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	<title type="text">The Stage / Features</title>
	
	<link rel="alternate" type="text/html" href="http://www.thestage.co.uk/features/" />
	<subtitle>Performing arts, theatre and broadcasting features from The Stage - a fresh look at entertainment</subtitle>
	<updated>2009-07-03T16:42:39Z</updated>
	<id>tag:www.thestage.co.uk,2009:07.03</id>
	<logo>http://www.thestage.co.uk/images/blogbuttons/features.gif</logo><link rel="self" href="http://feeds.feedburner.com/TheStageFeatures" type="application/atom+xml" /><entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Back from the dead: The animatronic comeback</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/_7Zi4xgCgHQ/back-from-the-dead-the-animatronic-comeback" />
		<id>tag:www.thestage.co.uk,2009:07.03.24912</id>
		<published>2009-07-03T16:25:00Z</published>
		<category term="Features" />
		<summary type="html">Animatronics may have been overtaken by CGI in films, but it's making a comeback in live shows, explains Sonny Tilders, dinosaur creator and director of Global Creatures</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Animatronics may have been overtaken by CGI in films, but it's making a comeback in live shows, explains Sonny Tilders, dinosaur creator and director of Global Creatures
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/B_cHzjrtGEFgIGyvXZLdf5GvCV0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/B_cHzjrtGEFgIGyvXZLdf5GvCV0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/B_cHzjrtGEFgIGyvXZLdf5GvCV0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/B_cHzjrtGEFgIGyvXZLdf5GvCV0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=_7Zi4xgCgHQ:w0hyG7lZH8U:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=_7Zi4xgCgHQ:w0hyG7lZH8U:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=_7Zi4xgCgHQ:w0hyG7lZH8U:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24912/back-from-the-dead-the-animatronic-comeback</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Chit Chat: Funeral chic with a twist</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/09SsPUxMh8s/chit-chat-funeral-chic-with-a-twist" />
		<id>tag:www.thestage.co.uk,2009:07.03.24878</id>
		<published>2009-06-30T12:45:00Z</published>
		<category term="Columns" />
		<summary type="html">On to a very different type of grand dame of the stage - last week the passing of Danny La Rue was marked with a private funeral in north west London to celebrate the life of the late drag star. And, it would appear, female impersonators have their very own way of paying their last respects. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">On to a very different type of grand dame of the stage - last week the passing of Danny La Rue was marked with a private funeral in north west London to celebrate the life of the late drag star. And, it would appear, female impersonators have their very own way of paying their last respects. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/sCGcRACAj3Ui74HhIhLrlyNFG0A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sCGcRACAj3Ui74HhIhLrlyNFG0A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/sCGcRACAj3Ui74HhIhLrlyNFG0A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sCGcRACAj3Ui74HhIhLrlyNFG0A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=09SsPUxMh8s:otrX14r7azw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=09SsPUxMh8s:otrX14r7azw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=09SsPUxMh8s:otrX14r7azw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24878/chit-chat-funeral-chic-with-a-twist</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">TV review</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/3lzro8BntEY/tv-review" />
		<id>tag:www.thestage.co.uk,2009:07.03.24875</id>
		<published>2009-06-30T12:00:01Z</published>
		<category term="TV" />
		<summary type="html">It is possible to have too much macabre weirdness in one programme.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">It is possible to have too much macabre weirdness in one programme.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/oo7fPUbhJrVVct2yTap3TOLXzVQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oo7fPUbhJrVVct2yTap3TOLXzVQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/oo7fPUbhJrVVct2yTap3TOLXzVQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oo7fPUbhJrVVct2yTap3TOLXzVQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=3lzro8BntEY:Cm_QQYsIZs0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=3lzro8BntEY:Cm_QQYsIZs0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=3lzro8BntEY:Cm_QQYsIZs0:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24875/tv-review</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Radio review - drama</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/x4EvcCgmBQM/radio-review-drama" />
		<id>tag:www.thestage.co.uk,2009:07.03.24874</id>
		<published>2009-06-30T12:00:00Z</published>
		<category term="TV" />
		<summary type="html">John Barrowman gives every sign of having the kind of Lycra personality that expands to fit the space available. So I expected him, as top bod in the Cardiff-based extraterrestrial unit, to take centre stage in &lt;a href="http://www.bbc.co.uk/programmes/b00lg4c7"&gt;Torchwood: Asylum&lt;/a&gt;, to inhabit the role, to be all flashing eyes and teeth (despite this being radio), to make it Tiger Bay meets Sunday Night at the London Palladium.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">John Barrowman gives every sign of having the kind of Lycra personality that expands to fit the space available. So I expected him, as top bod in the Cardiff-based extraterrestrial unit, to take centre stage in &lt;a href="http://www.bbc.co.uk/programmes/b00lg4c7"&gt;Torchwood: Asylum&lt;/a&gt;, to inhabit the role, to be all flashing eyes and teeth (despite this being radio), to make it Tiger Bay meets Sunday Night at the London Palladium.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/oQopMYALu9oTBw6xpEBW5fIKpuw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oQopMYALu9oTBw6xpEBW5fIKpuw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/oQopMYALu9oTBw6xpEBW5fIKpuw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oQopMYALu9oTBw6xpEBW5fIKpuw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=x4EvcCgmBQM:iVd28aiNtGw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=x4EvcCgmBQM:iVd28aiNtGw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=x4EvcCgmBQM:iVd28aiNtGw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24874/radio-review-drama</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Chit Chat: The Jackson distraction</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/6epTcKznHMQ/chit-chat-the-jackson-distraction" />
		<id>tag:www.thestage.co.uk,2009:07.03.24873</id>
		<published>2009-06-30T10:40:01Z</published>
		<category term="Columns" />
		<summary type="html">The other notable passing of the last few weeks - well, probably the decade, really - has, of course, been Michael Jackson. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">The other notable passing of the last few weeks - well, probably the decade, really - has, of course, been Michael Jackson. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/x6hL3O2osRLC5xUex2G8WlijYrc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/x6hL3O2osRLC5xUex2G8WlijYrc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/x6hL3O2osRLC5xUex2G8WlijYrc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/x6hL3O2osRLC5xUex2G8WlijYrc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=6epTcKznHMQ:KsHOZix7bkE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=6epTcKznHMQ:KsHOZix7bkE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=6epTcKznHMQ:KsHOZix7bkE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24873/chit-chat-the-jackson-distraction</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Chit Chat: Complaints when Judi speaks rudely</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/mp7B5RnLOdI/chit-chat-complaints-when-judi-speaks-rudely" />
		<id>tag:www.thestage.co.uk,2009:07.03.24872</id>
		<published>2009-06-30T10:40:00Z</published>
		<category term="Columns" />
		<summary type="html">Tabard was amused to read recent reports that "almost every time" Dame Judi Dench swears on film, the British Board of Film Classification receives complaints.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Tabard was amused to read recent reports that "almost every time" Dame Judi Dench swears on film, the British Board of Film Classification receives complaints.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/uz_2U5f6mSohU-HeUAYJYVqesYA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uz_2U5f6mSohU-HeUAYJYVqesYA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/uz_2U5f6mSohU-HeUAYJYVqesYA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uz_2U5f6mSohU-HeUAYJYVqesYA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=mp7B5RnLOdI:7qP9b4-mOAE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=mp7B5RnLOdI:7qP9b4-mOAE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=mp7B5RnLOdI:7qP9b4-mOAE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24872/chit-chat-complaints-when-judi-speaks-rudely</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Obituary: Irene Richmond</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/Td3d8mqG4MM/obituary-irene-richmond" />
		<id>tag:www.thestage.co.uk,2009:07.03.24870</id>
		<published>2009-06-30T09:20:02Z</published>
		<category term="Obits" />
		<summary type="html">The daughter of pioneering cinema owners, Irene Richmond was to appear in some of the most important British films of the sixties and establish a popular profile in television and theatre.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">The daughter of pioneering cinema owners, Irene Richmond was to appear in some of the most important British films of the sixties and establish a popular profile in television and theatre.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/SdwdRjS-9xh0cAX_bOjeiCkNrrk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SdwdRjS-9xh0cAX_bOjeiCkNrrk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/SdwdRjS-9xh0cAX_bOjeiCkNrrk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SdwdRjS-9xh0cAX_bOjeiCkNrrk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=Td3d8mqG4MM:FYq01j3qge0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=Td3d8mqG4MM:FYq01j3qge0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=Td3d8mqG4MM:FYq01j3qge0:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/obituaries/feature.php/24870/obituary-irene-richmond</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Obituary: Charles Russell</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/Q3cBojhT4aY/obituary-charles-russell" />
		<id>tag:www.thestage.co.uk,2009:07.03.24868</id>
		<published>2009-06-30T09:20:01Z</published>
		<category term="Obits" />
		<summary type="html">The theatre impresario, costumier, actor and pioneer of Noel Coward's career in the States, Charles Russell, has died at the age of 93.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">The theatre impresario, costumier, actor and pioneer of Noel Coward's career in the States, Charles Russell, has died at the age of 93.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/FZtQGNJDn5M72p4SwA5P-aCYYts/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FZtQGNJDn5M72p4SwA5P-aCYYts/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/FZtQGNJDn5M72p4SwA5P-aCYYts/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FZtQGNJDn5M72p4SwA5P-aCYYts/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=Q3cBojhT4aY:NuEr7poNRR8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=Q3cBojhT4aY:NuEr7poNRR8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=Q3cBojhT4aY:NuEr7poNRR8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/obituaries/feature.php/24868/obituary-charles-russell</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Obituary: Doris Barry</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/TLNpKHKLmoU/obituary-doris-barry" />
		<id>tag:www.thestage.co.uk,2009:07.03.24869</id>
		<published>2009-06-30T09:20:01Z</published>
		<category term="Obits" />
		<summary type="html">Like her sister, Dame Alicia Markova, Doris Barry began her working life as a child film star, when she was dubbed 'England's Baby Mary Pickford' by the Daily Express.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Like her sister, Dame Alicia Markova, Doris Barry began her working life as a child film star, when she was dubbed 'England's Baby Mary Pickford' by the Daily Express.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DolI2mE4pq3T67HYfqZr_O5y93A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DolI2mE4pq3T67HYfqZr_O5y93A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DolI2mE4pq3T67HYfqZr_O5y93A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DolI2mE4pq3T67HYfqZr_O5y93A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=TLNpKHKLmoU:3Vy6j4-5FKA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=TLNpKHKLmoU:3Vy6j4-5FKA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=TLNpKHKLmoU:3Vy6j4-5FKA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/obituaries/feature.php/24869/obituary-doris-barry</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Obituary: Babs Adams</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/ErpWZzsV2JQ/obituary-babs-adams" />
		<id>tag:www.thestage.co.uk,2009:07.03.24867</id>
		<published>2009-06-30T09:20:00Z</published>
		<category term="Obits" />
		<summary type="html">It was whilst writing her autobiography, Parade of Clowns, that Babs Adams discovered that her showbusiness ancestry went back as far as 1767 to a family called Tabrars. Her maternal grandmother Lizzie Tabrar was one of 11 children and whose brother Joseph was a prolific songwriter (Daddy Wouldn't Buy Me a Bow-Wow, was one of his songs).</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">It was whilst writing her autobiography, Parade of Clowns, that Babs Adams discovered that her showbusiness ancestry went back as far as 1767 to a family called Tabrars. Her maternal grandmother Lizzie Tabrar was one of 11 children and whose brother Joseph was a prolific songwriter (Daddy Wouldn't Buy Me a Bow-Wow, was one of his songs).
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/cl7CI-dhczAYKOzi3XtCj_hGWtM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cl7CI-dhczAYKOzi3XtCj_hGWtM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/cl7CI-dhczAYKOzi3XtCj_hGWtM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cl7CI-dhczAYKOzi3XtCj_hGWtM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=ErpWZzsV2JQ:FdpavJtgMzs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=ErpWZzsV2JQ:FdpavJtgMzs:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=ErpWZzsV2JQ:FdpavJtgMzs:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/obituaries/feature.php/24867/obituary-babs-adams</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Ageist against Arlene</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/QwGX4Lkp4yg/letter-ageist-against-arlene" />
		<id>tag:www.thestage.co.uk,2009:07.03.24865</id>
		<published>2009-06-29T17:30:00Z</published>
		<category term="Letters" />
		<summary type="html">Two recent news items about the programme Strictly Come Dancing have drawn my attention.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Two recent news items about the programme Strictly Come Dancing have drawn my attention.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/7vk5jvO_rmIwlndkXuthQES5-hY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7vk5jvO_rmIwlndkXuthQES5-hY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/7vk5jvO_rmIwlndkXuthQES5-hY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7vk5jvO_rmIwlndkXuthQES5-hY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=QwGX4Lkp4yg:AjIt0M1-2xI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=QwGX4Lkp4yg:AjIt0M1-2xI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=QwGX4Lkp4yg:AjIt0M1-2xI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24865/letter-ageist-against-arlene</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Memories of Michael</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/A8xOpXFBlg4/memories-of-michael" />
		<id>tag:www.thestage.co.uk,2009:07.03.24864</id>
		<published>2009-06-29T17:25:00Z</published>
		<category term="Features" />
		<summary type="html">Michael Jackson played an unprecedented seven sell-out concerts at Wembley Stadium on The Bad Tour in summer 1988, putting him in the Guinness Book of Records. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Michael Jackson played an unprecedented seven sell-out concerts at Wembley Stadium on The Bad Tour in summer 1988, putting him in the Guinness Book of Records. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/fLQAebisUEb9IOyZ5XwlVzVcnyg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fLQAebisUEb9IOyZ5XwlVzVcnyg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/fLQAebisUEb9IOyZ5XwlVzVcnyg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fLQAebisUEb9IOyZ5XwlVzVcnyg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=A8xOpXFBlg4:NvGlH7XO--8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=A8xOpXFBlg4:NvGlH7XO--8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=A8xOpXFBlg4:NvGlH7XO--8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24864/memories-of-michael</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Archives are the answer</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/kVOu8d3is4M/letter-archives-are-the-answer" />
		<id>tag:www.thestage.co.uk,2009:07.03.24861</id>
		<published>2009-06-29T16:55:00Z</published>
		<category term="Letters" />
		<summary type="html">My grateful thanks to your columnist, Ian Herbert, for his generous review of my history of Oxford Playhouse - now also available in paperback at &amp;pound;9.99 (Oxford Playhouse - High and Low Drama in a University City, June 18, page 30) .</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">My grateful thanks to your columnist, Ian Herbert, for his generous review of my history of Oxford Playhouse - now also available in paperback at &amp;pound;9.99 (Oxford Playhouse - High and Low Drama in a University City, June 18, page 30) .
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/PxzALhF1jazFeUgIVHXByp6o7NM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PxzALhF1jazFeUgIVHXByp6o7NM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/PxzALhF1jazFeUgIVHXByp6o7NM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PxzALhF1jazFeUgIVHXByp6o7NM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=kVOu8d3is4M:pVf9m17k98Q:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=kVOu8d3is4M:pVf9m17k98Q:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=kVOu8d3is4M:pVf9m17k98Q:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24861/letter-archives-are-the-answer</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Remembering Patrick</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/H6nBTobbBlU/letter-remembering-patrick" />
		<id>tag:www.thestage.co.uk,2009:07.03.24862</id>
		<published>2009-06-29T16:55:00Z</published>
		<category term="Letters" />
		<summary type="html">Sorry to hear of Patrick Newley's death, and at no age at all. I always enjoyed his column and recall, although years ago, appearing with him at Welwyn Garden City in a Christmas show, a musical version of Treasure Island. He will undoubtedly be much missed.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Sorry to hear of Patrick Newley's death, and at no age at all. I always enjoyed his column and recall, although years ago, appearing with him at Welwyn Garden City in a Christmas show, a musical version of Treasure Island. He will undoubtedly be much missed.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/WqIb9YnzHMoFTLIhfoZfMeRUDJE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/WqIb9YnzHMoFTLIhfoZfMeRUDJE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/WqIb9YnzHMoFTLIhfoZfMeRUDJE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/WqIb9YnzHMoFTLIhfoZfMeRUDJE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=H6nBTobbBlU:LwZV5q1Q5sg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=H6nBTobbBlU:LwZV5q1Q5sg:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=H6nBTobbBlU:LwZV5q1Q5sg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24862/letter-remembering-patrick</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Reliving the summer of '69</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/sWyRtYXUBPY/letter-reliving-the-summer-of-69" />
		<id>tag:www.thestage.co.uk,2009:07.03.24863</id>
		<published>2009-06-29T16:55:00Z</published>
		<category term="Letters" />
		<summary type="html">I am organising a 40 year reunion of drama performers course graduates who left the Guildhall School of Music and Drama in the summer of 1969. It will be in October.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">I am organising a 40 year reunion of drama performers course graduates who left the Guildhall School of Music and Drama in the summer of 1969. It will be in October.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/PFhug0pg1WY7yN1NZYEf8b_eSzM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PFhug0pg1WY7yN1NZYEf8b_eSzM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/PFhug0pg1WY7yN1NZYEf8b_eSzM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PFhug0pg1WY7yN1NZYEf8b_eSzM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=sWyRtYXUBPY:yFnUjxb8bvw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=sWyRtYXUBPY:yFnUjxb8bvw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=sWyRtYXUBPY:yFnUjxb8bvw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24863/letter-reliving-the-summer-of-69</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Keeping up with the Joneses</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/f0aINBSe_fk/letter-keeping-up-with-the-joneses" />
		<id>tag:www.thestage.co.uk,2009:07.03.24859</id>
		<published>2009-06-29T16:50:02Z</published>
		<category term="Letters" />
		<summary type="html">In his book Sullivan and his Satellites, which was published in 1978, Alan Hyman gives acknowledgement to Arthur and Dorothy Jones for assistance which they rendered concerning their father, Sidney Jones, the composer who wrote musical comedy scores for the impresario George Edwardes. Does anyone have knowledge of any people linked by family or other connections with Arthur or Dorothy Jones?</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">In his book Sullivan and his Satellites, which was published in 1978, Alan Hyman gives acknowledgement to Arthur and Dorothy Jones for assistance which they rendered concerning their father, Sidney Jones, the composer who wrote musical comedy scores for the impresario George Edwardes. Does anyone have knowledge of any people linked by family or other connections with Arthur or Dorothy Jones?
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/AskDZ5pEEt4x0hzWCOw8UIYznOY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AskDZ5pEEt4x0hzWCOw8UIYznOY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/AskDZ5pEEt4x0hzWCOw8UIYznOY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AskDZ5pEEt4x0hzWCOw8UIYznOY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=f0aINBSe_fk:_foKse9efQ8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=f0aINBSe_fk:_foKse9efQ8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=f0aINBSe_fk:_foKse9efQ8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24859/letter-keeping-up-with-the-joneses</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Slow response summer</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/kcLMtzinvgA/letter-slow-response-summer" />
		<id>tag:www.thestage.co.uk,2009:07.03.24860</id>
		<published>2009-06-29T16:50:02Z</published>
		<category term="Letters" />
		<summary type="html">We are delighted that, during these difficult times, members of the entertainment profession are fully employed.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">We are delighted that, during these difficult times, members of the entertainment profession are fully employed.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xhXOuoPVivuWHuy2MJDTf14qvJk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xhXOuoPVivuWHuy2MJDTf14qvJk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/xhXOuoPVivuWHuy2MJDTf14qvJk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xhXOuoPVivuWHuy2MJDTf14qvJk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=kcLMtzinvgA:0MeMSkMz9ws:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=kcLMtzinvgA:0MeMSkMz9ws:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=kcLMtzinvgA:0MeMSkMz9ws:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24860/letter-slow-response-summer</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Fight to the finish</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/PpMid6CGRTM/letter-fight-to-the-finish" />
		<id>tag:www.thestage.co.uk,2009:07.03.24857</id>
		<published>2009-06-29T16:50:01Z</published>
		<category term="Letters" />
		<summary type="html">It was a surprise to read in your June 25 edition in the article, Four sites join theatre 'at risk' list (page 3), that the Theatres Trust had categorised the Redgrave as "lost" and had removed it from the "at risk" register after permission had been granted for its demolition.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">It was a surprise to read in your June 25 edition in the article, Four sites join theatre 'at risk' list (page 3), that the Theatres Trust had categorised the Redgrave as "lost" and had removed it from the "at risk" register after permission had been granted for its demolition.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Ye5XifCHPHQPckYVQAvzd_oUkmY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ye5XifCHPHQPckYVQAvzd_oUkmY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Ye5XifCHPHQPckYVQAvzd_oUkmY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ye5XifCHPHQPckYVQAvzd_oUkmY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=PpMid6CGRTM:904eB4sy6Lc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=PpMid6CGRTM:904eB4sy6Lc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=PpMid6CGRTM:904eB4sy6Lc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24857/letter-fight-to-the-finish</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: The regions aren't a rehearsal</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/UrWU6VqtLvk/letter-the-regions-arent-a-rehearsal" />
		<id>tag:www.thestage.co.uk,2009:07.03.24858</id>
		<published>2009-06-29T16:50:01Z</published>
		<category term="Letters" />
		<summary type="html">I read with interest your article Friends reunited (June 4, page 24), the interview with Sir Ian McKellan, having watched Waiting For Godot in Edinburgh during the regional tour prior to its West End run.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">I read with interest your article Friends reunited (June 4, page 24), the interview with Sir Ian McKellan, having watched Waiting For Godot in Edinburgh during the regional tour prior to its West End run.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OC4lPqMCAXSqCV5RCuNKXB2RSJI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OC4lPqMCAXSqCV5RCuNKXB2RSJI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OC4lPqMCAXSqCV5RCuNKXB2RSJI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OC4lPqMCAXSqCV5RCuNKXB2RSJI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=UrWU6VqtLvk:rGvVC8GdFV0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=UrWU6VqtLvk:rGvVC8GdFV0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=UrWU6VqtLvk:rGvVC8GdFV0:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24858/letter-the-regions-arent-a-rehearsal</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Diverse design</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/yR-Sek0dDHs/backstage-diverse-design" />
		<id>tag:www.thestage.co.uk,2009:07.03.24853</id>
		<published>2009-06-29T14:30:02Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">ADLIB Audio supplied sound for the Love Music Hate Racism Festival 2009, staged recently at Britannia Stadium, Stoke, and organised jointly by Stoke City FC and Stoke-on-Trent City Council. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">ADLIB Audio supplied sound for the Love Music Hate Racism Festival 2009, staged recently at Britannia Stadium, Stoke, and organised jointly by Stoke City FC and Stoke-on-Trent City Council. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/6eRmXHAJtfa44jsjMfEk5oiBQrg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6eRmXHAJtfa44jsjMfEk5oiBQrg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/6eRmXHAJtfa44jsjMfEk5oiBQrg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6eRmXHAJtfa44jsjMfEk5oiBQrg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=yR-Sek0dDHs:hjKRU3g35dc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=yR-Sek0dDHs:hjKRU3g35dc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=yR-Sek0dDHs:hjKRU3g35dc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24853/backstage-diverse-design</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Orb control</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/ROM6uMWD2N0/backstage-orb-control" />
		<id>tag:www.thestage.co.uk,2009:07.03.24854</id>
		<published>2009-06-29T14:30:02Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">Zero 88 has announced a series of training days in the UK, offering users open access to its ORB console.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Zero 88 has announced a series of training days in the UK, offering users open access to its ORB console.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/GFtXUj5jJaZHbEVj2UplEP-f_HA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GFtXUj5jJaZHbEVj2UplEP-f_HA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/GFtXUj5jJaZHbEVj2UplEP-f_HA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GFtXUj5jJaZHbEVj2UplEP-f_HA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=ROM6uMWD2N0:hzhSkSLW8xA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=ROM6uMWD2N0:hzhSkSLW8xA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=ROM6uMWD2N0:hzhSkSLW8xA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24854/backstage-orb-control</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Oasis of light</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/uCRo-TxC8Fk/backstage-oasis-of-light" />
		<id>tag:www.thestage.co.uk,2009:07.03.24852</id>
		<published>2009-06-29T14:30:01Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">Oasis' Dig Out Your Soul world tour is currently using more than 140 i-Pix BB4 wash lights for its stadium gigs - a record number of i-Pix fixtures for a single concert touring show. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Oasis' Dig Out Your Soul world tour is currently using more than 140 i-Pix BB4 wash lights for its stadium gigs - a record number of i-Pix fixtures for a single concert touring show. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/X18ERMis2_NAKyk75usEWS3LyB0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/X18ERMis2_NAKyk75usEWS3LyB0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/X18ERMis2_NAKyk75usEWS3LyB0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/X18ERMis2_NAKyk75usEWS3LyB0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=uCRo-TxC8Fk:frRL9EdSg-M:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=uCRo-TxC8Fk:frRL9EdSg-M:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=uCRo-TxC8Fk:frRL9EdSg-M:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24852/backstage-oasis-of-light</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Life on Mars</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/qmOS9htMC1w/backstage-life-on-mars" />
		<id>tag:www.thestage.co.uk,2009:07.03.24851</id>
		<published>2009-06-29T14:30:00Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">The BFI's Southbank Gallery has gone 3D, via a new, immersive video installation by British artists Iain Forsyth and Jane Pollard. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">The BFI's Southbank Gallery has gone 3D, via a new, immersive video installation by British artists Iain Forsyth and Jane Pollard. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/0Qx9lDUJTmnU7u5z-xD3mho4jd8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0Qx9lDUJTmnU7u5z-xD3mho4jd8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/0Qx9lDUJTmnU7u5z-xD3mho4jd8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0Qx9lDUJTmnU7u5z-xD3mho4jd8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=qmOS9htMC1w:VQvlCIQeTMM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=qmOS9htMC1w:VQvlCIQeTMM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=qmOS9htMC1w:VQvlCIQeTMM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24851/backstage-life-on-mars</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Don't rely on a cunning stunt</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/7SJHML6H3U4/dont-rely-on-a-cunning-stunt" />
		<id>tag:www.thestage.co.uk,2009:07.03.24846</id>
		<published>2009-06-26T17:00:01Z</published>
		<category term="Features" />
		<summary type="html">Using shock tactics at the Edinburgh Festival Fringe is less likely to garner publicity in this desensitised media age, argues PR guru Mark Borkowski</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Using shock tactics at the Edinburgh Festival Fringe is less likely to garner publicity in this desensitised media age, argues PR guru Mark Borkowski
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ScddRhq_IIs0qI1gcpNqhxi5pZw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ScddRhq_IIs0qI1gcpNqhxi5pZw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ScddRhq_IIs0qI1gcpNqhxi5pZw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ScddRhq_IIs0qI1gcpNqhxi5pZw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=7SJHML6H3U4:NKxx4fGpWiI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=7SJHML6H3U4:NKxx4fGpWiI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=7SJHML6H3U4:NKxx4fGpWiI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24846/dont-rely-on-a-cunning-stunt</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Spiro's inspired roles</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/brvPyVoRs80/spiros-inspired-roles" />
		<id>tag:www.thestage.co.uk,2009:07.03.24844</id>
		<published>2009-06-26T15:30:00Z</published>
		<category term="Features" />
		<summary type="html">Currently starring as Beatrice in Much Ado About Nothing in Regent's Park, Samantha Spiro talks to Nick Smurthwaite about the varied roles she has performed over her career, from impersonating Barbara Windsor to playing Fanny Brice in the musical Funny Girl</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Currently starring as Beatrice in Much Ado About Nothing in Regent's Park, Samantha Spiro talks to Nick Smurthwaite about the varied roles she has performed over her career, from impersonating Barbara Windsor to playing Fanny Brice in the musical Funny Girl
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/cpzsuafRCv8KZP7KSWrOJVZYF4o/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cpzsuafRCv8KZP7KSWrOJVZYF4o/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/cpzsuafRCv8KZP7KSWrOJVZYF4o/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cpzsuafRCv8KZP7KSWrOJVZYF4o/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=brvPyVoRs80:nVyow-McXv4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=brvPyVoRs80:nVyow-McXv4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=brvPyVoRs80:nVyow-McXv4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24844/spiros-inspired-roles</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Experiencing theatres</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/QLrICBnxMKc/experiencing-theatres" />
		<id>tag:www.thestage.co.uk,2009:07.03.24830</id>
		<published>2009-06-25T11:10:00Z</published>
		<category term="Features" />
		<summary type="html">A K Bennett-Hunter picks some moments from the recent Theatres Trust conference</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">A K Bennett-Hunter picks some moments from the recent Theatres Trust conference
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/f8WZrCPu-Diq4CK1PV15Cem2nes/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/f8WZrCPu-Diq4CK1PV15Cem2nes/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/f8WZrCPu-Diq4CK1PV15Cem2nes/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/f8WZrCPu-Diq4CK1PV15Cem2nes/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=QLrICBnxMKc:XaKQXtt7v5k:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=QLrICBnxMKc:XaKQXtt7v5k:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=QLrICBnxMKc:XaKQXtt7v5k:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24830/experiencing-theatres</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Focus: Live Nation</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/XxVKFLIsOro/focus-live-nation" />
		<id>tag:www.thestage.co.uk,2009:07.03.24810</id>
		<published>2009-06-24T11:25:00Z</published>
		<category term="Features" />
		<summary type="html">Michael Quinn takes a look at the company's history, its current situation and increasing interest in live music, plus the portfolio of UK theatres it is putting up for sale</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Michael Quinn takes a look at the company's history, its current situation and increasing interest in live music, plus the portfolio of UK theatres it is putting up for sale
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/h6b9kLMYxnxMNqcTgw0Ll6rSyUo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/h6b9kLMYxnxMNqcTgw0Ll6rSyUo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/h6b9kLMYxnxMNqcTgw0Ll6rSyUo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/h6b9kLMYxnxMNqcTgw0Ll6rSyUo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=XxVKFLIsOro:PrS89Fw_A6M:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=XxVKFLIsOro:PrS89Fw_A6M:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=XxVKFLIsOro:PrS89Fw_A6M:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24810/focus-live-nation</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Chit Chat - What's in a name?</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/HVLUT0YmPGo/chit-chat-whats-in-a-name-" />
		<id>tag:www.thestage.co.uk,2009:07.03.24798</id>
		<published>2009-06-23T13:05:00Z</published>
		<category term="Columns" />
		<summary type="html">One section of the cultural community, however, which appears to have no problem calling a spade as a spade, so to speak, are London's gay theatre makers.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">One section of the cultural community, however, which appears to have no problem calling a spade as a spade, so to speak, are London's gay theatre makers.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/JxuhAmPWU3Po-XTA8RYpF2GdgFc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JxuhAmPWU3Po-XTA8RYpF2GdgFc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/JxuhAmPWU3Po-XTA8RYpF2GdgFc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JxuhAmPWU3Po-XTA8RYpF2GdgFc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=HVLUT0YmPGo:DJP7LvOttjs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=HVLUT0YmPGo:DJP7LvOttjs:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=HVLUT0YmPGo:DJP7LvOttjs:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24798/chit-chat-whats-in-a-name-</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Chit Chat - Conditioning in modern art</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/pB5hocLfiL8/chit-chat-conditioning-in-modern-art" />
		<id>tag:www.thestage.co.uk,2009:07.03.24797</id>
		<published>2009-06-23T13:00:00Z</published>
		<category term="Columns" />
		<summary type="html">The Tory's shadow arts team has done rather a good job at ingratiating itself to the cultural sector over the last year or so. Indeed, its charm offensive has been never more apparent than in the last month, when Conservative minister for culture Ed Vaizey has been seen one day cropping up at a National Campaign for the Arts conference and another in a feature interview for The Grauniad, of all places.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">The Tory's shadow arts team has done rather a good job at ingratiating itself to the cultural sector over the last year or so. Indeed, its charm offensive has been never more apparent than in the last month, when Conservative minister for culture Ed Vaizey has been seen one day cropping up at a National Campaign for the Arts conference and another in a feature interview for The Grauniad, of all places.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/QbPOERf069xPCSw-XP5m-shdJl0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QbPOERf069xPCSw-XP5m-shdJl0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/QbPOERf069xPCSw-XP5m-shdJl0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QbPOERf069xPCSw-XP5m-shdJl0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=pB5hocLfiL8:4xPeQtms2sE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=pB5hocLfiL8:4xPeQtms2sE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=pB5hocLfiL8:4xPeQtms2sE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24797/chit-chat-conditioning-in-modern-art</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Obituary: Terence Alexander</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/f9bN9-RV0YE/obituary-terence-alexander" />
		<id>tag:www.thestage.co.uk,2009:07.03.24796</id>
		<published>2009-06-23T12:30:05Z</published>
		<category term="Obits" />
		<summary type="html">Tall, handsome, suave and sophisticated, the priesthood was Terence Alexander's first calling before acting, until, he later confessed, "I realised that celibacy wasn't for me". </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Tall, handsome, suave and sophisticated, the priesthood was Terence Alexander's first calling before acting, until, he later confessed, "I realised that celibacy wasn't for me". 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/MXLNs5nFJVf1vUFP1f3rGr8TG3o/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MXLNs5nFJVf1vUFP1f3rGr8TG3o/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/MXLNs5nFJVf1vUFP1f3rGr8TG3o/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MXLNs5nFJVf1vUFP1f3rGr8TG3o/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=f9bN9-RV0YE:SUnoyIjulq8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=f9bN9-RV0YE:SUnoyIjulq8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=f9bN9-RV0YE:SUnoyIjulq8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/obituaries/feature.php/24796/obituary-terence-alexander</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Obituary: John Willmer</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/DrrU-B2Y7xI/obituary-john-willmer" />
		<id>tag:www.thestage.co.uk,2009:07.03.24794</id>
		<published>2009-06-23T12:30:04Z</published>
		<category term="Obits" />
		<summary type="html">John Willmer, a long-time reviewer for The Stage and author of a useful and entertaining biography of the Connaught Theatre, Worthing died on June 12 after a short illness.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">John Willmer, a long-time reviewer for The Stage and author of a useful and entertaining biography of the Connaught Theatre, Worthing died on June 12 after a short illness.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/m-bWNyTigSJPbzakoRt2Sa6ihqY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/m-bWNyTigSJPbzakoRt2Sa6ihqY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/m-bWNyTigSJPbzakoRt2Sa6ihqY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/m-bWNyTigSJPbzakoRt2Sa6ihqY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=DrrU-B2Y7xI:AFO5edopq2c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=DrrU-B2Y7xI:AFO5edopq2c:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=DrrU-B2Y7xI:AFO5edopq2c:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/obituaries/feature.php/24794/obituary-john-willmer</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Fifty and fabulous</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/qlsXmetOZ7M/letter-fifty-and-fabulous" />
		<id>tag:www.thestage.co.uk,2009:07.03.24795</id>
		<published>2009-06-23T12:30:04Z</published>
		<category term="Letters" />
		<summary type="html">As a mature actress and singer (playing age 40 to 50), I am compelled to respond to the equal roles article by Matthew Hemley in The Stage last week (&lt;a href="http://www.thestage.co.uk/news/newsstory.php/24740/mosse-inspired-by-stage-campaign-to-write"&gt;Stage campaign inspires Mosse to write play for older women&lt;/a&gt;, June 18, page 3).</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">As a mature actress and singer (playing age 40 to 50), I am compelled to respond to the equal roles article by Matthew Hemley in The Stage last week (&lt;a href="http://www.thestage.co.uk/news/newsstory.php/24740/mosse-inspired-by-stage-campaign-to-write"&gt;Stage campaign inspires Mosse to write play for older women&lt;/a&gt;, June 18, page 3).
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/M--JbSDjzEltNY1hPd7tfWyaxAo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/M--JbSDjzEltNY1hPd7tfWyaxAo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/M--JbSDjzEltNY1hPd7tfWyaxAo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/M--JbSDjzEltNY1hPd7tfWyaxAo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=qlsXmetOZ7M:jCu1cpf2bxU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=qlsXmetOZ7M:jCu1cpf2bxU:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=qlsXmetOZ7M:jCu1cpf2bxU:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24795/letter-fifty-and-fabulous</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: A mention for JB</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/xEbT6CHnLZg/letter-a-mention-for-jb" />
		<id>tag:www.thestage.co.uk,2009:07.03.24793</id>
		<published>2009-06-23T12:30:03Z</published>
		<category term="Letters" />
		<summary type="html">Thanks for listing the entertainment industries performers mentioned in the Queen's Birthday Honours (June 18, front page).</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Thanks for listing the entertainment industries performers mentioned in the Queen's Birthday Honours (June 18, front page).
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/btuPCIgVIJvdEAvTy3RexPXROgk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/btuPCIgVIJvdEAvTy3RexPXROgk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/btuPCIgVIJvdEAvTy3RexPXROgk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/btuPCIgVIJvdEAvTy3RexPXROgk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=xEbT6CHnLZg:FRnUKfXzMXw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=xEbT6CHnLZg:FRnUKfXzMXw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=xEbT6CHnLZg:FRnUKfXzMXw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24793/letter-a-mention-for-jb</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Take to the stage</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/u9hCqMWxnlE/letter-take-to-the-stage" />
		<id>tag:www.thestage.co.uk,2009:07.03.24791</id>
		<published>2009-06-23T12:30:02Z</published>
		<category term="Letters" />
		<summary type="html">Noting the common-sense advice from Simon Dunmore and practical attitude of Theatregirl123 (The Stage Online, June 11, page 9), I would like to suggest to all Stagetalkers the only way to discover your ability and strength as an actor is to get on a stage and act. Find a local amdram club or start one yourself and entertain a real, critical, ordinary local-type audience. This method is the best audition of all. Don't be too depressed Theatregirl123, you're on the right track.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Noting the common-sense advice from Simon Dunmore and practical attitude of Theatregirl123 (The Stage Online, June 11, page 9), I would like to suggest to all Stagetalkers the only way to discover your ability and strength as an actor is to get on a stage and act. Find a local amdram club or start one yourself and entertain a real, critical, ordinary local-type audience. This method is the best audition of all. Don't be too depressed Theatregirl123, you're on the right track.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/bEp7TB_RWNlZ-scarnBYXKoVaDY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bEp7TB_RWNlZ-scarnBYXKoVaDY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/bEp7TB_RWNlZ-scarnBYXKoVaDY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bEp7TB_RWNlZ-scarnBYXKoVaDY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=u9hCqMWxnlE:ZKNntzhuu_w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=u9hCqMWxnlE:ZKNntzhuu_w:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=u9hCqMWxnlE:ZKNntzhuu_w:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24791/letter-take-to-the-stage</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: The race without a face</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/oFXlsxtmjZE/letter-the-race-without-a-face" />
		<id>tag:www.thestage.co.uk,2009:07.03.24792</id>
		<published>2009-06-23T12:30:02Z</published>
		<category term="Letters" />
		<summary type="html">Many thanks for Lalayn Baluch's excellent article, British East Asian artists lambast "racist" UK theatre (June 11, page 2) bringing this important issue to light. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Many thanks for Lalayn Baluch's excellent article, British East Asian artists lambast "racist" UK theatre (June 11, page 2) bringing this important issue to light. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/pnAf9QlO84OxpndQszKFzk74dW4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/pnAf9QlO84OxpndQszKFzk74dW4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/pnAf9QlO84OxpndQszKFzk74dW4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/pnAf9QlO84OxpndQszKFzk74dW4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=oFXlsxtmjZE:0AVqojZxF0o:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=oFXlsxtmjZE:0AVqojZxF0o:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=oFXlsxtmjZE:0AVqojZxF0o:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24792/letter-the-race-without-a-face</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: My comments in context</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/-3YnePBliiU/letter-my-comments-in-context" />
		<id>tag:www.thestage.co.uk,2009:07.03.24789</id>
		<published>2009-06-23T12:30:01Z</published>
		<category term="Letters" />
		<summary type="html">I am writing following the article by Lalayn Baluch in your newspaper (&lt;a href="http://www.thestage.co.uk/news/newsstory.php/24737/uncomfortable-theatres-blamed-for-deterring"&gt;June 18, page 4&lt;/a&gt;), reporting on the Theatres Trust conference.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">I am writing following the article by Lalayn Baluch in your newspaper (&lt;a href="http://www.thestage.co.uk/news/newsstory.php/24737/uncomfortable-theatres-blamed-for-deterring"&gt;June 18, page 4&lt;/a&gt;), reporting on the Theatres Trust conference.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/_9sr5FcZXVVXrrq_aanztKhJFZ8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_9sr5FcZXVVXrrq_aanztKhJFZ8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/_9sr5FcZXVVXrrq_aanztKhJFZ8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_9sr5FcZXVVXrrq_aanztKhJFZ8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=-3YnePBliiU:ks13R8xAWqQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=-3YnePBliiU:ks13R8xAWqQ:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=-3YnePBliiU:ks13R8xAWqQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24789/letter-my-comments-in-context</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Obituary: Bob Bogle</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/TbA8hXXUyKs/obituary-bob-bogle" />
		<id>tag:www.thestage.co.uk,2009:07.03.24790</id>
		<published>2009-06-23T12:30:01Z</published>
		<category term="Obits" />
		<summary type="html">A founding member of top sixties instrumental group the Ventures, Bob Bogle passed away in hospital on June 14, aged 75, as a result of Non-Hodgkin Lymphoma.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">A founding member of top sixties instrumental group the Ventures, Bob Bogle passed away in hospital on June 14, aged 75, as a result of Non-Hodgkin Lymphoma.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/EpkYuRqK3XdiqBsvWxgQ_IlzIco/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EpkYuRqK3XdiqBsvWxgQ_IlzIco/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/EpkYuRqK3XdiqBsvWxgQ_IlzIco/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EpkYuRqK3XdiqBsvWxgQ_IlzIco/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=TbA8hXXUyKs:y0-nFMC8D_M:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=TbA8hXXUyKs:y0-nFMC8D_M:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=TbA8hXXUyKs:y0-nFMC8D_M:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/obituaries/feature.php/24790/obituary-bob-bogle</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: A warning to act now</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/WE9UYcnBt9Y/letter-a-warning-to-act-now" />
		<id>tag:www.thestage.co.uk,2009:07.03.24788</id>
		<published>2009-06-23T12:25:01Z</published>
		<category term="Letters" />
		<summary type="html">It is deeply disappointing to read reports of the Theatres Trust's recent conference in which adverse comments on the physical condition of London's commercial theatres was apparently allowed to go unchecked (&lt;a href="http://www.thestage.co.uk/news/newsstory.php/24737/uncomfortable-theatres-blamed-for-deterring"'Uncomfortable' venues deter West End audiences&lt;/a&gt;, June 18, page 4).</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">It is deeply disappointing to read reports of the Theatres Trust's recent conference in which adverse comments on the physical condition of London's commercial theatres was apparently allowed to go unchecked (&lt;a href="http://www.thestage.co.uk/news/newsstory.php/24737/uncomfortable-theatres-blamed-for-deterring"'Uncomfortable' venues deter West End audiences&lt;/a&gt;, June 18, page 4).
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/uT2U0U5Qj07xo6ZBnMt2KUhLuD8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uT2U0U5Qj07xo6ZBnMt2KUhLuD8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/uT2U0U5Qj07xo6ZBnMt2KUhLuD8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uT2U0U5Qj07xo6ZBnMt2KUhLuD8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=WE9UYcnBt9Y:7anh51SzEhk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=WE9UYcnBt9Y:7anh51SzEhk:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=WE9UYcnBt9Y:7anh51SzEhk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24788/letter-a-warning-to-act-now</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Radio review - light programme</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/oekGNxlXM14/radio-review-light-programme" />
		<id>tag:www.thestage.co.uk,2009:07.03.24784</id>
		<published>2009-06-22T16:30:00Z</published>
		<category term="TV" />
		<summary type="html">For those delighting in a trip back to the halcyon era when TV advertisements weren't CGI enhanced and full of deadly dull bank employees singing about mortgages, Radio 4's Bill Mitchell, The Man Who Wrestled Pumas. Probably, was a great, albeit too brief look at a man whose voice was more gravel laden than the M1's hard shoulder. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">For those delighting in a trip back to the halcyon era when TV advertisements weren't CGI enhanced and full of deadly dull bank employees singing about mortgages, Radio 4's Bill Mitchell, The Man Who Wrestled Pumas. Probably, was a great, albeit too brief look at a man whose voice was more gravel laden than the M1's hard shoulder. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/UEJmvu1ZC8deuw9RWbtDAnehFhY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UEJmvu1ZC8deuw9RWbtDAnehFhY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/UEJmvu1ZC8deuw9RWbtDAnehFhY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UEJmvu1ZC8deuw9RWbtDAnehFhY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=oekGNxlXM14:UEZ3hSufi7A:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=oekGNxlXM14:UEZ3hSufi7A:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=oekGNxlXM14:UEZ3hSufi7A:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24784/radio-review-light-programme</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">TV review</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/6SldaKbPka8/tv-review" />
		<id>tag:www.thestage.co.uk,2009:07.03.24783</id>
		<published>2009-06-22T15:40:01Z</published>
		<category term="TV" />
		<summary type="html">Ozzy (Brian Cox) is not the kind of gangster to let the minor inconvenience of being in prison stop him from taking care of his illicit business interests outside.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Ozzy (Brian Cox) is not the kind of gangster to let the minor inconvenience of being in prison stop him from taking care of his illicit business interests outside.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/XAHC_IQ4DabDJH9A-G3_uGgQ-80/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/XAHC_IQ4DabDJH9A-G3_uGgQ-80/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/XAHC_IQ4DabDJH9A-G3_uGgQ-80/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/XAHC_IQ4DabDJH9A-G3_uGgQ-80/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=6SldaKbPka8:tFFLLWte6bA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=6SldaKbPka8:tFFLLWte6bA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=6SldaKbPka8:tFFLLWte6bA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24783/tv-review</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Electric excitement</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/7fls70KhIwg/backstage-electric-excitement" />
		<id>tag:www.thestage.co.uk,2009:07.03.24775</id>
		<published>2009-06-22T10:55:03Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">Stage Electrics will be among the exhibitors at the first Excite! - the new name for the Exhibiting Show, taking place at London's Earls Court on both June 24/25. Technical products on the stand will include Stage Electrics' new LED screens with a colour spectrum of one billion colours, designed for indoor or outdoor use at sporting events, product launches and concerts and the  Arkaos media server, designed to run real time video performances. www.stage-electrics.co.uk</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Stage Electrics will be among the exhibitors at the first Excite! - the new name for the Exhibiting Show, taking place at London's Earls Court on both June 24/25. Technical products on the stand will include Stage Electrics' new LED screens with a colour spectrum of one billion colours, designed for indoor or outdoor use at sporting events, product launches and concerts and the  Arkaos media server, designed to run real time video performances. www.stage-electrics.co.uk
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/8JTn6n8MTyh_T6q0iymG-bdt-PM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8JTn6n8MTyh_T6q0iymG-bdt-PM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/8JTn6n8MTyh_T6q0iymG-bdt-PM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8JTn6n8MTyh_T6q0iymG-bdt-PM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=7fls70KhIwg:LkjEZMvo8DE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=7fls70KhIwg:LkjEZMvo8DE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=7fls70KhIwg:LkjEZMvo8DE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24775/backstage-electric-excitement</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: G force</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/86CFnvybxMo/backstage-g-force" />
		<id>tag:www.thestage.co.uk,2009:07.03.24773</id>
		<published>2009-06-22T10:55:02Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">GLP German Light Products GmbH has announced its acquisition of the G-LEC business, an innovator of transparent LED video. Formed in 2001, G-LEC provides leading-edge systems to the entertainment and architectural markets. In acquiring the business, GLP states that it has ensured the continuity of the innovative technology for which G-LEC is renowned, while the association of the two companies echoes the converging use of lighting and video technologies. G-LEC, now a fully owned subsidiary of GLP, has discontinued all rental activity and will now focus on selling the G-LEC product range through the company's existing offices, as well as new sales channels. www.g-lec.com</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">GLP German Light Products GmbH has announced its acquisition of the G-LEC business, an innovator of transparent LED video. Formed in 2001, G-LEC provides leading-edge systems to the entertainment and architectural markets. In acquiring the business, GLP states that it has ensured the continuity of the innovative technology for which G-LEC is renowned, while the association of the two companies echoes the converging use of lighting and video technologies. G-LEC, now a fully owned subsidiary of GLP, has discontinued all rental activity and will now focus on selling the G-LEC product range through the company's existing offices, as well as new sales channels. www.g-lec.com
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/rivCpxbUcRi0g8Hapg1w7A4URz0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rivCpxbUcRi0g8Hapg1w7A4URz0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/rivCpxbUcRi0g8Hapg1w7A4URz0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rivCpxbUcRi0g8Hapg1w7A4URz0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=86CFnvybxMo:OYpDGNDCmP8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=86CFnvybxMo:OYpDGNDCmP8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=86CFnvybxMo:OYpDGNDCmP8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24773/backstage-g-force</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Extra dimension</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/4lZS-UGRXS4/backstage-extra-dimension" />
		<id>tag:www.thestage.co.uk,2009:07.03.24774</id>
		<published>2009-06-22T10:55:02Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">The British Academy of Film and Television Arts has installed Dolby 3D Digital Cinema in its London headquarters, Princess Anne theatre, states Dolby Laboratories. Equipped with premium digital projection facilities, it seats more than 220 people and hosts many industry events. The theatre's projection room at BAFTA already has a range of Dolby digital cinema equipment installed, including a Dolby Digital Cinema server, Dolby Show Library and CP650 Cinema Processor.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">The British Academy of Film and Television Arts has installed Dolby 3D Digital Cinema in its London headquarters, Princess Anne theatre, states Dolby Laboratories. Equipped with premium digital projection facilities, it seats more than 220 people and hosts many industry events. The theatre's projection room at BAFTA already has a range of Dolby digital cinema equipment installed, including a Dolby Digital Cinema server, Dolby Show Library and CP650 Cinema Processor.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/SCwh4wzFg-H0lyHrDaO1YvqQU64/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SCwh4wzFg-H0lyHrDaO1YvqQU64/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/SCwh4wzFg-H0lyHrDaO1YvqQU64/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SCwh4wzFg-H0lyHrDaO1YvqQU64/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=4lZS-UGRXS4:Oih5wbwwMIk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=4lZS-UGRXS4:Oih5wbwwMIk:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=4lZS-UGRXS4:Oih5wbwwMIk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24774/backstage-extra-dimension</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Ad libbing</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/LeBybcEFDzg/backstage-ad-libbing" />
		<id>tag:www.thestage.co.uk,2009:07.03.24770</id>
		<published>2009-06-22T10:55:01Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">ADLIB Audio and Lighting have completed the latest John Barrowman tour, working closely with FOH engineer Walter Jaquiss and lighting designer Neil Trenell, the UK tour being preceded by two days rehearsals at Shepperton Studios. The standard 12 VerTec 4889 a side (left and right) system utilised on the tour was doubled up for the arena shows at Cardiff International Centre and for London's Royal Albert Hall. They also used 12 VerTec subs, the system configuration being varied slightly according to the different venues, and optimised each day by ADLIB systems technician, Richie Nicholson. They used two Soundcraft Vi6 consoles, which Jaquiss filled with around 80 inputs, 56 of which were stage alone - including guest vocals and assorted media - substantial for what was essentially a 'theatre' tour. Jaquiss' biggest challenge with Barrowman's sound, states ADLIB, was mixing a show that veers from very loud to exceptionally quiet, maintaining the level control during the more delicate moments and essentially controlling the many contrasts. On lighting, it was LD Neil Trenell's second tour with Barrowman, ADLIB Lighting also supplying the last one. Dave Hill was also involved from the start as overall show designer, Trenell working with him during pre-production, where they started programming the show using MA Lighting's new MA3D visualiser. www.adlibaudio.co.uk</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">ADLIB Audio and Lighting have completed the latest John Barrowman tour, working closely with FOH engineer Walter Jaquiss and lighting designer Neil Trenell, the UK tour being preceded by two days rehearsals at Shepperton Studios. The standard 12 VerTec 4889 a side (left and right) system utilised on the tour was doubled up for the arena shows at Cardiff International Centre and for London's Royal Albert Hall. They also used 12 VerTec subs, the system configuration being varied slightly according to the different venues, and optimised each day by ADLIB systems technician, Richie Nicholson. They used two Soundcraft Vi6 consoles, which Jaquiss filled with around 80 inputs, 56 of which were stage alone - including guest vocals and assorted media - substantial for what was essentially a 'theatre' tour. Jaquiss' biggest challenge with Barrowman's sound, states ADLIB, was mixing a show that veers from very loud to exceptionally quiet, maintaining the level control during the more delicate moments and essentially controlling the many contrasts. On lighting, it was LD Neil Trenell's second tour with Barrowman, ADLIB Lighting also supplying the last one. Dave Hill was also involved from the start as overall show designer, Trenell working with him during pre-production, where they started programming the show using MA Lighting's new MA3D visualiser. www.adlibaudio.co.uk
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/QljiyN474fP8AW5v_89U9UWzuvc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QljiyN474fP8AW5v_89U9UWzuvc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/QljiyN474fP8AW5v_89U9UWzuvc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QljiyN474fP8AW5v_89U9UWzuvc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=LeBybcEFDzg:XuIby9B3jsg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=LeBybcEFDzg:XuIby9B3jsg:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=LeBybcEFDzg:XuIby9B3jsg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24770/backstage-ad-libbing</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Exploding audio</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/E6Hoo_6WJDA/backstage-exploding-audio" />
		<id>tag:www.thestage.co.uk,2009:07.03.24771</id>
		<published>2009-06-22T10:55:01Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">The Reproduced Sound conference, said to represent the cutting edge of modern audio and acoustics, will celebrate its 25th anniversary this year when it takes place at Brighton's Thistle Hotel on 19th-20th November. Organised primarily by the Electroacoustics Group of the Institute of Acoustics, under the theme of 'The Audio Explosion', the conference aims to attract consultants, manufacturers, contractors, and end users alike.  The event will start with a tutorial evening, while the main conference papers are expected to be highly varied again this year, claim organisers. www.reproducedsound.co.uk</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">The Reproduced Sound conference, said to represent the cutting edge of modern audio and acoustics, will celebrate its 25th anniversary this year when it takes place at Brighton's Thistle Hotel on 19th-20th November. Organised primarily by the Electroacoustics Group of the Institute of Acoustics, under the theme of 'The Audio Explosion', the conference aims to attract consultants, manufacturers, contractors, and end users alike.  The event will start with a tutorial evening, while the main conference papers are expected to be highly varied again this year, claim organisers. www.reproducedsound.co.uk
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/RRKGoHz896ZvPRFxVBUM0AV0d5o/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RRKGoHz896ZvPRFxVBUM0AV0d5o/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/RRKGoHz896ZvPRFxVBUM0AV0d5o/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RRKGoHz896ZvPRFxVBUM0AV0d5o/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=E6Hoo_6WJDA:BtBddenykGY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=E6Hoo_6WJDA:BtBddenykGY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=E6Hoo_6WJDA:BtBddenykGY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24771/backstage-exploding-audio</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Backstage: Lite launch</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/pbKbCO0_cxI/backstage-lite-launch" />
		<id>tag:www.thestage.co.uk,2009:07.03.24772</id>
		<published>2009-06-22T10:55:01Z</published>
		<category term="Backstage - Briefs" />
		<summary type="html">Litestructures (GB) has launched its new division, Litestructures Live, which it describes as: "A one-stop-shop facility, unifying three previously distinct areas of operation - hire, stage and set, and Litestructures Studios." The launch took place at Gibson Guitars showroom in London, and featured a speech from Julia Jones, Litestructures' consultant in the south, plus musical entertainment by Scottish band, Our Lunar Activities. Through Litestructures Live, the company states it will introduce clients to the service and savings that can be had by using the 'one stop shop' idea, where the complete package can be supplied from design to full technical rehearsal, all in one place, on time, and on budget. The new concept was also introduced at the recent ABTT trade show.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Litestructures (GB) has launched its new division, Litestructures Live, which it describes as: "A one-stop-shop facility, unifying three previously distinct areas of operation - hire, stage and set, and Litestructures Studios." The launch took place at Gibson Guitars showroom in London, and featured a speech from Julia Jones, Litestructures' consultant in the south, plus musical entertainment by Scottish band, Our Lunar Activities. Through Litestructures Live, the company states it will introduce clients to the service and savings that can be had by using the 'one stop shop' idea, where the complete package can be supplied from design to full technical rehearsal, all in one place, on time, and on budget. The new concept was also introduced at the recent ABTT trade show.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xOrgwq--nKAlaQ-ZC0T33yYymuM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xOrgwq--nKAlaQ-ZC0T33yYymuM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/xOrgwq--nKAlaQ-ZC0T33yYymuM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xOrgwq--nKAlaQ-ZC0T33yYymuM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=pbKbCO0_cxI:f9SteGKPDT4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=pbKbCO0_cxI:f9SteGKPDT4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=pbKbCO0_cxI:f9SteGKPDT4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/backstage/feature.php/24772/backstage-lite-launch</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Alison Jiear: Voice size matters</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/B_nqddn_HHI/alison-jiear-voice-size-matters" />
		<id>tag:www.thestage.co.uk,2009:07.03.24766</id>
		<published>2009-06-19T18:00:01Z</published>
		<category term="Features" />
		<summary type="html">Typecast due to her curvaceous figure and told to lose pounds at the audition for her first West End show, Alison Jiear has felt the full force of weight issues during her career. She tells Mark Shenton why she has turned her attention to solo work and is appearing in cabaret at Pizza on the Park</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Typecast due to her curvaceous figure and told to lose pounds at the audition for her first West End show, Alison Jiear has felt the full force of weight issues during her career. She tells Mark Shenton why she has turned her attention to solo work and is appearing in cabaret at Pizza on the Park
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NAGAczoeZB9rIF6k54AayL9mjCE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NAGAczoeZB9rIF6k54AayL9mjCE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/NAGAczoeZB9rIF6k54AayL9mjCE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NAGAczoeZB9rIF6k54AayL9mjCE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=B_nqddn_HHI:JH5pyK_4LM4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=B_nqddn_HHI:JH5pyK_4LM4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=B_nqddn_HHI:JH5pyK_4LM4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24766/alison-jiear-voice-size-matters</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Chit chat - Stunt runner</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/C8sE8wWW2js/chit-chat-stunt-runner" />
		<id>tag:www.thestage.co.uk,2009:07.03.24733</id>
		<published>2009-06-16T11:40:01Z</published>
		<category term="Columns" />
		<summary type="html">Meanwhile, Tabard was pleased to note the launch of a new competition up at the Edinburgh fringe - the Malcolm Hardee Award for Best Publicity Stunt.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">Meanwhile, Tabard was pleased to note the launch of a new competition up at the Edinburgh fringe - the Malcolm Hardee Award for Best Publicity Stunt.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4SSejgITtnjDaIL8L0uLitRy6sA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4SSejgITtnjDaIL8L0uLitRy6sA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/4SSejgITtnjDaIL8L0uLitRy6sA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4SSejgITtnjDaIL8L0uLitRy6sA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=C8sE8wWW2js:_YRw519Jo6E:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=C8sE8wWW2js:_YRw519Jo6E:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageFeatures?a=C8sE8wWW2js:_YRw519Jo6E:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageFeatures?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24733/chit-chat-stunt-runner</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Chit chat - Hamlet's all a-twitter</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/v0lvGpCntb8/chit-chat-hamlets-all-a-twitter" />
		<id>tag:www.thestage.co.uk,2009:07.03.24732</id>
		<published>2009-06-16T11:30:01Z</published>
		<category term="Columns" />
		<summary type="html">The Royal Shakespeare Company has gone all 21st century. </summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">The Royal Shakespeare Company has gone all 21st century. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/3TG8QbA-eTe5gBJLVAjl4YPd2TM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3TG8QbA-eTe5gBJLVAjl4YPd2TM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/feature.php/24732/chit-chat-hamlets-all-a-twitter</feedburner:origLink></entry>
	<entry>
		<author>
		<name>The Stage</name>
		</author>
		<title type="html">Letter: Rueing the news</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageFeatures/~3/8drLzZdCfFw/letter-rueing-the-news" />
		<id>tag:www.thestage.co.uk,2009:07.03.24731</id>
		<published>2009-06-16T11:15:00Z</published>
		<category term="Letters" />
		<summary type="html">A dark shadow was cast over my day yesterday by the news of the death of Danny La Rue, which I heard on the radio in the afternoon.</summary>
		<content type="html" xml:base="http://www.thestage.co.uk/features/">A dark shadow was cast over my day yesterday by the news of the death of Danny La Rue, which I heard on the radio in the afternoon.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/j2dGuAt1-cv3nfQDk6Gth0icg8A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/j2dGuAt1-cv3nfQDk6Gth0icg8A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</content>
	<feedburner:origLink>http://www.thestage.co.uk/features/letters/feature.php/24731/letter-rueing-the-news</feedburner:origLink></entry>
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