<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;C0EBQn86fSp7ImA9WxBbEk4.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342</id><updated>2010-03-10T06:34:13.115-08:00</updated><title>TORONTO FILM. NET</title><subtitle type="html">© 2005-2010 -Contents Copyright Their Respective Owners-commandentertainment@yahoo.com</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://www.torontofilm.net/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://www.torontofilm.net/" /><link rel="hub" href="http://pubsubhubbub.appspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>173</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/TorontoFilmNet" /><feedburner:info uri="torontofilmnet" /><entry gd:etag="W/&quot;C0EBQn85fCp7ImA9WxBbEk4.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-3333073760680709270</id><published>2010-03-10T06:17:00.001-08:00</published><updated>2010-03-10T06:34:13.124-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-10T06:34:13.124-08:00</app:edited><title>Actor Corey Haim Found Dead</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5eq5YuBQdI/AAAAAAAAiGM/PpXfnLJ__Lk/s1600-h/coreyhaim.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 400px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5eq5YuBQdI/AAAAAAAAiGM/PpXfnLJ__Lk/s400/coreyhaim.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5447010177192640978" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Toronto-born Corey Haim, the 38-year old actor best known for his teen role opposite Corey Feldman in the vampire feature "The Lost Boys", was found dead of a suspected drug overdose March 10, according to the Los Angeles Police Department...&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="445" height="364"&gt;&lt;param name="movie" value="http://www.youtube.com/v/-epc4kzkKF4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/-epc4kzkKF4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="445" height="364"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-3333073760680709270?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Q_z3Y-6jHCvYbOzjBer6sOPLGSA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Q_z3Y-6jHCvYbOzjBer6sOPLGSA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Q_z3Y-6jHCvYbOzjBer6sOPLGSA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Q_z3Y-6jHCvYbOzjBer6sOPLGSA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/q6xoDhJibKg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/3333073760680709270/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/03/actor-corey-haim-found-dead.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3333073760680709270?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3333073760680709270?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/q6xoDhJibKg/actor-corey-haim-found-dead.html" title="Actor Corey Haim Found Dead" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5eq5YuBQdI/AAAAAAAAiGM/PpXfnLJ__Lk/s72-c/coreyhaim.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/03/actor-corey-haim-found-dead.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0AERHw-fyp7ImA9WxBbEEg.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-4946148351121084037</id><published>2010-03-08T04:33:00.001-08:00</published><updated>2010-03-08T06:48:25.257-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-08T06:48:25.257-08:00</app:edited><title>"The Hurt Locker" Wins Best Picture/Director Oscars</title><content type="html">&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5TuSVIgh_I/AAAAAAAAiDM/Nx4O_bFOPCc/s1600-h/oscars-gorgeous-pic3.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5446239848075659250" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 372px; CURSOR: hand; HEIGHT: 345px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5TuSVIgh_I/AAAAAAAAiDM/Nx4O_bFOPCc/s400/oscars-gorgeous-pic3.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;The Oscars/Academy Awards winners, presented March 7, 2010 are:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5TrAdYIDzI/AAAAAAAAiC8/f3oWH_qUpYE/s1600-h/best-picture-the-hurt-locker.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5446236242516119346" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 258px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5TrAdYIDzI/AAAAAAAAiC8/f3oWH_qUpYE/s400/best-picture-the-hurt-locker.jpg" border="0" /&gt;&lt;/a&gt;Best Picture – "The Hurt Locker"&lt;br /&gt;Best Director – Kathryn Bigelow ("The Hurt Locker")&lt;br /&gt;Best Actress in a Lead Role – Sandra Bullock ("The Blind Side")&lt;br /&gt;Best Actor in a Lead Role – Jeff Bridges ("Crazy Heart")&lt;br /&gt;Best Actor in a Supporting Role – Christoph Waltz ("Inglorious Basterds")&lt;br /&gt;Best Actress in a Supporting Role – Mo’Nique ("Precious")&lt;br /&gt;Best Animated Feature Film – "Up"&lt;br /&gt;Best Art Direction – "Avatar"&lt;br /&gt;Best Cinematography – "Avatar"&lt;br /&gt;Best Costume Design – "The Young Victoria"&lt;br /&gt;Best Documentary Feature – "The Cove"&lt;br /&gt;Best Documentary Short – "Music By Prudence"&lt;br /&gt;Best Film Editing – "The Hurt Locker"&lt;br /&gt;Best Foreign Language Film – "The Secret in their Eyes" (Argentina)&lt;br /&gt;Best Makeup – "Star Trek"&lt;br /&gt;Best Original Score – "Up"&lt;br /&gt;Best Original Song – "Crazy Heart"&lt;br /&gt;Best Sound Editing – "The Hurt Locker"&lt;br /&gt;Best Sound Mixing – "The Hurt Locker"&lt;br /&gt;Best Visual Effects – "Avatar"&lt;br /&gt;Best Writing (Adapted Screenplay) – "Precious"&lt;br /&gt;Best Writing (Original Screenplay) – "The Hurt Locker"&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;object height="360" width="580"&gt;&lt;param name="movie" value="http://www.youtube.com/v/arR9PZviSxA&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0xe1600f&amp;amp;color2=0xfebd01&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/arR9PZviSxA&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0xe1600f&amp;color2=0xfebd01&amp;hd=1&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-4946148351121084037?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vPVp_odlPAtD7lP3Z8dDy_CE-cQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vPVp_odlPAtD7lP3Z8dDy_CE-cQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vPVp_odlPAtD7lP3Z8dDy_CE-cQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vPVp_odlPAtD7lP3Z8dDy_CE-cQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/LAArB8JJ1Q0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/4946148351121084037/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/03/hurt-locker-wins-best-picturedirector.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/4946148351121084037?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/4946148351121084037?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/LAArB8JJ1Q0/hurt-locker-wins-best-picturedirector.html" title="&quot;The Hurt Locker&quot; Wins Best Picture/Director Oscars" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5TuSVIgh_I/AAAAAAAAiDM/Nx4O_bFOPCc/s72-c/oscars-gorgeous-pic3.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/03/hurt-locker-wins-best-picturedirector.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUUFRHc8fSp7ImA9WxBUGUk.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-5563218462541980326</id><published>2010-03-06T23:33:00.001-08:00</published><updated>2010-03-06T23:33:35.975-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-06T23:33:35.975-08:00</app:edited><title>The World Bends Over For "Kick-Ass"- April 16</title><content type="html">&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S5NONwXggDI/AAAAAAAAiCU/RAKZ6sk052U/s1600-h/kickass1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5445782372649828402" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 274px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S5NONwXggDI/AAAAAAAAiCU/RAKZ6sk052U/s400/kickass1.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Sneak Peek the newest character posters for director Matthew Vaughn's upcoming comic book movie "Kick-Ass"', based on the graphic novels by Mark Millar and John Romita Jr.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5NOJKu-nMI/AAAAAAAAiCM/VU98vUXt4AQ/s1600-h/kickass2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5445782293828246722" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 274px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S5NOJKu-nMI/AAAAAAAAiCM/VU98vUXt4AQ/s400/kickass2.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4HpOaM-FmI/AAAAAAAAh2Q/Mzok0Yc3lqE/s1600-h/kick2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440886258601432674" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 175px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4HpOaM-FmI/AAAAAAAAh2Q/Mzok0Yc3lqE/s400/kick2.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S4HpT71BWiI/AAAAAAAAh2Y/BM8cyQOSlBc/s1600-h/kick1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440886353527134754" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 127px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S4HpT71BWiI/AAAAAAAAh2Y/BM8cyQOSlBc/s400/kick1.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S4HpJg8irjI/AAAAAAAAh2I/lODLms_7mFI/s1600-h/kic3.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440886174512229938" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 127px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S4HpJg8irjI/AAAAAAAAh2I/lODLms_7mFI/s400/kic3.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S4HpCOV9OPI/AAAAAAAAh2A/I9if-hdMBwU/s1600-h/kick4.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440886049259469042" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 126px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S4HpCOV9OPI/AAAAAAAAh2A/I9if-hdMBwU/s400/kick4.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4Ho8hwUHpI/AAAAAAAAh14/JGGkTpKZHso/s1600-h/kick5.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440885951391080082" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 176px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4Ho8hwUHpI/AAAAAAAAh14/JGGkTpKZHso/s400/kick5.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4Ho21bP7kI/AAAAAAAAh1w/OaNRe-meoxg/s1600-h/kick6.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440885853592219202" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 126px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4Ho21bP7kI/AAAAAAAAh1w/OaNRe-meoxg/s400/kick6.jpg" border="0" /&gt;&lt;/a&gt; &lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/Syu3Bn7xUcI/AAAAAAAAd94/TWfcfy2hosE/s1600-h/kickassGAL.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5416624215370584514" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/Syu3Bn7xUcI/AAAAAAAAd94/TWfcfy2hosE/s400/kickassGAL.jpg" border="0" /&gt;&lt;/a&gt;January 2010, an international trailer of the film was slammed by family groups for its display of violence and use of the line&lt;i&gt; "OK you cunts, let's see what you can do now"&lt;/i&gt; by actress Chloe Moretz, who was 12 at the time of filming.&lt;br /&gt;&lt;object height="360" width="580"&gt;&lt;param name="movie" value="http://www.youtube.com/v/MJdLKxDB4Hg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;br /&gt;&lt;embed src="http://www.youtube.com/v/MJdLKxDB4Hg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Australian Family Association spokesman John Morrissey claimed "the language offensive and the values inappropriate - without the saving grace of the bloodless victory of traditional superheroes".&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S2imAZwWdEI/AAAAAAAAgl0/BK39qwVkKBQ/s1600-h/kickass.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5433775476266398786" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S2imAZwWdEI/AAAAAAAAgl0/BK39qwVkKBQ/s400/kickass.jpg" border="0" /&gt;&lt;/a&gt;"Kick-Ass" is based on the 8-issue &lt;a href="https://www.amazon.ca/dp/0785134352?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=0785134352&amp;amp;adid=1KE35627FFYQRTJXCGE5&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#9999ff;"&gt;"Kick-Ass" comic book mini-series&lt;/span&gt;&lt;/a&gt;  following a superhero fan who decides to become a costumed crime-fighting vigilante, &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;meeting up with other vigilantes including 'Red Mist' and the father-daughter team of 'Big Daddy' and 'Hit Girl'.&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SyeFXYfs9CI/AAAAAAAAdnU/YVTAPrB5Wog/s1600-h/kicks.jpg"&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SxmLo_aN-jI/AAAAAAAAce4/wn6EkVcJrZM/s1600-h/kickass.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5411509963594791474" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SxmLo_aN-jI/AAAAAAAAce4/wn6EkVcJrZM/s400/kickass.jpg" border="0" /&gt;&lt;/a&gt;Visually, Vaughn wanted to make a bright and glossy film', "...so what happens in the film is shocking, not the style...", he said. "I just let the characters do the dark stuff and let the lighting be... I just thought it would be interesting to juxtapose the look and the action... "&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwRQtTe1RzI/AAAAAAAAba8/TVZvP3WpdI0/s1600/kickasspostermarbg.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405534192005367602" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwRQtTe1RzI/AAAAAAAAba8/TVZvP3WpdI0/s400/kickasspostermarbg.jpg" border="0" /&gt;&lt;/a&gt;Vaughn acquired film rights to &lt;a href="https://www.amazon.ca/dp/1848565348?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=1848565348&amp;amp;adid=0X34QPD90HMAVPF2HTXR&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#9999ff;"&gt;"Kick-Ass"&lt;/span&gt;&lt;/a&gt; for his Marv Films, when the&lt;a href="https://www.amazon.ca/dp/1848564090?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=1848564090&amp;amp;adid=146SS4E9DE2SHDYVTF4P&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#9999ff;"&gt; KA comic&lt;/span&gt;&lt;/a&gt; book debuted February 2008. He then financed the film independently after "every studio turned it down".&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S5NOEW7WpMI/AAAAAAAAiCE/7dePBL6ooe4/s1600-h/kickass3.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5445782211202032834" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 274px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S5NOEW7WpMI/AAAAAAAAiCE/7dePBL6ooe4/s400/kickass3.jpg" border="0" /&gt;&lt;/a&gt;"Kick-Ass" is co-produced by Brad Pitt, Dede Gardner and Jeremy Kleiner for Plan B. Shooting locations included the UK and Toronto.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwWgxeNUj_I/AAAAAAAAbgE/0Jhk1Yt7V5Q/s1600/KickThe_Movie.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405903699511119858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 305px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwWgxeNUj_I/AAAAAAAAbgE/0Jhk1Yt7V5Q/s400/KickThe_Movie.jpg" border="0" /&gt;&lt;/a&gt;Premise of the &lt;a href="http://www.amazon.ca/dp/1848564090?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=1848564090&amp;amp;adid=0DEE4B92TK6ZM24BRV60&amp;amp;"&gt;&lt;span style="color:#9999ff;"&gt;"Kick-Ass"&lt;/span&gt;&lt;/a&gt; comics follows 'Dave Lizewski', a New York City high school student, who takes an interest in comic books as his cue to become a vigilante hero, a&lt;/span&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;ssembling a suit and mask, worn under his normal clothing.&lt;/span&gt;&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S5NUQYOvVVI/AAAAAAAAiCc/YRsiw5dtKcM/s1600-h/kickass4.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5445789014779974994" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 274px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S5NUQYOvVVI/AAAAAAAAiCc/YRsiw5dtKcM/s400/kickass4.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;His first attempt at fighting crime results in Dave being overpowered, then hit by a car. &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;But determined to retain his secret identity, he hides his costume before paramedics arrive.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/SwWfnQT9nHI/AAAAAAAAbf8/OK5jWXXukPA/s1600/kickassmoviebook.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405902424470559858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 313px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/SwWfnQT9nHI/AAAAAAAAbf8/OK5jWXXukPA/s400/kickassmoviebook.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Dave tells his father he was mugged, before undergoing four operations followed by intense physical rehabilitation. Weeks later, bruised but undaunted, Dave tosses his crutches, dons his costume and takes off again for 'patrol'.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SzD4838xCDI/AAAAAAAAeS0/u1eN8tSMLmg/s1600-h/mm.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5418104076421367858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 308px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SzD4838xCDI/AAAAAAAAeS0/u1eN8tSMLmg/s400/mm.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;After saving a man in need of assistance, an onlooker films the scene on a cellphone camera and uploads it to YouTube, turning Dave Lizewski into an instant media sensation called 'Kick-Ass'.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SwRRepLuLEI/AAAAAAAAbbM/7lZQQZUrsMM/s1600/664021-kick_ass__001_super.jpg"&gt;&lt;span style="font-size:130%;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405535039644380226" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 258px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SwRRepLuLEI/AAAAAAAAbbM/7lZQQZUrsMM/s400/664021-kick_ass__001_super.jpg" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;The $70 million comic book adaptation will be released by Lionsgate April 16, 2010.&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;Click the images to enlarge and Sneak Peek&lt;a href="https://www.amazon.ca/dp/0785134352?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=0785134352&amp;amp;adid=0VSJTWEJS6CQWBZYF2DW&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#33ff33;"&gt; "Kick-Ass&lt;/span&gt;&lt;/a&gt;"...&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;object height="360" width="580"&gt;&lt;param name="movie" value="http://www.youtube.com/v/VMyNCaTEXMM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;br /&gt;&lt;embed src="http://www.youtube.com/v/VMyNCaTEXMM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-5563218462541980326?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/bSD5ZjZJMdFgEGBInbJ2R5UKYQ4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bSD5ZjZJMdFgEGBInbJ2R5UKYQ4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/bSD5ZjZJMdFgEGBInbJ2R5UKYQ4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bSD5ZjZJMdFgEGBInbJ2R5UKYQ4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/neEYCCMJEHE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/5563218462541980326/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/03/world-bends-over-for-kick-ass-april-16.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/5563218462541980326?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/5563218462541980326?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/neEYCCMJEHE/world-bends-over-for-kick-ass-april-16.html" title="The World Bends Over For &quot;Kick-Ass&quot;- April 16" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S5NONwXggDI/AAAAAAAAiCU/RAKZ6sk052U/s72-c/kickass1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/03/world-bends-over-for-kick-ass-april-16.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkYCR306eSp7ImA9WxBUFko.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-6625461609401632978</id><published>2010-03-03T17:59:00.000-08:00</published><updated>2010-03-03T18:36:06.311-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-03T18:36:06.311-08:00</app:edited><title>"Flashpoint" Season 2, Volume 1 - March 23</title><content type="html">&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S48VZtkVh2I/AAAAAAAAh94/s70vo64fkbA/s1600-h/Flashpoint_S2V1_CAN_f.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5444594005987133282" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 310px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S48VZtkVh2I/AAAAAAAAh94/s70vo64fkbA/s400/Flashpoint_S2V1_CAN_f.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Phase 4 Films will release the award-winning, Toronto-lensed cop TV series&lt;a href="https://www.amazon.ca/dp/B003439LOQ?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=B003439LOQ&amp;amp;adid=0QSB1DZHEP7MZDDCZQDT&amp;amp;"&gt;&lt;span style="color:#9999ff;"&gt; "Flashpoint" Season 2, Volume 1&lt;/span&gt;&lt;/a&gt; on DVD March 23, 2010.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S48V5c9WoXI/AAAAAAAAh-A/sFvCMPh0LuI/s1600-h/6jlw1h.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5444594551284474226" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 289px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S48V5c9WoXI/AAAAAAAAh-A/sFvCMPh0LuI/s400/6jlw1h.jpg" border="0" /&gt;&lt;/a&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;"...'The Strategic Response Unit' is a team of cops like no other - they're the elite, the blueblood of the force. High risk is their business, and life-and-death stakes are their world. The SRU team is also unique; they rescue hostages, bust gangs, defuse bombs, climb buildings, see through walls and talk down suicidal teens. It takes years on the street, intense physical conditioning and elite marksmanship to qualify for the SRU. They have to prove that they're at the top of their game on a daily basis - because if they're not, there are hundreds of others willing to step in and take their place. The team uses state-of-the-art equipment - sniper rifles, snake-cameras, robots, flash-bangs, night-vision and Tasers. But beyond all of the cool gadgetry, the most important weapons in their arsenal are human intuition, a gift for words and their ability to read emotion. Each team member is uniquely trained in negotiating, profiling and getting inside a subject's head. They stand out because of the rare balance between lethal hardware and people skills: pure muscle and pure intuition. They're the envy of law enforcement everywhere.The stakes are always high in Flashpoint -- only here, the lives of the men and women on the team are also always on the line. That's the nature of the job. The SRU may be heroes, but they are also human. At the end of the day, they each go home haunted by what they've seen, by what they've had to do - pursued by new demons which they cram into already bulging closets. They lock down emotion and they second-guess decisions made in the heat of the moment. These individuals are constant witnesses to the extremes of human distress. Not everyone is cut out for this.&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S48WzuVhz-I/AAAAAAAAh-I/nHtd1TyGvmw/s1600-h/the_cast_of_tv2_s_new_police_drama_flashpoint_phot_1654936275.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5444595552381685730" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 266px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S48WzuVhz-I/AAAAAAAAh-I/nHtd1TyGvmw/s400/the_cast_of_tv2_s_new_police_drama_flashpoint_phot_1654936275.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;"...If you're a cop, you're three times more likely to kill yourself than to be killed by a bad guy..."&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Click the images to enlarge and Sneak Peek "Flashpoint"...&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;object height="364" width="445"&gt;&lt;param name="movie" value="http://www.youtube.com/v/nffwuUsjsGs&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x5d1719&amp;amp;color2=0xcd311b&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/nffwuUsjsGs&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="445" height="364"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-6625461609401632978?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/2vpQTDdZdt_cWOZBRSWFZ3OSpck/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2vpQTDdZdt_cWOZBRSWFZ3OSpck/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/2vpQTDdZdt_cWOZBRSWFZ3OSpck/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2vpQTDdZdt_cWOZBRSWFZ3OSpck/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/hWHltj0haJw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/6625461609401632978/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/03/flashpoint-season-2-volume-1-march-23.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/6625461609401632978?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/6625461609401632978?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/hWHltj0haJw/flashpoint-season-2-volume-1-march-23.html" title="&quot;Flashpoint&quot; Season 2, Volume 1 - March 23" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S48VZtkVh2I/AAAAAAAAh94/s70vo64fkbA/s72-c/Flashpoint_S2V1_CAN_f.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/03/flashpoint-season-2-volume-1-march-23.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ak4MRH8zeCp7ImA9WxBUGEk.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-7827152208596212378</id><published>2010-03-03T01:04:00.000-08:00</published><updated>2010-03-05T20:16:25.180-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-05T20:16:25.180-08:00</app:edited><title>"Max Manus": Toronto Screening Ticket Give-Aaway- March 15</title><content type="html">&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S5AM-VnHI_I/AAAAAAAAh-Q/Zc3jwp4ZFAg/s1600-h/max-manus-poster.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5444866214583542770" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 282px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S5AM-VnHI_I/AAAAAAAAh-Q/Zc3jwp4ZFAg/s400/max-manus-poster.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;a href="http://www.torontofilm.net/"&gt;&lt;span style="color:#9999ff;"&gt;TorontoFilm.Net&lt;/span&gt; &lt;/a&gt;is giving away double ticket passes to a special screening of "Max Manus" in Toronto, Monday March 15 at 7PM @ AMC Yonge &amp;amp; Dundas.&lt;br /&gt;&lt;br /&gt;"Max Manus" opens in Toronto April 2.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S44kXCZw-rI/AAAAAAAAh8w/_bdeoLWF37M/s1600-h/max-manus-2008.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5444328977738037938" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S44kXCZw-rI/AAAAAAAAh8w/_bdeoLWF37M/s400/max-manus-2008.jpg" border="0" /&gt;&lt;/a&gt;&lt;em&gt;"...Based on a true story, 'Max Manus', follows 'Manus' (Aksel Hennie) from the outbreak of World War II until the summer of 1945. After fighting against the Russians during the Winter War in Finland, Manus returns to a German-occupied Norway. He joins the resistance movement and becomes one of the most important members of the so-called 'Oslo Gang', soon confirming his reputation for audacity by making two daring escapes from German captivity. One of the film’s most thrilling sequences is a detailed account of the sabotage techniques used to sink a heavily guarded German supply ship in Oslo harbour, an act that leads to severe retaliation from the local Gestapo leader, 'Siegfred Fehmer' (Ken Dunkun)..."&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;To get your free double-pass to see "Max Manus", go to Toronto's Filmfest DVD Rentals @ 405 Duplex Avenue, Toronto and tell them &lt;a href="http://www.torontofilm.net/"&gt;&lt;span style="color:#9999ff;"&gt;TorontoFilm.Net &lt;/span&gt;&lt;/a&gt;sent you.&lt;br /&gt;&lt;br /&gt;Click the images to enlarge and Sneak Peek "Max Manus"... &lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="580" height="360"&gt;&lt;param name="movie" value="http://www.youtube.com/v/s2BNI0S5jjw&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;hd=1&amp;border=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/s2BNI0S5jjw&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;hd=1&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-7827152208596212378?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/YLbAVjw_3gXTqWKsGF7JhZWA9Dk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YLbAVjw_3gXTqWKsGF7JhZWA9Dk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/YLbAVjw_3gXTqWKsGF7JhZWA9Dk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YLbAVjw_3gXTqWKsGF7JhZWA9Dk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/aL4ht8NPgkc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/7827152208596212378/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/03/max-manus-toronto-screening-ticket-give.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/7827152208596212378?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/7827152208596212378?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/aL4ht8NPgkc/max-manus-toronto-screening-ticket-give.html" title="&quot;Max Manus&quot;: Toronto Screening Ticket Give-Aaway- March 15" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S5AM-VnHI_I/AAAAAAAAh-Q/Zc3jwp4ZFAg/s72-c/max-manus-poster.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/03/max-manus-toronto-screening-ticket-give.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0MNQ3s8fSp7ImA9WxBUEEQ.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-1061344356606569252</id><published>2010-02-25T01:11:00.000-08:00</published><updated>2010-02-25T01:51:32.575-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-25T01:51:32.575-08:00</app:edited><title>Hamilton's Jones Leads ABC Primetime PIlot</title><content type="html">&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4ZAtK_5FtI/AAAAAAAAh4Q/j65DWnH8Xj0/s1600-h/jason%2520jones.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5442108344514451154" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 160px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4ZAtK_5FtI/AAAAAAAAh4Q/j65DWnH8Xj0/s400/jason%2520jones.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Hamilton, Ontario-born actor, comedian Jason Jones, currently a "Daily Show" TV 'correspondent' will play the lead in the ABC TV pilot "How to Be a Better American."&lt;br /&gt;&lt;br /&gt;Jones will portray a father "...on a journey to be a better person..."&lt;br /&gt;&lt;br /&gt;Jones has worked on Comedy Central's "The Daily Show With Jon Stewart" since 2005.&lt;br /&gt;&lt;br /&gt;Other "Daily Show" correspondents who have gone onto US primetime include Steve Carell and Ed Helms ("The Office"), Rob Corddry, ("The Winner") and Rob Riggle ("Team Spitz")...&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-1061344356606569252?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/t3nHZaJRGKEO1RFng-IomrVJhds/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/t3nHZaJRGKEO1RFng-IomrVJhds/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/t3nHZaJRGKEO1RFng-IomrVJhds/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/t3nHZaJRGKEO1RFng-IomrVJhds/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/KWBiJXltRQ8" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/1061344356606569252/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/hamiltons-jones-leads-abc-pilot.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/1061344356606569252?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/1061344356606569252?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/KWBiJXltRQ8/hamiltons-jones-leads-abc-pilot.html" title="Hamilton's Jones Leads ABC Primetime PIlot" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4ZAtK_5FtI/AAAAAAAAh4Q/j65DWnH8Xj0/s72-c/jason%2520jones.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/hamiltons-jones-leads-abc-pilot.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUIBRnw5eSp7ImA9WxBUEEs.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-5178793113866222426</id><published>2010-02-24T17:56:00.000-08:00</published><updated>2010-02-24T18:05:57.221-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-24T18:05:57.221-08:00</app:edited><title>York Sees A Future In "3D Flic"</title><content type="html">&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Toronto's York University reports they have raised over $1.4&lt;br /&gt;million in funding, including $436,000 from the Ontario Media Development Corporation, for "3D FLIC", a 2-year project in association with major film partners to explore 3D film production.&lt;br /&gt;&lt;br /&gt;Prof. Ali Kazimi will lead a team working with Cinespace Film Studios, 3D Camera Company, Starz Animation, Toronto and Saw VII Production Canada, in association with the Canadian Film Centre, to develop 3D film projects in conjunction with psychologists @ York's Centre for Vision Research.&lt;br /&gt;&lt;br /&gt;Purpose of the study is to create superior post-production technologies for 3D films, lensed in Ontario...&lt;/span&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-5178793113866222426?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/GZdeQ95uw9vm-mPWwP0fr4h9DKo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GZdeQ95uw9vm-mPWwP0fr4h9DKo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/GZdeQ95uw9vm-mPWwP0fr4h9DKo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GZdeQ95uw9vm-mPWwP0fr4h9DKo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/gDI_lWRi6wA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/5178793113866222426/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/york-sees-future-in-3d-flic.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/5178793113866222426?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/5178793113866222426?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/gDI_lWRi6wA/york-sees-future-in-3d-flic.html" title="York Sees A Future In &quot;3D Flic&quot;" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/york-sees-future-in-3d-flic.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0IBRnw_cCp7ImA9WxBVGE0.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-7036136164705744534</id><published>2010-02-21T18:25:00.001-08:00</published><updated>2010-02-21T18:25:57.248-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-21T18:25:57.248-08:00</app:edited><title>The World Bends Over For "Kick-Ass"</title><content type="html">&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4HpOaM-FmI/AAAAAAAAh2Q/Mzok0Yc3lqE/s1600-h/kick2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440886258601432674" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 175px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4HpOaM-FmI/AAAAAAAAh2Q/Mzok0Yc3lqE/s400/kick2.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Sneak Peek the new character posters for director Matthew Vaughn's upcoming comic book adaptation "Kick-Ass", opening April 16.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S4HpT71BWiI/AAAAAAAAh2Y/BM8cyQOSlBc/s1600-h/kick1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440886353527134754" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 127px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S4HpT71BWiI/AAAAAAAAh2Y/BM8cyQOSlBc/s400/kick1.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S4HpJg8irjI/AAAAAAAAh2I/lODLms_7mFI/s1600-h/kic3.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440886174512229938" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 127px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S4HpJg8irjI/AAAAAAAAh2I/lODLms_7mFI/s400/kic3.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S4HpCOV9OPI/AAAAAAAAh2A/I9if-hdMBwU/s1600-h/kick4.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440886049259469042" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 126px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S4HpCOV9OPI/AAAAAAAAh2A/I9if-hdMBwU/s400/kick4.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4Ho8hwUHpI/AAAAAAAAh14/JGGkTpKZHso/s1600-h/kick5.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440885951391080082" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 176px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4Ho8hwUHpI/AAAAAAAAh14/JGGkTpKZHso/s400/kick5.jpg" border="0" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4Ho21bP7kI/AAAAAAAAh1w/OaNRe-meoxg/s1600-h/kick6.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440885853592219202" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 126px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4Ho21bP7kI/AAAAAAAAh1w/OaNRe-meoxg/s400/kick6.jpg" border="0" /&gt;&lt;/a&gt; &lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/Syu3Bn7xUcI/AAAAAAAAd94/TWfcfy2hosE/s1600-h/kickassGAL.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5416624215370584514" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/Syu3Bn7xUcI/AAAAAAAAd94/TWfcfy2hosE/s400/kickassGAL.jpg" border="0" /&gt;&lt;/a&gt;January 2010, an international trailer of the film was slammed by family groups for its display of violence and use of the line&lt;i&gt; "OK you cunts, let's see what you can do now"&lt;/i&gt; delivered by actress Chloe Moretz, who was 12 at the time of filming.&lt;br /&gt;&lt;br /&gt;&lt;object height="360" width="580"&gt;&lt;param name="movie" value="http://www.youtube.com/v/MJdLKxDB4Hg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/MJdLKxDB4Hg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Australian Family Association spokesman John Morrissey claimed "the language offensive and the values inappropriate - without the saving grace of the bloodless victory of traditional superheroes".&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S2imAZwWdEI/AAAAAAAAgl0/BK39qwVkKBQ/s1600-h/kickass.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5433775476266398786" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S2imAZwWdEI/AAAAAAAAgl0/BK39qwVkKBQ/s400/kickass.jpg" border="0" /&gt;&lt;/a&gt;In response to the controversy, Ms. Moretz stated in an interview with MTV, "If I ever uttered one word that I said in 'Kick-Ass', I would be grounded for years! I'd be stuck in my room until I was 20! I would never in a million years say that. I'm an average, everyday girl."&lt;br /&gt;&lt;br /&gt;"Kick-Ass" is based on the 8-issue &lt;a href="https://www.amazon.ca/dp/0785134352?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=0785134352&amp;amp;adid=1KE35627FFYQRTJXCGE5&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#9999ff;"&gt;"Kick-Ass" comic book mini-series&lt;/span&gt;&lt;/a&gt; created by Mark "Wanted" Millar and John Romita Jr. following a superhero fan who decides to become a costumed crime-fighting vigilante. Along the way, he meets up with other vigilantes including 'Red Mist' and father-daughter team 'Big Daddy' and 'Hit Girl'.&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SyeFXYfs9CI/AAAAAAAAdnU/YVTAPrB5Wog/s1600-h/kicks.jpg"&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SxmLo_aN-jI/AAAAAAAAce4/wn6EkVcJrZM/s1600-h/kickass.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5411509963594791474" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SxmLo_aN-jI/AAAAAAAAce4/wn6EkVcJrZM/s400/kickass.jpg" border="0" /&gt;&lt;/a&gt;Visually, Vaughn wanted to make a bright and glossy film', "...so what happens in the film is shocking, not the style...", he said. "I just let the characters do the dark stuff and let the lighting be... I just thought it would be interesting to juxtapose the look and the action... "&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwRQtTe1RzI/AAAAAAAAba8/TVZvP3WpdI0/s1600/kickasspostermarbg.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405534192005367602" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwRQtTe1RzI/AAAAAAAAba8/TVZvP3WpdI0/s400/kickasspostermarbg.jpg" border="0" /&gt;&lt;/a&gt;Vaughn acquired film rights to &lt;a href="https://www.amazon.ca/dp/1848565348?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=1848565348&amp;amp;adid=0X34QPD90HMAVPF2HTXR&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#9999ff;"&gt;"Kick-Ass"&lt;/span&gt;&lt;/a&gt; for his Marv Films, when the&lt;a href="https://www.amazon.ca/dp/1848564090?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=1848564090&amp;amp;adid=146SS4E9DE2SHDYVTF4P&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#9999ff;"&gt; KA comic&lt;/span&gt;&lt;/a&gt; book debuted February 2008. He then financed the film independently after "every studio turned it down".&lt;br /&gt;&lt;br /&gt;"Kick-Ass" is co-produced by Brad Pitt, Dede Gardner and Jeremy Kleiner for Plan B.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwWgxeNUj_I/AAAAAAAAbgE/0Jhk1Yt7V5Q/s1600/KickThe_Movie.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405903699511119858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 305px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwWgxeNUj_I/AAAAAAAAbgE/0Jhk1Yt7V5Q/s400/KickThe_Movie.jpg" border="0" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Premise of &lt;/span&gt;&lt;a href="http://www.amazon.ca/dp/1848564090?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=1848564090&amp;amp;adid=0DEE4B92TK6ZM24BRV60&amp;amp;"&gt;&lt;span style="color:#9999ff;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"Kick-Ass"&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt; follows 'Dave Lizewski', a New York City high school student, who takes an interest in comic books as his cue to become a vigilante hero,&lt;/span&gt; a&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;ssembling a suit and mask, worn under his normal clothing.&lt;/strong&gt;&lt;/span&gt; &lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;His first attempt at fighting crime results in Dave being overpowered, then hit by a car. &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;But determined to retain his secret identity, he hides his costume before paramedics arrive.&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/SwWfnQT9nHI/AAAAAAAAbf8/OK5jWXXukPA/s1600/kickassmoviebook.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405902424470559858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 313px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/SwWfnQT9nHI/AAAAAAAAbf8/OK5jWXXukPA/s400/kickassmoviebook.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Dave tells his father he was mugged, before undergoing four operations followed by intense physical rehabilitation. Weeks later, bruised but undaunted, Dave tosses his crutches, dons his costume and takes off again for 'patrol'.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SzD4838xCDI/AAAAAAAAeS0/u1eN8tSMLmg/s1600-h/mm.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5418104076421367858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 308px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SzD4838xCDI/AAAAAAAAeS0/u1eN8tSMLmg/s400/mm.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;After saving a man in need of assistance, an onlooker films the scene on a cellphone camera and uploads it to YouTube, turning Dave Lizewski into an instant media sensation called 'Kick-Ass'.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SwRRepLuLEI/AAAAAAAAbbM/7lZQQZUrsMM/s1600/664021-kick_ass__001_super.jpg"&gt;&lt;span style="font-size:130%;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405535039644380226" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 258px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SwRRepLuLEI/AAAAAAAAbbM/7lZQQZUrsMM/s400/664021-kick_ass__001_super.jpg" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;The $70 million comic book adaptation will be released by Lionsgate April 16, 2010.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;Click the images to enlarge and Sneak Peek&lt;a href="https://www.amazon.ca/dp/0785134352?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=0785134352&amp;amp;adid=0VSJTWEJS6CQWBZYF2DW&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#33ff33;"&gt; "Kick-Ass&lt;/span&gt;&lt;/a&gt;"...&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;object height="360" width="580"&gt;&lt;param name="movie" value="http://www.youtube.com/v/VMyNCaTEXMM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/VMyNCaTEXMM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-7036136164705744534?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DJSkapkUIPT97NAXDc929_nfibg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DJSkapkUIPT97NAXDc929_nfibg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DJSkapkUIPT97NAXDc929_nfibg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DJSkapkUIPT97NAXDc929_nfibg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/oS_5_ubUOh4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/7036136164705744534/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/world-bends-over-for-kick-ass.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/7036136164705744534?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/7036136164705744534?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/oS_5_ubUOh4/world-bends-over-for-kick-ass.html" title="The World Bends Over For &quot;Kick-Ass&quot;" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4HpOaM-FmI/AAAAAAAAh2Q/Mzok0Yc3lqE/s72-c/kick2.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/world-bends-over-for-kick-ass.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkMGR3czcSp7ImA9WxBVF0o.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-3483311325012125447</id><published>2010-02-21T01:21:00.001-08:00</published><updated>2010-02-21T08:40:26.989-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-21T08:40:26.989-08:00</app:edited><title>"Female Eye Film Festival"- March 24 to 28</title><content type="html">&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S4D4MUT9STI/AAAAAAAAhyk/2YoPPIxtOZY/s1600-h/160x600-vert.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440621240358095154" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 107px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S4D4MUT9STI/AAAAAAAAhyk/2YoPPIxtOZY/s400/160x600-vert.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Toronto's &lt;a href="http://www.femaleeyefilmfestival.com./"&gt;&lt;span style="color:#9999ff;"&gt;"Female Eye Film Festival",&lt;/span&gt; &lt;/a&gt;March 24– 28, continues to present films by emerging and established women directors.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4D4kl4lOPI/AAAAAAAAhys/EjO5sJxVx3Y/s1600-h/twilight.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440621657391970546" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S4D4kl4lOPI/AAAAAAAAhys/EjO5sJxVx3Y/s400/twilight.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;This year, the FeFF launches its 'Female Eye – An Intimate Conversation With The Best in The Biz' series, with an interview/tribute to Catherine Hardwicke ("Twilight"), Sunday, March 28th from 12:00- 2:00 PM at the Novotel Toronto Centre, 45 The Esplanade.&lt;br /&gt;&lt;br /&gt;Hardwicke will be the first foreign recipient of the '2010 Female Eye Honourary Director Award'. &lt;/span&gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4D5bMtU_5I/AAAAAAAAhy8/i7ktD1B3oLM/s1600-h/lords.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440622595526688658" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 269px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4D5bMtU_5I/AAAAAAAAhy8/i7ktD1B3oLM/s400/lords.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;"...As a storyteller, Catherine Hardwicke is drawn to emotion-driven, often edgy material. Her ability to portray the subtleties of teenage life brings realism to both her independent and commercial films. Ms. Hardwicke is widely recognized for bringing the first installment of the ‘Twilight’ saga to the big screen with huge success and praise..." &lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440622158743726546" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 269px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4D5BxkJ6dI/AAAAAAAAhy0/ujphEaTIZ2w/s400/thirteen.jpg" border="0" /&gt;Hardwicke debuted as a feature film writer/director with "Thirteen", a graphic look at the lives of teens as they discover drugs, sex, and petty crime. She is currently developing "Red Riding Hood", a gothic retelling of the Brothers Grimm story, based on an idea by actor Leonardo DiCaprio.&lt;br /&gt;&lt;br /&gt;The tribute to Hardwicke will be moderated by Carol Whiteman President &amp;amp; CEO, Creative Women Workshops Association and Producer of Canada’s Women In the Director’s Chair program.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4D6ZIuYejI/AAAAAAAAhzE/3frf0I9H6E0/s1600-h/nativity.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440623659609258546" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4D6ZIuYejI/AAAAAAAAhzE/3frf0I9H6E0/s400/nativity.jpg" border="0" /&gt;&lt;/a&gt;"The rise of Catherine’s directing star starting with 'Thirteen', 'The Nativity' and 'Lords of Dogtown', not to mention the tsunamic impact of 'Twilight', make her an absolutely inspiring Honourary Director for this year’s Festival," said Whiteman.&lt;br /&gt;&lt;br /&gt;Past award recipients include Deepa Mehta (2005), Anne Marie Fleming (2006), Kari Skogland (2008) and Patricia Rozema (2009).&lt;br /&gt;&lt;br /&gt;“Thank you, Female Eye Film Festival, for honouring me with this award," said Hardwicke.&lt;br /&gt;&lt;br /&gt;"It's such a privilege to be a part of a festival that recognizes what all the women filmmakers around the world have to offer. Looking forward to chilling with my northern sisters!”&lt;br /&gt;&lt;br /&gt;Now in its eighth year, the Female Eye Film Festival (FeFF) will also offer a selection of films, panel discussions, workshops, a Script Development Program, Script Readings and galas.&lt;br /&gt;&lt;br /&gt;Screenings will take place at the Rainbow Cinemas Market Square, 80 Front Street East, with hotel partner Novotel Toronto Centre, hosting all panel discussions, workshops and award ceremonies....&lt;/span&gt;&lt;/strong&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-3483311325012125447?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Cv4z9c852AzMmrValjNd_oyR5F0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Cv4z9c852AzMmrValjNd_oyR5F0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Cv4z9c852AzMmrValjNd_oyR5F0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Cv4z9c852AzMmrValjNd_oyR5F0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/frqZ7I-m0Ww" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/3483311325012125447/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/female-eye-film-festival-march-24-to-28.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3483311325012125447?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3483311325012125447?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/frqZ7I-m0Ww/female-eye-film-festival-march-24-to-28.html" title="&quot;Female Eye Film Festival&quot;- March 24 to 28" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S4D4MUT9STI/AAAAAAAAhyk/2YoPPIxtOZY/s72-c/160x600-vert.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/female-eye-film-festival-march-24-to-28.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0cAQng7cSp7ImA9WxBVF0k.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-2898307345997376129</id><published>2010-02-21T00:12:00.000-08:00</published><updated>2010-02-21T00:30:43.609-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-21T00:30:43.609-08:00</app:edited><title>Telefilm Wants US Stars For Canadian Films</title><content type="html">&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4DqeKZA5EI/AAAAAAAAhyc/XZS3JIsqXjI/s1600-h/logo-tfilm.png"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440606153769804866" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 180px; CURSOR: hand; HEIGHT: 73px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4DqeKZA5EI/AAAAAAAAhyc/XZS3JIsqXjI/s400/logo-tfilm.png" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;span style="font-size:130%;"&gt;According to reports, ﻿Michel Roy, head of Canada's federal film agency Telefilm, is urging the Conservative government to ease restrictions allowing foreign film actors to appear in publicly-funded movies.&lt;br /&gt;&lt;br /&gt;Current tax rules require the lead actor or second lead to be Canadian.&lt;br /&gt;&lt;br /&gt;Roy said he believes more US movie stars would help Canadian movies at the box office, especially English Canadian features, which accounted for only one per cent of Canadian box office receipts in 2009.&lt;br /&gt;&lt;br /&gt;"We need to make changes," Roy said. "In order to make those changes we will have to dare to do new things that at times might shock some people."&lt;br /&gt;&lt;br /&gt;Roy says Telefilm, which has invested nearly a billion dollars into the domestic industry since 2000, has been holding discussions with officials at Heritage Canada.&lt;br /&gt;&lt;br /&gt;Meanwhile Canadian leading actors, including Ryan Reynolds ("The Green Lantern") and Seth Rogen ("The Green Hornet"), continue to dominate in US films, which leads to speculation that it may not be the 'stars' of films that attract audiences, but rather universal themes and stories.&lt;br /&gt;&lt;br /&gt;Expect ACTRA, the Canadian film actors union, that has been lobbying the industry for more 'Canadian' stories, to go ape over Roy's new recommendations...&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-2898307345997376129?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vI08hl8Vd5GANuGfN1_c8CICOec/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vI08hl8Vd5GANuGfN1_c8CICOec/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vI08hl8Vd5GANuGfN1_c8CICOec/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vI08hl8Vd5GANuGfN1_c8CICOec/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/z4eva9F9f3s" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/2898307345997376129/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/telefilm-wants-us-stars-for-canadian.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/2898307345997376129?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/2898307345997376129?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/z4eva9F9f3s/telefilm-wants-us-stars-for-canadian.html" title="Telefilm Wants US Stars For Canadian Films" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S4DqeKZA5EI/AAAAAAAAhyc/XZS3JIsqXjI/s72-c/logo-tfilm.png" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/telefilm-wants-us-stars-for-canadian.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0AFQ34zfSp7ImA9WxBVFkk.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-5940664959819887484</id><published>2010-02-19T23:08:00.001-08:00</published><updated>2010-02-19T23:08:32.085-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-19T23:08:32.085-08:00</app:edited><title>Shaw Moves On Canwest Global</title><content type="html">&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3-KIERvc6I/AAAAAAAAhx0/c0CGtwW1YVw/s1600-h/shaw.gif"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440218746078589858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 178px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3-KIERvc6I/AAAAAAAAhx0/c0CGtwW1YVw/s400/shaw.gif" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;An Ontario provincial court overseeing restructuring of Canwest Global has confirmed its approval of a takeover bid for the company by Shaw Communications. The investment still requires approval by several groups including Canwest creditors, the CRTC and US investment bank Goldman Sachs, a partner with Canwest on special channel assets.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3-J4Ey_GtI/AAAAAAAAhxs/A4-M_RI8zwM/s1600-h/canwest_logo.png"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440218471340120786" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 236px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3-J4Ey_GtI/AAAAAAAAhxs/A4-M_RI8zwM/s400/canwest_logo.png" border="0" /&gt;&lt;/a&gt;Shaw plans to own 20 per cent of Canwest's equity and 80 per cent of its voting stock, with Canwest remaining a standalone company. Shaw would acquire 11 local TV stations across Canada, as well as ownership of specialty channels Showcase, MovieTime and HGTV.&lt;br /&gt;&lt;br /&gt;Winnipeg-based Canwest owes billions of dollars to creditors, operating under court supervision since 2009...&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-5940664959819887484?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lpXv0mxcKSkm3TF_HBCw2a4qt9k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lpXv0mxcKSkm3TF_HBCw2a4qt9k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lpXv0mxcKSkm3TF_HBCw2a4qt9k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lpXv0mxcKSkm3TF_HBCw2a4qt9k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/hOnFKtipBq8" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/5940664959819887484/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/shaw-moves-on-canwest-global.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/5940664959819887484?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/5940664959819887484?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/hOnFKtipBq8/shaw-moves-on-canwest-global.html" title="Shaw Moves On Canwest Global" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3-KIERvc6I/AAAAAAAAhx0/c0CGtwW1YVw/s72-c/shaw.gif" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/shaw-moves-on-canwest-global.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkYNSH4-cSp7ImA9WxBVGUU.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-3991628164149379875</id><published>2010-02-19T14:20:00.001-08:00</published><updated>2010-02-23T20:03:19.059-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-23T20:03:19.059-08:00</app:edited><title>"The Red Baron" Flys Into Toronto March 12</title><content type="html">&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S38JGAewx4I/AAAAAAAAhxM/A6U1DioR_yw/s1600-h/red-baron-movie-poster-01.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440076873699739522" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 278px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S38JGAewx4I/AAAAAAAAhxM/A6U1DioR_yw/s400/red-baron-movie-poster-01.jpg" border="0" /&gt;&lt;/a&gt; &lt;strong&gt;&lt;span style="font-size:130%;"&gt;Monterey Media and Video Service Corp., present "The Red Baron", written/directed by Nikolai Muellerschoen, opening theatrically in Toronto, March 12.&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S38NkbViVhI/AAAAAAAAhxk/_N30ps2fb_k/s1600-h/til.bmp"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440081794351388178" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 265px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S38NkbViVhI/AAAAAAAAhxk/_N30ps2fb_k/s400/til.bmp" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;The action adventure, filmed in English, stars Matthias Schweighöfer as WWI German flying ace 'Manfred von Richthofen', aka 'The Red Baron", Til Schweiger as 'Lieutenant Voss', Lena Headey as 'Käte', Joseph Fiennes as Allied Forces’ Canadian pilot 'Captain Roy Brown'.&lt;br /&gt;&lt;br /&gt;"The Red Baron" is produced by Dan Maag, Thomas Reisser and Nikolai Muellerschoen.&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S38MUOGLm8I/AAAAAAAAhxU/c_swPQG-4Xc/s1600-h/RED_BARON.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440080416407788482" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 381px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S38MUOGLm8I/AAAAAAAAhxU/c_swPQG-4Xc/s400/RED_BARON.jpg" border="0" /&gt;&lt;/a&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;"...'Baron Manfred von Richthofen' is, at the age of 24, the crack pilot of the German aerial combat forces – a legend in his own time, a hero at home and a man both feared and respected by the enemy. &lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Von Richthofen and his fellow officers see their duels in the sky as tactical, almost sportsmanlike, challenges that, at least at first, obscure their view of the horrors of the battlefields below. For millions of his countrymen, he becomes an idol, a symbol of hope and pride. But the German high command increasingly misuses him for propaganda purposes – until the young pilot falls in love with a beautiful and resolute nurse who opens his eyes and von Richthofen finally becomes aware of his role in a senseless and barbarous war.&lt;/span&gt;&lt;/strong&gt; &lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;/em&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S38Mq0NER-I/AAAAAAAAhxc/8FNZcW0kdFo/s1600-h/Scene-from-The-Red-Baron--001.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5440080804594337762" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S38Mq0NER-I/AAAAAAAAhxc/8FNZcW0kdFo/s400/Scene-from-The-Red-Baron--001.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;"Despite heavy losses in his squadron while torn between his disgust for the war and his responsibility to his fighter wing, von Richthofen cannot stop flying. Even for this living legend, each new combat mission could be his last… "&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;"The Red Baron" on DVD, through VSC on June 1st.&lt;br /&gt;&lt;br /&gt;Click the images to enlarge and Sneak Peek "The Red Baron"...&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;object height="364" width="445"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LoVUU3b3S7M&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x5d1719&amp;amp;color2=0xcd311b&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/LoVUU3b3S7M&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;hd=1&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="445" height="364"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-3991628164149379875?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/oJUYq6bi6MKswE56nXWpFVp7uRU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oJUYq6bi6MKswE56nXWpFVp7uRU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/oJUYq6bi6MKswE56nXWpFVp7uRU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oJUYq6bi6MKswE56nXWpFVp7uRU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/3KBuQA1jSic" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/3991628164149379875/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/red-baron-flys-into-toronto-march-12.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3991628164149379875?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3991628164149379875?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/3KBuQA1jSic/red-baron-flys-into-toronto-march-12.html" title="&quot;The Red Baron&quot; Flys Into Toronto March 12" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S38JGAewx4I/AAAAAAAAhxM/A6U1DioR_yw/s72-c/red-baron-movie-poster-01.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/red-baron-flys-into-toronto-march-12.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEMBQHk_eCp7ImA9WxBVFU8.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-1787236546741478750</id><published>2010-02-18T11:47:00.001-08:00</published><updated>2010-02-18T11:47:31.740-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-18T11:47:31.740-08:00</app:edited><title>OMDC Says Ontario Filming On The Rise</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S32YsKtUIpI/AAAAAAAAhwU/9o7-5LXQBbM/s1600-h/00000015-logo.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 150px; height: 150px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S32YsKtUIpI/AAAAAAAAhwU/9o7-5LXQBbM/s400/00000015-logo.gif" border="0" alt="" id="BLOGGER_PHOTO_ID_5439671809489511058" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;According to the Ontario Media Development Corp. &lt;a href="http://www.omdc.on.ca/"&gt;&lt;span class="Apple-style-span"  style="color:#9999FF;"&gt;(OMDC),&lt;/span&gt;&lt;/a&gt;Ontario film and TV production activity rose 41% from 2008 to 2009, contributing C$946.4 million ($904 million) to the Canadian province's economy.&lt;br /&gt;&lt;br /&gt;The Ontario Liberal's 25% tax credit took effect June 2009 and expanded to cover eligible costs beyond labour, contributing to a 114% increase in total foreign spending ($139 million).  Foreign feature spending increased from $75.5 million to $154.5 million, with foreign TV series rising from $15.3 million in 2008 to $55.4 million in 2009.&lt;br /&gt;&lt;br /&gt;"Despite economic challenges and a strong Canadian dollar, Ontario has consistently demonstrated it has the right mix of government support, financial incentives, world-class infrastructure, superb talent and skills and diverse locations to attract outstanding foreign and domestic productions," said OMDC president/CEO Karen Thorne-Stone said.&lt;br /&gt;&lt;br /&gt;"Early indications point to 2010 being another strong year..."&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-1787236546741478750?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/dt4AH4aruWBl9mcc-yJLzbfKlPw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dt4AH4aruWBl9mcc-yJLzbfKlPw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/dt4AH4aruWBl9mcc-yJLzbfKlPw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dt4AH4aruWBl9mcc-yJLzbfKlPw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/GeP41Ko8nxI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/1787236546741478750/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/omdc-says-ontario-filming-on-rise.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/1787236546741478750?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/1787236546741478750?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/GeP41Ko8nxI/omdc-says-ontario-filming-on-rise.html" title="OMDC Says Ontario Filming On The Rise" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S32YsKtUIpI/AAAAAAAAhwU/9o7-5LXQBbM/s72-c/00000015-logo.gif" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/omdc-says-ontario-filming-on-rise.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0EDSH49fip7ImA9WxBVE04.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-7370496753456567366</id><published>2010-02-16T07:54:00.001-08:00</published><updated>2010-02-16T07:54:39.066-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-16T07:54:39.066-08:00</app:edited><title>"Family Guy": Going Mobile</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S3q5tU_h9FI/AAAAAAAAhlA/0NDyBbERes8/s1600-h/FamilyGuyMobileMain.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 193px;" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S3q5tU_h9FI/AAAAAAAAhlA/0NDyBbERes8/s400/FamilyGuyMobileMain.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5438863688383722578" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Canwest reports that 100 'specialized' video clips of Global’s "Family Guy" have been optimized for mobile phones for the first time in Canada . Available to consumers, courtesy SUBWAY restaurants, the clips feature the 'Griffin' clan and can be accessed by texting &lt;i&gt;“Stewie” to 456225. &lt;/i&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;The one to two minute video clips are available now through April 28, 2010. &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Global has presented the best of clips, organized into 11 categories including “Stewie World Domination” and “Everyone Hates Meg”.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3q7ZvGyrwI/AAAAAAAAhlQ/WYE1wmnRtqQ/s1600-h/securedownload+(1).jpg"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3q7ZvGyrwI/AAAAAAAAhlQ/WYE1wmnRtqQ/s1600-h/securedownload+(1).jpg"&gt;&lt;img style="text-align: left;display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; cursor: pointer; width: 240px; height: 94px; " src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3q7ZvGyrwI/AAAAAAAAhlQ/WYE1wmnRtqQ/s400/securedownload+(1).jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5438865550819372802" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"Canadians are loyal 'Family Guy' fans, and this was an opportunity to partner with SUBWAY to deliver exclusive show content right in the palm of their hands,” said Paul Burns, VP, Digital Medial, Canwest Broadcasting. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"With this initiative we are able to engage and entertain in a format that’s easily accessible..."&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3q8aWDkMQI/AAAAAAAAhlg/u7x1z0Spz9Q/s1600-h/2547271.bin.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 301px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3q8aWDkMQI/AAAAAAAAhlg/u7x1z0Spz9Q/s400/2547271.bin.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5438866660786450690" /&gt;&lt;/a&gt;Targeted to the series fan base, the multiplatform promotional campaign started January 28 on TVTropolis, continuing on Global Television and online @ &lt;/span&gt;&lt;a href="http://www.globaltv.com/"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#9999FF;"&gt;GlobalTV.com.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3q8nkmTt3I/AAAAAAAAhlo/UuUiR5n_hs8/s1600-h/2547264.bin.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3q8nkmTt3I/AAAAAAAAhlo/UuUiR5n_hs8/s400/2547264.bin.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5438866888028567410" /&gt;&lt;/a&gt;"SUBWAY restaurants and all of our franchisees are excited to be teaming up with Canwest Broadcasting to bring this innovative offering to Canada," said Chuck Roy, Chairman, SUBWAY Canadian Operators Marketing Board.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3q9BKOrHmI/AAAAAAAAhlw/yz1a1FB2BNI/s1600-h/2285951.bin.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 301px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3q9BKOrHmI/AAAAAAAAhlw/yz1a1FB2BNI/s400/2285951.bin.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5438867327626714722" /&gt;&lt;/a&gt;"We are always looking for new and unique ways to engage with our customers..."&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-7370496753456567366?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/bBaF_pRRdeYyzuWyxLYo9rMtyFY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bBaF_pRRdeYyzuWyxLYo9rMtyFY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/bBaF_pRRdeYyzuWyxLYo9rMtyFY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bBaF_pRRdeYyzuWyxLYo9rMtyFY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/YINJ21AO2Uc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/7370496753456567366/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/family-guy-going-mobile.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/7370496753456567366?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/7370496753456567366?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/YINJ21AO2Uc/family-guy-going-mobile.html" title="&quot;Family Guy&quot;: Going Mobile" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S3q5tU_h9FI/AAAAAAAAhlA/0NDyBbERes8/s72-c/FamilyGuyMobileMain.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/family-guy-going-mobile.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEIBQXY7eip7ImA9WxBVE04.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-687401326492316050</id><published>2010-02-16T06:40:00.000-08:00</published><updated>2010-02-16T08:09:10.802-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-16T08:09:10.802-08:00</app:edited><title>"Red" Shoots Up Downtown Toronto</title><content type="html">&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SuPO5vFIVUI/AAAAAAAAabg/9QFZcWurcEM/s1600-h/red_comic_book.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5396384269805835586" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 262px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SuPO5vFIVUI/AAAAAAAAabg/9QFZcWurcEM/s400/red_comic_book.jpg" border="0" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Summit Entertainment's Toronto-lensed comic book adaptation &lt;a href="https://www.amazon.ca/dp/140122346X?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=140122346X&amp;amp;adid=101VKQHDW76971D7RGNV&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#FF0000;"&gt;"Red"&lt;/span&gt;&lt;/a&gt;, starring Bruce Willis and John Malkovich, will be shooting interior scenes in the Toronto Parking Authority parking garage, @ 2 Church Street between 5PM and 6AM, February 17, 18, 19, 22, 23 and 24.&lt;br /&gt;&lt;br /&gt;The nighttime filming, involving 'loud simulated gunfire', will also include a scene February 22, involving emrgency vehicles approaching the garage southbound on Church Street from Front Street.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S3qxh3ALGQI/AAAAAAAAhk4/_BFcT6e58ys/s1600-h/warren-ellis-red1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 283px;" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S3qxh3ALGQI/AAAAAAAAhk4/_BFcT6e58ys/s400/warren-ellis-red1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5438854695261772034" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"Red" is an adaptation of DC Comics graphic novel of the same name by author Warren Ellis.&lt;br /&gt;&lt;br /&gt;Cast also includes Mary-Louise Parker, Academy Award-winners Helen Mirren and Morgan Freeman, Karl Urban, Brian Cox, Richard Dreyfuss, Ernest Borgnine, Julian McMahon, James Remar and Rebecca Pidgeon.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"...Red is the story of 'Frank Moses' (Willis), a former black-ops CIA agent, who is now living a quiet life. That is, until the day a hi-tech assassin shows up intent on killing him. With his identity compromised and the life of the woman he cares for, Sarah (Parker), endangered, Frank reassembles his old team (Freeman, Malkovich and Mirren) in a last ditch effort to survive..."&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1TZvakfezI/AAAAAAAAfnc/SAJCEkDUIG0/s1600-h/red.GIF"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 258px; height: 400px;" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1TZvakfezI/AAAAAAAAfnc/SAJCEkDUIG0/s400/red.GIF" border="0" alt="" id="BLOGGER_PHOTO_ID_5428202859497749298" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Directed by Robert Schwentke ("The Time Traveler's Wife") from a screenplay by Jon Hoeber and Erich Hoeber ("Whiteout"), the film is produced by di Bonaventura Pictures' Lorenzo di Bonaventura and Mark Vahradian ("Transformers: Revenge of the Fallen"). Executive producers are Jake Myers ("Hollywoodland"") and Gregory Noveck ("Jonah Hex"). Di Bonaventura Pictures' production exec David Ready is co-producer.&lt;br /&gt;&lt;br /&gt;Red reunites Schwentke with DP Florian Ballhaus ("Marley &amp;amp; Me") and Oscar-winning film editor Thom Noble ("Thelma &amp;amp; Louise") . &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SuPPx5t3h7I/AAAAAAAAabo/LqQiT4aRlNM/s1600-h/z043009willis_red.jpg"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5396385234733729714" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 273px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SuPPx5t3h7I/AAAAAAAAabo/LqQiT4aRlNM/s400/z043009willis_red.jpg" border="0" /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;a href="https://www.amazon.ca/dp/140122346X?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=140122346X&amp;amp;adid=101VKQHDW76971D7RGNV&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#9999FF;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="https://www.amazon.ca/dp/140122346X?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=140122346X&amp;amp;adid=101VKQHDW76971D7RGNV&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#9999FF;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Red"&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt; will continue shooting in and around the metro Toronto area for nine weeks before moving to New Orleans, late March for the final two weeks of principal photography.&lt;br /&gt;&lt;br /&gt;The film is scheduled for worldwide release, October 22, 2010....&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-687401326492316050?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ht4tWQtrqgSW25h-r4JpQDdB0I0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ht4tWQtrqgSW25h-r4JpQDdB0I0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ht4tWQtrqgSW25h-r4JpQDdB0I0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ht4tWQtrqgSW25h-r4JpQDdB0I0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/-jFNK7JFUGM" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/687401326492316050/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/exclusive-red-shoots-up-downtown.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/687401326492316050?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/687401326492316050?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/-jFNK7JFUGM/exclusive-red-shoots-up-downtown.html" title="&quot;Red&quot; Shoots Up Downtown Toronto" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SuPO5vFIVUI/AAAAAAAAabg/9QFZcWurcEM/s72-c/red_comic_book.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/exclusive-red-shoots-up-downtown.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEAGSHg9eSp7ImA9WxBVEEU.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-2706908814475316704</id><published>2010-02-13T09:24:00.001-08:00</published><updated>2010-02-13T09:38:49.661-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-13T09:38:49.661-08:00</app:edited><title>Silver Takes A Slice Of "Splice"</title><content type="html">&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SxhJ4JZEgVI/AAAAAAAAcco/88E7QPXGyVI/s1600-h/splice.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5411156181228224850" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 310px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SxhJ4JZEgVI/AAAAAAAAcco/88E7QPXGyVI/s400/splice.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;strong&gt;The Toronto-lensed horror feature "Splice", directed by Vincenzo Natali, picked up a distribution deal with Joel "Lethal Weapon" Silver and his Warners-based Dark Castle label, after the &lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;strong&gt;North American debut of the France-Canadian co-production @ the 2010&lt;a href="http://www.sneakpeek.ca/2009/12/canadian-splice-screening-sundance.html"&gt;&lt;span class="Apple-style-span"  style="color:#CCCCFF;"&gt; &lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;a href="http://www.sneakpeek.ca/2009/12/canadian-splice-screening-sundance.html"&gt;&lt;span class="Apple-style-span"  style="color:#CCCCFF;"&gt;Sundance Film Festival,&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.sneakpeek.ca/2009/12/sundance-film-festival-january-21-31.html"&gt; &lt;/a&gt;in the 'Park City At Midnight' program.&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;strong&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3bdPo4XpWI/AAAAAAAAhZE/D_tdAFBtvJY/s1600-h/9bf31c7ff062936a96d3c8bd1f8f2ff3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 396px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3bdPo4XpWI/AAAAAAAAhZE/D_tdAFBtvJY/s400/9bf31c7ff062936a96d3c8bd1f8f2ff3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5437776860838077794" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Filmed in Toronto at Black Creek Pioneer Village, Cinespace Film Studios and York University, "Splice" follows 'Elsa' and 'Clive', two young scientists, who defy legal and ethical boundaries, by splicing together human and animal DNA to create a hybrid organism.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3bbM4UZB4I/AAAAAAAAhY8/b8fs-CxdjpI/s1600-h/5737c6ec2e0716f3d8a7a5c4e0de0d9a.jpg"&gt;&lt;img style="text-align: left;display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; cursor: pointer; width: 400px; height: 207px; " src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S3bbM4UZB4I/AAAAAAAAhY8/b8fs-CxdjpI/s400/5737c6ec2e0716f3d8a7a5c4e0de0d9a.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5437774614419277698" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Named 'Dren', the creature develops from a deformed female into a beautiful winged chimera, forging a bond with both creators.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3baof5gByI/AAAAAAAAhY0/ZT-Uj0unciw/s1600-h/natalie-splice-movie-2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 337px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3baof5gByI/AAAAAAAAhY0/ZT-Uj0unciw/s400/natalie-splice-movie-2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5437773989388748578" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"Splice" will be released theatrically this summer on 3,000 screens with additonal marketing support, budgeted between $25-40 million.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3bd3RZqeJI/AAAAAAAAhZM/fYcdQSEBJ3E/s1600-h/splice3-1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 263px; height: 400px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3bd3RZqeJI/AAAAAAAAhZM/fYcdQSEBJ3E/s400/splice3-1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5437777541730039954" /&gt;&lt;/a&gt;Dark Castle is optimistic that the genetic mutation thriller will be the next box-office busting&lt;a href="https://www.amazon.ca/dp/B002VKE0XA?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=B002VKE0XA&amp;amp;adid=0RMGJQ79MNJ1R8B8FAQR&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#99FF99;"&gt; "Paranormal Activity".&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3bZ54UcuuI/AAAAAAAAhYk/jeFUcEop8Z8/s1600-h/SPLICEMOAR.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3bZ54UcuuI/AAAAAAAAhYk/jeFUcEop8Z8/s400/SPLICEMOAR.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5437773188490377954" /&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Click the images to enlarge and Sneak Peek "Splice"...&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/b&gt;&lt;br /&gt;&lt;object width="580" height="360"&gt;&lt;param name="movie" value="http://www.youtube.com/v/6GBWU6RjiLM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x5d1719&amp;amp;color2=0xcd311b&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/6GBWU6RjiLM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x5d1719&amp;amp;color2=0xcd311b&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;object width="580" height="360"&gt;&lt;param name="movie" value="http://www.youtube.com/v/kXsMh1QVPn8&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x5d1719&amp;amp;color2=0xcd311b&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/kXsMh1QVPn8&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x5d1719&amp;amp;color2=0xcd311b&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-2706908814475316704?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/9GGSzEPbgr01HrBqc6RBJ6SAQCA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9GGSzEPbgr01HrBqc6RBJ6SAQCA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/9GGSzEPbgr01HrBqc6RBJ6SAQCA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9GGSzEPbgr01HrBqc6RBJ6SAQCA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/Ol4bP1h9aL0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/2706908814475316704/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/silver-takes-cut-of-splice.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/2706908814475316704?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/2706908814475316704?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/Ol4bP1h9aL0/silver-takes-cut-of-splice.html" title="Silver Takes A Slice Of &quot;Splice&quot;" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SxhJ4JZEgVI/AAAAAAAAcco/88E7QPXGyVI/s72-c/splice.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/silver-takes-cut-of-splice.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEcMRXY6eSp7ImA9WxBWGE8.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-6587255103022490587</id><published>2010-02-10T08:58:00.000-08:00</published><updated>2010-02-10T09:14:44.811-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-10T09:14:44.811-08:00</app:edited><title>FreeHD Canada Wins CRTC Approval</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3LpXdLsIaI/AAAAAAAAhJM/CASC2wOCO-Q/s1600-h/crtc-logo-2008.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 182px; height: 182px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3LpXdLsIaI/AAAAAAAAhJM/CASC2wOCO-Q/s400/crtc-logo-2008.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5436664289369530786" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;a href="http://www.freehdcanada.ca/"&gt;&lt;span class="Apple-style-span"  style="color:#9999FF;"&gt;FreeHD Canada,&lt;/span&gt;&lt;/a&gt; a new high def satellite TV service has has won limited approval  by the Canadian Radio-television and Telecommunications Commission (CRTC) to offer TV channels in HD for free.&lt;br /&gt;&lt;br /&gt;FreeHD says they will be able to provide more than 200 channels of superior picture quality HD into consumer homes via a small inexpensive satellite dish.To get the service, consumers will need to buy a FreeHD Canada receive system (small dish and set-top box), expected to be available from retailers throughout Canada early 2011, as well as available online.&lt;br /&gt;&lt;br /&gt;"The Commission clearly supports in principle the offering of a package&lt;br /&gt;of local conventional television signals at no monthly charge to the&lt;br /&gt;viewers and is predisposed to take the necessary steps to permit this&lt;br /&gt;to occur," said the CRTC in their ruling.&lt;br /&gt;&lt;br /&gt;Canada will transition from analog to digital TV, August 2011...&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-6587255103022490587?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/TzMEbUaqyJt-1T4lKqWEz_Er_Fo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TzMEbUaqyJt-1T4lKqWEz_Er_Fo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/TzMEbUaqyJt-1T4lKqWEz_Er_Fo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TzMEbUaqyJt-1T4lKqWEz_Er_Fo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/Ck16CiDA1z8" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/6587255103022490587/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/freehd-canada-wins-crtc-approval.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/6587255103022490587?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/6587255103022490587?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/Ck16CiDA1z8/freehd-canada-wins-crtc-approval.html" title="FreeHD Canada Wins CRTC Approval" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3LpXdLsIaI/AAAAAAAAhJM/CASC2wOCO-Q/s72-c/crtc-logo-2008.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/freehd-canada-wins-crtc-approval.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D04NRH05fCp7ImA9WxBWF04.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-438848902094671310</id><published>2010-02-09T09:18:00.001-08:00</published><updated>2010-02-09T09:19:55.324-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-09T09:19:55.324-08:00</app:edited><title>Corus Expands With "W Movies"- March 1</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3GW9kc4fyI/AAAAAAAAg-4/hRKna6zGfPw/s1600-h/WMoviesSpikeHeader.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 175px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3GW9kc4fyI/AAAAAAAAg-4/hRKna6zGfPw/s400/WMoviesSpikeHeader.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5436292209713905442" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;On March 1, Canada's Corus Entertainment will expand its portfolio of women's specialty services with the launch of "W Movies", Canada's first movie channel 'dedicated to women'.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;"...Programmed exclusively with women in mind, 'W Movies' will be the go-to destination for women looking for entertaining and intelligent films, seven days a week, 24 hours a day..."&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3GXoDZiDPI/AAAAAAAAg_A/E3fhy7FXwK0/s1600-h/chasing.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 265px; height: 400px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3GXoDZiDPI/AAAAAAAAg_A/E3fhy7FXwK0/s400/chasing.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5436292939575856370" /&gt;&lt;/a&gt;"With the phenomenal success of women-oriented films at the box office, coupled with the huge popularity of our film blocks on W Network, we know that women have a real appetite for movies," said Susan Ross, for Corus, Specialty and Pay Television.&lt;br /&gt;&lt;br /&gt;Catering to Women 25 - 54, W Movies will showcase films with genres ranging from relationship, romance and comedy to drama and suspense.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3GYZWsjuvI/AAAAAAAAg_Q/3KZia-Ri1iE/s1600-h/six.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 295px; height: 400px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3GYZWsjuvI/AAAAAAAAg_Q/3KZia-Ri1iE/s400/six.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5436293786569521906" /&gt;&lt;/a&gt;March titles include "Big", "Forrest Gump", "You've Got Mail", "When Harry Met Sally", "Working Girl", "Six Days and Seven Nights", "Dangerous Minds", "What Lies Beneath", "Chasing Amy", "Bounce", "Shakespeare in Love", "A View From the Top", "Sliding Doors", "Dying Young", "Sleeping with the Enemy", "Steel Magnolias", "Runaway Bride" and "The Hoax".&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3GYqGAU9-I/AAAAAAAAg_Y/6VCe9AFnnf8/s1600-h/sleeping.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 269px; height: 400px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S3GYqGAU9-I/AAAAAAAAg_Y/6VCe9AFnnf8/s400/sleeping.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5436294074146813922" /&gt;&lt;/a&gt;Additional premieres in March include "Once", March 2, "Memory Keeper's Daughter", March 2, "Tristan and Isolde", March 4, "Mrs. Washington Goes to Smith", March 9, "The Engagement Ring", March 11 and "The Hoax", March 27...&lt;/b&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-438848902094671310?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/9l-Gw5Iw0MnR6O6Qpgz4sobHATs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9l-Gw5Iw0MnR6O6Qpgz4sobHATs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/9l-Gw5Iw0MnR6O6Qpgz4sobHATs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9l-Gw5Iw0MnR6O6Qpgz4sobHATs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/MNifs6t2VNw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/438848902094671310/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/corus-expands-with-w-movies.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/438848902094671310?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/438848902094671310?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/MNifs6t2VNw/corus-expands-with-w-movies.html" title="Corus Expands With &quot;W Movies&quot;- March 1" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S3GW9kc4fyI/AAAAAAAAg-4/hRKna6zGfPw/s72-c/WMoviesSpikeHeader.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/corus-expands-with-w-movies.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0IBQ38zcCp7ImA9WxBWFEo.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-3265297923287990162</id><published>2010-02-06T08:59:00.001-08:00</published><updated>2010-02-06T08:59:12.188-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-02-06T08:59:12.188-08:00</app:edited><title>Craig, Watts And Weisz  Move Into Toronto's "Dream House"</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S22fQSIzsKI/AAAAAAAAg3s/_FiAClo-kS8/s1600-h/rachel-weisz-1339.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S22fQSIzsKI/AAAAAAAAg3s/_FiAClo-kS8/s400/rachel-weisz-1339.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5435175427401560226" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Actors Daniel Craig, Naomi Watts and Rachel Weisz are in Toronto shooting the Morgan Creek 'psychological thriller' "Dream House".&lt;br /&gt;&lt;br /&gt;Craig plays a publishing executive who quits his job in New York City to relocate his family and two daughters to a house in a quiet New England town. They soon learn their home was once the scene of a terrible crime.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S22dhjCoHFI/AAAAAAAAg3k/cZpQpEBadQ4/s1600-h/a9ade941e4251284bcba780fbae330f2.jpeg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 287px; height: 400px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S22dhjCoHFI/AAAAAAAAg3k/cZpQpEBadQ4/s400/a9ade941e4251284bcba780fbae330f2.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5435173524973558866" /&gt;&lt;/a&gt;&lt;br /&gt;Watts plays Craig’s new neighbor.&lt;br /&gt;&lt;br /&gt;"Dream House" is directed by Jim Sheridan, noted for "My Left Foot" and "In the Name of the Father". producers are Morgan Creek's James G. Robinson, David Robinson, Daniel Bobker &amp;amp; Ehren Krueger. Screenplay is by David Loucka.&lt;br /&gt;&lt;br /&gt;Principal photography started January 25, shooting at Pinewood Toronto Studios, the largest indoor film studio facility in North America...&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-3265297923287990162?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/1waRgyM61CyDosIak1rodPy1s-M/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1waRgyM61CyDosIak1rodPy1s-M/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/1waRgyM61CyDosIak1rodPy1s-M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1waRgyM61CyDosIak1rodPy1s-M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/GAqA3FX_xBg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/3265297923287990162/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/02/craig-watts-and-weisz-move-into.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3265297923287990162?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3265297923287990162?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/GAqA3FX_xBg/craig-watts-and-weisz-move-into.html" title="Craig, Watts And Weisz  Move Into Toronto's &quot;Dream House&quot;" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S22fQSIzsKI/AAAAAAAAg3s/_FiAClo-kS8/s72-c/rachel-weisz-1339.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/02/craig-watts-and-weisz-move-into.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUIBR3o4fyp7ImA9WxBXGEo.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-6568904907531099775</id><published>2010-01-29T07:45:00.001-08:00</published><updated>2010-01-30T10:52:36.437-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-01-30T10:52:36.437-08:00</app:edited><title>LG Says Life's Good For "Nuit Blanche"</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S2R-_vyjjhI/AAAAAAAAgag/yZ6epHckL34/s1600-h/lg-logo-black.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 194px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S2R-_vyjjhI/AAAAAAAAgag/yZ6epHckL34/s400/lg-logo-black.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5432606684141030930" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;a href="http://www.lgfilmfest.com/"&gt;&lt;span class="Apple-style-span"  style="color:#9999FF;"&gt;LG Electronics&lt;/span&gt;&lt;/a&gt; has named "Nuit Blanche", an HD short film created by Arev Manoukian of Ottawa, Ontario, as the $100,000 grand prize winner of the LG Life's Good FilmFest.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S2R71OSiXUI/AAAAAAAAgaY/J5LgR3AMtD8/s1600-h/1_28_2010+6_35+PM_0001.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S2R71OSiXUI/AAAAAAAAgaY/J5LgR3AMtD8/s400/1_28_2010+6_35+PM_0001.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5432603204814789954" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;The announcement was made as part of a Grand Finale event @ Toronto's Mod Club January 28, featuring on-stage appearances by actress Jaime King, Maple Pictures' Laurie May and singer K-OS, hosted by  George "I'm not your Father, I'm not a Cop, I'm your Friend" Stroumboulopoulos.&lt;br /&gt;&lt;br /&gt;"The LG Life's Good FilmFest has been an amazing experience," said Tim Barnes, Marketing Team Leader, LG Electronics Canada and Founder of the LG Life's Good FilmFest. "Our $100,000 winning HD short film 'Nuit Blanche' delivers an engaging, memorable story."&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Director Manoukian said "Nuit Blanche" was budgeted @ $10,000.&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;In addition to Nuit Blanche, three HD short films were awarded secondary prizes of $10,000 as winners in their respective categories, including "I Love Rock and Roll" (Animation), "Life's Good" (Sports) and "Til My Voice is Gone (Fashion &amp;amp; Music).&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1mmri8FJVI/AAAAAAAAf7U/YRgAVkuq8as/s1600-h/imgad.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 239px;" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1mmri8FJVI/AAAAAAAAf7U/YRgAVkuq8as/s400/imgad.gif" border="0" alt="" id="BLOGGER_PHOTO_ID_5429554092815230290" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"The goal of the LG Life's Good FilmFest was to create a film festival with no barriers to entry - regardless of experience, location or economic status," said Barnes.&lt;br /&gt;&lt;br /&gt;The LG Life's Good FilmFest, started &lt;/span&gt;&lt;a href="http://www.sneakpeek.ca/2009/08/lg-filmfest-offering-100000-prize.html"&gt;&lt;span class="Apple-style-span"  style="color:#33FF33;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt; August 2009&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;, inviting filmmakers worldwide to  submit 'inspiring' HD short films, no longer than five minutes in length, expressing &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"...a positive, uplifting message that conveyed the notion that 'Life's Good'..."&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Sneak Peek "Nuit Blanche"...&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;object width="580" height="360"&gt;&lt;param name="movie" value="http://www.youtube.com/v/nHBude6diCo&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/nHBude6diCo&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-6568904907531099775?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/5ISba_1BjeUtNZvoyGT5XLQ605E/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5ISba_1BjeUtNZvoyGT5XLQ605E/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/5ISba_1BjeUtNZvoyGT5XLQ605E/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5ISba_1BjeUtNZvoyGT5XLQ605E/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/2RPVsFi-aNo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/6568904907531099775/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/01/scott-pilgrim-comes-out-august-13.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/6568904907531099775?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/6568904907531099775?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/2RPVsFi-aNo/scott-pilgrim-comes-out-august-13.html" title="LG Says Life's Good For &quot;Nuit Blanche&quot;" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S2R-_vyjjhI/AAAAAAAAgag/yZ6epHckL34/s72-c/lg-logo-black.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/01/scott-pilgrim-comes-out-august-13.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0AFQXg-eyp7ImA9WxBXGEg.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-8292845222025881687</id><published>2010-01-22T05:24:00.001-08:00</published><updated>2010-01-30T05:55:10.653-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-01-30T05:55:10.653-08:00</app:edited><title>LG Says Life's Good In Toronto</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S1mgZQGsgLI/AAAAAAAAf7M/2nZF1gM5FQI/s1600-h/jamie_king_image.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 400px;" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S1mgZQGsgLI/AAAAAAAAf7M/2nZF1gM5FQI/s400/jamie_king_image.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5429547181452066994" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;LG Electronics reports that the&lt;/span&gt;&lt;a href="http://www.lgfilmfest.com/"&gt;&lt;span class="Apple-style-span"  style="color:#9999FF;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt; 'LG Life's Good FilmFest&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;', a high-definition (HD) short film festival, with entries from 21 countries, concludes with a 'Grand Finale' January 28, 2010 in Toronto @ the Mod Club Theatre.&lt;br /&gt;&lt;br /&gt;Hosted by CBC's George "The Hour" Stroumboulopoulos, the ceremony will award one filmmaker $100,000, as determined by an attending panel including actress Jaime&lt;span class="Apple-style-span"  style="color:#FF9900;"&gt; &lt;/span&gt;&lt;a href="https://www.amazon.ca/dp/B001ECDVZE?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=B001ECDVZE&amp;amp;adid=04VGB8KRZNW9JC189YYC&amp;amp;"&gt;&lt;span class="Apple-style-span"  style="color:#FF9900;"&gt;"Sin City"&lt;/span&gt;&lt;/a&gt; King, platinum-selling singer/songwriter K-OS, Laurie May, Co-President, Maple Pictures, NBA MVP Steve Nash (video link) and Tim Barnes, LG Electronics Canada.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1mmri8FJVI/AAAAAAAAf7U/YRgAVkuq8as/s1600-h/imgad.gif"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 239px;" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1mmri8FJVI/AAAAAAAAf7U/YRgAVkuq8as/s400/imgad.gif" border="0" alt="" id="BLOGGER_PHOTO_ID_5429554092815230290" /&gt;&lt;/a&gt;"The goal of the LG Life's Good FilmFest was to create a film festival with no barriers to entry - regardless of experience, location or economic status," said LG's Barnes.&lt;br /&gt;&lt;br /&gt;"This borderless FilmFest is the perfect complement to the borderless LG HDTVs recently showcased at the Consumer Electronics Show in Las Vegas..."&lt;br /&gt;&lt;br /&gt;The event will also feature $10,000 prizes awarded to winners in each of four FilmFest categories (Animation, Sports, Fashion/Music, Narrative) and a live musical performance.&lt;br /&gt;&lt;br /&gt;The LG Life's Good FilmFest, started &lt;a href="http://www.sneakpeek.ca/2009/08/lg-filmfest-offering-100000-prize.html"&gt;&lt;span class="Apple-style-span"  style="color:#33FF33;"&gt; August 2009&lt;/span&gt;&lt;/a&gt;, inviting filmmakers worldwide to  submit 'inspiring' HD short films, no longer than five minutes in length, expressing &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"...a positive, uplifting message that conveyed the notion that 'Life's Good'..."&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-8292845222025881687?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/mRVmdE2-Av4VMsbCHYO1AT4Mm_A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mRVmdE2-Av4VMsbCHYO1AT4Mm_A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/mRVmdE2-Av4VMsbCHYO1AT4Mm_A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mRVmdE2-Av4VMsbCHYO1AT4Mm_A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/vwrVksqM7mU" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/8292845222025881687/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/01/jaime-king-says-lifes-good-in-toronto.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/8292845222025881687?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/8292845222025881687?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/vwrVksqM7mU/jaime-king-says-lifes-good-in-toronto.html" title="LG Says Life's Good In Toronto" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S1mgZQGsgLI/AAAAAAAAf7M/2nZF1gM5FQI/s72-c/jamie_king_image.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/01/jaime-king-says-lifes-good-in-toronto.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0MFSHcyfip7ImA9WxBXFUw.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-4472735884616367650</id><published>2010-01-19T16:29:00.000-08:00</published><updated>2010-01-26T06:16:59.996-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-01-26T06:16:59.996-08:00</app:edited><title>"Saint John Of Las Vegas" Press Screening Ticket Give-Away</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1ZO-yAfNhI/AAAAAAAAfqA/T-WeVRVIPBY/s1600-h/saint_john_of_las_vegas.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 270px; height: 400px;" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1ZO-yAfNhI/AAAAAAAAfqA/T-WeVRVIPBY/s400/saint_john_of_las_vegas.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428613241324385810" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;TorontoFilm.Net has&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt; double pairs of tickets to give away for the upcoming screening of "Saint John Of Las Vegas", inspired by the book "Dante's Inferno", directed by Hue Rhodes starring Steve Buscemi, Sara Silverman, Peter Dinklage, Romany Malco, Canadian actress Emmanuelle Chriqui, Tim Blake Nelson and John Cho. &lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1ZTaX7ysVI/AAAAAAAAfqY/WS-iAfP2Nrw/s1600-h/hue3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1ZTaX7ysVI/AAAAAAAAfqY/WS-iAfP2Nrw/s400/hue3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428618113408217426" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;The Toronto screening will take place February 3, 2010, 7 PM @ AMC Dundas Square, 10 Dundas East, Toronto.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1ZTXmItAkI/AAAAAAAAfqQ/0BQ_o-jrwtA/s1600-h/hue2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 265px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1ZTXmItAkI/AAAAAAAAfqQ/0BQ_o-jrwtA/s400/hue2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428618065680859714" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;"...A&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="line-height: 23px; font-family:'trebuchet ms', helvetica, arial, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;fter a run of bad luck, 'John' (Buscemi), a compulsive gambler, runs away from Las Vegas and toward a normal job and life. Taking a nondescript position in an auto insurance company in Albuquerque, he tries to get ahead in the straight world, amid the ever-present temptations of scratch-off lotto tickets.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span" style="line-height: 23px;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 23px;font-size:large;"&gt;&lt;i&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S1ZTUlAfugI/AAAAAAAAfqI/bdS-eaLKQZg/s1600-h/hue1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 264px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S1ZTUlAfugI/AAAAAAAAfqI/bdS-eaLKQZg/s400/hue1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428618013838391810" /&gt;&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;'&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;When his boss, 'Mr. Townsend' (Dinklage), asks John to accompany his top fraud debunker, 'Virgil' (Malco) on an investigation of a dubious car accident near Vegas, John sees an opportunity to get a promotion, though concerned about returning to the gambling game.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span" style="line-height: 23px;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1ZWUwv7VKI/AAAAAAAAfqo/wqvqobLC9os/s1600-h/huett.jpg" style="text-decoration: none;"&gt;&lt;img style="text-align: left;display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; cursor: pointer; width: 400px; height: 266px; " src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1ZWUwv7VKI/AAAAAAAAfqo/wqvqobLC9os/s400/huett.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428621315525006498" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-style: italic; font-weight: bold; line-height: 23px; font-family:'trebuchet ms', helvetica, arial, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Before leaving he becomes involved with his eccentric co-worker 'Jill' (Silverman), a dalliance that has the potential to become a real relationship.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span" style="line-height: 23px;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 23px;font-size:large;"&gt;&lt;b&gt;&lt;i&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S1ZWnF9MyyI/AAAAAAAAfqw/zqkSknziQhc/s1600-h/wild.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 265px;" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S1ZWnF9MyyI/AAAAAAAAfqw/zqkSknziQhc/s400/wild.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428621630455466786" /&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'trebuchet ms', helvetica, arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Soon John is on the road with Virgil, where they encounter a series of offbeat characters, including a wheelchair-bound stripper (Emmanuelle Chriqui), a nude militant (Tim Blake Nelson), a park Ranger (Jesse Garcia) and a carnival human torch (John Cho). &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'trebuchet ms', helvetica, arial, sans-serif;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 23px;font-size:large;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'trebuchet ms', helvetica, arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;While Virgil is the supposed leader of the investigation, it’s John who begins to finally assert himself, pushing the case closer to a conclusion.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 23px;font-size:large;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'trebuchet ms', helvetica, arial, sans-serif;color:#333333;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 23px;font-size:large;"&gt;&lt;b&gt;&lt;i&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1ZTdXt1KpI/AAAAAAAAfqg/g9I6TroTkSE/s1600-h/hue4.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1ZTdXt1KpI/AAAAAAAAfqg/g9I6TroTkSE/s400/hue4.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428618164889266834" /&gt;&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'trebuchet ms', helvetica, arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;"Through the journey, John’s confidence builds, and he realizes that he can’t escape his gambling addiction by running away from it—it will follow him wherever he goes..."&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-style: italic; "&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;To be eligible to win, send your name, phone number and city you live in, to commandentertainment@yahoo.com&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;object width="580" height="360"&gt;&lt;param name="movie" value="http://www.youtube.com/v/sSctGRoGz6c&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x5d1719&amp;amp;color2=0xcd311b&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/sSctGRoGz6c&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x5d1719&amp;amp;color2=0xcd311b&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-4472735884616367650?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/n6BQ8fnuKzfOg5zIMZDcNCTt14M/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/n6BQ8fnuKzfOg5zIMZDcNCTt14M/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/n6BQ8fnuKzfOg5zIMZDcNCTt14M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/n6BQ8fnuKzfOg5zIMZDcNCTt14M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/qKIhG6w7I-k" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/4472735884616367650/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/01/saint-john-of-las-vegas-toronto-ticket.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/4472735884616367650?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/4472735884616367650?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/qKIhG6w7I-k/saint-john-of-las-vegas-toronto-ticket.html" title="&quot;Saint John Of Las Vegas&quot; Press Screening Ticket Give-Away" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1ZO-yAfNhI/AAAAAAAAfqA/T-WeVRVIPBY/s72-c/saint_john_of_las_vegas.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/01/saint-john-of-las-vegas-toronto-ticket.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkUFQn47eSp7ImA9WxBQGU8.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-3392574338589905770</id><published>2010-01-19T10:09:00.003-08:00</published><updated>2010-01-19T11:10:13.001-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-01-19T11:10:13.001-08:00</app:edited><title>Man Dies From Watching "Avatar"</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S1XKkFrxhMI/AAAAAAAAfnk/Ky8UwbbDQFo/s1600-h/James-Camerons-Avatar-1954.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S1XKkFrxhMI/AAAAAAAAfnk/Ky8UwbbDQFo/s400/James-Camerons-Avatar-1954.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428467647214879938" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;20th Century Fox, the studio behind director James Cameron's "Avatar" may have to provide a disclaimer or get signed releases from audiences, as now, according to a doctor's report, a 42-year-old Taiwanese man with high blood pressure  has died of a stroke likely triggered by 'over-excitement', from watching "Avatar" in 3D.&lt;br /&gt;&lt;br /&gt;The man started to feel unwell during the screening earlier this month in the northern city of Hsinchu and was unconscious when he arrived at the Nan Men General Hospital. A scan showed his brain was haemorrhaging, according to emergency room doctor Peng Chin-chih.&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1XLs2qtPrI/AAAAAAAAfns/6G5YrIfiGpQ/s1600-h/Avatar_2009.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 306px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1XLs2qtPrI/AAAAAAAAfns/6G5YrIfiGpQ/s400/Avatar_2009.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428468897314324146" /&gt;&lt;/a&gt;"&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;It's likely that the over-excitement from watching the movie triggered his symptoms," Chin-chih said.&lt;br /&gt;&lt;br /&gt;Kuo died 11 days later and the China Times newspaper said it was the first death linked to watching "Avatar".&lt;br /&gt;&lt;br /&gt;Other reports have audience complaints of headaches, dizziness, nausea and blurry eyesight during and after the 3D  experience.&lt;br /&gt;&lt;br /&gt;Sneak Peek "Avatar" ...&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="580" height="360"&gt;&lt;param name="movie" value="http://www.youtube.com/v/dyDQoXEBkGw&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/dyDQoXEBkGw&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-3392574338589905770?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/QjCMZv1e4F1R4em9pbbuE9rLbTo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QjCMZv1e4F1R4em9pbbuE9rLbTo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/QjCMZv1e4F1R4em9pbbuE9rLbTo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QjCMZv1e4F1R4em9pbbuE9rLbTo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/0tR00uPtSh0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/3392574338589905770/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/01/man-dies-from-watching-avatar.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3392574338589905770?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/3392574338589905770?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/0tR00uPtSh0/man-dies-from-watching-avatar.html" title="Man Dies From Watching &quot;Avatar&quot;" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_vj2e1m7Hlgw/S1XKkFrxhMI/AAAAAAAAfnk/Ky8UwbbDQFo/s72-c/James-Camerons-Avatar-1954.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/01/man-dies-from-watching-avatar.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkIBRn88fip7ImA9WxBQGU8.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-1830782097966756087</id><published>2010-01-19T10:09:00.001-08:00</published><updated>2010-01-19T10:09:17.176-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-01-19T10:09:17.176-08:00</app:edited><title>Shut Up. "Kick-Ass": April 16</title><content type="html">&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1Oyqt3I4nI/AAAAAAAAflw/ALTfWhohHac/s1600-h/kickass.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5427878422846694002" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1Oyqt3I4nI/AAAAAAAAflw/ALTfWhohHac/s400/kickass.jpg" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Director Matthew "Layer Cake" Vaughn's upcoming action feature "Kick-Ass", was lensed September to November 2008, on Charles Street in  Hamilton Ontario, and @ Cinespace Film Studios in Toronto, besides London, UK and New York.&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;/span&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/Syu3Bn7xUcI/AAAAAAAAd94/TWfcfy2hosE/s1600-h/kickassGAL.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5416624215370584514" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/Syu3Bn7xUcI/AAAAAAAAd94/TWfcfy2hosE/s400/kickassGAL.jpg" border="0" /&gt;&lt;/a&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;The film is based on the 8-issue "Kick-Ass" mini-series created by Mark "Wanted" Millar and John Romita Jr. following a comic book fan who decides to become a costumed crime-fighting vigilante. Along the way, he meets up with other vigilantes including 'Red Mist'  and father-daughter team 'Big Daddy' and 'Hit Girl' .&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SyeFXYfs9CI/AAAAAAAAdnU/YVTAPrB5Wog/s1600-h/kicks.jpg"&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SxmLo_aN-jI/AAAAAAAAce4/wn6EkVcJrZM/s1600-h/kickass.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5411509963594791474" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/SxmLo_aN-jI/AAAAAAAAce4/wn6EkVcJrZM/s400/kickass.jpg" border="0" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Visually, Vaughn wanted to make a bright and glossy film',&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt; "...so what happens in the film is shocking, not the style...", he said. &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"I just let the characters do the dark stuff and let the lighting be... I just thought it would be interesting to juxtapose the look and the action... "&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Lionsgate will release the film in North America April 16, 2010 with Focus Features Intl. distributing throughout the UK, Australia, Germany, Latin America, Austria, Switzerland and New Zealand.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwRQtTe1RzI/AAAAAAAAba8/TVZvP3WpdI0/s1600/kickasspostermarbg.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405534192005367602" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 270px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwRQtTe1RzI/AAAAAAAAba8/TVZvP3WpdI0/s400/kickasspostermarbg.jpg" border="0" /&gt;&lt;/a&gt;Vaughn acquired film rights to "Kick-Ass" for his Marv Films, when the "Kick-Ass" comic book was first released February 2008, then financed the film independently after&lt;i&gt; "every studio turned it down". &lt;span class="Apple-style-span" style="font-style: normal;"&gt;"Kick-Ass"&lt;/span&gt; is &lt;/i&gt;co-produced by Brad Pitt, Dede Gardner and Jeremy Kleiner for Plan B. &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwWgxeNUj_I/AAAAAAAAbgE/0Jhk1Yt7V5Q/s1600/KickThe_Movie.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405903699511119858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 305px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_vj2e1m7Hlgw/SwWgxeNUj_I/AAAAAAAAbgE/0Jhk1Yt7V5Q/s400/KickThe_Movie.jpg" border="0" /&gt;&lt;/a&gt;Premise of &lt;a href="http://www.amazon.ca/dp/1848564090?tag=sneakpeek-20&amp;amp;camp=8641&amp;amp;creative=330649&amp;amp;linkCode=as1&amp;amp;creativeASIN=1848564090&amp;amp;adid=0DEE4B92TK6ZM24BRV60&amp;amp;"&gt;&lt;span style="color:#9999ff;"&gt;"Kick-Ass"&lt;/span&gt;&lt;/a&gt; follows 'Dave Lizewski', a New York City high school student, who takes an interest in comic books as inspiration to become a vigilante hero, a&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;ssembling a suit and mask, worn under his normal clothing.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;His first attempt at fighting crime results in Dave being beaten and stabbed, then wandering dazed through the streets before being hit by a car. &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;But determined to retain his secret identity, he hides his costume before paramedics arrive.&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;a href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/SwWfnQT9nHI/AAAAAAAAbf8/OK5jWXXukPA/s1600/kickassmoviebook.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405902424470559858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 313px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/SwWfnQT9nHI/AAAAAAAAbf8/OK5jWXXukPA/s400/kickassmoviebook.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Dave tells his father he was 'mugged', before undergoing four operations followed by intense physical rehabilitation. Weeks later, bruised but undaunted, Dave tosses his crutches, dons his costume and takes off again for 'patrol'.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SzD4838xCDI/AAAAAAAAeS0/u1eN8tSMLmg/s1600-h/mm.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5418104076421367858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 308px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SzD4838xCDI/AAAAAAAAeS0/u1eN8tSMLmg/s400/mm.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;After saving a man in need of assistance, an onlooker films the scene on a cellphone camera and uploads it to YouTube, turning Dave Lizewski into an instant media sensation called 'Kick-Ass'.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;a href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SwRRepLuLEI/AAAAAAAAbbM/7lZQQZUrsMM/s1600/664021-kick_ass__001_super.jpg"&gt;&lt;span style="font-size:130%;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5405535039644380226" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 258px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/SwRRepLuLEI/AAAAAAAAbbM/7lZQQZUrsMM/s400/664021-kick_ass__001_super.jpg" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Click the images to enlarge and Sneak Peek "Kick-Ass"...&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="580" height="360"&gt;&lt;param name="movie" value="http://www.youtube.com/v/b5AyBYdntu4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/b5AyBYdntu4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-1830782097966756087?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NvYFuApOuVN1G65ZTpTQxSDLvLU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NvYFuApOuVN1G65ZTpTQxSDLvLU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/NvYFuApOuVN1G65ZTpTQxSDLvLU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NvYFuApOuVN1G65ZTpTQxSDLvLU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/sapwyIoyAAY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/1830782097966756087/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/01/shut-up-kick-ass-april-16.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/1830782097966756087?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/1830782097966756087?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/sapwyIoyAAY/shut-up-kick-ass-april-16.html" title="Shut Up. &quot;Kick-Ass&quot;: April 16" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1Oyqt3I4nI/AAAAAAAAflw/ALTfWhohHac/s72-c/kickass.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/01/shut-up-kick-ass-april-16.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkADR3g_fyp7ImA9WxBXEEo.&quot;"><id>tag:blogger.com,1999:blog-5823717187026230342.post-6960981252766664834</id><published>2010-01-19T10:08:00.001-08:00</published><updated>2010-01-21T04:59:36.647-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-01-21T04:59:36.647-08:00</app:edited><title>Summit Plans A TV "Push"</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1Xy2KHwplI/AAAAAAAAfn0/SAgDVuFBAUI/s1600-h/push1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 272px; height: 400px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1Xy2KHwplI/AAAAAAAAfn0/SAgDVuFBAUI/s400/push1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428511938108761682" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Toronto-based Summit Entertainment and E1 Entertainment plan to develop/produce a TV series, based on Summit’s 2009 feature film "Push".&lt;br /&gt;&lt;br /&gt;Directed by Paul McGuigan, "Push" stars Chris Evans, Dakota Fanning, Djimon Hounsou, and Camilla Belle, following a group of people born with super powers who band together to attempt to take down a government agency using a dangerous drug to create an army of super soldiers.&lt;br /&gt;&lt;br /&gt;Screenwriter David "Watchmen" Hayter, will script the TV series pilot.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S1XzEMlSf1I/AAAAAAAAfn8/VTKAjjeh1ic/s1600-h/push_xlg.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 270px; height: 400px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S1XzEMlSf1I/AAAAAAAAfn8/VTKAjjeh1ic/s400/push_xlg.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428512179287654226" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;E1 and Dark Hero Studios, co-owned by Hayter and producing partner Benedict Carver, will jointly produce the series based on the screenplay created by David Bourla for Summit Entertainment. Hayter and Carver will be executive producers, along with E1’s Noreen Halpern and John Morayniss.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1XzPt6p49I/AAAAAAAAfoE/xL_bgWy6Wk8/s1600-h/push2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 298px;" src="http://3.bp.blogspot.com/_vj2e1m7Hlgw/S1XzPt6p49I/AAAAAAAAfoE/xL_bgWy6Wk8/s400/push2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428512377214198738" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"The concept behind the Push feature film offers a broad and rich canvas on which to extend the storyline and characters introduced in the feature film," said Summit Co-Chairmen Rob Friedman. "The project is also the perfect vehicle to initiate Summit’s plans of producing programming for the global television marketplace.'&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S1XzfGtmQuI/AAAAAAAAfoM/eo8FkKCzlTk/s1600-h/push3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 286px; height: 400px;" src="http://2.bp.blogspot.com/_vj2e1m7Hlgw/S1XzfGtmQuI/AAAAAAAAfoM/eo8FkKCzlTk/s400/push3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428512641568359138" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;"I’m looking forward to translating the fantastic concept behind 'Push' to the small screen," said Hayter. "I’m also thrilled for Dark Hero to be in business with two independent powerhouses like Summit and E1."&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1Xz1ghKmNI/AAAAAAAAfoU/nh918v84weI/s1600-h/pushc.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 267px; height: 400px;" src="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1Xz1ghKmNI/AAAAAAAAfoU/nh918v84weI/s400/pushc.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5428513026452658386" /&gt;&lt;/a&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;Summit and E1 will jointly arrange for the US television license to the [i]Push[/i] series, with E1 handling TV sales in Canada as well as home entertainment/broadcasting rights in Canada, UK, and The Benelux. Summit will distribute home entertainment in the US. Both Summit and E1 will split foreign sales by each handling separate territories as part of their stated multi-territory content distribution strategy.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="580" height="360"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LsDWFWupyYU&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/LsDWFWupyYU&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca&amp;amp;hd=1&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5823717187026230342-6960981252766664834?l=www.torontofilm.net' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/gMd1pOvSrBrdUMUAFTVwoo0XMBo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gMd1pOvSrBrdUMUAFTVwoo0XMBo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/gMd1pOvSrBrdUMUAFTVwoo0XMBo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gMd1pOvSrBrdUMUAFTVwoo0XMBo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/TorontoFilmNet/~4/jQL0M5v7Fhc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.torontofilm.net/feeds/6960981252766664834/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.torontofilm.net/2010/01/summit-and-e1-plan-tv-push.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/6960981252766664834?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5823717187026230342/posts/default/6960981252766664834?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/TorontoFilmNet/~3/jQL0M5v7Fhc/summit-and-e1-plan-tv-push.html" title="Summit Plans A TV &quot;Push&quot;" /><author><name>Michael Stevens</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="10763294850366224183" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_vj2e1m7Hlgw/S1Xy2KHwplI/AAAAAAAAfn0/SAgDVuFBAUI/s72-c/push1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.torontofilm.net/2010/01/summit-and-e1-plan-tv-push.html</feedburner:origLink></entry></feed>
