Part of it, for me is being hit by crossover burnout hard this week — 3 different “Night of the Owls” tie-ins, which, basically, all have the exact same story, three from AvX (more on that later, I suspect), and two parts of “The Culling”, which, surprisingly, isn’t leaving the involved books cancelled. Ugh.

(I think I’ve mentioned before that I kind of have to get through the shittier books first each week, before I “let” myself read the presumed good ones, because otherwise I’d never read much of the superhero books, and, then, wouldn’t be able to do my job as effectively.)

There’s only two things I read that I feel like saying anything about this week…. but first, a late-ish movie review!

AVENGERS:  because we’re in the last week’s of elementary school right now in San Francisco, things are crazy hectic with performances and other end-of-the-year stuff, so I didn’t get to see this until this weekend. On the upside, I got to see it with two eight-year-old boys, which was kind of awesome in and of itself.

I don’t think it’s any real surprise after the film has made One. Billion. Dollars!….but, jeez, what a terrific film! I walked out thinking “Oooh, I want to see that again”, and I’ve already had one customer in the store tell me he’s seen it six times so far. Yikes!

What I think I like the most about it is just how strong the script was, giving every character plausible character arcs, a place to drive the greater plot, and a moment to shine with how awesome the characters are. That’s a crazy hard trick.

It also worked remarkably well as a Classic Marvel Comic Book — it’s absolutely a continuation of various threads from other movies, but if you never saw those movies, everything you might need to know is clearly spelled out in both dialogue and action — worked better, in fact, most current Marvel comics do in that regard!

Honestly, most big budget blockbuster movies are usually ultimately shallow affairs more about spectacle, but Avengers very nicely ties all of it’s set pieces to individual character’s arcs.

The action is big and crazy and maybe even, post 9/11, a bit disturbing, but it’s also very well shot and staged, and things are almost always clear as a bell of what is happening. It also showed just how terrifying super-humans can be as engines of utter destruction.

I really think this might just be the most perfect super-hero film ever made — it has as much brains as brawn, and it juggled a gargantuan cast of characters with the utmost of aplomb.

There were a few things I didn’t really like — I thought Scarlett Johanson was really kind of one-note/look through the whole thing. And I don’t believe her as a Russian even one bit. I also thought the new Cap mask looked pretty bad. I thought Hawkeye’s arc was weakest (though it tried really hard to find a way to make “real” Hawkeye’s “reformed villain” origins work in movie continuity), and took him off the board for too much of the film. I thought the death in the movie was kind of uneeded, and the “hey, we got blood all over your nostalgia!” was a bit off-note for the rest of the film. But, hell, those are all just quibbles really. None of that could possibly take away from my consensus that this was an EXCELLENT movie!

Joss Whedon should now be allowed to do whatever he wants, however he wants (though that’s been true for years), for doing such a loving job in bringing to the screen such a remarkable version of Stan Lee & Jack Kirby’s (among many others) creations.

Just two comics I want to talk about, as I noted, so here we go:

TRIO #1: Here’s one of those weird riddles of comics and ownership and all of that. John Byrne is well beloved for his run on FANTASTIC FOUR, a run which certainly couldn’t have been without Lee & Kirby before him. Byrne doesn’t/can’t work at Marvel any more, but many people seem to want nostalgia from their superhero works, and they’re sad he can’t draw FF any longer. Ah ah, but what if Byrne instead came up with something that was remarkably LIKE FF, but wasn’t legally-actionably the same, huh? There’s a brute made out of stone, and a character that both stretches and turns invisible, and they’re fighting some sort of a sea ruler and… well it hits every note just right, but it’s just enough different. I’d almost say it’s like “What if Paul McCartney, rather than Neil Innes, formed The Rutles?”

So if you want to read Byrne doing the almost-FF (and, if you like action adventure “classic” Marvel-style comics, yeah you probably do), then this is certainly the thing for you. I thought it was pretty GOOD.

WALKING DEAD #97: I’m not afraid to say that I think TWD has been a smidge off its game the last few months, with the super-crazy-hyper competent ambassador from the big settlement really feeling kind of out of place, but now that we’re starting to think about starting to work through a “Big Bad” again in the form of Negan, I’ve lost most of my hesitation. This arc is looking as strong as the book has ever been, which is great because this is the first issue that will come after the second compendium ends (and/or v16), and is a great place to jump on to the monthly reading experience. This was VERY GOOD.

OK, time to go get ready for the NEXT week’s worth of comics…

What did YOU think?

-B

Related posts:

1. Better late than never: Hibbs on 8/23
2. Not exactly the Hat Trick: Hibbs on late comics
3. Sorta reviews from 3/9′s comics

(Visual from Art Spigelman’s piece on Maurice Sendak unrelated to this episode, but I adore it too much to ignore it!)

Hail and well met, fellow Whatnauts! Sadly, my M.O. of dashing something off in a state approaching sheer terror continues as I managed to put this together in time to hit all of our deadlines but with unexpected side-effect of stripping my soul down to its most bald-tiredian self. Forgive me, won’t you?

But, hey, at least as a result you get to dig into the nougaty goodness that is Wait, What? Ep. 86. Packed with seven essential vitamins and minerals, the latest episode of Graeme and I answering your questions is part of this complete breakfast. [Quick shot of podcast next to two eggs, bacon, a nutritional shake, vitamin c supplements, orange juice, a package of Mark Ruffalo cheesestraws, half a grapefruit, a small Caesar salad, three strips of cooked lean fish, half a pound of spinach and kale, and a small palmful of acai berries and organic cocoa.]

For almost two hours and fifteen minutes, the McMeister and I talk San Diego Comic Con, Joss Whedon, trolling, Radiolab, the nicest people in comics, Scott Morse, Walt Simonson’s Orion, The New 52 free comic book day book, Greg Rucka, Books of Magic, Superman’s heat vision, Chris Roberson’s Memorial, comic book pricing, how we would spend twenty dollars on digital comics, our favorite cheesecake artists, Gail Simone, Brian Woods’ The Massive, Jim Shooter and world-class editors, Jim Steranko, 20th Century Boys and Bakuman.

And more? Yes, more.

Some of you have perhaps already booked a seat at this fine feast via the magic of iTunes. But if not, we invite you to tie a napkin around your neck Tex Avery-style and dig right in:

Wait, What? Ep. 85: Defending Your Life

As always, we appreciate your continued patronage and hope you find the meal to your liking!

Related posts:

1. Wait, What? Ep. 72.1: ‘Cause of a List For Life…
2. Wait, What? Ep. 76: Dares, Wins
3. Wait, What? Ep. 59.1: Only in Our Dreams

ACTIVITY #6
ADVENTURE TIME #4
AMAZING SPIDER-MAN ENDS OF EARTH #1
ARCHIE DOUBLE DIGEST #229
ARMY OF DARKNESS ONGOING #4
ATOMIC ROBO REAL SCIENCE ADV #2
AVENGERS #26 AVX
AVENGERS ACADEMY #30 AVX
AVENGERS BLACK WIDOW STRIKES #2 (OF 3)
AVENGERS VS X-MEN #4 (OF 12) AVX
AVX VS #2 (OF 6)
BATWOMAN #9
BIRDS OF PREY #9 (NIGHT OF THE OWLS)
BLUE BEETLE #9
BPRD HELL ON EARTH DEVILS ENGINE #1 (OF 3)
CAPTAIN ATOM #9
CATWOMAN #9 (NIGHT OF THE OWLS)
CONAN THE BARBARIAN #4
DANCER #1
DANGER CLUB #2
DAREDEVIL #13
DARKNESS #103
DC UNIVERSE PRESENTS #9
DEAD OR ALIVE #4 (OF 4)
FANTASTIC FOUR #605.1
FURY MAX #2
GLORY #26
GREEN LANTERN CORPS #9
GREEN LANTERN THE ANIMATED SERIES #2
GRIMM FAIRY TALES #73
HARDCORE #1
HELL YEAH #3
HELLBLAZER #291
HULK SMASH AVENGERS #3 (OF 5)
INCREDIBLE HULK #7.1
INVINCIBLE IRON MAN #517
JOHN CARTER GODS OF MARS #3 (OF 5)
JUGHEAD #213
JUSTICE LEAGUE #9
JUSTICE LEAGUE #9 VAR ED
LEGION OF SUPER HEROES #9
LOCKE & KEY CLOCKWORKS #6 (OF 6)
MANHATTAN PROJECTS #3
MONDO #2 (OF 3)
NEW MUTANTS #42 EXILED
NIGHTWING #9 (NIGHT OF THE OWLS)
NINJETTES #4
NOWHERE MAN #3 (OF 4)
PLANET OF THE APES #14
RED HOOD AND THE OUTLAWS #9 (NIGHT OF THE OWLS)
RESET #2 (OF 4)
SAGA #3
SAUCER COUNTRY #3
SCALPED #58
SECRET HISTORY OF DB COOPER #3
SECRET SERVICE #2 (OF 7)
SHADE #8 (OF 12)
SHADOW #2
SIMPSONS COMICS #190
SIXTH GUN #22
SONIC UNIVERSE #40
STAR WARS DAWN O/T JEDI FORCE STORM #4
STEED AND MRS PEEL #5 (OF 6)
SUPERGIRL #9
THIEF OF THIEVES #4
THUNDERBOLTS #174
UNCANNY X-MEN #12 AVX
VALEN OUTCAST #6
VENOM #18
WINTER SOLDIER #5
WONDER WOMAN #9
X-FACTOR #236

Books / Mags / Stuff
ALTER EGO #108
ALTER EGO #109
AVENGERS CONTEST TP
BACK ISSUE #56
BATMAN BRUCE WAYNE THE ROAD HOME TP
CATWOMAN TP VOL 01 THE GAME
COLDEST CITY HC
COMPLETE CHESTER GOULDS DICK TRACY HC VOL 13
DEADENDERS TP
DIRTY GIRLZ GN (A)
EERIE ARCHIVES HC VOL 10
FABLES TP VOL 01 LEGENDS IN EXILE NEW ED
FAIRY TALES OF OSCAR WILDE SC VOL 01 NEW PTG
GRANT MORRISON TALKING WITH GODS SPEC ED DVD (NET)
GREEN LANTERN BRIGHTEST DAY TP
GREEN LANTERN HC VOL 01 SINESTRO
HEAVY METAL MAY 2012  (NOTE PRICE)
JURASSIC PARK DANGEROUS GAMES HC
KAMEN GN
MARVEL UNIVERSE VS WOLVERINE TP
MOON KNIGHT BY BENDIS AND MALEEV PREM HC VOL 02
NEW AVENGERS BY BRIAN MICHAEL BENDIS PREM HC VOL 03
WOLVERINE AND BLACK CAT CLAWS 2 TP

What looks good to YOU?

-B

Related posts:

1. Arriving 5/9/11
2. Arriving 5/2/2012
3. Arriving 3/24/2010

Urrrrrhhhh! Let’s take the Sunday Blues away with some piffle about our four colour floppy friends! COMICS!!!

SUPREME #64
Art by Erik Larsen & Cory Hamscher
Written by Erik Larsen
Coloured by Steve Oliff
Lettered by Chris Eliopoulos
Image Comics, $2.99 (2012)
Supreme created by Rob Liefeld

Hu-ooFF! Well, that was horrible. As a comic, I mean. Look, I don’t have a problem with a change in direction and it’s a little soon to tell if I have a problem with this particular change in direction, but I have a problem with a bad comic which this was. Just page after page of people dying, things falling over, plenty of, as my son would say, “‘splodin‘!!!”. I hate to break thi sto everyone but that’s not actually a story as such. Sigh. I don’t have much familiarity with Erik Larsen’s work (the ’90s? Not really my best time for comics)  so I’m not counting him out yet. Yeah, maybe Erik Larsen can swing this one around. I’ll give him a couple more issues to do so. Turns out I’m that close to generous but this issue was pretty EH!

Reckon them’s fightin’ words and wanna show me just how wrong I am? Well, you can buy this exact comic from  HERE!

FURY MAX #1
Art by Goran Parlov
Written by Garth Ennis
Coloured by Lee Loughridge
Lettering by Rob Steen
Marvel,$3.99 (2012)
Nick Fury created by Jack Kirby with Stan Lee

I don’t know what they are feeding Garth Ennis on these days but the comics he’s producing would be Type 3 or 4 on The Bristol Stool Scale; this being as we all know optimal. In a worrying state of affairs Ennis has now produced two comics (see last week’s THE SHADOW) which are set in  convincing historical settings, peopled by satisfyingly sketched characters and which succeed in being both informative and entertaining. Which is why I had to bring my own shit joke to the party lest his regular, heh, audience feel at at a loss. Taking the first chapter’s title from TheThe softened my hardened heart but going on to deliver an intelligent, amusing and diverting comic  is what really sealed the deal here.

Ennis is helped no end by the astonishing art of Goran Parlov. Goran Parlov is the kind of artistic wonder who can limit himself, largely, to the most banal of page layouts without inspiring new lows of tedium in my mind. He can do this because everything he puts in those panels is just right. It doesn’t hurt that his present day Fury looks  so gnarled and battered he resembles 19th Century armoire smoking a cigar while clad in plaid slippers and a fluffy robe. Yeah, this was VERY GOOD!

(Yes, I am aware Nick Fury was created by Jack Kirby with Stan Lee and that I said I wasn’t going to purchase any more Marvel products which failed to acknowledge the contributions of The King.  Either my LCS forgot or decided that my professed liking for Garth Ennis’ non puerile work and Goran Parlov’s anything superceded this. Okay? Either way I got a good comic and I still think it could have had the words “created by Jack Kirby and Stan Lee” on it without upsetting the balance of Life itself.)

TRIO#1
Written and Drawn by John Byrne
Coloured by Ronda Pattison
Lettered by Robbie Robbins
IDW, $3.99 (2012)
Trio created by John Byrne

Mark the time. The super-hero funnybook is dead. I’m surprised to find John Byrne’s DNA on the corpse but then it’s always the ones that love hardest that end up hating enough to kill. I’m a bit sore because I lost my shirt on this one; my money was on one of the TV Breed. One of those guys who just keep parping it out until the comics cognoscenti just give in and allow quantity to supercede quality. Yeah, I figured the smoking gun would be in the clammy hands of  one of those guys with all the imagination of an empty cardboard box, one of the dialogue guys, one of the post-it notes and flow-chart guys, y’know, the sophisticated guys. But like the most surprising game of Comics Cluedo ever, in the end it was John Byrne in the LCS with The Fantastic Faux. A super team of characters called “One”, “Two” and “Three” could only mean one thing; the death of imagination.

But look, in his defence, no one loved the super-hero funny book as much as John Byrne. He loved it so much he hid it away and protected it from reality. Up there in the big house with the pool. Pretending nothing had changed and if it had, well, it wouldn’t last. See, John Byrne knows super hero comics are still big it’s just the audience that got small. You just have to give ‘em comics like back when they loved them. Back in the ’80s. The magical hey-day of ALPHA FLIGHT! This isn’t a comeback it’s a return, it’s the return of cape comics, the return of the way they should be done, the return of the way they were done when they were done right.  It’s the return of an ’80s issue of ALPHA FLIGHT. Sure, it’s the best issue of ’80s ALPHA FLIGHT ever published but it’s still just an ’80s issue of ALPHA FLIGHT. It’s now 2012. Here’s the corpse of super-hero comics now, caked in make-up, going on eighty trying to pass for eighteen. Nothing sadder. Sure, it may be EH! but they’ll love it in Pomona.

You can prove the audience for this comic didn’t leave twenty years ago by buying it from HERE!!!

FATALE #5
Art by Sean Phillips
Written by Ed Brubaker
Coloured by Dave Stewart
Image Comics, $3.50 (2012)
Fatale created by Ed Brubaker and Sean Phillips

Well, I gave it 5 issues and I was hoping this one would turn it around. It didn’t. A spooky rinser, people in hats swearing and a demon who can come back from the dead but can’t bring back his eyes. I guess you could say it was a bit like James Ellroy meets H.P. Lovecraft, y’know, if they’d both had flu at the time, or you’d only seen the covers of their books, or you had in fact never actually read them just read about them. In the end FATALE pretty much ended up being the John Byrne’s TRIO of independent creator-owned comics. Familiar stuff delivered familiarly; that’s not going to make me run about like my underpants are on fire no matter who is involved. Sure, I’m all for Team Independent but not if they are as bland as the alternative. Being creator owned is a magical thing but for a reader comics still have to be better than EH!

Possibly not the most popular opinion regarding this comic book! Why not make up your own mind by purchasing if from HERE!

MUDMAN #3
Written and Drawn by Paul Grist
Coloured by Bill Crabtree
Image Comics, $3.50 (2012)
Mudman created by Paul Grist

Wait! I’m getting a pulse! turns out the cape comic isn’t dead after all, it just has to keep up with the times is all. This one’s about a normal kid in a timelessly sleepy English seaside town who is, through events and stuff ,suddenly not normal in a way that involves mud and being a man made thereof. It’s got a breezy lightness of tone that might work against it; sometimes it seems not a lot has happened but really quite a lot has. As Owen Craig (Mud Man when he’s not Mud Man) finds his powers have opened up new possibilities for him physically the environment around him seems to change in concert. Using the fixed point of Owen’s discoveries as the present Grist fills in the Past and hints at the Future while parts of each encroach on Owen’s life and, as is generally the way of things, threaten it.

Grist is really good at keeping the tone light while at the same time giving the threats real weight.  He also excels at teasing about future developments; so much so that the next issue just can’t get here quick enough. But what Grist is best at is storytelling; in the words and pictures sense, natch, this being a comical periodical and all. He may be a bit too good at it because reading the comic is so effortless, practically intuitive, that it’s quite likely the reader might forget to credit the incredible talents and the deft wielding of same that made it so. From soup to nuts, from top to tail, from mud to man MUD MAN is VERY GOOD!

Or is it? Find out by buying it from HERE!!!

And we’re done. If you’re going to hang about don’t forget to lock up and put the key back through the letterbox.

Have a good weekend and always remember COMICS!!!

Related posts:

1. “Let Him Be A Child A Little Longer.” COMICS! Sometimes They Are Diverse!
2. “Clod. I Have WEAPONS…” Comics! Sometimes They Are Almost Fresh!
3. “And Kindly Remove Your Pelvis…” Comics! Sometimes They Are A Lot Like Last Time But Newer (John Carter pt.2)!

I’m a little behind on writing reviews (as I pretty much haven’t read any comics yet this week [it's been hectic], but I expect I’ll get something up BEFORE the next batch arrives, just watch me!

-B

Related posts:

1. Want to see BATMAN BEGINS for free?
2. And this makes 7 of 7.
3. The train keeps rolling: Hibbs’ 4/11

Okay, then. Slight delay but none of us are quite the worse for wear, right?

No related posts.

Very, very sorry about this: hit some snags in editing Wait, What? Ep. 85 (essentially, far too many family and friends visiting at one time) and so the episode will not be available until, um, maybe late Wednesday afternoon?

(There’s a slim chance it’ll be ready by first thing Wednesday morning, but that chance is mighty slim, jim.)

Anyway, just wanted to let you know.  Again, my apologies and please check back tomorrow!

Related posts:

1. Waiting For The End Of The World: Jeff Blows His Deadline
2. Wait, What? ep. 4.1: The Newness of Dull
3. Wait, What? 11.1: We’ve Got Soul, but We’re Not (Seven) Soldiers…