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	<title>The Subtext </title>
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	<description>From AMERICAN THEATRE magazine, a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life's muck, we learn what irks, agitates, motivates, inspires and - ultimately - what makes writers tick. (This feed is for the Subtext from 2018 onwards. For old episodes of the Subtext from 2015 to 2017, visit https://thisstage.la/category/the-subtext)</description>
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	<itunes:explicit>no</itunes:explicit><copyright>@ Theatre Communications Group</copyright><itunes:image href="http://www.americantheatre.org/wp-content/uploads/subtext-logo.jpg"/><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords><itunes:summary>From AMERICAN THEATRE magazine, a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life's muck, we learn what irks, agitates, motivates, inspires and - ultimately - what makes writers tick. (This feed is for the Subtext from 2018 onwards. For old episodes of the Subtext from 2015 to 2017, visit https://thisstage.la/category/the-subtext)</itunes:summary><itunes:subtitle>The Subtext </itunes:subtitle><itunes:category text="Arts"><itunes:category text="Performing Arts"/></itunes:category><itunes:author>American Theatre</itunes:author><itunes:owner><itunes:email>at@tcg.org</itunes:email><itunes:name>American Theatre</itunes:name></itunes:owner><item>
		<title>Sophie McIntosh: Good Apples and Aspirations</title>
		<link>https://www.americantheatre.org/2026/03/13/sophie-mcintosh-good-apples-and-aspirations/</link>
					<comments>https://www.americantheatre.org/2026/03/13/sophie-mcintosh-good-apples-and-aspirations/#respond</comments>
		
		
		<pubDate>Fri, 13 Mar 2026 09:10:01 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Columbia University]]></category>
		<category><![CDATA[Good Apples Collective]]></category>
		<category><![CDATA[Playwriting]]></category>
		<category><![CDATA[Sophie McIntosh]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=92745</guid>

					<description><![CDATA[The playwright, originally from Wisconsin, discusses her company, influences, exposure therapy, and the challenges of being an 'emerging' artist.]]></description>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The playwright, originally from Wisconsin, discusses her company, influences, exposure therapy, and the challenges of being an 'emerging' artist.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The playwright, originally from Wisconsin, discusses her company, influences, exposure therapy, and the challenges of being an 'emerging' artist.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>Ken Urban Makes Music and Meaning</title>
		<link>https://www.americantheatre.org/2026/02/13/ken-urban-makes-music-and-meaning/</link>
					<comments>https://www.americantheatre.org/2026/02/13/ken-urban-makes-music-and-meaning/#respond</comments>
		
		
		<pubDate>Fri, 13 Feb 2026 06:15:37 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Ken Urban]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=92298</guid>

					<description><![CDATA[The playwright, screenwriter, and musician talks about juggling various projects, how to manage the emotional ups and downs in an unpredictable career path, and the value of teaching.]]></description>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The playwright, screenwriter, and musician talks about juggling various projects, how to manage the emotional ups and downs in an unpredictable career path, and the value of teaching.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The playwright, screenwriter, and musician talks about juggling various projects, how to manage the emotional ups and downs in an unpredictable career path, and the value of teaching.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>Rachel Lynett Commits</title>
		<link>https://www.americantheatre.org/2026/01/09/rachel-lynett-commits/</link>
					<comments>https://www.americantheatre.org/2026/01/09/rachel-lynett-commits/#respond</comments>
		
		
		<pubDate>Fri, 09 Jan 2026 12:18:33 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Miranda Family Voces Latinx Playwriting Competition]]></category>
		<category><![CDATA[national latinx playwriting award]]></category>
		<category><![CDATA[Rachel Lynett]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Yale Drama Prize]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=91707</guid>

					<description><![CDATA[The playwright behind ‘Committed’ and ‘Apologies to Lorraine Hansberry (You Too August Wilson)’ shares their journey from aspiring corporate defense attorney to playwright.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2026/01/09/rachel-lynett-commits/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The playwright behind ‘Committed’ and ‘Apologies to Lorraine Hansberry (You Too August Wilson)’ shares their journey from aspiring corporate defense attorney to playwright.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The playwright behind ‘Committed’ and ‘Apologies to Lorraine Hansberry (You Too August Wilson)’ shares their journey from aspiring corporate defense attorney to playwright.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>Brian James Polak Reverses Roles</title>
		<link>https://www.americantheatre.org/2025/12/12/brian-james-polak-reverses-roles/</link>
					<comments>https://www.americantheatre.org/2025/12/12/brian-james-polak-reverses-roles/#respond</comments>
		
		
		<pubDate>Fri, 12 Dec 2025 16:16:14 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Brian James Polak]]></category>
		<category><![CDATA[Crystal Skillman]]></category>
		<category><![CDATA[FRIGID New York]]></category>
		<category><![CDATA[Hollywood Fringe]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Space Pirates Collective]]></category>
		<category><![CDATA[Third Avenue Playworks]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=91568</guid>

					<description><![CDATA[This 10-year anniversary special turns the tables, as playwright Crystal Skillman interviews host Brian James Polak about how his podcast helped him redefine playwriting success.]]></description>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This 10-year anniversary special turns the tables, as playwright Crystal Skillman interviews host Brian James Polak about how his podcast helped him redefine playwriting success.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This 10-year anniversary special turns the tables, as playwright Crystal Skillman interviews host Brian James Polak about how his podcast helped him redefine playwriting success.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>Theresa Rebeck, Angry Optimist</title>
		<link>https://www.americantheatre.org/2025/11/14/theresa-rebeck-angry-optimist/</link>
					<comments>https://www.americantheatre.org/2025/11/14/theresa-rebeck-angry-optimist/#respond</comments>
		
		
		<pubDate>Fri, 14 Nov 2025 17:22:37 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Theresa Rebeck]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=91367</guid>

					<description><![CDATA[The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.]]></description>
		
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			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>Sarah Mantell, Illustrator-Turned-Playwright</title>
		<link>https://www.americantheatre.org/2025/10/10/sarah-mantell-illustrator-turned-playwright/</link>
					<comments>https://www.americantheatre.org/2025/10/10/sarah-mantell-illustrator-turned-playwright/#respond</comments>
		
		
		<pubDate>Fri, 10 Oct 2025 14:40:55 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Diana Oh]]></category>
		<category><![CDATA[Kilroys]]></category>
		<category><![CDATA[Paula Vogel]]></category>
		<category><![CDATA[Playwrights Horizons]]></category>
		<category><![CDATA[Sarah Mantell]]></category>
		<category><![CDATA[The Kilroys]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=91121</guid>

					<description><![CDATA[The Susan Smith Blackburn Prize-winning playwright talks about a life-changing course with Paula Vogel, San Francisco, post-grad revelations, the Kilroys, joy, and loss.]]></description>
		
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			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Susan Smith Blackburn Prize-winning playwright talks about a life-changing course with Paula Vogel, San Francisco, post-grad revelations, the Kilroys, joy, and loss.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The Susan Smith Blackburn Prize-winning playwright talks about a life-changing course with Paula Vogel, San Francisco, post-grad revelations, the Kilroys, joy, and loss.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>Migdalia Cruz Wants to Be Part of World Theatre</title>
		<link>https://www.americantheatre.org/2025/09/12/migdalia-cruz-wants-to-be-part-of-world-theatre/</link>
					<comments>https://www.americantheatre.org/2025/09/12/migdalia-cruz-wants-to-be-part-of-world-theatre/#respond</comments>
		
		
		<pubDate>Fri, 12 Sep 2025 13:47:06 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Maria Irene Fornes]]></category>
		<category><![CDATA[Migdalia Cruz]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=90871</guid>

					<description><![CDATA[The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/09/12/migdalia-cruz-wants-to-be-part-of-world-theatre/feed/</wfw:commentRss>
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>Kira Obolensky’s Body of Work and Life </title>
		<link>https://www.americantheatre.org/2025/08/18/the-subtext-kira-obolenskys-body-of-work-and-life/</link>
					<comments>https://www.americantheatre.org/2025/08/18/the-subtext-kira-obolenskys-body-of-work-and-life/#respond</comments>
		
		
		<pubDate>Mon, 18 Aug 2025 13:00:00 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Kira Obolensky]]></category>
		<category><![CDATA[Mixed Blood]]></category>
		<category><![CDATA[Playwrights’ Center]]></category>
		<category><![CDATA[Ten Thousand Things]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=90447</guid>

					<description><![CDATA[The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/08/18/the-subtext-kira-obolenskys-body-of-work-and-life/feed/</wfw:commentRss>
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>Subtext Redux: In Memory of Rachel Jendrzejewski</title>
		<link>https://www.americantheatre.org/2025/07/16/subtext-redux-in-memory-of-rachel-jendrzejewski/</link>
					<comments>https://www.americantheatre.org/2025/07/16/subtext-redux-in-memory-of-rachel-jendrzejewski/#respond</comments>
		
		
		<pubDate>Wed, 16 Jul 2025 18:14:03 +0000</pubDate>
				<category><![CDATA[Plains]]></category>
		<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Rachel Jendrzejewski]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[The Playwrights' Center]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=89043</guid>

					<description><![CDATA[A republished Subtext as tribute to its subject, Rachel Jendrzejewski, a Minneapolis-based interdisciplinary artist and writer who died last week after a battle with cancer.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/07/16/subtext-redux-in-memory-of-rachel-jendrzejewski/feed/</wfw:commentRss>
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>A republished Subtext as tribute to its subject, Rachel Jendrzejewski, a Minneapolis-based interdisciplinary artist and writer who died last week after a battle with cancer.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>A republished Subtext as tribute to its subject, Rachel Jendrzejewski, a Minneapolis-based interdisciplinary artist and writer who died last week after a battle with cancer.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Diana Burbano Writes What Scares Her</title>
		<link>https://www.americantheatre.org/2025/07/09/the-subtext-diana-burbano-writes-what-scares-her/</link>
					<comments>https://www.americantheatre.org/2025/07/09/the-subtext-diana-burbano-writes-what-scares-her/#respond</comments>
		
		
		<pubDate>Wed, 09 Jul 2025 17:11:57 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Alter Theatre]]></category>
		<category><![CDATA[Diana Burbano]]></category>
		<category><![CDATA[Great Plains Theater Conference]]></category>
		<category><![CDATA[Jeanette Harrison]]></category>
		<category><![CDATA[Jose Cruz Gonzalez]]></category>
		<category><![CDATA[Karen Zacarias]]></category>
		<category><![CDATA[Luis Alfaro]]></category>
		<category><![CDATA[Octavio Solis]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=88983</guid>

					<description><![CDATA[The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/07/09/the-subtext-diana-burbano-writes-what-scares-her/feed/</wfw:commentRss>
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Andrew Rosendorf Leaves It on the Page</title>
		<link>https://www.americantheatre.org/2025/06/04/the-subtext-andrew-rosendorf-leaves-it-on-the-page/</link>
					<comments>https://www.americantheatre.org/2025/06/04/the-subtext-andrew-rosendorf-leaves-it-on-the-page/#respond</comments>
		
		
		<pubDate>Wed, 04 Jun 2025 16:00:52 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=88599</guid>

					<description><![CDATA[Brian talks to the Minneapolis-based playwright about learning from criticism, connecting with collaborators, and finding his voice.]]></description>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Brian talks to the Minneapolis-based playwright about learning from criticism, connecting with collaborators, and finding his voice.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>Brian talks to the Minneapolis-based playwright about learning from criticism, connecting with collaborators, and finding his voice.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
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		<title>The Subtext: Rachel Bublitz Is Writing for Her Younger Self</title>
		<link>https://www.americantheatre.org/2025/05/06/the-subtext-rachel-bublitz-is-writing-for-her-younger-self/</link>
					<comments>https://www.americantheatre.org/2025/05/06/the-subtext-rachel-bublitz-is-writing-for-her-younger-self/#respond</comments>
		
		
		<pubDate>Tue, 06 May 2025 20:37:16 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Rachel Bublitz]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=88314</guid>

					<description><![CDATA[The writer of 'Funny, Like an Abortion' and 'The Night Witches' talks about long commutes, writing science plays, and the parts she wishes she'd been able to play in school.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/05/06/the-subtext-rachel-bublitz-is-writing-for-her-younger-self/feed/</wfw:commentRss>
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The writer of 'Funny, Like an Abortion' and 'The Night Witches' talks about long commutes, writing science plays, and the parts she wishes she'd been able to play in school.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The writer of 'Funny, Like an Abortion' and 'The Night Witches' talks about long commutes, writing science plays, and the parts she wishes she'd been able to play in school.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Chloé Hung and the Magic of Writing</title>
		<link>https://www.americantheatre.org/2025/04/03/the-subtext-chloe-hung-and-the-magic-of-writing/</link>
					<comments>https://www.americantheatre.org/2025/04/03/the-subtext-chloe-hung-and-the-magic-of-writing/#respond</comments>
		
		
		<pubDate>Thu, 03 Apr 2025 19:41:50 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Chloé Hung]]></category>
		<category><![CDATA[New Jersey Repertory Company]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Tarragon Theatre]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=87998</guid>

					<description><![CDATA[The writer of 'Issei, He Say' talks about making plays from her family's life, feeling the pressure to tell immigrant stories, and rebalancing her priorities. ]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/04/03/the-subtext-chloe-hung-and-the-magic-of-writing/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The writer of 'Issei, He Say' talks about making plays from her family's life, feeling the pressure to tell immigrant stories, and rebalancing her priorities.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The writer of 'Issei, He Say' talks about making plays from her family's life, feeling the pressure to tell immigrant stories, and rebalancing her priorities.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Tim J. Lord and the Human Story</title>
		<link>https://www.americantheatre.org/2025/03/06/the-subtext-tim-j-lord-and-the-human-story/</link>
					<comments>https://www.americantheatre.org/2025/03/06/the-subtext-tim-j-lord-and-the-human-story/#respond</comments>
		
		
		<pubDate>Thu, 06 Mar 2025 20:26:32 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Tim J. Lord]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=87706</guid>

					<description><![CDATA[This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/03/06/the-subtext-tim-j-lord-and-the-human-story/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Aya Ogawa, In Control</title>
		<link>https://www.americantheatre.org/2025/02/07/the-subtext-aya-ogawa-in-control/</link>
					<comments>https://www.americantheatre.org/2025/02/07/the-subtext-aya-ogawa-in-control/#respond</comments>
		
		
		<pubDate>Fri, 07 Feb 2025 23:00:40 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Aya Ogawa]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=87106</guid>

					<description><![CDATA[This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/02/07/the-subtext-aya-ogawa-in-control/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Kelley Nicole Girod, in It for the Drama</title>
		<link>https://www.americantheatre.org/2025/01/08/the-subtext-kelley-nicole-girod-in-it-for-the-drama/</link>
					<comments>https://www.americantheatre.org/2025/01/08/the-subtext-kelley-nicole-girod-in-it-for-the-drama/#respond</comments>
		
		
		<pubDate>Thu, 09 Jan 2025 01:16:06 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Apollo Theater]]></category>
		<category><![CDATA[Kelley Nicole Girod]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[The Fire This Time Festival]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=86663</guid>

					<description><![CDATA[This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2025/01/08/the-subtext-kelley-nicole-girod-in-it-for-the-drama/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: How Rachel Bonds Learned to Trust Herself</title>
		<link>https://www.americantheatre.org/2024/12/10/the-subtext-how-rachel-bonds-learned-to-trust-herself/</link>
					<comments>https://www.americantheatre.org/2024/12/10/the-subtext-how-rachel-bonds-learned-to-trust-herself/#respond</comments>
		
		
		<pubDate>Tue, 10 Dec 2024 18:07:46 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Rachel Bonds]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=86526</guid>

					<description><![CDATA[This month Brian talks to the Southern-born writer about her journey through acting to playwriting, what her parents taught her, and her own parenting.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/12/10/the-subtext-how-rachel-bonds-learned-to-trust-herself/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the Southern-born writer about her journey through acting to playwriting, what her parents taught her, and her own parenting.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the Southern-born writer about her journey through acting to playwriting, what her parents taught her, and her own parenting.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Jonathan Payne and the Sea of Stories</title>
		<link>https://www.americantheatre.org/2024/11/05/the-subtext-jonathan-payne-and-the-sea-of-stories/</link>
					<comments>https://www.americantheatre.org/2024/11/05/the-subtext-jonathan-payne-and-the-sea-of-stories/#respond</comments>
		
		
		<pubDate>Tue, 05 Nov 2024 14:58:27 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Ars Nova]]></category>
		<category><![CDATA[Dramatists Guild]]></category>
		<category><![CDATA[Fringe Festival NYC]]></category>
		<category><![CDATA[Jonathan Payne]]></category>
		<category><![CDATA[Long Wharf Theatre]]></category>
		<category><![CDATA[New Dramatists]]></category>
		<category><![CDATA[Playwrights Realm]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[The Bushwick Starr]]></category>
		<category><![CDATA[Williamstown Theatre Festival]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=86264</guid>

					<description><![CDATA[This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/11/05/the-subtext-jonathan-payne-and-the-sea-of-stories/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Rachel Jendrzejewski on Presence, Poland, and Padua</title>
		<link>https://www.americantheatre.org/2024/10/04/the-subtext-rachel-jendrzejewski-on-presence-poland-and-padua/</link>
					<comments>https://www.americantheatre.org/2024/10/04/the-subtext-rachel-jendrzejewski-on-presence-poland-and-padua/#respond</comments>
		
		
		<pubDate>Fri, 04 Oct 2024 22:50:58 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Polish theatre]]></category>
		<category><![CDATA[Rachel Jendrzejewski]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=85974</guid>

					<description><![CDATA[This month Brian speaks with the Playwrights' Center core writer and co-artistic director of Minneapolis's Red Eye about chance encounters and her relationship to future thinking.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/10/04/the-subtext-rachel-jendrzejewski-on-presence-poland-and-padua/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian speaks with the Playwrights' Center core writer and co-artistic director of Minneapolis's Red Eye about chance encounters and her relationship to future thinking.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian speaks with the Playwrights' Center core writer and co-artistic director of Minneapolis's Red Eye about chance encounters and her relationship to future thinking.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Marin Ireland, Play Builder</title>
		<link>https://www.americantheatre.org/2024/09/04/the-subtext-marin-ireland-play-builder/</link>
					<comments>https://www.americantheatre.org/2024/09/04/the-subtext-marin-ireland-play-builder/#respond</comments>
		
		
		<pubDate>Wed, 04 Sep 2024 16:35:25 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Marin Ireland]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=85636</guid>

					<description><![CDATA[This month Brian talks to the acclaimed actor about the ups and downs of her career, why and how she wrote her first play, and whether she feels she can claim the title 'playwright.']]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/09/04/the-subtext-marin-ireland-play-builder/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the acclaimed actor about the ups and downs of her career, why and how she wrote her first play, and whether she feels she can claim the title 'playwright.'</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the acclaimed actor about the ups and downs of her career, why and how she wrote her first play, and whether she feels she can claim the title 'playwright.'</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Benjamin Benne’s Sound and Vision</title>
		<link>https://www.americantheatre.org/2024/07/30/the-subtext-benjamin-bennes-sound-and-vision/</link>
					<comments>https://www.americantheatre.org/2024/07/30/the-subtext-benjamin-bennes-sound-and-vision/#respond</comments>
		
		
		<pubDate>Tue, 30 Jul 2024 13:15:17 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Benjamin Benne]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=84316</guid>

					<description><![CDATA[This month Brian talks to the writer of 'Alma' and 'In His Hands' about narration, inspiration, family ties, and Julio Cortázar.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/07/30/the-subtext-benjamin-bennes-sound-and-vision/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the writer of 'Alma' and 'In His Hands' about narration, inspiration, family ties, and Julio Cortázar.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the writer of 'Alma' and 'In His Hands' about narration, inspiration, family ties, and Julio Cortázar.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Inda Craig-Galván’s Search for Self-Expression</title>
		<link>https://www.americantheatre.org/2024/07/09/the-subtext-inda-craig-galvans-search-for-self-expression/</link>
					<comments>https://www.americantheatre.org/2024/07/09/the-subtext-inda-craig-galvans-search-for-self-expression/#respond</comments>
		
		
		<pubDate>Tue, 09 Jul 2024 13:27:36 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Inda Craig-Galván]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=83912</guid>

					<description><![CDATA[This month Brian talks to the busy playwright and TV writer about sketch comedy, grad school, and the audition that changed her path.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/07/09/the-subtext-inda-craig-galvans-search-for-self-expression/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the busy playwright and TV writer about sketch comedy, grad school, and the audition that changed her path.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the busy playwright and TV writer about sketch comedy, grad school, and the audition that changed her path.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Samuel D. Hunter Writes His Way Home</title>
		<link>https://www.americantheatre.org/2024/05/31/the-subtext-samuel-d-hunter-writes-his-way-home/</link>
					<comments>https://www.americantheatre.org/2024/05/31/the-subtext-samuel-d-hunter-writes-his-way-home/#respond</comments>
		
		
		<pubDate>Fri, 31 May 2024 19:31:47 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Joe Mantello]]></category>
		<category><![CDATA[Laurie Metcalf]]></category>
		<category><![CDATA[Samuel D. Hunter]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Steppenwolf Theatre Company]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=83381</guid>

					<description><![CDATA[This month Brian speaks with the busy playwright about dramatizing Idaho, promoting the film of 'The Whale,' and working on a new play at Steppenwolf.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/05/31/the-subtext-samuel-d-hunter-writes-his-way-home/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian speaks with the busy playwright about dramatizing Idaho, promoting the film of 'The Whale,' and working on a new play at Steppenwolf.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian speaks with the busy playwright about dramatizing Idaho, promoting the film of 'The Whale,' and working on a new play at Steppenwolf.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Jenni Lamb Shops Local</title>
		<link>https://www.americantheatre.org/2024/05/01/the-subtext-jenni-lamb-shops-local/</link>
					<comments>https://www.americantheatre.org/2024/05/01/the-subtext-jenni-lamb-shops-local/#respond</comments>
		
		
		<pubDate>Wed, 01 May 2024 19:26:02 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Jenni Lamb]]></category>
		<category><![CDATA[Second Site]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=82792</guid>

					<description><![CDATA[This month Brian talks to the writer and producer about pivoting from teaching, feeling stuck in development hell, and championing local storytellers.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/05/01/the-subtext-jenni-lamb-shops-local/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the writer and producer about pivoting from teaching, feeling stuck in development hell, and championing local storytellers.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the writer and producer about pivoting from teaching, feeling stuck in development hell, and championing local storytellers.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Mashuq Mushtaq Deen Befriends the Lion and the Rottweiler</title>
		<link>https://www.americantheatre.org/2024/04/01/the-subtext-mashuq-mushtaq-deen-befriends-the-lion-and-the-rottweiler/</link>
					<comments>https://www.americantheatre.org/2024/04/01/the-subtext-mashuq-mushtaq-deen-befriends-the-lion-and-the-rottweiler/#respond</comments>
		
		
		<pubDate>Mon, 01 Apr 2024 21:15:39 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Mashuq Mushtaq Deen]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=82324</guid>

					<description><![CDATA[This month Brian talks to playwright Mashuq Mushtaq Deen about building a writing career, pushing audiences out of their comfort zone, and finding his place in the theatre.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/04/01/the-subtext-mashuq-mushtaq-deen-befriends-the-lion-and-the-rottweiler/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to playwright Mashuq Mushtaq Deen about building a writing career, pushing audiences out of their comfort zone, and finding his place in the theatre.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to playwright Mashuq Mushtaq Deen about building a writing career, pushing audiences out of their comfort zone, and finding his place in the theatre.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Matthew Paul Olmos Finds Comfort in Chaos</title>
		<link>https://www.americantheatre.org/2024/03/01/the-subtext-matthew-paul-olmos-finds-comfort-in-chaos/</link>
					<comments>https://www.americantheatre.org/2024/03/01/the-subtext-matthew-paul-olmos-finds-comfort-in-chaos/#respond</comments>
		
		
		<pubDate>Fri, 01 Mar 2024 19:14:07 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Matthew Paul Olmos]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=81792</guid>

					<description><![CDATA[This month Brian talks to the Mexican American playwright about his educational path, his early years in New York, and his process for writing poetic plays.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/03/01/the-subtext-matthew-paul-olmos-finds-comfort-in-chaos/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the Mexican American playwright about his educational path, his early years in New York, and his process for writing poetic plays.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the Mexican American playwright about his educational path, his early years in New York, and his process for writing poetic plays.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Katie Ka Vang Has Lived a Thousand Lives</title>
		<link>https://www.americantheatre.org/2024/02/01/the-subtext-katie-ka-vang-has-lived-a-thousand-lives/</link>
					<comments>https://www.americantheatre.org/2024/02/01/the-subtext-katie-ka-vang-has-lived-a-thousand-lives/#respond</comments>
		
		
		<pubDate>Thu, 01 Feb 2024 20:50:13 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Katie Ka Vang]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=81379</guid>

					<description><![CDATA[This month Brian talks to the Minnesota playwright about her Hmong American roots, having cancer in graduate school, and learning to live in the moment.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/02/01/the-subtext-katie-ka-vang-has-lived-a-thousand-lives/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the Minnesota playwright about her Hmong American roots, having cancer in graduate school, and learning to live in the moment.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the Minnesota playwright about her Hmong American roots, having cancer in graduate school, and learning to live in the moment.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Eric Simonson Is Still Hustling</title>
		<link>https://www.americantheatre.org/2024/01/04/the-subtext-eric-simonson-still-hustling/</link>
					<comments>https://www.americantheatre.org/2024/01/04/the-subtext-eric-simonson-still-hustling/#respond</comments>
		
		
		<pubDate>Thu, 04 Jan 2024 19:14:32 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Eric Simonson]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=80919</guid>

					<description><![CDATA[This month Brian talks to the writer and director about his Midwestern roots, his writing journey, and his artistic collaborations.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2024/01/04/the-subtext-eric-simonson-still-hustling/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the writer and director about his Midwestern roots, his writing journey, and his artistic collaborations.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the writer and director about his Midwestern roots, his writing journey, and his artistic collaborations.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: TyLie Shider’s Rehearsal Dramas</title>
		<link>https://www.americantheatre.org/2023/11/17/the-subtext-tylie-shiders-rehearsal-dramas/</link>
					<comments>https://www.americantheatre.org/2023/11/17/the-subtext-tylie-shiders-rehearsal-dramas/#respond</comments>
		
		
		<pubDate>Fri, 17 Nov 2023 15:35:44 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[ArtYard]]></category>
		<category><![CDATA[National Black Theatre]]></category>
		<category><![CDATA[Playwrights' Center]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[TyLie Shider]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=80495</guid>

					<description><![CDATA[This month Brian talks to a writer inspired by the music his parents made when he was young, as well as by the diverse biographies and interests of the playwrights he admires.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/11/17/the-subtext-tylie-shiders-rehearsal-dramas/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to a writer inspired by the music his parents made when he was young, as well as by the diverse biographies and interests of the playwrights he admires.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to a writer inspired by the music his parents made when he was young, as well as by the diverse biographies and interests of the playwrights he admires.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Charly Evon Simpson, Accomplished and Evolving</title>
		<link>https://www.americantheatre.org/2023/10/26/the-subtext-charly-evon-simpson-accomplished-and-evolving/</link>
					<comments>https://www.americantheatre.org/2023/10/26/the-subtext-charly-evon-simpson-accomplished-and-evolving/#respond</comments>
		
		
		<pubDate>Thu, 26 Oct 2023 22:21:37 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Charly Evon Simpson]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=80146</guid>

					<description><![CDATA[This month Brian talks to Charly Evon Simpson about discovering theatre, learning to be vulnerable, and becoming a playwright both on paper and in life.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/10/26/the-subtext-charly-evon-simpson-accomplished-and-evolving/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to Charly Evon Simpson about discovering theatre, learning to be vulnerable, and becoming a playwright both on paper and in life.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to Charly Evon Simpson about discovering theatre, learning to be vulnerable, and becoming a playwright both on paper and in life.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Nathan Alan Davis’s Artistic Adventure</title>
		<link>https://www.americantheatre.org/2023/09/21/the-subtext-nathan-alan-daviss-artistic-adventure/</link>
					<comments>https://www.americantheatre.org/2023/09/21/the-subtext-nathan-alan-daviss-artistic-adventure/#respond</comments>
		
		
		<pubDate>Thu, 21 Sep 2023 21:52:50 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Nathan Alan Davis]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[The Refuge Plays]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=79737</guid>

					<description><![CDATA[This month Brian talks to Nathan Alan Davis about growing up with performer parents and how his own parenting influences his work.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/09/21/the-subtext-nathan-alan-daviss-artistic-adventure/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to Nathan Alan Davis about growing up with performer parents and how his own parenting influences his work.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to Nathan Alan Davis about growing up with performer parents and how his own parenting influences his work.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Nancy Garcia Loza Needs No Permission to Write</title>
		<link>https://www.americantheatre.org/2023/08/23/the-subtext-nancy-garcia-loza-needs-no-permission-to-write/</link>
					<comments>https://www.americantheatre.org/2023/08/23/the-subtext-nancy-garcia-loza-needs-no-permission-to-write/#respond</comments>
		
		
		<pubDate>Wed, 23 Aug 2023 21:44:34 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Nancy García Loza]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[The Understudy]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=78620</guid>

					<description><![CDATA[This month Brian joins playwright Nancy Garcia Loza at Chicago's Understudy book shop to talk about writing, family, and holding on to memories.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/08/23/the-subtext-nancy-garcia-loza-needs-no-permission-to-write/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian joins playwright Nancy Garcia Loza at Chicago's Understudy book shop to talk about writing, family, and holding on to memories.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian joins playwright Nancy Garcia Loza at Chicago's Understudy book shop to talk about writing, family, and holding on to memories.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: MJ Kaufman at Heart, at Home</title>
		<link>https://www.americantheatre.org/2023/07/26/the-subtext-mj-kaufman-at-heart-at-home/</link>
					<comments>https://www.americantheatre.org/2023/07/26/the-subtext-mj-kaufman-at-heart-at-home/#respond</comments>
		
		
		<pubDate>Wed, 26 Jul 2023 18:30:37 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[A Transparent Musical]]></category>
		<category><![CDATA[MJ Kaufman]]></category>
		<category><![CDATA[TGNC]]></category>
		<category><![CDATA[Trans Lab Fellowship]]></category>
		<category><![CDATA[Trans Theater Fest]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=77638</guid>

					<description><![CDATA[This month Brian talks to MJ Kaufman, the co-writer of 'A Transparent Musical,' about their evolving sense of home, their creative instincts, and their dog, Milkshake.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/07/26/the-subtext-mj-kaufman-at-heart-at-home/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to MJ Kaufman, the co-writer of 'A Transparent Musical,' about their evolving sense of home, their creative instincts, and their dog, Milkshake.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to MJ Kaufman, the co-writer of 'A Transparent Musical,' about their evolving sense of home, their creative instincts, and their dog, Milkshake.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Kareem Fahmy’s Auteur Theory</title>
		<link>https://www.americantheatre.org/2023/06/21/the-subtext-kareem-fahmys-auteur-theory/</link>
					<comments>https://www.americantheatre.org/2023/06/21/the-subtext-kareem-fahmys-auteur-theory/#respond</comments>
		
		
		<pubDate>Wed, 21 Jun 2023 20:13:50 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Kareem Fahmy]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Writers Theatre]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=76205</guid>

					<description><![CDATA[Brian talks to the NYC-based theatremaker about the intersection of writing and directing, what his family thinks of his plays, and differences between the U.S. and his native Canada.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/06/21/the-subtext-kareem-fahmys-auteur-theory/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Brian talks to the NYC-based theatremaker about the intersection of writing and directing, what his family thinks of his plays, and differences between the U.S. and his native Canada.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>Brian talks to the NYC-based theatremaker about the intersection of writing and directing, what his family thinks of his plays, and differences between the U.S. and his native Canada.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Jonathan Spector’s Eureka Moments</title>
		<link>https://www.americantheatre.org/2023/05/25/the-subtext-jonathan-spectors-eureka-moments/</link>
					<comments>https://www.americantheatre.org/2023/05/25/the-subtext-jonathan-spectors-eureka-moments/#respond</comments>
		
		
		<pubDate>Thu, 25 May 2023 20:28:25 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Jonathan Spector]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=75742</guid>

					<description><![CDATA[This month Brian talks to the Bay Area playwright about the writing process, battling imposter syndrome, and redefining success.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/05/25/the-subtext-jonathan-spectors-eureka-moments/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the Bay Area playwright about the writing process, battling imposter syndrome, and redefining success.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the Bay Area playwright about the writing process, battling imposter syndrome, and redefining success.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Alexandra Petri Writes Funny</title>
		<link>https://www.americantheatre.org/2023/04/18/the-subtext-alexandra-petri-writes-funny/</link>
					<comments>https://www.americantheatre.org/2023/04/18/the-subtext-alexandra-petri-writes-funny/#respond</comments>
		
		
		<pubDate>Tue, 18 Apr 2023 14:15:17 +0000</pubDate>
				<category><![CDATA[South Atlantic]]></category>
		<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Alexandra Petri]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=74839</guid>

					<description><![CDATA[The D.C. columnist and playwright talks about how writing is like making cotton candy, how 'MILF Manor' is like Greek drama, and how an editor can help you find the parade.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/04/18/the-subtext-alexandra-petri-writes-funny/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		<enclosure length="0" type="audio/mpeg" url="https://mcdn.podbean.com/mf/download/hb85gt/Alexandra_Petri6ycp2.mp3"/>

			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The D.C. columnist and playwright talks about how writing is like making cotton candy, how 'MILF Manor' is like Greek drama, and how an editor can help you find the parade.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The D.C. columnist and playwright talks about how writing is like making cotton candy, how 'MILF Manor' is like Greek drama, and how an editor can help you find the parade.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: James Ijames, From Grandma’s Backyard to Broadway</title>
		<link>https://www.americantheatre.org/2023/03/21/the-subtext-james-ijames-from-grandmas-backyard-to-broadway/</link>
					<comments>https://www.americantheatre.org/2023/03/21/the-subtext-james-ijames-from-grandmas-backyard-to-broadway/#respond</comments>
		
		
		<pubDate>Tue, 21 Mar 2023 13:00:01 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Fat Ham]]></category>
		<category><![CDATA[James Ijames]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Theatre Exile]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=74241</guid>

					<description><![CDATA[This month Brian talks to the 'Fat Ham' playwright about the art-loving family he came from and the communities he's found in theatre and in Philly.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/03/21/the-subtext-james-ijames-from-grandmas-backyard-to-broadway/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the 'Fat Ham' playwright about the art-loving family he came from and the communities he's found in theatre and in Philly.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the 'Fat Ham' playwright about the art-loving family he came from and the communities he's found in theatre and in Philly.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: The Time Kate Tarker Lost Her Paints</title>
		<link>https://www.americantheatre.org/2023/03/01/the-subtext-the-time-kate-tarker-lost-her-paints/</link>
					<comments>https://www.americantheatre.org/2023/03/01/the-subtext-the-time-kate-tarker-lost-her-paints/#respond</comments>
		
		
		<pubDate>Wed, 01 Mar 2023 22:59:53 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Kate Tarker]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Soho Rep]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=73921</guid>

					<description><![CDATA[The playwright of 'Montag' and 'THUNDERBODIES' talks about insisting on sustainability, identifying as a writer, and the art of listening.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/03/01/the-subtext-the-time-kate-tarker-lost-her-paints/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		<enclosure length="0" type="audio/mpeg" url="https://mcdn.podbean.com/mf/download/mjt2c9/Kate_Tarker9m99y.mp3"/>

			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The playwright of 'Montag' and 'THUNDERBODIES' talks about insisting on sustainability, identifying as a writer, and the art of listening.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>The playwright of 'Montag' and 'THUNDERBODIES' talks about insisting on sustainability, identifying as a writer, and the art of listening.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Eric Reyes Loo Is Earnest and Eager</title>
		<link>https://www.americantheatre.org/2023/01/25/the-subtext-eric-reyes-loo-is-earnest-and-eager/</link>
					<comments>https://www.americantheatre.org/2023/01/25/the-subtext-eric-reyes-loo-is-earnest-and-eager/#respond</comments>
		
		
		<pubDate>Wed, 25 Jan 2023 19:20:32 +0000</pubDate>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Eric Reyes Loo]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=73037</guid>

					<description><![CDATA[This month Brian talks to playwright and screenwriter Eric Reyes Loo about his educational and familial journeys, and the elusive definition of success.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2023/01/25/the-subtext-eric-reyes-loo-is-earnest-and-eager/feed/</wfw:commentRss>
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to playwright and screenwriter Eric Reyes Loo about his educational and familial journeys, and the elusive definition of success.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to playwright and screenwriter Eric Reyes Loo about his educational and familial journeys, and the elusive definition of success.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: How Vichet Chum Measures Success</title>
		<link>https://www.americantheatre.org/2022/12/22/the-subtext-how-vichet-chum-measures-success/</link>
					<comments>https://www.americantheatre.org/2022/12/22/the-subtext-how-vichet-chum-measures-success/#respond</comments>
		
		
		<pubDate>Thu, 22 Dec 2022 15:46:00 +0000</pubDate>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Steppenwolf Theatre Company]]></category>
		<category><![CDATA[Vichet Chum]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=72549</guid>

					<description><![CDATA[This month Brian talks to Vichet Chum, writer of 'Bald Sisters' at Steppenwolf, about how Texas's competitive culture shaped him and about how his Cambodian American parents feel about his work.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/12/22/the-subtext-how-vichet-chum-measures-success/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to Vichet Chum, writer of 'Bald Sisters' at Steppenwolf, about how Texas's competitive culture shaped him and about how his Cambodian American parents feel about his work.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to Vichet Chum, writer of 'Bald Sisters' at Steppenwolf, about how Texas's competitive culture shaped him and about how his Cambodian American parents feel about his work.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Kimber Lee Isn’t Cagey About Her Process</title>
		<link>https://www.americantheatre.org/2022/11/22/the-subtext-kimber-lee-isnt-cagey-about-her-process/</link>
					<comments>https://www.americantheatre.org/2022/11/22/the-subtext-kimber-lee-isnt-cagey-about-her-process/#respond</comments>
		
		
		<pubDate>Tue, 22 Nov 2022 16:29:27 +0000</pubDate>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Kimber Lee]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=72096</guid>

					<description><![CDATA[This month Brian talks to the author of 'tokyo fish story' and 'brownsville song (b-side for tray)' about panic, curiosity, and the earned laughs average.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/11/22/the-subtext-kimber-lee-isnt-cagey-about-her-process/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the author of 'tokyo fish story' and 'brownsville song (b-side for tray)' about panic, curiosity, and the earned laughs average.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the author of 'tokyo fish story' and 'brownsville song (b-side for tray)' about panic, curiosity, and the earned laughs average.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Spenser Davis Wants to Be Part of Something Big</title>
		<link>https://www.americantheatre.org/2022/10/24/the-subtext-spenser-davis-wants-to-be-part-of-something-big/</link>
					<comments>https://www.americantheatre.org/2022/10/24/the-subtext-spenser-davis-wants-to-be-part-of-something-big/#respond</comments>
		
		
		<pubDate>Mon, 24 Oct 2022 16:24:28 +0000</pubDate>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Spenser Davis]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=71744</guid>

					<description><![CDATA[This month Brian talks to the busy writer-director about his background, the supportiveness of Chicago's theatre scene, and his penchant for large-cast plays.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/10/24/the-subtext-spenser-davis-wants-to-be-part-of-something-big/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the busy writer-director about his background, the supportiveness of Chicago's theatre scene, and his penchant for large-cast plays.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the busy writer-director about his background, the supportiveness of Chicago's theatre scene, and his penchant for large-cast plays.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Callie Kimball’s Maine Event</title>
		<link>https://www.americantheatre.org/2022/09/27/the-subtext-callie-kimballs-maine-event/</link>
					<comments>https://www.americantheatre.org/2022/09/27/the-subtext-callie-kimballs-maine-event/#respond</comments>
		
		
		<pubDate>Tue, 27 Sep 2022 21:08:21 +0000</pubDate>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Callie Kimball.]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=71509</guid>

					<description><![CDATA[In this episode, Brian talks to a longtime friend and colleague about her circuitous path from and back to the Pine Tree State, and what that journey has meant for her as a writer.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/09/27/the-subtext-callie-kimballs-maine-event/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this episode, Brian talks to a longtime friend and colleague about her circuitous path from and back to the Pine Tree State, and what that journey has meant for her as a writer.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>In this episode, Brian talks to a longtime friend and colleague about her circuitous path from and back to the Pine Tree State, and what that journey has meant for her as a writer.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Where Madeline Sayet Belongs</title>
		<link>https://www.americantheatre.org/2022/08/22/the-subtext-where-madeline-sayet-belongs/</link>
					<comments>https://www.americantheatre.org/2022/08/22/the-subtext-where-madeline-sayet-belongs/#respond</comments>
		
		
		<pubDate>Mon, 22 Aug 2022 18:18:14 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Madeline Sayet]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=68684</guid>

					<description><![CDATA[This month Brian talks to the writer/performer of 'Where We Belong,' inspired by her experiences as a Native person loving, studying, then questioning Shakespeare.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/08/22/the-subtext-where-madeline-sayet-belongs/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the writer/performer of 'Where We Belong,' inspired by her experiences as a Native person loving, studying, then questioning Shakespeare.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the writer/performer of 'Where We Belong,' inspired by her experiences as a Native person loving, studying, then questioning Shakespeare.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: More Than 10 Minutes With Gary Garrison</title>
		<link>https://www.americantheatre.org/2022/07/26/the-subtext-more-than-10-minutes-with-gary-garrison/</link>
					<comments>https://www.americantheatre.org/2022/07/26/the-subtext-more-than-10-minutes-with-gary-garrison/#respond</comments>
		
		
		<pubDate>Tue, 26 Jul 2022 18:20:46 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Gary Garrison]]></category>
		<category><![CDATA[NYU Tisch School of the Arts]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=66953</guid>

					<description><![CDATA[This month Brian talks to the former NYU playwriting professor about growing up in Texas, intuition vs. intellect, and the elusive art of the 10-minute play.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/07/26/the-subtext-more-than-10-minutes-with-gary-garrison/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the former NYU playwriting professor about growing up in Texas, intuition vs. intellect, and the elusive art of the 10-minute play.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the former NYU playwriting professor about growing up in Texas, intuition vs. intellect, and the elusive art of the 10-minute play.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Dipika Guha Is a Seeker</title>
		<link>https://www.americantheatre.org/2022/06/21/the-subtext-dipika-guha-is-a-seeker/</link>
					<comments>https://www.americantheatre.org/2022/06/21/the-subtext-dipika-guha-is-a-seeker/#respond</comments>
		
		
		<pubDate>Tue, 21 Jun 2022 20:30:55 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Dipika Guha]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=66305</guid>

					<description><![CDATA[This month Brian talks to the 'Yoga Play' author about the absurdism of real life and how her globally forged voice meets contemporary American life.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/06/21/the-subtext-dipika-guha-is-a-seeker/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the 'Yoga Play' author about the absurdism of real life and how her globally forged voice meets contemporary American life.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the 'Yoga Play' author about the absurdism of real life and how her globally forged voice meets contemporary American life.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Lynn Nottage, Learning From Every Job</title>
		<link>https://www.americantheatre.org/2022/05/31/the-subtext-lynn-nottage-learning-from-every-job/</link>
					<comments>https://www.americantheatre.org/2022/05/31/the-subtext-lynn-nottage-learning-from-every-job/#respond</comments>
		
		
		<pubDate>Tue, 31 May 2022 15:01:07 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Lynn Nottage]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=65849</guid>

					<description><![CDATA[This month Brian talks to the prolific and decorated playwright about her early struggles and triumphs, and that time she got stuck in the Lincoln Center bathroom.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/05/31/the-subtext-lynn-nottage-learning-from-every-job/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the prolific and decorated playwright about her early struggles and triumphs, and that time she got stuck in the Lincoln Center bathroom.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the prolific and decorated playwright about her early struggles and triumphs, and that time she got stuck in the Lincoln Center bathroom.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Jeremy Cohen’s Magical Gifts</title>
		<link>https://www.americantheatre.org/2022/05/10/the-subtext-jeremy-cohens-magical-gifts/</link>
					<comments>https://www.americantheatre.org/2022/05/10/the-subtext-jeremy-cohens-magical-gifts/#respond</comments>
		
		
		<pubDate>Tue, 10 May 2022 21:50:52 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Jeremy Cohen]]></category>
		<category><![CDATA[New play]]></category>
		<category><![CDATA[Playwrights' Center]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=65551</guid>

					<description><![CDATA[This month Brian talks to the producing artistic director of Playwrights' Center in Minneapolis about supporting writers, following a unicorn, and teaching doctors to write.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/05/10/the-subtext-jeremy-cohens-magical-gifts/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month Brian talks to the producing artistic director of Playwrights' Center in Minneapolis about supporting writers, following a unicorn, and teaching doctors to write.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month Brian talks to the producing artistic director of Playwrights' Center in Minneapolis about supporting writers, following a unicorn, and teaching doctors to write.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: In the Middle With Heather Raffo</title>
		<link>https://www.americantheatre.org/2022/04/27/the-subtext-in-the-middle-with-heather-raffo/</link>
					<comments>https://www.americantheatre.org/2022/04/27/the-subtext-in-the-middle-with-heather-raffo/#respond</comments>
		
		
		<pubDate>Wed, 27 Apr 2022 12:00:00 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Heather Raffo]]></category>
		<category><![CDATA[Playwrights Center of Minneapolis]]></category>
		<category><![CDATA[Showcase]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=65273</guid>

					<description><![CDATA[For this special reported episode, Brian goes deep on the actor-writer and her very personal new play, 'Tomorrow Will Be Sunday.']]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/04/27/the-subtext-in-the-middle-with-heather-raffo/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>For this special reported episode, Brian goes deep on the actor-writer and her very personal new play, 'Tomorrow Will Be Sunday.'</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>For this special reported episode, Brian goes deep on the actor-writer and her very personal new play, 'Tomorrow Will Be Sunday.'</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
		<item>
		<title>The Subtext: Tracy Letts’s Moments of Recognition</title>
		<link>https://www.americantheatre.org/2022/04/11/the-subtext-tracy-lettss-moments-of-recognition/</link>
					<comments>https://www.americantheatre.org/2022/04/11/the-subtext-tracy-lettss-moments-of-recognition/#respond</comments>
		
		
		<pubDate>Mon, 11 Apr 2022 16:42:48 +0000</pubDate>
				<category><![CDATA[The Subtext]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Steppenwolf Theatre Company]]></category>
		<category><![CDATA[Tracy Letts]]></category>
		<guid isPermaLink="false">https://www.americantheatre.org/?p=65112</guid>

					<description><![CDATA[This month the author of 'August: Osage County' and 'The Minutes' talks about acting, writing, the mystique of Chicago, and the heartbreak of Oklahoma.]]></description>
		
					<wfw:commentRss>https://www.americantheatre.org/2022/04/11/the-subtext-tracy-lettss-moments-of-recognition/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
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			<dc:creator>at@tcg.org (American Theatre)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This month the author of 'August: Osage County' and 'The Minutes' talks about acting, writing, the mystique of Chicago, and the heartbreak of Oklahoma.</itunes:subtitle><itunes:author>American Theatre</itunes:author><itunes:summary>This month the author of 'August: Osage County' and 'The Minutes' talks about acting, writing, the mystique of Chicago, and the heartbreak of Oklahoma.</itunes:summary><itunes:keywords>playwrights,theatre,theater,interview</itunes:keywords></item>
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