PRIDE. GREED. ENVY. WRATH. LUST. GLUTTONY. SLOTH.

The Seven Deadly Sins delineate the path to a person’s downfall, the surest way to achieve eternal damnation. But there is a way out, a way to reclaim salvation: blame it on the demons—taunting you, daring you to embrace these sins—and you shall be free. The painful truth is that these impulses live inside all ofus, inside all sentient beings. But alas, one person’s sin may be anotherbeing’s virtue.

The pride of the Romulan Empire is laid bare in “The First Peer,” by Dayton Ward and Kevin Dilmore.

A Ferengi is measured by his acquisition of profit. “Reservoir Ferengi,” by David A. McIntee, depicts the greed that drives that need.

The Cardassians live in a resource-poor system, surrounded by neighbors whohave much more. The envy at the heart of Cardassian drive is “The Slow Knife,”by James Swallow.

The Klingons have tried since the time of Kahless to harness their wrath withan honor code, but they haven’t done so, as evidenced in “The Unhappy Ones,”by Keith R.A. DeCandido.

Humans’ darkest impulses run free in the Mirror Universe. “Freedom Angst,” by Britta Burdett Dennison, illustrates the lust that drives many there.

The Borg’s desire to add to their perfection is gluttonous and deadly in “Revenant,” by Marc D. Giller.

To be a Pakled is to live to up to the ideal of sloth in “Work Is Hard,” by Greg Cox.

Prior to the terror-filled times of the Long War—the seemingly endless struggle against the Undine, a paranoid, shape-shifting race once known only as Species 8472—enemy sleeper agents quietly penetrated every echelon of Federation society, as well as other starfaring civilizations throughout the Alpha and Beta quadrants. The ensuing conflict shook humanity to its very core, often placing its highest ideals against a pure survival instinct. All too frequently, the Undine War demanded the harshest of sacrifices and exacted the steepest of personal costs from the countless millions whose lives the great interdimensional clash forever altered.

Drawn from his exhaustive research and interviews, The Needs of the Many delivers a glimpse of Betar Prize–winning author Jake Sisko’s comprehensive “living history” of this tumultuous era. With collaborator Michael A. Martin, Sisko illuminates an often-poorly-understood time, an age marked indelibly by both fear and courage—not to mention the willingness of multitudes of unsung heroes who became the living embodiment of the ancient Vulcan philosopher Surak’s famous axiom, “The needs of the many outweigh the needs of the few.”

A social experiment was conceived. Its goal was to breed the best, the brightest, the most malleable and most loyal soldiers to ever serve. To this end, the Romulan Empire used its own children, blinded by the belief that anything that would bring glory to the praetor was justified. And when the winds of politics changed, these children were abandoned, left to die on a world so horrifying that it was dubbed—by those who dared to cling to life—Hellguard.

One wild child, Saavik, was rescued by Spock. He took the half-Vulcan, half-Romulan child home to his parents, knowing that if anyone could reach and rescue Saavik, it was them.

Now a Starfleet officer, Saavik has striven to honor her mentor and her Vulcan heritage. But recent events have shaken her. Left behind on Vulcan while the rest of the Enterprise crew goes to face court-martial for stealing and destroying their ship, the young science officer is adrift when two men from her past confront her. Tolek, another Hellguard survivor, tells Saavik that the survivors are being killed one-by-one and only they can discover who and why. The other, a Romulan who claims to be her father, swears it is the Vulcans who are eliminating the Hellguard survivors because they are an embarrassment to all of Vulcan, but that she has the power to stop it, by bringing down the Vulcan ambassador, Sarek.

Not knowing where to turn, not knowing whom to trust, Saavik must find her own answers, and discover who she truly is.

A distress call goes out from a Federation outpost near the Klingon border. The U.S.S. Enterprise, under the command of Captain Christopher Pike, responds. Starbase 18 lies in ruin. There are no survivors. And there is no clue as to who is responsible for the attack, until Captain Pike’s brilliant science officer discovers a means of retrieving parts of the station’s log.

Lieutenant Spock has detected signs of a unique energy signature, one that he believes is Klingon. There are unsubstantiated reports that the Klingon Empire has made a technological leap forward and created a cloaking device—code-named Black Snow Seven—that can shield their ships from even the most advanced sensors. The destruction of the base and the unique energy signature that remains prove that the Empire has succeeded.

For generations the Orions have been known as pirates,operating at the margins, outside of legal conventions. A proud and powerful race, the Orions were once a major force in the sector, and they have been using the tension between the Klingon Empire and the Federation to rebuild their power. Captain Pike is charged with trying to foster cooperation between the Orions and the Federation. A distress call from an Orion vessel offers him the perfect opportunity. But the Orion ship lies in disputed space long claimed by the Klingon Empire, and crossing it could be the spark that sets off an interstellar war.

The critically acclaimed director and writer shares his account of the making of the three classic Star Trek films

The View from the Bridge is Nicholas Meyer’s enormously entertaining account of his involvement with the Star Trek films: STII: The Wrath of Khan, STIV: The Voyage Home, and STVI: The Undiscovered Country, as well as his illustrious career in the movie business. The man best known for bringing together Sherlock Holmes and Sigmund Freud in The Seven Per-Cent Solution had ironically never been interested in Star Trek until he was brought on board to save the film series.

Meyer shares how he created the script for The Wrath of Khan, the most revered Star Trek film of all, in twelve days-only to have William Shatner proclaim he hated it. He reveals the death threats he received when word got out that Spock would be killed, and finally answers the long-pondered question of whether Khan’s chiseled chest is truly that of Ricardo Montalban. Meyer’s reminiscences on everyone from Gene Roddenberry to Laurence Olivier will appeal not only to the countless legions of Trekkies, but to anyone fascinated by the inner workings of Hollywood.

Product Description
The Romulan Star Empire engages in all out war against Earth, determined once and for all to stop the human menace from spreading across the galaxy.

About the Author
Michael A. Martin’s solo short fiction has appeared in The Magazine of Fantasy & Science Fiction. He has also coauthored (with Andy Mangels) several Star Trek comics for Marvel and Wildstorm and numerous Star Trek novels and eBooks, including the USA Today bestseller Titan: Book One: Taking Wing; Titan: Book Two: The Red King; the Sy Fy Genre Award-winning Star Trek: Worlds of Deep Space 9 Book Two: Trill — Unjoined; Star Trek: The Lost Era 2298 — The Sundered; Star Trek: Deep Space 9 Mission: Gamma: Vol. Three: Cathedral; Star Trek: The Next Generation: Section 31 — Rogue; Star Trek: Starfleet Corps of Engineers #30 and #31 (“Ishtar Rising” Books 1 and 2); stories in the Prophecy and Change, Tales of the Dominion War, and Tales from the Captain’s Table anthologies; and three novels based on the Roswell television series. His work has also been published by Atlas Editions (in their Star Trek Universe subscription card series), Star Trek Monthly, Dreamwatch, Grolier Books, Visible Ink Press, The Oregonian, and Gareth Stevens, Inc., for whom he has penned several World Almanac Library of the States nonfiction books for young readers. He lives with his wife, Jenny, and their two sons in Portland, Oregon.

Product Description
In the climactic conclusion to the Star Trek: Destiny trilogy the greatest menace to the galaxy, the Borg, were absorbed into the Caeliar gestalt — with one exception, Seven of Nine, who finds herself trapped in a half existence, neither drone nor human. Seven agrees to join Chakotay, the former captain of the USS Voyager, to rendezvous with the ships that Starfleet Command has sent into the Delta Quadrant and see if they can solve the mystery of the Caeliar’s disappearance. In a region of space which has lived in fear of instant annihilation, Voyager is charged with reaching out to possible allies and resolving old enmities. But these are not the friendly stars of the Federation, and out here the unknown and the unexpected cannot be dealt with by standard Starfleet protocols.

About the Author
Kirsten Beyer is the author of Star Trek:Voyage– String Theory: Fusion, the  APO novel Alias–Once Lost, and contributed the short story “Isabo’s Shirt” to the Distant Shores Anthology. In 2006 Kirsten appeared at Hollywood’s Unknown Theater in their productions of Johnson over Jordan, This Old Planet , and Harold Pinter’s The Hothouse, which the L.A. Times called “unmissable.” She also appeared in the Geffen Playhouse’s world premiere of Quills and has been seen on General Hospital, Passions, and the indie feature Stomping Grounds. She has also been featured in several commercials.

Product Description
Reyes works to uncovering the truth about the Taurus Reach. As forces aline against the threat of the Shedai, a wild card returns to change the rules.

About the Author
David Mack is the author of numerous Star Trek books, including Wildfire, A Time to Kill, A Time to Heal, Warpath and the critically and fan acclaimed series Star Trek: Destiny. With Marco Palmieri, he developed the Star Trek Vanguard series, for which he has written two novels, Harbinger and Reap the Whirlwind.

His other novels include the Wolverine espionage adventure Road of Bones, and his first original novel, The Calling, will publish in July 2009.

Before writing books, Mack co-wrote with John J. Ordover the Star Trek: Deep Space Nine fourth-season episode ?Starship Down? and the story treatment for the series’ seventh-season episode ?It’s Only a Paper Moon.?

An avid fan of Canadian progressive-rock trio Rush, Mack has attended shows in all of their concert tours since 1982.

Having recently fled corporate servitude, Mack now resides in a secret location with his wife, Kara.