a wealth of 60s jangle and 70s powerpop goodness. Each and every one of the Twenty-four songs is packed with great riffs, sweet vocals and tons of hooks. Fans of the Byrds, Cheap Trick, Mathew Sweet and Teenage Fanclub, if you haven’t picked this up yet you will shake your head in wonder as to why this isn’t burning up the AM radio waves in your electric car. (Oh yeah, electric cars don’t have AM radio and AM radio doesn’t play music anymore).

19. Theon Cross – Intra-I (New Soil)

Theon Cross’s second LP came out at the tail end of 2021, with the vinyl finally trickling out in 2022 due to the great vinyl production backlog. Cross is a Tuba player, a member of Sons of Kemet, and has worked with Makaya McCraven. Reasons enough to give this a listen. Add the insane album cover, and someone like me cannot resist temptation. I suppose this could get slotted into the jazz bin or even the electronic bin. It’s got so much going on and all of it mind blowing and infinitely interesting. Throw in some dub, ambient and hip-hop and you’ve got a record that defies category and beguiles at every turn.

20. Doe St – Doe St (Legless)

it could be for Boomgates and Twerps fans of which I count myself. Side one, track one Race to 25 is a total dandy of a song, and honestly they could retire after just this one and go down as one hit wonders in some corner of the dark web of the oscure indie-internet. No need though, they’ve got more in the tank and deliver the rock and roll on all seven songs on their first LP. I often question whether or not I really need a physical artifact of music that I like, but when I turn up Doe St to high volume I am unable to resist an temptation that music this good creates when sharp object scrapes across a flat disc.

21. Seatbelts – A World Inbetween (Rooftop)

James Madden and Ryan Murphy of Hooton Tennis Club started this new band with Abi Woods and took a jaunt up to Scotland to record some of their songs with Edwyn Collins. The group had been letting songs trickle out on the internet to tease folks. A World Inbetweeen plucks the best of those familiar songs and adds some newer ones. Opener Citylines is lush and lofty evoking groups like Prefab Sprout and Pulp. Another Passing Day is nearly as good and the playful Hey, Hey Tiger is silly and fun. Woods’ songs provide a good juxtaposition and add some grit to the album. Her Super Stardom merits the Go-Betweens comparisons that the band have seen sent their way and Inspiration for Robots sounds inspired by Neil Young and Patty Smith.

22. Tallies – Patina (Hand Drawn Dracula)

You’re probably well aware of the other Toronto based dreampop Canadians Alvvays who seem to rightly get a lot of attention. There is more from up there in the great white north where Alvvays came from and Tallies are much, much more. Their second album is better than their first and that’s saying something. The Toronto band continue to mine the dreampop vein with an ability not just to sound dreamy, but to write songs that stick with you. Singer Sarah Cogan has got a great voice that often evokes the Sunday’s Harriet Wheeler and along with that UK band they also share an appreciation of the Smiths and other jangly guitar bands.

Here are 22 more LP’s because there were so many good records this year.

The Sadies – Colder Streams (Yep Roc)
Field School – When Summer Comes (Bobo Integral)
Boat – No Plans To Stick the Landing (Magic Marker)
Star Party – Meadow Flower (Feel It)
Stroppies – Levity (Tough Love)
Alvvays – Blue Rev (Polyvinyl)
Lady Wray – Piece of Me (Big Crown)
Pale Blue Eyes – Souvenirs (Full Time Hobby)
Lande Hekt – House Without a View (Get Better)
Spacemoth – No Past No Future (Wax Nine)
Soundcarriers – Wilds (Phosphonic)
Destroyer – Labyrinthitis (Merge)
Yard Act – The Overload (Island)
Soft Estate – The Painted Ship (Mammas Mysteriska Jukebox)
Wet Leg – Wet Leg (Domino)
Charlie Crockett – The Man from Waco (Son of Davy)
The Jazz Butcher – The Highest In the Land (Tapete)
Jim Nothing – In the Marigolds (Meritorio)
Cool Greenhouse – Sod’s Toastie (Melodic)
Dumb – Pray 4 Tomorrow (Mint)
Love Burns – It Should Have Been Tomorrow (Calico Cat)
Robyn Hitchcock – Shufflemania! (Yep Roc)

1. The Umbrellas – Write It In the Sky (Slumberland)

SF’s Umbrellas have really done it. They’ve set the bar really high for themselves with this single. Write it in the Sky has it all: Sunny Sundae Smile era MBV, a dash of the noisier side of Sarah Records and some long lost paisley underground group. The guitars are buzzing, the vocals are breathless and the backing vocals are from the heavens. Songs like this are the reason seven inch singles still exist.

2. Lewsberg – Six Hills (Speedy Wunderground)
Speedy Wunderground singles are apparently recorded in a single day with no lunch break according to the SW web site. They are also pressed in limited quantities. There are a number of other rules they adhere to and they break a few too. Like splitting a song onto two sides of a 7 inch single. That’s what they’ve done for this Lewsberg stormer of a song Six Hills. Lucky for us, it’s also streaming so you don’t have to buy two copies to hear the entire thing uninterrupted. Six Hills sounds like a Velvet Underground song with a Dutch accent and a dry sense of humor. “You’re driving without a license. I’m driving uninsured. Why don’t we crash into each other? I got the feeling that we should.”

3. Dummy – Mono Retriever (Sub Pop)

To get this one, you needed to subscribe to the Sub Pop singles club or scour discogs. Mono Retriever is worth getting even if if you need to buy nine other records you don’t want. It’s a perfect piece of monochromatic drone pop that ebbs and flows from sounding mildly disinterested to passively aggressively emphatic. Numbingly good.

4. Skiftande Enheter – Oppna Landskap (Happiest Place)

If you hadn’t noticed, magic is happening at Happiest Place records. They’ve put out great singles by Friendly Boyfriend and Typical Girls and cross pollinate with Mamma’s Mysterious Jukebox (JJ ulius & Loopsel). Their 2019 LP was good, but wasn’t nearly as exciting as this new single. They don’t sing in English the way so many Swedish post punk and pop bands have in the past, but these songs with their great guitar riffs are so immediate and catchy that you won’t be looking for a translation app.

5. Communicant – La Roue (Six Tonnes De Chair)

If you missed last year’s album by Los Angeles’ Communicant like I did this single will have you remedying that pretty quickly if you are fan of psychedelic cinematic pop. The Wheel was on last year’s LP, but this new French version featuring Natasha Recoder. Recoder adds her chic-cool vocals and turns the song into mysterious floating beauty that is is orders of magnitude better than the original.

6. Matt Berry featuring Emma Noble – Beatmaker (Acid Jazz)

Beatmaker was featured on Berry’s BBC TV show Toast of Tinseltown. He smartly put it on a single. It’s a cover of the Doris 1970 song and stays pretty close to the funky, horn drenched original, but it’s still super fun. Also, worth checking out is the Doris album from which this song was on – Did You Give The World Some Love Today, Baby.

7. The Soul Chance featuring Wesley Bright (Colemine)

Remember Wesley Bright and the Honeytones’ number one hit Happiness back in 2018? The sweet soul beekeeper is back, only this time with a rock steady beat. This single is a collaboration with the Soul Chance and it’s a near perfect melding of Bright’s sweet vocals and reggae backing. Even in the depths of winter this record will heat up your turntable and put you in a vacationing mood.

8. Nick & the Nod – Den Besten EP (Chicken Shack)

Trudging away in a bit of obscurity somewhere in the middle of the country. I think they call it Indiana. The Midwestern bible belt loves conformity and has likely tried to push Nick and the Nod into the gutter which likely exactly where they want to be. Like Australia’s Shifters, and the UK’s Cool Greenhouse,  Nick and the Nod obviously worship at the alter of the Fall and I’m a little surprised some coastal label hasn’t salvaged and exposed this brilliant stuff for rest of us subcultural misfits. R. Santos drips with sarcasm as it chugs along a loose rail riffing off of the chemical company responsible for DDT, PCBs and Agent Orange. This lathe cut single features five edgy dissonant cuts, all more than worthy of your attention.

9. Pachyman – All Night Long (ATO)

Pachy García’s alter ego, the King Tubby inspired Pachyman normally deals in dub instrumentals, but here he gets some help from Brazilian singer Winter and delves into the lovers rock reggae sub-genre to winning effect. If you dig the Holy Cook records, then this one should be a must have.

10. Billy Tibbals – Onwards and Upwards (Curation)

Curation Records continue to mine the SoCal pop underground and have dug up some gold with Billy Tibbals debut single. At first I thought he had a pretty good fake accent, but turns out he’s London ex-pat. Makes sense, Onwards and Upwards sounds a bit glam rock, a little LA powerpop with some DIY Cleaners from Venus aesthetic to keep it sounding urgent and edgy.

11. 7ebra – I Have a Lot to Say (PNKSLM)

The debut of these Malmo, Sweden twins has a little in common with Wet Leg in the deadpan vocal delivery and dry sense of humor. Both songs feature bare bones arrangements, and with melodies and riffs like these, why clutter up good these perfect tunes. Nothing to hide here.

12. The Hazmats – Empty Rooms (Static Shock)

The Hazmats are some dudes from hard core groups Chubby and the Gang, Game and Big Cheese. Surprise! They’re also Wedding Present and Stone Roses fans. This two song single jangles with indie charm that might surprise you. If Fucked Up can cover the Shop Assistants and Another Sunny day then big tough guys showing a penchant for more melodic fare shouldn’t come as such a surprise.

13. Fleur – Le Capharnaum (Sound Flat)

The Danish Francophile Fleur was back with a new album and two singles this year and this was my favorite. Le Capharnaum is a northern soul-styled groover that’s a guaranteed dance floor filler.

14. Love Dance – Parallel Lines (Too Good To Be True)

Norway’s Love Dance give us a fantastic slice of moody indiepop on this single which is part of Too Good To Be True’s singles club that started up in the second half of 2022. Parallel has a definite 80’s bent to it with little Railway Children and Icicle Works to give it northern wintry feel.

15. Martha – Please Don’t Take Me Back (Specialist Subject)

It’s hard to believe that Martha have been banging out powerpop winners like this since 2014. Please Don’t Take Me Back features an undeniable riff that will tug your nostalgia for classics like the Freed Pig and On the Mouth even though it says it doesn’t want to. This one also gets bonus points for putting one of Allo Darlin’s greatest hits, My Heart Is a Drummer on the b-side.

16. Quivers – If Only (Ba Da Bing/Pink Lake)

The Quivers get an awful lot of airplay around here. Their Golden Doubt LP from last year was a favorite and their show US tour and Seattle was a definite 2022 highlight. This new single features two song sung by bassist Bella Quinlan. If Only is pretty and pensive and the flip, a cover of Lucinda Williams’ I Just Wanted To See You So Bad is a real barn burner. The Quivers have a knack for songs that a dusty Americana tinge and this fits their M.O. perfectly.

17. Delivery – Personal Effects (Feel It)

Melbourne’s Delivery return with their second single (and debut album) this year. The group smartly give Personal Effects the single treatment. Its slithery hook jabs you in the side and sounds like a 90’s cocktail of Lucious Jackson, Cibo Matto and the Breeders mixed in with some modern day bitters like Vintage Crop and the Stroppies is a winning elixir.

18. Lande Hekt – Romantic (Emotional Response)

Romantic is a great sleepy bedroom pop song. Think Fazerdaze, Snail Mail, Jay Som or Alvvays. The flip has a beautiful cover of the Wedding Present’s Octopussy, practically making it her own. Hekt has combined an inspiration with a result of an inspiration to great effect.

19. Holiday Crowd – Party Favors (Shelflife)

Canada certainly has a leg up on indiepop these days. Ducks Ltd of course come to mind when you mention Toronto indie bands and the latest Holiday Crowd single jangles its way right into the conversation with its guitars that jangle and post-Smiths flamboyant melody. Holiday Crowd aren’t exactly prolific but with quality like this I’m happy to let them take their time and get it just right. Party Favours is some top shelf indiepop that shouldn’t be missed.

20. Neutrals – Bus Stop Nights EP (Static Shock)

Oakland’s Neutrals slip back into our collective consciousness with this four song seven inch single. These DIY jangly songs are sure to connect with fans of Television Personalities and Emotional Response labelmates Mick Trouble. The stand-out song Gary Borthwick Says is an ode(?) to that friend or relative that everyone has probably experienced at some point in their lives who stretches the truth and exaggerates their connections, qualities and achievements. I appreciate how good they are at identifying everyday scenarios and making memorable songs about them. A gift for certain.

21. Model Zero – Little Crystal (Sweet Time)

This single from this Memphis group channels rubber city rockers Devo along with some Idiot era Iggy Pop. Both songs channel good-time vibes and feature just the right amount of electronic sounds and guitars peppered with super catchy choruses. Totally fun single!

22. Zombierella – Rush Hour (Mosaique Records)

If you are old enough to remember, the saxophone in Rush Hour will take you back to some place in the 80’s when MTV played music videos and people still bought 7″ singles. Zombierella, aka Svetlana Nagaeva of Petersburgh, Russia has a cool almost robotic delivery and Rush Hour sounds as good as Kraftwerk being fronted by Grace Jones with an eastern European accent.

23. Horsegirl – Billy (Matador)

The 90’s are in full effect on the second Horsegirl single. Billy features a murky a guitar swirl that was inspired by that decade, but this group is nothing if not earnest and they deliver a great hook that may not get you the first time, but will definitely pay off after a couple more listens. Flip it over for a history lesson, or at least a cover of the Minutemen’s History Lesson Pt II. These kids make you really appreciate their diligence for the oldies.

24. Jeanines – Latest Light (Market Square)

Have the Jeanines written a song that extends beyond a minute and thirty seconds? I appreciate economy, because there are way too many songs floating out there these days. The two songs on this single quickly give off great vibes in the same autumnal, strummy, melancholy way that we’ve come to expect. And while they may not reach the highs of the two albums, they are certainly worth you time however limited it may be.

25. Royal Arch – La Nuit/Road to Light (Jigsaw/Make Me Happy/Fastcut)

Royal Arch from Athens, Greece really impress on their debut single. La Nuit features big guitars a solid rhythm section (the unsung secret ingredient of shoegaze) to create an impressionistic dreamy atmosphere and they have a predilection for a good complimentary vocal melody. Royal Arch’s sound fits nicely into that early 90’s UK shoegazer genre that still has legs after all these years.

Michael Head and the Red Elastic Band – Dear Scott (Modern Sky)
Michael Head has never been one to adhere to a frantic release schedule when it comes to albums. His previous bands Pale Fountains, Shack and the Strands all had great but sporadic runs and his latest group is no different when comes to release schedule or the high quality standards he’s set with his previous groups. Dear Scott is decidedly downtrodden in nature, but beautiful in its delivery. There are well placed strings and horns that add flourishes to songs that sound well worn and comfortable and nestle themselves easily into your new set of favorite songs.

Soft Estate – The Painted Ship EP (Mammas Mysteriska Jukebox)

Soft Estate are a somewhat mysterious minimalist electronic Swedish group. There is an obvious Broadcast feel to their songs. They also remind me a little of some of the esoteric sounds that Ian Masters was involved in after he left Pale Saints. Everything here is very intriguing and on songs like Cindy you can hear their potential mastery of the moody pop song. Ones to watch, perhaps.

Flasher – Love Is Yours (Domino)
Washington, DC’s Flasher are back with album number two, but things have changed a little bit. They’re down to a duo and their songs don’t shy away from obvious infectious pop. The new LP is full of dancy pop that has saccharine elements of Ultra Vivid Scene and a bit of Unrest obtuseness with an eye to get played on the indie dance floor. Songs like I’m Better and Love Is Yours certainly deserver to get their chance to make you boogie.

Holiday Crowd – Party Favours (Shelflife)
Canada certainly has a leg up on indiepop these days. Ducks Ltd of course come to mind when you mention Toronto indie bands and the latest Holiday Crowd single jangles its way right into the conversation with its guitars that jangle and post-Smiths flamboyant melody. Holiday Crowd aren’t exactly prolific but with quality like this I’m happy to let them take their time and get it just right. Party Favours is some top shelf indiepop that shouldn’t be missed.

Boat – No Plans to Stuck the Landing (Magic Marker)
It’s so great to have BOAT back in fold after that brief hiatus in second half of the previous decade (the 2010’s to you youngsters). Their Evel Knievel themed new album is there second after regrouping for 2020’s Tread Lightly. D Crane and the fellows still have the knack for writing super catchy chest thumping songs. This one is a pandemic inspired group effort with lots of guests, many of which appeared on the group’s slopyypopstagram Instragram live video shows during the height of the pandemic. Many new BOAT classics are added to the cannon on this sprawling album. Toll Booth City and Warm Up the Choppers are quintessential BOAT, but they stretch out on Dog Days and My Haunted Friend with the help of guests like the Feelies Glen Mercer and Karl Blau.

Anteloper – Pink Dolphins (International Anthem)

Anything trumpet player Jamie Branch does is golden in my opinion. Here she teams up with a couple Tortoise alumni, Jeff Parker and Jason Nazary. I could take or leave Tortoise, with the exception of the remixes of Millions Now Living Will Never Die that appeared as Tortoise Remixed. In any event, this reinforce my original statement that Jamie Branch can do no wrong. Anteloper incorporates Branch’s envelope pushing jazz with electronics and stirs it up into a remarkable, challenging and unique musical brew.

Horsegirl – Versions of Modern Performance (Matador)

Horsegirl’s debut single Ballroom Dance last year was drop dead amazing. It sounded like they had it all figured out from the get go. The debut album is a slight disappointment if you’re measuring it against their first single. Taken by itself, Versions of Modern Performance is perfectly fine. It’s actually quite fitting that it came out on Matador. This Chicago trio of youngsters use the 90’s indie rock heyday as their touchstone and have much in common with the likes of 18th Dye, Helium, Sonic Youth and Pavement. Maybe they don’t have it all quite figured out like I initially thought, but Versions of Modern Performance is on the right track.

Sylvia Platters – Youth Without Virtue (Self Released)

I gotta hand it to our neighbors to the north, because the Canadians (see Ducks Ltd and Holiday Crowd) have cornered the market on jangly, Smiths, Bluebells, Siddeleys inspired pop. Another feather (or leaf) in the Canadian cap comes from British Columbia’s Sylvia Platters. Their newest five song EP is festooned with beautiful guitars and melodies that are inspired by the 80’s UK indie scene. Doldrums and Blue Juniper take no prisoners. I especially love how Blue Juniper effortlessly fuses in some Paisley Underground into its jangling tempest. A super fun listen.

My Life In the Sunshine – Nabil Ayers
I’ve been on a music book reading rally in the last few months. Nabil Ayers who along with Jason Ayers opened the Sonic Boom Record shop in Seattle back in 1997 is pretty well known to Seattle music folks. For those outside the Pacific NW, he also played drums in Seattle bands the Lemons, Alien Crime Syndicate and the Long Winters and is the current head of Beggars Group in the U.S. which includes the 4AD, Matador and Rough Trade labels. That’s all very interesting, but how he got there is much more interesting. His mother had a very short relationship with jazz vibraphonist Roy Ayers. It was a mutually agreed upon situation between his mom and Ayers that begat Nabil. This book is a fascinating musical journey to try and connect with his father and his father’s side of the family.

Linqua Franqa – Bellringer (Ernest Jenning Record Co)

Linqua Franqa is what Athens, Georga’s Mariah Parker goes by. She’s a rapper, an activist and a politician. Practicing what she preaches, Parker has knack for delivering her message with a spoonful of sugar.  It’s got a great bunch of diverse influences including some trip hop, some daisy age rap and edgy socially conscious edutainment. Parker has great delivery that can be serious, edgy, and fun depending on the topic. My favorite track is the Of Montreal collaboration Oh Fxck which combines De La Soul sunshine and the Pharcyde lunacy.

Dehd – Blue Skies (Fat Possum)

This Chicago trio have knack for simple stripped down slacker songs that are super catchy at a rudimentary level. This record’s got so many infectious choruses that it’s been hard for me to forget them. They’re like a slacker Beach Boys or a drowsy Go-Go’s and Dream On, Bop, Bad Love and Memories are songs that have been soundtracking the early summer days.

Stroppies – Levity (Tough Love)

Since their first EP a number of years ago the Stroppies have been consistently interesting. Levity keeps it up and delivers some great songs too. The songs fill the spectrum from quirky, jangle to droners and have elements that will remind you of quality groups like XTC, Pavement the Chills and the Bats.

Lande Hekt – Romantic (Emotional Response)

Romantic is a great sleepy bedroom pop song. Think Fazerdaze, Snail Mail, Jay Som or Alvvays. The flip has a beautiful cover of the Wedding Present’s Octopussy, practically making it her own. This single is so good, it’ll make you go out searching for all of Hekt’s other records, and the one that’s coming out this fall.

Pinch Points – Process (Exploding In Sound Records)

I love the touch points that the song Reasons to be Anxious evokes, Ian Dury’s Reasons to be Cheerful and Eddy Current Suppression Ring’s Anxiety. They sound more like the later ,but with some jaded humor of the former. Throw in some Minutemen and you’ve got a genius trifecta.

Ghost Power – Ghost Power (Duophonic Super 45s)

Tim Gane of Stereolab collaboration with Jeremy Novak is a variation on his Caverns of Anti-Matter. This all instrumental album is fun and frolicking with lots of Peter Thomas Orchestra space age playfulness along with more modern throwbacks like Vanishing Twin.

Japanese Breakfast – Sable (Original Video Game Soundtrack) (Dead Oceans)

I can’t remember what possessed me to buy this video game soundtrack. Maybe it was the Miyazaki inspired cover or the biz that the Japanese Breakfast album got last year. She sings on a couple tracks and Glider is sublime, but the rest of the 30 plus tracks are Eno inspired ambience that scratches an itch I must have had.

Hydroplane – Hydroplane (Efficient Space)

There appears to be a Cat’s Miao resurgence of late. That band lead by Bart Cummings in the 90’s had an ambient spin-off group Hydroplane and this was their first LP which only came out on CD at the time. These songs are super low key and quiet with the occasional drum machine. Nothing earth shattering just something to sooth your nerves. Look out for a Cats Miami vinyl reissue out soon.

Astrel K – Flickering i (Duophonic Super 45s)

Rhys Edwards left Ulrika Spacek and moved to Stockholm, Sweden and started Astrel K. This is a little more earthly compared to Ulrika Spacek kraut influenced rockers. Flickering i is cosmic psychedelic fare that sits well with Broadcast, Lightspeed Champion, a little Field Music and Gruff Rhys solo albums. The record has been growing on me, and somehow snuck itself into May’s favorite release list.

Mark Lanegan – Sing Backwards and Weep

Not a record, but a book recommendation for number ten this month. Mark Lanegan’s autobiography came out a couple years ago and chronicles his childhood in Ellensburgh, Wa, to his time as the singer in the screaming trees, through his solo records and Queens of the Stoneage collaboration. He battles addiction the entire time and is brutally honest about his drug dependence and his relationships. He provides an inside take on the Seattle scene during its grunge heyday and it’s surprising how vividly he remembers it all given he was strung out nearly the entire time. It’s fascinating and depressing at the same time. I remember at the time thinking how fascinating and simultaneously depressing Bob Mehr’s Replacements biography Trouble Boys was. Lanegan’s autobiography takes it to another level.