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		<title>The Sound of 78s</title>
		<itunes:author>Roger Wilmut</itunes:author>
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		<description>An occasional Podcast in which Roger Wilmut plays a variety of 78rpm records from his collection: including comedy, music-hall, opera, Edwardian songs and oddities.</description>
		<itunes:subtitle />
		<itunes:summary>An occasional Podcast in which Roger Wilmut plays a variety of 78rpm records from his collection: including comedy, music-hall, opera, Edwardian songs and oddities.</itunes:summary>
		<language>en</language>
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			<title>The Sound of 78s</title>
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		<category>Performing Arts</category>
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		<item>
			<title>The Sound of 78s: episode 36</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The Kit-Cat Band: &apos;Magnolia&apos; (de Sylva, Brown &amp; Henderson)
Columbia 4477 recorded London, 12 August 1927
&apos;Recorded in a Public Hall&apos;

Roy Fox and his Band (At the Café Anglais, London):
&apos;Here Lies Love&apos; (Rainger, Robin)
Recorded London, 22 November 1932
Vocal by Jack Plant

The B.B.C. Dance Orchestra, Directed by Henry Hall:
&apos;Did You Ever See A Dream Walking?&apos; (Gordon &amp; Revel)
Columbia CB699 recorded London, 12 December 1933
Vocal by Les Allen, arrangement by Phil Cardew

Bertini and the Tower Blackpool Dance Band:
&apos;Just Around The Corner&apos; (Bertini, Finch, Muriel)
Eclipse 674 recorded London, 9 April 1934
Vocal by Harry Bentley</description>
			<itunes:subtitle>British Dance Bands</itunes:subtitle>
			<itunes:summary>The Kit-Cat Band: &apos;Magnolia&apos; (de Sylva, Brown &amp; Henderson)
Columbia 4477 recorded London, 12 August 1927
&apos;Recorded in a Public Hall&apos;

Roy Fox and his Band (At the Café Anglais, London):
&apos;Here Lies Love&apos; (Rainger, Robin)
Recorded London, 22 November 1932
Vocal by Jack Plant

The B.B.C. Dance Orchestra, Directed by Henry Hall:
&apos;Did You Ever See A Dream Walking?&apos; (Gordon &amp; Revel)
Columbia CB699 recorded London, 12 December 1933
Vocal by Les Allen, arrangement by Phil Cardew

Bertini and the Tower Blackpool Dance Band:
&apos;Just Around The Corner&apos; (Bertini, Finch, Muriel)
Eclipse 674 recorded London, 9 April 1934
Vocal by Harry Bentley</itunes:summary>
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			<pubDate>Wed, 27 May 2009 08:33:59 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:53</itunes:duration>
			<itunes:keywords>dance bands</itunes:keywords>
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		<item>
			<title>The Sound of 78s: episode 35</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Joseph Joachim: Hungarian Dance in D Minor - No. 2 (Brahms)
HMV D803 recorded 17 August 1903, Berlin.
Transferred at 81 rpm: the label says 75 rpm but this is a whole tone flat.

Eugene Ysaye: Humoreske (Dvorak)
Columbia 7102 recorded 1915

Fritz Kreisler: Concerto in E Minor Op64 (Mendelssohn) - 3rd movement
With the State Opera Orchestra conducted by Dr. Leo Blech
HMV DB999/1000 recorded 1926 in the Singakademie, Berlin.</description>
			<itunes:subtitle>Three famous violinists</itunes:subtitle>
			<itunes:summary>Joseph Joachim: Hungarian Dance in D Minor - No. 2 (Brahms)
HMV D803 recorded 17 August 1903, Berlin.
Transferred at 81 rpm: the label says 75 rpm but this is a whole tone flat.

Eugene Ysaye: Humoreske (Dvorak)
Columbia 7102 recorded 1915

Fritz Kreisler: Concerto in E Minor Op64 (Mendelssohn) - 3rd movement
With the State Opera Orchestra conducted by Dr. Leo Blech
HMV DB999/1000 recorded 1926 in the Singakademie, Berlin.</itunes:summary>
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			<pubDate>Sat, 11 Apr 2009 09:36:48 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:34</itunes:duration>
			<itunes:keywords>violin, Joachim, Ysaye, Kreisler</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: episode 34</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>George Formby (Sr.): &apos;I Parted My Hair In The Middle&apos; (David &amp; Murphy)
Zonophone 1336 recorded 22 February 1914.

Clapham and Dwyer: &apos;It Isn&apos;t Cricket&apos; (Clapham &amp; Dwyer)
Columbia DB845 recorded 21 May 1932

Sophie Tucker: &apos;He Hadn&apos;t Up To Yesterday&apos; (Wright, Haines, Tucker &amp; Meskill)
Columbia 5064 recorded 28 August 1928</description>
			<itunes:subtitle>Music-hall performers George Formby Sr., Clapham and Dwyer, and Sophie Tucker.</itunes:subtitle>
			<itunes:summary>George Formby (Sr.): &apos;I Parted My Hair In The Middle&apos; (David &amp; Murphy)
Zonophone 1336 recorded 22 February 1914.

Clapham and Dwyer: &apos;It Isn&apos;t Cricket&apos; (Clapham &amp; Dwyer)
Columbia DB845 recorded 21 May 1932

Sophie Tucker: &apos;He Hadn&apos;t Up To Yesterday&apos; (Wright, Haines, Tucker &amp; Meskill)
Columbia 5064 recorded 28 August 1928</itunes:summary>
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			<pubDate>Wed, 04 Mar 2009 10:56:29 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:13</itunes:duration>
			<itunes:keywords>Formby, Clapham, Dwyer, Tucker</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: episode 33</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Luisa Tetrazzini (soprano) (1871-1940)
Grande Valse, Op.10 (Venzano)
HMV DB530 (2-053087) Victor recording, 1913

Pasquale Amato (baritone) (1879-1942)
Il Barbiere di Siviglia (Rossini): Largo al Factotum
HMV DB156 (2-052051) Victor recording, 1911

Miliza Korjus (soprano) (1909-1980)
Le Toreador (Adam): &apos;Ah! vous dirai-je, maman&apos; (sung in German)
HMV C2688 (1933)

Giovanni Zenatello (tenor) (1876-1949)
Otello (Verdi): &apos;Si pel ciel marmoreo giuro!&apos;
with Giuseppe Noto (baritone)
BIRS HMB15, live recording, Covent Garden, 17 June 1926</description>
			<itunes:subtitle>Operatic vocals from Tetrazzini, Amato, Korjus and Zenatello</itunes:subtitle>
			<itunes:summary>Luisa Tetrazzini (soprano) (1871-1940)
Grande Valse, Op.10 (Venzano)
HMV DB530 (2-053087) Victor recording, 1913

Pasquale Amato (baritone) (1879-1942)
Il Barbiere di Siviglia (Rossini): Largo al Factotum
HMV DB156 (2-052051) Victor recording, 1911

Miliza Korjus (soprano) (1909-1980)
Le Toreador (Adam): &apos;Ah! vous dirai-je, maman&apos; (sung in German)
HMV C2688 (1933)

Giovanni Zenatello (tenor) (1876-1949)
Otello (Verdi): &apos;Si pel ciel marmoreo giuro!&apos;
with Giuseppe Noto (baritone)
BIRS HMB15, live recording, Covent Garden, 17 June 1926</itunes:summary>
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			<pubDate>Thu, 05 Feb 2009 10:00:07 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:17:59</itunes:duration>
			<itunes:keywords>Tetrazzini, Amato, Korjus, Zenatello</itunes:keywords>
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		<item>
			<title>The Sound of 78s: episode 32</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Percival Mackey: &apos;Greenwich Witch&apos; (Confrey)
Columbia 3230 recorded 1923

Jelly Roll Morton: &apos;Finger Buster (Morton)
Good Time JAzz GB2256 recorded Washington D.C., December 1938

Meade Lux Lewis, Pete Johnson &amp; Albert Ammons:
&apos;Boogie Woogie Prayer&apos; (side 2) (Lewis, Johnson, Ammons)
Parlophone R2649 recorded New York, 30 December 1938

The Oscar Peterson Trio: &apos;Sweet Georgia Brown&apos; (Bernie, Pinkard, Casey)
HMV JO330 recorded 1952</description>
			<itunes:subtitle>Jazz pianists Percival Mackey; Jelly Roll Morton; Meade Lux Lewis, Pete Johnson &amp; Albert Ammons; and Oscar Peterson.</itunes:subtitle>
			<itunes:summary>Percival Mackey: &apos;Greenwich Witch&apos; (Confrey)
Columbia 3230 recorded 1923

Jelly Roll Morton: &apos;Finger Buster (Morton)
Good Time JAzz GB2256 recorded Washington D.C., December 1938

Meade Lux Lewis, Pete Johnson &amp; Albert Ammons:
&apos;Boogie Woogie Prayer&apos; (side 2) (Lewis, Johnson, Ammons)
Parlophone R2649 recorded New York, 30 December 1938

The Oscar Peterson Trio: &apos;Sweet Georgia Brown&apos; (Bernie, Pinkard, Casey)
HMV JO330 recorded 1952</itunes:summary>
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			<pubDate>Fri, 02 Jan 2009 09:54:05 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:13:18</itunes:duration>
			<itunes:keywords>jazz piano Mackey Morton Lewis Peterson</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: episode 31</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Sir Harry Lauder: &apos;That&apos;s The Reason Noo I Wear A Kilt&apos; (Lauder)
Zonophone G.O.83 recorded 17 May 1928

Billie Richardson (West Country Humourist): &apos;Soft As Oi Looks&apos; (Green &amp; Lyster)
Regal MR153 recorded 1930

Harry Weldon: &apos;The Policeman&apos; (Tindall &amp; Weldon)
HMV C981 recorded 8 July 1920
</description>
			<itunes:subtitle>Music-Hall comedians Harry Lauder, Billie Richardson and Harry Weldon</itunes:subtitle>
			<itunes:summary>Sir Harry Lauder: &apos;That&apos;s The Reason Noo I Wear A Kilt&apos; (Lauder)
Zonophone G.O.83 recorded 17 May 1928

Billie Richardson (West Country Humourist): &apos;Soft As Oi Looks&apos; (Green &amp; Lyster)
Regal MR153 recorded 1930

Harry Weldon: &apos;The Policeman&apos; (Tindall &amp; Weldon)
HMV C981 recorded 8 July 1920
</itunes:summary>
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			<pubDate>Mon, 08 Dec 2008 09:38:51 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:43</itunes:duration>
			<itunes:keywords>Lauder, Richardson, Weldon</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: episode 30</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Selection from &apos;The Geisha&apos; (Jones) - side 1 (excerpt)
The New Mayfair Theatre Orchestra
HMV BD759 recorded 1939

&apos;Abide With Me&apos; (Liddle) sung by Madame Clara Butt (excerpt)
accompanied by Mr. Landon Ronald. Key C.
Gramophone 03179 recorded 1910

&apos;The Old Superb&apos; (Stanford) sung by Peter Dawson (excerpt)
with orchestra conducted by Clifford Greenwood.
HMV B4483 recorded 10 January 1933

&apos;O Souverain! O Juge! O Père!&apos; from &apos;Le Cid&quot; (Massenet) (excerpt)
sung by Enrico Caruso
Gramophone 2-023025 recorded 1916

Scene from &apos;The Good Companions&apos; (Priestly) (excerpt)
with John Gielgud and Adele Dixon
HMV C2288 recorded 9 October 1931

Albert Chevalier - &apos;The Little Nipper&apos; (excerpt)
Berliner 2239  recorded London, 30th December 1898

&apos;The Toy-Town Party&apos; from &apos;Nippy&apos; (Mayerl)
sung by Binnie Hale with Debroy Somers&apos; band
Columbia DB349 recorded 27 November 1930

&apos;Il était un roi de Thulé&apos; from &apos;Faust&apos; (Gonoud)
sung by Conchita Supervia
BIRS HMB 11 (Odéon unpublished) recorded 1932
</description>
			<itunes:subtitle>An illustrated talk about the process of transferring 78rpm records</itunes:subtitle>
			<itunes:summary>Selection from &apos;The Geisha&apos; (Jones) - side 1 (excerpt)
The New Mayfair Theatre Orchestra
HMV BD759 recorded 1939

&apos;Abide With Me&apos; (Liddle) sung by Madame Clara Butt (excerpt)
accompanied by Mr. Landon Ronald. Key C.
Gramophone 03179 recorded 1910

&apos;The Old Superb&apos; (Stanford) sung by Peter Dawson (excerpt)
with orchestra conducted by Clifford Greenwood.
HMV B4483 recorded 10 January 1933

&apos;O Souverain! O Juge! O Père!&apos; from &apos;Le Cid&quot; (Massenet) (excerpt)
sung by Enrico Caruso
Gramophone 2-023025 recorded 1916

Scene from &apos;The Good Companions&apos; (Priestly) (excerpt)
with John Gielgud and Adele Dixon
HMV C2288 recorded 9 October 1931

Albert Chevalier - &apos;The Little Nipper&apos; (excerpt)
Berliner 2239  recorded London, 30th December 1898

&apos;The Toy-Town Party&apos; from &apos;Nippy&apos; (Mayerl)
sung by Binnie Hale with Debroy Somers&apos; band
Columbia DB349 recorded 27 November 1930

&apos;Il était un roi de Thulé&apos; from &apos;Faust&apos; (Gonoud)
sung by Conchita Supervia
BIRS HMB 11 (Odéon unpublished) recorded 1932
</itunes:summary>
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			<pubDate>Sat, 01 Nov 2008 11:38:08 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:08</itunes:duration>
			<itunes:keywords>78rpm, transfer</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: episode 29</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The Rev. J.M.Gates: &apos;Need of Prayer&apos;
Square M3 (re-issue) recorded May 1926

The Reverend A.W.Nix and his Congregation: &apos;The Black Diamond Express To Hell&apos; (side 2)
Decca F9720 (reissue) recorded 23 April 1927

The Southernaires: &apos;Little David, Play On Your Harp&apos;
American Decca 2857, recorded c.1939

Professor Johnson &amp; his Gospel Singers: &apos;Give Me That Old Time Religion&apos;
Vocalion V1013 recorded 1950

Voices of Victory: &apos;I&apos;m Trusting In Jesus&apos; (Peters, Allen)
Vocalion V1040 recorded 25 September 1953</description>
			<itunes:subtitle>Gospel Music from the Rev. Gates, the Rev. Nix, Professor Johnson, The Southernaires and the Voices of Victory</itunes:subtitle>
			<itunes:summary>The Rev. J.M.Gates: &apos;Need of Prayer&apos;
Square M3 (re-issue) recorded May 1926

The Reverend A.W.Nix and his Congregation: &apos;The Black Diamond Express To Hell&apos; (side 2)
Decca F9720 (reissue) recorded 23 April 1927

The Southernaires: &apos;Little David, Play On Your Harp&apos;
American Decca 2857, recorded c.1939

Professor Johnson &amp; his Gospel Singers: &apos;Give Me That Old Time Religion&apos;
Vocalion V1013 recorded 1950

Voices of Victory: &apos;I&apos;m Trusting In Jesus&apos; (Peters, Allen)
Vocalion V1040 recorded 25 September 1953</itunes:summary>
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			<pubDate>Wed, 01 Oct 2008 09:31:26 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:18:35</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>The Sound of 78s: Episode 28</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Charles Penrose: &apos;The Laughing Policeman&apos; (Grey)
Regal G7816 (as &apos;Charles Jolly&apos;) recorded June 1922

Naughton and Gold: &apos;On Insurance&apos;
Imperial 2367 recorded November 1930

Harry Champion: &apos;Don&apos;t Do It Again, Matilda&apos; (Murray)
Columbia-Rena 1490 recorded c.May 1910

Gillie Potter: &apos;Mr. Potter Visits Southend&apos;
Columbia 5067 recorded 1st October 1928
</description>
			<itunes:subtitle>Music-hall performers Charles Penrose, Naughton &amp; Gold, Harry Champion and Gillie Potter</itunes:subtitle>
			<itunes:summary>Charles Penrose: &apos;The Laughing Policeman&apos; (Grey)
Regal G7816 (as &apos;Charles Jolly&apos;) recorded June 1922

Naughton and Gold: &apos;On Insurance&apos;
Imperial 2367 recorded November 1930

Harry Champion: &apos;Don&apos;t Do It Again, Matilda&apos; (Murray)
Columbia-Rena 1490 recorded c.May 1910

Gillie Potter: &apos;Mr. Potter Visits Southend&apos;
Columbia 5067 recorded 1st October 1928
</itunes:summary>
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			<pubDate>Fri, 05 Sep 2008 10:46:18 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:37</itunes:duration>
			<itunes:keywords>Penrose, Naughton, Champion, Potter</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 27</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Herman Wasserman: &apos;Hedge Rose&apos; (Schubert arr. Godowky)
Dominion B13 recorded 1929

Vladimir de Pachmann: Etude in G flat Major Op.10 No.5 (&apos;Black Keys&apos;) (Chopin)(with comments)
HMV DA 1302 recorded 1928

Leff Pouishnoff: Caprice in G Major (Paderewski)
Columbia 4829 recorded May 1927

Wilhelm Backhaus: Caprice Espagnole Op.37 (Moszkowski)
HMB DB 1130 recorded January 1928
</description>
			<itunes:subtitle>Classical pianists: Wasserman, Pachmann, Pouishnoff, Backhaus</itunes:subtitle>
			<itunes:summary>Herman Wasserman: &apos;Hedge Rose&apos; (Schubert arr. Godowky)
Dominion B13 recorded 1929

Vladimir de Pachmann: Etude in G flat Major Op.10 No.5 (&apos;Black Keys&apos;) (Chopin)(with comments)
HMV DA 1302 recorded 1928

Leff Pouishnoff: Caprice in G Major (Paderewski)
Columbia 4829 recorded May 1927

Wilhelm Backhaus: Caprice Espagnole Op.37 (Moszkowski)
HMB DB 1130 recorded January 1928
</itunes:summary>
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			<pubDate>Wed, 06 Aug 2008 09:38:54 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:12:33</itunes:duration>
			<itunes:keywords>pianist, Wasaseerman, Pachmann, Pouishnoff, Backhaus</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 26</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The Original Dixieland Five: Original Dixieland One-Step (LaRocca, arr. J. Dale)
Nick LaRocca (cornet), Eddie Edwards (trombone), Larry Shields (clarinet), J. Russel Robinson (piano), Tony Sbarbaro (drums).
HMV B8648 recorded New York, 10 November 1936.

Wolverine Orchestra: Tiger Rag (La Rocca)
Bix Beiderbecke (cornet), Al Gande (trombone), Jimmy Hartwell (clarinet/alto sax), George Johnson (tenor sax), Dick Voynow (piano), Bob Gillette (banjo), Min Leibrook (brass bass), Vic Moore (drums).
Brunswick 02205 recorded Richmond, Indiana, 20 June 1924.

The Mills Brothers: The Old Man Of The Mountain (Brown, Young).
&apos;(Novelty Quartet, with Guitar acc.) No musical instruments or mechanical devices used on this recording other than one guitar.&apos;
Brunswick 1346 recorded Chicago, early June 1932.

Joe Venuti and his Orchestra: Flip (Venuti)
Glenn Rohlfing, Bob Stockwell (trumpets); Charlie Dahlsten (trombone); Wayne Singer, Charlie Spero (also-sax); Clark Galehouse, Elmer Beechler (tenor sax); Joe Venuti (violin); Mel Grant (piano); Frank Victor (guitar); George Horvath (bass); Burrert Deems (drums).
Brunswick 02738 recorded New York, 25 January 1939.

The Cotton Pickers: Rampart Street Blues (Robinson)
Tommy Dorsey (trumpet), Glenn Miller (trombone), Jimmy Dorsey (clarinet), Arthur Schutt (piano), Perry Botkin (banjo), Joe Tarto (bass), Stan King (drums). (This personnel is taken from Brian Rust&apos;s discography and differs from that shown on the label, which wrongly refers to an earlier recording).
Brunswick 02508 recorded New York, 27 March 1929.
</description>
			<itunes:subtitle>Jazz from The Original Dixieland Five, Wolverine Orchestra, The Mills Brothers, Joe Venuti, and The Cotton Pickers</itunes:subtitle>
			<itunes:summary>The Original Dixieland Five: Original Dixieland One-Step (LaRocca, arr. J. Dale)
Nick LaRocca (cornet), Eddie Edwards (trombone), Larry Shields (clarinet), J. Russel Robinson (piano), Tony Sbarbaro (drums).
HMV B8648 recorded New York, 10 November 1936.

Wolverine Orchestra: Tiger Rag (La Rocca)
Bix Beiderbecke (cornet), Al Gande (trombone), Jimmy Hartwell (clarinet/alto sax), George Johnson (tenor sax), Dick Voynow (piano), Bob Gillette (banjo), Min Leibrook (brass bass), Vic Moore (drums).
Brunswick 02205 recorded Richmond, Indiana, 20 June 1924.

The Mills Brothers: The Old Man Of The Mountain (Brown, Young).
&apos;(Novelty Quartet, with Guitar acc.) No musical instruments or mechanical devices used on this recording other than one guitar.&apos;
Brunswick 1346 recorded Chicago, early June 1932.

Joe Venuti and his Orchestra: Flip (Venuti)
Glenn Rohlfing, Bob Stockwell (trumpets); Charlie Dahlsten (trombone); Wayne Singer, Charlie Spero (also-sax); Clark Galehouse, Elmer Beechler (tenor sax); Joe Venuti (violin); Mel Grant (piano); Frank Victor (guitar); George Horvath (bass); Burrert Deems (drums).
Brunswick 02738 recorded New York, 25 January 1939.

The Cotton Pickers: Rampart Street Blues (Robinson)
Tommy Dorsey (trumpet), Glenn Miller (trombone), Jimmy Dorsey (clarinet), Arthur Schutt (piano), Perry Botkin (banjo), Joe Tarto (bass), Stan King (drums). (This personnel is taken from Brian Rust&apos;s discography and differs from that shown on the label, which wrongly refers to an earlier recording).
Brunswick 02508 recorded New York, 27 March 1929.
</itunes:summary>
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			<pubDate>Fri, 27 Jun 2008 10:51:51 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:59</itunes:duration>
			<itunes:keywords>ODJB, Wolverines, Mills, Venuti</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 25</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Florrie Forde: &apos;And Then - We Won&apos;t Go Home!&apos; (Castling-Kennedy)
Imperial 2491 recorded London, May/June 1931

Ronald Frankau: &apos;Lady, be Bad?&apos; (Frankau-Crick)
with Monte Crick at the piano
Parlophone R 2391 recorded London, 3 September 1937

Harry Tate &amp; His Company: &apos;Motoring&apos; (Tate)
Columbia 320 (2 sides) recorded London, c. August 1912
</description>
			<itunes:subtitle>Music-hall performers Florrie Ford, Ronald Frankau and Harry Tate</itunes:subtitle>
			<itunes:summary>Florrie Forde: &apos;And Then - We Won&apos;t Go Home!&apos; (Castling-Kennedy)
Imperial 2491 recorded London, May/June 1931

Ronald Frankau: &apos;Lady, be Bad?&apos; (Frankau-Crick)
with Monte Crick at the piano
Parlophone R 2391 recorded London, 3 September 1937

Harry Tate &amp; His Company: &apos;Motoring&apos; (Tate)
Columbia 320 (2 sides) recorded London, c. August 1912
</itunes:summary>
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			<pubDate>Mon, 02 Jun 2008 10:02:29 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:59</itunes:duration>
			<itunes:keywords>Forde, Frankau, Tate</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 24</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>&apos;Row, Row, Rosie&apos; (Meyer &amp; Bryan)
The Denza Dance Band (Earl Gresh and his Gangplank Orchestra)
Columbia 3743 recorded New York, 30 June 1925

&apos;Tip-Toe Thro&apos; The Tulips With Me&apos; (Dubin, Burke)
The Brooklyn Broadcasters
Dominion A 233 recorded London, 1929/30.

&apos;My Sweet Virginia&apos; (Rose, Klages, Meskill)
The Durium Dance Band (pick-up group including Nat Gonella and Paul Fenoulhet, vocal by Al Bowlly)
Durium EN 9 recorded London, 1 April 1932

&apos;Coo-ee&apos; (Harden)
The All Star Orchestra
Solex AX 100 advertising record, date unknown - probably early 1930s.

&apos;Now&apos;s the Time To Fall In Love&apos; (Sherman, Lewis)
The Durium Dance Ensemble (Phil Spitalny&apos;s Music, vocal by Paul Small)
Durium EN 7 recorded New York, December 1931</description>
			<itunes:subtitle>Little-known dance band recordings.</itunes:subtitle>
			<itunes:summary>&apos;Row, Row, Rosie&apos; (Meyer &amp; Bryan)
The Denza Dance Band (Earl Gresh and his Gangplank Orchestra)
Columbia 3743 recorded New York, 30 June 1925

&apos;Tip-Toe Thro&apos; The Tulips With Me&apos; (Dubin, Burke)
The Brooklyn Broadcasters
Dominion A 233 recorded London, 1929/30.

&apos;My Sweet Virginia&apos; (Rose, Klages, Meskill)
The Durium Dance Band (pick-up group including Nat Gonella and Paul Fenoulhet, vocal by Al Bowlly)
Durium EN 9 recorded London, 1 April 1932

&apos;Coo-ee&apos; (Harden)
The All Star Orchestra
Solex AX 100 advertising record, date unknown - probably early 1930s.

&apos;Now&apos;s the Time To Fall In Love&apos; (Sherman, Lewis)
The Durium Dance Ensemble (Phil Spitalny&apos;s Music, vocal by Paul Small)
Durium EN 7 recorded New York, December 1931</itunes:summary>
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			<pubDate>Sun, 04 May 2008 11:06:56 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:44</itunes:duration>
			<itunes:keywords>dance denza spitalny durium</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 23</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>Empire Day Messages to the Boys and Girls of the British Empire
from His Majesty King George the Fifth and Her Majesty Queen Mary
HMV RE 284 recorded March 1923

Two excerpts from set &apos;The Voice of Poetry&apos;
spoken by Edith Evans
Upon Westminster Bridge Wordsworth  Columbia DB 1855
You Are Old, Father William (Carroll)  Columbia DB 1958
recorded 1938

&apos;Percy The Prawn&apos; (Alan)
a short story read by A.J.Alan
Regal-Zonophone MR 1118 recorded 1933
</description>
			<itunes:subtitle>Spoken Word records: King George V, Edith Evans, and a short story from A.J.Alan.</itunes:subtitle>
			<itunes:summary>Empire Day Messages to the Boys and Girls of the British Empire
from His Majesty King George the Fifth and Her Majesty Queen Mary
HMV RE 284 recorded March 1923

Two excerpts from set &apos;The Voice of Poetry&apos;
spoken by Edith Evans
Upon Westminster Bridge Wordsworth  Columbia DB 1855
You Are Old, Father William (Carroll)  Columbia DB 1958
recorded 1938

&apos;Percy The Prawn&apos; (Alan)
a short story read by A.J.Alan
Regal-Zonophone MR 1118 recorded 1933
</itunes:summary>
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			<pubDate>Wed, 02 Apr 2008 10:36:45 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:06</itunes:duration>
			<itunes:keywords>evans, alan, george V</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 22</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The 22nd in a series of podcasts featuring 78rpm records

&apos;Betove&apos; (Michel Maurice Lévy): &apos;Folies Musicales&apos; (side 2)
Parlophone DP116 recorded c. December 1926

Ella Shields:  Burlington Bertie from Bow (Hargreaves)
Columbia 629 recorded August 1916

Mabel Constanduros assisted by Michael Hogan:
&apos;Mrs. Buggins makes the Christmas Pudding&apos;
Broadcast X.6 recorded October 1928

Douglas Byng: &apos;She May Be All That&apos;s Wonderful&apos; (Wade)
Zonophone 5407 recorded 22 April 1929</description>
			<itunes:subtitle>Music-Hall comedy: Betove, Ella Shields, Mabel Constanduros and Douglas Byng.</itunes:subtitle>
			<itunes:summary>The 22nd in a series of podcasts featuring 78rpm records

&apos;Betove&apos; (Michel Maurice Lévy): &apos;Folies Musicales&apos; (side 2)
Parlophone DP116 recorded c. December 1926

Ella Shields:  Burlington Bertie from Bow (Hargreaves)
Columbia 629 recorded August 1916

Mabel Constanduros assisted by Michael Hogan:
&apos;Mrs. Buggins makes the Christmas Pudding&apos;
Broadcast X.6 recorded October 1928

Douglas Byng: &apos;She May Be All That&apos;s Wonderful&apos; (Wade)
Zonophone 5407 recorded 22 April 1929</itunes:summary>
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			<pubDate>Wed, 05 Mar 2008 09:49:56 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:57</itunes:duration>
			<itunes:keywords>comedy, betove, shields, constanduros, byng</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 21</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The 21st in a series of podcasts featuring 78rpm records

Don Paquale (Donizetti): &apos;Pronto lo son&apos;
Marcella Sembrich (soprano) &amp; Antonio Scotti (baritone)
HMV VB29  (054074) Victor recording, 14th March 1906

Lucia di Lammermoor (Donizetti): &apos;Chi mi frena&apos; (Sextet)
Enrico Caruso (tenor), Amelita Galli-Curci (soprano), Minnie Egener (contralto), Giuseppe De Luca (baritone), Marcel Journet (bass), Angelo Bada (tenor).
HMV DQ100 (2-054067) Victor recording, 1917

Il Trovatore (Verdi): &apos;Miserere, d&apos;un&apos;alma già vicina&apos; (Miserere)
Rosa Ponselle (soprano) &amp; Giovanni Martinelli (tenor) with the Metropolitan Opera House Chorus and Orchestra conducted by Giulio Setti.
HMV DB1199 Victor recording, 1928

Die Meistersinger von Nürnberg (Wagner): &apos;Selig, wie die Sonne&apos; (Quintet)
Elisabeth Schumann (soprano), Lauritz Melchior (tenor), Friedrich Schorr (baritone), Gladys Parr (contralto), Ben Williams (tenor) with the London Symphony Orchestra conducted by John Barbirolli
HMV D2002 recorded 16th May 1931</description>
			<itunes:subtitle>Operatic 78s - duets and ensembles</itunes:subtitle>
			<itunes:summary>The 21st in a series of podcasts featuring 78rpm records

Don Paquale (Donizetti): &apos;Pronto lo son&apos;
Marcella Sembrich (soprano) &amp; Antonio Scotti (baritone)
HMV VB29  (054074) Victor recording, 14th March 1906

Lucia di Lammermoor (Donizetti): &apos;Chi mi frena&apos; (Sextet)
Enrico Caruso (tenor), Amelita Galli-Curci (soprano), Minnie Egener (contralto), Giuseppe De Luca (baritone), Marcel Journet (bass), Angelo Bada (tenor).
HMV DQ100 (2-054067) Victor recording, 1917

Il Trovatore (Verdi): &apos;Miserere, d&apos;un&apos;alma già vicina&apos; (Miserere)
Rosa Ponselle (soprano) &amp; Giovanni Martinelli (tenor) with the Metropolitan Opera House Chorus and Orchestra conducted by Giulio Setti.
HMV DB1199 Victor recording, 1928

Die Meistersinger von Nürnberg (Wagner): &apos;Selig, wie die Sonne&apos; (Quintet)
Elisabeth Schumann (soprano), Lauritz Melchior (tenor), Friedrich Schorr (baritone), Gladys Parr (contralto), Ben Williams (tenor) with the London Symphony Orchestra conducted by John Barbirolli
HMV D2002 recorded 16th May 1931</itunes:summary>
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			<pubDate>Sat, 02 Feb 2008 10:16:15 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:18:58</itunes:duration>
			<itunes:keywords>opera, Sembrich, Scotti, Caruso, Ponselle, Schumann</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 20</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The 20th in a series of podcasts featuring 78rpm records

HUNGARIAN:
&apos;Ritka búza, ritka árpa&apos; (Héteny-Heidlberg): Berkes Béla és cigányzenekara (Béla Berkes and his Gypsy Orchestra)
Hungarian Columbia OH15, date unknown, presumably late 1920s or 1930s.

MAORI &amp; ENGLISH:
&apos;Waiata Poi&apos;: Ana Hato with piano accompaniment
Parlophone R3557, recorded at Rotorua, New Zealand, during the visit of the Duke &amp; Duchess of York, 1927.

MAORI:
&apos;Haka (War Cry)&apos;
Parlopone R3557 as above (part side)

JAPANESE (TRADITIONAL):
&apos;Entering Formosa&apos; (traditional): Chikufu Tahanine (excerpt)
Orient A998, date unknown, probably early 1920s.

JAPANESE (WESTERNISED)
&apos;Song of soldiers in a Trench&apos;: Akira Sasaki (excerpt)
Japanese Columbia 29712, date unknown - probably during World War 2.

BALINESE:
Djangér (Dance): &apos;Putih putih saput anduk&apos; (excerpt)
Parlophone MO106, &apos;Music of the Orient&apos; series no. 14 recorded in 1930s.

HAWAIIAN:
&apos;Tomi, Tomi&apos;: Kanui &amp; Lula (excerpt)
Parlophone R1614 published 1933

MANDARIN CHINESE:
&apos;Méigui méigui wǒ ài nǐ&apos; (aka &apos;Rose, Rose, I Love You&apos;)(Chen Gexin): &apos;Miss Hue Lee&apos; (Yao Lee)
Columbia DB2837 (UK), recorded in Shanghai, 1940.

10.3MB 14m 59s</description>
			<itunes:subtitle>Foreign recordings in Hungarian, Maori, Japanese, Balinese, Hawaiian and Mandarin Chinese</itunes:subtitle>
			<itunes:summary>The 20th in a series of podcasts featuring 78rpm records

HUNGARIAN:
&apos;Ritka búza, ritka árpa&apos; (Héteny-Heidlberg): Berkes Béla és cigányzenekara (Béla Berkes and his Gypsy Orchestra)
Hungarian Columbia OH15, date unknown, presumably late 1920s or 1930s.

MAORI &amp; ENGLISH:
&apos;Waiata Poi&apos;: Ana Hato with piano accompaniment
Parlophone R3557, recorded at Rotorua, New Zealand, during the visit of the Duke &amp; Duchess of York, 1927.

MAORI:
&apos;Haka (War Cry)&apos;
Parlopone R3557 as above (part side)

JAPANESE (TRADITIONAL):
&apos;Entering Formosa&apos; (traditional): Chikufu Tahanine (excerpt)
Orient A998, date unknown, probably early 1920s.

JAPANESE (WESTERNISED)
&apos;Song of soldiers in a Trench&apos;: Akira Sasaki (excerpt)
Japanese Columbia 29712, date unknown - probably during World War 2.

BALINESE:
Djangér (Dance): &apos;Putih putih saput anduk&apos; (excerpt)
Parlophone MO106, &apos;Music of the Orient&apos; series no. 14 recorded in 1930s.

HAWAIIAN:
&apos;Tomi, Tomi&apos;: Kanui &amp; Lula (excerpt)
Parlophone R1614 published 1933

MANDARIN CHINESE:
&apos;Méigui méigui wǒ ài nǐ&apos; (aka &apos;Rose, Rose, I Love You&apos;)(Chen Gexin): &apos;Miss Hue Lee&apos; (Yao Lee)
Columbia DB2837 (UK), recorded in Shanghai, 1940.

10.3MB 14m 59s</itunes:summary>
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			<pubDate>Wed, 02 Jan 2008 10:00:46 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:59</itunes:duration>
			<itunes:keywords>foreign, maori, hungarian, japanese, balinese, chinese</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 19</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The 19th in a series of podcasts featuring 78rpm records

Gracie Fields: &apos;Our Avenue&apos; (Weston &amp; Lee)
HMV B2733 recorded 24 May 1928

Milton Hayes: &apos;The Meanderings of Monty: The General Outlook and All That Sort Of Thing&apos; (Hayes)
Columbia 3233 recorded 1 January 1923

Charlie Higgins: &quot;When I Was Twenty-One&apos; (Hargreaves)
Broadcast 918 recorded c. November 1932

&apos;Betove&apos; (Michel Maurice Lévy): &apos;Folies Musicales&apos; (side 1)
Parlophone DP116 recorded c. December 1926</description>
			<itunes:subtitle>Music-Hall comedy from Gracie Fields, Milton Hayes, Charlie Higgins and Betove</itunes:subtitle>
			<itunes:summary>The 19th in a series of podcasts featuring 78rpm records

Gracie Fields: &apos;Our Avenue&apos; (Weston &amp; Lee)
HMV B2733 recorded 24 May 1928

Milton Hayes: &apos;The Meanderings of Monty: The General Outlook and All That Sort Of Thing&apos; (Hayes)
Columbia 3233 recorded 1 January 1923

Charlie Higgins: &quot;When I Was Twenty-One&apos; (Hargreaves)
Broadcast 918 recorded c. November 1932

&apos;Betove&apos; (Michel Maurice Lévy): &apos;Folies Musicales&apos; (side 1)
Parlophone DP116 recorded c. December 1926</itunes:summary>
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			<pubDate>Fri, 07 Dec 2007 09:26:10 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:09</itunes:duration>
			<itunes:keywords>fields, hayes, higgins, betove, comedy</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 18</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>
The 18th in a series of podcasts featuring 78rpm records

Caspar Reardon, his harp and his Orchestra: Tormented (Hudson)
Liberty Music Shop L193, recorded New York, 23 April 1936

Cab Calloway and his Orchestra: The Man from Harlem (Hudson)
Vocal by Cab Calloway
Rex 8924 recorded New York, 30 November 1932

Hoagy Carmichael (piano &amp; vocal) with Artie Bernstein (bass) &amp; Spike Jones (drums):
Hong Kong Blues (Carmichael)
Brunswick 03752 recorded Los Angeles, 11 May 1942

Glenn Miller and his Orchestra: In The Mood (Garland, Razaf)
HMV BD5565 recorded 1 August 1939</description>
			<itunes:subtitle>Jazz from Caspar Reardon, Cab Calloway. Hoagy Carmichael and Glenn Miller</itunes:subtitle>
			<itunes:summary>
The 18th in a series of podcasts featuring 78rpm records

Caspar Reardon, his harp and his Orchestra: Tormented (Hudson)
Liberty Music Shop L193, recorded New York, 23 April 1936

Cab Calloway and his Orchestra: The Man from Harlem (Hudson)
Vocal by Cab Calloway
Rex 8924 recorded New York, 30 November 1932

Hoagy Carmichael (piano &amp; vocal) with Artie Bernstein (bass) &amp; Spike Jones (drums):
Hong Kong Blues (Carmichael)
Brunswick 03752 recorded Los Angeles, 11 May 1942

Glenn Miller and his Orchestra: In The Mood (Garland, Razaf)
HMV BD5565 recorded 1 August 1939</itunes:summary>
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			<pubDate>Mon, 05 Nov 2007 09:11:12 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:21</itunes:duration>
			<itunes:keywords>jazz, Reardon, Calloway. Carmichael, Miller</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 17</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The 17th in a series of podcasts featuring 78rpm records

&apos;Mivoice&apos; sound recording: A.C.Marston sings &apos;The Policeman&apos;s Lot&apos;
Six-inch copper(?) disk. Recording date unknown.

Message disk: Servicio Fonopostal.
8 inch flexible record made in Rosario, Argentina, 1944.

HMV Private Recording. &apos;The Slide&apos;, read by A. Neave Brayshaw.
12 inch standard pressing, ref. JG1. Recorded 28th March 1935

The Daily Mail Mystery Record (side 1) -&apos; £1950 for naming the artists&apos;.
EMI RO100  recorded 1933

&apos;Forward the Fire Bomb Fighters&apos; (edited excerpt)
The London Transcriptions PG170 - undated but presumably 1939/40

Bow Bells Interval Signal - BBC fill-up record.
BBC Library no. 2 A 23. Recording date not stated but pre-1940

Novachord Fillup - side 1 band 1
BBC Library no. 9842. Recorded 14th November 1946
(Performer not credited but is Charles Smart).

Opening Music for Light Programme - &apos;Oranges and Lemons&apos; (arr. Spike Hughes)
BBC Theatre Orchestra conducted by Harold Lowe,
BBC Library no 10247 recorded 29th April 1947</description>
			<itunes:subtitle>Recordings not intended for sale.</itunes:subtitle>
			<itunes:summary>The 17th in a series of podcasts featuring 78rpm records

&apos;Mivoice&apos; sound recording: A.C.Marston sings &apos;The Policeman&apos;s Lot&apos;
Six-inch copper(?) disk. Recording date unknown.

Message disk: Servicio Fonopostal.
8 inch flexible record made in Rosario, Argentina, 1944.

HMV Private Recording. &apos;The Slide&apos;, read by A. Neave Brayshaw.
12 inch standard pressing, ref. JG1. Recorded 28th March 1935

The Daily Mail Mystery Record (side 1) -&apos; £1950 for naming the artists&apos;.
EMI RO100  recorded 1933

&apos;Forward the Fire Bomb Fighters&apos; (edited excerpt)
The London Transcriptions PG170 - undated but presumably 1939/40

Bow Bells Interval Signal - BBC fill-up record.
BBC Library no. 2 A 23. Recording date not stated but pre-1940

Novachord Fillup - side 1 band 1
BBC Library no. 9842. Recorded 14th November 1946
(Performer not credited but is Charles Smart).

Opening Music for Light Programme - &apos;Oranges and Lemons&apos; (arr. Spike Hughes)
BBC Theatre Orchestra conducted by Harold Lowe,
BBC Library no 10247 recorded 29th April 1947</itunes:summary>
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			<pubDate>Wed, 03 Oct 2007 10:40:19 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:41</itunes:duration>
			<itunes:keywords>78s, message, mivoice, novachord</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 16</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The 16th in a series of podcasts featuring 78rpm records

Harry Fay: &apos;I&apos;m Twenty-One Today&apos; (Kendal)
Zonophone 729 recorded 1911.

Tom Clare: &apos;Where Does Daddy Go to?&apos; (Searson &amp; Gallatly)
Columbia 3978 recorded March 24th 1926

Tommy Handley: &apos;The Kerb Step&apos; (Knox, Street, Young)
Piccadilly 505 recorded c. February 1930

Elsie and Doris Waters: &apos;Gert, Daisy and the Blackout&apos; (E &amp; D Waters)
Decca F 7281 recorded October 16th 1939.
</description>
			<itunes:subtitle>Music Hall comedians: Harry Fay, Tom Clare, Tommy Handley and Elsie &amp; Doris Waters</itunes:subtitle>
			<itunes:summary>The 16th in a series of podcasts featuring 78rpm records

Harry Fay: &apos;I&apos;m Twenty-One Today&apos; (Kendal)
Zonophone 729 recorded 1911.

Tom Clare: &apos;Where Does Daddy Go to?&apos; (Searson &amp; Gallatly)
Columbia 3978 recorded March 24th 1926

Tommy Handley: &apos;The Kerb Step&apos; (Knox, Street, Young)
Piccadilly 505 recorded c. February 1930

Elsie and Doris Waters: &apos;Gert, Daisy and the Blackout&apos; (E &amp; D Waters)
Decca F 7281 recorded October 16th 1939.
</itunes:summary>
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			<pubDate>Mon, 03 Sep 2007 10:31:07 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:06</itunes:duration>
			<itunes:keywords>comedy, Fay, Clare, Handley, Waters</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 15</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The 15th in a series of podcasts featuring 78rpm records

Percival Mackey&apos;s Band: &apos;I&apos;ve never Seen A Straight Banana&apos; (Waite)
Recorded London, November 22nd 1926
Columbia 4151

Jack Hylton &amp; his Orchestra: &apos;My Brother Makes The Noises For The Talkies&apos;
(Amberg, Raymond &amp; Bernauer)
Recorded June 2nd 1931, Empire Theatre Liverpool
HMV B6024

Jack Payne &amp; His BBC Dance Orchestra: &apos;Sing Holly, Go Whistle, Hey Hey&apos; (Hulbert &amp; England)
Recorded London, February 17th 1931
Columbia CB232

Henry Hall &amp; his Orchestra: &apos;Teddy Bear&apos;s Picnic&apos; (Kennedy &amp; Bratton)
Recorded London, September 28th 1932
Columbia FB2816 (re-issue of DB955)
Special vinyl pressing for BBC Engineering Department.</description>
			<itunes:subtitle>British Dance Bands - Mackey, Payne, Hylton, Hall</itunes:subtitle>
			<itunes:summary>The 15th in a series of podcasts featuring 78rpm records

Percival Mackey&apos;s Band: &apos;I&apos;ve never Seen A Straight Banana&apos; (Waite)
Recorded London, November 22nd 1926
Columbia 4151

Jack Hylton &amp; his Orchestra: &apos;My Brother Makes The Noises For The Talkies&apos;
(Amberg, Raymond &amp; Bernauer)
Recorded June 2nd 1931, Empire Theatre Liverpool
HMV B6024

Jack Payne &amp; His BBC Dance Orchestra: &apos;Sing Holly, Go Whistle, Hey Hey&apos; (Hulbert &amp; England)
Recorded London, February 17th 1931
Columbia CB232

Henry Hall &amp; his Orchestra: &apos;Teddy Bear&apos;s Picnic&apos; (Kennedy &amp; Bratton)
Recorded London, September 28th 1932
Columbia FB2816 (re-issue of DB955)
Special vinyl pressing for BBC Engineering Department.</itunes:summary>
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			<pubDate>Mon, 06 Aug 2007 09:20:55 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:59</itunes:duration>
			<itunes:keywords>dance bands, Mackey, Hylton, Payne, teddy bear</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 14</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>
The fourteenth in a series of podcasts featuring 78rpm records

Mr. Arthur Pryor - &apos;There&apos;ll Come a Time&apos; (trombone solo)
Berliner 3309 recorded New York, 27th July 1897

The 7th Ragtime Orchestra - &apos;The Circus Girl&apos; (excerpt)
Berliner 87, recorded New York, date unknown, probably 1897

H. Scott Russell - &apos;The Old Brigade&apos;
Berliner E2007 recorded London, 19th August 1898

Miss Harwood - &apos;Yum-Yum&apos;s song&apos; from &apos;The Mikado&apos; (Sullivan) (excerpt)
Berliner E3025 recorded London, 18th October 1898

Albert Chevalier - &apos;The Little Nipper&apos; (excerpt)
Berliner 2239  recorded London, 30th December 1898

Miss Beatrice Hart and Chorus from Daly&apos;s - &apos;I&apos;m A Naughty Girl&apos; (excerpt)
Berliner 3078 recorded London, 18th January 1899

Messrs. Morton and Shepard - &apos;A Good Joke&apos;
Berliner 1176 recorded London c. 1901  

Chas. Foster - &apos;Jolly Little Polly on a Tin Gee Gee&apos;
Berliner 2675 recorded London, 13th February 1901

Edvard Grieg - &apos;Au Printemps&apos; (To The Spring) (from &apos;Lyric Pieces&apos; Op.43 no.6) (Grieg)
HMV D 803 (reissue of G&amp;T 35510) recorded Paris, April/May 1903
</description>
			<itunes:subtitle>Recordings from 1897 to 1903</itunes:subtitle>
			<itunes:summary>
The fourteenth in a series of podcasts featuring 78rpm records

Mr. Arthur Pryor - &apos;There&apos;ll Come a Time&apos; (trombone solo)
Berliner 3309 recorded New York, 27th July 1897

The 7th Ragtime Orchestra - &apos;The Circus Girl&apos; (excerpt)
Berliner 87, recorded New York, date unknown, probably 1897

H. Scott Russell - &apos;The Old Brigade&apos;
Berliner E2007 recorded London, 19th August 1898

Miss Harwood - &apos;Yum-Yum&apos;s song&apos; from &apos;The Mikado&apos; (Sullivan) (excerpt)
Berliner E3025 recorded London, 18th October 1898

Albert Chevalier - &apos;The Little Nipper&apos; (excerpt)
Berliner 2239  recorded London, 30th December 1898

Miss Beatrice Hart and Chorus from Daly&apos;s - &apos;I&apos;m A Naughty Girl&apos; (excerpt)
Berliner 3078 recorded London, 18th January 1899

Messrs. Morton and Shepard - &apos;A Good Joke&apos;
Berliner 1176 recorded London c. 1901  

Chas. Foster - &apos;Jolly Little Polly on a Tin Gee Gee&apos;
Berliner 2675 recorded London, 13th February 1901

Edvard Grieg - &apos;Au Printemps&apos; (To The Spring) (from &apos;Lyric Pieces&apos; Op.43 no.6) (Grieg)
HMV D 803 (reissue of G&amp;T 35510) recorded Paris, April/May 1903
</itunes:summary>
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			<pubDate>Mon, 02 Jul 2007 10:37:46 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:17:45</itunes:duration>
			<itunes:keywords>gramophone, Berliner, Grieg, Chevalier</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 13</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The thirteenth in a series of podcasts featuring 78rpm records

Tom Leamore: &apos;Hi! Hi! HI!&apos; (Leamore)
Panachord 25359-A recorded in London, 6th May 1932

Ben Albert: &apos;Three Ages of Women&apos;
&apos;The Twin&apos; serial 40, recorded in London, c. January 1908

The Stars of &apos;Happidrome&apos; in &apos;Let Me Tell You&apos; series
No: 7 - &apos;Out In Indiah&apos; (Eddie Latta)
Mr. Lovejoy (Harry Korris), Enoch (Robbie Vincent), Ramsbottom (Cecil Frederick)
Recorded in the Grand Theatre, Blackpool
Columbia FB2717 recorded 1941

Sandy Powell, assisted by &apos;Little Percy&apos;: &apos;The Lost Policeman&apos;
Broadcast 429, recorded in London, c. May 20th 1929</description>
			<itunes:subtitle>Music-hall: Tom Leamore, Ben Albert, Harry Korris and Sandy Powell</itunes:subtitle>
			<itunes:summary>The thirteenth in a series of podcasts featuring 78rpm records

Tom Leamore: &apos;Hi! Hi! HI!&apos; (Leamore)
Panachord 25359-A recorded in London, 6th May 1932

Ben Albert: &apos;Three Ages of Women&apos;
&apos;The Twin&apos; serial 40, recorded in London, c. January 1908

The Stars of &apos;Happidrome&apos; in &apos;Let Me Tell You&apos; series
No: 7 - &apos;Out In Indiah&apos; (Eddie Latta)
Mr. Lovejoy (Harry Korris), Enoch (Robbie Vincent), Ramsbottom (Cecil Frederick)
Recorded in the Grand Theatre, Blackpool
Columbia FB2717 recorded 1941

Sandy Powell, assisted by &apos;Little Percy&apos;: &apos;The Lost Policeman&apos;
Broadcast 429, recorded in London, c. May 20th 1929</itunes:summary>
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			<pubDate>Mon, 04 Jun 2007 10:46:48 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:18:37</itunes:duration>
			<itunes:keywords>leamore, albert, happidrome, powell, music-hall</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s Episode 12</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The twelfth in a series of podcasts featuring 78rpm records

Nellie Melba (1861-1931), soprano
Le Roi D&apos;Ys (Lalo): Aubade
Gramophone Company 03072 (lilac label) recorded July 1906

Lauritz Melchior (1890-1973), tenor
Die Meistersinger von Nürnberg: Prize Song
HMV DB 1858 recorded 1932

Meta Seinemeyer (1895-1929), soprano
Liebesträume No.3 (Liszt)
Parlophone E 10901 recorded 1929

Mariano Stabile (1889-1968), baritone
Falstaff (Verdi): L&apos;onore! Ladri!
Columbia LX 1081 recorded 1947</description>
			<itunes:subtitle>Opera singers: Melba, Melchior, Seinemeyer, Stabile</itunes:subtitle>
			<itunes:summary>The twelfth in a series of podcasts featuring 78rpm records

Nellie Melba (1861-1931), soprano
Le Roi D&apos;Ys (Lalo): Aubade
Gramophone Company 03072 (lilac label) recorded July 1906

Lauritz Melchior (1890-1973), tenor
Die Meistersinger von Nürnberg: Prize Song
HMV DB 1858 recorded 1932

Meta Seinemeyer (1895-1929), soprano
Liebesträume No.3 (Liszt)
Parlophone E 10901 recorded 1929

Mariano Stabile (1889-1968), baritone
Falstaff (Verdi): L&apos;onore! Ladri!
Columbia LX 1081 recorded 1947</itunes:summary>
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			<pubDate>Thu, 26 Apr 2007 10:48:00 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:17:18</itunes:duration>
			<itunes:keywords>opera, Melba, Melchior, Seinemeyer, Stabile</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 11</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The eleventh in a series of podcasts featuring 78rpm records

John Barrymore: &apos;Ay, Edward will use women honourably&apos; (Henry VI part 3, Act III Scene 2: Shakespeare)
HMV DB1177, recorded April 13th 1928, New York

Bransby Williams: &apos;The Green Eye of the Yellow God&apos; (Milton Hayes)
Columbia 388, recorded June 1913, London

John Gielgud and Edith Evans: excerpt from &apos;The Importance of being Earnest&apos;:
&apos;Lady Bracknell interviews John Worthing&apos; (Oscar Wilde)
HMV B8883 recorded 1938
</description>
			<itunes:subtitle>Spoken word: John Barrymore, Bransby Williams, John Gielgud and Edith Evans.</itunes:subtitle>
			<itunes:summary>The eleventh in a series of podcasts featuring 78rpm records

John Barrymore: &apos;Ay, Edward will use women honourably&apos; (Henry VI part 3, Act III Scene 2: Shakespeare)
HMV DB1177, recorded April 13th 1928, New York

Bransby Williams: &apos;The Green Eye of the Yellow God&apos; (Milton Hayes)
Columbia 388, recorded June 1913, London

John Gielgud and Edith Evans: excerpt from &apos;The Importance of being Earnest&apos;:
&apos;Lady Bracknell interviews John Worthing&apos; (Oscar Wilde)
HMV B8883 recorded 1938
</itunes:summary>
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			<pubDate>Mon, 09 Apr 2007 10:42:40 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:18</itunes:duration>
			<itunes:keywords>barrymore williams gielgud evans</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 10</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The tenth in a series of podcasts featuring 78rpm records

Billy Jones and Ernest Hare (&apos;The Happiness Boys&apos;): &apos;You Can&apos;t Walk Back from an Aeroplane&apos; (Bibo, Friedlander).
American Columbia 1141-D, recorded 1927.

Stan Laurel and Oliver Hardy: &apos;Laurel and Hardy Themselves&apos;.
Columbia DX-370, recorded in London, August 18th 1932.

Frank Crumit (accompanied by Frank Banta, piano): &apos;I Married the Boot-legger&apos;s Daughter&apos; (Crumit)
HMV B 2170, recorded Camden, New Jersey, June 10th 1925.

Dwight Fiske: &apos;Ida, the Wayward Sturgeon&apos;
36100-B, recorded New York, October 26th 1933.
</description>
			<itunes:subtitle>American comedians: Jones &amp; Hare, Laurel &amp; Hardy, Crumit, Fiske.</itunes:subtitle>
			<itunes:summary>The tenth in a series of podcasts featuring 78rpm records

Billy Jones and Ernest Hare (&apos;The Happiness Boys&apos;): &apos;You Can&apos;t Walk Back from an Aeroplane&apos; (Bibo, Friedlander).
American Columbia 1141-D, recorded 1927.

Stan Laurel and Oliver Hardy: &apos;Laurel and Hardy Themselves&apos;.
Columbia DX-370, recorded in London, August 18th 1932.

Frank Crumit (accompanied by Frank Banta, piano): &apos;I Married the Boot-legger&apos;s Daughter&apos; (Crumit)
HMV B 2170, recorded Camden, New Jersey, June 10th 1925.

Dwight Fiske: &apos;Ida, the Wayward Sturgeon&apos;
36100-B, recorded New York, October 26th 1933.
</itunes:summary>
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			<pubDate>Fri, 02 Mar 2007 10:28:06 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:17:00</itunes:duration>
			<itunes:keywords>comedy, crumit, happiness boys, fiske, laurel &amp; hardy</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 9</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>
The ninth in a series of podcasts featuring 78rpm records

Harry Roy and his Orchestra: &apos;God Bless You, Mr. Chamberlain&apos;
Parlophone F1597 recorded 24th November 1939

Mr. Russell Hunting: &apos;Departure of a Troopship - Descriptive scene at Southampton Docks&apos; (assisted by the Gramophone Band)
Gramophone Concert Record G.C.-2-108 recorded late 1904 or early 1905.

Ernest Gray: &apos;Stand To Your Post&apos; (B.Scott)
The Winner 2144, recorded 1912

Florence Desmond: &apos;A British Mother&apos;s Big Flight (Gladys on the Air)&apos; (A.P.Herbert)
From the revue &apos;Streamline&apos;.
HMV B-8823, recorded 25th September 1934</description>
			<itunes:subtitle>Records inspired by contemporary events</itunes:subtitle>
			<itunes:summary>
The ninth in a series of podcasts featuring 78rpm records

Harry Roy and his Orchestra: &apos;God Bless You, Mr. Chamberlain&apos;
Parlophone F1597 recorded 24th November 1939

Mr. Russell Hunting: &apos;Departure of a Troopship - Descriptive scene at Southampton Docks&apos; (assisted by the Gramophone Band)
Gramophone Concert Record G.C.-2-108 recorded late 1904 or early 1905.

Ernest Gray: &apos;Stand To Your Post&apos; (B.Scott)
The Winner 2144, recorded 1912

Florence Desmond: &apos;A British Mother&apos;s Big Flight (Gladys on the Air)&apos; (A.P.Herbert)
From the revue &apos;Streamline&apos;.
HMV B-8823, recorded 25th September 1934</itunes:summary>
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			<pubDate>Thu, 01 Feb 2007 10:46:38 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:18</itunes:duration>
			<itunes:keywords>contemporary events, Titanic, Amy Johnson</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 8</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The eighth in a series of podcasts featuring 78rpm records

Clarkson Rose: &apos;Ee, By Gum&apos; (Flynn)
Zonophone 5359, recorded Hayes, Middlesex, 15 March 1929

Billy Merson: &apos;The Gondolier&apos; (Merson)
Metropole 1002, recorded London, c. February 1928

Will Hay and his Scholars: &apos;The Fourth Form at St. Michael&apos;s&apos; (Hay)(2 sides)
Columbia 5695, recorded London, February 8 1929.
</description>
			<itunes:subtitle>Music-Hall: Clarkson Rose, Bilily Merson and Will Hay</itunes:subtitle>
			<itunes:summary>The eighth in a series of podcasts featuring 78rpm records

Clarkson Rose: &apos;Ee, By Gum&apos; (Flynn)
Zonophone 5359, recorded Hayes, Middlesex, 15 March 1929

Billy Merson: &apos;The Gondolier&apos; (Merson)
Metropole 1002, recorded London, c. February 1928

Will Hay and his Scholars: &apos;The Fourth Form at St. Michael&apos;s&apos; (Hay)(2 sides)
Columbia 5695, recorded London, February 8 1929.
</itunes:summary>
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			<pubDate>Mon, 01 Jan 2007 11:02:42 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:06</itunes:duration>
			<itunes:keywords>comedy, music-hall, Rose, Merson, Hay</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: Episode 7</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The seventh in a series of podcasts featuring 78rpm records

The Savoy Havana Band: &apos;Bam Bam Bammy Shore&apos; (R. Henderson)
Vocal by Cyril Ramon Newton
HMV B 2186 recorded Hayes, Middlesex, 5 November, 1925

Arthur Lally and his Orchestra: &apos;We&apos;ve Got The Moon And Sixpence&apos; (Grey, Levant)
Vocal by Al Bowlly
Decca F 3066 recorded London, 23 July 1932

Jack Payne and his BBC Dance Orchestra: &apos;Between Devil And the Deep Blue Sea&apos; (Benson)
Vocal by Jack Payne according to the label, but may in fact be Val Rosing
Columbia CB 232 recorded London, 27 January 1931

Jay Whidden and his New Midnight Follies Band from the Hotel Metropole:
&apos;Let&apos;s All Go To Mary&apos;s House&apos; (Charleston Fox-Trot)(Conrad &amp; Wood)
Vocal by Jay Whidden
Columbia 4130 recorded London, 12 August 1926</description>
			<itunes:subtitle>British Dance Bands - Savoy Havana Band, Al Bowlly, Jack Payne, Jay Whidden</itunes:subtitle>
			<itunes:summary>The seventh in a series of podcasts featuring 78rpm records

The Savoy Havana Band: &apos;Bam Bam Bammy Shore&apos; (R. Henderson)
Vocal by Cyril Ramon Newton
HMV B 2186 recorded Hayes, Middlesex, 5 November, 1925

Arthur Lally and his Orchestra: &apos;We&apos;ve Got The Moon And Sixpence&apos; (Grey, Levant)
Vocal by Al Bowlly
Decca F 3066 recorded London, 23 July 1932

Jack Payne and his BBC Dance Orchestra: &apos;Between Devil And the Deep Blue Sea&apos; (Benson)
Vocal by Jack Payne according to the label, but may in fact be Val Rosing
Columbia CB 232 recorded London, 27 January 1931

Jay Whidden and his New Midnight Follies Band from the Hotel Metropole:
&apos;Let&apos;s All Go To Mary&apos;s House&apos; (Charleston Fox-Trot)(Conrad &amp; Wood)
Vocal by Jay Whidden
Columbia 4130 recorded London, 12 August 1926</itunes:summary>
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			<pubDate>Wed, 06 Dec 2006 09:53:12 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:57</itunes:duration>
			<itunes:keywords>dance band british</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: episode 6</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The sixth in a series of podcasts featuring 78rpm records

Titta Ruffo (1877-1953), baritone
Carmen (Bizet): Con voi ber, affe mi fia caro (Toreador Song)(sung in Italian)
HMV DB 406 (reissue of 052249) recorded 1908

Richard Tauber (1891-1948), tenor
The Tales of Hoffmann (Offenbach) - The Legend of Kleinsach (sung in German)
Parlophone-Odeon PXD 1033 recorded 1929

Elisabeth Schumann (1885-1952), soprano
Der Vogelhändler (Zeller) - Wie mein Ahnl zwanzig Jahr! (sung in English)
HMV E552 recorded 17th February 1930

Theodore Chaliapine (1873-1938), bass
Faust (Gonoud) - Vous qui faites l&apos;endormie
HMV DB1437 recorded 1931</description>
			<itunes:subtitle>Operatic vocals: Titta Ruffo, Richard Tauber, Elisabeth Schumann and Theodore Chaliapine.</itunes:subtitle>
			<itunes:summary>The sixth in a series of podcasts featuring 78rpm records

Titta Ruffo (1877-1953), baritone
Carmen (Bizet): Con voi ber, affe mi fia caro (Toreador Song)(sung in Italian)
HMV DB 406 (reissue of 052249) recorded 1908

Richard Tauber (1891-1948), tenor
The Tales of Hoffmann (Offenbach) - The Legend of Kleinsach (sung in German)
Parlophone-Odeon PXD 1033 recorded 1929

Elisabeth Schumann (1885-1952), soprano
Der Vogelhändler (Zeller) - Wie mein Ahnl zwanzig Jahr! (sung in English)
HMV E552 recorded 17th February 1930

Theodore Chaliapine (1873-1938), bass
Faust (Gonoud) - Vous qui faites l&apos;endormie
HMV DB1437 recorded 1931</itunes:summary>
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			<pubDate>Wed, 01 Nov 2006 10:32:55 +0000</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:13</itunes:duration>
			<itunes:keywords>opera, Ruffo, Schumann, Tauber, Chaliapine</itunes:keywords>
		</item>
		<item>
			<title>The Sound of 78s: episode 5</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The fifth in a series of podcasts featuring 78rpm records

Ted Lewis Jazz Band: &apos;Bo-La-Bo&apos; (Egyptian Fox-Trot) (Fairman)
Regal G7533 (as &apos;Novelty Jazz Band) recorded January 12, 1920, New York
Walter Kahn (clarinet), Harry Raderman (trombone), Ted Lewis (clarinet/alto sax), Ernie Cutting (piano), John Lucas (drums)

Clarence &apos;PineTop&apos; Smith: &apos;PineTop&apos;s Boogie-Woogie&apos; (Smith)
Brunswick 03600 recorded December 29, 1928, Chicago

Benny Goodman and his Orchestra: &apos;Bach Goes To Town&apos; (Templeton)
HMV B-8879 recorded December 15, 1938, New York

Jelly-Roll Morton&apos;s Red Hot Peppers: &apos;Georgia Swing&apos; (Morton)
HMV B-9221 recorded June 11, 1928, New York
Ward Pinkett (trumpet), Geechie Fields (trombone), Omer Simeon (clarinet), Jelly Roll Morton (piano), Lee Blair (banjo), Bill Benford (tuba), Tommy Benford (drums).</description>
			<itunes:subtitle>Jazz from Ted Lewis, Pine-Top Smith, Benny Goodman and Jelly Roll Morton</itunes:subtitle>
			<itunes:summary>The fifth in a series of podcasts featuring 78rpm records

Ted Lewis Jazz Band: &apos;Bo-La-Bo&apos; (Egyptian Fox-Trot) (Fairman)
Regal G7533 (as &apos;Novelty Jazz Band) recorded January 12, 1920, New York
Walter Kahn (clarinet), Harry Raderman (trombone), Ted Lewis (clarinet/alto sax), Ernie Cutting (piano), John Lucas (drums)

Clarence &apos;PineTop&apos; Smith: &apos;PineTop&apos;s Boogie-Woogie&apos; (Smith)
Brunswick 03600 recorded December 29, 1928, Chicago

Benny Goodman and his Orchestra: &apos;Bach Goes To Town&apos; (Templeton)
HMV B-8879 recorded December 15, 1938, New York

Jelly-Roll Morton&apos;s Red Hot Peppers: &apos;Georgia Swing&apos; (Morton)
HMV B-9221 recorded June 11, 1928, New York
Ward Pinkett (trumpet), Geechie Fields (trombone), Omer Simeon (clarinet), Jelly Roll Morton (piano), Lee Blair (banjo), Bill Benford (tuba), Tommy Benford (drums).</itunes:summary>
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			<pubDate>Sun, 08 Oct 2006 08:26:05 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:13:52</itunes:duration>
			<itunes:keywords />
		</item>
<item>
			<title>The Sound of 78s: episode 4</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The fourth in a series of podcasts featuring 78rpm records

Charlie Higgins: &apos;Charlie Makes Whoopee&apos; (Hargreaves)
assisted by Bert Bray
Broadcast 936 recorded c. January 1933

Nellie Wallace: &apos;Mother&apos;s Pie Crust&apos; (Wallace)
HMV B 3683 recorded 16th October 1930

George Robey: &apos;The Barrister&apos; (Edgar and Pether)
HMV C 550 recorded c. December 1915

All material is out of copyright


Links to Bryan Wright&apos;s &apos;Shellac Stack Podcast&apos;:
web page - http://www.shellacstack.com
Apple Store subscription (free):  http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=126559511</description>
			<itunes:subtitle>Music-hall performers Charlie Higgins, Nellie Wallace and George Robey</itunes:subtitle>
			<itunes:summary>The fourth in a series of podcasts featuring 78rpm records

Charlie Higgins: &apos;Charlie Makes Whoopee&apos; (Hargreaves)
assisted by Bert Bray
Broadcast 936 recorded c. January 1933

Nellie Wallace: &apos;Mother&apos;s Pie Crust&apos; (Wallace)
HMV B 3683 recorded 16th October 1930

George Robey: &apos;The Barrister&apos; (Edgar and Pether)
HMV C 550 recorded c. December 1915

All material is out of copyright


Links to Bryan Wright&apos;s &apos;Shellac Stack Podcast&apos;:
web page - http://www.shellacstack.com
Apple Store subscription (free):  http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=126559511</itunes:summary>
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			<pubDate>Wed, 06 Sep 2006 10:05:13 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:42</itunes:duration>
			<itunes:keywords>Music-Hall, Higgins, Wallace, Robey</itunes:keywords>
		</item>

		<item>
			<title>The Sound of 78s: episode 3</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The third in an occasional series of podcasts featuring 78rpm records.

&apos;My Old Shako&apos; (Trotère), sung by Mr. Harry Dearth
HMV D211 recorded c. 1st November 1922

&apos;The Gypsy and the Bird&apos; (Benedict), sung by Amelita Galli-Curci
Flute obbligato by Clement Barone.
HMV DA 928 recorded 1928

&apos;Asleep In The Deep&apos; (Petrie) sung by Peter Dawson
with Orchestra and Male Quartet
HMV B 3542 (2 sides) recorded 16th June 1930

All material is out of copyright.
</description>
			<itunes:subtitle>Victorian parlour songs sung by Harry Dearth, Galli-Curci and Peter Dawson</itunes:subtitle>
			<itunes:summary>The third in an occasional series of podcasts featuring 78rpm records.

&apos;My Old Shako&apos; (Trotère), sung by Mr. Harry Dearth
HMV D211 recorded c. 1st November 1922

&apos;The Gypsy and the Bird&apos; (Benedict), sung by Amelita Galli-Curci
Flute obbligato by Clement Barone.
HMV DA 928 recorded 1928

&apos;Asleep In The Deep&apos; (Petrie) sung by Peter Dawson
with Orchestra and Male Quartet
HMV B 3542 (2 sides) recorded 16th June 1930

All material is out of copyright.
</itunes:summary>
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			<pubDate>Sat, 19 Aug 2006 10:32:19 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:21</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>The Sound of 78s: episode 2</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The second in an occasional series of podcasts featuring 78rpm records.

John Henry: &apos;Joe Murgatroyd Says&apos;
HMV B-2120 recorded August 31st 1924

George Lashwood: &apos;Send for A Policeman&apos;
Zonophone &apos;Twin&apos; 162, recorded June 23rd 1909

Robb Wilton with Florence Palmer: &apos;The Fire Station&apos;
Sterno 833, recorded 24th September 1931

All material is out of copyright.</description>
			<itunes:subtitle>John Henry, George Lashwood and Robb Wilton&apos;s classic &apos;Fire Station&apos; sketch</itunes:subtitle>
			<itunes:summary>The second in an occasional series of podcasts featuring 78rpm records.

John Henry: &apos;Joe Murgatroyd Says&apos;
HMV B-2120 recorded August 31st 1924

George Lashwood: &apos;Send for A Policeman&apos;
Zonophone &apos;Twin&apos; 162, recorded June 23rd 1909

Robb Wilton with Florence Palmer: &apos;The Fire Station&apos;
Sterno 833, recorded 24th September 1931

All material is out of copyright.</itunes:summary>
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			<pubDate>Wed, 02 Aug 2006 10:15:56 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:40</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>The Sound of 78s: episode 1</title>
			<itunes:author>Roger Wilmut</itunes:author>
			<description>The first in an occasional series of podcasts featuring 78rpm records.

Tiger Rag - One-Step (La Rocca): The Original Dixieland Jazz Band
Recorded March 25th, 1918, New York. Nick la Rocca (trumpet), Eddie Edwards (trombone), Larry Shields (clarinet), Henry Ragas (piano), Tony Sbarbaro (drums).
HMV B8466 (electrical dubbing, reissued 1936

&apos;Going To the Races&apos;: Dan Leno. Recorded late March, 1903. HMVC545 (reissue).

&apos;O Souverain! O Juge! O Pére!&apos; (Le Cid) (Massenet): Enrico Caruso.
Recorded 5th November 1916. HMV 2-032025.</description>
			<itunes:subtitle>ODJB, Dan Leno, and Caruso</itunes:subtitle>
			<itunes:summary>The first in an occasional series of podcasts featuring 78rpm records.

Tiger Rag - One-Step (La Rocca): The Original Dixieland Jazz Band
Recorded March 25th, 1918, New York. Nick la Rocca (trumpet), Eddie Edwards (trombone), Larry Shields (clarinet), Henry Ragas (piano), Tony Sbarbaro (drums).
HMV B8466 (electrical dubbing, reissued 1936

&apos;Going To the Races&apos;: Dan Leno. Recorded late March, 1903. HMVC545 (reissue).

&apos;O Souverain! O Juge! O Pére!&apos; (Le Cid) (Massenet): Enrico Caruso.
Recorded 5th November 1916. HMV 2-032025.</itunes:summary>
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			<pubDate>Wed, 12 Jul 2006 09:34:51 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:36</itunes:duration>
			<itunes:keywords>Jazz, Comedy, Leno, Opera, Caruso</itunes:keywords>
		</item>
	</channel>
</rss>