The Heat Magazine

*Feature Interview- Driven by the Craft: Eddie Cefalo aka Beastz DeLeon on Script Breakdowns, Industry Chaos, and Becoming Victorious

Chella Alene — Fri, 05 Jun 2026 03:38:37 +0000

THE SCIENCE OF SCREEN AND SOUND: AN INTERVIEW WITH EDDIE

Act I: The Awakening

The Blueprint: Discovered a passion for performance at age five by watching television.
The Illusion: Early ego led to the assumption that natural storytelling made acting easy.
The Reality: Learned that true acting is a profound science requiring rigorous, disciplined study.
The Growth: Over 20 years of camera work across short films, music videos, and vignettes.

Q: How did you first discover your passion for acting, and was there a specific “aha” moment that made you realize you wanted to pursue this professionally?

A: My introduction to acting came from watching television when I was around five or seven years old. I had a sudden moment of clarity where I realized the people on screen were performing. As a kid, I was total “monkey see, monkey do”—I wanted to be just like them and be the star of the show. At that age, money didn’t even register to me; I just wanted the spotlight.

Early on, I had a bit of an ego and assumed entertainment would be easy, thinking that being a natural storyteller gave me an automatic edge. I was completely wrong. When my skills were actually tested, I learned that acting is a profound science that demands rigorous study. There is a massive difference between simply telling a story and truly acting. Today, my passion for the craft is stronger than ever because acting forces me to study humanity and, in turn, understand myself. It has become a powerful vehicle for my mental and spiritual growth. I rely heavily on lived experiences and focus entirely on embodying the spirit of the character I am blessed to play. After more than 20 years in front of the camera doing short films, music videos, and vignettes, my passion is still dialed to 1,000.

Act II: The Rhythm of Creativity

The Roots: Started producing original music beats in his grandmother’s basement as a teenager.
The Business: Founded “Mystic Derelicts,” an independent New England label that ran for five years.
The Horizon: Actively collaborating with top Boston creators for a new LP dropping in Fall 2026.
The Balance: Replaces the chaotic concept of “juggling” passions with a strict, calming life routine.

Q: For many upcoming actors, the journey involves juggling other passions. Do you have a background or side interest (like dance, music, or writing) that informs your acting?

A: Absolutely, and that brings us back to music. I started producing my own beats in my grandmother’s basement as a teenager, which eventually grew into local buzz around Boston and the broader New England area. Later, I founded an independent entertainment label called “Mystic Derelicts.” We signed nine artists and ran for about five years before dissolving, and many of those artists are still thriving in solo careers today.

Currently, I’m collaborating with prominent Boston artists and directors like DJ Cruz (ED. O.G.), Twice Thou, Stephen Stix Jose, and Jbril Hayes. Alongside my acting, I am incredibly excited to be releasing a new LP, dropping in the fall of 2026. I also love to dance and write. I am a natural adventurer—if an activity is loud, active, and high-energy, count me in! People always talk about “juggling” passions, but that word sounds a bit too chaotic for me. Instead of juggling, I focus on a steady, systematic routine. Balancing my creative projects with work, the gym, and home life requires a structured rhythm. This routine keeps me deeply grounded and allows me to manage the pressure with minimal anxiety.

Act III: Fueling the Drive

The Catalyst: External doubts and industry discouragement only serve as high-octane fuel to go faster.
The Philosophy: Strives for perfection (a 10) but finds complete joy and peace in the execution (a 7 or 8).
The Shield: Protects personal peace by refusing to engage with negative energy or critical opinions.
The Legacy: Views his songs and performances as permanent art that will outlive him.

Q: Did anyone in your life ever discourage you, or tell you that you wouldn’t make it? How did that affect your drive?

A: It just made me drive faster! My parents were actually the first to encourage me and discourage me at the same time. They were promoting education above everything else, and I get it—it’s the old, secure “safety blanket” method. Unfortunately, I wasn’t fond of regular living. I’ve always been a “jump out there, dive right in” kind of guy. I had a vision of extra-special living on an extra-special budget. Along the way, I heard it all: “Don’t waste your time and money,” “Only a select few make it,” “It’s a gamble,” or “You’re struggling to manage your personal life, how are you going to manage a career?” Everyone has their own perspective on other people’s goals. Once I learned that I cannot live my journey based on anyone else’s narrative, clarity met movement. I had to put in extra sessions and lessons to grow from a boy into a man.

I understand that I cannot appease everyone and not everyone will vibe with my personality or talents, but that’s the business of the beholder, not mine. If you shoot for a 10, you have to be cool with a 7 or an 8. For me, fulfillment comes from the steps to completion, the captured moments, and the experience. I find joy in whatever I create inside of me; I own it completely. Everyone has a specific talent or authenticity that is solely theirs—most people just need to tap into it. When I perform or create a song, that is my art, and it will remain well after I’m gone.

Thinking this way protects me from the discouragement of others. If I entertain any doubt, it’s my own, and I am responsible for fixing it. I don’t struggle with the specifics; I just get to work. I live for myself first, and anyone else is welcome to come along for the ride. The haters and the naysayers are necessary motivators—you can’t have up without down, or night without day. When people tell me I’m investing too much for too long in this arena, I just stay true to myself. I love what I do. Whatever spirit is provoking negativity or trying to taper my growth won’t get a response from me. If a vibe isn’t healthy, positive, or encouraging, I treat it like a strict diet: I cut it out and move on to the next thing. Naysayers are just a necessary part of the process.

Act IV: The Method and Character Breakdown

The Sensory Isolation: Shuts down the outside world entirely to preserve on-set performance energy.
The Three-Step Script Breakdown:
- The Introduction: Investigating history, motivations, and the psychological profile.
- The Message: Dissecting core themes through the lens of character temperament.
- The Somatic Integration: Reverse-engineering physical posture and natural body language.

Q: What is your go-to process or technique for getting into character and breaking down a script?

A: Getting into character requires a complete shutdown of the outside world. I block out the noise beyond my own body and focus entirely on the role. I firmly believe that who you are off-set heavily impacts your performance on-set. The more grounded, controlled, and disciplined you are in your personal life, the smoother the transition is when it’s time to clock in, switch personas, and go deep.

My breakdown process follows a clear structure:

The Introduction: I meet the character for the first time and launch an investigation into their history, background, motivations, and psychological profile to identify exactly who they are.
The Message: I dissect their core message and analyze how they deliver it to the world based on their unique temperament.
The Somatic Integration: I reverse-engineer their physical identity. I analyze the severity of their actions, assign them a specific temperament level, and marry their thoughts to natural body movements.

I often draw movement inspiration from similar actions in my own past experiences. If I can implement my own imagery, it embeds me even deeper into the core of the character. Every role is a brand-new study and a new challenge. My target is always a natural, believable, captivating, and deeply convicted delivery. I don’t just want to play a part; I dive right in, become the entity, and ride the wave.

Q: How do you handle a script or character that you initially find yourself disagreeing with?

A: If a script challenges my ability to completely transform, or if I find it difficult to connect with the character’s choices, I look at it as the ultimate test of craftsmanship. Disagreeing with a character actually provides a great boundary—it forces me to separate my personal ego entirely from the work. I have to step out of my own belief systems and look at the world strictly through their psychological profile.

My job isn’t to judge the character; my job is to understand their “why” and deliver their truth with absolute conviction, no matter how radical or different it is from my own. I’m grateful for the jewel of a challenge because my aim is to continuously push my abilities forward. Am I willing to accept or participate in roles I may not personally agree with? Definitely. As long as it doesn’t aggravate my core beliefs so deeply that it hinders me from delivering a peak performance.

Act V: Overcoming Industry Boundaries

The Stretch: Played a ruthless Honduran cartel lieutenant in Boston for Good Wisdom, Rottweilers Bye the Door.
The Chaos: Adapts easily to last-minute industry curveballs, including script rewrites 19 minutes before a scene.
The Mindset: Views auditions as a space where casting directors specifically want to see him, removing the sting of rejection.

Q: Can you describe a role you’ve played that pushed you completely out of your comfort zone, and what you learned from it?

A: Yes. Good Wisdom, Rottweilers Bye the Door—this was an Ennis Entertainment Jae Star Film production where my role was second lieutenant to an inner-city carbachol, a Honduran cartel member controlling things in Boston. Antonio, the director, always spoke of greatness and used the classic phrase, “You either got it or you don’t,” right before yelling “Action!” Everything on that set had to be great. Coming off the bench to perform alongside a cast of highly experienced, well-seasoned, and skilled professionals meant I had to bring that exact same energy.

Q: What has been the most surprising or unexpected part of navigating the entertainment industry so far?

A: How unpredictable it is and how constantly it switches. I originally set out with an assumed, controlled direction for my journey, but I quickly found out this industry changes direction unexpectedly on a regular basis. I’ve witnessed script changes happen 19 minutes before action, and scheduled shoot times overlap into long, grueling hours. My journey here is constantly surprising me with unexpected twists. I started out strictly as a musician, and it evolved into acting. I’ve come to realize that wherever this venture takes me is exactly where I am meant to be.

Q: How do you navigate the mental challenge of auditions, and how do you process rejection?

A: I focus on relaxation first. I constantly remind myself that I’m not here by accident, and I’m not just here for the script—I’m here because I am me. They want to see what I bring to the table, and then they want to see me assume the character. Telling myself this gives me a sense of ownership over the role. It allows me to focus on natural responses and authentic actions within the scenario.

Rejection is never personal to me; it’s completely cut and dry. You either fit the visual and tonal script or you don’t—there’s no forcing it. I might not be right for the part for a multitude of structural reasons, whether it’s my look or my voice. If a director is shooting a military scene in the desert mountains, they aren’t going to use a Volkswagen for the shot. I view casting the exact same way.

Act VI: True Collaboration and Vision

Scene Dynamics: Approaches scene partners with radical social transparency to rapidly unlock authentic chemistry.
Director Alignment: Adopts a universal baseline policy—follow instructions, drop the ego, and serve the director’s specific vision.
The Goal: Aims to deliver deep, soul-touching performances that leave audiences demanding to see more of his work.

Q: Collaboration is a massive part of this job. How do you approach building chemistry with scene partners or working with a director whose vision differs from your own?

A: Building chemistry with scene partners is easily one of the most important preparation steps, if not the absolute most important. I approach scene partners by being open-minded, completely willing, and objective. I am naturally very social, and being transparent allows for deeper, quicker connections. I can be genuinely silly, but I rely heavily on improv practices and simply studying my scene partners’ rhythms. I try to give them a piece of my true self outside of the business—not by oversharing personal secrets, but by showing my natural behavioral persona.

With directors, it’s a whole different ballgame because the majority of them have entirely different styles and techniques. I choose a standard, reliable behavioral pattern for all of them: follow instructions, take nothing personally, and always remember that this is the director’s unique vision. Whatever service the director has hired you to perform is exactly what needs to be carried out. For me, it’s all about nailing their core message correctly.

Q: Which actors or creators do you currently look up to, and whose career trajectory inspires your own?

A: Mel Gibson is at the top for me right now because he builds sensitive, impactful productions like The Passion of the Christ and the upcoming Resurrection. I love the word, so I really respect his artistic choices. Of course, Denzel Washington is right there alongside him, followed by many others. Denzel is the ultimate trajectory hero inspiring my career path today.

Q: If you could write your own dream role, what kind of story or character would you be tackling?

A: The story of my life—Eddie’s testimony, starring me, of course! It would be a powerful story of transitioning out of a victim mindset and becoming truly victorious physically, mentally, and spiritually. Assumed role: myself.

Q: When audiences watch your current or upcoming projects, what is the main message or feeling you hope they take away?

A: I want them to see that I am great at what I do, that I successfully executed my role to perfection, brought the character to life, and touched their soul with the performance. Most of all, when they walk away, I want them to immediately start looking for my name in other productions.

Follow him on social media and don’t miss a move!

BEASTZ DELEON FB URL: https://www.facebook.com/share/1DQpJdjr35/

BEASTZ INSTAGRAM URL: https://www.instagram.com/beastz?igsh=d2hqb2dkMjM0OWJu

EDDIE CEFALO INSTAGRAM URL: https://www.instagram.com/beastz_deleon?igsh=dDd2N2pnaTk0eWJp

BEASTZ DELEON SNAPCHAT URL: https://www.snapchat.com/add/beastzdeleon?share_id=kywpp_3Pa4U&locale=en-US

BEASTZ DELEON TIKTOC URL: tiktok.com/@beastzdeleon.

Darrell Kelley Drops New Single “ICE Cold Killerz” on Viral Records

Ms Carmen — Sun, 31 May 2026 06:44:00 +0000

“ICE Cold Killerz”, Ahead of a Wave of High-Profile Anti-ICE Protest Music

Boston-born, Atlanta-based singer, songwriter, and social activist Darrell Kelley has released his newest single, “ICE Cold Killerz,” out now via Viral Records and available on all major streaming platforms. The four-minute track marks the latest chapter in Kelley’s growing body of socially conscious, message-driven music.

“ICE Cold Killerz” arrived before a broader surge of artist activism around immigration enforcement and ICE. In the weeks following its release, Bruce Springsteen unveiled his own anti-ICE protest song, “Streets of Minneapolis,” written and released in direct response to recent state violence and fatal incidents involving federal agents in Minneapolis. Shortly after, the 2026 Grammy Awards became a flashpoint, with stars including Bad Bunny, Billie Eilish, Olivia Dean, Justin and Hailey Bieber, Kehlani, and Joni Mitchell using the stage and the red carpet to condemn ICE, dedicate awards to immigrants, and don “ICE Out” pins in solidarity.

Within that rapidly intensifying conversation, “ICE Cold Killerz” stands as an early and urgent entry—continuing Darrell Kelley’s established role as an artist who confronts injustice head-on through a blend of hip-hop, R&B, and modern protest music, reinforcing his reputation for pairing strong grooves with even stronger messages.

The new single is available now on Apple Music, Spotify, and other major streaming services under the Viral Records banner. To accompany the audio, Darrell Kelley has also released an official music video for “ICE Cold Killerz” on YouTube, giving visual impact to the song and making it easily accessible to fans discovering the track via video platforms.

With “ICE Cold Killerz,” Darrell Kelley once again positions himself at the intersection of music and movement—dropping a track that landed before the latest wave of high-profile protest songs and awards-show speeches, and helping set the tone for a year in which artists are refusing to stay silent.

Stay connected with Darrell Kelley

– YouTube: https://www.youtube.com/watch?v=z0-M7KYY3WA

– Instagram: https://www.instagram.com/darrellkelleyofficial/

– X: https://x.com/_darrellkelley

Media Contact:

Stevie B – Mia Mind Music

Phone: 201-656-5458

Email: press@miamindmusic.com

Darrell Kelley Releases New R&B Single “How Dare You Ignore Their Cries?” via Viral Records

Ms Carmen — Fri, 10 Apr 2026 02:58:24 +0000

Darrell Kelley Amplifies Survivor Voices in Soulful New R&B Single “How Dare You Ignore Their Cries?”

Darrell Kelley, Recording artist and social activist, has officially released his latest R&B single, “How Dare You Ignore Their Cries?”, now available across all major streaming platforms via Viral Records. This powerful track isn’t just a showcase of Kelley’s soulful vocal range; it is a profound call for accountability and transparency in the face of institutional failure.

Based in Atlanta, but born in Boston, Darrell Kelley has long been recognized as more than just a performer. He is a spiritual leader, author, and entrepreneur who views his music as a vital tool for advocacy. His career is defined by a commitment to justice, understanding, and unity, often tackling heavy social issues that others might shy away from. Previous releases like “Violence and Hate” have established him as an artist who uses his platform to challenge the status quo.

“How Dare You Ignore Their Cries?” serves as a direct response to the public outrage surrounding the Epstein Files. Kelley addresses the deep-seated belief that true justice has yet to be served for the survivors. The song’s message-forward approach centers on survivor advocacy, demanding that their stories be heard rather than buried under institutional layers. By blending R&B sensibilities with hard-hitting social commentary, Kelley creates a listening experience that is both emotionally resonant and intellectually provocative.

“Viral Records is proud to support artists who use their voice for more than entertainment,” stated a spokesperson for the label. “This release is a direct appeal for accountability—a reminder that victims’ stories deserve to be fully heard.”

Darrell Kelley continues to prove that music is most potent when it serves a purpose. As “How Dare You Ignore Their Cries?” echoes through the airwaves, it stands as a testament to the power of artistic defiance. In a world that often chooses silence, Kelley’s voice remains a lighthouse for those seeking truth and an unwavering demand for justice that cannot be ignored.

Stay connected with Darrell Kelley:

– YouTube

– Facebook

– Instagram

– X

Media Contact:

Stevie B – Mia Mind Music

Phone: 201-656-5458

Email: press@miamindmusic.com

SAVARRE Turns Grief and Rebirth Into a Song on “Art of the Bleed”

Ms Carmen — Wed, 18 Mar 2026 07:25:06 +0000

Released in October 2020, “Art of the Bleed” opens with a deceptive stillness before the weight of it settles in. Shannon Denise Evans, the creative force behind SAVARRE, wrote this song believing she understood what it meant. She’s since admitted it turned out to be something bigger than she first realized. A forecast of her own transformation, the painful, unglamorous process of shedding who you were told to be in order to find who you actually are. That honesty bleeds into every bar.

Guitar, bass, and drums anchor the arrangement with enough restraint to let Evans’ vocals do the heavy lifting. The production, handled by Alex Venguer alongside Evans and Dylan Glatthorn, is layered. There’s a cinematic quality to it that serves the emotional arc of the song. Glatthorn’s Rhodes and synth work add texture beneath the surface, and Andy Rinn Martinek’s synth programming gives the track a subtle unease that never quite resolves, intentionally so.
Evans’ vocal performance is the centerpiece. She moves from measured and almost conversational in the verses to visceral and raw in the bridge. The repeated “make me bleed” isn’t a shock tactic, it’s a release. Additional vocal production by Andrea Green adds further depth to the layering without crowding the lead.

They use lyrics structurally. “Give the feast to the wolves you feed” lands differently on each listen. It’s about self-betrayal, about the cost of maintaining relationships or identities that drain you. “Born through pain comes second sight” is similarly understated but pointed.

Evans has described the song as being about grief, death, rebirth. And the arrangement honors that progression. The song sits in the grey, as the lyrics themselves suggest: Step on into the grey at least. That willingness to stay in discomfort is what separates “Art of the Bleed” from a lot of its contemporaries.

It’s worth noting who Evans is outside the studio. An award-winning filmmaker, screenwriter, and playwright, she brings a storyteller’s precision to her songwriting that shows in the structure of this track. Nothing is accidental. The song unfolds with narrative logic, moving through stages the way a well-constructed script does: setup, escalation, breaking point, aftermath.

“Art of the Bleed” has been recognized in a wide range of music and entertainment outlets, including USA Wire, Vents, Berliner FM, and California Weekly, among others. The attention is well-placed. The track holds up on repeated listens, revealing new details each time. A quality that speaks to the care put into both the writing and the production.

Songs about transformation are everywhere. Most of them romanticize it. What Evans gets right here is the mess of it. The loss, the people who leave, the parts of yourself you grieve before you grow. She doesn’t clean it up. The “art” in the title isn’t ironic. It’s the acknowledgment that there’s a craft to surviving your own becoming, that the process itself requires something of you.

That’s a harder thing to write than it sounds. And harder still to perform with conviction. Evans pulls both off.

If you haven’t yet spent time with SAVARRE, “Art of the Bleed” is a strong place to start. But don’t stop there. The full Blood EP carries the same emotional intelligence across its tracks, and Evans continues to develop a body of work that rewards genuine attention.

[New Music] Blizm – “The Dangerous Unc” | @BLIZM

Ms Carmen — Wed, 18 Mar 2026 06:38:04 +0000

Blizm Delivers Authentic Energy and Executive Vision on The Dangerous Unc

In an era where independence and ownership define success in Hip-hop, Blizm stands out as an artist who understands both the creative and business sides of the culture. The Atlanta-based Rapper, Entrepreneur, and Media Executive has officially released his newest project, “The Dangerous Unc.” The album is a bold statement that reinforces his reputation as a multifaceted force in today’s music industry.

Originally hailing from Panama City, Florida, Blizm’s story is rooted in perseverance, ambition, and self-determination. His early experiences shapes a perspective that would later become central to his music — real narratives about growth, loyalty, survival, and elevation. After relocating to Atlanta, one of the most influential cities in modern Hip-hop, he immersed himself in a thriving creative environment that helped sharpen his sound and expand his network. Today, he is recognized not only for his music, but also for his leadership within the independent entertainment space.

Blizm’s entrepreneurial impact is undeniable. As the owner of K-100 Radio and Chainless Entertainment, he has built platforms designed to empower artists, amplify voices, and create meaningful opportunities in a competitive industry. His approach reflects a larger philosophy: artists should not only create culture but also control the infrastructure that distributes and monetizes it. Through media programming, artist development initiatives, and strategic collaborations, Blizm continues to play a significant role in shaping the independent music ecosystem.

The Birth of “The Dangerous Unc”

His latest release, “The Dangerous Unc” captures the essence of his journey. The project blends gritty Southern production with introspective storytelling and confident delivery. Each record carries a sense of authority — the perspective of someone who has navigated challenges and emerged with clarity and purpose. Sonically, the album balances hard-hitting street anthems with reflective moments that reveal deeper layers of Blizm’s personality and experiences.

The title itself symbolizes maturity and earned respect. “Unc” represents the seasoned figure, who has seen enough to move strategically, while still maintaining an undeniable presence. Fans will notice how the project’s themes revolve around legacy building, personal accountability, and maintaining authenticity. This combination of substance and style positions “The Dangerous Unc” as more than just a collection of songs — it’s a declaration of identity and intent.

Beyond streaming success, the release also signals Blizm’s continued evolution as a brand. With an expanding digital footprint and increasing recognition across media channels, he is strategically aligning music releases with broader business initiatives. This forward-thinking mindset allows him to remain relevant while staying true to his roots and community.

As Hip-hop continues to evolve globally, artists like Blizm, prove that independence, consistency, and entrepreneurial vision are essential ingredients for longevity. “The Dangerous Unc” stands as a testament to his dedication, growth, and commitment to inspiring the next generation of creators. With momentum on his side and a clear direction, Blizm is already set to leave an enduring mark on both music and media.

CONNECT WITH BLIZM:
Website:ChainlessEnt.com and K100Radio.com
IG:@Blizm_Chainless
Facebook:BLIZM.CHAINLESS.ENT
TikTok:Blizm_
X:@Blizm
Listen on Spotify:BLIZM on Spotify
Listen on Apple Music: BLIZM on Apple Music

Darrell Kelley Releases Powerful New Single “Sick of This” via Viral Records

Ms Carmen — Thu, 08 Jan 2026 02:33:33 +0000

Boston-born, Atlanta-based Artist confronts gun violence with a soulful, socially-conscious anthem

Boston-born, Atlanta-based singer, songwriter, and social activist, Darrell Kelley, has released his latest single, “Sick of This,” available on Viral Records and all major streaming platforms. The track adds a poignant new chapter to Kelley’s growing catalog of message-driven music.

Blending Hip-hop, R&B, and conscious soul, “Sick of This” continues Kelley’s long-running focus on social justice and community uplift. The song speaks directly to the cycles of gun violence in marginalized communities, calling on listeners to put the weapons down, honor their heritage, and “start spreading love” instead of hate or animosity.

Musically, “Sick of This” has been praised for its atmospheric yet accessible production, balancing a steady, danceable beat with strings, piano, and rich vocal harmonies that keep the song rooted in soulful, reflective territory. The track channels the legacy of socially-aware icons such as Marvin Gaye and Curtis Mayfield, pairing a contemporary groove with a clear, urgent message about responsibility, empathy, and community healing.

The single is already gaining traction across platforms: “Sick of This” is featured on Spotify, Apple Music, YouTube, and other major services.

With “Sick of This,” Darrell Kelley reaffirms his role as a voice for conscious, activist-minded music—delivering a track that is meant as much for reflection as it is for repeat plays.

Stream “Sick of This”:

Connect with Darrell Kelley:

https://www.instagram.com/darrellkelleyofficial/

https://www.facebook.com/profile.php?id=100058104819281

https://x.com/_darrellkelley

Jewlz Lounge Elevates Lawrenceville Nightlife with Upscale Dining, Entertainment, and Community Connection

Ms Carmen — Sat, 20 Dec 2025 21:44:40 +0000

Jewlz Lounge continues to set the standard for upscale dining and nightlife in Lawrenceville, Georgia, offering guests a premium blend of gourmet cuisine, vibrant entertainment, and an elevated social atmosphere. Conveniently located at 1365 Grayson Hwy, Suite 112, Jewlz Lounge has quickly become a go-to destination for locals and visitors seeking a memorable night out.

From the moment guests arrive, Jewlz Lounge delivers an experience defined by sophistication and energy. The venue features warm amber lighting, stylish décor, and elegant seating designed to create a luxurious yet welcoming environment. Plush VIP sections provide the perfect setting for celebrations, date nights, and private gatherings, while multiple HDTV screens keep guests connected to live sports and entertainment.

Gourmet Dining and Signature Cocktails

Jewlz Lounge distinguishes itself with a chef-driven menu that goes beyond traditional lounge fare. Guests can enjoy a carefully curated selection of Caribbean-inspired dishes and American favorites, each prepared with fresh ingredients and bold flavors. Complementing the menu is a lineup of handcrafted signature cocktails, mixed by skilled bartenders who tailor each drink to match the mood and moment.

Dynamic Entertainment and Weekly Events

Entertainment is at the heart of the Jewlz Lounge experience. The venue hosts a rotating schedule of live music performances, DJ nights, comedy shows, game nights, and spoken word events. This diverse programming ensures there is always something exciting happening, whether guests are looking to relax, socialize, or dance the night away.

A Community-Focused Destination

Beyond dining and nightlife, Jewlz Lounge serves as a cultural and social hub for the Lawrenceville community. With a growing online following of more than 5,700 supporters, the lounge is known for its welcoming atmosphere, attentive service, and commitment to creating safe, enjoyable experiences for every guest.

Visit Jewlz Lounge

Address: 1365 Grayson Hwy, Suite 112, Lawrenceville, GA 30045
Phone: (678) 353-6608
Website: www.JewlzLoungeATL.com

TikTok: @JewlzLounge1
Instagram: @JewlzLounge
Facebook: Jewlz Lounge

PRODUCTION BEGINS ON “POWER: ORIGINS”

Kaleel Moore — Mon, 01 Dec 2025 21:28:01 +0000

Courtesy of STARZ

STARZ has confirmed production is underway on the new “Power” prequel series, “Power: Origins,” the origin story of fan-favorite characters Ghost, Tommy and Kanan as ambitious young entrepreneurs on the rise, and confirmed several additional cast members will join the previously announced Spence Moore (Ghost), Charlie Mann (Tommy) and MeKai Curtis (Kanan). Joining the cast in recurring roles are Jennifer Ferrin (“The Knick,” “Pretty Little Liars: Original Sin”) as Kate Egan, Lizzy DeClement (“New Amsterdam,” “Divorce”), as Jill Wexler, Lenny Platt (The Dutchman, “The Hot Zone”), as Lenny Seidell, Armani Gabriel (“Blue Bloods”) as J-Boogs, Everett Osborne (Why Did I Get Married Again, Sweetwater) as Omay Moreau, and Jason Dirden (“American Soul,” “A Raisin in the Sun”) reprising his role as Traymont Stinson from “Power Book III: Raising Kanan.” The first season will consist of 18 episodes and is filming in New Jersey.

Kate Egan (Jennifer Ferrin): Tommy’s mother Kate Egan is melodramatic, attention seeking and manipulative, especially if she’s using and desperate to get her hands on her next fix. Despite this, Tommy is fiercely devoted to her, taking care of her and trying to keep her clean.

Jill Wexler (Lizzy DeClement): Smart, ambitious and sharp-tongued, Jill is a nurse at a local Queens hospital with big dreams to someday go to medical school. A recovering addict who has experienced a lot of heartbreak in her young life, she falls hard for Tommy but is also quick to call him on his bullshit and frequent idiocy.

Lenny Seidell (Lenny Platt): A charismatic, confident finance bro turned fitness entrepreneur who owns a handful of successful NYC gyms with ambitions to create a fitness empire. Lenny’s business model relies heavily on providing steroids to his elite gym clientele and he’s always looking for new partners.

J-Boogs (Armani Gabriel): Sharp, street smart and scrappy, J-Boogs is a reliable foot soldier with a good eye for the game. He’s one of Ghost and Tommy’s most trusted corner boys.

Omay Moreau (Everett Osborne): A superstar tight end with the NY Jets and a generous friend to those in his inner circle, Omay invites his pals into an extravagant world of parties, hot women and hotter cars- all with no strings attached- or so it seems.

Traymont Stinson (Jason Dirden): First introduced in “Power Book III: Raising Kanan,” Traymont was a once-trusted associate of the Thomas family who betrayed them.

The series will continue to explore the ‘Power’ universe in fresh and compelling ways, delving into the action-packed origin story of fan-favorite characters Ghost, Tommy and Kanan as ambitious young entrepreneurs on the rise, determined to make their mark on the streets of New York City. A fun, rambunctious exploration of a new time period in the “Power” franchise, “Power: Origins” will highlight the unbridled audacity of young men on the rise, determined to become legends in the game.

“Power: Origins” will mark the fourth spinoff in the hugely popular “Power” series, preceded by “Power Book II: Ghost,” which screened its fourth and final season in 2024; “Power Book III: Raising Kanan,” which aired its fourth season earlier this spring, and already has filmed its upcoming fifth and final season to air in 2026; and “Power Book IV: Force,” which just kicked off its third and final season this fall.

Sascha Penn will showrun and executive produce “Power: Origins” from a pilot co-written by Penn and Courtney Kemp. The “Power” Universe series is executive produced by Kemp, the creator and showrunner of the original “Power,” through her production company, End of Episode; Curtis “50 Cent” Jackson, through G-Unit Film and Television; Mark Canton, through Canton Entertainment; Chris Selak; Kevin Fox; and Pete Chatmon, who also serves as a director. Lionsgate Television will produce “Power: Origins” for STARZ.

Power Book IV: Force EPISODE 5-8 SPOILERS

Kaleel Moore — Sun, 30 Nov 2025 01:58:45 +0000

Courtesy of STARZ

Power Book IV: Force, Episode 305 – “The Last Dance”
Linear Premiere Friday, December 5 at 8:00 pm ET/PT, 7:00 CT
Diamond and Jenard strengthen their relationship over a common enemy, while Tommy ties up a loose end.

Power Book IV: Force, Episode 306 – “Asset Forfeiture”
Linear Premiere Friday, December 12 at 8:00 pm ET/PT, 7:00 CT
Tommy and Diamond disagree on business, while Jenard takes the opportunity to introduce another hustle to CBI. Stacy does damage control to salvage her campaign, and Mireya contemplates her future.

Power Book IV: Force, Episode 307 – “Lines in the Sand”
Linear Premiere Friday, December 19 at 8:00 pm ET/PT, 7:00 CT
While some relationships are mended, other brewing tensions reach their boiling point, setting the stage for unlikely allies.

Power Book IV: Force, Episode 308 – “Build Back Better”
Linear Premiere Friday, December 26 at 8:00 PM ET/PT, 7:00 CT
After a major shakeup, Tommy moves fast to rebuild, and the stakes are higher than ever.

Power Book IV: Force ( Titles & Descriptions ) S3

Kaleel Moore — Mon, 27 Oct 2025 19:41:52 +0000

Courtesy of STARZ

Aspiring crime boss Tommy Egan is determined to find a way to balance his personal life with his quest to take over the Chicago drug world. But if he ever wants a chance at becoming kingpin, he will have to poach customers from other factions. With mounting pressure from the coalition, not to mention the Feds, Miguel’s crew, and the Marquez Cartel closing in on him, Tommy must play offense and defense to achieve his goal of becoming Chicago’s biggest connect, while protecting those he loves.

New episodes of “Power Book IV: Force” air weekly on Fridays at 8:00 pm ET/PT on STARZ in the U.S. and at 9:00 pm ET/PT in Canada.

Friday, November 7 “Power Book IV: Force” *SEASON THREE PREMIERE*
Episode 301: “DO OR DIE”
Linear Premiere Friday, November 7 at 8:00 PM ET/PT, 7:00 CT

With some of his biggest obstacles off the map, Tommy faces new opportunities and challenges in his quest to take over the Chicago drug game.
Friday, November 14 “Power Book IV: Force”
Episode 302: “A SEAT AT THE TABLE”
Linear Premiere Friday, November 14 at 8:00 PM ET/PT, 7:00 CT

Tommy’s ambition sets him on a dangerous path, testing his alliances and endangering those closest to him.
Friday, November 21 “Power Book IV: Force”
Episode 303: “THERE’S ALWAYS A PRICE TO PAY”
Linear Premiere Friday, November 21 at 8:00 PM ET/PT, 7:00 CT

As Tommy does damage control with allies, Diamond and Jenard devise a plan to deal with D-Mac, and Vic plots his next move.
Friday, November 28 “Power Book IV: Force”
Episode 304: “TIME TO SEE THE KING”
Linear Premiere Friday, November 28 at 8:00 PM ET/PT, 7:00 CT

Tommy finds a way to protect D-Mac, and Jenard mends fences to please Shanti.