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  <title>The Stage / Reviews</title>
  
  <link rel="alternate" type="text/html" href="http://www.thestage.co.uk/reviews/" />
  <subtitle>Theatre, opera, dance and showcase reviews from The Stage - a fresh look at entertainment</subtitle>
  <updated>2009-11-20T16:15:00Z</updated>
  <id>tag:www.thestage.co.uk,2009:11.20</id>
  <logo>http://www.thestage.co.uk/images/blogbuttons/reviews.gif</logo><link rel="self" href="http://feeds.feedburner.com/TheStageReviews" type="application/atom+xml" /><feedburner:browserFriendly>This feed is intended for personal, non-commercial use only.</feedburner:browserFriendly><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><entry>
    <author>
          <name>Aleks Sierz</name>
        </author>
    <title type="html">Cock, Royal Court Theatre Upstairs</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/S_d5D0XadlY/cock" />
    <id>tag:www.thestage.co.uk,2009:11.20.26282</id>
    <published>2009-11-20T16:15:00Z</published>
    <updated>2009-11-20T16:15:00Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Royal Court Theatre Upstairs:&lt;/strong&gt; Some scabs itch so much that you can&amp;#039;t help but pick them. In Mike Bartlett&amp;#039;s compelling new play, Cock, the injury is sex and sexuality. John, played with agonised sensitivity by Ben Whishaw, lives with a man, his long-term lover. Then, one day, he meets a woman - they have sex and John&amp;#039;s world is turned upside down.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26282/cock"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Royal Court Theatre Upstairs:&lt;/strong&gt; Some scabs itch so much that you can&amp;#039;t help but pick them. In Mike Bartlett&amp;#039;s compelling new play, Cock, the injury is sex and sexuality. John, played with agonised sensitivity by Ben Whishaw, lives with a man, his long-term lover. Then, one day, he meets a woman - they have sex and John&amp;#039;s world is turned upside down.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26282/cock"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

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  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26282/cock</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Derek Smith</name>
        </author>
    <title type="html">Inspirations Entertainments (in association with BFP Entertainments), Crofton Club, Stubbington, Hampshire</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/-KU4ycU_CAM/inspirations-entertainments-in-association" />
    <id>tag:www.thestage.co.uk,2009:11.20.26280</id>
    <published>2009-11-20T15:35:00Z</published>
    <updated>2009-11-20T15:35:00Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Crofton Club, Stubbington, Hampshire:&lt;/strong&gt; A big, live football game being screened in the venue&amp;#039;s front room, raffle tickets being sold on the door and a table enticingly stacked with goodies for the winners could only mean this Inspirations Entertainments showcase was being held at a more traditional club. A chance to win a tin of Quality Street and see some quality acts then promised just about the perfect evening, as the more intimate atmosphere such venues offer is always welcome. Quite whether performers feel likewise, I&amp;#039;m never quite sure though. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26280/inspirations-entertainments-in-association"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Crofton Club, Stubbington, Hampshire:&lt;/strong&gt; A big, live football game being screened in the venue&amp;#039;s front room, raffle tickets being sold on the door and a table enticingly stacked with goodies for the winners could only mean this Inspirations Entertainments showcase was being held at a more traditional club. A chance to win a tin of Quality Street and see some quality acts then promised just about the perfect evening, as the more intimate atmosphere such venues offer is always welcome. Quite whether performers feel likewise, I&amp;#039;m never quite sure though. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26280/inspirations-entertainments-in-association"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

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  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26280/inspirations-entertainments-in-association</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Jonathan Lovett</name>
        </author>
    <title type="html">Secrets, Cock Tavern, London</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/_8WCXrkVx9s/secrets" />
    <id>tag:www.thestage.co.uk,2009:11.20.26274</id>
    <published>2009-11-20T14:35:00Z</published>
    <updated>2009-11-20T14:35:00Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Cock Tavern, London:&lt;/strong&gt; Some secrets are best left unsaid. Well, 87.5 per cent of them to be exact, if this poorly conceived and executed devised piece is anything to go by.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26274/secrets"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Cock Tavern, London:&lt;/strong&gt; Some secrets are best left unsaid. Well, 87.5 per cent of them to be exact, if this poorly conceived and executed devised piece is anything to go by.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26274/secrets"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/_8WCXrkVx9s" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26274/secrets</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Scott Matthewman</name>
        </author>
    <title type="html">Jest End, Jermyn Street, London</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/s5i2S3acYt0/jest-end" />
    <id>tag:www.thestage.co.uk,2009:11.20.26272</id>
    <published>2009-11-20T13:00:00Z</published>
    <updated>2009-11-20T13:05:49Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Jermyn Street, London:&lt;/strong&gt; Jest End&amp;#039;s sideswipes at London&amp;#039;s most loved (or at least best known) musicals may be affectionate, but no punches are pulled.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26272/jest-end"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Jermyn Street, London:&lt;/strong&gt; Jest End&amp;#039;s sideswipes at London&amp;#039;s most loved (or at least best known) musicals may be affectionate, but no punches are pulled.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26272/jest-end"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

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  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26272/jest-end</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Liz Arratoon</name>
        </author>
    <title type="html">The Palace of Grand Illusion, Winter Wonderland, Hyde Park, London</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/Dntk2G8b6Ro/the-palace-of-grand-illusion" />
    <id>tag:www.thestage.co.uk,2009:11.20.26271</id>
    <published>2009-11-20T12:55:00Z</published>
    <updated>2009-11-20T12:55:49Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Winter Wonderland, Hyde Park, London:&lt;/strong&gt; By night, Guy Barrett&amp;#039;s illusions form the centrepiece of a second show being staged in Zippos Circus tent at Winter Wonderland. Assisted by Sarah Ward and Kylie Miller, most of them are based on boxes such as the sword box and substitution trunk - or Metamorphosis. The girls are squished and dismembered and, most impressively, the sensationally glamorous Ward is sawn in two while strapped down by her neck and ankles. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26271/the-palace-of-grand-illusion"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Winter Wonderland, Hyde Park, London:&lt;/strong&gt; By night, Guy Barrett&amp;#039;s illusions form the centrepiece of a second show being staged in Zippos Circus tent at Winter Wonderland. Assisted by Sarah Ward and Kylie Miller, most of them are based on boxes such as the sword box and substitution trunk - or Metamorphosis. The girls are squished and dismembered and, most impressively, the sensationally glamorous Ward is sawn in two while strapped down by her neck and ankles. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26271/the-palace-of-grand-illusion"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

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  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26271/the-palace-of-grand-illusion</feedburner:origLink></entry>
  <entry>
    <author>
          <name>John Thaxter</name>
        </author>
    <title type="html">Mrs Warren's Profession, Richmond, Surrey</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/ZoO-3zDDL38/mrs-warrens-profession" />
    <id>tag:www.thestage.co.uk,2009:11.20.26270</id>
    <published>2009-11-20T12:50:00Z</published>
    <updated>2009-11-20T12:55:23Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Richmond, Surrey:&lt;/strong&gt; With a beguiling smile and voice like a rasp - kissing a bashful boy full on the lips - Felicity Kendal creates a powerful, sexy portrait of the vital vulgarian with a dark secret. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26270/mrs-warrens-profession"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Richmond, Surrey:&lt;/strong&gt; With a beguiling smile and voice like a rasp - kissing a bashful boy full on the lips - Felicity Kendal creates a powerful, sexy portrait of the vital vulgarian with a dark secret. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26270/mrs-warrens-profession"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/ZoO-3zDDL38" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26270/mrs-warrens-profession</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Liz Arratoon</name>
        </author>
    <title type="html">Zippos Christmas Circus, Winter Wonderland, Hyde Park, London</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/Np9tCjcoInE/zippos-christmas-circus" />
    <id>tag:www.thestage.co.uk,2009:11.20.26269</id>
    <published>2009-11-20T12:45:01Z</published>
    <updated>2009-11-20T12:56:08Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Winter Wonderland, Hyde Park, London:&lt;/strong&gt; Devilish red lights in the trees mark the entrance to Winter Wonderland, a naff sort of cross between amusement park and Christmas shopping village. Anyone with kids should head straight for Zippos tent, where Hyde Park&amp;#039;s first ever circus run takes place. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26269/zippos-christmas-circus"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Winter Wonderland, Hyde Park, London:&lt;/strong&gt; Devilish red lights in the trees mark the entrance to Winter Wonderland, a naff sort of cross between amusement park and Christmas shopping village. Anyone with kids should head straight for Zippos tent, where Hyde Park&amp;#039;s first ever circus run takes place. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26269/zippos-christmas-circus"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/0Z1Y3Ko0pMMaWCO_WKD0nIiVUWo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0Z1Y3Ko0pMMaWCO_WKD0nIiVUWo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=Np9tCjcoInE:KqueP7WWg34:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=Np9tCjcoInE:KqueP7WWg34:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=Np9tCjcoInE:KqueP7WWg34:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/Np9tCjcoInE" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26269/zippos-christmas-circus</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Pat Ashworth</name>
        </author>
    <title type="html">A Christmas Carol, Holy Trinity Church, Mapperley</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/zTTyXIrh4XU/a-christmas-carol" />
    <id>tag:www.thestage.co.uk,2009:11.20.26268</id>
    <published>2009-11-20T11:55:00Z</published>
    <updated>2009-11-20T11:55:00Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Holy Trinity Church, Mapperley:&lt;/strong&gt; Touring theatre doesn&amp;#039;t come any more magical than this eccentric Christmas Carol from Strangeface. The masks are spellbinding, often grotesque and always extraordinary in the way they can leave characters permanently agape, watchful or wary.  &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26268/a-christmas-carol"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Holy Trinity Church, Mapperley:&lt;/strong&gt; Touring theatre doesn&amp;#039;t come any more magical than this eccentric Christmas Carol from Strangeface. The masks are spellbinding, often grotesque and always extraordinary in the way they can leave characters permanently agape, watchful or wary.  &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26268/a-christmas-carol"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

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&lt;a href="http://feedads.g.doubleclick.net/~a/NKm1IS883hONsBUauXsbdLrb5Ns/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NKm1IS883hONsBUauXsbdLrb5Ns/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=zTTyXIrh4XU:7X-gwmdA0mw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=zTTyXIrh4XU:7X-gwmdA0mw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=zTTyXIrh4XU:7X-gwmdA0mw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/zTTyXIrh4XU" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26268/a-christmas-carol</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Scott Matthewman</name>
        </author>
    <title type="html">Scouts in Bondage, King's Head, Islington</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/whFvWPoplfc/scouts-in-bondage" />
    <id>tag:www.thestage.co.uk,2009:11.18.26254</id>
    <published>2009-11-18T16:25:00Z</published>
    <updated>2009-11-19T09:34:00Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;King's Head, Islington:&lt;/strong&gt; Every sketch show has scenarios which, while amusing in moderate amounts, outstay their welcome. Imagine such a sketch stretched out to the best part of two hours and you have Scouts in Bondage.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26254/scouts-in-bondage"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;King's Head, Islington:&lt;/strong&gt; Every sketch show has scenarios which, while amusing in moderate amounts, outstay their welcome. Imagine such a sketch stretched out to the best part of two hours and you have Scouts in Bondage.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26254/scouts-in-bondage"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/o3Gc8Y0EmyeHJQC6q4BKVS2zj2k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/o3Gc8Y0EmyeHJQC6q4BKVS2zj2k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=whFvWPoplfc:0ymlPuDR8AE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=whFvWPoplfc:0ymlPuDR8AE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=whFvWPoplfc:0ymlPuDR8AE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/whFvWPoplfc" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26254/scouts-in-bondage</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Susan Elkin</name>
        </author>
    <title type="html">The Habit of Art, National's Lyttleton, London</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/9uoXq2t1P4g/the-habit-of-art" />
    <id>tag:www.thestage.co.uk,2009:11.18.26248</id>
    <published>2009-11-18T11:40:03Z</published>
    <updated>2009-11-20T12:56:14Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;National's Lyttleton, London:&lt;/strong&gt; Yes, Alan Bennett&amp;#039;s eagerly awaited new play is brilliant in that it glitters with sophisticated bravura and, as always, there is some enjoyable situation comedy and hilarious one-liners - such as Adrian Scarborough as a bemused Humphrey Carpenter, telling the dissolute WH Auden, played by the (literally) larger than life, utterly splendid Richard Griffiths, that he can&amp;#039;t possibly have come to suck him off because - he&amp;#039;s from the BBC. On the other hand, this may be a play which strives just a tad too hard to be clever. At times it feels contrived.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26248/the-habit-of-art"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;National's Lyttleton, London:&lt;/strong&gt; Yes, Alan Bennett&amp;#039;s eagerly awaited new play is brilliant in that it glitters with sophisticated bravura and, as always, there is some enjoyable situation comedy and hilarious one-liners - such as Adrian Scarborough as a bemused Humphrey Carpenter, telling the dissolute WH Auden, played by the (literally) larger than life, utterly splendid Richard Griffiths, that he can&amp;#039;t possibly have come to suck him off because - he&amp;#039;s from the BBC. On the other hand, this may be a play which strives just a tad too hard to be clever. At times it feels contrived.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26248/the-habit-of-art"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

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&lt;a href="http://feedads.g.doubleclick.net/~a/ht3dq95omIcougWcCzjddqDw2Ng/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ht3dq95omIcougWcCzjddqDw2Ng/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=9uoXq2t1P4g:t2S0cYva5Qc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=9uoXq2t1P4g:t2S0cYva5Qc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=9uoXq2t1P4g:t2S0cYva5Qc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/9uoXq2t1P4g" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26248/the-habit-of-art</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Catherine Usher</name>
        </author>
    <title type="html">Public Property, Trafalgar Studios, London</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/VrW1ETYcbFk/public-property" />
    <id>tag:www.thestage.co.uk,2009:11.17.26231</id>
    <published>2009-11-17T11:00:00Z</published>
    <updated>2009-11-17T11:00:00Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Trafalgar Studios, London:&lt;/strong&gt; What is clear from the outset is that this production is in assured hands. However much the dialogue and storyline wavers, Robert Daws, Nigel Harman and Steven Webb are fantastic in their respective roles as the closet homosexual newsreader - soon to become tabloid fodder, his slippery PR man hiding a multitude of secrets and the reluctant rent boy, bringing about his downfall with spectacular vulgarity.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26231/public-property"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Trafalgar Studios, London:&lt;/strong&gt; What is clear from the outset is that this production is in assured hands. However much the dialogue and storyline wavers, Robert Daws, Nigel Harman and Steven Webb are fantastic in their respective roles as the closet homosexual newsreader - soon to become tabloid fodder, his slippery PR man hiding a multitude of secrets and the reluctant rent boy, bringing about his downfall with spectacular vulgarity.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26231/public-property"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/hFCuEO9Fg5BrGmpMYXQOshz48R4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hFCuEO9Fg5BrGmpMYXQOshz48R4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/hFCuEO9Fg5BrGmpMYXQOshz48R4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hFCuEO9Fg5BrGmpMYXQOshz48R4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=VrW1ETYcbFk:rCIZelHjCwQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=VrW1ETYcbFk:rCIZelHjCwQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=VrW1ETYcbFk:rCIZelHjCwQ:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/VrW1ETYcbFk" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26231/public-property</feedburner:origLink></entry>
  <entry>
    <author>
          <name>John Thaxter</name>
        </author>
    <title type="html">The Making of Moo, Orange Tree, Richmond upon Thames</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/XZR4zUew3eQ/the-making-of-moo" />
    <id>tag:www.thestage.co.uk,2009:11.16.26214</id>
    <published>2009-11-16T12:15:00Z</published>
    <updated>2009-11-16T12:15:00Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Orange Tree, Richmond upon Thames:&lt;/strong&gt; A colonial do-gooder builds a dam to help the natives, but ends up inadvertently drowning their river god Ega. Chastened by the unrest this causes, he creates a new deity he calls Moo, with an iconography based on a blend of Christianity and human sacrifice, helped by his wife and his assistant, who eventually become high priests.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26214/the-making-of-moo"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Orange Tree, Richmond upon Thames:&lt;/strong&gt; A colonial do-gooder builds a dam to help the natives, but ends up inadvertently drowning their river god Ega. Chastened by the unrest this causes, he creates a new deity he calls Moo, with an iconography based on a blend of Christianity and human sacrifice, helped by his wife and his assistant, who eventually become high priests.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26214/the-making-of-moo"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/w25SalQxVxCqfhrruuehN_yVjCo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/w25SalQxVxCqfhrruuehN_yVjCo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/w25SalQxVxCqfhrruuehN_yVjCo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/w25SalQxVxCqfhrruuehN_yVjCo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=XZR4zUew3eQ:vK0DldQm-z4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=XZR4zUew3eQ:vK0DldQm-z4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=XZR4zUew3eQ:vK0DldQm-z4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/XZR4zUew3eQ" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26214/the-making-of-moo</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Chris High</name>
        </author>
    <title type="html">Jiggery Pokery, Unity Theatre, Liverpool</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/yRwJ6AJQhZk/jiggery-pokery" />
    <id>tag:www.thestage.co.uk,2009:11.16.26211</id>
    <published>2009-11-16T10:45:00Z</published>
    <updated>2009-11-17T10:29:34Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Unity Theatre, Liverpool:&lt;/strong&gt; Frenetic from start to finish, it&amp;#039;s quite possible that Amanda Lawrence was born to play Charles Hawtrey in this world premier production that gets the 2009 Homotopia Festival off to a flyer. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26211/jiggery-pokery"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Unity Theatre, Liverpool:&lt;/strong&gt; Frenetic from start to finish, it&amp;#039;s quite possible that Amanda Lawrence was born to play Charles Hawtrey in this world premier production that gets the 2009 Homotopia Festival off to a flyer. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26211/jiggery-pokery"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CaDa6Mn5jxU-bP8irfqG_vTC1g8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CaDa6Mn5jxU-bP8irfqG_vTC1g8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CaDa6Mn5jxU-bP8irfqG_vTC1g8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CaDa6Mn5jxU-bP8irfqG_vTC1g8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=yRwJ6AJQhZk:3B4k-LExN8c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=yRwJ6AJQhZk:3B4k-LExN8c:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=yRwJ6AJQhZk:3B4k-LExN8c:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/yRwJ6AJQhZk" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26211/jiggery-pokery</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Derek Smith</name>
        </author>
    <title type="html">JMA Showcase, JMA Entertainments, Sandford Holiday Park, Poole, Dorset</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/JRhj8rhZ-aE/jma-showcase" />
    <id>tag:www.thestage.co.uk,2009:11.16.26210</id>
    <published>2009-11-16T10:20:01Z</published>
    <updated>2009-11-16T12:00:48Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;JMA Entertainments, Sandford Holiday Park, Poole, Dorset:&lt;/strong&gt; As good a venue to hold a showcase as any, with holidaymakers of all ages mixing with agents and bookers, all the acts billed at this year&amp;#039;s JMA show had to please a quite demanding, varied audience. Different agendas certainly, but both still clearly expectant. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26210/jma-showcase"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;JMA Entertainments, Sandford Holiday Park, Poole, Dorset:&lt;/strong&gt; As good a venue to hold a showcase as any, with holidaymakers of all ages mixing with agents and bookers, all the acts billed at this year&amp;#039;s JMA show had to please a quite demanding, varied audience. Different agendas certainly, but both still clearly expectant. &lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26210/jma-showcase"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/sduQpcKxB0mnTJNGzVtwU-taruI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sduQpcKxB0mnTJNGzVtwU-taruI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=JRhj8rhZ-aE:qXiVKbQI5-Y:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=JRhj8rhZ-aE:qXiVKbQI5-Y:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=JRhj8rhZ-aE:qXiVKbQI5-Y:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/JRhj8rhZ-aE" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26210/jma-showcase</feedburner:origLink></entry>
  <entry>
    <author>
          <name>Catherine Usher</name>
        </author>
    <title type="html">Goldilocks and the Three Bears, Polka Theatre, London</title>
    <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TheStageReviews/~3/lXXt6m-w0lc/goldilocks-and-the-three-bears" />
    <id>tag:www.thestage.co.uk,2009:11.16.26209</id>
    <published>2009-11-16T10:20:00Z</published>
    <updated>2009-11-16T10:20:00Z</updated>
    <summary type="html">&lt;p&gt;&lt;strong&gt;Polka Theatre, London:&lt;/strong&gt; Devising a play to entertain pre-schoolers and their accompanying parents must be quite daunting. The Polka parents seem a formidable bunch and it is as important to the continuation of the Wimbledon-based theatre&amp;#039;s success that they are as impressed by the show as their children are stimulated and entertained.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26209/goldilocks-and-the-three-bears"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;
</summary>
    <content type="html" xml:base="http://www.thestage.co.uk/reviews/">&lt;p&gt;&lt;strong&gt;Polka Theatre, London:&lt;/strong&gt; Devising a play to entertain pre-schoolers and their accompanying parents must be quite daunting. The Polka parents seem a formidable bunch and it is as important to the continuation of the Wimbledon-based theatre&amp;#039;s success that they are as impressed by the show as their children are stimulated and entertained.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.thestage.co.uk/reviews/review.php/26209/goldilocks-and-the-three-bears"&gt;Read the full review&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/3HJYfQTgsCpWOhZ4kgdX1ZqHfp8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3HJYfQTgsCpWOhZ4kgdX1ZqHfp8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/3HJYfQTgsCpWOhZ4kgdX1ZqHfp8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3HJYfQTgsCpWOhZ4kgdX1ZqHfp8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=lXXt6m-w0lc:XOSlxQCkkGY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=lXXt6m-w0lc:XOSlxQCkkGY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/TheStageReviews?a=lXXt6m-w0lc:XOSlxQCkkGY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/TheStageReviews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/TheStageReviews/~4/lXXt6m-w0lc" height="1" width="1"/&gt;</content>
  <feedburner:origLink>http://www.thestage.co.uk/reviews/review.php/26209/goldilocks-and-the-three-bears</feedburner:origLink></entry>
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