Guys, I promise, these things are really cool to toy around with, and I’m very excited to finally get to show off my handiwork! Suckers are hard to make. Anyway, maybe someday I’ll put some of the content here, but to be honest, I’m not really sure how that would even work.

Hot dog, new art! This here’s an endpage for issue #1 (which is all wrapped up), and I can share it because it has nothing to do with the plot, you lucky ducks, you.

And what’s more, I’m knee-deep in a fancy new minicomic that I really think people will enjoy. I’m told it’s innovative, but we’ll see, won’t we?

ANYHOW.

The big news is that yours truly is working with the good folks at Slave Labor Graphics, handling art duties on your soon-to-be new favorite miniseries! Now how about that? More info forthcoming, but here, have an incidental character:

In other news, my new sketchbook has picturesque forest critters on it.

GAH, after class critique I know three small changes that can make this ten times easier to understand. I’ll get to it eventually, perhaps if I ink these.

Anyway, Vis 1 Final.

From a script by Richie Daley.

Ah, these too. From a Bartman script by Chuck Dixon. Penciled for Vis1 and Inked for…Inking.

Oops, I’ve gotten a bit behind on my posting. These are from a few weeks ago, but I just got to a large scanner this weekend.

Page from “Gotham by Gaslight” for Vis 1. I’m awfully proud of this one.

More inking exercises, this time with a brush. I’m particularly fond of that last one.

Reference:

Proboscis Monkey, creative commons from Austin King.
Egg Beater from Chris New.
Mercury 7 from public records.
Gunslinger from me.

These are some quick crowquill drawings for Advanced Inking Techniques. We’re moving on to brush now, and, despite my relative unfamiliarity with the tool, the next batch is looking nicer so far.