The Movieholic

Music Review : Agneepath

2012-01-16T00:41:00.000-08:00

Agneepath won a lot of critical acclaim including a National Award for leading man Amitabh Bachchan when it released in the 90s, but didn’t qualify as a box office hit. In its remake Hrithik Roshan reprises the iconic role of Vijay Dinanath Chauhan. The film scheduled for release in January boasts of a stellar cast with bigwigs like Sanjay Dutt, Rishi Kapoor and Priyanka Chopra. Ajay-Atul who made a gentle impact with their music for last year’s blockbuster Singham have composed the soundtrack for this Karan Johar production.

The composers recycle their hit number Kombadi Palali (Jatra, 2006) to create the fun filled, folksy Chikni Chameli (Shreya Ghoshal). Ever since the first promos hit the airwaves, this item number performed energetically by Katrina Kaif has become a huge craze. While Shreya Ghoshal is delightfully saucy in her delivery, it’s Bhattacharya’s playful & flirtatious lyrics that give that extra bounce to this dance track.

In spite of the mass friendly Chikni Chameli, the best tracks in this album however are O Saiyyan (Roop Kumar Rathod) and Abhi Mujh Mein Kahin (Sonu Nigam). Rathod enriches O Saiyyan with his silken vocals and lifts this serene, soulful composition to make it an almost magical experience. Ajay-Atul start the song splendidly using minimal instruments and wrap it up with an operatic flourish. A word of praise for Bhattacharya’s lyrics that vividly describe the state of mind of the heroine.

After inane compositions like Tees Maar Khan, Sonu Nigam returns with a number that truly befits his talent! His brilliant rendition of Abhi Mujh Mein Kahin will give you the goose bumps! The composers compose a philosophical number that has a calming effect. Good stuff. Udit Narayan makes a an impressive cameo in a predominantly Sunidhi Chauhan feel-good number Gun Gun Guna. Although the singing is earnest and efficient, the composition is a tad listless.

Shah Ka Rutba (Sukhwinder Singh, Anand Raaj Anand, Krishna Beura) is a situational qawwali probably serving as a backdrop at a crucial point in the film. The trio of unconventional singers however make it an interesting composition. Deva Shree Ganesha (Ajay Gogavale) with its drumbeats, chants and frenzied rhythm is a treat. The last 50 seconds especially give a solid adrenalin rush.

The original Agneepath was a musical disaster. But Atul-Ajay raise hopes for the remake by composing an array of lovely tracks.

Top 10 Songs of 2011 - Part 2

2011-12-26T02:47:00.000-08:00

In the second part of our special series, we take a look five scintillating songs that brought in audiences to the movie halls. Chartbusters that helped create a mammoth buzz around the movies.

Chammak Challo (Ra One)

A heady mix of Middle Eastern and mainstream Bollywood sounds, Chammak Challo (Akon, Hamsika Iyer) had a rhythm that was blazing and super infectious. International R&B artiste Akon, a charismatic singer surprised with his Hindi diction while Hamsika Iyer made a dazzling impact in her Tamil portions. Composers Vishal & Shekar delivered a monster track that captivated the nation almost instantly. This song was probably the most heard song of the year!

Ooh La La (The Dirty Picture)

Sung with solid enthusiasm by Bappi Lahiri and Shreya Ghoshal, this retro styled track was a colourful riot. Vishal-Shekar derived inspiration from Bappi Lahiri’s compositions for films like Mawwali, Himmatwala and Kasam Paida Karne Waale Ki. They smartly embellished this raunchy number with stereotypical 80s musical motifs – the percussion play, the strange noise made by the female chorus, disco effects etc. and synced it perfectly with Rajat Arora’s cheeky lyrics. Shreya Ghoshal was delightful in her coquettish rendition.

Teri Meri (Bodyguard)

On a good day Himesh Reshammiya can create a spellbinding Indian melody. In the same league as his earlier songs Tumse Milna (Tere Naam) and Main Jahaan Rahoon (Namastay London) Reshammiya composed a sparkling romantic ballad Teri Meri for Bodyguard. Shreya Ghosal and Rahat Fateh Ali Khan were fabulous in their rendition of this poignant love song. The track not only got maximum airplay on radio stations but was also a very popular caller tune.

Sadda Haq (Rockstar)

The lead guitarist of late Michael Jackson’s tour group, Orianthi Panagaris opened Saadda Haq with a spectacular guitar riff. What followed was a powerful rock anthem. The kind that went on to be heard at every protest and morcha in the country. This Rahman composition had the fire to evoke strong emotions especially in the youth. Kamil’s lyrics spoke of angst and Mohit Chauhan was fierce & grungy in his delivery.

Senorita (Zindagi Na Mile Dobara)

Hrithik Roshan, Abhay Deol and Farhan Akhtar joined Spanish Flamenco singer Maria Del Mar Fernandez in Senorita, one of the most euphoric tracks of the year. Shankar-Ehsaan-Loy composed a lively, colorful and extremely hummable number that was hugely popular, especially with the urban youth.

Top 10 Songs of 2011 - Part 1

2011-12-24T05:04:00.000-08:00

This has been the year of the BIG chartbuster - loud, paisa vasool songs designed to provide instant gratification. There was no room for subtlety in the lyrics or in the melody. Everything had to be glitzy, catchy and forceful. Most big-ticket films released this year had that one song that drove the masses into a frenzy. As 2011 comes to a close, Box Office India takes a look at the year’s biggest songs.

Darling (7 Khoon Maaf)

Inspired by the Russian song ‘Kalinka’, Darling was undoubtedly the most flamboyant song of the year. It was hard not to get swayed by the exuberance of this delightful number. Usha Uthup and Rekha Bharadwaj especially the former were brilliant in their rendition and added to the festive spirit of this dramatic, hugely enjoyable track.

D.K.Bose (Delhi Belly)

This explosive rock track burst with infectious energy and an attitude reflective of today’s youth – spirited and unapologetic. The lyrics were risqué yet hilarious and the hook was undeniably catchy. Sampath not only delivered a winning composition, but also rendered it with absolute panache. The song had its set of detractors, but nothing could stop Bose from becoming a phenomenon.

Character Dheela (Ready)

Khan, known to be notorious for his off screen shenanigans especially with the ladies cheekily ridiculed himself in Character Dheela. This was the quintessential Pritam chartbuster - stylish vocals, a hook that stuck in your head, heavy orchestration and inane lyrics. There was even a synthesised horn that blared out intermittently! But the concoction worked and Character Dheela was being blasted out of every auto rickshaw , club and radio station.

Sadi Galli (Tanu Weds Manu)

RDB’s Sadi Galli was a resounding success some years ago. Debutant composer Krsna gave this boisterous track a new twist, roped in popular Bhangra singer Lehmber Hussainpuri to deliver it and created one of the most foot tapping numbers of the year. It was impossible to sit still when this number played.

Dhinka Chika (Ready)

Dhinka Chika became the anthem of the year. South Indian music director Devi Shri Prased recycled his chartbuster Ringa Ringa from Arya 2 (Telugu) upping the fun quotient significantly. The lyrics were cheesy and the tune was simple , making this a very easy song to sing along. Even the singers (Mika, Amrita Kak) delivered this typical Dappankoothu (the free style dance songs seen in Tamil cinema) ditty with genuine enthusiasm and gave it a pan-India appeal. And then there was Salman Khan’s on-screen antics that helped the popularity of this song hit the roof!

(to be continued)

Music Review : Players

2011-12-10T07:18:00.000-08:00

Directors Abbas & Mustan are renowned for their super hit musical thrillers. Over the years, the brothers have mastered the art of dishing out superbly entertaining masala fare by incorporating elements like intrigue, thrills, glamour and chartbuster songs in their films. The latest from their stable is Players, a remake of the heist flick The Italian Job. After Naqaab and Race, Pritam completes a hat trick with the directors by composing the songs for this film too.

The stand out track in this album is Kyun Dooriyan. Pritam realizes he has a winner on his hands and reworks the tune in three different versions. In the first one, he delicately combines Ritu Pathak’s seductive vocals with the accordion and creates a sensuous and dramatic song. Siddharth Basrur’s version is a fast paced dance track with an infectious techno hook. And Arijit Singh is equally impressive in the alternate version of this addictive club number. This one’s a sure shot chartbuster.

The love ballad Dil Ye Bekarar Kyun Hain (Mohit Chauhan, Shreya Ghoshal) is another definite winner. Pritam weaves a lovely melody with a subtle electronic bed and creates a breezy romantic track that makes for splendid listening. Equally appealing is the Reprise version by Nikhil D’Souza and Priyani Vani. The lyrics ‘Jis Jagah Pe Khatam Sabki Baat Hoti Hai, Us Jagah Se Hamari Shuruat Hoti Hai’ sit awkwardly on the otherwise catchy tune. The singers Neeraj Sridhar, Siddharth Basrur and Mauli Dave render their parts with flourish making it a fairly enjoyable number.

Pritam goes on an auto-tune overdrive in Ho Gayi Tun (Yashita Yashpal, Bob) – what could have been a decent number ends up a highly annoying & noisy track. Buddhi Do Bhagwaan doesn’t work at all in spite of the talented Shruthi Pathak and rapper URL (who sounds a lot like Jr. B)

Kyun Dooriyan and Dil Ye Bekarar save the day for Pritam.

Music Review : Don 2 - The Chase Continues

2011-11-25T20:00:00.000-08:00

The soundtrack of Don – The Chase Begins was funky and superbly entertaining. Songs like Main Hoon Don and Aaj Ki Raat became extremely popular, enjoying massive airplay on radio stations and in clubs. Composers Shankar, Ehsaan & Loy have always been Farhan Akhtar’s first choice when it comes to the music in his films - Dil Chahta Hain, Lakshya and Don. The director teams with up the talented trio yet again in his latest thriller Don 2 – The Chase Continues.

Zaraa Dil Ko Thaam Lo is like an extended version of Aaj Ki Raat (from the earlier Don). This retro styled disco number doesn’t appeal instantly, takes its time to grow on you and then sticks in your head. The hook line is especially catchy. Dadlani sounds surprisingly suave and complements Anusha Mani’s sensuous vocals.

It’s always exciting to see Usha Uthup’s name in the credits of an album. Here, she gets a solo track, Hai Ye Maya that’s fashioned along the lines of theme songs from Bond flicks. While the tune is an amalgamation of various genres, it somehow lacks the zing to go with Uthup’s electrifying voice.

Dushman Mera (Shankar Mahadevan, Sunitha Sarathy) tries hard to simulate the ‘seduction meets vengeance’ theme achieved so effortlessly by Kalyanji-Anandji in songs like Yeh Mera Dil (Don – 1978) but ends up a middling track. Hopefully this face-off number between Roma and Don will be more entertaining on the big screen.
Mujhko Pehchaanlo (KK) is just another version of Shaan’s title track Main Hoon Don. Created around the classic Don theme, this number fails to match the intensity or energy of original.

The Don Waltz is a lovely piece of classical music that may work well in the context of the film, but sticks out in an otherwise fast paced soundtrack. The King is Back theme is another chic version of the Don theme. The soundtrack of Don 2 – The Chase Continues is not bad but definitely fails to live up to its hype and expectations

Music Review : Ladies vs Ricky Bahl

2011-11-21T18:29:00.000-08:00

Band Baaja Baraat (BBB) a relatively low budget film about marriage planners charmed the audiences last winter and raked in the moolah at the turnstiles. The successful team of that film returns with another rom-com Ladies vs Ricky Bahl this December. The music of BBB, composed by brothers Salim-Sulaiman, played a vital role in its success and the duo has been retained to compose the soundtrack for this Anushka Sharma & Ranveer Singh starrer too.

Though there is a ring of familiarity to Aadat Se Majboor, it still appeals due to Benny Dayal’s suave vocals and Bhattacharya’s lyrics that smartly describes character of the protagonist. The track’s upbeat no doubt, but the composers could have infused it with some spunk. As for Ranveer Singh’s rapping, it sounds amateurish and unexciting.

What Tarkeebein was for Ranveer in BBB, Jazba attempts to be same for Anuskha here. But this time around Salim-Sulaiman’s effort to create a feel-good fusion track falls flat. In spite of the singer Shilpa Rao’s best efforts, the song underwhelms. And what’s even more disappointing is that there are parts of Jazba that seem strikingly similar to Edward Maya’s Desert Rain. And if that wasn’t enough the composers repeat Maya’s bagpiper riff (using a violin instead) and create another new song around it in Thug Le, a lackluster track about the battle of the sexes.

Bhattacharya’s clever Hinglish lyrics redeem Jigar Da Tukda (Salim Merchant, Shraddha Pandit) to an extent, but this Punjabi dance number remains mediocre. Fatal Attraction, a stylish techno instrumental piece is perhaps the best thing in this album. The music of Ladies vs Ricky Bahl is bland and stereotypical.

Music Review : The Dirty Picture

2011-11-14T04:45:00.000-08:00

The excitement hasn’t stopped ever since the first promo of Milan Luthria’s The Dirty Picture hit TV screens. Besides Vidya Balan’s audacious act, what also caught the attention of the viewer was the sweetly outrageous but hugely catchy number Ooh La La.

Sung with solid enthusiasm by Bappi Lahiri and Shreya Ghoshal, this retro styled track is good fun. Vishal-Shekar have clearly derived inspiration from Bappi Lahiri’s compositions for films like Mawwali, Himmatwala and Kasam Paida Karne Waale Ki. They smartly embellish this raunchy number with stereotypical 80s musical motifs – the percussion play, the strange noise made by the female chorus, disco effects etc. and sync it perfectly with Rajat Arora’s cheeky lyrics. Special mention must be made of Shreya Ghoshal who is delightful in her coquettish rendition.

Vishal Shekar surprise with Ishq Sufiyana, a splendid ballad that’s unlike any love song they have composed before. In fact the song can be mistaken for a Pritam creation. Kamal Khan, the winner of the music based reality show Sa Re Ga Ma Pa is remarkable in his debut song and renders it with sincerity and passion. Kudos to the composers for introducing him to the Hindi film music industry. Though there is a ring of familiarity to this gentle melody, it still appeals due to its simplicity. And Sunidhi Chauhan impresses equally in her version of the same song.

Honeymoon Ki Raat (Sunidhi Chauhan) has all the ingredients of an 80s style club number – cheesy lyrics, breathy vocals and a disco template but somehow the concoction falls flat. Twinkle Twinkle (Shreya Ghoshal, Rana Mazumder) in the same league works marginally better. Both these dance numbers would probably be more fun to watch on the big screen given the fact that the film is a biopic on the South Indian sex symbol Silk Smitha.

But the album worth’s a try just for ‘Ooh La La’ and ‘Ishq Sufiyana’.

Music Review : Rockstar

2011-10-24T22:23:00.000-07:00

‘Jo bhi main, kehna chahoon, barbaad kare alfaz mere’ - Irshad Kamil’s simple yet insightful lyrics sets the mood for this outstanding soft rock number by A.R.Rahman. The whole track has a ‘live’ feel almost making it seem like Mohit Chauhan has done a whole lot of ad-libbing here. Not to mention the fetching chorus of ‘ya-ya-ya’. Opening and closing with what seem like North Eastern choir chants is Phir Se Ud Chala, a philosophical yet free-spirited song where Kamil’s lyrics have the strength to conjure vivid images of meandering roads and deep valleys. The number starts soft till Rahman decides to up the tempo midway with an electronic bed. Sparkling!

Aur Ho (Mohit Chauhan, Alma Ferovic) is a dark, brooding number of lost love and longing. Though the number brings back memories of Rahman’s earlier compositions, it’s still soulful and effective. Chauhan is brilliant in his potrayal of pain and hurt. On the contrary, Sheher Mein (Karthik, Mohit Chauhan) is a light-hearted and very likeable parody on the quintessential 90s filmi number. Karthik (sounds a lot like Udit Narayan) and Mohit breeze through this one.

Katiya Karun (meaning ‘I’ll spin you cotton all night) is inspired from an old Punjabi folk song. Rahman teams Harshdeep’s outstanding vocals and an infectious chorus with some traditional instruments to create one of the most endearing Punjabi film songs in recent times. The “tinga-ling-tinga-ling’ chorus will be spinning in your head for days to come. Haawa Haawa is a spirited Spanish folksy song that features a host of talented artists on the instruments besides Mohit Chauhan’s vocals. The playful, boisterous chorus includes Viviane, Tanvi, Suvi and Shalini who pitch in a near perfect act.

When it comes to composing songs for the divine, nobody does it better that Rahman. His Sufi qawwalis have the power to get you into a hypnotic trance. Kun Faaya Kun is yet another exceptional Sufi number by Rahman, Javed Ali and Mohit Chauhan that’ll move you. Tum Ho is a soft ballad that’s straight up Chauhan’s sleeve - dreamy & gentle. He is fabulous when he has to render songs of yearning. Kavita Krishnamurthy’s version Tum Ko doesn’t quite appeal as the singer goes nasal at places.

The lead guitarist of late Michael Jackson’s tour group, Orianthi Panagaris opens Saadda Haq with a spectacular guitar riff. What follows is a powerful rock anthem.Kamil’s lyrics speak of angst and Chauhan is compelling. Grungy and fierce, Rahman’s this creation is fascinating. Nadaan Parindey (A.R.Rahman, Mohit Chauhan) starts off soft, with an almost 70s style pop chorus before it morphs into a slightly underwhelming rock number where the composer takes centre stage. Clearly Sivamani’s enthralling drum play and Keba Jeremiah’s forceful guitar work are the highlights here.

Music Review : Ra One

2011-10-23T09:50:00.000-07:00

In these times of exorbitant budgets and mammoth opening weekend collections, it’s vital for a big-ticket release to have a sparkling soundtrack. After all, music does play a significant part in drawing the crowds to the cinemas. This factor takes on gargantuan proportions, when the film in question is Ra One - the most expensive movie to be made in India. Then it’s imperative that the songs click in a big way to get the audiences excited before the release. The onus of composing for this sci-fi thriller rests with the talented duo Vishal & Shekar (VS) and they have created seven original tunes, three instrumental pieces and five remixes for this album.

There is no stopping Chammak Challo (Akon, Hamsika Iyer) from becoming an instant anthem! A heady mix of Middle Eastern and mainstream Bollywood sounds, this dance number has a rhythm that’s super infectious. International R&B artiste Akon is a charismatic singer and surprises with his Hindi diction while Hamsika Iyer makes a dazzling impact in her Tamil & Hindi portions. VS have delivered a monster track that will have the nation grooving for some time!

VS take Ben.E.King’s legendary Stand By Me (legally purchased thankfully) and give it a desi twist in Dildaara, beautifully fusing bits of Indian classical with the English chorus. The highlight no doubt is Shafqat Amanat Ali who infuses the right emotions to his singing and makes a solid mark. Dildaara is a delightful listen. If Chammak Challo wasn’t enough, Akon makes a return with another rousing dance track, Criminal. The composers mix electronic with Punjabi Bhangra to create yet another foot-tapping & immensely enjoyable number.

Nandini Srikar is the find of the season - what a compelling voice! In between the fun tracks, VS compose a haunting classical meets rock ballad Bhare Naina that’s the surprise package of this album. Nandini, the voice behind several jingles, delivers this complex melody with aplomb. Bhare Naina is a class act by VS. Right By Your Side (Sid Coutto) is peppy but affectedly sweet. It also suffers from a serious Jaane Kyun (Dostana) hangover.

Raftaarein (Vishal, Shekar) is an electrifying tribute to R.D.Burman. Vishal & Shekar get behind the mic in this sensational homage to the late maestro of Bollywood music. This fast-paced juggernaut of a number will blow your mind especially if you have been an RDB fan. In Jiya Mora Ghabraaye – The Chase, VS play with various genres to produce a Chemical Brothersish high-octane background number. And the three thematic music pieces succeed in conveying the larger-than-life feel of the movie effectively.

With Ra One, composers Vishal & Shekar have delivered a blockbuster album.

Music Review : Force

2011-09-16T07:00:00.000-07:00

One of the reasons for the success of Tamil film Kaaka Kaaka, a gritty cop drama that released in 2003, was its outstanding music by Harris Jayaraj. Songs like Uyirin Uyire, Ondra Renda and Ennai Konjam were a craze down South and continue to get major airtime on radio stations in Tamil Nadu even today. Vipul Shah’s Force, the Hindi remake of this crime thriller retains Jayaraj as the primary composer but also features Lalit Pandit as guest music director.

Khwabon Khwabon has chartbuster written all over it! Jayaraj recycles his own Uyirin Uyire successfully, retaining the dramatic pace and energy of the original. Akhtar’s lyrics are in sync with the mood of the song and KK is remarkably good. He deftly maneuvers the tricky terrain of the composition with his powerful vocals. Suchitra’s brief but mesmerizing Arabic sounding chants adds tremendously to the appeal of this sprightly fusion of rock and Indian classical.

It’s refreshing to listen to Bombay Jayashree in Chahoon Bhi. The popular Carnatic vocalist who shot to fame with Zara Zara from RHTDM renders this soft, elegant romantic number beautifully. Karthik makes a late entry but manages to leave his mark. But it’s Akhtar’s poetry and Jayaraj’s melody that will have you reaching for the rewind button.

The composer recycles another of his tunes (Manasa from Telugu film Munna) as Main Chali. He juxtaposes two different rhythms in one song – Shreya Ghosal is splendid in the slow, softer portions and Naresh Iyer handles the racy parts well – and comes up with an unusual composition, that may take a while to grow on you , but it does leave a sweet impression. Dil Ki Hain Tamanna (Vijay Prakash, Shalini Singh, Neha Bhasin) is a light romantic number - nice but no great shakes. Harris Jayaraj’s short but melodious score for Force is another indication that this talented music director should work in Hindi films more often.

As for Lalit Pandit’s Dum Hain To Aaja - it’s crashing bore and the album could have easily done without it.

Music Review : Soundtrack

2011-09-04T11:43:00.000-07:00

Soundtrack has an array of exciting original compositions, but what catches one’s attention instantly is the inclusion of the remixes of two of Kishore Kumar’s biggest songs – Ruk Jaana Nahin (Imtihaan ) and Yeh Jeevan Hain (Piya Ka Ghar). And though Suraj Jagan is earnest in his rendition of Ruk Jaana Nahin, the lack of a fresh angle to the remix makes it a tad boring. But Yeh Jeevan Hain works well due to Malini Awasthi’s folksy & striking vocals.

The lyrics of Banao disappoint, but the track clicks because Papon is incredibly charming in his rendition of this languidly paced modern day devotional number. Besides the Assamese singer’s raspy vocals, the only other prominent feature in this soothing number is the acoustic guitar. However it’s Papon’s second song in the album Naina Laagey that blows your mind. MP & KK first composed this outstanding classical song for their 2009 album Hello Hello. They blend Indian vocals & instruments seamlessly with electronic rhythms to deliver a serene almost tender love song. This one’s highly recommended for your Ipod listening.

In Atomizer MP & KK fuse mainstream with the eclectic and create a kicking dance track replete with the dhol and processed vocals - an addictive piece of music.
But the pick of the album is Ek Manzil, perhaps the only track that comes closest to being a filmi song and is somewhat similar to Pritam’s compositions for the Bhatts. Ek Manzil opens dramatically with a magnificent cello piece. MP & KK embellish this soft rock number with flashes of Indian classical music and Vishal Vaid’s soulful vocals contribute immensely to its haunting appeal. The melancholic cello sound returns as the mainstay for The Soundtrack theme, an engaging instrumental piece. Vaid also makes an appearance in Fakira, a Sufi meets electronic experimental number that’s at best average.

Main Chala (Kailash Kher) is the quintessential Midival Punditz & Karsh Kale number. Their fans will recognize their style and love this track. With a heavy electronic-trance bed and powerful vocals by Kailash Kher, this one can get you into a hypnotic frenzy. Designed as a potential chartbuster and in spite of singer Anushka Manchanda’s best efforts, What The F fails to sizzle. But that’s a tiny blemish in an otherwise refreshing and spirited album.

Music Review : Mausam

2011-09-01T21:17:00.000-07:00

One of India’s finest talents Pankaj Kapoor makes his long awaited debut as a director with Mausam. Positioned as an epic love story the film features his son Shahid opposite the stunning Sonam Kapoor. The promos have been successful in generating a buzz and the fact that Shahid hasn’t had a release in a long time makes the wait even more exciting. Music director Pritam responsible for giving the actor some of his biggest songs (Kismet Konnection, Jab We Met) composes this time around too. The album comprising of six original songs interestingly doesn’t feature any prominent female voice.

There is no denying that Rabba Main Toh Mar Gaya Oye sticks in your head and is destined to be popular. It’s a lovely Punjabi melody soulfully sung by both Shahid Mallya and Rahat Fateh Ali Khan in their respective versions. But there are parts of this song that sound similar to Nusrat Fateh Ali Khan’s Tere Bin Nahi Lagda.

Sajh Dhaj Ke is about the protagonist teasing a foreign returned lad. Singer Mika, who’s made a living out of belting boisterous Punjabi bhangra dance tracks, impresses yet again. But he seriously needs to attempt a new genre now. Ustad Rashid Khan is marvelous in his rendition of Poore Se Zara Sa Kam Hain but this pathos heavy classical number can get you a tad weary.

At nearly seven minutes Ik Tu Hi Tu Hi is the longest and the most haunting track in this album. Ustad Sultan Khan opens the number with his alaap before Hans Raj Hans takes over. Pritam skillfully blends Kamil’s evocative lyrics, Hans’s brilliant vocals, and a striking male chorus with a poignant melody and creates a beautiful song of despair and pain. The other two versions of this number by Wadali brothers and Shahid Mallya are equally moving.

Aag Lage Uss Aag Ko (Karsan Sargathia) based on the classical Gujarati folk song, is energetic & loud. Mallo Malli (Tochi Raina) sticks out in the otherwise melody laced album. This techno club dance number seems to have been force-fitted to showcase the hero’s dancing skills. And even though the signature hook is strikingly similar to Kyun Paisa Paisa Karti Hain (De Dhana Dhan), Mallo Malli is undeniably catchy!

Though Pritam plays it safe by sticking to his comfort zone, he does not disappoint with his music for Mausam.

Gaaguls haakondu nodi wokay na?

2011-08-06T04:04:00.000-07:00

Vurrrshttt ri!

Talenalli tune hege sikkakondu bittide andre, vogtaane illa.

Haadanna gaaguls haakondu nodi, tale novu bandbiduthe.The screen is a vulgar riot of jhinchaak coloursu, heroine yaaru extraw yaaru anta gottay agolla. Hero bere kalasipalya types. Obscene English rap portion bere. The bum jut out step is frikkin hilarious too. Aadre bhayankara catchy! Virus tara nanna braininalli nela oorkondu bittide.

By the by ee haadanna Bollywoodna Mika Singh haadidare.

Music Review: Bodyguard

2011-08-05T13:16:00.000-07:00

There’s a standard template for music in a Salman Khan film these days – a boisterous dance track, another number extolling the virtues of Bhai and a soft melody featuring the heroine that justifies her existence in the film. Wanted, Dabangg and Ready are glaring examples of this trend. The soundtrack of Bodyguard sadly is no different. The album features four original compositions, three of which have been composed by Himesh Reshammiya who thankfully refrains from getting behind the mic.

Guest composer Pritam delivers the best track of the lot. I Love You is breezy & cheerful. Ash king’s stylish vocals give this lilting romantic number a distinct urban flavor. A special mention to Neelesh Mishra’s words and Cerejo’s backing vocals, both adding immensely to the charm of this simple yet infectious track.

Public memory of Himesh Reshammiya is that of a nasal singer who repeats a particular phrase endlessly in his songs. But there was a time when he was a master at composing soft Indian melodies. Remember Tumse Milna (Tere Naam) and Main Jahaan Rahoon (Namastay London)? Reshammiya shows sparks of that brilliance in Teri Meri (Shreya Ghosal, Rahat Fateh Ali Khan), a poignant love song. Ghosal and Khan are fabulous in their rendition although one wishes Reshammiya had gone easy on the arrangements. Teri Meri is going to get a lot of airplay on radio stations.

Desi Beats (Mika Singh, Amrita Kak) is a loud and energetic Punjabi number that fails to impress. Parts of the song remind one of Bappi Lahiri’s De De Pyaar De from Sharaabi, though it lacks the chutzpah of the cult Big B chartbuster. The title track of Bodyguard is a wannabe Dhinka Chika (Ready) with ridiculous lines like Sabse Hot Sabse Hard Aa Gaya Dekho Bodyguard! Perhaps Katrina Kaif’s appearance in the video will make it bearable on the big screen. But hey, Ganpati revelers can rejoice. They have two full-blown cheesy masala numbers to dance to, this visarjan. And that should give you an indication of the shelf life of this album.

Top 5 chartbusters (Jan – June 2011)

2011-07-10T23:57:00.000-07:00

Musically, the year so far has been a disappointment. With the exception of one strikingly original album (Delhi Belly) everything else has been routine Bollywood fare. A few soundtracks (Ready, Tanu Weds Manu, 7 Khoon Maaf, Murder 2) did stand out for various reasons but none of them are likely to have a shelf life beyond a few months.
This week we take a look at 5 of the biggest songs so far and hope the second half of the year offers better variety.

1. Bhaag DK Bose (Delhi Belly)

This explosive rock track burst with an energy and attitude of today’s youth. The lyrics were risqué yet hilarious and the hook was so undeniably catchy, that the number reached chartbuster status as soon as it was released. Unapologetic and spirited, DK Bose will also remembered for Ram Sampath’s brilliant rendition of his own composition. The song had its set of detractors, but nothing could stop Bose from becoming a phenomenon.

2. Character Dheela (Ready)

Khan ridiculed himself and struck gold with Character Dheela. The number (Neeraj Sridhar, Amrita Kak) had all the trappings of a typical Pritam chartbuster - stylish vocals, a catchy hook, heavy orchestration and inane lyrics. And the concoction worked bigtime.

3. Dhinka Chika (Ready)

The other biggie from the same album, Dhinka Chika (Mika Singh, Amrita Kak) was a recycled Telugu tune with an infectious rhythm. South Indian music director Devi Shri Prased prescribed the right tune for die hard Salman fans and delivered a most foot thumping dance number. The boisterous track and Khan’s inspired dancing ensured the song was universally loved, at least for a while.

4. Sadi Gali (Tanu Weds Manu)

RDB’s Sadi Gali was a resounding success a few years ago. Debutant composer Krsna gave this super hyper track a new twist and roped in popular Bhangra singer Lehmber Hussainpuri to deliver it in its new avatar. Hussainpuri added large doses of Punjabi passion to his rendition to make this an electrifying dance number.

5. Darling (7 Khoon Maaf)

Darling (Usha Uthup, Rekha Bharadwaj) inspired by the Russian song ‘Kalinka’ was undoubtedly one of the most flamboyant songs of this year. It was hard not to get swayed by the exuberance of this delightful number. Usha Uthup and Rekha Bharadwaj especially the former were brilliant in their rendition and added to the festive spirit of this dramatic, hugely enjoyable track.

Rahat Fateh Ali Khan Top 5

2011-04-28T05:09:00.000-07:00

In recent times no singer has captured the hearts of Indian audiences as much as the Pakistani singer Rahat Fateh Ali Khan. The Sufi songster started his stint in Bollywood in 2004 with Mann ki Lagan (Paap) and in a short period of time, entrenched himself in the minds of Indian audiences by his popular numbers. Nephew of renowned music maestro Late Nusrat Fateh Ali Khan, Rahat has also lent his vocals for Hollywood projects like Mel Gibson ‘Apocalypto’ and Shekar Kapur’s ‘The Four Feathers’.

Here, we take a look at 5 of the singer’s must have songs on your I-pod.

Mann Ki Lagan – Paap

With only the tabla and harmonium as accompaniments, Khan enthrals in this breath taking number. Notice how gently his rustic voice drifts through the various highs and lows of the melody with remarkable ease. If you are having a rough day at work, pause for a bit and play this number. Khan’s rendition of this brilliant song will instantly set up a mood of tranquillity.

Jiya Dhadak Dhadak Jaaye – Kalyug

From the minute the opening refrain of the flute begins, this song is a dream. Khan brings the right mix of passion and pain to his delivery to make this soft romantic track one of the best from the decade gone by. Even in high pitches Khan doesn’t jar even once.

Dil To Bachha Hai Ji – Ishqiya

There cannot be a more appealing combination than Rahat’s rustic vocals, Gulzar’s innocent lyrics and Bharadwaj’s clean, magical melody. The composition, akin to the retro numbers of the 60s, weaves Rahat’s bucolic voice with minimal instruments like the Guitar and Harmonium. This is the kind of music you want to wake up to. And Rahat’s magical vocals will linger long after you have heard this one.

Naina – Omkara

If you want to mope in a corner post a bad heartbreak, this song that will help you drown in self pity. Moody, brooding and romantic, Khan conveys the pain of betrayal aptly in this Bharadwaj composition. There is a video of a live performance of this track on You Tube. Watch it to see the maestro in action - it’s an exhilarating experience!

Ajj Din Chedeya – Love Aaj Kal

If there is one melody by Khan that will brighten your day, it’s this breezy track from Love Aaj Kal. Soaked in Punjabi flavoured lyrics, Khan ‘s rendition is touching plea from the heart for a loved one. Be warned though, this track is guaranteed to be played on repeat.

(Other notable solo songs by Khan : Main Jahaan Rahoon – Namastey London, O re Piya – Aaja Nachle, Aas Paas Khuda – Anjaana Anjaani)

Music Review: 7 Khoon Maaf

2011-02-08T20:43:00.000-08:00

Darling (Usha Uthup, Rekha Bharadwaj) inspired by the Russian song ‘Kalinka’ is one of the most flamboyant songs in recent times. It’s hard to not get swayed by the exuberance of this delightful number. The singers especially Uthup add to the festive spirit with their infectious rendition of what looks like a sure-fit hit! Doosri Darling is a slower, more dramatic version of the original, but equally appealing.

Bekaraan (Vishal Bharadwaj) is a dream. Bharadwaj’s soft vocals and Gulzar’s nazm transport you to some kind of romantic heaven. Legendary violin maestros Ganesh-Kumaresh add a dazzling classical piece in one of the interludes, which only heightens the joy of listening to this breathtaking number. Gulzar’s lyrics grab you by surprise in O’Mama (KK, Clinton Cerejo). Who else would pen words like ‘ek meow si ladki’! KK moves into Vishal Dadlani territory here and is explosive in his rendition of this high pitched rock number. In complete contrast is the acoustic version, a subtle & soft ballad.

Niladri Kumar’s exquisite Sitar piece is one of the highlights of Awaara. Master Saleem’s poignant vocals compliment Bharadwaj’s Sufi styled composition perfectly. An intoxicating fusion of Indian classical and Middle Eastern sounds, Awaara is super addictive. A must-hear! Bharadwaj has always got the hugely talented and under- utilized Suresh Wadkar to sing in all his films. Here, Wadkar makes his appearance in Tere Liye, a soothing love song and does full justice to it. Yet another prominent feature in this track is the presence of Pandit Vishwa Mohan Bhatt with his Mohan Veena.

Dil Dil Hain explodes almost angrily with Suraj Jaggan’s powerful vocals, but doesn’t quite have the spunk to engage. And Yeshu (Rekha Bharadwaj) is a heart-rending prayer depicting the plight of the protagonist in the film.

If you are an admirer of the Bharadwaj/Gulzar combo, the soundtrack of 7 Khoon Maaf will surely not disappoint you.

Bollywood's Biggest Dance Anthems of 2010

2010-12-29T06:06:00.000-08:00

As December comes to a close, we take a look at some of the biggest songs that burnt the dance floors this year.

Munni Badnaam(Dabangg)

This cracker of an item number was the undisputed song of the year. Just like its predecessors Beedi Jalaile and UP Bihar, Munni had the vigour to whip up mass hysteria at the cinemas. Lesser known singers Mamta Sharma and Aishwarya were boisterous in their delivery of this Lalit Pandit composition and the lyrics with references to Big B, Saif Ali Khan, Shilpa Shetty and Kareena Kapoor were corny yet fun. And actress Malaika Arora scorched the screen with her sizzling moves to make this racy number the biggest chartbuster of the year!

Sheila Ki Jawani (Tees Maar Khan)

Giving Munni stiff competition for the title of the number one item song of the year was Sheila Ki Jawani. Though the song had the right ingredients – Sunidhi’s sexy vocals, energetic drums, an infectious Harmonium hook and a dash of qawwali – there was something lacking and one felt that the composition didn’t live up to the dramatic title of the song. But the gorgeous Katrina Kaif more than made up for that shortcoming. In a never before seen avatar, the actress gyrated and danced like a dream catapulting this track to chartbuster status!

Dhanno (Housefull)

Remember the monster hit Apni To Jaise Taise from Prakash Mehra’s Laawaris? Shankar, Ehsaan and Loy gave this classic chartbuster a new twist and repackaged it as Aapka Kya Hoga – Dhanno. Mika Singh and Sunidhi Chauhan clearly had blast singing this one and the younger generation who were not familiar with the original loved it in its new form.

Gal Mitthi Mitthi (Aisha)

Trivedi composed the music for Aisha, possibly his most mainstream soundtrack. The score had many little gems, but the one that got everyone on their toes was the full on Punjabi number Gal Mitthi Mitthi. Trivedi innovatively layered his sounds including the Shehnaai to create a ‘Club meets Bhangra’ dance track, which had sure-fire hit written all over it. Singer Tochi Raina added solid Punjabi flair to his rendition to make this number one of the most popular songs of the year

Uff Teri Ada (Karthik Calling Karthik)

Uff Teri Ada was the quintessential Shankar Ehsaan Loy dance number – hip and groovy! Alyssa, daughter of Loy Mendonsa made a rocking debut with this song. Shankar added a touch of classical flair to his rendition which contrasted beautifully with Alyssa’s stylised vocals! This funky dance track found a place in every DJ’s playlist and was heard on repeat at several clubs across the nation.

Other notables chartbusters: Zor Ka Jhatka (Action Replayy), Love Sex aur Dhoka title track, Anjaana Anjaani title track, Ainvayi Ainvayi (Band Baaja Baaraat)

Music Review : Tees Maar Khan

2010-12-01T06:00:00.000-08:00

The Queen of the marquee is back! After two resounding musical successes, Main Hoon Na and Om Shanti Om (OSO), Farah Khan returns with her latest offering Tees Maar Khan. Starring the current box-office darling Katrina Kaif and Akshay Kumar, the film promises to be a full blown masala entertainer. Vishal-Shekar who composed the hit soundtrack of OSO, return as the music directors. There has been a lot of expectation from this soundtrack and it’s time to check if the album is worth the hype.

Tees Maar Khan, the title track written and composed by Shirish Kunder features Sonu Nigam in 54 different voices. Sonu is an accomplished singer and one of our finest, but this song showcases his versatility more as a mimicry artist than a singer. Lavishly mounted, Kunder’s tune is entertaining with a catchy signature hook and enough comic appeal to make it popular especially among the kids.

Touted as the number one item song of the year, Sheila Ki Jawani has the thump to get you grooving. The ingredients are all in place – Sunidhi’s sexy vocals, energetic drums, an infectious Harmonium hook and a dash of qawwali – but the tune doesn’t quite live up to the dramatic title of the song. While the track will find popularity, it’s unlikely to evoke the kind of mass hysteria spread by Dabangg’s Munni Badnaam.

Wallah Re Wallah (Shekar Ravjiani, Kamaal Khan, Raja Hassan, Shreya Ghosal) has the vigour but lacks the charm of an entertaining qawalli. Hopefully Salman Khan’s appearance along with the film’s leads will make it more appealing on the big screen. The lyrics of Badey Dilwala (Shreya Ghosal, Sukhwinder Singh) shower praises on the protagonist but the folksy tune is startlingly pedestrian. Happy Ending (Harshit Saxena, Abhijeet Sawant, Prajakte Shukre, Debojit Saha) features prominent participants from various reality singing shows on TV and that sadly is the only USP of this lacklustre song.

Verdict: Disappointing

Music Review: Action Replayy

2010-10-27T04:38:00.000-07:00

Zor Ka Jhatka packs a solid punch from the word Go! Daler Mehndi and Richa Sharma infuse such high energy into this number, that it’s impossible to stop grooving. The song takes a fun look at the perils of marriage and has all the makings of a sure-shot chartbuster. There is a remix version by Master Saleem, which sounds dull compared to Mehndi’s full throated vocals in the original. Shreya Ghoshal is exquisite in O Bekhabar - her saccharine voice is the reason this song works so well. Fashioned after love songs from the 70s, this melodious number also clicks due to Kamil’s romance soaked words.

Chhan Ke Mohalla brings back memories of Laxmikant Pyarelal’s music! This festive number has a strong Indian flavour to it, which has been missing for a while in our film music. Sunidhi Chauhan rocks it with her perfect delivery and the chorus is infectious, making this song another possible chartbuster. Tera Mera Pyaar (Karthik, Mahalakshmi Iyer, Antara Mitra) seems like a dream sequence number that will be filmed around snow capped mountains and valleys. The lyrics are ordinary, but the soothing melody and some fine singing make this an enjoyable ballad.

Nakhre is an ode to the rocking seventies. Francois Castellino tries an impersonation of Elvis Presley and his unconventional voice adds to the appeal of this retro dance track. Pritam also whips up a catchy chorus here that sticks in your head. I Am Dog Gone Crazy inspired by the rock numbers from the swinging 70s with Suraj Jagan lending the vocals has zing!

Luk Chup Jaana is largely KK’s show but it’s Tulsi Kumar recurring one line mukhda that makes this rock based number exciting. Mika’s Dhak Dhak Dhak and Shreya Ghoshal’s Baki Main Bhool Gayi don’t quite engage - the former in spite of its frenetic pace sounds dull and the latter is strictly ho-hum.

Music review : Anjaana Anjaani

2010-09-02T03:03:00.000-07:00

There is a lot of buzz around the music of Anjaana Anjaani and rightfully so. The team of director Siddharth Anand and music directors Vishal-Shekar have earlier given us entertaining soundtracks in Salaam Namaste, Ta Ra Rum Pum and Bachna Ae Haseeno. Anjaana Anjaani which marks their fourth outing together is pegged as a romantic musical. Interestingly the composers have also turned lyricists for most of the numbers in this album.

Anjaana Anjaani Ki Kahani (Nikhil D’Souza, Monali) manages a modest recovery after an insipid start (All the Anjaanas say yeah yeah sounds passé). The singers especially Monali add sufficient zing to their rendition to make this fast paced 70s style disco number quite enjoyable. In contrast the other title track Anjaana Anjaani warms your heart on the first hearing itself. This soft rock ballad sung brilliantly by Shilpa Rao and Vishal is relaxed in pace and has an aura of sadness to it.

When one spots Rahat Fateh Ali Khan’s name on the credits, there is an apprehension of listener fatigue setting in because every second song these days is sung by him. But Aas Pass Khuda turns out to be a poignant experience, largely due to Vishal-Shekar’s lyrics that extol the power of the almighty.
This slow and subdued track has an unplugged version (Shruti Pathak & Khan) that sounds even better than the original.

Lucky Ali who rarely sings these days makes a dramatic comeback in the racy, energetic Hairat. His distinctive vocals pack a solid punch here making this track one of the best in the album. I Feel Good by Vishal and Shilpa Rao with lyrics by the former is a bouncy romantic track that bursts with the energy of youth!

But the pick of the album is Tujhe Bhula Diya - you are hooked the instant Shruthi’s vocals kick in. With minimal accompanying instruments, she sets a brilliant premise for Mohit Chauhan to join in. And in his trademark flamboyance (even anglicising the way he says Tujhe) Mohit sings his bit with perfection. The number takes an unexpected turn with the qawwali styled chorus by Shekar Rajviani. This melancholic track works like a dream. And expectedly comes with a remix version. Tumse Hi Tumse (Shekar Ravjiani, Caralisa Monteiro) is a pleasing love song with a nice rhythm to it, but in a very boy band sort of way!

For a film that’s positioned as a musical love story, Anjaana Anjaani sure has an effervescent soundtrack.

Music Review: We are family

2010-08-18T21:10:00.000-07:00

The collaboration of Karan Johar and musicians Shankar Ehsaan & Loy has given Bollywood some remarkable songs, especially the title tracks of Kal Ho Na Ho and Kabhi Alvida Na Kehna. So when this team returns in what is probably the first official remake of a Hollywood film, expectations are huge. Big names like Sony Pictures, UTV and a star cast comprising of two of our finest actors, Kajol and Kareena only adds to the hype.

The album comprising of 5 tracks and one musical theme piece kicks off with Aankhon Mein Neendein. Rahat Fateh Ali Khan and Shreya Ghosal are quite flawless in their rendition of this sweet romantic melody but the composition is very reminiscent of SEL’s previous songs for Dharma. Good while it lasts, but not memorable. Dil Khol Ke Let’s Rock apparently is director Siddharth Malhotra’s tribute to Elvis’s Jailhouse Rock. After Pretty Woman this is the second time SEL are creating a tribute. Though not as spunky as the original, Let’s Rock is still enjoyable, largely due to the singers – Anuskha Manchanda, Suraj Jagan and Akriti Kakkar who clearly are having a blast.

Hamesha Forever is a tranquil romantic melody that in some portions reminds of gospel songs sung in churches, especially the chorus bits. While it’s always good to hear Sonu Nigam and Shreya Ghosal, the tune doesn’t stick – would probably work best as a background piece. Given the high emotional content of the film, expect Sun Le Dua (credited to Bela Shinde, who sounds a lot like Shreya Ghosal) to pop up at strategic points to give you a good cry. A gentle soulful track that should again work best in the context of the film.

Reham O Karam (Vishal Dadlani, Shankar Mahadevan) lifts your spirits with its poignant lyrics and powerful vocals. The track that starts off gently segues seamlessly into a soft rock number. We are Family theme is an instrumental piece based on Sun Le Dua.

The soundtrack seems like it may blend in beautifully with the screenplay of the film, but as an independent album, the music of We are Family struggles to entertain.

Music Review: Dabangg

2010-08-18T21:04:00.000-07:00

The soundtrack of Dabangg opens with one of the most melodic tunes in recent times Rahat Fateh Ali Khan’s Tere Mast Mast - a Sufi style ballad that hooks you instantly. Composers Sajid-Wajid set Faiz Anwar’s simple words in a soulful tune and create a song that leaves a lasting impact on the listener. The version with Khan and Shreya Ghosal is equally gorgeous.

Munni Badnaam is a cracker of an item number! And like Beedi Jalaile and UP Bihar, this one too has sufficient vigour to whip up mass hysteria at the cinemas. The lyrics with references to Shilpa Shetty and Kareena Kapoor are corny and fun. Composed by guest music director Lalit Pandit (of Jatin-Lalit fame), this racy number is a definite chartbuster!

Chori Kiya Re Jiya is a saccharine sweet melody by Sonu Nigam and Shreya Ghosal. Since the singers are experts at romantic numbers, they deliver this one too with complete finesse, but it’s the composition that fails to hit the right notes and ends up like lobby music – pleasant but bland.

The Dabangg theme is a Latino inspired music piece interspersed with Salman’s paisa vasool dialogues that’s rip roaring fun especially if you are a fan of the macho star. What is strange though is why Sajid-Wajid would compose Hud Hud Dabangg which seems totally inspired from Vishal Bharadwaj’s powerful Omkara title track. And the fact that they have chosen Sukhwinder Singh who sang the original, to render this track too doesn’t help their cause.

Humka Peena Hain (Wajid, Master Saleem, Shabaab Sabri) is the trademark daaru song that would probably be fun to watch on the screen thanks to the lead’s crazy antics, but as a stand-alone number falls short of the mark.

Except for the two sure fire hits, Tere Mast and Munni Badnaam, the rest of the album is run of the mill.

Music Review : Aisha

2010-08-02T01:11:00.000-07:00

Rejoice. With Aisha, Amit Trivedi delivers yet another cracker of an album!

The title track hooks you from the word go. Trivedi uses a melange of instruments, noticeably the trumpet to create a super addictive tune – Aisha is frothy, stylish and fun. He is also terrific as the main lead in this number and is ably supported by Nakash Aziz and Ash King. The song has an irresistible charm to it and does a fantastic job eulogizing the protagonist of the film, Aisha.

Tochi Raina (last heard in the male version of Iktara in Wake up Sid) sings Gal Mitthi Mitthi with total Punjabi panache! Trivedi innovatively layers his sounds which includes the Shehnaai to create a ‘Club meets Bhangra’ dance track, which has sure-fire hit written all over it. The number has also been remixed by DJ Lloyd and Discreet as Gal Mitthi Mitthi – the Bombay Bounce Dhol Mix which seems more like a last minute inclusion and is not a patch on the original song.

Sham is pure magic! Though Akhtar’s words are beautifully simple, it’s the singing that draws your attention here. Nikhil D’Souza and Amit Trivedi, both unconventional voices are exceptional in their rendition. Some nifty guitar play and a catchy chorus (backing vocals: Neuman Pinto) make this soft ballad a joy to listen to. In complete contrast is Behke Behke, a foot-tapping number that is wildly infectious. Trivedi makes brilliant use of Spanish elements and the accordion to make this track an immediate winner. Anuskha Manchanda sparkles in her rendition - Bollywood could definitely use more of this sprightly talent - and giving her superb company are Samrat Kaushal and Raman Mahadevan.

Lehrein drowns you in sweet melancholy. Anusha Mani (of Lazy Lamhe fame) is flawless in her rendition of this heartbreak song. Trivedi uses the violin brilliantly to make this a haunting number. For once the remix version, Lehrein Remix – the Bombay Bounce Lounge Mix is subdued, enhancing the appeal of the original. By the way (Anuskha Manchanda, Neuman Pinto) perhaps the weakest composition in this album, is a chic party rockish song that’s fun largely due to Manchanda’s spunky vocals.

With Mithoon (Lamhaa) and Amit Trivedi (Udaan, Aisha) one can be assured that the future of Hindi film music rests in good hands.

Music Review : Peepli LIVE

2010-08-02T00:57:00.000-07:00

Peepli Live is the latest offering from Aamir Khan Productions. The film’s humorous promos have already caught the public’s attention, which is almost unbelievable given that the film stars a bunch of new faces. But what’s truly commendable is the use of folk music in the film’s soundtrack. The album showcases the rich rural talent we have in our country that is often sidelined in our films.

Chola Maati Ke Naam is a folk tune by the Adivasis of Mandla in Chhattisgarh. This philosophical song written by folklore poet Gangaram Saket has been composed and sung by Nageen Tanvir. Though the lyrics are in Chhattisgarhi, it’s simple enough to understand that the song speaks about the inevitability of death. Theatre artiste and classical singer Tanvir’s magical voice makes this spiritual number quite a haunting one.

Mehngai Daiyan couldn’t have been timelier given the heated discussions over price rise all across the country. Raghuvir Yadav sparkles as the lead singer while the Bhadwai Village Mandali provides the chorus. The lyrics though fun make a strong point about how soaring prices affect the life of the common man. Again the tune is folksy but catchy. Ram Sampath does a splendid job with the remix version of this track giving it a more universal appeal.

India’s finest contemporary fusion band Indian Ocean has composed two songs in this album – Des Mera and Zindagi Se. Des Mera, a portrait of modern India with all her quirks and joys is a tweaked version of the same song from their earlier album Jhini. Zindagi Se on the other hand is a more sombre, dramatic number about courage. This song is a poem by Pakistani poet Noor Meem Rashid and Indian Ocean gives it an interesting rock twist.

Peepli Live is unlike any Bollywood soundtrack you would have heard - an album filled with rustic, rock and folk sounds. It’s a niche album, but a nice one.