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  <title>The Stage / Reviews</title>
  
  <link rel="alternate" type="text/html" href="http://www.thestage.co.uk/reviews/" />
  <subtitle>Theatre, opera, dance and showcase reviews from The Stage - a fresh look at entertainment</subtitle>
  <updated>2008-07-07T11:14:47Z</updated>
  <id>tag:www.thestage.co.uk,2008:07.07</id>
  <logo>http://www.thestage.co.uk/images/blogbuttons/reviews.gif</logo><link rel="self" href="http://feeds.feedburner.com/TheStageReviews" type="application/atom+xml" /><feedburner:browserFriendly>This feed is intended for personal, non-commercial use only.</feedburner:browserFriendly><entry>
    <author>
          <name>Lisa Martland</name>
        </author>
    <title type="html">High School Musical - Live on Stage!, Hammersmith Apollo, London</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/328760666/high-school-musical-live-on-stage-" />
    <id>tag:www.thestage.co.uk,2008:07.07.21194</id>
    <published>2008-07-07T11:14:47Z</published>
    <updated>2008-07-07T11:19:01Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Hammersmith Apollo, London:&lt;/strong&gt; First it was on ice, then on tour and now the stage version of Disney Channel&amp;#039;s internationally successful TV movie High School Musical officially arrives in London.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21194/high-school-musical-live-on-stage-"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Hammersmith Apollo, London:&lt;/strong&gt; First it was on ice, then on tour and now the stage version of Disney Channel&amp;#039;s internationally successful TV movie High School Musical officially arrives in London.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21194/high-school-musical-live-on-stage-"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=XM2AlP"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=XM2AlP" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=L8z7tJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=L8z7tJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=rRd5iJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=rRd5iJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=QlPxhJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=QlPxhJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21194/high-school-musical-live-on-stage-</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Chris High</name>
        </author>
    <title type="html">Dancing On Your Grave, Bluecoat Arts Centre, Liverpool</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/328731009/dancing-on-your-grave" />
    <id>tag:www.thestage.co.uk,2008:07.07.21193</id>
    <published>2008-07-07T10:19:47Z</published>
    <updated>2008-07-07T10:41:50Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Bluecoat Arts Centre, Liverpool:&lt;/strong&gt; By concentrating on the minutiae of movement and extenuating the detail, choreographer and director Lea Anderson has forged a reputation cast in gold. Now, with Dancing On Your Grave, she has taken that reputation and made it ever more solid, delivering a show that is richly entertaining, warm and thoughtful, with a cast that clearly enjoys everything they have been asked to do.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21193/dancing-on-your-grave"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Bluecoat Arts Centre, Liverpool:&lt;/strong&gt; By concentrating on the minutiae of movement and extenuating the detail, choreographer and director Lea Anderson has forged a reputation cast in gold. Now, with Dancing On Your Grave, she has taken that reputation and made it ever more solid, delivering a show that is richly entertaining, warm and thoughtful, with a cast that clearly enjoys everything they have been asked to do.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21193/dancing-on-your-grave"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=uTof5j"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=uTof5j" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=XkQ7WJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=XkQ7WJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=FZjbaJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=FZjbaJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=ysOwIJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=ysOwIJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/328731009" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21193/dancing-on-your-grave</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Kevin Berry</name>
        </author>
    <title type="html">The Flags, Hull Truck</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/328721430/the-flags" />
    <id>tag:www.thestage.co.uk,2008:07.07.21192</id>
    <published>2008-07-07T09:59:47Z</published>
    <updated>2008-07-07T10:40:13Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Hull Truck:&lt;/strong&gt; Plays based in the Hull Truck region have featured regularly in the company&amp;#039;s programming.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21192/the-flags"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Hull Truck:&lt;/strong&gt; Plays based in the Hull Truck region have featured regularly in the company&amp;#039;s programming.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21192/the-flags"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=9zLSvN"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=9zLSvN" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=nKnHnJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=nKnHnJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=vZwe7J"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=vZwe7J" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=988vYJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=988vYJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/328721430" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21192/the-flags</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Nick Smurthwaite</name>
        </author>
    <title type="html">The Music Man, Chichester Festival Theatre</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/326609391/the-music-man" />
    <id>tag:www.thestage.co.uk,2008:07.04.21186</id>
    <published>2008-07-04T13:24:54Z</published>
    <updated>2008-07-07T09:59:54Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Chichester Festival Theatre:&lt;/strong&gt; If ever a musical needed a stonking great star performance to justify its existence it is The Music Man. The very title offers a promise few performers are going to be able to meet.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21186/the-music-man"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Chichester Festival Theatre:&lt;/strong&gt; If ever a musical needed a stonking great star performance to justify its existence it is The Music Man. The very title offers a promise few performers are going to be able to meet.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21186/the-music-man"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=csGgTh"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=csGgTh" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=4TTJhJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=4TTJhJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=974HlJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=974HlJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=mRAC6J"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=mRAC6J" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/326609391" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21186/the-music-man</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Lyndsey Winship</name>
        </author>
    <title type="html">Festival Ballet - A Million Kisses to My Skin/Resolution/Etudes, Royal Festival Hall, London</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/326675672/festival-ballet-a-million-kisses-to-my" />
    <id>tag:www.thestage.co.uk,2008:07.04.21187</id>
    <published>2008-07-04T13:34:54Z</published>
    <updated>2008-07-04T15:07:55Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Royal Festival Hall, London:&lt;/strong&gt; Half a century ago, the Festival Ballet - as English National Ballet was then known - premiered Harald&amp;#039;s Lander&amp;#039;s Etudes on the stage of the Royal Festival Hall. Seven hundred and forty-odd performances later and Etudes is back on that same stage. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21187/festival-ballet-a-million-kisses-to-my"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Royal Festival Hall, London:&lt;/strong&gt; Half a century ago, the Festival Ballet - as English National Ballet was then known - premiered Harald&amp;#039;s Lander&amp;#039;s Etudes on the stage of the Royal Festival Hall. Seven hundred and forty-odd performances later and Etudes is back on that same stage. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21187/festival-ballet-a-million-kisses-to-my"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=bsFqsf"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=bsFqsf" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=fKPasJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=fKPasJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=jGadFJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=jGadFJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=72JUHJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=72JUHJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/326675672" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21187/festival-ballet-a-million-kisses-to-my</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Richard Edmonds</name>
        </author>
    <title type="html">Stravinsky - The Real Deal, Birmingham Hippodrome</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/326601712/stravinsky-the-real-deal" />
    <id>tag:www.thestage.co.uk,2008:07.04.21185</id>
    <published>2008-07-04T12:54:55Z</published>
    <updated>2008-07-07T10:00:11Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Birmingham Hippodrome:&lt;/strong&gt; This totally ravishing triple bill could have run in Birmingham for a fortnight. But as it was, David Bintley&amp;#039;s inspired programme brought new life to three Stravinsky classics.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21185/stravinsky-the-real-deal"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Birmingham Hippodrome:&lt;/strong&gt; This totally ravishing triple bill could have run in Birmingham for a fortnight. But as it was, David Bintley&amp;#039;s inspired programme brought new life to three Stravinsky classics.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21185/stravinsky-the-real-deal"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=Yolxsp"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=Yolxsp" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/326601712" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21185/stravinsky-the-real-deal</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Paul Vale</name>
        </author>
    <title type="html">Look Back In Anger, Jermyn Street, London</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/326583579/look-back-in-anger" />
    <id>tag:www.thestage.co.uk,2008:07.04.21183</id>
    <published>2008-07-04T12:29:55Z</published>
    <updated>2008-07-07T10:00:06Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Jermyn Street, London:&lt;/strong&gt; In a bedsit in the Midlands a disaffected youth rants over the class divide to the detriment of anyone who attempts to love him.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21183/look-back-in-anger"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Jermyn Street, London:&lt;/strong&gt; In a bedsit in the Midlands a disaffected youth rants over the class divide to the detriment of anyone who attempts to love him.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21183/look-back-in-anger"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=O9kYd9"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=O9kYd9" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/326583579" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21183/look-back-in-anger</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Hugh Homan</name>
        </author>
    <title type="html">We Didn't Mean to go to Sea, Waterfront, Ipswich</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/326566524/we-didnt-mean-to-go-to-sea" />
    <id>tag:www.thestage.co.uk,2008:07.04.21182</id>
    <published>2008-07-04T12:04:55Z</published>
    <updated>2008-07-04T16:21:37Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Waterfront, Ipswich:&lt;/strong&gt; I was a Malcolm Saville boy. Arthur Ransome I missed out on until much later when I discovered his Russian Tales. So I&amp;#039;ve not read the original yarns about Roger, Titty, Susan and John, but Nick Wood has come up with a splendid adaptation of Ransome&amp;#039;s 1937 adventure story We Didn&amp;#039;t Mean to go to Sea, which Ivan Cutting directs with aplomb for Eastern Angles.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21182/we-didnt-mean-to-go-to-sea"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Waterfront, Ipswich:&lt;/strong&gt; I was a Malcolm Saville boy. Arthur Ransome I missed out on until much later when I discovered his Russian Tales. So I&amp;#039;ve not read the original yarns about Roger, Titty, Susan and John, but Nick Wood has come up with a splendid adaptation of Ransome&amp;#039;s 1937 adventure story We Didn&amp;#039;t Mean to go to Sea, which Ivan Cutting directs with aplomb for Eastern Angles.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21182/we-didnt-mean-to-go-to-sea"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=toQAUv"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=toQAUv" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=SGdi0J"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=SGdi0J" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=W3zHuJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=W3zHuJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=DAXcRJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=DAXcRJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/326566524" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21182/we-didnt-mean-to-go-to-sea</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Natasha Tripney</name>
        </author>
    <title type="html">Frozen, Riverside Studios, London</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/326547902/frozen" />
    <id>tag:www.thestage.co.uk,2008:07.04.21178</id>
    <published>2008-07-04T11:24:55Z</published>
    <updated>2008-07-07T10:00:13Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Riverside Studios, London:&lt;/strong&gt; This revival of Bryony Lavery&amp;#039;s questioning, powerful play - the first since it was staged at the National in 2002 - serves as a perfect reminder of just how good a writer Lavery is at her best. Sonia Fraser&amp;#039;s production is competent rather than revelatory, allowing the text to speak for itself. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21178/frozen"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Riverside Studios, London:&lt;/strong&gt; This revival of Bryony Lavery&amp;#039;s questioning, powerful play - the first since it was staged at the National in 2002 - serves as a perfect reminder of just how good a writer Lavery is at her best. Sonia Fraser&amp;#039;s production is competent rather than revelatory, allowing the text to speak for itself. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21178/frozen"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=BJM87H"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=BJM87H" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=5b9sKJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=5b9sKJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=zLXdHJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=zLXdHJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=krwOcJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=krwOcJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/326547902" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21178/frozen</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Dominic Martin</name>
        </author>
    <title type="html">Torn, Arcola, London</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/325863119/torn" />
    <id>tag:www.thestage.co.uk,2008:07.03.21177</id>
    <published>2008-07-03T16:14:57Z</published>
    <updated>2008-07-04T09:10:52Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Arcola, London:&lt;/strong&gt; The success of Femi Oguns first play lies partly with his script, with its witty, naturalistic dialogue and sharply drawn characters, but mainly with its skilled, passionate cast, who combine to energise the production, forcing it up a gear.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21177/torn"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Arcola, London:&lt;/strong&gt; The success of Femi Oguns first play lies partly with his script, with its witty, naturalistic dialogue and sharply drawn characters, but mainly with its skilled, passionate cast, who combine to energise the production, forcing it up a gear.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21177/torn"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=xpd44h"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=xpd44h" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=10giXJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=10giXJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=EtGoCJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=EtGoCJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=6DMdKJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=6DMdKJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/325863119" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21177/torn</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Chris High</name>
        </author>
    <title type="html">Once Upon a Time at the Adelphi, Playhouse, Liverpool</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/325805699/once-upon-a-time-at-the-adelphi" />
    <id>tag:www.thestage.co.uk,2008:07.03.21173</id>
    <published>2008-07-03T14:39:57Z</published>
    <updated>2008-07-03T15:00:27Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Playhouse, Liverpool:&lt;/strong&gt; Like a bottle of vintage Krug, there is an awful lot of fizz with Phil Willmott&amp;#039;s musical. The set, a revolving lobby, bedroom and roof of the once grand city centre hotel, is gloriously constructed. The many costumes are sumptuous and add enough colour and depth to make the show appear to have a cast larger than 15. The music and songs are quite catchy, with lyrics underlining the city&amp;#039;s heritage and the dance routines straight out Busby Berkeley epics.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21173/once-upon-a-time-at-the-adelphi"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Playhouse, Liverpool:&lt;/strong&gt; Like a bottle of vintage Krug, there is an awful lot of fizz with Phil Willmott&amp;#039;s musical. The set, a revolving lobby, bedroom and roof of the once grand city centre hotel, is gloriously constructed. The many costumes are sumptuous and add enough colour and depth to make the show appear to have a cast larger than 15. The music and songs are quite catchy, with lyrics underlining the city&amp;#039;s heritage and the dance routines straight out Busby Berkeley epics.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21173/once-upon-a-time-at-the-adelphi"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=5NAMan"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=5NAMan" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=tJW0uJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=tJW0uJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=27FCcJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=27FCcJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=RxIlDJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=RxIlDJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/325805699" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21173/once-upon-a-time-at-the-adelphi</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Nuala Calvi</name>
        </author>
    <title type="html">Star Power, Landor Theatre, London</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/325841906/star-power" />
    <id>tag:www.thestage.co.uk,2008:07.03.21175</id>
    <published>2008-07-03T15:39:57Z</published>
    <updated>2008-07-04T09:11:06Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Landor Theatre, London:&lt;/strong&gt; The well-worn interior of the Landor pub theatre provides the perfect backdrop to Tony Sportiello&amp;#039;s rollicking tale of a struggling London fringe company offered a lifeline by the desperate agents of a washed-up former child actor.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21175/star-power"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Landor Theatre, London:&lt;/strong&gt; The well-worn interior of the Landor pub theatre provides the perfect backdrop to Tony Sportiello&amp;#039;s rollicking tale of a struggling London fringe company offered a lifeline by the desperate agents of a washed-up former child actor.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21175/star-power"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=z91Bc6"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=z91Bc6" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=yLGW3J"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=yLGW3J" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=CB3OdJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=CB3OdJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=PAbK5J"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=PAbK5J" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/325841906" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21175/star-power</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Mark Ritchie</name>
        </author>
    <title type="html">Summer spectacular 2008, Spa, Scarborough</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/325805698/summer-spectacular-2008" />
    <id>tag:www.thestage.co.uk,2008:07.03.21174</id>
    <published>2008-07-03T14:49:57Z</published>
    <updated>2008-07-03T15:00:04Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Spa, Scarborough:&lt;/strong&gt; I recently read a newspaper review in which the writer spoke of approaching the job of reviewing a summer season show with some trepidation.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21174/summer-spectacular-2008"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Spa, Scarborough:&lt;/strong&gt; I recently read a newspaper review in which the writer spoke of approaching the job of reviewing a summer season show with some trepidation.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21174/summer-spectacular-2008"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=HCZyoN"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=HCZyoN" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=De7T0J"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=De7T0J" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=T9EwZJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=T9EwZJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=q2T4kJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=q2T4kJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/325805698" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21174/summer-spectacular-2008</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Edward Bhesania</name>
        </author>
    <title type="html">Tosca, Opera Holland Park</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/325805700/tosca" />
    <id>tag:www.thestage.co.uk,2008:07.03.21172</id>
    <published>2008-07-03T14:29:57Z</published>
    <updated>2008-07-04T12:06:03Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Opera Holland Park:&lt;/strong&gt; Stephen Barlow&amp;#039;s new production of Puccini&amp;#039;s popular tragedy requires a willing suspension of disbelief. Instead of the action opening in the Baroque interior of Rome&amp;#039;s Sant&amp;#039;Andrea della Valle, we have its rundown fa&amp;amp;ccedil;ade. In the second act, Scarpia takes his supper in the same caf&amp;amp;eacute;, rather than in his palatial apartment. And, at the end, the jailed Cavaradossi is fired upon not at the Castel Sant&amp;#039;Angelo, but slumped inside a rusting Fiat.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21172/tosca"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Opera Holland Park:&lt;/strong&gt; Stephen Barlow&amp;#039;s new production of Puccini&amp;#039;s popular tragedy requires a willing suspension of disbelief. Instead of the action opening in the Baroque interior of Rome&amp;#039;s Sant&amp;#039;Andrea della Valle, we have its rundown fa&amp;amp;ccedil;ade. In the second act, Scarpia takes his supper in the same caf&amp;amp;eacute;, rather than in his palatial apartment. And, at the end, the jailed Cavaradossi is fired upon not at the Castel Sant&amp;#039;Angelo, but slumped inside a rusting Fiat.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21172/tosca"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=2e7i6U"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=2e7i6U" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=Xkz6WJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=Xkz6WJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=kQ1zeJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=kQ1zeJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=1K0c7J"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=1K0c7J" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/325805700" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21172/tosca</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Scott Matthewman</name>
        </author>
    <title type="html">Monty Python's Spamalot, Palace, London</title>
    <link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/TheStageReviews/~3/325785306/monty-pythons-spamalot" />
    <id>tag:www.thestage.co.uk,2008:07.03.21171</id>
    <published>2008-07-03T14:19:58Z</published>
    <updated>2008-07-03T14:23:30Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Palace, London:&lt;/strong&gt; The revolving portcullis at Castle Camelot has struck again, with comic actor Sanjeev Bhaskar becoming the final King Arthur of the show&amp;#039;s London run.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21171/monty-pythons-spamalot"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Palace, London:&lt;/strong&gt; The revolving portcullis at Castle Camelot has struck again, with comic actor Sanjeev Bhaskar becoming the final King Arthur of the show&amp;#039;s London run.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/21171/monty-pythons-spamalot"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feeds.feedburner.com/~a/TheStageReviews?a=6FBZyy"&gt;&lt;img src="http://feeds.feedburner.com/~a/TheStageReviews?i=6FBZyy" border="0"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=zgiSsJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=zgiSsJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=QG4NkJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=QG4NkJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/TheStageReviews?a=iEp2GJ"&gt;&lt;img src="http://feeds.feedburner.com/~f/TheStageReviews?i=iEp2GJ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/325785306" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/21171/monty-pythons-spamalot</feedburner:origLink></entry>
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