The Gillmor Gang — Dan Farber, Robert Scoble, Kevin Marks, and Steve Gillmor — absorb the WWDC keynote. iOS7, OS/10 Mavericks, Macbook Air refresh, and iTunes Radio were the big bullets, but underlying the event was the resurgence of Apple as the leader in setting the agenda. Not everyone buys this perspective, of course. @scobleizer sees this as the assignment of RIM and Microsoft to the dustbin of history. But wait, there’s XBox.

@dbfarber provides the context, @kevinmarks the technopop view, and I watch from the comfort of my living room as Apple TV looms, the elephant in the room. 1080P HD straight into the living room, iOS7′s control panel makes AirPlay one scroll and click away. Apple no longer feels haunted by the ghost of Steve Jobs; they’re having fun again in Cupertino.

@stevegillmor, @scobleizer, @dbfarber, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Live recording chat stream

The Gillmor Gang — Robert Scoble, Kevin Marks, Keith Teare, and Steve Gillmor — view the world through PRISM glasses. We, or me, couldn’t help wondering what part of surpised we are at the idea we’re being monitored and scraped within an inch of our metadata. It’s hard to tell whether we’re worried about losing our individual freedoms, or having to do the hard work of balancing the tradeoffs in a dangerous world of drones and the streams that feed them.

Still, the stakes couldn’t be higher as we sell our digital identities for the price of free access to the flow of information. And what about the cost of our freedom to share the music that defined the creative revolution of the 60′s and the video revolution of Mad Men and Netflix? From Richie Havens on the stage at Woodstock to Obama’s politics of the personal, we can’t afford to sit back and ignore the costs, and the value, of swimming in the social waters. Ben Franklin may not have anticipated Twitter, but Paul Revere did. Honey, disconnect the phone.

@stevegillmor, @scobleizer, @kevinmarks, @kteare

Produced and directed by Tina CHase Gillmor @tinagillmor

Live recording chatstream

The Gillmor Gang — Robert Scoble, Keith Teare, John Taschek, Kevin Marks, and Steve Gillmor — recorded early on a Thursday morning, flush with Apple CEO Tim Cook’s read-between-the-lines performance at D11. Cook took some 80 minutes to say very little, or so say the pundits and Wall Street spinners. But the Gang found plenty to decrypt, including thoughts on Apple TV, wearable computing, value versus volume, and just about everything Steve Jobs used to do minus the famous reality distortion field.

But as the lack of smoke cleared, what was left over suggested a robust fall and a steady drumbeat of evolution from Apple to match Google’s flashier but Webier approach. Lost in the shuffle was Microsoft’s X-Box announcements, leaving the strong impression of the two leaders pulling away from the pack. But it was fun to watch @scobleizer wake up over the course of the show, as we realized, like Cook, how much we love the art of surprise.

@stevegillmor, @scobleizer, @jtaschek, @kevinmarks, @kteare

Produced and directed by Tina Chase Gillmor @tinagillmor

The Gillmor Gang — Robert Scoble, Kevin Marks, Keith Teare, John Taschek, and Steve Gillmor — neatly sidestepped the Yahoo Tumblr acquisition and segued into the wonderful world of messaging. As Facebook Home settles into a cot at the homeless shelter, Google is revving up for an all-out assault on the service suite. Google Glass is just the tip of the iceberg; below the waterline, the search giant is sucking image, location, traffic, and advertising data in realtime.

It may seem like the Gang is tilting over into Google love, but scratch the surface (no pun intended) and you’ll find just as much Apple love lurking beneath. The consensus is not so much a two-horse race as a widening duopoly that makes it very hard for Yahoo or Microsoft or Amazon or any new player to break the hold these two giants maintain. Of course, that’s what they said about Microsoft, which in reality was the duopoly of Windows and Office.

@stevegillmor, @scobleizer, @kteare, @jtaschek, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Live chat stream

This Gillmor Gang was recorded live at betaday, the betaworks annual gathering in New York. The Gillmor Gang included John Borthwick, Robert Scoble, Douglas Rushkoff, Paul Davison, and Steve Gillmor. Enjoy.

@stevegillmor, @Borthwick, @scobleizer, @rushkoff, @pdavison

The Gillmor Gang is produced and directed by Tina Chase Gillmor @tinagillmor

The Gillmor Gang — Robert Scoble, John Taschek, Kevin Marks, Keith Teare, and Steve Gillmor — broke from the gate and never let up in a barnburner of a show about the post-Jobs era. Will Google assume the mantle of leadership from an aging Apple, or is this just an evolutionary step along the stream of innovation triggered by the iPhone/iPad?

There’s plenty of data on both sides of this coin. Certainly Google Glass has triggered a lot of the same atmospherics that accompanied Apple’s storming of the Microsoft barricades. Every day we see the wreckage of the PC era float past us as our thoughts shift from Windows to Web to apps. Mobile has won the war for our hearts and minds. As Adam said to Eve: Stand back, we don’t know how big this is going to get.

@stevegillmor, @scobleizer, @jtaschek, @kevinmarks, @kteare

Produced and directed by Tina Chase Gillmor @tinagillmor

Live chat stream

The Gillmor Gang — Robert Scoble, Kevin Marks, Keith Teare, and Steve Gillmor — well, we talked Google Glass. @scobleizer has certainly made the case for the life-altering shower-taking scenarios, but what the Gang got into was what happens next. Do we wait for the actual launch early next year, or is the die already cast with this alpha rollout? One thing for sure: there’s plenty to unravel in this second Glass hour in a row.

What lurks beneath the actual hardware and the choices Google has made in terms of enhanced reality – no, and an atomization of some key aspects of the phone – yes, is the stark choice the search company must make in playing open with Android. @scobleizer reports switching about 30% of his notifications and alerts from iOS to Android, understandable as the Glass interface is the first point of contact for audio chimes and call announcements but not the visual. Glass is in reality more of an audio device with some visual renderings and recorders.

But will the price point Scoble suggests they need to meet — $200 — really be reachable to them unless they can get mass data to subsidize some significant portion of the hardware? More likely, they will open the hardware to iOS much like they just did with Google Now (part of the Search app) and make their stand with turn by turn against Siri. Both Google and Apple will face an increasingly sophisticated customer base that can see just how far voice and facial recognition can really go without mass data from across what used to be called the Web.

In a way, Glass is Google’s response to the iPad Mini, which has rolled up an enormous part of the existing tablet market by cannibalizing its big tablet and adding a large percentage of the 7-inch minis. At several Gartner conferences this week, the number of Minis was reminiscent of what happened when the iPad first broke through on planes. In one fell swoop, Apple captured the lion’s share of the unique gestures made possible by the Mini form factor, which makes it easy to do 90% of both enterprise and social computing in conjunction with the phone. Glass does the same thing for Android, creating a pool of unique gestures that can be expanded upon with advanced services that connect Glasses together.

The common wisdom is that Google doesn’t get social, but Glass is an opportunity for them to get out front with the phone, just as Apple has with the Mini. If Google doesn’t interoperate with the Mini, it will provide an opening for Apple and the nextgen iPhone. More importantly, Glass has to reach the broad market as Search, Gmail, Apps, and Maps have done to feed the data monster it sells off as realtime advertising. Apple’s common wisdom Achilles Heel, not getting the Web and massive Cloud scale, means they will continue to open their platform to Google to maintain market while exploiting their lead in media integration. They lose data they can’t yet handle, but maintain their hold on developer and media revenue and buy much needed time.

@stevegillmor, @scobleizer, @kteare, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Live recording chat stream

The Gillmor Gang — Danny Sullivan, Dan Farber, Kevin Marks, John Taschek, and Steve Gillmor — note the intersection of social and mainstream medias as the events in Boston unfolded in real time. What has been framed as a competition became something more, as Twitter streams, scanner apps, and local news streams meshed with CNN et al.

Inspired curation by @dannysullivan produced an authoritative feed of credible crowdsourced updates. Tweeters at the scene produced wry commentary on reporter exaggeration, eventually encouraging a hybrid blend of real time speed and news judgement. Our thoughts remain with the brave and resilient people of Watertown, Cambridge, and Boston.

@stevegillmor, @dbfarber, @dannysullivan, @kevinmarks, @jtaschek

Produced and directed by Tina Chase Gillmor @tinagillmor

The Gillmor Gang — Robert Scoble, Kevin Marks, John Taschek, and Steve Gillmor — picture themselves in a boat on a river, as the first wave of Google Glass hits the network, aka Scoble’s forehead. @scobleizer promises to never take off this thing, and even the hyperbole doesn’t refute the central notion. As was evidenced over the last few days in Boston, the whole world is not only watching but feeding the realtime stream. Social meets mainstream.

As Google Glass goes into alpha, Apple’s stock collapse seems to indicate a changing of the guard. But our bet (I don’t think I’m alone in this) reflects not only the volatility of who’s on first but the value of a real horse race in floating all boats. More likely we’ll see a back and forth motion as Apple, Google, Twitter, and Facebook surge ahead and then are overtaken. The winners — that would be us.

@stevegillmor, @scobleizer, @jtaschek, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Live session chat stream

The Gillmor Gang — Kevin Marks, John Taschek, Keith Teare, and Steve Gillmor — spared no expense to bring you the finest in up-to-date tech commentary. In other words, we tore into Twitter Music, ignored Facebook Home, dissected the internals of AirPlay, and cashed our Bitcoin checks.

Our attention is a zero sum game, and whether it’s West Wing or Twitter pointers into the musicsphere, how we make our streaming choices will determine who the big winners are. What we’re really waiting for is the tipping point when the streamer artists crossover and recapture the idea that the creators are the real coin of the realm.

@stevegillmor, @kteare, @kevinmarks, @jtaschek

Produced and directed by Tina Chase Gillmor @tinagillmor

The Gillmor Gang — John Borthwick, Kevin Marks, Keith Teare, John Taschek, and Steve Gillmor — spent a too-quick hour on Facebook Home, Twitter’s new deep linking Cards, and the jousting over Webkit. Individually, these developments represent interesting strategy for the major notification platforms of Google, Apple, Twitter, and Facebook.

But taken together, we’re seeing an important moment of truth. With Facebook pulling a “kindle” by hijacking Android’s lockscreen for its notification engine, suddenly everybody has to get in line. Apple retains its AirPlay gateway to the big screen, but it’s Facebook not Google that threatens iOS’ fit and finish. And just in time for apps, Twitter sets in motion developer innovation linking app to app and eventually the Web, Look out Cleveland, a fork is coming through.

@stevegillmor, @kteare, @kevinmarks, @borthwick, @jtaschek

Produced and directed by Tina Chase Gillmor @tinagillmor

Live chat stream

Gillmor Gang – John Borthwick, Kevin Marks, Keith Teare, John Taschek, and Steve Gillmor. Recording live today at 1pm Pacific.

The Gillmor Gang — Doc Searls, Robert Scoble, Kevin Marks, and Steve Gillmor — takes turns sizing up the new season. With Steve Ballmer running out of room and close to the warning track, we talk about who might be called up from the minors. The consensus is that Steve has 18 months to tur n things around. He’s a proud man, though, and may make the big move to Emeritus sooner than too late.

Dave Winer is back with a nifty pivot on Google Reader’s trip to the showers. The Gillmor Gang rode RSS and podcasting to the Big Show, and it’s good to see Dave going even further back to his outliner roots. More than anything, Winer made the hard stuff look easy and gave the tech generation a voice. Today it seems obvious, but Winer, with a little help from his friends, changed the way the game is played. Batter up.

@stevegillmor, @scobleizer, @dsearls, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Live chat stream

The Gillmor Gang — Robert Scoble, Danny Sullivan, Kevin Marks, and Steve Gillmor — convened with Gillmor in Boston and the Gang in California. We took another cut at the Google Reader damage, with @dannysullivan hating on notifications and @scobleizer hating on Android’s notifications. Did I say I told him so? Yes I did.

But the mere fact we spent so much time on the stream’s destruction of Windows and RSS proved the point all along (for me since 2009). Namely, that the new platform is the stream, and the resulting multiplexed meritocracy of the combined social and messaging networks is where the developers will go. As Dylan said, “even the President of the United States sometimes must have to stand naked.”

@stevegillmor, @dannysullivan, @scobleizer, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Live chat stream

The Gillmor Gang — Robert Scoble, Dan Farber, Keith Teare, Kevin Marks, and Steve Gillmor — enjoys a week of actual tech news for the first time in quite a while. Samsung’s latest big screen phone comes with a suite of Android add-ons, some of which tickle @scobleizer’s shiny bone while making it clear his rationale for switching to Android has more to do with pocketing his Google Glass base station.

@dbfarber rejects the notion Google will take over our eyeballs with Glass; everybody will have a say in this wearable moment. @kevinmarks sees Google moving toward unification of web and Android in Andy Rubin’s resignation, and @kteare sticks with me on Apple’s Strategy of Doing Nothing strategy. That bulge in my pocket remains iOS, or are you just glad to see me.

@stevegillmor, @scobleizer, @dbfarber, @kteare, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Live chat stream

The Gillmor Gang — Robert Scoble, Keith Teare, John Taschek, Kevin Marks, and Steve Gillmor — spent a beautiful Bay Area day chatting amiably about Android, Apple, and the GUI formerly known as the Lock Screen. With notifications becoming the default interaction point with email, social, and app inputs, the Gang is split down the middle.

On one side is @scobleizer and @jtaschek and partially @kevinmarks; on the other more correct side is @kteare and me, @stevegillmor. We think Apple has the more elegant if slightly hamstrung solution, while the rest are Android fanboys waiting desperately for the latest Samsung phone. And of course, @scobleizer sees everything through his forthcoming Glassware, or as he joked, being a Glasshole about it. Oh, the humanity.

@stevegillmor, @scobleizer, @kteare, @jtaschek, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Friendfeed Chat

To absolutely no surprise, the people I know are enamored of Google Glass. The world of sensor-driven big data is sure to come, just as apps have supplanted sites as the metaphor with which we frame our lives. As one who replaced music with computers, I am eager for the next phase.

But while Glass forges ahead in mind share, my thoughts slide to the elegant footnote that is increasingly absorbing my interest. The iPad mini, a device I only bought because I couldn’t quite rule out something lurking there, so subtle that I can really only see it in the absence of something. As I’ve lived with this strange step-child, that something is taking shape, becoming visible and tangible.

Just as Glass captures our imagination, the mini absorbs our reality. Always present, just big enough to transfer much of the iPhone’s work load, barely big enough to suck the Retina iPad dry, and just waiting to use AirPlay to push toward the big screen for media. Waiting not for the tech but the politics of the death of the broadcast windowing business and the rise of streaming to sort itself out.

With so many cycles opting for the mini, our behavior is shifting. This is bigger than big data, because the compressed signal of behavior moves ahead of the raw data in identifying the underlying sentiment. It’s not analysis, it’s the feel in musical terms. It’s that rush we felt the first time, and every time, we heard the Stones’ Last Time. It’s not the riff, although that was plenty for starters. It wasn’t the lyric either. It wasn’t any of the parts but for sure it just felt good.

There’s some of that in the Glass video, too – the moments where you can extrapolate what will happen when we can dive into an event and feel it because so many people are running it that we can cut to just the right person at just the right angle both in image and sound. Groups will form like the Beatles in Hamburg where the band got so tight they just simply started making music greater than the sum of its parts.

When people start finding the value, the joy, in working together, now that is something big. Right now, we can’t quite see it, but these new tools are like the electric guitar, the Arriflex in movies, Netflix in the changing of the guard. Each of them produced a state of being where magic could happen. Only now, years later, can I hear what the British musicians heard when they heard the blues masters. It was there all the time, I just didn’t listen. Lightweight cameras birthed the French New Wave, freeing Truffaut and Godard to deconstruct the studio system into its essential elements of story and naturalism.

We don’t yet see Netflix for what it is, intuiting that ethereal something but getting lost in irrelevant cord cutting and cartel stonewalling. But here it is: Just like the Beatles and their compatriots dismantled the existing music business and took over both the means of production and then distribution, so too will the next wave take over this live-streaming cloud-based network and produce live push notification-driven events owned and created by the artists themselves.

You can begin to feel the power of this moment with the mini. It’s small enough to always be there, big enough to get work and research done, Bluetooth-enabled to add a keyboard as I’m doing right now to write this, enough battery to manage notifications, news, Spotify, Chatter, AirPlay, everything. It’s the hub, and Glass will work with it because it needs to. When Jobs said he’d cracked the code, I believed it. It wasn’t bravado; he just ran out of time. And when I finally settled into the mini, I began to see how.

The mini is hard to write to. It may be because I’m sick of the tricks, or the usual kerfuffles, or whatever. But the mini reeks of just enough, no fluff. What is annoying and dumbed down on the Retina, like Pages, is plenty good enough with the keyboard. I don’t know what will happen with the Logitech mini keyboard, if MG is to be believed that it may be too small. But if I can make it work, it will be the first non-Apple Smart Cover I’ve bought. Already I can see the Bluetooth rules engine choosing keyboards based on location, priority, and all those intangibles that govern the studio recording process. How far behind is the atomization of the MacBook Air via the Bluetooth console?

The mini turns my iPhone into the Pebble, at least until or unless Apple jumps in. With notifications turned on, Twitter and increasingly Facebook are draining the battery and pushing me even more toward the mini. And it’s made FaceTime an increasingly valuable choice where the Retina is too big and way too heavy. Glass may move in here as well as a Bluetooth mini accessory. They’ll need to spend significant search bucks to subsidize Glass or risk being beaten by Apple on price.

Meanwhile event television is testing the streaming waters as the Mini melds controller, point of sale terminal, and notification multiplexing. Broadcast and cable politics mandate blocking of Netflix over AirPlay for the moment, but when I can’t watch Episode 4 and whatever of House of Cards through Apple TV, I opt for the mini and out of Showtime or NBC. The one thing I have a finite amount of is viewing time, and the more Netflix wins in that arena, the more pressure is on the hotel to participate via AirPlay and get a cut. Watch for the weaker news channels like MSNBC cracking the code first.

I spent the weekend in a hotel in New York hacking into HDMI2 with the mini and a new Apple TV. The more I butted up against the roadblocks, the more I realized how Apple is partnering with companies like Netflix and Spotify rather than fighting. Being on HDMI2 made it difficult to watch shows on the hotel broadcast channels, but I could Slingbox in to California and watch on three hours later or Comcast on demand or buy on iTunes the next day. I could listen to three tracks off Boz Scaggs’ new record on Spotify and then buy it on iTunes for the full album.

The network fare suffers greatly when matched against House of Cards or the relentless advance of time-shifting. I’ve stopped recording Glee because I know it will be on Netflix when the season’s over, and besides how can it compete against a steady stream of 13 week-seasons from the streamers. Mad Men, Breaking Bad, House of Cards, Downton Abbey, House of Cards II, these things are stacked up over Gotham in relentless fashion. Just as the Beatles moved the record business from singles to albums and went to yearly production and release patterns, these binge-streaming series are wiping out the weakened networks. Unless they buy in like AT&T did with the iPhone.

Sure, there’s a second screen these days. But it’s not the one you might think. The second screen is the TV, where the decaying rules remain in force as network comedies atrophy and the fall season is rife with cancellation. The first screen is the mini, managing the push notification appointment calendar and relationships of the binge viewers as they kibitz, joke, and narrate the stream economy.

The Gillmor Gang — John Taschek, Robert Scoble, John Borthwick, and Steve Gillmor — went bicoastal with @stevegillmor at @borthwick’s Betaworks Studios in New York City. @scobleizer and @jtaschek held down the West Coast as it threatened to float away in Googlemania. With a touch Chromebook and a Google Glasses video surfacing, at least half the Gang is predicting Apple is in trouble.

Certainly the Googlers get network while a Tim Cooked Apple gets supply chain, but who’s to say (Scoble) that the fun ride is over for ownership of innovation. I think not, fascinated as I am with the amazing platform being nurtured around the iPad Mini and what it augurs for Apple’s move to the streaming cloud.

@stevegillmor, @scobleizer, @borthwick, @jtaschek

Produced and directed by Tina Chase Gillmor @tinagillmor

The Gillmor Gang — Robert Scoble, Keith Teare, Kevin Marks, John Taschek, and Steve Gillmor — pondered the debatable relationship between Netflix’ House of Cards and the tech community. From HBO’s Jeff Bewkes calling the Kevin Spacey series “pretty good” to Comcast buying the rest of NBC/Universal from GE, the economics of streaming TV took a big leap forward.

Not so much email, which @scobleizer defended with filters, smart labels, and Sane Boxes. We heard about smart calendars and DM suckage and Apple spoilage, but no matter: it’s all about finding more time to devote to binge viewing and meteor dodging. More bacon please.

@stevegillmor, @scobleizer, @kteare, @jtaschek, @kevinmarks

Produced and directed by Tina Chase Gillmor @tinagillmor

Live recording chat stream

The Gillmor Gang — Danny Sullivan, John Borthwick, Kevin Marks, Keith Teare, and Steve Gillmor — take advantage of the East Coast blizzard to toast some marshmallows on the fire. First up is the Series A drought and impact of the cloud on startup funding. Next, the big pivot to Spoilerland, aka Binge TV.

House of Cards is having just that impact on the television industry, collapsing the mid tier pay networks into an environment much like planes stacked up over Newark. It’s Breaking Bad followed by Mad Men followed by Arrested Development and so forth. How the broadcast networks get past the new air traffic controllers is anybody’s guess, but Netflix continues to confound the experts and delight the customers.

@stevegillmor, @dannysullivan, @borthwick, @kevinmarks, @kteare

Produced and directed by Tina Chase Gillmor @tinagillmor