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blair witch project</category><category>hustle and flow</category><category>dogs</category><category>one note wonders</category><category>john romita jr</category><category>cartooning</category><category>geoff johns</category><category>heinlein</category><category>goodfellas</category><category>links</category><category>story games</category><category>imus</category><category>john bolton</category><category>jacques tati</category><category>watchmen</category><category>James l Brooks</category><category>wes anderson</category><category>blackgas</category><category>earnhardt</category><category>plague war</category><category>mark waid</category><category>nicolas cage</category><category>busy</category><category>burn after reading</category><category>spies</category><category>len wein</category><category>bourne</category><category>joe staton</category><category>the luna brothers</category><category>tomas alfredson</category><category>underrated</category><category>screening log</category><category>shab-al-hiri roach</category><category>nerdnyc</category><category>buffalo bill</category><category>neil gaiman</category><category>the wire</category><category>lyric</category><category>terminator 2</category><category>keanu reeves</category><category>post-apocalyptic</category><category>eightball</category><category>dave arneson</category><category>polaris</category><category>j. michael straczynski</category><category>zodiac</category><category>star wars</category><category>remakes</category><category>the ghost brigades</category><category>the brooklyn follies</category><category>m. night shyamalan</category><category>internet</category><category>chat</category><category>the fatal bullet</category><category>infinite crisis</category><category>the question</category><category>biopics</category><category>cloverfield</category><category>office</category><category>breach</category><category>war fiction</category><category>vacation</category><category>the promise</category><category>politics</category><category>audiences</category><category>blake edwards</category><category>the beatles</category><category>charley bowers</category><category>criticism</category><category>pans labyrinth</category><category>avengers</category><category>sam peckinpah</category><category>jason aaron</category><category>spione</category><category>irl</category><category>david thomas</category><category>stanwyck</category><category>eric wareheim</category><category>crossover event</category><category>joe dante</category><category>novels</category><title>The Forager Blog</title><description /><link>http://foragerblog.blogspot.com/</link><managingEditor>noreply@blogger.com (Jon Hastings)</managingEditor><generator>Blogger</generator><openSearch:totalResults>390</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/TheForagerBlog" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="theforagerblog" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-8833568926159939147</guid><pubDate>Wed, 07 Dec 2011 08:48:00 +0000</pubDate><atom:updated>2011-12-07T03:59:04.002-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">spies</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">john le carre</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">tomas alfredson</category><title>Thoughts on Tinker, Tailor, Soldier, Spy (Tomas Alfredson, 2011)</title><atom:summary>There’s very little movement in Tomas Alfredson’s adaptation of John Le Carré’s Tinker, Tailor, Soldier, Spy. Or perhaps I should say there’s lots of very little movements: a woman steps through a doorway, two people catch each others’ eye across a party, someone sights down a rifle, a car window opens a few inches, a man pulls a trigger. Wait - do we see the trigger being pulled or just hear the</atom:summary><link>http://foragerblog.blogspot.com/2011/12/thoughts-on-tinker-tailor-soldier-spy.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-8639892788033801959</guid><pubDate>Tue, 06 Sep 2011 18:35:00 +0000</pubDate><atom:updated>2012-09-25T18:00:18.273-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">critics</category><category domain="http://www.blogger.com/atom/ns#">action</category><category domain="http://www.blogger.com/atom/ns#">olivier megaton</category><category domain="http://www.blogger.com/atom/ns#">luc besson</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">colombiana</category><title>Colombiana (Megaton, 2011)</title><atom:summary>
Colombiana is a good action movie, but, looking over some of the reviews for it, I think David Edelstein - who doesn't like the movie - does a better job of describing it than most of the critics who did like it.  For instance, Christy Lemire gave it a positive review and called it "sexy and silly": Zoe Saldana is sexy in the movie, but I don't think anything about the movie is silly (which is </atom:summary><link>http://foragerblog.blogspot.com/2011/09/colombiana-megaton-2011.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-6141543992257510084</guid><pubDate>Fri, 12 Aug 2011 10:45:00 +0000</pubDate><atom:updated>2011-08-12T06:52:46.810-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">new wave</category><category domain="http://www.blogger.com/atom/ns#">pre-code</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">william wellman</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">stanwyck</category><title>Some thoughts on the code...</title><atom:summary>Some thoughts after seeing several "pre-code" movies at the Film Forum over the last few weeks:
The freedom I see in these movies isn't just in terms of content: their narrative form is freer than that of the movies that came after, as Hollywood's storytelling and genre conventions are still in flux. The two kinds of freedom are intimately related: as the code becomes more strongly enforced, </atom:summary><link>http://foragerblog.blogspot.com/2011/08/some-thoughts-on-code.html</link><author>noreply@blogger.com (Jon Hastings)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Yh8fzNVf5CI/TkUFw9_4dkI/AAAAAAAAAeE/d1NHOWtfV7o/s72-c/ladies" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-7605604966188714045</guid><pubDate>Tue, 07 Jun 2011 14:11:00 +0000</pubDate><atom:updated>2011-06-07T10:23:13.420-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">classicism</category><category domain="http://www.blogger.com/atom/ns#">australian crime movies</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">nash edgerton</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">the square</category><category domain="http://www.blogger.com/atom/ns#">animal kingdom</category><title>Two Australian Crime Movies</title><atom:summary>Two Australian crime movies, both available on Netflix Watch Instant, both worth seeing.  Interesting to watch them together because one is good and the other is excellent, and the reasons for that difference in quality are instructive.ANIMAL KINGDOM (David Michod, 2010) is a solid, serious movie.  It's made in what I'd consider to be the contemporary conventional mode for this kind of material: </atom:summary><link>http://foragerblog.blogspot.com/2011/06/two-australian-crime-movies.html</link><author>noreply@blogger.com (Jon Hastings)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-PUc7geWqJIw/Te4yR4VCigI/AAAAAAAAAdc/jNR4wcC48EM/s72-c/square.jpeg" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-1369280511455499649</guid><pubDate>Mon, 09 May 2011 21:26:00 +0000</pubDate><atom:updated>2011-05-09T17:30:32.413-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">critics</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">michel gondry</category><category domain="http://www.blogger.com/atom/ns#">ron howard</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">comedy</category><category domain="http://www.blogger.com/atom/ns#">James l Brooks</category><title>Three Movies</title><atom:summary>Three movies that got bad reviews that I more or less liked: The Green Hornet (Michel Gondry, 2011), The Dilemma (Ron Howard, 2011), and (especially) How Do You Know (James L. Brooks, 2010):THE GREEN HORNET: Aside from not having Robert Downey Jr.in it (granted, a big aside from) this is superior to Iron Man in just about every way.  Clever action sequences, good chemistry between Rogen and Jay </atom:summary><link>http://foragerblog.blogspot.com/2011/05/three-movies.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-5313827516772534043</guid><pubDate>Sat, 02 Oct 2010 13:36:00 +0000</pubDate><atom:updated>2010-10-02T09:41:01.507-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">woody allen</category><title>Screening Log: September 2010</title><atom:summary>Back on track...Ditrict 13: Ultimatum (Patrick Alessandrin, 2009) (v) *** - Not as strong as the first District 13, but still quite good: better than any American action movie this side of Crank.  The kung-fu choreography is inventive and Luc Besson’s Gallic, un-PC sense of humor is in full effect.Centurion (Neil Marshall, 2010) ** - I agree with Jim Emerson: this is an action movie stripped down</atom:summary><link>http://foragerblog.blogspot.com/2010/10/screening-log-september-2010.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-2856122042299158426</guid><pubDate>Fri, 17 Sep 2010 21:23:00 +0000</pubDate><atom:updated>2011-01-26T14:51:51.763-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: The Rest of the Summer - Drive-By, Half-Assed, No-I-Didn’t-Like-Inception Edition</title><atom:summary>I went back to school in May and didn’t have time to see much of anything.  But around the middle of June I got into a groove and started catching up with stuff via Netflix Watch Instant and DVRing TCM.  I had most of August off, so I even managed to get to the theater to catch some of the big summer movies.  But I’m back in school now, and I have no time at all to write this up as a proper </atom:summary><link>http://foragerblog.blogspot.com/2010/09/screening-log-rest-of-summer-drive-by.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-7673665982598449600</guid><pubDate>Fri, 02 Jul 2010 22:30:00 +0000</pubDate><atom:updated>2010-07-02T18:41:58.649-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">the beatles</category><category domain="http://www.blogger.com/atom/ns#">david thomas</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">music</category><category domain="http://www.blogger.com/atom/ns#">the beach boys</category><category domain="http://www.blogger.com/atom/ns#">rock and roll</category><title>Why All Summer Long is better rock music than Rubber Soul</title><atom:summary>David Thomas makes the claim that rock music is the voice of American folk culture and, because of that, non-Americans can't make rock music.  I'm not sure that I believe him, but I do think he's onto something.  It does seem that there is a major - I'd even argue central - feature of American rock that did not travel with the music when it was picked up by British bands.  Whether or not this </atom:summary><link>http://foragerblog.blogspot.com/2010/07/why-all-summer-long-is-better-rock.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-7976451651693367054</guid><pubDate>Sun, 27 Jun 2010 12:34:00 +0000</pubDate><atom:updated>2010-06-27T08:35:41.524-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: April to Late June 2010</title><atom:summary>So - blogging has been light here because I left my job in order to go back to school in May and, as it turns out, school has been more work (and more rewarding work) than the old 9 to 5.  Most of these movies I saw in April: a few of them I saw more recently.  I'm finding it difficult to put together the 2+ hours necessary to devote to a single movie: I've spent my leisure time (what there is of</atom:summary><link>http://foragerblog.blogspot.com/2010/06/screening-log-april-to-late-june-2010.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-3992946864753736326</guid><pubDate>Mon, 26 Apr 2010 13:38:00 +0000</pubDate><atom:updated>2010-04-27T16:00:31.100-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">games</category><category domain="http://www.blogger.com/atom/ns#">rpgs</category><category domain="http://www.blogger.com/atom/ns#">design</category><category domain="http://www.blogger.com/atom/ns#">street level</category><title>Street Level</title><atom:summary>(At this point, this game is a broken rip-off, but I thought I'd get it out there. I have to playtest, but my suspicion is that I've seriously overdesigned here and that there's not much room for actually playing anything.)Street LevelStreet Level is a game about people who put on super-hero costumes and go out and try to protect their communities from various dangers. It is inspired by:-the "</atom:summary><link>http://foragerblog.blogspot.com/2010/04/street-level.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-4122798699905769132</guid><pubDate>Fri, 16 Apr 2010 14:19:00 +0000</pubDate><atom:updated>2010-04-16T10:22:56.233-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">comics</category><category domain="http://www.blogger.com/atom/ns#">andrew sarris</category><category domain="http://www.blogger.com/atom/ns#">cartooning</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">lists</category><title>The American Comics (after Andrew Sarris)</title><atom:summary>Inspired by this comments thread:The PantheonWinsor McCayGeorge HerrimanE.C. SegarFrank KingHarold GrayChester GouldRoy CraneWalt KellyJules FeifferHarvey KurtzmanCarl BarksCharles SchulzJack KirbyR. CrumbThe Far Side of ParadiseGeorge McManusHal FosterCrockett JohnsonMilt CaniffBill MauldinWill EisnerJack ColeJohn StanleyOtto Binder*Saul SteinbergBernie KrigsteinSteve DitkoLeonard StarrGarry </atom:summary><link>http://foragerblog.blogspot.com/2010/04/american-comics-after-andrew-sarris.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-7467862703425750601</guid><pubDate>Thu, 08 Apr 2010 14:49:00 +0000</pubDate><atom:updated>2011-01-26T14:54:21.131-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">john ford</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: March 2010</title><atom:summary>Two Rode Together (John Ford, 1961) (v) ** - The kind of a movie die hard auteurists are likely to overvalue: a good-but-not-great that happens to be very interesting to think about in terms of how it relates to other movies - other John Ford movies (mainly The Searchers), other westerns (the Anthony Mann movies where Jimmy Stewart plays an amoral anti-hero).Midnight (Mitchell Leisen, 1939) (v) *</atom:summary><link>http://foragerblog.blogspot.com/2010/04/screening-log-march-2010.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-4836821795082954497</guid><pubDate>Mon, 15 Mar 2010 19:22:00 +0000</pubDate><atom:updated>2010-03-15T15:23:52.156-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: February 2010</title><atom:summary>Note: This one is late and anemic, but March's should be a doozy.The Damned United (Tom Hooper, 2009) (v) * - Sheen, Broadbent, Spall, and Meaney are all very fine. The movie itself, though, is the kind where every beat is played exactly as you'd expect.Hunger (Steve McQueen, 2008) (v) ***13 Rue Madeleine (Henry Hathaway, 1947) (v) **Bright Star (Jane Campion, 2009) (v) *** - A surprise.Killshot </atom:summary><link>http://foragerblog.blogspot.com/2010/03/screening-log-february-2010.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-6965519043294136084</guid><pubDate>Fri, 05 Mar 2010 15:16:00 +0000</pubDate><atom:updated>2010-03-05T10:20:39.076-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">top ten</category><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">lists</category><title>My Year in Movies</title><atom:summary>I'm putting the finishing touches on my February Screening Log, but since I've now been doing these for just over a year I thought it would be a good time to share my "Top 20" list for 2009 NYC releases, which serves as a shorthand for "my year in (new) movies".I've enjoyed putting together these monthly screening logs. For one thing, "monthly" is just about the only kind of blogging schedule I'm</atom:summary><link>http://foragerblog.blogspot.com/2010/03/my-year-in-movies.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-2135663583711050959</guid><pubDate>Fri, 12 Feb 2010 17:06:00 +0000</pubDate><atom:updated>2010-02-12T12:09:01.925-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">comics</category><category domain="http://www.blogger.com/atom/ns#">dc comics</category><category domain="http://www.blogger.com/atom/ns#">geoff johns</category><category domain="http://www.blogger.com/atom/ns#">superman</category><title>Superman: Secret Origin #1-4</title><atom:summary>One of the things I liked the most about Geoff Johns' run on Action Comics was the commonsensical, kitchen-sink approach to what I  call "the Mythos". Johns' stories all grew out of earlier Superman stories, but there was something agreeably laid back about the way that, say, "Last Son" (co-written by Richard Donner) riffed on the Superman movies and "Superman and the Legion of Super-Heroes" </atom:summary><link>http://foragerblog.blogspot.com/2010/02/superman-secret-origin-1-4.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-1305327101019890820</guid><pubDate>Thu, 04 Feb 2010 15:12:00 +0000</pubDate><atom:updated>2010-02-04T10:14:23.196-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: January 2010</title><atom:summary>Apocalypto (Mel Gibson, 2006) (v) (r) **** - Mel Gibson's best movie and, I think, one of the key action movies of the aughts, if only because it bucked so many of the decade's trends.Wanted (Timur Bekmambetov, 2008) (v)Pandorum (Christian Alvart, 2009) (v) * - Effective, if derivative, videogame inspired sci-fi horror flick. Marks the first time I have liked Ben Foster in anything.The Final </atom:summary><link>http://foragerblog.blogspot.com/2010/02/screening-log-january-2010.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-7616606185630439940</guid><pubDate>Fri, 15 Jan 2010 21:11:00 +0000</pubDate><atom:updated>2010-01-15T16:23:04.892-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">marvel comics</category><category domain="http://www.blogger.com/atom/ns#">comics</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">the punisher</category><category domain="http://www.blogger.com/atom/ns#">steve dillon</category><category domain="http://www.blogger.com/atom/ns#">jason aaron</category><title>Punishermax #1-3 by Jason Aaron and Steve Dillon</title><atom:summary>I have to admit that I like the bizarre naming conventions of mainstream super-hero comics that Tom Spurgeon makes fun of.  "Punishermax" isn't as gloriously, needlessly confusing and baroque as, say, Final Crisis Aftermath Dance, but there's still something off about it.  For one thing, shouldn't the "Max" Punisher title be the one where he's running around as a Frankenstein monster killing </atom:summary><link>http://foragerblog.blogspot.com/2010/01/punishermax-1-3-by-jason-aaron-and.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-6242682827694139076</guid><pubDate>Mon, 11 Jan 2010 13:48:00 +0000</pubDate><atom:updated>2010-01-11T15:31:13.232-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: December 2009 and Early January 2010</title><atom:summary>(500) Days of Summer (Marc Webb, 2009) (v) * - You know how sometimes people complain that film critics can't enjoy movies because they watch too many of them? In general, I think that's a bogus complaint, but, here, specifically, I think that I would probably have enjoyed this movie a lot more had I not spent the last year catching up with Hong Sang-soo's very clear-eyed relationship movies and </atom:summary><link>http://foragerblog.blogspot.com/2010/01/screening-log-december-2009-and-early.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-4272571588976463919</guid><pubDate>Tue, 01 Dec 2009 15:19:00 +0000</pubDate><atom:updated>2009-12-01T10:20:07.036-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: November</title><atom:summary>The Limits of Control (Jim Jarmusch, 2009) (v) *** - Trippy.Platform (Jia Zhang Ke, 2000) (v) **** - Time still changes everything.House of Bamboo (Sam Fuller, 1955) (v) *** - Location, location, location.The Box (Richard Kelly, 2009) *** - I.e., Richard Kelly's Eyes Wide Shut.The Roaring Twenties (Raoul Walsh, 1939) (v) (r) **** - Time changes everything.The Plow That Broke the Plains (Pare </atom:summary><link>http://foragerblog.blogspot.com/2009/12/screening-log-november.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-1708832306929938970</guid><pubDate>Wed, 11 Nov 2009 15:05:00 +0000</pubDate><atom:updated>2009-11-11T10:07:33.475-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">blogging</category><title>Another blog...</title><atom:summary>I started another blog for short, slightly more estoric posts on film criticism and related matters.  I'm keeping my informal, off the cuff screening log entries here, though.</atom:summary><link>http://foragerblog.blogspot.com/2009/11/another-blog.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-3030418466884692975</guid><pubDate>Fri, 06 Nov 2009 20:51:00 +0000</pubDate><atom:updated>2009-11-06T15:52:50.853-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: Halloween Weekend</title><atom:summary>Predator (John McTiernan, tktk) (v) (r) ** - Truly, a strange movie: the sci-fi actioner that pares itself down as it goes along, so that the last act - far from being an fx-extravaganza - is a nearly naked Schwarzenegger playing boy scout in the jungle.X-Men Origins: Wolverine (Gavin Hood, 2009) (v) * - I really like the second string Marvel movies, especially when I catch them on cable TV: they</atom:summary><link>http://foragerblog.blogspot.com/2009/11/screening-log-halloween-weekend.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-4616559748730849428</guid><pubDate>Fri, 30 Oct 2009 19:10:00 +0000</pubDate><atom:updated>2009-10-30T17:43:09.863-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><category domain="http://www.blogger.com/atom/ns#">lists</category><title>Screening Log: October</title><atom:summary>Jerichow (Christian Petzold, 2008) (v) *** - An exploration of the nuances and biases of viewer identification, in stripped-down B-movie drag. It would all be a bit too clinical, academic, and even pedantic, if it weren't for Himli Sözer's performance, which gives the movie an emotional depth to match its intellectual ambitions.Still Walking (Hirokazu Koreeda, 2008) (v) *** - If I had more free </atom:summary><link>http://foragerblog.blogspot.com/2009/10/screening-log-october.html</link><author>noreply@blogger.com (Jon Hastings)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_Zws3rEfvc3g/Sutd5cnAwKI/AAAAAAAAAb8/muyFGw3sfHE/s72-c/080221_p10_night.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-3130998043199829325</guid><pubDate>Tue, 06 Oct 2009 13:39:00 +0000</pubDate><atom:updated>2009-10-06T09:46:42.397-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: September</title><atom:summary>Police, Adjective (Corneliu Porumboiu, 2009) ***Johnny Guitar (Nicholas Ray, 1954) (v) (r) ***** - Did I say On Dangerous Ground was my favorite Nicholas Ray movie? I hadn't seen this in years, and the image quality of the VHS tape I had first seen it on really did not do it justice. Also: most of the discussion of this movie talks up its unconventionality (less sympathetic viewers might phrase </atom:summary><link>http://foragerblog.blogspot.com/2009/10/screening-log-september.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-6235813614289434182</guid><pubDate>Wed, 09 Sep 2009 21:49:00 +0000</pubDate><atom:updated>2009-09-09T19:43:23.973-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">top ten</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">lists</category><title>Top 9 as of 9/9/09</title><atom:summary>I feel that I'm finally caught up enough with my movie-watching that I can throw out an interim "best list" that (a) doesn't have any filler and (b) took some thought/reflection about what didn't make the cut.1. Two Lovers (James Gray)2. Inglourious Basterds (Quentin Tarantino)3. Pontypool (Bruce McDonald)4. Duplicity (Tony Gilroy)5. Summer Hours (Olivier Assayas)6. Liverpool (Lisandro Alonso)7. </atom:summary><link>http://foragerblog.blogspot.com/2009/09/top-9-as-of-9909.html</link><author>noreply@blogger.com (Jon Hastings)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_Zws3rEfvc3g/Sqg9h4cvzzI/AAAAAAAAAb0/YSjlmRyEGeY/s72-c/you-living2.JPG" height="72" width="72" /><thr:total>7</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-10506214.post-7312661174346651179</guid><pubDate>Wed, 02 Sep 2009 20:25:00 +0000</pubDate><atom:updated>2009-09-02T16:40:05.459-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">screening log</category><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">criticism</category><title>Screening Log: Late August</title><atom:summary>Halloween 2 (Rob Zombie, 2009) * - This is the first Rob Zombie movie where I haven't been shaking in anger, fear, or disgust when I left the theatre. In other words, a bit of a disappointment. Though many of his strengths are on display - the worlds in his movies feel lived in, there's a weight there that most Hollywood filmmaking (and I'm not just talking about horror/genre filmmaking) lacks </atom:summary><link>http://foragerblog.blogspot.com/2009/09/screening-log-late-august.html</link><author>noreply@blogger.com (Jon Hastings)</author><thr:total>3</thr:total></item></channel></rss>
