<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4102341014675876535</id><updated>2011-07-08T03:12:24.778-04:00</updated><title type='text'>Transmedia Narratology</title><subtitle type='html'>This is a research blog about transmedia narratology. This research blog serves as my set of notes and data for my research projects on transmedia narratology. Look at this research blog as a work-in-progress, as an online draft of my final papers. In this case, you get to look over my shoulder as I work through these research ideas.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>William Hart, Ph.D.</name><uri>http://www.blogger.com/profile/03879039241032017397</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>18</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-8810730436276414556</id><published>2010-08-28T14:45:00.002-04:00</published><updated>2010-08-30T23:08:05.475-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='King Kong'/><category scheme='http://www.blogger.com/atom/ns#' term='adaptation'/><title type='text'>Peter Jackson Infected with King Kong Meme</title><content type='html'>&lt;a href="http://www.amazon.com/King-Kong-Widescreen-Naomi-Watts/dp/B00005JO20?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=bil&amp;amp;camp=213689&amp;amp;creative=392969" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;" target="_blank"&gt;&lt;img alt="King Kong (Widescreen Edition)" src="http://ws.amazon.com/widgets/q?MarketPlace=US&amp;amp;ServiceVersion=20070822&amp;amp;ID=AsinImage&amp;amp;WS=1&amp;amp;Format=_SL160_&amp;amp;ASIN=B00005JO20&amp;amp;tag=transmedianarratology-20" /&gt;&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=bil&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=B00005JO20" style="border: medium none ! important; margin: 0px ! important; padding: 0px ! important;" width="1" /&gt;I'm interested in how story-memes adapt over time. I define a &lt;u&gt;story-meme&lt;/u&gt; as a special type of &lt;a href="http://dictionary.reference.com/browse/meme"&gt;meme&lt;/a&gt;, a cultural text which replicates and adapts in response to changes in the media and cultural environments.&amp;nbsp; &lt;i&gt;For example, how did the King Kong films adapt/change from 1933 to 1976 to 2005?&amp;nbsp; Why?&lt;/i&gt;&amp;nbsp; &lt;i&gt;Similarly, how did the &lt;a href="http://en.wikipedia.org/wiki/The_Lord_of_the_Rings_film_trilogy"&gt;Lord of the Rings story&lt;/a&gt; change from the 1954-55 novels to the 2001-03 films?&amp;nbsp; Why?&lt;/i&gt;&amp;nbsp; &lt;i&gt;Also, how do these memes begin?&lt;/i&gt;&lt;br /&gt;&amp;nbsp; &amp;nbsp; &lt;br /&gt;In the clip below film director Peter Jackson talks about how he was first inspired into film making by the 1933 version of&amp;nbsp;&lt;a href="http://www.amazon.com/King-Kong-Fay-Wray/dp/B000EHQTZO?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;King Kong&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=B000EHQTZO" style="border: medium none ! important; margin: 0px ! important; padding: 0px ! important;" width="1" /&gt;.&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;It is as if the King Kong meme took over this mind, metaphorically speaking.  Even to the extent that the meme was replicated in the 2005 version of &lt;a href="http://www.amazon.com/King-Kong-Widescreen-Naomi-Watts/dp/B00005JO20?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;King Kong&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=B00005JO20" style="border: medium none ! important; margin: 0px ! important; padding: 0px ! important;" width="1" /&gt; directed by Jackson.&lt;br /&gt;&lt;br /&gt;&lt;object height="288" width="512"&gt;&lt;param name="movie" value="http://www.hulu.com/embed/4nmXK6aBxUTpfrbQLyXj4g/113/180/i130"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.hulu.com/embed/4nmXK6aBxUTpfrbQLyXj4g/113/180/i130" type="application/x-shockwave-flash"  width="512" height="288" allowFullScreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;I'm am also interested in the King Kong films because of their racist overtones.&amp;nbsp; In 2005 &lt;a href="http://www.npr.org/templates/story/story.php?storyId=5066156"&gt;NPR asked:&lt;/a&gt; Do the King Kong films perpetuate racial stereotypes?&amp;nbsp; Listen below.  &lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" base="http://www.npr.org" height="386" src="http://www.npr.org/v2/?i=5066156&amp;amp;m=5066157&amp;amp;t=audio" type="application/x-shockwave-flash" width="400" wmode="opaque"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;And now let's combine the meme and racism ideas. There exists a certain visual meme that is related to the King Kong films and racism.&amp;nbsp; This visual meme continues to replicate itself &lt;a href="http://www.racialicious.com/2009/12/22/die-already-king-kong-racism-lady-gaga-edition/"&gt;from World War II propaganda posters to Lady Gaga album covers&lt;/a&gt;.  &lt;i&gt;Die already, visual meme.&amp;nbsp; Why doesn't it die?&amp;nbsp; Why do certain memes replicate?&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-8810730436276414556?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/8810730436276414556/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2010/08/peter-jackson-infected-with-king-kong.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8810730436276414556'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8810730436276414556'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2010/08/peter-jackson-infected-with-king-kong.html' title='Peter Jackson Infected with King Kong Meme'/><author><name>William Hart, Ph.D.</name><uri>http://www.blogger.com/profile/03879039241032017397</uri><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-1297754237567107251</id><published>2010-01-01T18:36:00.003-05:00</published><updated>2010-01-01T19:00:47.475-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='help'/><title type='text'>What is a blog?  How do you subscribe to a blog?</title><content type='html'>I've searched the Internet and I think the following videos do a great job in explaining basic blogging concepts (blog, reader, rss feed, etc.).  After watching these videos you'll be able to &lt;a href="http://feeds.feedburner.com/TransmediaNarratology" rel="alternate" type="application/rss+xml"&gt;subscribe to this blog&lt;/a&gt; and perhaps even start your own blog.  &lt;a href="http://www.transmedianarratology.com/contact-info"&gt;Let me&lt;/a&gt; know if you do.&lt;br /&gt;&lt;br /&gt;&lt;object height="405" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/NN2I1pWXjXI&amp;hl=en_US&amp;fs=1&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;border=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/NN2I1pWXjXI&amp;hl=en_US&amp;fs=1&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="405"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="405" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/0klgLsSxGsU&amp;hl=en_US&amp;fs=1&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;border=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/0klgLsSxGsU&amp;hl=en_US&amp;fs=1&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="405"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="315" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/VSPZ2Uu_X3Y&amp;hl=en_US&amp;fs=1&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;border=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/VSPZ2Uu_X3Y&amp;hl=en_US&amp;fs=1&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="315"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-1297754237567107251?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/1297754237567107251/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2010/01/what-is-blog-how-do-you-subscribe-to.html#comment-form' title='36 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/1297754237567107251'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/1297754237567107251'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2010/01/what-is-blog-how-do-you-subscribe-to.html' title='What is a blog?  How do you subscribe to a blog?'/><author><name>William Hart, Ph.D.</name><uri>http://www.blogger.com/profile/03879039241032017397</uri><email>noreply@blogger.com</email></author><thr:total>36</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-291466943090451419</id><published>2009-12-30T17:56:00.003-05:00</published><updated>2009-12-30T20:34:32.603-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><title type='text'>Video Games 2009: Stats and Stories</title><content type='html'>In his review of 2009 video games, Mike Snider at USA TODAY, brought up some interesting points.&amp;nbsp; These points further confirm the importance of video games as an area of study and as a form of storytelling.&lt;br /&gt;&lt;span id="goog_1262222982234"&gt;&lt;/span&gt;&lt;span id="goog_1262222982235"&gt;&lt;/span&gt;&lt;a href="http://www.blogger.com/"&gt;&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;a href="http://www.amazon.com/Eidos-1000094911-Batman-Arkham-Asylum/dp/B001E8VB6O?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://ws.amazon.com/widgets/q?MarketPlace=US&amp;amp;ServiceVersion=20070822&amp;amp;ID=AsinImage&amp;amp;WS=1&amp;amp;Format=_SL160_&amp;amp;ASIN=B001E8VB6O&amp;amp;tag=transmedianarratology-20" /&gt;&lt;/a&gt;&lt;li&gt;"About two-thirds of Americans now play on traditional game systems, cellphones, websites or social networking sites, according to market trackers at The NPD Group. And six out of 10 U.S. households now own at least one console system, consulting firm Deloitte says."&lt;/li&gt;&lt;li&gt;"Games not only looked bigger, but they also told bigger, more complex stories. 'The storytelling got really great,' Keighley [Geoff Keighley of Spike's GameTrailers TV] says. '&lt;a href="http://www.amazon.com/Eidos-1000094911-Batman-Arkham-Asylum/dp/B001E8VB6O?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;Batman: Arkham Asylum and Uncharted&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=B001E8VB6O" style="border: medium none ! important; margin: 0px ! important;" width="1" /&gt; set the high bar in terms of storytelling.'" &lt;/li&gt;&lt;li&gt;"Sci-fi role-playing game Mass Effect 2 (Jan. 26, Xbox 360 and PC) has a 'very convoluted narrative with a lot of morally ambiguous choices left open, (and) no two games will play alike,' he [Scott Steinberg of DigitalTrends.com] says. 'Now that developers have the power to tell that deep, more absorbing narrative and create a sense of personalization for every player, they are going to continue to tap into that.'"&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;* &lt;a href="http://delicious.com/WilliamHartPhD/tnblogpost123009"&gt;Sources for this post at Delicious&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-291466943090451419?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/291466943090451419/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/12/video-games-2009-stats-and-stories.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/291466943090451419'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/291466943090451419'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/12/video-games-2009-stats-and-stories.html' title='Video Games 2009: Stats and Stories'/><author><name>William Hart, Ph.D.</name><uri>http://www.blogger.com/profile/03879039241032017397</uri><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-2198490844400760024</id><published>2009-12-12T19:52:00.008-05:00</published><updated>2009-12-17T18:13:16.207-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mystery'/><category scheme='http://www.blogger.com/atom/ns#' term='chapter length'/><category scheme='http://www.blogger.com/atom/ns#' term='review'/><category scheme='http://www.blogger.com/atom/ns#' term='style'/><category scheme='http://www.blogger.com/atom/ns#' term='novel'/><category scheme='http://www.blogger.com/atom/ns#' term='Patterson'/><title type='text'>Where Does Patterson's Short Chapters and Compactness Come From?</title><content type='html'>&lt;a href="http://www.amazon.com/Mrs-Bridge-Evan-S-Connell/dp/1593760590?ie=UTF8&amp;amp;tag=interculturalrel&amp;amp;link_code=bil&amp;amp;camp=213689&amp;amp;creative=392969" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;" target="_blank"&gt;&lt;img alt="Mrs. Bridge: A Novel" src="http://ws.amazon.com/widgets/q?MarketPlace=US&amp;amp;ServiceVersion=20070822&amp;amp;ID=AsinImage&amp;amp;WS=1&amp;amp;Format=_SL160_&amp;amp;ASIN=1593760590&amp;amp;tag=interculturalrel" /&gt;&lt;/a&gt;On NPR a few days ago James Patterson discussed a novel that influenced him, &lt;a href="http://www.amazon.com/gp/product/1593760590?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=1593760590"&gt;Mrs. Bridge: A Novel&lt;/a&gt;.&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=1593760590" style="border: medium none; margin: 0px;" width="1" /&gt;&lt;br /&gt;&lt;br /&gt;Patterson notes in the audio that &lt;a href="http://www.amazon.com/gp/product/1593760590?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=1593760590"&gt;Mrs. Bridge: A Novel&lt;/a&gt;&amp;nbsp;"certainly helped inspire&amp;nbsp;[his] writing style. Short chapters, compactness, and clarity."&amp;nbsp;&amp;nbsp; &lt;i&gt;Listen to the full audio of James Patterson below.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;In the audio does it sound like James is channeling Andy Rooney or is that just me?&amp;nbsp; :)&lt;br /&gt;&lt;br /&gt;Note also the mention of "mysteries" in the audio.&amp;nbsp; Patterson writes mysteries, right?&lt;br /&gt;&lt;br /&gt;* &lt;a href="http://delicious.com/WilliamHartPhD/transmedia_narratology_blog+post121209b"&gt;Sources for this Post at Delicious&lt;/a&gt;.&lt;br /&gt;&lt;i&gt;Listen to the full&amp;nbsp;audio of James Patterson&amp;nbsp;below.&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" base="http://www.npr.org" height="386" src="http://www.npr.org/v2/?i=120500589&amp;amp;m=121216144&amp;amp;t=audio" type="application/x-shockwave-flash" width="400" wmode="opaque"&gt;&lt;/embed&gt;&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-2198490844400760024?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/2198490844400760024/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/12/where-does-pattersons-short-chapters.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/2198490844400760024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/2198490844400760024'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/12/where-does-pattersons-short-chapters.html' title='Where Does Patterson&apos;s Short Chapters and Compactness Come From?'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-8833287153886646104</id><published>2009-12-12T18:19:00.004-05:00</published><updated>2009-12-30T20:52:15.171-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='adaptation'/><category scheme='http://www.blogger.com/atom/ns#' term='Private'/><category scheme='http://www.blogger.com/atom/ns#' term='TV'/><category scheme='http://www.blogger.com/atom/ns#' term='novel'/><category scheme='http://www.blogger.com/atom/ns#' term='Patterson'/><title type='text'>Patterson's "Private" Novel to be Adapted for TV</title><content type='html'>&lt;i&gt;Variety&lt;/i&gt; reports that James Patterson's upcoming novel "&lt;a href="http://www.amazon.com/Private-James-Patterson/dp/0316096156?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;Private&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=0316096156" style="border: medium none ! important; margin: 0px ! important;" width="1" /&gt;" will be adapted for a TV drama on CBS.&amp;nbsp; Jason Cahill will write the adaptation.&amp;nbsp; Cahill&amp;nbsp;has&amp;nbsp;written for "Fringe,"&amp;nbsp;"The Sopranos," "NYPD Blue" and "ER."&amp;nbsp; Cahill will also serve as producer along with Brian Grazer, David Nevins and Patterson.&lt;br /&gt;&lt;br /&gt;According to&amp;nbsp;&lt;i&gt;Digital Spy&lt;/i&gt; the main character of the upcoming "&lt;a href="http://www.amazon.com/Private-James-Patterson/dp/0316096156?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;Private&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=0316096156" style="border: medium none ! important; margin: 0px ! important;" width="1" /&gt;" novel&amp;nbsp;is Jack Morgan, a former Marine and CIA agent.&amp;nbsp; In the novel Morgan has his hands full.&amp;nbsp; He takes over his father's private investigation and security business.&amp;nbsp; He investigates a NFL gambling problem.&amp;nbsp; He tries to track down the murder of 18 school girls and he also works on the murder of his best friend's wife.&lt;br /&gt;&lt;br /&gt;Maxine Paetro co-authored "&lt;a href="http://www.amazon.com/Private-James-Patterson/dp/0316096156?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;Private&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=0316096156" style="border: medium none ! important; margin: 0px ! important;" width="1" /&gt;" with Patterson.&lt;br /&gt;&lt;br /&gt;*&lt;a href="http://delicious.com/WilliamHartPhD/transmedia_narratology_blog+post121209"&gt;Sources for this post&amp;nbsp;at Delicious&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-8833287153886646104?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/8833287153886646104/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/12/pattersons-private-novel-to-be-adapted.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8833287153886646104'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8833287153886646104'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/12/pattersons-private-novel-to-be-adapted.html' title='Patterson&apos;s &quot;Private&quot; Novel to be Adapted for TV'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-1554906392160478373</id><published>2009-12-10T00:00:00.004-05:00</published><updated>2009-12-12T14:17:47.175-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mystery'/><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><category scheme='http://www.blogger.com/atom/ns#' term='novel'/><category scheme='http://www.blogger.com/atom/ns#' term='genre'/><category scheme='http://www.blogger.com/atom/ns#' term='Patterson'/><title type='text'>Patterson Writes Mysteries?</title><content type='html'>&lt;div style="text-align: left;"&gt;Earlier tonight I dropped by my local Barnes and Noble to see what James Patterson books they had.&amp;nbsp; I first&amp;nbsp;searched the mystery section of the store, but didn't find&amp;nbsp;any Patterson there.&amp;nbsp; I asked the salesperson at the information desk where I'd find Patterson's work and why.&amp;nbsp; Well, I actually&amp;nbsp;knew the where.&amp;nbsp; It was in the "Literature and Fiction" section.&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;It was the answer to the why-question that was more interesting.&amp;nbsp; The salesperson said the publisher decides (at least in B&amp;amp;N's case)&amp;nbsp;what section of the store in which the&amp;nbsp;book is placed.&amp;nbsp;&amp;nbsp;The salesperson mentioned also&amp;nbsp;just a few weeks ago the publisher told B&amp;amp;N to move Patterson's teen novels to the "Literature &amp;amp; Fiction" section.&amp;nbsp;However, they moved the teen&amp;nbsp;novel back because, I assume, sales went down.&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;What section should Patterson's Cross and WMC novels be placed?&amp;nbsp; Mystery?&amp;nbsp;&amp;nbsp;Are&amp;nbsp;these mysteries novels?&amp;nbsp; What is a mystery?&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;To be continued...&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-1554906392160478373?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/1554906392160478373/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/12/patterson-writes-mysteries.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/1554906392160478373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/1554906392160478373'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/12/patterson-writes-mysteries.html' title='Patterson Writes Mysteries?'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-8992465716176754988</id><published>2009-11-30T22:15:00.000-05:00</published><updated>2009-11-30T22:15:44.784-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='introduction'/><title type='text'>Theory and praxis in this research project.</title><content type='html'>In this paper we will address both theory and praxis.&amp;nbsp; The two research questions show this.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-8992465716176754988?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/8992465716176754988/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/theory-and-praxis-in-this-research.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8992465716176754988'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8992465716176754988'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/theory-and-praxis-in-this-research.html' title='Theory and praxis in this research project.'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-5982649244720873945</id><published>2009-11-30T20:13:00.001-05:00</published><updated>2009-11-30T22:23:41.497-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='theory'/><category scheme='http://www.blogger.com/atom/ns#' term='information theory'/><title type='text'>Information Theory and Adaptation</title><content type='html'>I wonder how &lt;a href="http://www.wisegeek.com/what-is-information-theory.htm"&gt;information theory&lt;/a&gt; (from the fields of computer science, mathematics and communication studies) can be applied to transmedia adaptations.&amp;nbsp; Information theory&amp;nbsp;focuses on how information is&amp;nbsp;transmitted with special attention given to the&amp;nbsp;errors/data loss in the process.&amp;nbsp;&amp;nbsp;Is data lost in adaptations?&lt;br /&gt;&lt;br /&gt;Is this comparison mere metaphor or something more?&amp;nbsp;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-5982649244720873945?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/5982649244720873945/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/information-theory-and-adaptation.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/5982649244720873945'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/5982649244720873945'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/information-theory-and-adaptation.html' title='Information Theory and Adaptation'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-7644180963502772232</id><published>2009-11-30T19:32:00.000-05:00</published><updated>2009-11-30T19:32:16.529-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='theory'/><title type='text'>Types of Transmedia Adaptations</title><content type='html'>&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;table border="1" bordercolor="#888888" cellspacing="0" style="border-bottom-color: rgb(136,136,136); border-bottom-width: 1px; border-collapse: collapse; border-left-color: rgb(136,136,136); border-left-width: 1px; border-right-color: rgb(136,136,136); border-right-width: 1px; border-top-color: rgb(136,136,136); border-top-width: 1px;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="background-color: #d0e0e3; height: 48px; width: 59px;"&gt;&lt;i&gt;source&lt;/i&gt;&lt;br /&gt;---------&lt;br /&gt;&lt;i&gt;derivative&lt;/i&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="background-color: #d0e0e3; height: 48px; width: 83px;"&gt;&lt;b&gt;novel&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="background-color: #d0e0e3; height: 48px; width: 87px;"&gt;&lt;b&gt;film&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="background-color: #d0e0e3; height: 48px; width: 86px;"&gt;&lt;b&gt;comic book&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="background-color: #d0e0e3; height: 48px; width: 93px;"&gt;&lt;b&gt;video game&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="background-color: #b6d7a8; height: 16px; width: 59px;"&gt;&lt;b&gt;novel&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 16px; width: 83px;"&gt;e.g. modern update of older novel&lt;br /&gt;&lt;br /&gt;&lt;span style="background-color: #666666;"&gt;&lt;/span&gt;&lt;span style="background-color: black;"&gt;&lt;/span&gt;&lt;span style="background-color: #444444;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 16px; width: 87px;"&gt;novelization&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 16px; width: 86px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 16px; width: 93px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="background-color: #b6d7a8; height: 48px; width: 59px;"&gt;&lt;b&gt;film&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 48px; width: 83px;"&gt;film adaptation of novel&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 48px; width: 87px;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 48px; width: 86px;"&gt;e.g. films based on Marvel comics&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 48px; width: 93px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="background-color: #b6d7a8; height: 32px; width: 59px;"&gt;&lt;b&gt;comic book&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 32px; width: 83px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 32px; width: 87px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 32px; width: 86px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 32px; width: 93px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="background-color: #b6d7a8; height: 32px; width: 59px;"&gt;&lt;b&gt;video game&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 32px; width: 83px;"&gt;Women's Murder Club games&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 32px; width: 87px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 32px; width: 86px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="height: 32px; width: 93px;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;Initial thoughts.&amp;nbsp; More to be worked out later.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-7644180963502772232?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/7644180963502772232/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/types-of-transmedia-adaptations.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/7644180963502772232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/7644180963502772232'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/types-of-transmedia-adaptations.html' title='Types of Transmedia Adaptations'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-8453188057402732107</id><published>2009-11-30T00:28:00.001-05:00</published><updated>2009-11-30T00:30:16.141-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='theory'/><category scheme='http://www.blogger.com/atom/ns#' term='analysis'/><category scheme='http://www.blogger.com/atom/ns#' term='method'/><title type='text'>Three Levels of Analysis in Transmedia Narratology</title><content type='html'>When moving a story from one medium to another there seems to be 3 areas (or levels?)&amp;nbsp;to focus on.&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Is the original author's style preserved?&lt;/li&gt;&lt;li&gt;Are the particular aspects of original genre preserved?&lt;/li&gt;&lt;li&gt;Is the story preserved?&lt;/li&gt;&lt;/ol&gt;There appears to be 3 levels of analysis (author, genre, story)&lt;br /&gt;&lt;br /&gt;In game studies, it appears that the focus is on level 3.&amp;nbsp; But, what about genre characteristics and author style?&lt;br /&gt;&lt;br /&gt;Of course, this is assuming that the goal is to preserve characteristics of the original.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-8453188057402732107?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/8453188057402732107/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/three-levels-of-analysis-in-transmedia.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8453188057402732107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8453188057402732107'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/three-levels-of-analysis-in-transmedia.html' title='Three Levels of Analysis in Transmedia Narratology'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-8066597980180281089</id><published>2009-11-29T23:33:00.004-05:00</published><updated>2009-12-29T20:21:37.419-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='character'/><category scheme='http://www.blogger.com/atom/ns#' term='style'/><category scheme='http://www.blogger.com/atom/ns#' term='Patterson'/><title type='text'>James Patterson on Exposition and Character</title><content type='html'>In this short clip from the JamesPatterson.com site&amp;nbsp;Patterson talks about his style of writing about his characters.&amp;nbsp; He says his style is &lt;i&gt;colloquial storytelling&lt;/i&gt; in which there is not an excess of information shared about the characters.&amp;nbsp; Some authors give a lot of background information, but Patterson does not.&amp;nbsp; This works especially when you can spread out background information over a series of novels.&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" bgcolor="#FFFFFF" flashvars="config=http%3A%2F%2Fmyjamespatterson.com%2Fvideo%2Fvideo%2FshowPlayerConfig%3Fid%3D2029460%253AVideo%253A84760%26ck%3D-&amp;amp;video_smoothing=on&amp;amp;autoplay=off&amp;amp;isEmbedCode=1" height="303" pluginspage="http://www.macromedia.com/go/getflashplayer" scale="noscale" src="http://static.ning.com/socialnetworkmain/widgets/video/flvplayer/flvplayer.swf?v=200911242100" type="application/x-shockwave-flash" width="425" wmode="opaque"&gt;&lt;/embed&gt; &lt;br /&gt;&lt;small&gt;&lt;a href="http://myjamespatterson.com/video/video"&gt;Find more videos like this on &lt;i&gt;The James Patterson Community&lt;/i&gt;&lt;/a&gt;&lt;/small&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-8066597980180281089?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/8066597980180281089/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/james-patterson-on-exposition-and.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8066597980180281089'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8066597980180281089'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/james-patterson-on-exposition-and.html' title='James Patterson on Exposition and Character'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-5868155048715000644</id><published>2009-11-29T22:00:00.002-05:00</published><updated>2009-11-29T22:01:55.983-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='rq'/><category scheme='http://www.blogger.com/atom/ns#' term='title'/><category scheme='http://www.blogger.com/atom/ns#' term='method'/><category scheme='http://www.blogger.com/atom/ns#' term='abstract'/><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><title type='text'>Abstract/Proposal for Paper (Draft 2)</title><content type='html'>&lt;span style="font-family: inherit;"&gt;Abstract/Proposal&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;Transmedia Narratology, the Mystery Novel and Video Games&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;by William Hart and Akeem Caffee&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;By means of narrative criticism this paper aims to answer the following questions: (1) How do mystery narratives change when being adapted from novels to video games? (2) How should mystery video games be designed? &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;The specific texts analyzed are the Women’s Murder Club series of novels written by James Patterson and the four recently released Women’s Murder Club video games (3 PC and 1 DS). In the past three years Patterson’s books have sold 170 million copies worldwide, more books than any other author. In addition, Patterson has had nineteen consecutive #1 New York Times bestselling novels. However, there is very little scholarly analysis of Patterson’s work compared to the work of Stephen King, for example. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;While video games have been around since the 1970s, only in the past decade has video game studies carved out a niche of its own. Within the growing video game studies literature there is some general study of adaptation, however, there is little attention given to adaptation within specific genres. Given that the mystery genre is especially defined by “rules” for how best to construct a mystery, adaptation from a mystery novel to a mystery video game is especially challenging. Thus, a study of how Patterson’s mystery novels have been adapted to mystery video games is worthy of some attention.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;The paper concludes with some theoretical insight for transmedia narratology and some practical advice on mystery video game design. Additionally the paper gives some insight on the narratology-ludology debate found in the video game studies literature.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(Note: This paper will be written over the next couple of months.)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-5868155048715000644?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/5868155048715000644/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/abstractproposal-for-paper-draft-2.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/5868155048715000644'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/5868155048715000644'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/abstractproposal-for-paper-draft-2.html' title='Abstract/Proposal for Paper (Draft 2)'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-8648561736418403035</id><published>2009-11-29T03:45:00.006-05:00</published><updated>2009-11-29T04:38:17.903-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='abstract'/><title type='text'>Abstract for Paper (Draft 1)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm3.static.flickr.com/2302/2532338034_9c217796f4.jpg"&gt;&lt;img style="MARGIN: 0pt 0pt 10px 10px; WIDTH: 157px; FLOAT: right; HEIGHT: 98px; CURSOR: pointer" border="0" alt="" src="http://farm3.static.flickr.com/2302/2532338034_9c217796f4.jpg" /&gt;&lt;/a&gt;Texts to be Analyzed:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;James Patterson's 8 Women's Murder Club novels.&lt;/li&gt;&lt;li&gt;The 4 Women's Murder Club video games (3 PC and 1 DS).&lt;/li&gt;&lt;/ul&gt;Justification for Artifacts/Texts:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;James Patterson novels popular.&lt;/li&gt;&lt;li&gt;No or very little scholarly attention to Patterson's "light" novels (as opposed to say King's).&lt;br /&gt;&lt;/li&gt;&lt;li&gt;Video games new.&lt;/li&gt;&lt;li&gt;Study of video games relatively new.&lt;/li&gt;&lt;li&gt;Video games more and more popular.&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;Justification for Study&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Offer practical advice on video game design, specifically for mystery game design.&lt;/li&gt;&lt;li&gt;Provide some theoretical insight on transmedia narratology in the context of mystery narratives.&lt;br /&gt;&lt;/li&gt;&lt;li&gt;Give some insight on the narratology-ludology debate in video game studies.&lt;/li&gt;&lt;/ul&gt;Research Questions&lt;br /&gt;&lt;ul&gt;&lt;li&gt;How best to design mystery video games?&lt;/li&gt;&lt;li&gt;How do mystery narratives change when going from novel to video game?&lt;br /&gt;&lt;/li&gt;&lt;li&gt;Are video games stories/narratives?&lt;/li&gt;&lt;/ul&gt;Method&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Narrative analysis (diegesis, story&lt;span style="font-size:78%;"&gt;g&lt;/span&gt;, story&lt;span style="font-size:78%;"&gt;c&lt;/span&gt;, narrative cohesion, narrative fidelity, preferred reading, etc.)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;Photo Info: &lt;a href="http://www.flickr.com/photos/fabioperez/" rel="cc:attributionURL"&gt;http://www.flickr.com/photos/fabioperez/&lt;/a&gt; / &lt;a href="http://creativecommons.org/licenses/by-nc-nd/2.0/" rel="license"&gt;CC BY-NC-ND 2.0&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-8648561736418403035?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/8648561736418403035/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/abstract-for-paper-draft-1.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8648561736418403035'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8648561736418403035'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/abstract-for-paper-draft-1.html' title='Abstract for Paper (Draft 1)'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm3.static.flickr.com/2302/2532338034_9c217796f4_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-8572062164675920919</id><published>2009-11-29T03:12:00.005-05:00</published><updated>2009-11-29T23:47:19.055-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='games'/><category scheme='http://www.blogger.com/atom/ns#' term='casual'/><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><title type='text'>26 Million People Play Farmville on a Daily Basis</title><content type='html'>According to software developer,  Zynga, 26 million people play &lt;span style="font-style: italic;"&gt;Farmville&lt;/span&gt;, the &lt;a href="http://www.facebook.com/apps/application.php?id=102452128776"&gt;Facebook-based farm simulation game&lt;/a&gt;, on a daily basis.  There are 65 million users total.  My 2 youngest daughters are 2 of the 65 million users.&lt;br /&gt;&lt;br /&gt;Online casual video games deserve some attention, yes?&lt;br /&gt;&lt;br /&gt;(&lt;a href="http://www.citeulike.org/user/WilliamHartPhD/article/6238541?citation_format=plain#"&gt;Gamasutra&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="295"&gt;&lt;param name="movie" value="http://www.youtube.com/v/bpPEXNtz_TY&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/bpPEXNtz_TY&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="400" height="245"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-8572062164675920919?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/8572062164675920919/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/26-million-people-play-farmville-on.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8572062164675920919'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8572062164675920919'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/26-million-people-play-farmville-on.html' title='26 Million People Play Farmville on a Daily Basis'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-5401401460751665682</id><published>2009-11-29T02:48:00.001-05:00</published><updated>2009-11-29T23:41:55.709-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><category scheme='http://www.blogger.com/atom/ns#' term='Patterson'/><title type='text'>Legends &amp; Legacies: James Patterson (YouTube Video)</title><content type='html'>A 4 minute + video giving some good background on James Patterson.&lt;br /&gt;&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/FHA1XibOHB4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/FHA1XibOHB4&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-5401401460751665682?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/5401401460751665682/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/legends-legacies-james-patterson.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/5401401460751665682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/5401401460751665682'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/legends-legacies-james-patterson.html' title='Legends &amp; Legacies: James Patterson (YouTube Video)'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-1362224554990313521</id><published>2009-11-29T00:52:00.004-05:00</published><updated>2009-12-30T15:52:19.978-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><category scheme='http://www.blogger.com/atom/ns#' term='videogames'/><title type='text'>Call to Attention: The Call of Duty Video Games</title><content type='html'>&lt;a href="http://www.amazon.com/Call-Duty-Modern-Warfare-2/dp/B00269QLI8?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=bil&amp;amp;camp=213689&amp;amp;creative=392969" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;" target="_blank"&gt;&lt;img alt="Call of Duty: Modern Warfare 2" src="http://ws.amazon.com/widgets/q?MarketPlace=US&amp;amp;ServiceVersion=20070822&amp;amp;ID=AsinImage&amp;amp;WS=1&amp;amp;Format=_SL160_&amp;amp;ASIN=B00269QLI8&amp;amp;tag=transmedianarratology-20" /&gt;&lt;/a&gt;&lt;a href="http://www.amazon.com/Call-Duty-Modern-Warfare-2/dp/B00269QLI8?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;Call of Duty: Modern Warfare 2&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=B00269QLI8" style="border: medium none ! important; margin: 0px ! important;" width="1" /&gt;According to &lt;a href="http://investor.activision.com/releasedetail.cfm?ReleaseID=426784"&gt;a recent Activision press release&lt;/a&gt; the six video games in the &lt;i&gt;Call of Duty&lt;/i&gt; franchises have sold over  55 million units worldwide. After you do the math that is &lt;span style="font-style: italic;"&gt;$3 billion in retail sales worldwide&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;We need some points of comparison.  The &lt;span style="font-style: italic;"&gt;Call of Duty&lt;/span&gt; sales do not, for example, match the total world-wide box office earnings for the 6 &lt;span style="font-style: italic;"&gt;Star Wars&lt;/span&gt;&lt;a href="http://boxofficemojo.com/franchises/chart/?id=starwars.htm"&gt; &lt;/a&gt;films or the 6 &lt;span style="font-style: italic;"&gt;Harry Potter&lt;/span&gt; films but, they are getting closer.  The &lt;span style="font-style: italic;"&gt;Call of Duty&lt;/span&gt; franchises does, however, surpass the &lt;span style="font-style: italic;"&gt;3 Pirates of the Caribbean&lt;/span&gt; films or the 3 &lt;span style="font-style: italic;"&gt;The Lord of the Rings&lt;/span&gt; films in gross sales world-wide (see &lt;a href="http://boxofficemojo.com/alltime/world/"&gt;top grossing film franchises&lt;/a&gt;).&lt;b&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;Also, according to the press release, the latest installment in the series, &lt;i&gt;&lt;a href="http://www.amazon.com/Call-Duty-Modern-Warfare-2/dp/B00269QLI8?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;Call of Duty:Modern Warfare 2&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=B00269QLI8" style="border: medium none ! important; margin: 0px ! important;" width="1" /&gt;&lt;/i&gt;, earned $550 million in world-wide sales in the first five days, "the biggest entertainment launch in history."  As another point of comparison, the recent release of &lt;a href="http://boxofficemojo.com/movies/?id=newmoon.htm"&gt;&lt;span style="font-style: italic;"&gt;The Twilight Saga: New Moon&lt;/span&gt;&lt;/a&gt; only reached $338 million in world-wide sales in 8 days.*  &lt;span style="font-style: italic;"&gt;New Moon&lt;/span&gt; is "the &lt;a href="http://boxofficemojo.com/news/?id=2627&amp;amp;p=.htm"&gt;third highest-grossing opening&lt;/a&gt; behind only &lt;span style="font-style: italic;"&gt;The Dark Knight&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;Spider-Man 3&lt;/span&gt;."&lt;br /&gt;More interestingly, Bobby Kotick, CEO of Activision Blizzard, Inc. said "If you consider the number of hours our audiences are engaged in playing &lt;i&gt;Call of Duty &lt;/i&gt;games, it is likely to be one of the most viewed of all entertainment experiences in modern history."&lt;br /&gt;&lt;br /&gt;With numbers and statements like these, video games deserve some attention, yes?&lt;br /&gt;&lt;br /&gt;An extra: A Video Review of &lt;i&gt;&lt;a href="http://www.amazon.com/Call-Duty-Modern-Warfare-2/dp/B00269QLI8?ie=UTF8&amp;amp;tag=transmedianarratology-20&amp;amp;link_code=btl&amp;amp;camp=213689&amp;amp;creative=392969" target="_blank"&gt;Call of Duty:Modern Warfare 2&lt;/a&gt;&lt;img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=transmedianarratology-20&amp;amp;l=btl&amp;amp;camp=213689&amp;amp;creative=392969&amp;amp;o=1&amp;amp;a=B00269QLI8" style="border: medium none ! important; margin: 0px ! important;" width="1" /&gt;&lt;/i&gt;&lt;br /&gt;&lt;object height="295" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Y1zFmnlmSZE&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/Y1zFmnlmSZE&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="240" width="400"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;* In fairness, &lt;span style="font-style: italic;"&gt;New Moon&lt;/span&gt; was not &lt;a href="http://www.imdb.com/title/tt1259571/releaseinfo"&gt;released&lt;/a&gt; in all countries on the same day.  However, even considering this staggered release &lt;span style="font-style: italic;"&gt;Call of Duty: Modern Warfare 2&lt;/span&gt; is at least comparable.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-1362224554990313521?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/1362224554990313521/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/call-to-attention-call-of-duty-video.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/1362224554990313521'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/1362224554990313521'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/call-to-attention-call-of-duty-video.html' title='Call to Attention: The Call of Duty Video Games'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-7124148326925375862</id><published>2009-11-29T00:37:00.000-05:00</published><updated>2009-11-29T00:40:26.575-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='title'/><title type='text'>Possible Titles for Transmedia Narratology Paper</title><content type='html'>&lt;ul&gt;&lt;li&gt;Transmedia Narratology in the Mystery Genre&lt;/li&gt;&lt;li&gt;Mystery Novel to Mystery Video Game: .....&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-7124148326925375862?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/7124148326925375862/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/possible-titles-for-transmedia.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/7124148326925375862'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/7124148326925375862'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/possible-titles-for-transmedia.html' title='Possible Titles for Transmedia Narratology Paper'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4102341014675876535.post-8776032047540804850</id><published>2009-11-28T16:15:00.001-05:00</published><updated>2009-12-28T23:23:12.379-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='transmedia'/><category scheme='http://www.blogger.com/atom/ns#' term='definition'/><category scheme='http://www.blogger.com/atom/ns#' term='narratology'/><title type='text'>What is Transmedia Narratology?</title><content type='html'>&lt;i&gt;Transmedia narratology&lt;/i&gt; is defined here as the study of how story and story structure change in the process of moving from one medium to another (e.g. from novel to film, from novel to video game, from scientific publication to print news story).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4102341014675876535-8776032047540804850?l=transmedianarratology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://transmedianarratology.blogspot.com/feeds/8776032047540804850/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/what-is-transmedia-narratology.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8776032047540804850'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4102341014675876535/posts/default/8776032047540804850'/><link rel='alternate' type='text/html' href='http://transmedianarratology.blogspot.com/2009/11/what-is-transmedia-narratology.html' title='What is Transmedia Narratology?'/><author><name>William Hart, Ph.D.</name><email>noreply@blogger.com</email></author><thr:total>0</thr:total></entry></feed>