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		<title>The Metal Shop Podcast</title>
		<description>Studio tips for producing rock and metal</description>
		<link>http://www.gcast.com/user/hiremedia/podcast/themetalshop</link>
		<language>en-us</language>
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			<itunes:author>hiremedia</itunes:author>
			<itunes:category text="Arts &amp; Entertainment">
			
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			<itunes:keywords>metal, shop, podcast, rock, metal, heavy, brandon, hire,</itunes:keywords>
			<itunes:summary>My name is Brandon S. Hire, your host for The Metal Shop Podcast! This podcast is for beginners, intermediates, and professionals who are producing rock and metal recordings! We share tips on how to get the best out of many different studio types, from the studio-in-a-box hobby studio to the ga-gillion dollars per hour studios. Here's a list of some of the topics I hope to cover on this podcast:     * Interviews with producers     * Guitar Doubling And Panning     * Getting That Guitar Tone     * Use The Right Amp For The Job     * Bass Distortion     * Modulation Effects     * Keeping Your Vocalists Voice In Tact     * How Do They Do That? (several segments)     * Amp Micing Techniques     * Bass Guitar, Direct or Mic'd?     * Drum Micing Techniques       - mic everything       - mic just the tops       - mic the ambience     * Orchestration     * Clean tones     * Acoustic Music     * Producer Tips:       - Making A Part More Interesting       - Keeping the vocalist comfortable       - How to deal with an out of time drummer     * Loops &amp; Samples     * Vocal Processing &amp; Eq-ing     * Guitar Processing &amp; Eq-ing     * Bass Processing &amp; Eq-ing     * Drum Processing &amp; Eq-ing     * Drum Mixing     * Drum Machines     * Mixing the song as a whole     * Guerilla Soundproofing     * Guitar amps vs. modelers     * Free Plug-ins     * Stompboxes vs. multi-fx units     * The Right Mic For The Job     * Recording Piano And Other Ambient Instruments     * Mic Placement     * Avoiding pops without a windscreen     * How much gain do I need?     * Keeping inactive strings quiet while recording     * Side Chains And NIN     * Vocal Recording Technique     * Need big tone? Use big strings .....And More</itunes:summary>
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	<media:copyright>Copyright 2007 Hire Productions</media:copyright><media:thumbnail url="http://www.hireproductions.info/images/metalshoplogo.jpg" /><media:keywords>Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Music</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Education/Training</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Arts/Performing Arts</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Technology</media:category><itunes:owner xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"><itunes:email>metalshoppodcast@yahoo.com</itunes:email><itunes:name>Brandon S. Hire</itunes:name></itunes:owner><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:image xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" href="http://www.hireproductions.info/images/metalshoplogo.jpg" /><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Studio Tips For Producing Rock And Metal!</itunes:subtitle><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">This podcast is for beginners, intermediates, and professionals who are producing rock and metal recordings! We share tips on how to get the best out of many different studio types, from the studio-in-a-box hobby studio to the ga-gillion dollars per hour studios.</itunes:summary><itunes:category xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" text="Music" /><itunes:category xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" text="Education"><itunes:category text="Training" /></itunes:category><itunes:category xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" text="Arts"><itunes:category text="Performing Arts" /></itunes:category><itunes:category xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" text="Technology" /><geo:lat>39.183164</geo:lat><geo:long>-86.502933</geo:long><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" href="http://feeds.feedburner.com/TheMetalShop" type="application/rss+xml" /><feedburner:feedFlare href="http://add.my.yahoo.com/rss?url=http%3A%2F%2Ffeeds.feedburner.com%2FTheMetalShop" 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href="http://hub.netomat.net/account/account.autoSubscribe.jspa?urls=http%3A%2F%2Ffeeds.feedburner.com%2FTheMetalShop" src="http://www.netomat.net/blogger/images/icon_netomat_feedbutton.gif">Subscribe with netomat Hub</feedburner:feedFlare><feedburner:feedFlare href="http://www.dailyrotation.com/index.php?feed=http%3A%2F%2Ffeeds.feedburner.com%2FTheMetalShop" src="http://www.dailyrotation.com/rss-dr2.gif">Subscribe with Daily Rotation</feedburner:feedFlare><feedburner:feedFlare href="http://www.podcastready.com/oneclick_bookmark.php?url=http%3A%2F%2Ffeeds.feedburner.com%2FTheMetalShop" src="http://www.podcastready.com/images/podcastready_button.gif">Subscribe with Podcast Ready</feedburner:feedFlare><feedburner:feedFlare href="http://www.flurry.com/pushRssFeed.do?r=fb&amp;url=http%3A%2F%2Ffeeds.feedburner.com%2FTheMetalShop" src="http://www.flurry.com/images/flurry_rss_logo2.gif">Subscribe with Flurry</feedburner:feedFlare><item>
		<title>Episode 1 - Guitar Doubling, And Why  I Started Th</title>
		<description>&lt;h2&gt; Episode 1 - Guitar Doubling, And Why  I Started This Podcast&lt;/h2&gt;
&lt;p&gt; May 24, 2007 06:40AM&lt;br /&gt;
  &lt;img src="http://metalshop.podomatic.com/2007-05-24T06_40_01-07_00.jpg" alt="The Metal Shop Podcast - Episode 1" width="230" height="230" /&gt;&lt;/p&gt;
&lt;p&gt;This  is the first episode of The Metal Shop Podcast, so thanks for coming to  check it out. We talk a little about guitar doubling, and some of the  great effects you can get using that technique.&lt;/p&gt;
&lt;p&gt;We also talk a little about why I started this podcast. My biggest  inspiration for it is the Home Recording Odyssey podcast, which you  will find at http://www.homestudio.com.au&lt;/p&gt;
&lt;p&gt;Enjoy the show. If you like it, write me at  metalshoppodcast@yahoo.com, or check me out on myspace at  myspace.com/metalshoppodcast&lt;/p&gt;
&lt;p&gt;[All music in this episode was original music that I, Brandon S.  Hire, had a hand in writing and recording. The music bed at the  beginning and end of the show was created specifically for this  podcast, while the music bed at the beginning and end of the Guitar  Doubling segment is a song called Dream, and was recorded in 2001 by a  former line-up of my band Day Nine. If you like the track, you can  download it &lt;a href="http://www.daynineonline.com/media/audio/oldshit/madman/dream.mp3" target="blank"&gt;by clicking here&lt;/a&gt;.  Check out the old band at &lt;a href="http://myspace.com/daynineportsmouth" target="blank"&gt;http://myspace.com/daynineportsmouth&lt;/a&gt;.]&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .D5SPYCuC ]]> </guid>
		

		<pubDate>Sun, 30 Sep 2007 22:26:56 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/XjLKscOlv-A/01_Episode_1___Guitar_Doubling__And_Why__I_Started_Th.mp3" fileSize="16484929" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 1 - Guitar Doubling, And Why I Started This Podcast May 24, 2007 06:40AM This is the first episode of The Metal Shop Podcast, so thanks for coming to check it out. We talk a little about guitar doubling, and some of the great effects you can get </itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 1 - Guitar Doubling, And Why I Started This Podcast May 24, 2007 06:40AM This is the first episode of The Metal Shop Podcast, so thanks for coming to check it out. We talk a little about guitar doubling, and some of the great effects you can get using that technique. We also talk a little about why I started this podcast. My biggest inspiration for it is the Home Recording Odyssey podcast, which you will find at http://www.homestudio.com.au Enjoy the show. If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Guitar Doubling segment is a song called Dream, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by clicking here. Check out the old band at http://myspace.com/daynineportsmouth.]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/XjLKscOlv-A/01_Episode_1___Guitar_Doubling__And_Why__I_Started_Th.mp3" length="16484929" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH46Cu/01_Episode_1___Guitar_Doubling__And_Why__I_Started_Th.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 2 - Interview With Producer Chris Mara, Fr</title>
		<description>&lt;h2&gt; Episode 2 - Interview With Producer Chris Mara, From Nashville TN&lt;/h2&gt;
&lt;p&gt; May 29, 2007 05:15PM&lt;br /&gt;
  &lt;img src="http://metalshop.podomatic.com/2007-05-29T17_15_07-07_00.jpg" alt="Chris Mara - http://www.chrismara.com" width="267" height="200" /&gt;&lt;/p&gt;
&lt;p&gt;This  is the second episode of The Metal Shop Podcast, so thanks for coming  back! In this episode, I interview producer Chris Mara, who is based in  Nashville TN. We talk about how he got started in his recording career,  and about his approach to recording. We also talk about his blanket,  but it's not what you think. You'll have to hear it to know what I'm  talking about. I assure you, it's memorable!&lt;/p&gt;
&lt;p&gt;Enjoy the show? If you like it, write me at  metalshoppodcast@yahoo.com, or check me out on myspace at  myspace.com/metalshoppodcast&lt;/p&gt;
&lt;p&gt;[All music in this episode was original music that I, Brandon S.  Hire, had a hand in writing and recording. The music bed at the  beginning and end of the show was created specifically for this  podcast, while the music bed at the beginning and end of the Chris Mara  interview is a song called Distant Memory and is from my band &lt;a href="http://www.myspace.com/day9" target="blank"&gt;Day Nine&lt;/a&gt;.  If you like the track, and wanna take a crack at mixing it yourself, check out episode #37 of the &lt;a href="http://www.homestudio.com.au" target="blank"&gt;Home Recording Odyssey&lt;/a&gt; podcast to find out how to get the song's files!]&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .D5SPYCuN ]]> </guid>
		

		<pubDate>Sun, 30 Sep 2007 22:29:55 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/U9j6He4uv64/01_Episode_2___Interview_With_Producer_Chris_Mara__Fr.mp3" fileSize="36575111" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 2 - Interview With Producer Chris Mara, From Nashville TN May 29, 2007 05:15PM This is the second episode of The Metal Shop Podcast, so thanks for coming back! In this episode, I interview producer Chris Mara, who is based in Nashville TN. We tal</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 2 - Interview With Producer Chris Mara, From Nashville TN May 29, 2007 05:15PM This is the second episode of The Metal Shop Podcast, so thanks for coming back! In this episode, I interview producer Chris Mara, who is based in Nashville TN. We talk about how he got started in his recording career, and about his approach to recording. We also talk about his blanket, but it's not what you think. You'll have to hear it to know what I'm talking about. I assure you, it's memorable! Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Chris Mara interview is a song called Distant Memory and is from my band Day Nine. If you like the track, and wanna take a crack at mixing it yourself, check out episode #37 of the Home Recording Odyssey podcast to find out how to get the song's files!]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/U9j6He4uv64/01_Episode_2___Interview_With_Producer_Chris_Mara__Fr.mp3" length="36575111" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qmm/01_Episode_2___Interview_With_Producer_Chris_Mara__Fr.mp3</feedburner:origEnclosureLink></item><item>
		<title>Just a quick message between episodes 2 and 3</title>
		<description>&lt;h2&gt;Just a quick message between episodes 2 &amp; 3&lt;/h2&gt;
&lt;p&gt; May 30, 2007 11:55AM&lt;/p&gt;
&lt;p&gt;Just a little audio clip of why you won't find the Metal Shop page on  iTunes for a few days. I submitted the feed URL from podomatic to  iTunes, but I meant to submit an alternate feed URL that re-directed  the feed to the podomatic page. This way, if I ever had to leave  Podomatic, my subscribers wouldn't know the difference, nor would they  have to re-subscribe. So, Itunes has deleted the Metal Shop page in  their directory, allowing me to re-submit with the correct RSS feed url.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .D5SPYCqF ]]> </guid>
		

		<pubDate>Sun, 30 Sep 2007 22:30:25 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/YWd7YMkz21E/01_Just_a_quick_message_between_episodes_2_and_3.mp3" fileSize="1121167" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Just a quick message between episodes 2 &amp; 3 May 30, 2007 11:55AM Just a little audio clip of why you won't find the Metal Shop page on iTunes for a few days. I submitted the feed URL from podomatic to iTunes, but I meant to submit an alternate feed URL th</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Just a quick message between episodes 2 &amp; 3 May 30, 2007 11:55AM Just a little audio clip of why you won't find the Metal Shop page on iTunes for a few days. I submitted the feed URL from podomatic to iTunes, but I meant to submit an alternate feed URL that re-directed the feed to the podomatic page. This way, if I ever had to leave Podomatic, my subscribers wouldn't know the difference, nor would they have to re-subscribe. So, Itunes has deleted the Metal Shop page in their directory, allowing me to re-submit with the correct RSS feed url.</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/YWd7YMkz21E/01_Just_a_quick_message_between_episodes_2_and_3.mp3" length="1121167" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qml/01_Just_a_quick_message_between_episodes_2_and_3.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 3 - An Unusual Approach To Amp Modeling, A</title>
		<description>&lt;h2&gt; Episode 3 - An Unusual Approach To Amp Modeling, And Remembering Aaron Roe&lt;/h2&gt;
            &lt;p&gt; June 05, 2007 07:45PM&lt;/p&gt;
            &lt;p&gt;In this episode, I play back a segment I submitted to the &lt;a href="http://www.homestudio.com.au" target="blank"&gt;Home Recording Odyssey&lt;/a&gt; podcast on an unusual approach to Amp Modeling.&lt;/p&gt;
            &lt;p&gt;I also take a moment to pay respects to &lt;a href="http://www.myspace.com/sufferrock" target="blank"&gt;Suffer&lt;/a&gt; guitarist Aaron Roe, who died over the weekend.  In this episode you'll hear Suffer's song &lt;u&gt;Behind Enemy Lines&lt;/u&gt;.&lt;/p&gt;
            &lt;center&gt;
              &lt;a href="http://www.myspace.com/sufferrock" target="Blank"&gt;&lt;img src="http://img.photobucket.com/albums/v208/woolum/aaronroe.gif" alt="R.I.P. Aaron Roe" border="0"&gt;&lt;/a&gt;
            &lt;/center&gt;
            &lt;p&gt;Enjoy the show? If you like it, write me at  metalshoppodcast@yahoo.com, or check me out on myspace at  &lt;a href="http://www.myspace.com/metalshoppodcast" target="_blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;&lt;/p&gt;
            &lt;p&gt;[The music bed at the beginning and end of the show was created  specifically for this podcast, while the music bed at the beginning and  end of the segment I submitted to the Home Recording Odyssey podcast  was created specifically for my Music Industry Tips podcast. The music  bumper leading into the Home Recording Odyssey segment was taken  directly from the Home Recording Odyssey episode #34. The song &lt;u&gt;Behind Enemy Lines&lt;/u&gt; was written and performed by the band Suffer, who you can check out at &lt;a href="http://www.myspace.com/sufferrock" target="_blank"&gt;http://www.myspace.com/sufferrock&lt;/a&gt;.]&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
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		<pubDate>Sun, 30 Sep 2007 22:31:37 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/IMy2dxp6cvw/01_Episode_3___An_Unusual_Approach_To_Amp_Modeling__A.mp3" fileSize="27558689" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 3 - An Unusual Approach To Amp Modeling, And Remembering Aaron Roe June 05, 2007 07:45PM In this episode, I play back a segment I submitted to the Home Recording Odyssey podcast on an unusual approach to Amp Modeling. I also take a moment to pay </itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 3 - An Unusual Approach To Amp Modeling, And Remembering Aaron Roe June 05, 2007 07:45PM In this episode, I play back a segment I submitted to the Home Recording Odyssey podcast on an unusual approach to Amp Modeling. I also take a moment to pay respects to Suffer guitarist Aaron Roe, who died over the weekend. In this episode you'll hear Suffer's song Behind Enemy Lines. Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast [The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the segment I submitted to the Home Recording Odyssey podcast was created specifically for my Music Industry Tips podcast. The music bumper leading into the Home Recording Odyssey segment was taken directly from the Home Recording Odyssey episode #34. The song Behind Enemy Lines was written and performed by the band Suffer, who you can check out at http://www.myspace.com/sufferrock.]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/IMy2dxp6cvw/01_Episode_3___An_Unusual_Approach_To_Amp_Modeling__A.mp3" length="27558689" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qmi/01_Episode_3___An_Unusual_Approach_To_Amp_Modeling__A.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 4 - Vocal Recording 101</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt;Episode 4 - Vocal Recording 101&lt;/span&gt;&lt;/h2&gt;
            &lt;p align="left"&gt; June 19, 2007 06:48PM&lt;br&gt;&lt;img src="http://metalshop.podomatic.com/2007-06-19T18_48_34-07_00.jpg" alt="Brandon S. Hire - Vocals" width="400" height="267" align="absbottom" /&gt;&lt;/p&gt;
            &lt;p&gt;This is episode 4 of The Metal Shop Podcast! In this episode, I go  back to basics with my Vocal Recording 101 segment. I discuss things  like Ambient micing, Close micing, Plosives, Sibilance, and proximity  effect.&lt;/p&gt;
            &lt;p&gt;This is also the first episode to feature a trivia question. The  trivia question is at the end of the show. Think you know the answer,  email it to &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;!&lt;/p&gt;
            &lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at myspace.com/metalshoppodcast&lt;/p&gt;
            &lt;p&gt;[All music in this episode was original music that I, Brandon S.  Hire, had a hand in writing and recording. The music bed at the  beginning and end of the show was created specifically for this  podcast, while the music bed at the beginning and end of the Vocal  Recording 101 segment is a song called Memory, and was recorded in 2001  by a former line-up of my band Day Nine. If you like the track, you can  download it by going to &lt;a href="http://myspace.com/daynineportsmouth"&gt;http://myspace.com/daynineportsmouth&lt;/a&gt;.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .D5SPYCqC ]]> </guid>
		

		<pubDate>Sun, 30 Sep 2007 22:36:32 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/FCdhaU8lFj0/01_Episode_4___Vocal_Recording_101.mp3" fileSize="24273936" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Episode 4 - Vocal Recording 101 June 19, 2007 06:48PM This is episode 4 of The Metal Shop Podcast! In this episode, I go back to basics with my Vocal Recording 101 segment. I discuss things like Ambient micing, Close micing, Plosives, Sibilance, and proxi</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Episode 4 - Vocal Recording 101 June 19, 2007 06:48PM This is episode 4 of The Metal Shop Podcast! In this episode, I go back to basics with my Vocal Recording 101 segment. I discuss things like Ambient micing, Close micing, Plosives, Sibilance, and proximity effect. This is also the first episode to feature a trivia question. The trivia question is at the end of the show. Think you know the answer, email it to metalshoppodcast@yahoo.com! Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Vocal Recording 101 segment is a song called Memory, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by going to http://myspace.com/daynineportsmouth.</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/FCdhaU8lFj0/01_Episode_4___Vocal_Recording_101.mp3" length="24273936" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qmh/01_Episode_4___Vocal_Recording_101.mp3</feedburner:origEnclosureLink></item><item>
		<title>A warning about episode #5</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt;A Warning About Episode #5&lt;/span&gt;&lt;/h2&gt;
            &lt;p align="left"&gt; July 17, 2007 09:09PM&lt;br&gt;&lt;img src="http://metalshop.podomatic.com/2007-07-17T21_09_00-07_00.jpg" alt="DAMN COMPUTERS!" width="400" align="absbottom" /&gt;&lt;/p&gt;
            &lt;p&gt;This is just a little warning about Episode #5.&lt;/p&gt;
            &lt;p&gt;Due to some driver issues I'm having with my PC, I've had some difficulty getting episode 5 out to you. First audio files wouldn't play longer than 10 seconds, then they would play but would sound like a CD skipping. The second problem is still there, which made mixing episode 5 a real treat, but at least it seemed that the audio I was recording into the PC was unaffected.....of course until I listened back to episode 5.&lt;/p&gt;
            &lt;p&gt;There's some cracking and popping that I can't get rid of, so bear with me cause it's not all that bad. Trust me, it's 1000 times worse on the production end of it, you guys got off easy!&lt;/p&gt;
            &lt;p&gt;So I'm going to have to re-install windows to see if this fixes the problem. That sounds like a lot of fun, let me tell you! I'll keep you updated on that in future episodes. In the mean time, until I can get everything together to re-install, I'll do what I can with what I have. Enjoy episode 5.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
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		<pubDate>Sun, 30 Sep 2007 22:36:34 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/NlU6t5wzJPA/01_A_warning_about_episode__5.mp3" fileSize="536762" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">A Warning About Episode #5 July 17, 2007 09:09PM This is just a little warning about Episode #5. Due to some driver issues I'm having with my PC, I've had some difficulty getting episode 5 out to you. First audio files wouldn't play longer than 10 seconds</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">A Warning About Episode #5 July 17, 2007 09:09PM This is just a little warning about Episode #5. Due to some driver issues I'm having with my PC, I've had some difficulty getting episode 5 out to you. First audio files wouldn't play longer than 10 seconds, then they would play but would sound like a CD skipping. The second problem is still there, which made mixing episode 5 a real treat, but at least it seemed that the audio I was recording into the PC was unaffected.....of course until I listened back to episode 5. There's some cracking and popping that I can't get rid of, so bear with me cause it's not all that bad. Trust me, it's 1000 times worse on the production end of it, you guys got off easy! So I'm going to have to re-install windows to see if this fixes the problem. That sounds like a lot of fun, let me tell you! I'll keep you updated on that in future episodes. In the mean time, until I can get everything together to re-install, I'll do what I can with what I have. Enjoy episode 5.</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/NlU6t5wzJPA/01_A_warning_about_episode__5.mp3" length="536762" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qmu/01_A_warning_about_episode__5.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 5 - Choosing The Right Mic For The Job, An</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt; Episode 5 - Choosing The Right Mic For The Job, And My Driver Issues&lt;/span&gt;&lt;/h2&gt;
            &lt;p align="left"&gt; July 17, 2007 09:28PM&lt;br&gt;&lt;img src="http://metalshop.podomatic.com/2007-07-17T21_28_39-07_00.jpg" alt="Brandon S. Hire behind the controls at Ohio University in 2004!" width="400" align="absbottom" /&gt;&lt;/p&gt;
            &lt;p&gt;This is the long awaited episode 5 of The Metal Shop Podcast! In this episode, I talk about microphone frequency response, and trying out various mics to find the right one for the job. I compare 4 mics that I own, and show the different tones you can get with them.&lt;/p&gt;
            &lt;p&gt;Congrats to Tony Phillips for getting the trivia question correct last time. There's a whole new question in this episode! Think you know the answer, email it to metalshoppodcast@yahoo.com!&lt;/p&gt;
            &lt;p&gt;Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the new Youtube channel at youtube.com/metalshoppodcast!&lt;/p&gt;
            &lt;p&gt;[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Right Mic For The Job segment is a song called Inside Of You, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by going to &lt;a href="http://myspace.com/daynineportsmouth"&gt;http://myspace.com/daynineportsmouth&lt;/a&gt;. It should be noted that the song has been updated by the current line-up of Day Nine, and will be on our upcoming album.]&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
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		<pubDate>Sun, 30 Sep 2007 22:38:04 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/8pkEcajKk6Y/01_Episode_5___Choosing_The_Right_Mic_For_The_Job__An.mp3" fileSize="31532178" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 5 - Choosing The Right Mic For The Job, And My Driver Issues July 17, 2007 09:28PM This is the long awaited episode 5 of The Metal Shop Podcast! In this episode, I talk about microphone frequency response, and trying out various mics to find the </itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 5 - Choosing The Right Mic For The Job, And My Driver Issues July 17, 2007 09:28PM This is the long awaited episode 5 of The Metal Shop Podcast! In this episode, I talk about microphone frequency response, and trying out various mics to find the right one for the job. I compare 4 mics that I own, and show the different tones you can get with them. Congrats to Tony Phillips for getting the trivia question correct last time. There's a whole new question in this episode! Think you know the answer, email it to metalshoppodcast@yahoo.com! Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the new Youtube channel at youtube.com/metalshoppodcast! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Right Mic For The Job segment is a song called Inside Of You, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by going to http://myspace.com/daynineportsmouth. It should be noted that the song has been updated by the current line-up of Day Nine, and will be on our upcoming album.]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/8pkEcajKk6Y/01_Episode_5___Choosing_The_Right_Mic_For_The_Job__An.mp3" length="31532178" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qmv/01_Episode_5___Choosing_The_Right_Mic_For_The_Job__An.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 6 - Review Of The Pandora PX4D Amp Modeler</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt; Episode 6 - Review Of The Pandora PX4D Amp Modeler&lt;/span&gt;&lt;/h2&gt;
            &lt;p align="left"&gt; August 05, 2007 01:25PM&lt;br&gt;&lt;a href="http://www.tkqlhce.com/click-2613614-10381297?url=http%3A%2F%2Fwww.musiciansfriend.com%2Fproduct%2FToneworks-Pandora-PX4D-Personal-MultiEffect-Processor%3Fsku%3D152176&amp;cjsku=152176" target="_blank"&gt;&lt;img src="http://metalshop.podomatic.com/2007-08-05T13_25_04-07_00.jpg" alt="Click here to buy the Pandora PX4D!" height="250" align="absbottom"&gt;&lt;br&gt;
ToneWorks Pandora PX4D Personal Multi-Effect Processor&lt;/a&gt;
&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;&lt;/a&gt;&lt;/p&gt;
            &lt;p&gt;This is episode 6 of The Metal Shop Podcast! In this episode, I do an in-depth review of the Pandora PX4D amp modeler from Korg!  I recorded a song called "Pandora" while I had my hands on this modeler, and I'm giving you all the multi-track files from the song so you can take a crack at mixing it.  The files are in .WAV and hi-quality .MP3 Formats.  Here are the links to the zipped files holding the multi-track files!&lt;p&gt;

MP3 - &lt;a href="http://www.hireproductions.info/metalshop/pandora_mp3.zip"&gt;Click here to download&lt;/a&gt;&lt;p&gt;

WAV - &lt;a href="http://www.hireproductions.info/metalshop/pandora_wav.zip"&gt;Click here to download&lt;/a&gt;&lt;p&gt;

I also give you my custom settings for the PX4D so that any of you who own this unit can toy around with my sounds.  You can find them in the Metal Shop Forum, which I've just launched!  &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;Check out the forum!&lt;/a&gt;&lt;p&gt;

No one got the trivia question from the last episode correct, so we move on to yet another question.  Tune in to hear it, and write me at metalshoppodcast@yahoo.com if you think you know the answer.&lt;p&gt;

Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the new Youtube channel at youtube.com/metalshoppodcast!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Pandora PX4D review was recorded using the Pandora PX4D for this episode, and I've called it Pandora.  This episode also features very short clips of "Redemption" and "Storm Winds" from Shadows Fall, and "Nemisis" from Arch Enemy.]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .D5SPYCWE ]]> </guid>
		

		<pubDate>Sun, 30 Sep 2007 22:41:47 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/yjhPOEjPIHQ/01_Episode_6___Review_Of_The_Pandora_PX4D_Amp_Modeler.mp3" fileSize="58620517" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 6 - Review Of The Pandora PX4D Amp Modeler August 05, 2007 01:25PM ToneWorks Pandora PX4D Personal Multi-Effect Processor This is episode 6 of The Metal Shop Podcast! In this episode, I do an in-depth review of the Pandora PX4D amp modeler from K</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 6 - Review Of The Pandora PX4D Amp Modeler August 05, 2007 01:25PM ToneWorks Pandora PX4D Personal Multi-Effect Processor This is episode 6 of The Metal Shop Podcast! In this episode, I do an in-depth review of the Pandora PX4D amp modeler from Korg! I recorded a song called "Pandora" while I had my hands on this modeler, and I'm giving you all the multi-track files from the song so you can take a crack at mixing it. The files are in .WAV and hi-quality .MP3 Formats. Here are the links to the zipped files holding the multi-track files! MP3 - Click here to download WAV - Click here to download I also give you my custom settings for the PX4D so that any of you who own this unit can toy around with my sounds. You can find them in the Metal Shop Forum, which I've just launched! Check out the forum! No one got the trivia question from the last episode correct, so we move on to yet another question. Tune in to hear it, and write me at metalshoppodcast@yahoo.com if you think you know the answer. Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the new Youtube channel at youtube.com/metalshoppodcast! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Pandora PX4D review was recorded using the Pandora PX4D for this episode, and I've called it Pandora. This episode also features very short clips of "Redemption" and "Storm Winds" from Shadows Fall, and "Nemisis" from Arch Enemy.]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/yjhPOEjPIHQ/01_Episode_6___Review_Of_The_Pandora_PX4D_Amp_Modeler.mp3" length="58620517" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qin/01_Episode_6___Review_Of_The_Pandora_PX4D_Amp_Modeler.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 7 - Are the SM57 and the SM58 really</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt; Episode 7 - Are the SM57 and the SM58 really the same microphone?&lt;/span&gt;&lt;/h2&gt;
            &lt;p align="left"&gt;  September 13, 2007 01:55PM&lt;br&gt;&lt;/p&gt;
            &lt;p&gt;This is episode 7 of The Metal Shop Podcast! In this episode, I do a comparison between the Shure SM57 and the Shure SM58.  I've heard people say that they are essentially the same microphone, and I tackle that by talking about their similarities and differences.  I used another Shure mic, the SM7B, to record the beginning and end segments of this episode!&lt;p&gt;

Interested in buying these mics?  Use these links to order from MusiciansFriend.com!&lt;p&gt;
&lt;li&gt;&lt;a href="http://www.dpbolvw.net/click-2613614-10381297?url=http%3A%2F%2Fwww.musiciansfriend.com%2Fproduct%2FShure-SM57-InstrumentVocal-Mic%3Fsku%3D270102&amp;cjsku=270102" target="_blank"&gt;
Shure SM57 Instrument/Vocal Mic&lt;/a&gt;
&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;
&lt;li&gt;&lt;a href="http://www.anrdoezrs.net/click-2613614-10381297?url=http%3A%2F%2Fwww.musiciansfriend.com%2Fproduct%2FShure-SM58-Mic%3Fsku%3D270101&amp;cjsku=270101" target="_blank"&gt;
Shure SM58 Mic&lt;/a&gt;
&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;
&lt;li&gt;&lt;a href="http://www.tkqlhce.com/click-2613614-10381297?url=http%3A%2F%2Fwww.musiciansfriend.com%2Fproduct%2FShure-SM7B-Microphone-with-Switchable-Response%3Fsku%3D270247&amp;cjsku=270247" target="_blank"&gt;
Shure SM7B Microphone with Switchable Response&lt;/a&gt;
&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;&lt;p&gt;

Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording.  The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Shure comparison segment is a song called Pullout, and was recorded in 2001 by a former line-up of my band Day Nine.  If you like the track, you can download it &lt;a href="http://www.daynineonline.com/media/audio/oldshit/madman/pullout.mp3" target="blank"&gt;by clicking here&lt;/a&gt;.  Check out the old band at &lt;a href="http://myspace.com/daynineportsmouth" target="blank"&gt;http://myspace.com/daynineportsmouth&lt;/a&gt;.]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .D5SPYCWM ]]> </guid>
		

		<pubDate>Sun, 30 Sep 2007 22:53:21 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/Gvmz9x5EZs0/01_Episode_7___Are_the_SM57_and_the_SM58_really.mp3" fileSize="35632079" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 7 - Are the SM57 and the SM58 really the same microphone? September 13, 2007 01:55PM This is episode 7 of The Metal Shop Podcast! In this episode, I do a comparison between the Shure SM57 and the Shure SM58. I've heard people say that they are es</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 7 - Are the SM57 and the SM58 really the same microphone? September 13, 2007 01:55PM This is episode 7 of The Metal Shop Podcast! In this episode, I do a comparison between the Shure SM57 and the Shure SM58. I've heard people say that they are essentially the same microphone, and I tackle that by talking about their similarities and differences. I used another Shure mic, the SM7B, to record the beginning and end segments of this episode! Interested in buying these mics? Use these links to order from MusiciansFriend.com! Shure SM57 Instrument/Vocal Mic Shure SM58 Mic Shure SM7B Microphone with Switchable Response Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Shure comparison segment is a song called Pullout, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by clicking here. Check out the old band at http://myspace.com/daynineportsmouth.]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/Gvmz9x5EZs0/01_Episode_7___Are_the_SM57_and_the_SM58_really.mp3" length="35632079" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qum/01_Episode_7___Are_the_SM57_and_the_SM58_really.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 8 - Comparing the SM57 and the PG57</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt; Episode 8 - Comparing the SM57 and the PG57, with Special Guest Host "Big Al" Wagner from PSN!&lt;/span&gt;&lt;/h2&gt;

&lt;p align="left"&gt; September 18, 2007 01:23AM&lt;br&gt;&lt;/p&gt;

&lt;p&gt;This is episode 8 of The Metal Shop Podcast! This episode features a comparison of the Shure SM57 and the cheaper Shure PG57.  On this episode, &lt;a href="http://www.projectstudionetwork.com" target="blank"&gt;PSN's Big Al Wagner&lt;/a&gt; joins in the conversation to give his perspective on the mics, and &lt;a href="http://www.homestudio.com.au" target="blank"&gt;HRO's Dave Criddle&lt;/a&gt; gives us a soundbite with his take on how these mics stack up to one another!&lt;p&gt;

&lt;center&gt;(Left - SM57 | Right - PG57)&lt;br&gt;&lt;img src="http://www.hireproductions.info/metalshop/sm57.jpg" width="125" alt="SM57"&gt;&lt;img src="http://www.hireproductions.info/metalshop/pg57.jpg" width="125" alt="PG57"&gt;&lt;/center&gt;

&lt;p&gt;This segment is being simul-podcast on the &lt;a href="http://www.projectstudionetwork.com" target="Blank"&gt;Project Studio Network&lt;/a&gt;.&lt;p&gt;

&lt;center&gt;&lt;div style='text-align: center; font-family: arial; font-size: 12px;'&gt;&lt;a href='http://ProjectStudioNetwork.com'&gt;&lt;img src='http://libsyn.com/podcasts/psn/images/psn_banner_blue_468x60.gif' width=468 height=60 border=0 style='border: 1px solid black;'&gt;&lt;br&gt;The Project Studio Network Podcast - Subscribe For Free Now!&lt;/a&gt;&lt;/div&gt;&lt;/center&gt;

&lt;p&gt;Want to hear the audio samples uncompressed so you can decide for yourself which mic you like better?  I've put them in a zipped folder on my server, and you can &lt;a href="http://www.hireproductions.info/metalshop/57shootout.zip"&gt;download them here!&lt;/a&gt;

&lt;p&gt;The banter at the beginning and end of the show was recorded using the Sennheiser E935 that is on loan to me from Sennheiser.

Interested in buying any of these mics?  Use these links to order from MusiciansFriend.com!&lt;p&gt;
&lt;li&gt;&lt;a href="http://www.dpbolvw.net/click-2613614-10381297?url=http%3A%2F%2Fwww.musiciansfriend.com%2Fproduct%2FShure-SM57-InstrumentVocal-Mic%3Fsku%3D270102&amp;cjsku=270102" target="_blank"&gt;
Shure SM57 Instrument/Vocal Mic&lt;/a&gt;
&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;
&lt;li&gt;&lt;a href="http://www.tkqlhce.com/click-2613614-10381297?url=http%3A%2F%2Fwww.musiciansfriend.com%2Fproduct%2FShure-PG57XLR-Instrument-Microphone-%3Fsku%3D270288&amp;cjsku=270288" target="_top"&gt;
Shure PG57-XLR Instrument Microphone&lt;/a&gt;
&lt;img src="http://www.awltovhc.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;
&lt;li&gt;&lt;a href="http://www.dpbolvw.net/click-2613614-10381297?url=http%3A%2F%2Fwww.musiciansfriend.com%2Fproduct%2FSennheiser-935-Cardioid-Dynamic-Microphone%3Fsku%3D276672&amp;cjsku=276672" target="_top"&gt;
Sennheiser 935 Cardioid Dynamic Microphone&lt;/a&gt;
&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;&lt;p&gt;

Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording.  The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the SM/PG comparison is a song called Slipping Away, and was recorded by me in 2004 at Ohio University's Zanesville campus multi-track lab.  The song is available on my website &lt;a href="http://www.brandonshire.net" target="blank"&gt;brandonshire.net&lt;/a&gt; to preview for free or to purchase!]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .D5SPYCSH ]]> </guid>
		

		<pubDate>Sun, 30 Sep 2007 23:08:43 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/cU9yAE9yrBk/01_Episode_8___Comparing_the_SM57_and_the_PG57.mp3" fileSize="48384337" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 8 - Comparing the SM57 and the PG57, with Special Guest Host "Big Al" Wagner from PSN! September 18, 2007 01:23AM This is episode 8 of The Metal Shop Podcast! This episode features a comparison of the Shure SM57 and the cheaper Shure PG57. On thi</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 8 - Comparing the SM57 and the PG57, with Special Guest Host "Big Al" Wagner from PSN! September 18, 2007 01:23AM This is episode 8 of The Metal Shop Podcast! This episode features a comparison of the Shure SM57 and the cheaper Shure PG57. On this episode, PSN's Big Al Wagner joins in the conversation to give his perspective on the mics, and HRO's Dave Criddle gives us a soundbite with his take on how these mics stack up to one another! (Left - SM57 | Right - PG57) This segment is being simul-podcast on the Project Studio Network. The Project Studio Network Podcast - Subscribe For Free Now! Want to hear the audio samples uncompressed so you can decide for yourself which mic you like better? I've put them in a zipped folder on my server, and you can download them here! The banter at the beginning and end of the show was recorded using the Sennheiser E935 that is on loan to me from Sennheiser. Interested in buying any of these mics? Use these links to order from MusiciansFriend.com! Shure SM57 Instrument/Vocal Mic Shure PG57-XLR Instrument Microphone Sennheiser 935 Cardioid Dynamic Microphone Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the SM/PG comparison is a song called Slipping Away, and was recorded by me in 2004 at Ohio University's Zanesville campus multi-track lab. The song is available on my website brandonshire.net to preview for free or to purchase!]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/cU9yAE9yrBk/01_Episode_8___Comparing_the_SM57_and_the_PG57.mp3" length="48384337" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSuH4qui/01_Episode_8___Comparing_the_SM57_and_the_PG57.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 9 - Rick Shriver Interview Pt. 1, Plus Pandora Mixes!</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt; Episode 9 - Rick Shriver Interview Pt. 1, Plus Pandora Mixes!&lt;/span&gt;&lt;/h2&gt;
            &lt;p align="left"&gt;   October 18, 2007 01:13PM&lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;center&gt;&lt;a href="http://www.zanesville.ohiou.edu/emedia/default.asp" target="blank"&gt;Professor Rick Shriver&lt;br&gt;&lt;img src="http://www.hireproductions.info/metalshop/shriver1.jpg" border="0" alt="Professor Rick Shriver"&gt;&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 9 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about recording, podcasting, microphones, and Malaysia.  Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department.&lt;p&gt;

Rick mentions samples of Malay instruments that he recorded while spending a year in Malaysia.  He's offering the recordings up to you for use as samples, or whatever else you can come up with.  He asks that if you use them, please give him credit and please write to me at metalshoppodcast@yahoo.com to let he and I know about it.  We'd like to hear it after all!

&lt;p&gt;- &lt;a href="http://www.rickshriver.net/malaysianinstruments.htm" target="blank"&gt;Click here to go to Rick's website and download the sampled audio!&lt;/a&gt; - The audio doesn't play in Firefox on my PC, so if you have problems, try Internet Explorer.  They worked there for me.

&lt;p&gt;Rick sent me this picture of the mic he's using in his home studio.

&lt;p&gt;&lt;center&gt;&lt;img src="http://www.hireproductions.info/metalshop/RIBBON2.jpg"&gt;&lt;/center&gt;

&lt;p&gt;We also hear from &lt;a href="http://www.unklebonehead.com" target="blank"&gt;Uncle Bonehead&lt;/a&gt;, who has submitted 4 mixes of Pandora.  He tells us how he did it and what he used in an audio comment!  You'll only hear snippits of the mixes in the show, so check out this flash player to hear all 4 mixes from start to finish!

&lt;p&gt;&lt;DIV ALIGN="CENTER"&gt;&lt;embed allowScriptAccess="never" src="http://www.bigpimpsdobigthings.com/myspace-generators/img/flash/player.swf" menu="false" quality="high" width="300" height="300" name="index" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" flashvars="playList=http://www.bigpimpsdobigthings.com/myspace-generators/uploads/playlist/2007-10-18/96FmjgiK9B.xml&amp;ShowPlaylist=1&amp;ShowEQ=1&amp;firstTrack=0&amp;initVol=100" wmode="transparent" /&gt;&lt;/embed&gt;&lt;/DIV&gt;

&lt;p&gt;&lt;center&gt;And don't forget to listen to &lt;a href="http://www.unklebonehead.com" target="blank"&gt;The Unkle Bonehead Show!&lt;br&gt;&lt;img src="http://www.freewebs.com/ub01/926123847%5F6880357544%5Fo.jpg" border="0"&gt;&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;&lt;br&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording.  The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Hiding, and was recorded by my band &lt;a href="http://www.myspace.com/day9" target="blank"&gt;Day Nine&lt;/a&gt; in 2006 at &lt;a href="http://www.myspace.com/auditionstudios" target="Blank"&gt;Audition Studios&lt;/a&gt; in Circleville Ohio!]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AJ2KYCyF ]]> </guid>
		

		<pubDate>Thu, 18 Oct 2007 13:05:30 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/5Svi9UBXdzM/01_Episode_9___Rick_Shriver_Interview_Pt__1__Plus_Pan.mp3" fileSize="58324795" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 9 - Rick Shriver Interview Pt. 1, Plus Pandora Mixes! October 18, 2007 01:13PM Professor Rick Shriver This is episode 9 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about recording, podcasting, microphones, and M</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 9 - Rick Shriver Interview Pt. 1, Plus Pandora Mixes! October 18, 2007 01:13PM Professor Rick Shriver This is episode 9 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about recording, podcasting, microphones, and Malaysia. Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department. Rick mentions samples of Malay instruments that he recorded while spending a year in Malaysia. He's offering the recordings up to you for use as samples, or whatever else you can come up with. He asks that if you use them, please give him credit and please write to me at metalshoppodcast@yahoo.com to let he and I know about it. We'd like to hear it after all! - Click here to go to Rick's website and download the sampled audio! - The audio doesn't play in Firefox on my PC, so if you have problems, try Internet Explorer. They worked there for me. Rick sent me this picture of the mic he's using in his home studio. We also hear from Uncle Bonehead, who has submitted 4 mixes of Pandora. He tells us how he did it and what he used in an audio comment! You'll only hear snippits of the mixes in the show, so check out this flash player to hear all 4 mixes from start to finish! And don't forget to listen to The Unkle Bonehead Show! Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Hiding, and was recorded by my band Day Nine in 2006 at Audition Studios in Circleville Ohio!]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/5Svi9UBXdzM/01_Episode_9___Rick_Shriver_Interview_Pt__1__Plus_Pan.mp3" length="58324795" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSWF4Kqv/01_Episode_9___Rick_Shriver_Interview_Pt__1__Plus_Pan.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 10 - Rick Shriver Interview Pt. 2, Plus Trivia Prize Announcement!</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt; Episode 10 - Rick Shriver Interview Pt. 2, Plus Trivia Prize Announcement!&lt;/span&gt;&lt;/h2&gt;
            &lt;p align="left"&gt;   October 18, 2007 01:13PM&lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;center&gt;&lt;a href="http://www.zanesville.ohiou.edu/emedia/default.asp" target="blank"&gt;Professor Rick Shriver&lt;br&gt;&lt;img src="http://www.hireproductions.info/metalshop/shriver1.jpg" border="0" alt="Professor Rick Shriver"&gt;&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 10 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about studio overkill, portable recording, and more!  Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department.

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;TRIVIA PRIZE ANNOUNCEMENT:&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;I've decided on a prize for the trivia questions in the show!  The winners will now recieve a digital copy of my Solo Album!  &lt;a href="http://www.brandonshire.net" target="blank"&gt;Check out my web site&lt;/a&gt; to preview the entire album!

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording.  The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Blinded, and was recorded by me at OU's multi-track lab in 2003-2004!]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AJyJbSyG ]]> </guid>
		

		<pubDate>Fri, 26 Oct 2007 22:28:32 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/lHmol8k3BOY/01_Episode_10___Rick_Shriver_Interview_Pt__2__Plus_Tr.mp3" fileSize="65013679" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 10 - Rick Shriver Interview Pt. 2, Plus Trivia Prize Announcement! October 18, 2007 01:13PM Professor Rick Shriver This is episode 10 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about studio overkill, portable r</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 10 - Rick Shriver Interview Pt. 2, Plus Trivia Prize Announcement! October 18, 2007 01:13PM Professor Rick Shriver This is episode 10 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about studio overkill, portable recording, and more! Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department. TRIVIA PRIZE ANNOUNCEMENT: I've decided on a prize for the trivia questions in the show! The winners will now recieve a digital copy of my Solo Album! Check out my web site to preview the entire album! Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Blinded, and was recorded by me at OU's multi-track lab in 2003-2004!]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/lHmol8k3BOY/01_Episode_10___Rick_Shriver_Interview_Pt__2__Plus_Tr.mp3" length="65013679" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSWN7K2k/01_Episode_10___Rick_Shriver_Interview_Pt__2__Plus_Tr.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 11 - Rick Shriver Interview Pt. 3</title>
		<description>&lt;h2&gt;&lt;span class="style24"&gt; Episode 11 - Rick Shriver Interview Pt. 3!&lt;/span&gt;&lt;/h2&gt;
            &lt;p align="left"&gt;  October 26, 2007 10:16PM&lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;center&gt;&lt;a href="http://www.zanesville.ohiou.edu/emedia/default.asp" target="blank"&gt;Professor Rick Shriver&lt;br&gt;&lt;img src="http://www.hireproductions.info/metalshop/shriver1.jpg" border="0" alt="Professor Rick Shriver"&gt;&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 11 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about the meshing of multi-media with traditional media, as well as the advances in the media program at Ohio University's Zanesville Campus.  Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department.

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;The trivia question for this episode asked; "What instrument made the warbly sci-fi sound effect at the end of Monster Magnet's Space Lord single?"

&lt;p&gt;The correct answer is an instrument called The Theremin.  Congrats to Mike Hickey for having the right answer.  Mike wins a copy of my solo album "Orphan".

&lt;p&gt;Here's a video clip demonstrating the Theremin, for those unfamiliar.

&lt;p&gt;&lt;object width="425" height="355"&gt;&lt;param name="movie" value="http://www.youtube.com/v/cd4jvtAr8JM&amp;rel=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/cd4jvtAr8JM&amp;rel=1" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"&gt;&lt;/embed&gt;&lt;/object&gt;

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's question comes to us courtesy of Neil O Mac from Neil-O-Mac's Music Attack!  Neil asks "During the song Rocket Queen from Guns N Roses, there's the sound of two people fornicating near the end of the song.  How did those sounds get recorded?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording.  The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Dirty, and was recorded by me at OU's multi-track lab in 2003-2004!]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AJ_PYCmM ]]> </guid>
		

		<pubDate>Sun, 04 Nov 2007 03:45:40 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/cO4aGThGuHo/01_Episode_11___Rick_Shriver_Interview_Pt__3.mp3" fileSize="46392564" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 11 - Rick Shriver Interview Pt. 3! October 26, 2007 10:16PM Professor Rick Shriver This is episode 11 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about the meshing of multi-media with traditional media, as well </itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Episode 11 - Rick Shriver Interview Pt. 3! October 26, 2007 10:16PM Professor Rick Shriver This is episode 11 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about the meshing of multi-media with traditional media, as well as the advances in the media program at Ohio University's Zanesville Campus. Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department. LAST WEEK'S TRIVIA The trivia question for this episode asked; "What instrument made the warbly sci-fi sound effect at the end of Monster Magnet's Space Lord single?" The correct answer is an instrument called The Theremin. Congrats to Mike Hickey for having the right answer. Mike wins a copy of my solo album "Orphan". Here's a video clip demonstrating the Theremin, for those unfamiliar. THIS WEEK'S TRIVIA This week's question comes to us courtesy of Neil O Mac from Neil-O-Mac's Music Attack! Neil asks "During the song Rocket Queen from Guns N Roses, there's the sound of two people fornicating near the end of the song. How did those sounds get recorded? Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Dirty, and was recorded by me at OU's multi-track lab in 2003-2004!]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/cO4aGThGuHo/01_Episode_11___Rick_Shriver_Interview_Pt__3.mp3" length="46392564" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZSSM46Cn/01_Episode_11___Rick_Shriver_Interview_Pt__3.mp3</feedburner:origEnclosureLink></item><item>
		<title>Sit Tight, and Happy Holidays</title>
		<description>I just wanted to update everyone on what's going on with the show right now.  It's not slipping into podfade, but as I said in the previous episode, I need to take care of some personal things before I start on the next one.  So I've posted a short audio file talking about a few of those things, and asking everyone to sit tight.  Have a happy holiday season, whatever your beliefs are.&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AJuMZimE ]]> </guid>
		

		<pubDate>Thu, 06 Dec 2007 21:34:58 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/A6KoCIfVUEg/01_Sit_Tight__And_Happy_Holidays.mp3" fileSize="1919501" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">I just wanted to update everyone on what's going on with the show right now. It's not slipping into podfade, but as I said in the previous episode, I need to take care of some personal things before I start on the next one. So I've posted a short audio fi</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">I just wanted to update everyone on what's going on with the show right now. It's not slipping into podfade, but as I said in the previous episode, I need to take care of some personal things before I start on the next one. So I've posted a short audio file talking about a few of those things, and asking everyone to sit tight. Have a happy holiday season, whatever your beliefs are.</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/A6KoCIfVUEg/01_Sit_Tight__And_Happy_Holidays.mp3" length="1919501" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZimG5qCu/01_Sit_Tight__And_Happy_Holidays.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 12 - Recording Acoustic Guitar 101</title>
		<description>&lt;p&gt;This is episode 12 of The Metal Shop Podcast! In this episode, I explore various ways of recording acoustic guitar.

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;The trivia question for this episode asked; "How did Guns And Roses get the fornicating sound effects on Rocket Queen?"

&lt;p&gt;The correct answer is that it was a recording of Axl Rose and drummer Steven Adler's girlfriend doing it in a vocal booth.  Congrats to Scott Walton for having the right answer.  Scott wins a copy of my solo album "Orphan".

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's question is about the recording of Nirvana's "Bleach" album.  How many tracks were available in the studio that they recorded the album in during the 1992 recording sessions?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording.  The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Recording Acoustic Guitars 101 segment is a song called Karen, and was recorded by me at OU's multi-track lab in 2003-2004!]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AJWLZymD ]]> </guid>
		

		<pubDate>Sat, 05 Jan 2008 01:30:00 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/_7__PXTCUAk/01_Episode_12___Recording_Acoustic_Guitar_101.mp3" fileSize="37830450" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 12 of The Metal Shop Podcast! In this episode, I explore various ways of recording acoustic guitar. LAST WEEK'S TRIVIA The trivia question for this episode asked; "How did Guns And Roses get the fornicating sound effects on Rocket Queen?"</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 12 of The Metal Shop Podcast! In this episode, I explore various ways of recording acoustic guitar. LAST WEEK'S TRIVIA The trivia question for this episode asked; "How did Guns And Roses get the fornicating sound effects on Rocket Queen?" The correct answer is that it was a recording of Axl Rose and drummer Steven Adler's girlfriend doing it in a vocal booth. Congrats to Scott Walton for having the right answer. Scott wins a copy of my solo album "Orphan". THIS WEEK'S TRIVIA This week's question is about the recording of Nirvana's "Bleach" album. How many tracks were available in the studio that they recorded the album in during the 1992 recording sessions? Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Recording Acoustic Guitars 101 segment is a song called Karen, and was recorded by me at OU's multi-track lab in 2003-2004!]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/_7__PXTCUAk/01_Episode_12___Recording_Acoustic_Guitar_101.mp3" length="37830450" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZiqH4K_v/01_Episode_12___Recording_Acoustic_Guitar_101.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 13 - Neil McDougall's Review Of Line 6 Variax's Acoustic Modeling</title>
		<description>&lt;center&gt;&lt;img src="http://www1.mipa-award.de/2004/winnerpics/line-6-variax.jpg"&gt;&lt;/center&gt;

&lt;p&gt;This is episode 13 of The Metal Shop Podcast! In this episode, special guest &lt;a href="http://musicattack.libsyn.com/" target="blank"&gt;Neil McDougall&lt;/a&gt; gives a review of the Line 6 Variax's acoustic guitar modeling capabilities.

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;Last week's question is about the recording of Nirvana's "Bleach" album.  How many tracks were available in the studio that they recorded the album in during the 1992 recording sessions?

&lt;p&gt;The correct answer is that it was recorded on an 8 track machine.  All the drums, guitars bass, and vocals on that album were done using only 8 tracks.  No one submitted a correct answer to last week's question, so we move on.  Don't forget that a winning answer gets you a copy of my solo album "Orphan".

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's trivia question is about Metallica (yet again, what can I say, I love them!)  In the documentary "Some Kind Of Monster", james is talking about blowing his voice out on the black album.  What song does he say he blew it out on?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for the bumper music to the Line 6 Variax review, which is a song called "See Me" from &lt;a href="http://musicattack.libsyn.com/" target="blank"&gt;Neil McDougall&lt;/a&gt;.  The same song is played in full at the end of the episode.  The music bed at the beginning and end of the show was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AZ2NZC2C ]]> </guid>
		

		<pubDate>Thu, 17 Jan 2008 08:07:43 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/Jf3cxz6KkhQ/01_Episode_13___Neil_McDougall_s_Review_Of_Line_6.mp3" fileSize="22252275" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 13 of The Metal Shop Podcast! In this episode, special guest Neil McDougall gives a review of the Line 6 Variax's acoustic guitar modeling capabilities. LAST WEEK'S TRIVIA Last week's question is about the recording of Nirvana's "Bleach" </itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 13 of The Metal Shop Podcast! In this episode, special guest Neil McDougall gives a review of the Line 6 Variax's acoustic guitar modeling capabilities. LAST WEEK'S TRIVIA Last week's question is about the recording of Nirvana's "Bleach" album. How many tracks were available in the studio that they recorded the album in during the 1992 recording sessions? The correct answer is that it was recorded on an 8 track machine. All the drums, guitars bass, and vocals on that album were done using only 8 tracks. No one submitted a correct answer to last week's question, so we move on. Don't forget that a winning answer gets you a copy of my solo album "Orphan". THIS WEEK'S TRIVIA This week's trivia question is about Metallica (yet again, what can I say, I love them!) In the documentary "Some Kind Of Monster", james is talking about blowing his voice out on the black album. What song does he say he blew it out on? Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for the bumper music to the Line 6 Variax review, which is a song called "See Me" from Neil McDougall. The same song is played in full at the end of the episode. The music bed at the beginning and end of the show was created specifically for this podcast]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/Jf3cxz6KkhQ/01_Episode_13___Neil_McDougall_s_Review_Of_Line_6.mp3" length="22252275" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZiSE7KGl/01_Episode_13___Neil_McDougall_s_Review_Of_Line_6.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 14 - Reverse Effects</title>
		<description>&lt;p&gt;This is episode 14 of The Metal Shop Podcast! In this episode, I explore using reversed audio to create some interesting effects.

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;Last week's trivia question is about Metallica.  In the documentary "Some Kind Of Monster", james is talking about blowing his voice 

out on the black album.  What song does he say he blew it out on?

&lt;p&gt;The correct answer is So What, an album B-Side.  I had a correct answer from Mike Hickey this time, but since he's won before, I left 

the poll open.  No one else submitted a correct answer to last week's question, so we move on.  Don't forget that a winning answer gets you 

a copy of my solo album "Orphan".

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's trivia question is about Ozzy Ozzbourne.  An effect in the song Suicide Solution from Ozzy Ozzbourne caused him a lot of 

problems when, In October 1984, a nineteen-year-old shot himself in the head while listening to the song.  Upon evaluating the song, The 

Institute for Bio-Acoustics Research, Inc claimed to have found subliminal lyrics in the song encouraging people to kill themselves.  This 

prompted lawsuits against Ozzy, claiming the lyrics prompted people to commit suicide.  What is the message that IBAR claims Ozzy is 

delivering?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out 

on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out 

the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now 

keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a 

href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all 

things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" 

target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for a short sample of an 

as yet untitled song from &lt;a href="http://musicattack.libsyn.com/" target="blank"&gt;Neil McDougall&lt;/a&gt;, and a short audio sample of "Suicide 

Solution" from Ozzy Ozzbourne for the trivia question.  The song at the end of the episode is Crashing Down from my band "&lt;a 

href="http://www.myspace.com/day9" target="blank"&gt;Day Nine&lt;/a&gt;", and the bumper music for the Reverse Effects segment is our song "Through 

The Fall".  The music bed at the beginning and end of the show was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AZiJYCuD ]]> </guid>
		

		<pubDate>Wed, 05 Mar 2008 20:46:14 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/_g_tWBVBWLs/01_Episode_14___Reverse_Effects.mp3" fileSize="29716298" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 14 of The Metal Shop Podcast! In this episode, I explore using reversed audio to create some interesting effects. LAST WEEK'S TRIVIA Last week's trivia question is about Metallica. In the documentary "Some Kind Of Monster", james is talki</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 14 of The Metal Shop Podcast! In this episode, I explore using reversed audio to create some interesting effects. LAST WEEK'S TRIVIA Last week's trivia question is about Metallica. In the documentary "Some Kind Of Monster", james is talking about blowing his voice out on the black album. What song does he say he blew it out on? The correct answer is So What, an album B-Side. I had a correct answer from Mike Hickey this time, but since he's won before, I left the poll open. No one else submitted a correct answer to last week's question, so we move on. Don't forget that a winning answer gets you a copy of my solo album "Orphan". THIS WEEK'S TRIVIA This week's trivia question is about Ozzy Ozzbourne. An effect in the song Suicide Solution from Ozzy Ozzbourne caused him a lot of problems when, In October 1984, a nineteen-year-old shot himself in the head while listening to the song. Upon evaluating the song, The Institute for Bio-Acoustics Research, Inc claimed to have found subliminal lyrics in the song encouraging people to kill themselves. This prompted lawsuits against Ozzy, claiming the lyrics prompted people to commit suicide. What is the message that IBAR claims Ozzy is delivering? Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for a short sample of an as yet untitled song from Neil McDougall, and a short audio sample of "Suicide Solution" from Ozzy Ozzbourne for the trivia question. The song at the end of the episode is Crashing Down from my band "Day Nine", and the bumper music for the Reverse Effects segment is our song "Through The Fall". The music bed at the beginning and end of the show was created specifically for this podcast]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/_g_tWBVBWLs/01_Episode_14___Reverse_Effects.mp3" length="29716298" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZyiD5aim/01_Episode_14___Reverse_Effects.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 15 - Chris Mara Talks About Data Management</title>
		<description>&lt;p&gt;&lt;center&gt;&lt;a href="http://www.chrismara.com/" target="Blank"&gt;&lt;img src="http://www.chrismara.com/Images/ChrisSHOPPEDforINDEX.jpg" 

alt="Chris Mara" width="400"&gt;&lt;br&gt;www.chrismara.com&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 15 of The Metal Shop Podcast! In this episode, I speak with Chris Mara about the dangers of not backing up your data.

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;Last week's trivia question is about Ozzy Ozzbourne.  An effect in the song Suicide Solution from Ozzy Ozzbourne caused him a lot of 

problems when, In October 1984, a nineteen-year-old shot himself in the head while listening to the song.  Upon evaluating the song, The 

Institute for Bio-Acoustics Research, Inc claimed to have found subliminal lyrics in the song encouraging people to kill themselves.  This 

prompted lawsuits against Ozzy, claiming the lyrics prompted people to commit suicide.  What is the message that IBAR claims Ozzy is 

delivering?

&lt;p&gt;The correct answer is in this video from youtube.

&lt;p&gt;&lt;center&gt;&lt;object width="425" height="355"&gt;&lt;param name="movie" value="http://www.youtube.com/v/HZhpJxosqvk"&gt;&lt;/param&gt;&lt;param name="wmode" 

value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/HZhpJxosqvk" type="application/x-shockwave-flash" wmode="transparent" 

width="425" height="355"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/center&gt;

&lt;p&gt;I had several correct answers this week, but the first one in was from Unkle Bonehead.  Since Unkle Bonehead has my album already, I played 

his shows promo in this episode.

&lt;p&gt;&lt;center&gt;And don't forget to listen to &lt;a href="http://www.myspace.com/unkleboneheadshow" target="blank"&gt;The Unkle Bonehead Show!&lt;br&gt;&lt;img 

src="http://www.freewebs.com/ub01/926123847%5F6880357544%5Fo.jpg" border="0"&gt;&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's trivia question comes from Chris Mara.  "Everyone looks at V/U Meters.  What do the initials 'V/U' stand for?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out 

on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out 

the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now 

keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a 

href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all 

things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" 

target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for a short sample of 

"Suicide Solution" from Ozzy Ozzbourne for the trivia question.  The song at the end of the episode is "You" from my album "Orphan".  Check 

out my album at &lt;a href="http://brandonshire.net" target="Blank"&gt;Brandonshire.net&lt;/a&gt;.  The music bed at the beginning and end of the show 

was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AZiLZiWA ]]> </guid>
		

		<pubDate>Fri, 07 Mar 2008 09:28:06 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/VCwRzqDC0YA/01_Episode_15___Chris_Mara_Talks_About_Data_Managemen.mp3" fileSize="55692798" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> www.chrismara.com This is episode 15 of The Metal Shop Podcast! In this episode, I speak with Chris Mara about the dangers of not backing up your data. LAST WEEK'S TRIVIA Last week's trivia question is about Ozzy Ozzbourne. An effect in the song Suicide </itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> www.chrismara.com This is episode 15 of The Metal Shop Podcast! In this episode, I speak with Chris Mara about the dangers of not backing up your data. LAST WEEK'S TRIVIA Last week's trivia question is about Ozzy Ozzbourne. An effect in the song Suicide Solution from Ozzy Ozzbourne caused him a lot of problems when, In October 1984, a nineteen-year-old shot himself in the head while listening to the song. Upon evaluating the song, The Institute for Bio-Acoustics Research, Inc claimed to have found subliminal lyrics in the song encouraging people to kill themselves. This prompted lawsuits against Ozzy, claiming the lyrics prompted people to commit suicide. What is the message that IBAR claims Ozzy is delivering? The correct answer is in this video from youtube. I had several correct answers this week, but the first one in was from Unkle Bonehead. Since Unkle Bonehead has my album already, I played his shows promo in this episode. And don't forget to listen to The Unkle Bonehead Show! THIS WEEK'S TRIVIA This week's trivia question comes from Chris Mara. "Everyone looks at V/U Meters. What do the initials 'V/U' stand for? Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for a short sample of "Suicide Solution" from Ozzy Ozzbourne for the trivia question. The song at the end of the episode is "You" from my album "Orphan". Check out my album at Brandonshire.net. The music bed at the beginning and end of the show was created specifically for this podcast]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/VCwRzqDC0YA/01_Episode_15___Chris_Mara_Talks_About_Data_Managemen.mp3" length="55692798" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZyiN5qCv/01_Episode_15___Chris_Mara_Talks_About_Data_Managemen.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 16 - Review Of Lamb of God's Sacrament - Producer Edition</title>
		<description>&lt;p&gt;This is episode 16 of The Metal Shop Podcast! In this episode, I talk with Vic Mendoza of The VM Underground about my thoughts on Lamb 

Of God's "Sacrament - Producer Edition".

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;Last week's trivia question comes from Chris Mara.  "Everyone looks at V/U Meters.  What do the initials 'V/U' stand for?

&lt;p&gt;The correct answer is "Volume Units".  Congrats to Neil McDougall for providing the correct answer, even if he did use &lt;a 

href="http://en.wikipedia.org/wiki/VU_meter" target="blank"&gt;Wikipedia&lt;/A&gt;!  Since Neil already has my album, I played his show's promo in 

this episode.

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's trivia question is about Metallica.  In the movie "A year and a half in the life of Metallica", Lars is laying down drum 

tracks when all of a sudden the drum goes out of tune.  Lars gets angry and jabs his drum stick through the snare drum head.  What song 

were they recording when this happened?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out 

on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out 

the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now 

keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a 

href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all 

things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" 

target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for "Walk With Me In 

Hell" released byy Lamb Of God on the Sacrament - Producer Edition album, which is the song played at the end of the segment.  The music 

bed at the beginning and end of the show was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .AZuPZyiM ]]> </guid>
		

		<pubDate>Wed, 12 Mar 2008 19:45:32 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/Viee2ZvAvWg/01_Episode_16___Review_Of_Lamb_of_God_s_Sacrament.mp3" fileSize="31421547" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 16 of The Metal Shop Podcast! In this episode, I talk with Vic Mendoza of The VM Underground about my thoughts on Lamb Of God's "Sacrament - Producer Edition". LAST WEEK'S TRIVIA Last week's trivia question comes from Chris Mara. "Everyon</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 16 of The Metal Shop Podcast! In this episode, I talk with Vic Mendoza of The VM Underground about my thoughts on Lamb Of God's "Sacrament - Producer Edition". LAST WEEK'S TRIVIA Last week's trivia question comes from Chris Mara. "Everyone looks at V/U Meters. What do the initials 'V/U' stand for? The correct answer is "Volume Units". Congrats to Neil McDougall for providing the correct answer, even if he did use Wikipedia! Since Neil already has my album, I played his show's promo in this episode. THIS WEEK'S TRIVIA This week's trivia question is about Metallica. In the movie "A year and a half in the life of Metallica", Lars is laying down drum tracks when all of a sudden the drum goes out of tune. Lars gets angry and jabs his drum stick through the snare drum head. What song were they recording when this happened? Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for "Walk With Me In Hell" released byy Lamb Of God on the Sacrament - Producer Edition album, which is the song played at the end of the segment. The music bed at the beginning and end of the show was created specifically for this podcast]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/Viee2ZvAvWg/01_Episode_16___Review_Of_Lamb_of_God_s_Sacrament.mp3" length="31421547" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMZyuD5q_v/01_Episode_16___Review_Of_Lamb_of_God_s_Sacrament.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 17 - Interview With Scott Massie</title>
		<description>&lt;center&gt;&lt;a href="http://www.myspace.com/bottomfeeder86" target="Blank"&gt;&lt;img src="http://b1.ac-images.myspacecdn.com/00330/18/66/330406681_l.jpg" alt="Storm King frontman Scott Massie, who used to sing for BOTTOMFEEDER"&gt;&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 17 of The Metal Shop Podcast! In this episode, I talk with Scott Massie, former frontman of Pittsburgh's BOTTOMFEEDER and current frontman of Pittsburgh's Storm King, about the recording sessions from Bottomfeeder's album "In The Name Of Love And Science".  We talk about the challenges of recording two drummers on each song, studio screw-ups turned into magic, combining multiple vocalists on a song, and more.

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;Last week's trivia question is about Metallica.  In the movie "A year and a half in the life of Metallica", Lars is laying down drum tracks when all of a sudden the drum goes out of tune.  Lars gets angry and jabs his drum stick through the snare drum head.  What song were they recording when this happened?

&lt;p&gt;The correct answer is "The Unforgiven".  No one got it right, so better luck next time guys!

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's trivia question is about Nirvana's debut album "Bleach".  How much did the band shell out to record this album?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for all the music in the Scott Massie Interview.  All music during that interview, including the music at the beginning and end of the interview, are various songs from Bottomfeeder's album "In The Name Of Love And Science".  The music bed at the beginning and end of the show was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .CZ2NZyyD5A ]]> </guid>
		

		<pubDate>Sun, 20 Apr 2008 08:09:00 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/Pn4gGVEpQhc/01_Episode_17___Interview_with_Scott_Massie.mp3" fileSize="100044800" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 17 of The Metal Shop Podcast! In this episode, I talk with Scott Massie, former frontman of Pittsburgh's BOTTOMFEEDER and current frontman of Pittsburgh's Storm King, about the recording sessions from Bottomfeeder's album "In The Name Of </itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> This is episode 17 of The Metal Shop Podcast! In this episode, I talk with Scott Massie, former frontman of Pittsburgh's BOTTOMFEEDER and current frontman of Pittsburgh's Storm King, about the recording sessions from Bottomfeeder's album "In The Name Of Love And Science". We talk about the challenges of recording two drummers on each song, studio screw-ups turned into magic, combining multiple vocalists on a song, and more. LAST WEEK'S TRIVIA Last week's trivia question is about Metallica. In the movie "A year and a half in the life of Metallica", Lars is laying down drum tracks when all of a sudden the drum goes out of tune. Lars gets angry and jabs his drum stick through the snare drum head. What song were they recording when this happened? The correct answer is "The Unforgiven". No one got it right, so better luck next time guys! THIS WEEK'S TRIVIA This week's trivia question is about Nirvana's debut album "Bleach". How much did the band shell out to record this album? Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/! [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for all the music in the Scott Massie Interview. All music during that interview, including the music at the beginning and end of the interview, are various songs from Bottomfeeder's album "In The Name Of Love And Science". The music bed at the beginning and end of the show was created specifically for this podcast]</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/Pn4gGVEpQhc/01_Episode_17___Interview_with_Scott_Massie.mp3" length="100044800" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMYCyD5qGn/01_Episode_17___Interview_with_Scott_Massie.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 18 - Mic Shootout On Distorted Guitar</title>
		<description>&lt;center&gt;&lt;a href="http://www.neilmcdougall.com" target="Blank"&gt;&lt;img src="http://www.neilmcdougall.com/b&amp;wartyme.gif" alt="Neil McDougall is my special guest host for this episode"&gt;&lt;br&gt;Neil McDougall&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 18 of The Metal Shop Podcast! In this episode, special guest host &lt;a href="http://www.neilmcdougall.com" target="blank"&gt;Neil McDougall&lt;/a&gt; and I compare 10 different mics on a distorted guitar amp to see which of the 10 are the best buy.  Links to buy the mics in the shootout are posted below:

&lt;p&gt;&lt;form method="get" action="http://www.dpbolvw.net/interactive" target="_blank"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/8/3/1/244831.jpg" border="0" alt="Audio-Technica AT2020 Large Diaphragm Condenser Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Audio-Technica AT2020 Large Diaphragm Condenser Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;input type="hidden" name="pid" value="2613614"/&gt;
&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270620"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_audiotechnica_at2020_large_diaphragm_cardioid_condenser_microphone?sku=270620"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.anrdoezrs.net/interactive" target="_top"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/0/4/448404.jpg" border="0" alt="Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;input type="hidden" name="pid" value="2613614"/&gt;
&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270317"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_audiotechnica_atm650_hypercardioid_dynamic_instrument_microphone?sku=270317"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.jdoqocy.com/interactive" target="_top"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/0/4/6/321046.jpg" border="0" alt="Sennheiser e609 Silver Dynamic Guitar Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser e609 Silver Dynamic Guitar Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;input type="hidden" name="pid" value="2613614"/&gt;
&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="276668"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/Sennheiser-E609-Silver-Dynamic-Guitar-Microphone?sku=276668"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.anrdoezrs.net/interactive" target="_top"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/2/6/3/224263.jpg" border="0" alt="Sennheiser evolution e906 Dynamic Guitar Amp Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser evolution e906 Dynamic Guitar Amp Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth).&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;input type="hidden" name="pid" value="2613614"/&gt;
&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270865"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/Sennheiser-evolution-e906-Dynamic-Guitar-Amp-Microphone?sku=270865"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.awltovhc.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.anrdoezrs.net/interactive" target="_top"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/9/6/2/244962.jpg" border="0" alt="Sennheiser e835 Performance Vocal Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser e835 Performance Vocal Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;input type="hidden" name="pid" value="2613614"/&gt;
&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270825"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_sennheiser_e835_performance_vocal_mic?sku=270825"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.tkqlhce.com/interactive" target="_top"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/1/3/369313.jpg" border="0" alt="Sennheiser 935 Cardioid Dynamic Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser 935 Cardioid Dynamic Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;input type="hidden" name="pid" value="2613614"/&gt;
&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="276672"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/Sennheiser-935-Cardioid-Dynamic-Microphone?sku=276672"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.tqlkg.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.jdoqocy.com/interactive" target="_top"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/5/7/244457.jpg" border="0" alt="Shure KSM27 Studio Condenser Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure KSM27 Studio Condenser Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;input type="hidden" name="pid" value="2613614"/&gt;
&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270278"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_shure_ksm27_studio_microphone?sku=270278"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.dpbolvw.net/interactive" target="_top"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/2/0/244420.jpg" border="0" alt="Shure SM7B Microphone with Switchable Response"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM7B Microphone with Switchable Response&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detachable windscreen for close-talk applications. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270247"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_shure_sm7b_microphone_with_switchable_response?sku=270247"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.tqlkg.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.jdoqocy.com/interactive" target="_top"&gt;
&lt;table border="0" width="600" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/1/0/244310.jpg" border="0" alt="Shure SM57 Instrument/Vocal Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM57 Instrument/Vocal Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="cjsku" value="270102"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_shure_sm57_instrumentvocal_mic?sku=270102"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;

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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/0/9/244309.jpg" border="0" alt="Shure SM58 Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM58 Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Legendary for its uncanny ability to withstand abuse that would destroy any other microphone, the Shure SM58 has not only helped to define the sound of rock vocals on stage, it's also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club's house system? You'll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta58 on Bono's vocals. The Shure SM58 Mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits the hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270101"/&gt;
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&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;Neil brings with him this video review of the Zoom H4, which is what he used to record his end of the double ender.  It's been added to the Gear section of the Youtube Channel.

&lt;p&gt;&lt;center&gt;&lt;object width="425" height="355"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Bw2qZekqPnE&amp;hl=en"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Bw2qZekqPnE&amp;hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/center&gt;

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;Last week's trivia question is about Nirvana's debut album "Bleach".  How much did the band shell out to record this album?

&lt;p&gt;The correct answer is $600.00!  No one got it right, so better luck next time guys!

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's trivia question is about Nirvana's debut album "Bleach".  How much did the band shell out to record this album?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording.  The song at the beginning and end of the Mic Shootout Segment is called "Closer" and was recorded by my band &lt;a href="http://www.myspace.com/day9" target="blank"&gt;Day Nine&lt;/a&gt;.  You can stream the entire song &lt;a href="http://www.myspace.com/day9" target="blank"&gt;at Day Nine's Myspace Profile&lt;/a&gt;!  The music bed at the beginning and end of the show was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .CZ2MYC6M5g ]]> </guid>
		

		<pubDate>Wed, 30 Apr 2008 10:25:49 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/UK8QBiZCtO8/01_Episode_18___Mic_Shootout_On_Distorted_Guitar.mp3" fileSize="67211734" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Neil McDougall This is episode 18 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on a distorted guitar amp to see which of the 10 are the best buy. Links to buy the mics in the shootout are p</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Neil McDougall This is episode 18 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on a distorted guitar amp to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below: Audio-Technica AT2020 Large Diaphragm Condenser Microphone The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power. Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise. Sennheiser e609 Silver Dynamic Guitar Microphone The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response. Sennheiser evolution e906 Dynamic Guitar Amp Microphone The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth). Sennheiser e835 Performance Vocal Mic The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz. Sennheiser 935 Cardioid Dynamic Microphone The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip. Shure KSM27 Studio Condenser Microphone The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power. Shure SM7B Microphone with Switchable Response The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen a</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/UK8QBiZCtO8/01_Episode_18___Mic_Shootout_On_Distorted_Guitar.mp3" length="67211734" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMYC_N5qGm/01_Episode_18___Mic_Shootout_On_Distorted_Guitar.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 19 - Mic Shootout On Clean Guitar</title>
		<description>&lt;center&gt;&lt;a href="http://www.neilmcdougall.com" target="Blank"&gt;&lt;img src="http://a81.ac-images.myspacecdn.com/images01/24/l_5bd08d46dfe938c1a5ef13cfa1c67428.jpg" width="365" alt="Neil McDougall is my special guest host for this episode"&gt;&lt;br&gt;Neil McDougall&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 19 of The Metal Shop Podcast! In this episode, special guest host &lt;a href="http://www.neilmcdougall.com" target="blank"&gt;Neil McDougall&lt;/a&gt; and I compare 10 different mics on a clean guitar amp to see which of the 10 are the best buy.  Links to buy the mics in the shootout are posted below:

&lt;p&gt;&lt;form method="get" action="http://www.dpbolvw.net/interactive" target="_blank"&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/8/3/1/244831.jpg" border="0" alt="Audio-Technica AT2020 Large Diaphragm Condenser Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Audio-Technica AT2020 Large Diaphragm Condenser Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
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&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_audiotechnica_at2020_large_diaphragm_cardioid_condenser_microphone?sku=270620"/&gt;
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&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.anrdoezrs.net/interactive" target="_top"&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/0/4/448404.jpg" border="0" alt="Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_audiotechnica_atm650_hypercardioid_dynamic_instrument_microphone?sku=270317"/&gt;
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&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser e609 Silver Dynamic Guitar Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser evolution e906 Dynamic Guitar Amp Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth).&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/Sennheiser-evolution-e906-Dynamic-Guitar-Amp-Microphone?sku=270865"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
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&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser e835 Performance Vocal Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser 935 Cardioid Dynamic Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip.&lt;/font&gt;&lt;/p&gt;
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&lt;img src="http://www.tqlkg.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.jdoqocy.com/interactive" target="_top"&gt;
&lt;table border="0" width="500" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/5/7/244457.jpg" border="0" alt="Shure KSM27 Studio Condenser Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure KSM27 Studio Condenser Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270278"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_shure_ksm27_studio_microphone?sku=270278"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.dpbolvw.net/interactive" target="_top"&gt;
&lt;table border="0" width="500" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/2/0/244420.jpg" border="0" alt="Shure SM7B Microphone with Switchable Response"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM7B Microphone with Switchable Response&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detachable windscreen for close-talk applications. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270247"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_shure_sm7b_microphone_with_switchable_response?sku=270247"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
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&lt;img src="http://www.tqlkg.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.jdoqocy.com/interactive" target="_top"&gt;
&lt;table border="0" width="500" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/1/0/244310.jpg" border="0" alt="Shure SM57 Instrument/Vocal Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM57 Instrument/Vocal Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270102"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_shure_sm57_instrumentvocal_mic?sku=270102"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;
&lt;/form&gt;

&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.tkqlhce.com/interactive" target="_top"&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/0/9/244309.jpg" border="0" alt="Shure SM58 Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM58 Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Legendary for its uncanny ability to withstand abuse that would destroy any other microphone, the Shure SM58 has not only helped to define the sound of rock vocals on stage, it's also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club's house system? You'll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta58 on Bono's vocals. The Shure SM58 Mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits the hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;LAST WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;Last week's trivia question is:  What kind of Snare Drum did Lars Ulrich choose for the recording of the Master Of Puppets Album?

&lt;p&gt;The correct answer is a Ludwig Black Beuty Snare that Lars borrowed off of the drummer for Def Leppard!  No one got it right, so better luck next time guys!

&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;THIS WEEK'S TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;This week's trivia question is:  Which microphone was used for the entirety of the recording of Nirvana's Nevermind?

&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording.  The song at the beginning and end of the Mic Shootout Segment is called "Runaway" and was recorded by my band &lt;a href="http://www.myspace.com/day9" target="blank"&gt;Day Nine&lt;/a&gt;.  You can stream the entire song &lt;a href="http://www.myspace.com/day9" target="blank"&gt;at Day Nine's Myspace Profile&lt;/a&gt;!  The music bed at the beginning and end of the show was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .CZ2IZCWF4Q ]]> </guid>
		

		<pubDate>Thu, 05 Jun 2008 13:36:52 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/aVxmMLaa4FA/01_Episode_19___Mic_Shootout_On_Clean_Guitar.mp3" fileSize="52755776" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Neil McDougall This is episode 19 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on a clean guitar amp to see which of the 10 are the best buy. Links to buy the mics in the shootout are poste</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Neil McDougall This is episode 19 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on a clean guitar amp to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below: Audio-Technica AT2020 Large Diaphragm Condenser Microphone The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power. Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise. Sennheiser e609 Silver Dynamic Guitar Microphone The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response. Sennheiser evolution e906 Dynamic Guitar Amp Microphone The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth). Sennheiser e835 Performance Vocal Mic The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz. Sennheiser 935 Cardioid Dynamic Microphone The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip. Shure KSM27 Studio Condenser Microphone The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power. Shure SM7B Microphone with Switchable Response The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and a</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/aVxmMLaa4FA/01_Episode_19___Mic_Shootout_On_Clean_Guitar.mp3" length="52755776" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMYCqF4a6g/01_Episode_19___Mic_Shootout_On_Clean_Guitar.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 20 - Mic Shootout on Acoustic Guitar</title>
		<description>&lt;center&gt;&lt;a href="http://www.neilmcdougall.com" target="Blank"&gt;&lt;img src="http://a81.ac-images.myspacecdn.com/images01/24/l_5bd08d46dfe938c1a5ef13cfa1c67428.jpg" width="365" alt="Neil McDougall is my special guest host for this episode"&gt;&lt;br&gt;Neil McDougall&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 20 of The Metal Shop Podcast! In this episode, special guest host &lt;a href="http://www.neilmcdougall.com" target="blank"&gt;Neil McDougall&lt;/a&gt; and I compare 10 different mics on an acoustic guitar to see which of the 10 are the best buy.  Links to buy the mics in the shootout are posted below:

&lt;p&gt;&lt;form method="get" action="http://www.dpbolvw.net/interactive" target="_blank"&gt;
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&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/8/3/1/244831.jpg" border="0" alt="Audio-Technica AT2020 Large Diaphragm Condenser Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Audio-Technica AT2020 Large Diaphragm Condenser Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_audiotechnica_at2020_large_diaphragm_cardioid_condenser_microphone?sku=270620"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
&lt;/tr&gt;
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&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.anrdoezrs.net/interactive" target="_top"&gt;
&lt;table border="0" width="500" cellpadding="5" cellspacing="0"&gt;
&lt;tr&gt;
&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/0/4/448404.jpg" border="0" alt="Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="aid" value="10381297"/&gt;
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&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_audiotechnica_atm650_hypercardioid_dynamic_instrument_microphone?sku=270317"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
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&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

&lt;p&gt;&lt;form method="get" action="http://www.jdoqocy.com/interactive" target="_top"&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/0/4/6/321046.jpg" border="0" alt="Sennheiser e609 Silver Dynamic Guitar Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser e609 Silver Dynamic Guitar Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/2/6/3/224263.jpg" border="0" alt="Sennheiser evolution e906 Dynamic Guitar Amp Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser evolution e906 Dynamic Guitar Amp Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth).&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/Sennheiser-evolution-e906-Dynamic-Guitar-Amp-Microphone?sku=270865"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
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&lt;/table&gt;
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&lt;img src="http://www.awltovhc.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/9/6/2/244962.jpg" border="0" alt="Sennheiser e835 Performance Vocal Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser e835 Performance Vocal Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="cjsku" value="270825"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_sennheiser_e835_performance_vocal_mic?sku=270825"/&gt;
&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
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&lt;/table&gt;
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&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/1/3/369313.jpg" border="0" alt="Sennheiser 935 Cardioid Dynamic Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser 935 Cardioid Dynamic Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="submit" value="Buy"/&gt;
&lt;/td&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/5/7/244457.jpg" border="0" alt="Shure KSM27 Studio Condenser Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure KSM27 Studio Condenser Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="aid" value="10381297"/&gt;
&lt;input type="hidden" name="cjsku" value="270278"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_shure_ksm27_studio_microphone?sku=270278"/&gt;
&lt;input type="submit" value="Buy"/&gt;
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&lt;img src="http://www.ftjcfx.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/2/0/244420.jpg" border="0" alt="Shure SM7B Microphone with Switchable Response"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM7B Microphone with Switchable Response&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detachable windscreen for close-talk applications. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;img src="http://www.tqlkg.com/image-2613614-10381297" width="1" height="1" border="0"/&gt;

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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/1/0/244310.jpg" border="0" alt="Shure SM57 Instrument/Vocal Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM57 Instrument/Vocal Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;input type="hidden" name="cjsku" value="270102"/&gt;
&lt;input type="hidden" name="url" value="http://www.musiciansfriend.com/product/buy_shure_sm57_instrumentvocal_mic?sku=270102"/&gt;
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&lt;img src="http://www.lduhtrp.net/image-2613614-10381297" width="1" height="1" border="0"/&gt;

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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/0/9/244309.jpg" border="0" alt="Shure SM58 Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM58 Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Legendary for its uncanny ability to withstand abuse that would destroy any other microphone, the Shure SM58 has not only helped to define the sound of rock vocals on stage, it's also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club's house system? You'll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta58 on Bono's vocals. The Shure SM58 Mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits the hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;No trivia this week - the last trivia question rolls over to Episode 22, due to Neil taking over the show while Brandon moves to Colorado - the full scoop on this is at the end of the episode.


&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that Brandon and Neil had a hand in writing and recording.  The song at the beginning and end of the Mic Shootout Segment is called &lt;I&gt;Sixty Tons&lt;/I&gt; and was recorded by Neil McDougall in February 2008.  The music bed at the beginning and end of the show was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .CZ2LYyyD7A ]]> </guid>
		

		<pubDate>Tue, 24 Jun 2008 12:00:48 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/ukYxuXbiY4I/01_Episode_20___Mic_Shootout_on_Accoustic_Guitar.mp3" fileSize="45635290" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Neil McDougall This is episode 20 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on an acoustic guitar to see which of the 10 are the best buy. Links to buy the mics in the shootout are poste</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Neil McDougall This is episode 20 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on an acoustic guitar to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below: Audio-Technica AT2020 Large Diaphragm Condenser Microphone The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power. Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise. Sennheiser e609 Silver Dynamic Guitar Microphone The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response. Sennheiser evolution e906 Dynamic Guitar Amp Microphone The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth). Sennheiser e835 Performance Vocal Mic The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz. Sennheiser 935 Cardioid Dynamic Microphone The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip. Shure KSM27 Studio Condenser Microphone The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power. Shure SM7B Microphone with Switchable Response The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and a</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/ukYxuXbiY4I/01_Episode_20___Mic_Shootout_on_Accoustic_Guitar.mp3" length="45635290" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMYCSE56mm/01_Episode_20___Mic_Shootout_on_Accoustic_Guitar.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 21 - Mic Shootout on Vocals</title>
		<description>&lt;center&gt;&lt;a href="http://www.neilmcdougall.com" target="Blank"&gt;&lt;img src="http://a81.ac-images.myspacecdn.com/images01/24/l_5bd08d46dfe938c1a5ef13cfa1c67428.jpg" width="365" alt="Neil McDougall is my special guest host for this episode"&gt;&lt;br&gt;Neil McDougall&lt;/a&gt;&lt;/center&gt;

&lt;p&gt;This is episode 21 of The Metal Shop Podcast! In this episode, special guest host &lt;a href="http://www.neilmcdougall.com" target="blank"&gt;Neil McDougall&lt;/a&gt; and I compare 10 different mics on vocals to see which of the 10 are the best buy.  Links to buy the mics in the shootout are posted below:

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&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Audio-Technica AT2020 Large Diaphragm Condenser Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/0/4/448404.jpg" border="0" alt="Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.&lt;/font&gt;&lt;/p&gt;
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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser e609 Silver Dynamic Guitar Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response.&lt;/font&gt;&lt;/p&gt;
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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser evolution e906 Dynamic Guitar Amp Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth).&lt;/font&gt;&lt;/p&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/9/6/2/244962.jpg" border="0" alt="Sennheiser e835 Performance Vocal Mic"/&gt;&lt;/td&gt;
&lt;td valign="top" &gt;
&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser e835 Performance Vocal Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz.&lt;/font&gt;&lt;/p&gt;
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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Sennheiser 935 Cardioid Dynamic Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip.&lt;/font&gt;&lt;/p&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/5/7/244457.jpg" border="0" alt="Shure KSM27 Studio Condenser Microphone"/&gt;&lt;/td&gt;
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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure KSM27 Studio Condenser Microphone&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/4/2/0/244420.jpg" border="0" alt="Shure SM7B Microphone with Switchable Response"/&gt;&lt;/td&gt;
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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM7B Microphone with Switchable Response&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detachable windscreen for close-talk applications. Requires phantom power.&lt;/font&gt;&lt;/p&gt;
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&lt;td valign="top" width="10%"&gt;&lt;img src="http://img3.musiciansfriend.com/dbase/pics/products/tn/3/1/0/244310.jpg" border="0" alt="Shure SM57 Instrument/Vocal Mic"/&gt;&lt;/td&gt;
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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM57 Instrument/Vocal Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers.&lt;/font&gt;&lt;/p&gt;
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&lt;p&gt;&lt;b&gt;&lt;font size="4"&gt;Shure SM58 Mic&lt;/font&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;font size="2"&gt;Legendary for its uncanny ability to withstand abuse that would destroy any other microphone, the Shure SM58 has not only helped to define the sound of rock vocals on stage, it's also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club's house system? You'll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta58 on Bono's vocals. The Shure SM58 Mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits the hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.&lt;/font&gt;&lt;/p&gt;
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&lt;p&gt;&lt;font size="4"&gt;&lt;b&gt;&lt;i&gt;TRIVIA&lt;/i&gt;&lt;/b&gt;&lt;/font&gt;
&lt;br&gt;No trivia this week - the last trivia question rolls over to Episode 22, due to Neil taking over the show while Brandon moves to Colorado - the full scoop on this is at the end of the episode.


&lt;p&gt;Enjoy the show? If you like it, write me at &lt;a href="mailto:metalshoppodcast@yahoo.com"&gt;metalshoppodcast@yahoo.com&lt;/a&gt;, or check me out on myspace at &lt;a href="http://www.myspace.com/metalshoppodcast" target="blank"&gt;myspace.com/metalshoppodcast&lt;/a&gt;. Don't forget to check out the Youtube channel at &lt;a href="http://www.youtube.com/metalshoppodcast" target="Blank"&gt;youtube.com/metalshoppodcast&lt;/a&gt;!  And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at &lt;a href="http://blog.myspace.com/metalshoppodcast" target="blank"&gt;blog.myspace.com/metalshoppodcast&lt;/A&gt;!  And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at &lt;a href="http://metalshoppodcast.myfastforum.org/" target="blank"&gt;metalshoppodcast.myfastforum.org/&lt;/a&gt;!&lt;p&gt;

[All music in this episode was original music that Brandon and Neil had a hand in writing and recording.  The song at the beginning and end of the Mic Shootout Segment is called &lt;I&gt;Sixty Tons&lt;/I&gt; and was recorded by Neil McDougall in February 2008.  The music bed at the beginning and end of the show was created specifically for this podcast]&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .CZyOYiuH4A ]]> </guid>
		

		<pubDate>Sat, 13 Sep 2008 06:08:04 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/-53rWNCazd4/01_Episode_21___Mic_Shootout_on_Vocals.mp3" fileSize="86955571" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Neil McDougall This is episode 21 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on vocals to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below: Aud</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"> Neil McDougall This is episode 21 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on vocals to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below: Audio-Technica AT2020 Large Diaphragm Condenser Microphone The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power. Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise. Sennheiser e609 Silver Dynamic Guitar Microphone The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response. Sennheiser evolution e906 Dynamic Guitar Amp Microphone The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth). Sennheiser e835 Performance Vocal Mic The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz. Sennheiser 935 Cardioid Dynamic Microphone The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip. Shure KSM27 Studio Condenser Microphone The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power. Shure SM7B Microphone with Switchable Response The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detac</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/-53rWNCazd4/01_Episode_21___Mic_Shootout_on_Vocals.mp3" length="86955571" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMYSqC4Kmu/01_Episode_21___Mic_Shootout_on_Vocals.mp3</feedburner:origEnclosureLink></item><item>
		<title>Episode 22 - RPM Challenge and NAMM</title>
		<description>This is Episode 22 of the Metal Shop Podcast!&lt;P&gt;

In this episode, guest host Neil McDougall talks about his plans for recording an album of songs for his new band as an entry into the RPM Challenge (http://www.rpmchallenge.com/), and discusses new and interesting metal-related gear from the 2009 Winter NAMM show.&lt;img src="http://feeds.feedburner.com/~r/TheMetalShop/~4/K_C1332CpX8" height="1" width="1"/&gt;</description>
		<link>http://feedproxy.google.com/~r/TheMetalShop/~3/K_C1332CpX8/themetalshop</link>
				<guid isPermaLink="false"> <![CDATA[ .CZ6ObS6E5A ]]> </guid>
		

		<pubDate>Mon, 02 Feb 2009 03:03:09 +0000</pubDate>
		<author>metalshoppodcast@yahoo.com (Brandon S. Hire)</author><media:content url="http://feedproxy.google.com/~r/TheMetalShop/~5/Y1m3lk8tvDE/01_Episode_22___RPM_Challenge_and_NAMM.mp3" fileSize="37875878" type="audio/mpeg" /><itunes:explicit xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">no</itunes:explicit><itunes:subtitle xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">This is Episode 22 of the Metal Shop Podcast! In this episode, guest host Neil McDougall talks about his plans for recording an album of songs for his new band as an entry into the RPM Challenge (http://www.rpmchallenge.com/), and discusses new and intere</itunes:subtitle><itunes:author xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Brandon S. Hire</itunes:author><itunes:summary xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">This is Episode 22 of the Metal Shop Podcast! In this episode, guest host Neil McDougall talks about his plans for recording an album of songs for his new band as an entry into the RPM Challenge (http://www.rpmchallenge.com/), and discusses new and interesting metal-related gear from the 2009 Winter NAMM show.</itunes:summary><itunes:keywords xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd">Bass,Drums,Engineering,Guitar,Heavy,Metal,Music,Production,Rock,Shop,Studio,Vocals</itunes:keywords><feedburner:origLink>http://www.gcast.com/user/hiremedia/podcast/themetalshop</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/TheMetalShop/~5/Y1m3lk8tvDE/01_Episode_22___RPM_Challenge_and_NAMM.mp3" length="37875878" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.garageband.com/mp3cat/.UZCMYyWC5a2n/01_Episode_22___RPM_Challenge_and_NAMM.mp3</feedburner:origEnclosureLink></item><copyright>Copyright 2007 Hire Productions</copyright><media:credit role="author">Brandon S. Hire</media:credit><media:rating>nonadult</media:rating><media:description type="plain">Studio Tips For Producing Rock And Metal!</media:description></channel>
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