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		<title>TIFF 2017 Review: Tulipani, Love, Honour &#038; a Bicycle</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-tulipani-love-honour-bicycle-2/</link>
		<pubDate>Tue, 19 Sep 2017 03:41:13 +0000</pubDate>
		<dc:creator><![CDATA[Ada Wong]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Mike van Diem]]></category>
		<category><![CDATA[Tulipani Love Honour & a Bicycle]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94938</guid>
		<description><![CDATA[Honouring her mother&#8217;s dying wish to have her ashes brought back to Italy, Anna, a young woman from Montreal journeys back to her hometown in Puglia. Here she is reunited with Immacolata, a family friend, whose larger than life tales of Anna and her family&#8217;s past leads to a journey of self-discovery whilst setting off a [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Tulipani, Love, Honour &#038; a Bicycle</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-tulipani-love-honour-bicycle/</link>
		<pubDate>Tue, 19 Sep 2017 03:41:13 +0000</pubDate>
		<dc:creator><![CDATA[Ada Wong]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Mike van Diem]]></category>
		<category><![CDATA[Tulipani Love Honour & a Bicycle]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94938</guid>
		<description><![CDATA[Honouring her mother&#8217;s dying wish to have her ashes brought back to Italy, Anna, a young woman from Montreal journeys back to her hometown in Puglia. Here she is reunited with Immacolata, a family friend, whose larger than life tales of Anna and her family&#8217;s past leads to a journey of self-discovery whilst setting off a [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: The Leisure Seeker</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-leisure-seeker/</link>
		<pubDate>Tue, 19 Sep 2017 03:37:59 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Donald Sutherland]]></category>
		<category><![CDATA[Helen Mirren]]></category>
		<category><![CDATA[Paolo Virzi]]></category>
		<category><![CDATA[The Leisure Seeker]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94927</guid>
		<description><![CDATA[Italian filmmaker Paolo Virzi’s The Leisure Seeker takes a potentially hackneyed storyline on paper and turns it into something wonderfully moving with the help of two seasoned actors at the top of their game. Helen Mirren and Donald Sutherland star as Ella and John, an elderly, married couple from Weymouth, Massachusetts who’ve grown tired of [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: The Price of Success</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-price-success/</link>
		<pubDate>Tue, 19 Sep 2017 03:33:53 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Tahar Rahim]]></category>
		<category><![CDATA[Teddy Lussi-Modeste]]></category>
		<category><![CDATA[The Price of Success]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94925</guid>
		<description><![CDATA[A French stand-up comedian (Tahar Rahim) finds himself torn between the differing viewpoints of his new girlfriend (Maïwenn) and his brother/manager (Roschdy Zem) In filmmaker Teddy Lussi-Modeste’s loosely autobiographical family drama The Price of Success. Narratives about successful showbiz types navigating the sticky waters of fame certainly aren’t anything new, but what sets director and [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Molly&#8217;s Game</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-mollys-game/</link>
		<pubDate>Tue, 19 Sep 2017 03:29:58 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Aaron Sorkin]]></category>
		<category><![CDATA[Idris Elba]]></category>
		<category><![CDATA[Jessica Chastain]]></category>
		<category><![CDATA[Molly's Game]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94922</guid>
		<description><![CDATA[While there isn’t a whole lot of walking in writer Aaron Sorkin’s feature directorial debut, Molly’s Game, there’s certainly a lot of talking. That’s both a good thing and a bad thing. It’s the story of Molly Bloom (Jessica Chastain, a perfect fit for Sorkin’s staccato rhythms), a once promising Olympic mogul skier and student [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Les Affamés</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-les-affames/</link>
		<pubDate>Tue, 19 Sep 2017 03:28:37 +0000</pubDate>
		<dc:creator><![CDATA[Mark Hanson]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Les Affamés]]></category>
		<category><![CDATA[Marc-AndrÃ© Grondin]]></category>
		<category><![CDATA[Monia Chokri]]></category>
		<category><![CDATA[Robin Aubert]]></category>
		<category><![CDATA[The Ravenous]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94920</guid>
		<description><![CDATA[It can be easy for modern zombie movies to all feel like carbon copies of one another at a certain point. Zombies chase humans; humans run and hide out and arm themselves and join up with other humans to form larger groups; zombies eventually pick off humans one-by-one, turning them into zombies too; one or [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Eye on Juliet</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-eye-juliet/</link>
		<pubDate>Tue, 19 Sep 2017 03:27:07 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Canadian]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94907</guid>
		<description><![CDATA[Canadian filmmaker Kim Nguyen (Rebelle, Two Lovers and a Bear) returns to the festival with Eye on Juliet, another unlikely romance. Gordon (Joe Cole) is a robotics expert living in Detroit and operating sophisticated spider-like drones that can communicate with people in Northern Africa. Getting over a break-up and searching for meaning in life, Gord [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Battle of the Sexes</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-battle-sexes/</link>
		<pubDate>Tue, 19 Sep 2017 03:26:33 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Battle of the Sexes]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Jonathan Dayton]]></category>
		<category><![CDATA[Steve Carell]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>
		<category><![CDATA[Valerie Faris]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94905</guid>
		<description><![CDATA[With the historical and inspirational tale Battle of the Sexes, Little Miss Sunshine directors Valerie Faris and Jonathan Dayton mount a dramatic retelling of a loaded, watershed moment in professional sports: a big money exhibition tennis match between women’s rights advocate, world champion, and closeted lesbian Billie Jean King (Emma Stone) and Bobby Riggs (Steve [&#8230;]]]></description>
		</item>
		<item>
		<title>Review: American Assassin</title>
		<link>http://thetfs.ca/2017/09/18/review-american-assassin/</link>
		<pubDate>Tue, 19 Sep 2017 03:25:52 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[American Assassin]]></category>
		<category><![CDATA[Dylan O'Brien]]></category>
		<category><![CDATA[Michael Cuesta]]></category>
		<category><![CDATA[Michael Keaton]]></category>
		<category><![CDATA[Sanaa Lathan]]></category>
		<category><![CDATA[Taylor Kitsch]]></category>
		<category><![CDATA[Vince Flynn]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94903</guid>
		<description><![CDATA[Silly, hyper-violent, and gleefully hateful, racist, and reactionary, American Assassin proves in every wrongheaded way possible that the Trump presidency is about to usher in a new era of godawful action movies that will probably be looked back upon fondly because of how goofy and politically ignorant they were. Some of those movies were fun [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Pyewacket</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-pyewacket/</link>
		<pubDate>Tue, 19 Sep 2017 03:25:16 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Canadian]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Adam MacDonald]]></category>
		<category><![CDATA[Laurie Holden]]></category>
		<category><![CDATA[Nicole Muñoz]]></category>
		<category><![CDATA[Pyewacket]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94881</guid>
		<description><![CDATA[Pyewacket, the second feature from Canadian actor turned filmmaker Adam MacDonald, revolves around a goth, occult obsessed teen (Nicole Muñoz) who’s upset and inconsolable when her grieving mother (Laurie Holden) makes the decision to move to a cabin in the country in a bid to leave the memory of her deceased husband behind. Frustrated at [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: A Worthy Companion</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-worthy-companion/</link>
		<pubDate>Tue, 19 Sep 2017 03:08:13 +0000</pubDate>
		<dc:creator><![CDATA[Mark Hanson]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[A Worthy Companion]]></category>
		<category><![CDATA[Carlos Sanchez]]></category>
		<category><![CDATA[Denis O'Hare]]></category>
		<category><![CDATA[Evan Rachel Wood]]></category>
		<category><![CDATA[Jason Sanchez]]></category>
		<category><![CDATA[Julia Sarah Stone]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94900</guid>
		<description><![CDATA[In A Worthy Companion, Evan Rachel Wood tears into the role of Laura, a troubled young woman whose icy exterior barely masks a lifetime of hardship and trauma. Working as a house cleaner for her father’s company (with whom she has a rocky relationship) and living in a drab suburban house by herself, Laura keeps [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Stronger</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-stronger/</link>
		<pubDate>Tue, 19 Sep 2017 03:07:19 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[David Gordon Green]]></category>
		<category><![CDATA[Jake Gyllenhaal]]></category>
		<category><![CDATA[Miranda Richardson]]></category>
		<category><![CDATA[Stronger]]></category>
		<category><![CDATA[Tatiana Maslany]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94883</guid>
		<description><![CDATA[Jake Gyllenhaal delivers another transformative performance in David Gordon Green’s inspirational biopic Stronger as Boston Marathon bombing survivor Jeff Bauman. Losing both his legs at the race’s finish line thanks to his close proximity to the terrorist blast, Bauman also got a good look at one of the bombing suspects, quickly vaulting to notoriety in [&#8230;]]]></description>
		</item>
		<item>
		<title>Review: It</title>
		<link>http://thetfs.ca/2017/09/18/review-it/</link>
		<pubDate>Tue, 19 Sep 2017 03:06:24 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Andy Muschietti]]></category>
		<category><![CDATA[Bill Skarsgard]]></category>
		<category><![CDATA[Finn Wolfhard]]></category>
		<category><![CDATA[It]]></category>
		<category><![CDATA[Jack Dylan Grazer]]></category>
		<category><![CDATA[Jaeden Lieberher]]></category>
		<category><![CDATA[Stephen King]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94879</guid>
		<description><![CDATA[Filmmaker Andy Muschietti’s crowd pleasing and overall terrifying adaptation of (half of) Stephen King’s gargantuan 1986 novel It is good enough to erase any trace of the unbalanced, scattershot 1990 made-for-television movie from the same source. Coming down tonally like a cross between The Goonies, A Nightmare on Elm Street 3: Dream Warriors, and King’s [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Happy End</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-happy-end/</link>
		<pubDate>Tue, 19 Sep 2017 03:04:02 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Happy End]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Jean-Louis Trintignant]]></category>
		<category><![CDATA[Matthieu Kassovitz]]></category>
		<category><![CDATA[Michael Haneke]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94841</guid>
		<description><![CDATA[Those familiar with the work of Austrian auteur Michael Haneke know better than to take the title of his latest effort – Happy End –at face value. A sprawling portrait of crumbling domesticity and manners, Happy End is a bitter comedy, pointed drama, and curiously Haneke’s most straightforward film in years. After her mother overdoses [&#8230;]]]></description>
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		<item>
		<title>TIFF 2017 Review: Grandmother</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-grandmother/</link>
		<pubDate>Tue, 19 Sep 2017 03:00:19 +0000</pubDate>
		<dc:creator><![CDATA[Aren Bergstrom]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Canadian]]></category>
		<category><![CDATA[Canadian review]]></category>
		<category><![CDATA[Elias Louie]]></category>
		<category><![CDATA[Grandmother]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>
		<category><![CDATA[Trevor Mack]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94875</guid>
		<description><![CDATA[A young boy (Elias Louie) on a reserve searches through old videotapes and photographs in an attempt to connect to his deceased grandmother. Grandmother or ?Etsu is a film with intriguing ideas that fuel its formal experimentation, but like so many low-budget experiments, it’s mostly a concept in search of a film. There is little [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Loveless</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-loveless/</link>
		<pubDate>Tue, 19 Sep 2017 02:56:11 +0000</pubDate>
		<dc:creator><![CDATA[Mark Hanson]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Aleksey Rozin]]></category>
		<category><![CDATA[Andrey Zvyagintsev]]></category>
		<category><![CDATA[Loveless]]></category>
		<category><![CDATA[Maryana Spivak]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94868</guid>
		<description><![CDATA[From his multiple-award winning debut The Return to the epic Oscar-nominated triumph Leviathan, Andrey Zvyagintsev has been hailed as the new master of Russian cinema, with comparisons to Tarkovsky thrown around in seemingly every other review. These claims certainly aren’t undeserved, as Zvyagintsev has steadily become the most perceptive chronicler of the bleakness and isolation [&#8230;]]]></description>
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		<item>
		<title>TIFF 2017 Review: The Ritual</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-ritual/</link>
		<pubDate>Tue, 19 Sep 2017 02:54:43 +0000</pubDate>
		<dc:creator><![CDATA[Mark Hanson]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Arsher Ali]]></category>
		<category><![CDATA[David Bruckner]]></category>
		<category><![CDATA[Rafe Spall]]></category>
		<category><![CDATA[Robert James-Collier]]></category>
		<category><![CDATA[Sam Troughton]]></category>
		<category><![CDATA[The Ritual]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94861</guid>
		<description><![CDATA[On a hiking excursion through Northern Sweden to memorialize their late friend, four college buddies decide to take a shortcut through the woods when one of them sprains a knee. As you can probably guess, this turns out to be a very bad idea as they promptly get lost and stumble across a butchered animal [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Mary Shelley</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-mary-shelley/</link>
		<pubDate>Tue, 19 Sep 2017 02:53:52 +0000</pubDate>
		<dc:creator><![CDATA[Sean Kelly]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Bel Powley]]></category>
		<category><![CDATA[Douglas Booth]]></category>
		<category><![CDATA[Elle Fanning]]></category>
		<category><![CDATA[Haifaa Al Mansour]]></category>
		<category><![CDATA[Mary Shelley]]></category>
		<category><![CDATA[TIFF 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94851</guid>
		<description><![CDATA[Mary Godwin (Elle Fanning) is the 16-year-old daughter of political philosopher William Godwin (Stephen Dillane), who loves reading books in her father&#8217;s London bookshop. After being sent to Scotland after a fight with her stepmother, Mary meets 21 year old poet Percy Bysshe Shelley (Douglas Booth), who she quickly develops feelings for. Despite the fact that he [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: The Rider</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-rider/</link>
		<pubDate>Tue, 19 Sep 2017 02:53:18 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Brady Jandreau]]></category>
		<category><![CDATA[Chloé Zhao]]></category>
		<category><![CDATA[The Rider]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94844</guid>
		<description><![CDATA[Equally soaring, intimate, and raw, Chloé Zhao&#8217;s The Rider is a work of great beauty and empathy, not to mention a feat of docudrama so accomplished that one would be forgiven for thinking it was all real. For the most part, it is real. Brady Blackburn (Brady Jandreau) has grown up on South Dakota’s Pine [&#8230;]]]></description>
		</item>
		<item>
		<title>TIFF 2017 Review: Luk&#8217;Luk&#8217;I</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-lukluki/</link>
		<pubDate>Tue, 19 Sep 2017 02:47:47 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Luk'Luk'I]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>
		<category><![CDATA[Wayne Wapeemukwa]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94839</guid>
		<description><![CDATA[Expanding on some of the ideas present in his earlier shorts, first time Canadian feature filmmaker Wayne Wapeemukwa’s Luk’Luk’I still feels like a group of episodic shorts with small connections to hold it all together. Set against the backdrop of the 2010 Vancouver Olympics, five marginalized citizens try to find their way through life. Angel [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Cardinals</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-cardinals/</link>
		<pubDate>Tue, 19 Sep 2017 02:47:22 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Aidan Shipley]]></category>
		<category><![CDATA[Cardinals]]></category>
		<category><![CDATA[Grace Glowicki]]></category>
		<category><![CDATA[Grayson Moore]]></category>
		<category><![CDATA[Katie Boland]]></category>
		<category><![CDATA[Noah Reid]]></category>
		<category><![CDATA[Sheila McCarthy]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94837</guid>
		<description><![CDATA[One of the strongest Canadian debut features at this year’s festival comes from the filmmaking duo of Grayson Moore and Aidan Shipley. Their film Cardinals is a slowly twisting and increasingly intense drama that will leave viewers guessing and thinking about the film’s ramifications long after the credits have rolled. Valerie Walker (Sheila McCarthy) has [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Mary Goes Round</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-mary-goes-round/</link>
		<pubDate>Tue, 19 Sep 2017 02:46:57 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Aya Cash]]></category>
		<category><![CDATA[John Ralston]]></category>
		<category><![CDATA[Mary Goes Round]]></category>
		<category><![CDATA[Molly McGlynn]]></category>
		<category><![CDATA[Sara Waisglass]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94835</guid>
		<description><![CDATA[For her first feature, Mary Goes Round, writer and filmmaker Molly McGlynn has expertly married an addiction and recovery narrative with a dysfunctional family drama to near perfect effect. Even those familiar with her short film work will likely be blown away by what McGlynn has accomplished here. Following a DUI charge and an acrimonious [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Journey&#8217;s End</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-journeys-end-2/</link>
		<pubDate>Tue, 19 Sep 2017 02:46:36 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Asa Butterfield]]></category>
		<category><![CDATA[Journey's End]]></category>
		<category><![CDATA[Paul Bettany]]></category>
		<category><![CDATA[R.C. Sherriff]]></category>
		<category><![CDATA[Sam Claflin]]></category>
		<category><![CDATA[Saul Dibb]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94833</guid>
		<description><![CDATA[A solidly mounted adaptation of R.C. Sherriff’s classic play, Saul Dibb’s Journey’s End embeds viewers with the British soldiers of C Company in Northern France during the height of World War I. Told to hold off advancing German troops for as long as possible inside of a crumbling French bunker during their six day rotation [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Journey&#039;s End</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-journeys-end/</link>
		<pubDate>Tue, 19 Sep 2017 02:46:36 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Asa Butterfield]]></category>
		<category><![CDATA[Journey's End]]></category>
		<category><![CDATA[Paul Bettany]]></category>
		<category><![CDATA[R.C. Sherriff]]></category>
		<category><![CDATA[Sam Claflin]]></category>
		<category><![CDATA[Saul Dibb]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94833</guid>
		<description><![CDATA[A solidly mounted adaptation of R.C. Sherriff’s classic play, Saul Dibb’s Journey’s End embeds viewers with the British soldiers of C Company in Northern France during the height of World War I. Told to hold off advancing German troops for as long as possible inside of a crumbling French bunker during their six day rotation [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Three Peaks</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-three-peaks/</link>
		<pubDate>Tue, 19 Sep 2017 02:43:25 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Alexander Fehling]]></category>
		<category><![CDATA[Arian Montgomery]]></category>
		<category><![CDATA[Berenice Bejo]]></category>
		<category><![CDATA[Jan Zabiel]]></category>
		<category><![CDATA[Three Peaks]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94831</guid>
		<description><![CDATA[Three Peaks, the second feature from German filmmaker Jan Zabiel starts off intriguingly: a woman (Bérénice Bejo) and her young son (Arian Montgomery) travel to a mountainside cabin owned by her long term boyfriend (Alexander Fehling). The boy has an uneasy relationship to his potential stepfather, and despite this suitor being a fairly nice person, [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Ta peau si lisse (A Skin so Soft)</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-ta-peau-si-lisse-skin-soft/</link>
		<pubDate>Tue, 19 Sep 2017 02:42:51 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[A Skin so Soft]]></category>
		<category><![CDATA[Denis CÃ´tÃ©]]></category>
		<category><![CDATA[Ta peau si lisse]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94829</guid>
		<description><![CDATA[Ta peau si lisse, the latest documentary from experimental Canadian filmmaker Denis Côté, finds the filmmaker observing the daily rituals, regimens, and obsessions of five male Quebecois bodybuilders. Running counter to the previously established belief that bodybuilders always have to be on top of their form and exercise at all times, Côté’s film prefers to [&#8230;]]]></description>
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		<title>TIFF 2017 Review: The Crescent</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-crescent/</link>
		<pubDate>Tue, 19 Sep 2017 02:42:25 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Danika Vandersteen]]></category>
		<category><![CDATA[Seth A. Smith]]></category>
		<category><![CDATA[The Crescent]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94826</guid>
		<description><![CDATA[Atlantic Canadian filmmaker and musician Seth A. Smith’s The Crescent unfolds at a deliberate, eerie pace, echoing The Babadook and various John Carpenter films in equal measure, making for a satisfyingly, low key Midnight Madness entry that should please festival goers bemoaning this year’s lack of a Vanguard program. Real life artist Danika Vandersteen takes [&#8230;]]]></description>
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		<item>
		<title>TIFF 2017 Review: Porcupine Lake</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-porcupine-lake/</link>
		<pubDate>Tue, 19 Sep 2017 02:40:13 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Charlotte Salisbury]]></category>
		<category><![CDATA[Ingrid Veninger]]></category>
		<category><![CDATA[Lucinda Armstrong Hall]]></category>
		<category><![CDATA[Porcupine Lake]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94824</guid>
		<description><![CDATA[The latest film from independent filmmaker Ingrid Veninger, Porcupine Lake, is a coming of age tale in the vein of recent Canadian standout Sleeping Giant, albeit from a feminist perspective. It’s Veninger’s most straightforward piece of work to date, but the change of pace suits her and the story well. It follows Bea (Charlotte Salisbury), [&#8230;]]]></description>
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		<title>TIFF 2017 Review: The Disaster Artist</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-disaster-artist/</link>
		<pubDate>Tue, 19 Sep 2017 02:39:19 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[dave franco]]></category>
		<category><![CDATA[James Franco]]></category>
		<category><![CDATA[The Disaster Artist]]></category>
		<category><![CDATA[TIFF 2017]]></category>
		<category><![CDATA[Toronto International Film Festival 2017]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94821</guid>
		<description><![CDATA[The Room has become one of those bad movie cultural touchstones that’s either endearing or insufferable depending on who you ask, but James Franco’s The Disaster Artist, an adaptation of actor Greg Sestero’s memoir about the making of enigmatic filmmaker Tommy Wiseau’s disaster-piece, casts the troubled production in a new and nuanced light. James Franco [&#8230;]]]></description>
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		<title>TIFF 2017 Review: The Children Act</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-the-children-act/</link>
		<pubDate>Mon, 18 Sep 2017 20:37:00 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Emma Thompson]]></category>
		<category><![CDATA[Richard Eyre]]></category>
		<category><![CDATA[The Children Act]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94854</guid>
		<description><![CDATA[Fiona Maye (Emma Thompson) is a revered albeit controversial justice in England, whose professional priorities override her relationship with husband Jack (Stanley Tucci). As she worries about Jack possibly leaving her for a younger woman, Fiona presides over a case involving a sick man, Adam (Dunkirk’s Fionn Whitehead). Adam has leukemia but his parents, who [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Novitiate</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-novitiate/</link>
		<pubDate>Mon, 18 Sep 2017 20:36:56 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Margaret Betts]]></category>
		<category><![CDATA[Melissa Leo]]></category>
		<category><![CDATA[Novitiate]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94858</guid>
		<description><![CDATA[Cathleen (Margaret Qualley) is a 17-year-old woman in love – but the object of her affection is not a teenage suitor but the Lord. Drawn to the Roman Catholic Church as a young girl, despite the agnosticism of mother Nora (Julianne Nicholson), Cathleen decides to devote her life to God. But this spiritual journey is [&#8230;]]]></description>
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		<title>TIFF 2017 Review: The Killing of a Sacred Deer</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-the-killing-of-a-sacred-deer/</link>
		<pubDate>Mon, 18 Sep 2017 20:36:53 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Colin Farrell]]></category>
		<category><![CDATA[The Killing of a Sacred Deer]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>
		<category><![CDATA[Yorgos Lanthimos]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94864</guid>
		<description><![CDATA[The Murphy family lives a pristine, picture-perfect life in suburban Cincinnati. Dad Steven (Colin Farrell) is an accomplished surgeon and mom Anna (Nicole Kidman) runs a health clinic. Their children, Kim (Raffey Cassidy) and Bob (Sunny Suljic), are well behaved and popular. However, when Steven befriends a teenage boy, Martin (Barry Keoghan), whose father died [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Thelma</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-thelma/</link>
		<pubDate>Mon, 18 Sep 2017 20:33:58 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Eili Harboe]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[Thelma]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94870</guid>
		<description><![CDATA[Shortly after starting at a big-city university, a shy and intelligent young woman, Thelma (Eili Harboe), begins to experience abrupt changes in her body and mind. These range from sudden epileptic seizures to nightmares of snakes coiling around bodies. Her devout Christian parents (Henrik Rafaelsen and Ellen Dorrit Petersen) worry that she is betraying their [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Call Me By Your Name</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-call-me-by-your-name/</link>
		<pubDate>Mon, 18 Sep 2017 20:33:46 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Call Me By Your Name]]></category>
		<category><![CDATA[Luca Guadagnino]]></category>
		<category><![CDATA[Timothée Chalamet]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94885</guid>
		<description><![CDATA[It is the summer of 1983 in Northern Italy, and the weather is sunny and swelteringly hot. 17-year-old Elio (Timothée Chalamet) prefers to spend much of the season indoors at his family’s rustic home, reading and transcribing music. When twenty-something American student Oliver (Armie Hammer) arrives to help Elio’s professor father (Michael Stuhlbarg) with research, [&#8230;]]]></description>
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		<title>TIFF 2017 Review: High Fantasy</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-high-fantasy/</link>
		<pubDate>Mon, 18 Sep 2017 20:33:43 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Francesca Varrie Michel]]></category>
		<category><![CDATA[High Fantasy]]></category>
		<category><![CDATA[Jenna Bass]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94889</guid>
		<description><![CDATA[Four friends embark on a road trip to the Northern Cape Province of South Africa, where Lexi (Francesca Varrie Michel), the lone white woman in the group, has a farm. The other young adults – hardened activist Xoli (Qondiswa James), soft-spoken Tatiana (Liza Scholtz) and the exuberant, arrogant Thami (Nala Khumalo) – are black. In [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Never Steady, Never Still</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-never-steady-never-still/</link>
		<pubDate>Mon, 18 Sep 2017 20:33:40 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Canadian]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Kathleen Hepburn]]></category>
		<category><![CDATA[Never Steady Never Still]]></category>
		<category><![CDATA[Shirley Henderson]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94893</guid>
		<description><![CDATA[Judy (Shirley Henderson) has spent much of her married life dealing with Parkinson’s disease. She attends a support group and takes a lot of medication, but often needs help to perform the most menial of tasks. However, when her husband dies suddenly, Judy has to learn to take care of herself. Her son Jamie (Théodore [&#8230;]]]></description>
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		<title>TIFF 2017 Review: Marlina the Murderer in Four Acts</title>
		<link>http://thetfs.ca/2017/09/18/tiff-2017-review-marlina-the-murderer-in-four-acts/</link>
		<pubDate>Mon, 18 Sep 2017 20:32:38 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[2017 - September]]></category>
		<category><![CDATA[Marlina the Murderer in Four Acts]]></category>
		<category><![CDATA[Marsha Timothy]]></category>
		<category><![CDATA[Mouly Surya]]></category>
		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94909</guid>
		<description><![CDATA[In a farmhouse along the desert plains of Indonesia, the widowed Marlina (Marsha Timothy) stirs her chicken soup and mourns the loss of her husband. Seven robbers, led by the vindictive Markus (Egi Fedly) are set to arrive in her home. They plan to assault her, one by one, and then make off with her [&#8230;]]]></description>
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		<title>Review: Death Note</title>
		<link>http://thetfs.ca/2017/08/25/review-death-note/</link>
		<pubDate>Fri, 25 Aug 2017 10:10:30 +0000</pubDate>
		<dc:creator><![CDATA[Will Brownridge]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Adam Wingard]]></category>
		<category><![CDATA[Death Note]]></category>
		<category><![CDATA[Lakeith Stanfield]]></category>
		<category><![CDATA[Margaret Gualley]]></category>
		<category><![CDATA[Nat Wolff]]></category>
		<category><![CDATA[Willem Dafoe]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94818</guid>
		<description><![CDATA[Adapting stories from manga has never been well done in North America. Death Note isn&#8217;t going to change that fact either. It&#8217;s not the condensing of the story that is even the biggest problem here. Death Note is simply not a good film from any angle, and fans of the series are going to wind [&#8230;]]]></description>
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		<item>
		<title>Review: The Space Between</title>
		<link>http://thetfs.ca/2017/08/25/review-the-space-between/</link>
		<pubDate>Fri, 25 Aug 2017 10:05:04 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Canadian]]></category>
		<category><![CDATA[Independent & Repertory]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Amy Jo Johnson]]></category>
		<category><![CDATA[Canadian review]]></category>
		<category><![CDATA[Julia Sarah Stone]]></category>
		<category><![CDATA[Michael Cram]]></category>
		<category><![CDATA[The Space Between]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94776</guid>
		<description><![CDATA[Furthering her transition from acting to writing and directing behind the camera, Amy Jo Johnson’s debut feature The Space Between bears a lot of the same shortcomings many first features have. It’s overstuffed, occasionally too quirky and irreverent for its own good, and not every joke in this road trip comedy hits as hard as [&#8230;]]]></description>
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		<title>Review: Sundowners</title>
		<link>http://thetfs.ca/2017/08/25/review-sundowners/</link>
		<pubDate>Fri, 25 Aug 2017 10:00:35 +0000</pubDate>
		<dc:creator><![CDATA[Ada Wong]]></dc:creator>
				<category><![CDATA[Canadian]]></category>
		<category><![CDATA[Independent & Repertory]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Canadian review]]></category>
		<category><![CDATA[Luke Lalonde]]></category>
		<category><![CDATA[Pavan Moondi]]></category>
		<category><![CDATA[Phil Hanley]]></category>
		<category><![CDATA[Tim Heidecker]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94768</guid>
		<description><![CDATA[Toronto-based filmmaker Pavan Moondi returns to the big screen with Sundowners, a dark comedic buddy road trip movie about go-nowhere wedding photographer Alex, who receives a too-good-to-be-true offer from his obtrusive untrustworthy boss to film a destination wedding in Mexico. Alex jumps on the opportunity, corralling his buddy Justin to masquerade as a photographer for [&#8230;]]]></description>
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		<item>
		<title>Review: Birth of the Dragon</title>
		<link>http://thetfs.ca/2017/08/25/review-birth-of-the-dragon/</link>
		<pubDate>Fri, 25 Aug 2017 10:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Sean Kelly]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Billy Magnussen]]></category>
		<category><![CDATA[Birth of the Dragon]]></category>
		<category><![CDATA[George Nolfi]]></category>
		<category><![CDATA[Philip Ng]]></category>
		<category><![CDATA[Xia Yu]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94741</guid>
		<description><![CDATA[In 1964, before he was a kung-fu superstar, Bruce Lee (Philip Ng) was an up and coming actor in San Francisco, who also taught kung fu in Chinatown, with one of his students being Steve McKee (Billy Magnussen). When Shaolin Master Wong Jack Man (Xia Yu) arrives in San Francisco to perform penance following a mistake, [&#8230;]]]></description>
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		<item>
		<title>Review: Expo 67: Mission Impossible</title>
		<link>http://thetfs.ca/2017/08/18/review-expo-67/</link>
		<pubDate>Fri, 18 Aug 2017 10:00:11 +0000</pubDate>
		<dc:creator><![CDATA[Adam Sidsworth]]></dc:creator>
				<category><![CDATA[Canadian]]></category>
		<category><![CDATA[Independent & Repertory]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Canadian review]]></category>
		<category><![CDATA[Eric Ruel]]></category>
		<category><![CDATA[Expo 67: Mission Impossible]]></category>
		<category><![CDATA[Guylaine Maroist]]></category>
		<category><![CDATA[Michel Barbeau]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94734</guid>
		<description><![CDATA[If you&#8217;re interested in Canadian history, watch Expo 67: Mission Impossible, a new documentary about the seminal Montreal exposition during Canada&#8217;s centennial celebration. Filled with archival footage of both the behind-the-scenes planning and the actual event, the documentary is an interesting reflection of the ill-advised and hasty planning that almost imploded Expo 67 before it happened. Fortunately for the [&#8230;]]]></description>
		</item>
		<item>
		<title>Review: The Glass Castle</title>
		<link>http://thetfs.ca/2017/08/11/review-the-glass-castle/</link>
		<pubDate>Fri, 11 Aug 2017 10:00:09 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Brie Larson]]></category>
		<category><![CDATA[Destin Daniel Cretton]]></category>
		<category><![CDATA[Naomi Watts]]></category>
		<category><![CDATA[The Glass Castle]]></category>
		<category><![CDATA[Woody Harrelson]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94709</guid>
		<description><![CDATA[Journalist Jeannette Walls’ 2005 memoir of her troubled childhood, The Glass Castle, was one of the biggest literary juggernauts of the aughts, so a big screen adaptation was probably a foregone conclusion. The cinematic depiction of Walls’ look back on life with an alcoholic father and the bonds shared with her similarly suffering siblings is [&#8230;]]]></description>
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		<item>
		<title>Review: The Dark Tower</title>
		<link>http://thetfs.ca/2017/08/04/review-dark-tower/</link>
		<pubDate>Fri, 04 Aug 2017 10:02:58 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Idris Elba]]></category>
		<category><![CDATA[Matthew McConaughey]]></category>
		<category><![CDATA[Nikolaj Arcel]]></category>
		<category><![CDATA[Stephen King]]></category>
		<category><![CDATA[The Dark Tower]]></category>
		<category><![CDATA[Tom Taylor]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94679</guid>
		<description><![CDATA[While condensing several of bestselling author Stephen King’s most ambitious and iconic works into a single, slim motion picture that barely runs ninety minutes might give some fans of the horror and fantasy icon pause and raise the eyebrows of unfamiliar critics, the stripped down approach taken by the big screen adaptation of The Dark [&#8230;]]]></description>
		</item>
		<item>
		<title>Review: Detroit</title>
		<link>http://thetfs.ca/2017/08/04/review-detroit/</link>
		<pubDate>Fri, 04 Aug 2017 10:00:42 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Algee Smith]]></category>
		<category><![CDATA[Anthony Mackie]]></category>
		<category><![CDATA[Jacob Latimore]]></category>
		<category><![CDATA[John Boyega]]></category>
		<category><![CDATA[Kathryn Begelow]]></category>
		<category><![CDATA[Will Poulter]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94683</guid>
		<description><![CDATA[In July 1967, searing race riots shook Detroit, as law enforcement sparred with black citizens in the city’s suburbs. One of the more notable chapters from the five days of chaos and carnage happened at the Algiers Motel. Racist police officers, believing a sniper was firing on the roof with wanton glee, stormed the motel [&#8230;]]]></description>
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		<item>
		<title>Review: An Inconvenient Sequel: Truth to Power</title>
		<link>http://thetfs.ca/2017/08/04/review-an-inconvenient-sequel-truth-to-power/</link>
		<comments>http://thetfs.ca/2017/08/04/review-an-inconvenient-sequel-truth-to-power/#comments</comments>
		<pubDate>Fri, 04 Aug 2017 10:00:05 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - August]]></category>
		<category><![CDATA[Al Gore]]></category>
		<category><![CDATA[An Inconvenient Sequel: Truth to Power]]></category>
		<category><![CDATA[Bonni Cohen]]></category>
		<category><![CDATA[Jon Shenk]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94672</guid>
		<description><![CDATA[In 2006, former U.S. presidential candidate and climate change advocate Al Gore and director Davis Guggenheim released the documentary An Inconvenient Truth, a film where the ex-Vice President passionately spoke at great length about the state of the environment. The film was a huge success at the box office (by documentary standards) and picked up [&#8230;]]]></description>
		<wfw:commentRss>http://thetfs.ca/2017/08/04/review-an-inconvenient-sequel-truth-to-power/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Review: Atomic Blonde</title>
		<link>http://thetfs.ca/2017/07/28/review-atomic-blonde/</link>
		<pubDate>Fri, 28 Jul 2017 10:00:36 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - July]]></category>
		<category><![CDATA[Atomic Blonde]]></category>
		<category><![CDATA[Charlize Theron]]></category>
		<category><![CDATA[David Leitch]]></category>
		<category><![CDATA[James McAvoy]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94660</guid>
		<description><![CDATA[During the week before the fall of the Berlin Wall, undercover MI6 agent Lorraine Broughton (Charlize Theron) has arrived in the divided city. Her mission: to recover a list with the names of many clandestine operatives – including the identity of a double agent. Although eccentric spy David Percival (James McAvoy) wants Lorraine’s help, she [&#8230;]]]></description>
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		<item>
		<title>Executive producers Stevie Salas and Tim Johnson talk about Rumble: The Indians who Rocked the World</title>
		<link>http://thetfs.ca/2017/07/28/executive-producers-stevie-salas-and-tim-johnson-talk-about-rumble-the-indians-who-rocked-the-world/</link>
		<pubDate>Fri, 28 Jul 2017 10:00:31 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Rumble: The Indians Who Rocked the World]]></category>
		<category><![CDATA[Stevie Salas]]></category>
		<category><![CDATA[Tim Johnson]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94640</guid>
		<description><![CDATA[Although they’ve worked together several times before, Tim Johnson and Stevie Salas look like unlikely collaborators. For their tandem interview on a rainy afternoon earlier this spring at the Hot Docs Canadian International Documentary Film Festival about their work on Rumble: The Indians who Rocked the World, Johnson has arrived early – earlier than their [&#8230;]]]></description>
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		<item>
		<title>Review: Dunkirk</title>
		<link>http://thetfs.ca/2017/07/21/review-dunkirk/</link>
		<pubDate>Fri, 21 Jul 2017 10:03:24 +0000</pubDate>
		<dc:creator><![CDATA[Andrew Parker]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - July]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Dunkirk]]></category>
		<category><![CDATA[Harry Styles]]></category>
		<category><![CDATA[Kenneth Branagh]]></category>
		<category><![CDATA[Mark Rylance]]></category>
		<category><![CDATA[Tom Hardy]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94629</guid>
		<description><![CDATA[During the infancy of the Second World War in the late spring of 1940, British troops attempted the mass evacuation of over 300,000 troops from the beaches at Dunkirk on the allied French coastline. Desperate to prepare for their country’s own inevitable invasion, the withdrawal of troops was a double edged sword for the British. [&#8230;]]]></description>
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		<item>
		<title>Review: Valerian and the City of a Thousand Planets</title>
		<link>http://thetfs.ca/2017/07/21/review-valerian-city-thousand-planets/</link>
		<pubDate>Fri, 21 Jul 2017 10:02:49 +0000</pubDate>
		<dc:creator><![CDATA[Jordan Adler]]></dc:creator>
				<category><![CDATA[Major Theatrical]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2017 - July]]></category>
		<category><![CDATA[Dane DeHaan]]></category>
		<category><![CDATA[Luc Besson]]></category>
		<category><![CDATA[Valerian and the City of a Thousand Planets]]></category>

		<guid isPermaLink="false">http://thetfs.ca/?p=94562</guid>
		<description><![CDATA[A long time from now, in a galaxy not too far from our own, special agents Maj. Valerian (Dane DeHaan) and Sgt. Laureline (Cara Delevingne) partake in an act of interstellar espionage. Working together, the operatives capture one of the last remnants from a nearly extinct alien species. After Valerian and Laureline deliver this sought-after [&#8230;]]]></description>
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