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		<title>The Eurovision Debate: Boycotts and Art</title>
		<link>https://thewysiwyg.blog/2026/05/19/the-eurovision-debate-boycotts-and-art/</link>
					<comments>https://thewysiwyg.blog/2026/05/19/the-eurovision-debate-boycotts-and-art/#comments</comments>
		
		<dc:creator><![CDATA[JenT]]></dc:creator>
		<pubDate>Tue, 19 May 2026 14:52:00 +0000</pubDate>
				<category><![CDATA[Israel]]></category>
		<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[ESC2026]]></category>
		<category><![CDATA[Eurovision]]></category>
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					<description><![CDATA[<p>So. Much. Sturm und Drang. The boycotts, the exposés, the voting conspiracies, the protests, the booing, Not your typical Eurovision Song Contest. There&#8217;s been a number of post-ESC2026 commentaries, but the one you should read is by Hen Mazzig. I don&#8217;t entirely agree with all Hen&#8217;s (pronounced Chen) conclusions, but pretty much everything else. The [&#8230;]</p>
<p>The post <a href="https://thewysiwyg.blog/2026/05/19/the-eurovision-debate-boycotts-and-art/">The Eurovision Debate: Boycotts and Art</a> appeared first on <a href="https://thewysiwyg.blog">The WYSIWYG* Blog</a>.</p>
]]></description>
		
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