Trick Talk

REVIEW: Attack of Monster Mentalism DVD by Docc Hilford

2012-01-29T15:44:00.000-08:00

Hello everybody!
It’s a new year and man, last night I had an awesome show. So great to get my groove on!

I want to give a big shout out to my buddy Peter Loughran and his new effect Creature Shock, which looks absolutely incredible! This new release and his Witchcraft are on my "must buy" list.:)

On to this week’s review: DVD number 1 of Docc Hilford’s Monster Mentalism Set. It’s called “Attack of Monster Mentalism.” You can buy the whole set or the DVDs individually from Hocus Pocus. By itself, this DVD is $34.95.

First I want to give some overall thoughts on Docc Hilford himself. I first found out about Docc from the New Invocation magazine, which he took over from Tony Andruzzi. Docc’s writings were delightfully weird and practical.

Years later, I had the opportunity to watch Docc on the Desert Brainstorm series. On those DVDs, I thought Docc’s performances were melodramatic, drawn out and just plain boring. Nonetheless, I decided to get the Monster Mentalism DVDs because many of the effects sounded intriguing.

After watching all four DVDs, I was blown away by how charismatic Docc was. His charm and personality seemed to leap out of the TV screen. Where was this guy during the Desert Brainstorm DVDs? When watching the Monster DVDs, I could instantly see why so many people are drawn to Docc…but this incredible gift of his certainly does make his material more challenging for other people to perform, as least from where I sit.

FORMAT: Each DVD, assuming you hit the play from beginning feature, begins with a sort of psychedelic, 50’s motive musical introduction that goes on…way…too…long. Then Docc, wearing a sharp suit, performs his set in front of your typical L&L audience, including “Frontrow Frank,” and at one point, Docc evenly gently chides Frank. After the effects, Docc sits and explains them with his good friend, David Alexander, sits with him so the two can banter about performing philosophy, not only pertaining to the included effects but also performing as a whole.

As the two talk, you get a sense of their real life relationship and the casual way they dialog is helpful to making these DVDs very enjoyable to spend time with these two men.

Here are the effects on Disk One along with my thoughts and ratings using the 10 scale…

TIME WILL TELL – This is a time effect, as the title would suggest. A spectator sets his time to any time he wishes and the mentalist reads his mind, writing the time on a billet. This is good effect, but a key thing to keep in mind with billet work is NOT necessarily the physical work but the fact that there is often a lot of fiddling and writing going on before “stuff” happens, so the biggest challenge, then, is keeping the audience’s interest during all of this. The journey truly is paramount, here. 5 out of 10.

JAILBAIT – In essence, this is a re-working of the old “numbers” trick that comes with magic sets…the one where you hand someone several cards with numbers on them, they think of a number and then hand the cards that have said number on it back to you and without them saying a word, you’re able to reveal the number. Docc’s handling is a little different, giving the piece another “logical disconnect” and framing the effect with a delightfully absurd premise that I easily fell in love with. From a marketing perspective, Docc reveals a way to use this to put your contact info in people’s hands. It’s a charmer, great for strolling and one of the best pieces on the whole set. 9 out of 10.

DEAD OR ALIVE – As the subject title would suggest, this is a living/dead test with billets and a swinging pendulum. I use pendulums all the time in my hypnosis work as a ‘convincer’ and can attest to the power of using it in the deception arts too. The handling of the billets is simple, angles are good, etc. Unfortunately, since Docc’s premise is of a living/dead test, you are dealing with, potentially, powerful memories and therefore a routine like this has to be handled with kids’ gloves. In fact, even though Docc keeps the proceedings light and upbeat, the participant for this routine got a little “misty,” as in teary-eyed, causing Docc to immediately work to keep her mood 'light.' I can see this being unbelievably powerful for séance work, but caution is advised. Another 9 out of 10.

T-4-2 – This is a card mindreading effect, specifically the divination of a card (of course) and like all card effects in mentalism, you’ll have to decide for yourself whether adding cards to a pure mentalism performance is for you. Since this is a mentalism DVD with Docc Hilford, he’s not afraid to mix up mental magic, mentalism and even regular magic, so the viewer will have to make the determination whether it’s right for them. Personally, I feel effects like this are way too dry for a regular magic show so if I were to ever use it, it would be in the context of a mentalism show. This is just OK in my book. 5 out of 10.

HARD AND SOFT DRINKS – This is a billet effect in which the mentalist uses a hat to contain several billets that have drinks’ names written on them. The magician is able to use his mojo (and a little billet work) to reveal the chosen drinks. I thought this was the weakest effect on the entire disk. Docc is charismatic as hell to pull this off, barely, as even the L&L faithful didn’t seem blown away. The idea of using alcoholic drinks in a mindreading routine for adults is a great hook t get the attention of adults but the billet work just takes too long to set up and using the hat struck me as very unnatural. Personally, I would probably take the overall premise of the routine and combine it with Bob Cassidy’s fantastic two billet routine, Name/Place, off of his Mental Miracles DVD. That handling is streamlined and smooth as hell, without Docc’s clunky hat to muck things up. 3 out of 10.

UNCLE KLINK – This is Docc’s handling of the 7 Keys to Baldpate effect, which is the effect of finding which key out of 7 is the right one to open a lock. The problem with an effect like this is that the ending is telegraphed to the audience the moment the premise is set up, so the unlocking of the lock is decidedly anti-climatic to say the least. However, Docc has wrapped a delightfully macabre routine around this old plot and added in a simple escape from chains wrapped around your wrist. The plot is terrific as the script makes the whole “testing of the keys” part of the routine riveting theater with a lot of suspense and black humor. The escape at the end is a great added climax. It’s a sensational routine and I’ve seen other performers use this almost verbatim and it transfers just fine out of Docc’s capable hands into another performer’s. Highly recommended. 9 out of 10.

So, realizing there are some absolutely great routines here along with others I did not care for. I will give this DVD a 8 out of 10, with the additional remark that if you’re looking for new or fancy routines, this is not for you. The biggest value is the scripting, particularly how Docc breathes new life into dusty old relics.
I’ll be back next week with the review for the second DVD in the series.

Best,

Cris Johnson

New Product and REVIEW: Multiplying Rum Bottles by Reg Donnelly & Paul Romhany

2012-01-22T17:06:00.000-08:00

Hi all,

I'm very excited to announce my NEW product, my "Corporate Magician's Newsletter System." This is honestly something I've been using for several years. My thinking behind this System is the fact that once a corporate prospect contacts me, I have to do something to maintain contact with them over and over and subtly move the client to booking my services. It's been incredibly successful for me and now it can be yours.

All the details are here: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=19721

On to this week's review: it's the Multiplying Rum Bottles by Reg Donnelly & presented by Paul Romhany. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=19436

They are available from Hocus Pocus for $500. This week was going to be the beginning of the four week review of the Docc Hilford DVDs, but I decided not to wait on this item.

EFFECT: The classic multiplying bottles effect which starts out as a transposition of a bottle and a glass evolves or "devolves" into the unexpected production of a total of 9 bottles. For a kicker, two Coke cups are produced at the end.

WHAT YOU GET: You receive the 9 white 'rum' bottles, two tubes, an instructional DVD and two Coke "cups."

MY EXPERIENCE: I've been doing the multiplying bottles for about 12 years. For the first few years, I used what I would describe as a "starter" set that cost my around $90. It was two sets of nesting 4 bottles, so as you would imagine, the size difference between the smallest and largest bottle was more than I'd like. The fit was also tight, so the labels were scratched to hell in no time.

I upgraded to a set of 9 Harries bottles a few years later and the quality was fantastic. I loved those bottles and only replaced them because I'd dropped them a few times, so the bottles were bent and would jam from time to time.

QUALITY OF THESE BOTTLES: These new Rum bottles are of the same quality as the rum bottles. They nest together well but are not so tight as to cause the same problems as my 'starter' set. They are terrific. The tubes are metal, and thus are better quality than the mailing tube ones that came with my Harries bottles. So, this new set is an improvement.

The cups are a lot sturdier than I would have expected, so that was a nice surprise.

INSTRUCTIONAL DVD: In this DVD, Paul reveals the song he uses when performing with these bottles to music, so that's a nice presentational twist especially with the surprise twist of the Coke cups at the end. The DVD is very quick and basic, but as Paul contends, most people buying this set at $500 are pros familiar with the bottles' handling and therefore are comfortable with the effect.

THE REAL WORLD: Since I've been doing the Bottles for so long, I felt comfortable putting them right into my show a few days after I received the set. Quite simply, they handled great and the effect rocked as it always does. I also decided to buy these bottles because the white of the bottles really 'pops' from stage and helps the visual aspect of the effect.

RATING: Great quality props and the bonus of the Coke cups is a great kicker and added value. This gets a perfect 10 out of 10 from me and my highest recommendation.

Next week, I begin the four part Docc Hilford review!

2012 Is Here, New Product Soon and REVIEW: Guest Review!

2012-01-16T17:10:00.000-08:00

Whew, where does the time go??

2012 is here and it's business as usual, meaning I'm up to my eyeballs in work. Last last year I picked up the Voodoo Doll by John Kennedy that was for sale in the Estate section in Hocus Pocus. VERY cool prop! I'm busy rehearsing with it to make it a fantastic addition to Murder By Magic.

Speaking of Murder By Magic, it is GONE, no longer available. I may bring it back to Hocus Pocus in the future, but right now it's no longer available.

In it's place is a new release I've been debating whether or not to offer simply because it's just too darn good, but I've decided...Later this week I'll make the formal announcement right here, maybe as early as tomorrow!

As far as reviews go, I'm very excited because I've got a set of Reg Donnelly's new Multiplying Rum Bottles coming my way. My old set of Harries bottles are so dinged up that they just don't "slide" very well anymore. These new Rum bottles look sensational because the white of the bottles will really 'pop' from stage. As soon as I get them, I'll be doing a review. The Multiplying Bottles has been a stable in my shows for about a decade, so I'm very excited about this release.

Now, for something a little different...I received an unsolicted review of Docc Hilford's Monster mentalism DVDs, so just as an experiment, I'm going to run his review as after reading it, I felt he was a working pro who actually put some thought as well as effort into trying out a lot of the effects on the Docc DVDs.

I don;t completely agree with his opinions of everything he mentions, but that's what makes the world go 'round - diversity. This week I'll run his review and starting next week, I'll begin a 4-part series of reviewing the Monster Mentalism DVDs in detail, one DVD per week and finally on the 5th week, I'll offer my overall grade of the whole set.

This approach of really getting into detail with DVD reviews is one of the changes for the blog in 2012. (Quick Disclaimer: the views of the following review do not necessarily coincide with the views of blah blah blah. You know the drill). If you'd like to send in a review of any item purchased from Hocus Pocus, email me at crisjohnsoninfo@verizon.net. I think the "guest reviewer" thing is pretty cool, so I'm open to doing it again from time to time.

Monster Mentalism DVDs by Docc Hilford are available from Hocus Pocus, with each individual title available for $34.95 or you can get the whole set for $139.80. Here's the ad copy:

Docc Hilford is the crazed creator of the renowned Cassandra Deck, author of over 30 books on mentalism and consultant for a dozen television shows. He's joined by professional mentalist David Alexander to discuss the psychology behind each piece. Monster Mentalism is an astonishing collection of useable effects and the diabolical methods that have made Docc Hilford infamous.

Volume 1 - Attack of Monster Mentalism

Contemporary mentalism can be as fun and exciting as a hot night at a drive-in movie. The giant screen portrays regular people, leading mundane lives until -- DUNH DUNH DUNH -- an unexpected monstrous event influences their lives forever. That's what good mentalism can be -- a MONSTER.
Time Will Tell -- A Dunninger secret that rips the fabric of time and space! See an unsuspecting spectator set his watch to any time he wishes. A primitive sketch of a watch face eerily has the same time!
RATED RT - for Real Time Mentalism™
Jailbait -- From a feverish, perverted mind like Ed D. Wood Jr., comes a tale of juvenile delinquency and miscreant mentalists. Don't miss the shocking end of this Glen or Glenda story where an ordinary man receives the disgusting ability to create "young girls" out of grown men everywhere. On the job, on the golf course, at home . . . where will it end?
Dead or Alive -- Only the hand of a naive woman and the chilled fingers of a ghost touch a fateful pendulum, yet its movements tell a dozen details about the deceased; details NEVER WRITTEN! Suddenly, a cry. It's the dead man's name! WARNING: This routine teaches extremely strong subject matter and should be attempted only by responsible individuals.
T-4-2 -- Out for a night of fun, two men secretly think of a card. You'll be on the edge of your seat when you watch a mysterious stranger figuratively dissolve his victims with his evil eye and disclose their secrets. Audiences everywhere are stunned at the shocking conclusion of this riveting routine.
Hard and Soft Drinks -- The secret world of teenage drinking parties, dancing, smoking and uncontrolled desire is our backdrop. Only the intervention of someone who possesses a psychological intelligence and an ability to manipulate paper slips can save Angela's drunken soul.
RATED RT - for Real Time Mentalism™ Uncle Klink -- Harry Klink's mad wife devised and executed a murder so horrific that it made seasoned detectives queasy. But Harry Klink was a true artist of escape. Freeing himself from the grave, his water-soaked corpse is on a rampage of revenge. You'll see solid steel chains pass through human flesh when Klink makes his presence known. Just keep telling yourself, "It's only a trick . . . it's only a trick."
Volume 2 - Curse of Monster Mentalism

Mentalism is killing people -- but not in a good way. Death by dullness. However a MONSTER is loose. A creature that's set on revenge. Vowing to destroy a contemporary tediousness that's growing like a cancer.

Tear away from the safety of your father's mentalism. Give yourself completely to the curse. Become one of us . . .
Nightmare Coin -- Have you ever dreamt you walked past an empty house at night? Have you ever been unable to wake up from a nightmare? From the acclaimed book, Band of the Hand, comes a chilling routine that turns a spectator's ethereal dream into a solid, spendable nightmare!
Rasputin's Secret -- The man who couldn't die! Rasputin used a palace as a playground. His unbridled lust and alcoholic gluttony knew no bounds. His surreptitious secret, and a special deck of cards, allowed him to know the past, the present and the future. Information that freed him from the mundane laws of society. Now you can possess his secret . . . his life style . . . and his deck! IMPORTANT NOTICE: This specialized deck still sells for $25. Tell no one.
For One to End -- Do you believe that speaking certain words can influence a person's thoughts? One man did and used his awesome ability to wreak havoc throughout a quiet seaside resort. Psychic expert Banachek declares Docc Hilford's original technique to be, ". . . one of the strongest psychological subtleties in print today!" See the unedited, director's cut.
40,000 Words -- Like a brain that will not die, this hoax will assault your senses with a barrage of clandestine information. Psychically removing a mentally selected word from a spectator's brain will propose no problems, but can it be done without destroying the surrounding living tissue? You must see this!
Rhineless ESP -- A quiet laboratory. A simple test between two people. And a mental power so astounding that when unleashed, it threatens to destroy an entire university. See this with someone you love so they won't have to suffer through another night of the dreaded Two-Person-Code!
1 in 10 -- See that man? He's different. He makes remarkable statements, boasts incredible intelligence and successfully demonstrates his claims. But he has something normal men don't -- the incredible power to erase your memory, leaving only facts he wishes you to retain. Now even the simplest card tricks hold dreadful intensity. WARNING: This routine contains powerful concepts and is intended for use by responsible individuals.
Volume 3 - Bride of Monster Mentalism

A dreadfully seductive beauty has emerged from the depths. She begins by humorously entertaining her victims and leaves them with an insatiable urge to believe in her awful abilities. This bride is dangerous. She is MENTALISM!
A Letter from the Future -- A mysterious man risks everything to travel forward in time, gain information and prove he's returned to the past. But will he live long enough to see his proof discovered? An interactive production that will draw you into every choice that either proves or disproves it's not just science fiction.
Tridiction -- When David was thrown out of a Tahoe casino, he vowed revenge. A Satanic pact gives him a weird power, enabling him to predict the outcome of dice, poker and 21! Now they would pay, but what would be the price to David's soul? WARNING: This technique is described for entertainment purposes only!
Self Help -- When evil genius Harry Lorayne created a nightmare in his basement, he never dreamed that its chains would be broken and the little terror re-trained to rip the eyes out of innocent tradeshow attendees. But that's what happened. Come see the beast . . . if you dare. In 1992, a group of young college students were forced to participate in the following three unspeakable, psychic experiments:
Projected Force -- A subject was psychologically MADE to think of a playing card without any being present. NOTICE: This is the original method that became a famous UK mentalist's favorite.
Peek Book -- Without a single book in view, another subject was instructed to merely think of a word. She never wrote it down, yet unconsciously made it evident to the experimenter. An apparent "bookless-booktest."
ESPed -- A subject was finally instructed to draw any picture he imagined on an index card. This experiment was conducted across the room and the experimenter never touched the card, yet he still had total knowledge of the design. Now the experimenter becomes the experimented! The required props for this full routine are as bare as the skeletons buried behind the laboratory. It's shockingly direct! "This is the closest thing to real mind reading I've ever seen!" --- Dr. John Randolph, Miskatonic University Dept. of Psychology
Volume 4 - Night of Monster Mentalism

It's a dark night when audiences scratch at your door . . . demanding actual entertainment. A single taste of your new mentalism isn't enough. They need more! Following you on the street, reaching through the hallways of restaurants or even breaking thewindows of your own home, what will you do when they cry for MONSTER MENTALISM?
Impossible Choice -- What's crazier than a mad street performer who sneaks off to a deserted coffee shop, transforms himself into a mutant half-mentalist, half-jellyfish and attacks college kids with his razor-sharp deck of death? Not much!
The Great Magazine Test -- Like the pounding of your heart . . . book tests . . . book tests. . . BOOK TESTS! A far as a man can run, he can't escape the unremitting beating of ubiquitous book tests. There's only two ways out -- either a razor to the wrists or the gentle love of a magazine. In this test, two people share more than mere words; they share a night of insanity.
Number of the Beast -- The ancient Egyptians knew the accurate, undying vibrations of numbers. The teachings of the adepts, long hidden in the dusty tombs of the past, are now revealed in a demonstration so direct, it's impossible to understand.
It's Personal -- Meeting new people is simple. But be careful. The night is filled with strange people. When one unsuspecting woman reads a personal ad, she finds that someone knows more than her selected card, he knows everything about her! A chilling example of depraved psychic phenomena ripped from the pages of your local newspaper.
Killer on Tiber Street -- A relentless, psychotic killer is pursuing innocent prey. The police are entirely bewildered because the slayer randomly selects his unsuspecting victims from a telephone book. Only you can use psychic abilities to discover the victim, decipher the address and prevent the murder; but will you be too late?
Invisible Dice -- In the world of fast gamblers and loose women, there's a secret tool that everyone desires. Rare and beautiful, when possessed they ensure wealth, power and all the luxuries that come along for the ride. Maybe you'll find the... INVISIBLE DICE!

Regular retail price of each DVD is $34.95 each, but you can grab the entire set now for the low, low, Hocus Pocus online price listed below! Not subject to further promotions, discounts, etc.

Here's Jesse Gernigin's review:

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The Silver Screen Frights: Reviewing Docc Hilford's Monster Mentalism 4 DVD Set

Hey guys I am Jesse Gernigin of www.gentlemanmagician.com. I am a full time entertainer who splits his time doing hypnosis and magic/mindreading shows. I perform full time and have done so for five years. In that time I have built my business from performing two weekends a month to doing shows all year. I perform all across the country for corporations, colleges and private events. I offer these credentials so you understand the review comes from the perspective of someone who spends their time in front of paying audiences. A quick but obvious note: Docc's DVD set was shot with L and L Publishing so the audience can be over reactive at times but his material comes across clearly. There are four dvd's in the set and each dvd contains different material. The first dvd was my favorite clocking in with six tricks.
DVD 1:

Time Will Tell: This was Docc's take on a Dunniger effect. In it Docc shares an interesting trick Dunniger used to exploit. The trick isn't the strongest but you get to see how Docc does a center tear. Docc's center tear, although simple, is a good reminder that you don't always have to tear and peak at the same time. Overall the effect isn't that great but it is nice to see that you don't have to peak while tearing so the effect gets a 2.5 out of 5

Jailbait: This is a weird one to review. Hands down it is the weakest effect on the whole set. what Docc did was dress up the old calculator trick and invert the method (for those that know the trick you understand what I am saying). I remember being dissappointed when I saw what it was. But then I got to the explanation (which I almost skipped) and I was blown away by the advice Docc offered. I won't give it away but Docc has come up with a method to transform your clients into publicity machines using the calculator trick. His advice, if followed, makes this a 4 out of 5

Dead or Alive: What's funny is that Jailbait is the worst effect in the set and Dead or Alive is the best and one comes right after the other. Dead or Alive is Docc's take on the classic effect to which he adds the use of a pendulum. Watching the effect will make you want to go out and buy a pendulum! Docc's performance is spot on and can stand as a social study in audience engagement, the power of suggestion and creating powerful reactions. This effect gets a 5 out of 5.

Hard and Soft Drinks: This is an odd one to reivew. You see my favorite pieces from Docc are his billet routines. So my biggest dissappointment with the set was that Docc didn't put out any of his more popular billet routines. I understand that doing so would greatly detract from him selling them at later dates but I would have loved to have seen Number 6, The Cinderalla Act or any of his billet work performed. With that in mind I had to watch and then re-watch Hard and Soft Drinks before I realized it was a great routine. Hard and Soft Drinks is a billet routine were you identify and reveal a thought of hard drink (hard drinks=alcoholic drinks). The routine falls pretty flat. The premise is boring and the trick moves slowly. At least that's what I thought until I went back and rewatched it. When I rewatched it I realized Docc has given a simple method to do graphology, Q and A and a dozen other billet centered routines. I don't want to give away the method (although doing so wouldn 't ruin anything) so I won't go into his handling suffice to say he uses a hat as a billet receptacle. This is the under the radar effect of the set. It needs to be watched and thought of in a larger context than what Docc gives in the set. If you watch it, take notes and then do the work you can create a half dozen awesome routines from Docc's handling. This one gets a 3.5 out of 5. The method is simple, the possibilities are great, but the terrible choice of presenation and even worse performance of it cost this otherwise brialliant idea 1.5 points.

T42: This was a boring presentation of an old card effect. Max Maven has similar thinking in his Video Mind series and a much better overall routine. The effect is laborious and the outcome isn't that great. Even the L and L audience doesn't act amazed. 1.5 out of 5.

Uncle Klink: For those of you who haven't had an introduction to Docc this is great. Docc's material is often theatrical and calls for skills in story telling, theater and personal interaction. So enjoy how he closes the first dvd with a fun and entertaining piece involving an underwater escape, a doomed magician, an evil wife and a miraculous occurence. At the heart of the effect is a presenation for a gimmicked key and lock set for the seven keys to baldplate. However the meat of the effect lies in watching Docc hold an audience rapt with a sinister but sinfully fun story. 5 out of 5.

The first dvd is the best in the series and I wanted to review every effect in it because they all deserve to be mentioned for their different attributes. The other dvd's are good but i'll only review the best pieces from them.

DVD 2:
Nightmare Coins: This is a Docc classic. If you haven't seen, heard or read about it the routine is simple. A dream is explained then an imaginary coin is selected and made to appear. The routine is simple but the story and outcome are great. You won't be fooled by it but that's not the point. The point of this routine is too create an 'atmosphere' about the performer and Docc does this swimmingly. If you are interested in being seen as more than a guy who does tricks you need to look into this. Four out of five.

For one to End: Once again the actual trick isn't that impressive. Boiled down to its core components it is a one out of four prediction. But when you add all the details of the routine back into it you have a powerful and fun piece involving movie history, the American Government, subliminal messages and audience participation. If performed correctly this effect will be talked about long after that card they signed has been thrown away. Definite four out of five. This is, in my opinion, worth the price of this DVD

Rasputin's Secret: This is a published manuscripts of Docc's and it is an interesting triple prediction card plot using a gimmicked deck. The trick is great and if you are interested in triple prediction effects it is worth looking into. But what makes this performance so great is watching how Docc handles an unusal situation in the effect. In the explanation Docc explains that the trick did not go the way it was supposed to and hearing him explain how he adapted the trick around that occurence is worth its weight in palming coins. Four out of five.

Disc 3:
Tridiction: This is another of Docc's billet routines. It is a triple prediction centered around a casino theme. The effect isn't much up my alley but Docc does do some good explaning on the classic Mental Epic and he tips a great billet switch that fools and is practically self working. The routine gets a 3.8 out of five.

Esped: Docc does a three part street mentalism style performance that consists of a thought of card, a book test and an image duplication. The first two effects are good and listening to Docc's explanation of not just 'how' but also 'why' he does them the way he does them is great. I wanted to mention the 'Esped' because it uses an interesting method and watching Docc handle both the volunteer and the audience is a great lesson in management. YOu may not be amazed at the effect but if you pay close attention to Docc's blocking and wording you can be greatly rewarded. The effect itself gets a 3.5 out of 5 but the whole routine, the card, the word and the image, gets a resounding 5 out of 5.

In my opinion this is the weakest dvd of the set. That aside it is still very good and worth looking into if you want to see how Docc handles dual reality.

Disc 4:
Magazine Test: This is a classic magazine test and the method doesn't add anything new (you notice how much I repeat that!) but Docc's handling and revelation are good study for students interested in learning real mind reading. The method doesn't warrant much attention if you have a working knowledge of mentalism techniques but Docc's handling and pacing of revelation is worth your time. 3.8 out of 5.

# of the Beast: I love this effect! A woman thinks of a three digit number and without touching the paper or the pad Docc reveals the number. The method is cheeky and you could do it one on one or in front of a large crowd. Inside the effect is a neat method that Docc uses to squeeze more effects from the same effect (a trick Docc learned from Bruce Bernstein) and if studied could yield more amazming moments in your own show. 4 out of 5.

Killer on Tiber St.: This is Docc's take on the phone book test. The method Docc uses is simple but can play for the largest audience and takes moments to prepare. It runs in the same vein as Uncle Klink and is performed very tongue in cheek. The great thing about this effect is getting to watch Docc win over his audience and not just amaze them but actually entertain them. For people looking to make a living through magic this is a must watch. 3.7 out of 5.

Overall the set is okay. I like Docc and I love his material. Getting a chance to watch him work is awesome but outside of volume 1, unless your a big fan, I can't suggest these dvd's. The methods aren't ground breaking, the material isn't that powerful and the audience has trouble reacting honestly. If you are interested in learning to be a better performer these dvd's are a step forward in the right direction (but they don't stand in for training, directors and constant examination). As for the explanations Docc is very clear and he is aided and abetted by his friend Jason Alexander who does a great job clarifying and leading Docc to really dig out what makes each effect tick.

Overall the set gets a 2.8 out of 5. Get the first dvd for sure and after that proceed with caution.

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Til next week,

Cris Johnson

Only A Few Days Left for Murder and The Top Five of 2011

2011-12-27T12:23:00.000-08:00

Hello all,

Well, the holidays caught up to me like so many of us. I'm getting this blog post out much later than intended but I still beat the deadline of 2011.:)

On the recommendation of my good friend Paul Romhany, I snagged the Voodoo Doll by John Kennedy in the Estate section at Hocus Pocus. It came a few days ago and my goodness, what a clever piece of magic! This baby seems to have been taylor made for my Murder By Magic show.

Speaking of which, as I write this, it's December 27th so you only have a few more days to invest in Murder By Magic: The Ultimate Corporate Magic Show. Customers from all over the world have written to me praising the concept, the show structure itself and the very fact that having this show in your arsenal means you've got a unique product that sets you apart from the competition.

as soon as I finish this post, I'll be emailing Hocus Pocus and reminding them that as of January 1st, Murder By Magic will be HISTORY. Act now, it will be gone soon.

On to my second annual "Top Five" releases of 2011. Just like last year, I have to qualify this list in advance, as in no way did I get my hands on all of the most popular releases of the year, especially since 2011 saw the release of some very cool close-up magic and most of it I didn't have time to check out.

So, rather than a comprehensive Top 5 list, I should probably just re-name it "My Favorite 5 New Magic Releases of 2011" but that title is more cumbersome.:) OK, enough chit chat, let's get to it!

#5 - TIE: Further Education by John Archer and Silk2Egg by Cody Fisher

This was such a battle for me, internally! In the case of John Archer'd DVD set, while there was a lot of great material in it, this recommendation comes primarily from Archer's incredible take on the classic Bank Nite plot that he calls Blank Nite, in which he uses regular sized envelopes as opposed to the coin / pay envelopes that many handlings of Bank Nite use.

Archer's revelation of the final envelope containing a stack of bills that are full, unfolded (as opposed to folded up very small as in a thumbtip handling) was good enough to fool Penn & Teller on their UK show as the obvious mystifying facet of the routine was, "How did he get all those bills, unfolded, into the remaining envelope?" (Since it was a free selection, obviously magicians were thinking along those lines as opposed to "How did he manipulate all those people into not picking THAT envelope?")

It's an instant classic and a true step forward in the evolution of a classic plot...similar to Cody Fisher's Silk2Egg.

Silk2Egg represents a leap forward in the classic "silk to egg" plot in that a volunteer is able to replicate the amazing effect of a silk to plastic egg changing to a REAL egg.

Having a spectator replicate any amazing effect is simply put, powerful stuff and a real show stopper. Happily, the physical handling for Cody's routine is reachable for just about anyone and is designed to work in the real world.

Honestly, the only reason either of these releases did not rank higher is because I have not yet put either into my own shows. I plan to, in the near future, but for right now, this is where I rank them.

#4 - Sugar Rush by Scott Alexander

There have been several salt pour gimmicks released over the years, with many different styles of gimmicks, but Scott's release, through Bob Kohler Magic, features a gimmick with a lot of advances, including the fact that the bottom unscrews, making cleaning a snap. Scott's handling is simple yet effective and the routine itself is amusing, with a cute music selection to boot.

Additionally, the method Scott uses to continually produce more and more salt, even after the classic gimmick is long since empty and out of play, is worth your consideration, too.

I've used the Sugar Rush gimmick in my shows and adding a classic of magic like this to my shows has been really fun this year.

#3 - Fish In A Bottle

What an effect. Show a filled water bottle to be completely empty with the cap in place. While a spectator holds the bottle, you cause a LIVE fish to magically appear in the bottle.

I've used this a couple of times since purchasing it and the reactions are incredible. Honestly, the ONLY reason I did make it number 1 for 2011 is the fact that the fish is OUT of water before the little guy makes his appearance.

This forces you to make this your opener, not a bad thing in and of itself and the fish does survive quite nicely. Great, great effect, easy to do, but I'm still not high on the method.

Nevertheless, with an effect as practical and strong as this, it had to go on my list.

#2 - Shoe Business by Puck & Scott Alexander

Wow, what a great effect! It's funny, visual, plays for virtually all ages and is a different spin on the classic "magician listens to a tape to learn a trick" plot. It was obviously inspired by the venerable "Vanishing Bandanna," which I'll be the first to admit plays great and is funny but the idea of the bananna disappearing without a trace "Except for that weird bulbus growth in the middle of that hanky" struck me as ultimately a very poor overall effect.

The only reason I did not rate this #1 is because there is a section of the audio recording that some people may find offensive...I know, because it happened to me.

I was able to pull the "offensive" part out (maybe 5 or 6 seconds) using Audacity, a free online editing software suite you can download to your computer and the routine plays just fine without it.

Again, an instant classic. I use this all the time (today, in fact, I'll be doing it in a paid show this afternoon) and it simply kills.

#1 - Performing Mentalism for Young Minds by Paul Romhany & Friends

This is number 1 primarily for the in-depth information the book gives on the developmental phases of children at different ages, strategies and tips for performing any effect for kids and so much more.

That's not to say there isn't great routines in here, because there are several! The routines are designed for the real world - no pipe dreams here!

If you ever wanted to perform for kids, I feel this is a foundational book in that the strategies and advice contained can benefit any person looking to perform for kids of all ages.

If you're not into mentalism, don't be turned off by the title. The routines here WILL play STRONG.

If you're one of those people who feel mentalism cannot be done for kids, I challenge you to get this book with an open mind and prepare to have your beliefs shaken up a bit.

It's an important book, one that is destined to be a reference book classic for many years.

---------------
Until Next Year...
---------------

Well, it's been a fun ride through 2011! On January 2nd, my wife & I fly to Orlando, FL for 12 days for a much-needed vacation. My first blog post of 2012 will on or about January 13.

Stay safe and have fun.

Best,

Cris

The Clock is Ticking on Murder and REVIEW: Performing Mentalism for Young Minds - Vol. 1

2011-12-15T19:38:00.001-08:00

Hi everybody,

Just a quick reminder...my Murder By Magic program will be gone at the end of the month. I'm pulling it because I never wanted to flood the market. I've already performed Murder By Magic several times this month and have several more booked well into 2012, with one performance booked in July. It's an incredibly unique concept, one you can use to profit from and set yourself apart from the competition...but time is almost up.

Now it's on to this week's review: Performing Mentalism for Young Minds by Paul Romhany & friends. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=19535 It's available for $40.00 from Hocus Pocus.

AD COPY: One of the most anticipated books in magic and mentalism has now arrived!!

Paul Romhany has produced the most comprehensive collection of material for the performer who wants to add mentalism in their show from pre-schoolers to high school students. Everything from walk-about routines to birthday party routines to parlor and even stage routines for the family entertainer.

Over 265 pages which include a collection of essays on how to perform mentalism for children, plus over forty effects from performers around the world including:
Mark Strivings, David Kaye, Tim Mannix, Paul Romhany, Richard Webster, Andrew Gerard, Wayne Rogers, Tony Binarelli, Bev Bergeron, Jim Kleefeild, Keith Field, Danny Archer, Andrew Gerard, Jack Dean, Greg Arce, Anthony Lindan, E. Raymond Carlyle, Professor Spellbinder, Matthew Johnson, Tony Chris, Cris Johnson, Reg Blackwood, Ken Ring, Christopher Taylor, Christopher Berry, TC Tahoe, Ozzy D, Magical Michael, Magic George, Ken Dyne, Jasper Blakeley, Ray Roch.

This book covers performing mentalism for pre-schoolers to teenagers, even adults will be fooled and entertained by the routines in this book.

A treasure trove of effects, essays and advice from real world performers who make their living by entertaining family audiences. This book is destined to become a classic in both the magic and mentalism field.

If you ever wondered if mentalism can be performed for young minds then this book will show you it can, and how to do it.

"The essays in this book are worth the price of the entire book, and more!! The rest of this book is a treasure trove of fascinating mental effects that your young - and not so young - audiences will enjoy. These wonderful effects are so good that I'm tempted to dust off my old Riccardo outfit and start performing again. I know you'll enjoy this book, and will come back to it again and again in the future. If you have any doubts whatsoever about performing mentalism for children, try one or two of the effects in this book. I know you'll change your mind. Thank you, Paul, for compiling and publishing this valuable book." - Richard Webster

"When magicians and mentalists think of 'kids' they think of kids 3-4 years old. This is rarely the case, even for regular kids entertainers. People do not give kids enough credit for being smart. They get mentalism and mindreading, even at the age of five and six. It can be done, and I have done it. They certainly understand when Harry Potter gets a psychic image." - Banachek

CONTENTS
Preface by Richard Webster
Introduction by Paul Romhany
Performing for Children an essay by Paul Romhany
Parade of Children Prediction Trick by Tim Mannix
World Cup Routine by Paul Romhany
Cereal Box Prediction Larry Mahan and Robert D. LaRue, Jr.
Slide Thru Card Switch by Wayne Rogers
Perform For The Children! by Kyle Peron
A TRIP ROUND THE WORLD IN 8 MINUTES! by Tony Binarelli and "Jules Verne"
Phantom Artist Halloween Card Routine by Professor Spellbinder
The Phantom Artist by Ted Annemann and Professor Spellbinder
Clip-Lit Sports by Jim Kleefeld
Psychic Santa by Matthew Johnson
Judge, Jury and Executioner by Reg Blackwood
The Mental Corridor by Cris Johnson
Teaching Someone to Read Minds by Cris Johnson
Mental Monopoly by Danny Archer
Time Warp by Paul Romhany
Mind Reading to Africa by Ken Ring
The News in Total by Ken Ring
ESPompoms by Ken Ring
King Book Test by Christopher Berry
Guessin' Gumballs by Jack Dean
Child's Play by Bev Bergeron
Emoti-Con by TC Tahoe
BIRTHDAY PRESENT by Richard Webster
Pointilism by Greg Arce
Cookies Fortune by TC Tahoe and Paul Romhany
Safety Mentalism Routine by Paul Romhany
Younger Persons Version Reverse Q & A by Anthony Lindan
Prized Balloon by Ozzy D
The Fortune Teller by Paul Romhany
Puzzled by Magical Michael
Pin the Tail on the Donkey by Andrew Gerard
Mystery Ball by Paul Romhany & Hal Spear
Spot the Pole by Wayne Rogers
The Mind Reading Hat Routine by Magic George
The Magic Square by Dal Sanders
Gift Wrapped By Kennedy
Magicians Choice By Keith Fields
P.S.I Fari by Tony Chris
Scrabbled by Jasper Blakeley
Balloon Bank Night by Wayne Rogers
Last One Standing by Anonymous
SPOON BEND by Ray Roch
Drawing On The Imagination by Christopher Taylor
RING OR WATCHES? by E. Raymond Carlyle
Mentalism for Preschool Kids by Mark Strivings
Performing Mentalism for Children by David Kaye
The Precognitive Phinger Puppet by Mark Strivings

MY THOUGHTS: I'm skipping right to my thoughts this week because I really cannot impress upon you how great this book is. It's what I would call a foundational book that should be in the library of every magician who has any desire to perform for kids.

While the main focus of the book is the idea of performing mentalism for kids of all ages, the real strength of the book is how many of the essays lay the groundwork for being a good children's performer.

Here are just some of my personal favorite entries in this tome: (bear in mind that modesty prevents me from listing my own contributions to this work. Don't get me wrong, I'm pleased with my contributions, but I'm in awe of a great deal of the work in this book)

- Introduction - right in the beginning, Paul breaks down the approximate ages of kids along with their developmental levels, giving readers an approximate blueprint of what kids can process.

- Essay: Performing for Children - here Paul covers the basics of performing for kids in terms of stage, warmups, control, basics of theatre, performing style and various key elements of performing such as themes, plot, characters, dialog, music and more.

He continues on with thoughts on character, acting techniques, scripting and so much more.

Oh, and we're only on page 28 of a book that's nearly 300 pages. Quite frankly I could have stopped right here and felt as though I got my money's worth.

Mark Strivings (from the wonderful Desert Brainstorm Series of DVDs) chimes in with several routines, essays and professional advice on performing mentalism...for preschool age kids. I thought I was good because I performed mentalism for elementary and middle school age kids, but Strivings' thoughts on using mentalism for younger tots blew my mind away in a good way and expanded my thoughts.

David Kaye adds his thoughts on the subject, contributing thoughts on kids show performing pertaining to good kids show tips for success and understanding the mindset of kids.

This is all so good! Oh, and there were actual routines in the book too - a ton of great ones. Here are just a few that jumped out at me...

Around The World In 8 Minutes - a wonderful routine involving a three part prediction using three geometric shapes, a blow-up globe of the earth and references to Jules Verne.

Phantom Artist Halloween Card Routine - a paper "cut out" made by the performer in a 'trance' matches the selection of a child. Its fun and visual.

Psychic Santa - The premise: "This year, Santa brought me my gift even though I did not decide what I want yet. I think that's how he knows if you've been naughty or nice." Talk about one heck of a hook for a kids' trick!

Time Warp - A wonderful watch prediction effect involving a picture, a watch and a very fair handling. I love watch effects (I currently have three such effects in my set lists) and this one will find its way into a show very soon.)

Child's Play - an amazingly kid friendly twist on a drawing duplication that utilizes the game of tic-tac-toe. This was my favorite effect in the entire book. Simply amazing, clean and easy to do. A full-blown stage effect that requires ZERO preparation - completely impromptu and yet I couldn't figure out the method to save my life until I read the secret. Mindblowing and yet kid friendly!

I haven't even scratched the surface in this review of just how much "A" material is in this book. Again, if you have any desire to perform for kids, you NEED this book even if you have zero desire to perform mentalism for youngsters. The essays alone show forward thinking by experienced, real-world pros.

Paul is currently editing Volume 2 now. I can't wait.

A 10 out of 10 and my TOP PICK for the best release of the year!

Next week: My Top Picks List for the year 2011!

Best,

Cris Johnson

Big Changes, Magic Book Of The Year, and REVIEW: Levent's Color Changing Half-Dyed Hanky

2011-12-08T17:41:00.000-08:00

Hi all!

This week brings many changes. The first of which is my Cause & Effects ezine. I've decided to temporarily suspend the ezine for the time being. My reasons are many, the chief one being that the further I get into my hypnosis career, coupled with my ongoing performing career across North America, means that the process of starting a brand new biz while maintaining the current one is overwhelming in terms of what needs to be done. Additionally, I've got several new products in the pipeline to release in 2012, so while I enjoyed writing the Cause & Effects ezine, rather than produce a sub-par release, it's better to put it aside. I may some day make time to continue it.

The other news of the day is this weekly blog! One of my ideals with reviewing new magic effects is to, in an ideal world, road-test those effects from the standpoint of a working pro. With that in mind, one thing I will probably be doing is reviewing slightly fewer effects. Again, it comes down to having less time to road test new effects.

One idea I have to vary up the content of this blog is to, maybe once a month, do a "flashback" blog, where I look back at something I reviewed in the past and revisit it to see if my mind has changed after working with it.

I also have several DVD sets I want to tackle, and rather than burn through the review in one column, what I'm thinking of doing is devoting a week to each disk, so in the case of Doc Hilford's Monster Mentalism DVDs, four in the set, is to review one disk each week and then give a "total" review. Let's face it, some DVD sets have four great disks while others have two disks that are sub-par in a four DVD set. (I remember, many years ago, reading reviews of Dan Harlan's Pack Small, Play Big series. Three of the videos were highly praised by many while the fourth was panned by many.)

Finally, the other thing I may do to vary up the content of this blog by posting, perhaps once a month, content on topics like performing philosophy and routining...in other words, transferring some of the content from my ezine to this blog!

All in all, I really want to hear YOUR feedback. What do you think of the "Flashback" idea? The idea of stretching out the DVD reviews to make them more thorough? Send your comments to: crisjohnsoninfo@verizon.net.

Next item: My buddy Paul's new book, Performing Mentalism for Young Minds is incredible! A more detailed review will be coming in the next couple of weeks (I have to really absorb this book!) but all in all, this is a landmark book, due in great part to the fact that there are essays on the developmental stages of children, routining ideas and advice, psychology of performing for kids and so much more. The main thrust of the book is mentalism for younger viewers, but honestly, I really feel this should be required reading for ANY magician/mentalist who wishes to perform for kids. Simply incredible.

The review will come soon!

This week's review: Levent's Color Changing Half-Dyed Silk Trick. It's available for $65.00 from Hocus Pocus. Here's the link: http://hocus-pocus.com/magicshop/product_detail.cfm?item=11805

AD COPY: Levent teaches his own handling of this now classic effect using a special single dye tube and no body loads whatsoever. Start and end the routine with your hands clean!

Learn the routine along with Levent's concise explanation and demonstration of his method. He includes a detailed history of the Color Changing Silk routine and how it was performed by the masters of the past.

Everything is clearly explained on a 50-minute DVD. Complete with everything you need - Silks, DVD and the unique new gimmick designed by Levent.

WHAT YOU RECEIVE: A well-produced, very detailed DVD and Levent's own custom dye tube and three silks - one red, one white and one half-dyed white/red silk.

QUALITY OF INSTRUCTION: Levent covers a great deal of history of the effect, different handlings and so much more. Many of these handlings are more difficult than Levent's own handling. It's clear that with this release (just as his Salt Pour release) that Levent has really done his research. While he could have just taught his handling, I like his approach of teaching the history of the effect because you get to see & appreciate Levent's own progression of the effect and why he's gone in certain directions with his own handlings.

When it comes to teaching his own handling, Levent is a very thorough teacher. To use a cliche, no stone is left unturned.

DIFFICULTY: Happily, Levent's handling retains the mystery and beauty of the effect (you can "preview" Levent's routine on youtube) while making the handling easier. That's not to say you won't have to put some work into it...you will, but Levent's advances are just that: advances. With other handlings of this effect, I found the changeover moves more difficult to pull off without it being apparent that I was 'doing something,' but Levent's unique custom dye tube makes the handling and certain steals, etc much easier.

ANGLES: With the exception of the final move (when you ditch the gimmick) you can easily do this routine for most normal stage situations - three-quarter surrounded. The final move, the ditch, is very angly, but Levent teaches you an altered handling to leave that move out. Granted, you're not "clean" at the end, but honestly, for a stage show, I rarely have anyone "examine stuff" anyway, as I feel it just slows the show down.

MY THOUGHTS: One of the things I've been doing the last couple of years with my set lists is to explore classics of magic is fun ways. In recent years I've added the linking rings (well, coat hangers) to one of my shows, a classic escape, cut-n-restored rope and on and on.

There's a reason why classics are classics so I really wanted to embrace many of these classics in my own work.

I've always liked the Half Dyed Hank routine, made popular by the late great Billy McComb. However, when choosing which commercial version of this to buy, I considered Billy McComb's but after watching the performance, and after hearing details of his routine's handling, I decided that while it's a classic in Billy's hands, it just did not appeal to me.

Levent's handling is something you can do with short sleeves, is easy to get into and if your venue's angles permit, you end clean.

About the only "negative" (and this is not a negative, truly) is Levent's script. Levent is a wonderfully unique performer and his style works great for him. His script for this trick have a few nice laugh lines, but in my opinion, only Levent himself can use the script he provides without sounding like an alien!

Don't misunderstand me - Levent's script is funny and works for him, but it's so unique to his own style that I feel to use his script would be a disservice to anyone buying this. So, in my opinion, you'll need to put some work into this as far as scripting goes.

FINAL RATING: I'm giving this a rock-solid 9 out of 10. It's a great take on a classic effect. Be prepared to put some work into the scripting, but Levent's handling and in particular his innovative dye tube makes the handling much more accessible to us mere mortals.:)

Until next week...

Best,

Cris

The Year's Best Coming, Murder By Magic Custom Trick Available and REVIEW: Okito Voodoo Doll

2011-12-01T17:10:00.000-08:00

Howdy All!

Some quick notes before I get to this week's review...

- In a week or two, I will devote this blog to covering my favorite new effects for 2011. Like last year, I will try to restrict myself to effects released in 2011...otherwise Bobby Motta's Lethal would win hands down as MY favorite new purchase of the year, but considering it was released years ago, I'm taking it off the table for this list.

- The ezine for December's issue of "Cause & Effects" will go out in a day or two. I've (delightfully) been quite busy with hypnosis, so I'm a little behind.

- For those of you who have purchased Murder By Magic, I was recently able to get a custom version of one of the effects I use in the show. It's a Tim Wisseman effect that I refer to and happily, the custom version is around HALF the price of the regular version. I bought a custom version that does not look "bizarre" like many of the great props puts out. I wanted a simple version of the prop that looked more modern and thus mundane and fits in better with the Murder By Magic show, as it's a modernistic show for corporate audiences. If you own Murder By Magic, email me the show set list that I personally use and I'll share details of this custom prop with you. Tim says he enjoyed building it, so I'm guessing he'll be comfortable making more.

- Just as a reminder, Murder By Magic will be PULLED after this month ends, so time is running out!

This week's review: The Okita Voodoo Doll. It's $10.00 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=59

One reason why I'm tackling this little prop is because I've had some readers express a desire for me to review more close-up effects, so here we are!

AD COPY: Performer shows a small straw VooDoo doll, and lays it on the palm of his hand. Upon his command, the doll slowly begins to rise until it is in a full upright position. Magician then gestures and slowly the doll lays back down in his hand. The doll may be handed out. Can be performed in any type situation. No threads, wires, or wax. So simple to do.

WHAT YOU RECEIVE: You receive the little doll that is self-contained along with simple written instructions.

QUALITY: If treated with care, the doll will last years. I've had mine for 10 years and can't even imagine how many hundreds of times I've been performing this. This is a rock solid investment, and for the price an unbelievable value.

DIFFICULTY: The ad copy is correct - from a technical standpoint this is extremely easy to do. There's a touch of 'get ready' that you'll need to occupy the audience's attention as you do this. With any effect, audience management is key.

ANGLES: Since the doll goes in your hand for the effect, it's easy enough to mask the 'work' from virtually any angle, as long as your audience is at least a foot away. Once you understand the method, it's easy enough to do literally anywhere.

MARKET: Technically this effect would work for just about anyone over the age of five which includes kids, teens and adults. It's a close-up levitation effect so it appeals to all age groups and plays beautifully. I will admit that since I use it in a voodoo type of storyline, I play this effect for teens and corporate groups...but again, right storyline, you could do this for youngsters as well.

MY THOUGHTS: I've been doing this as a close-up corporate routine for over a decade (in conjunction with another effect) and can honestly say that in a corporate close-up performance or a strolling set, this is one of my closers. With the right routine, this is strong as hell. (I tip my own routine in one of my "Cause & Effects" books available here at Hocus Pocus).

The effect is enchanting, easy to do and as a close-up levitation that does not use thread, it's worth its weight in gold. (Okay, I know since it involves the doll standing up in your hand does not mean it's truly a levitation, but that's how I sell it to my audiences!!).

RATING: An easy 10 out of 10. I know this prop is old as dirt compared to the latest greatest whatever that's released but I really encourage magicians to comb through the good stuff that's been out a while.

Questions? Email me at crisjohnsoninfo@verizon.net

Best,

Cris

Turkey Day & REVIEW: Mental Miracles DVD

2011-11-24T16:43:00.000-08:00

Happy Turkey Day!!

Yes, those of us in the US celebrate Thanksgiving, and many of us merely call it "Turkey Day," in honor of the (typically) most often served dish. Rather than take this week off, I decided to get right to it this week with in my opinion, a true classic in terms of mentalism releases on DVD.

Of course I'm talking about...."Mental Miracles," by Bob Cassidy! It's available on DVD from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=2292 It's available for $34.95.

AD COPY: Bob Cassidy, one of America's foremost mentalists, has been a professional entertainer for more than 25 years. Author of The Art of Mentalism, a modern day classic, he has the unique ability to convince any audience that he can read their innermost thoughts, while also amazing and entertaining them in the process.

On this DVD Cassidy performs his professional show in front of an amazed audience of mentalists and then explains everything. If you ever wanted to make people believe you can read their minds, you must see this tape. Cassidy teaches many of his original routines and discusses how to structure, present and create a mind reading show.

Routines Taught:

Chronologue: A predicted card matches what is written in a diary on a freely selected date. New work and psychology including stage and close-up versions.

Name/Place Routine: A couple of spectators think of a person and a place and you divine their thoughts.

Psychomatic Deck: A spectator looks at a card in the deck and you read their mind, telling them what card they are thinking of.

Fourth Dimensional Telepathy: You reveal the name of a childhood friend, the name of a pet, and reproduce a previously drawn illustration.

Card Memory: A rapid memorization of a shuffled deck of cards.

Techniques Taught:

Includes dozens of technical and psychological tips, theories and advice about prop management, pocket management, staging, checkpoints, prop construction, mnemonics, establishing actions, taking advantage of coincidence, prop selections, miscalls, billet preparation, covering of errors, precautionary measures, giving clear instructions, deck stacks, making mentalism credible, and much more.
Also includes discussions on how and why the show is structured, getting the whole audience involved, presentational ideas, patter and more. All items are easy to execute and are within anyone's reach. After watching this program you will want to be a Psychic Entertainer.

WHAT YOU RECEIVE: An incredibly fun 90-minute DVD in which Bob performs a 30 minute show and then spends the next 60ish minutes explaining it all.

MY THOUGHTS: Okay, the first effect, Chronologue, is a classic in mentalism. It's a tried & true effect that is ultra-easy in terms of difficulty. You can do this surrounded, it plays great for stage and I've even used it for strolling. You have multiple outcomes, so you really can do it strolling. The only 'knock' against using it for strolling is the fact that the verbal 'set-up' takes a bit of time. The verbal 'set up' involves some interesting coincidences between a deck of cards and our modern-day calendar and whenever I do this, audiences are always very interested, but then again, I primarily use it for stage. Nonetheless, this is an almost perfect mental effect and once you understand the principals involved, you can use names, locations, all kinds of things instead of a deck of cards.

The second routine, Name/Place, is just about as pure as you can get. It's my favorite kind of mentalism - telling a volunteer to think about something then you reveal it. To me, this is what mentalism is most about...thinking of virtually anything and revealing it. Though I do use cards and other objects in my mentalism, this kind of minimalist mentalism amazes me the most. For this routine, there's a bit of dexterity work involved. I would not call it 'sleight of hand' by any means...more simply a matter of choreography. It's nothing too technical but will require rehearsal so you do it without 'fumbling.'

Perhaps the biggest benefit of this rutine is the seamless switch Cassidy demonstrates, allowing users to simply ring in a dummy billet for the one that has information written on it. The move looks so casual and innocent PLUS it's dead-ass easy. The biggest challenge? Making sure you don't turn it into a 'move.'

The third routine involves Bob performing the Psychomatic Deck. He does not explain how to do it as it's an inexpensive dealer item but it is interesting seeing a professional mentalist use this. For my liking, this was the weakest part of the show, only because I feel Bob's other material was so mind blowing that this card effect was simply overshadowed.

The fourth effect is my favorite: Bob's take on the classic Fourth Dimensional Telepathy routine, popularized by Anneman, among others. To any armchair mentalists out there who don't feel that a simple three envelope test based in part on the one-ahead principle can fool modern audiences, I can firmly say you're dead wrong. I performed Fourth Dimensional Telepathy using Cassidy's handling for about 6 years as the cornerstone of my mentalism act. In many ways, it's almost the perfect routine: the choices are so wide open. There is NO forcing, no 'range' force, nothing restrictive. Really, the only reason a performer gives a person an idea of choice is to add texture and stability to the routine. (I believe if you told a person, "Think of anything in the world!" the person would stare blankly at you!)

The routine is a classic due to the freedoms you have as a performer. The biggest problem with so many similar routines is the fact that one item is forced - youve seen the amateurs do it: "Spectator one, think of any word in the English language...Spectator two, think of any person in the world...Spectator three, pick a card." None of that here. As Bob does it, the first spectator thinks of a childhood friend, the second thinks of a childhood pet and the third spectator thinks of a drawing of anything. It's bloody brilliant.

About the ONLY drawback to this routine is its length - as I performed it, the routine ran 12-14 minutes long and there is by necessity the writing down of the information along with the stuffing of the envelopes. Keeping the audience's attention during all of this prepatory work until the actual mindreading happens is the real challenge of the routine.

Nevertheless, it's powerful. I point to several instances when I was using this a lot when spectators would come up to me after a show asking about my 'gift.' I'm not kidding! Pretty awesome stuff for some bits of cardstock, pens and copin envelopes!!

The final routine is Cassidy's card memory demonstration. For this routine, you'll need nothing more than a deck of cards. When I watched this routine, I felt it was fairly impressive but had no real desire to put it in my act until I started doing memory workshops for school & corporate groups. Mnemonics (memorization through visualization) is certainly a valuable skill for anyone to learn (especially mentalists!) but using it in this kind of a performance can certainly be challenging - utilize memory techniques all the while maintaining performance - but the good thing is this demonstration uses NO mnemonics! It only took me a short while to memorize the deck stack Bob uses and it's not one of the usual suspects, as far as deck stacks.

Once I started using this routine, I was delighted at the response it generated!

MY RATING: This is an obvious 10 out of 10. This is one of the few DVD releases where, if one wanted, you could put EVERYTHING into your show and be pleased with the results. Too many DVD releases have 'filler' effects to pad out a 3-DVD release, but this baby is perhaps the single greatest value in mentalism DVD history.

IMPORTANT NOTE: Since this week was about mentalism, I want to echo my buddy Paul's enthusiasm for his new book, Performing Mentalism for Kids. Without tooting my own horn, the two routines that I contributed to the book are great routines for real-world workers. Judging by the list of contributers, this book is going to be a benchmark for the field! I can't wait to tear into it!!

Enjoy your holiday weekend!

Best,

Cris

A Bittersweet Standing Ovation and REVIEW: The Impossible Box

2011-11-19T16:02:00.000-08:00

Hi all,

Whew, a rough week of performing...three days in Canada, one in Gettysburg, PA (one of the most picturesque towns I've ever visited) and parts near home in addition to my slowly growing clinical hypnosis client base.

A standing ovation is something I normally cherish, but last night's was bittersweet. I called up the WRONG volunteer during a corporate event but did not realize it til I was well into my handcuff escape....I was doing Anthony Lindan's routine with the red curtain and one of the volunteers kept lowering the curtain, saying inappropriate things and just being an ASS. I somehow got through it without blowing my stack.

The rest of the show went fantastic and at the end of the show, I received a standing ovation. The FIRST person in line (there were many) to shake my hand was the ASS I mentioned. "You were f---ing fantastic!" was his comment. I wanted to punch the guy, but simply accepted the compliment.

The show was my Murder By Magic show, available here at Hocus Pocus. Just to remind everyone, the product will be pulled after December 31st. The way the show is designed, it has a built-in emotional hook that will get the audience on your side and keep them there!

A quick shout-out to my buddy Paul Romhany as he's relocating the family back home. Safe travels, my friend.

Keep your eyes out for new Cris Johnson products after the first of the year! I've got several projects in the works. The first will be the long-awaited "Cause & Effects: Volume 3" a third book of real-world routines...coming soon!!

This week's review is The Impossible Box by Ray Roch. It's available for $25.00 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=19358

AD COPY: The PERFECT walk-about and close-up effect.

Never throw away your old playing cards again. Use them for this amazing routine by Ray Roch.

Effect: The performer brings out six cards and quickly makes a box. The box can then animate in the spectators hand or on a table, the lid then taken off and an object, such as a lemon produced.

This 60 minute DVD goes in to detail with step by step instructions of how to do different loads including large die, a lemon, signed card to box, a small bottle of whiskey, and golf balls. He also shares two methods he uses to make the box animate and float, then produce a ball from the box that floats up in to his hand. This DVD is filled with gems from years of performing and perfecting Ray's signature routine.

The perfect routine for the magician who wants to leave his audience with a gift. Not only can they keep the contents but they also get to keep the box itself.

Ideal for trade shows, walk about, restaurant magicians and promotions.

Now you don't have to throw away your old playing cards - use them to perform The IMPOSSIBLE Box.

You will learn:
How to construct a box and how to put one together quickly
Various loading techniques that happen right under the spectator's nose
Signed Card to Box - a card is signed lost in the deck and later found sealed inside the card box.
Various loads from the box - learn how to produce as many as three different items from the box including golf balls, dice, a lemon, a bottle and more.
Two different methods on floating the box - Ray shares two methods, both of which are easy and can be set up at all times ready to go.
Tips and stories - Secrets that make this effect easy to perform and a few stories from Ray that have happened while performing this over the year.
Ray also shares his complete award winning five minute box routine. This includes all four routines taught on the DVD and put together to form a single five minute close-up show. One box with A LOT of magic. This is perfect for

those who perform in restaurants or are looking for something special and very different to present.

WHAT YOU GET: A very well produced DVD. This is released by Paul Romhany and like everything he puts out, it's TOP notch.

QUALITY OF INSTRUCTION: I found Ray's verbal instruction to be a tad too quickly paced for me. He kinda breezes through some of the explanations. I was a little concerned about this, but Paul provides viewers with slo-mo clips from the magician's viewpoint of various things, particularly the construction of the box and some of the loading procedures. Happily, this makes the learning experience very easy.

DIFFICULTY: Since the crux of the effect is putting together the box in front of your spectators and then doing cool things with the box, you'll need to practice putting it together quickly and smoothly. It's not a difficult procedure, but fumbling and struggling with the box construction certainly won't be fun for the audience to watch so put in the practice to get it into your muscle memory.

The loads and animation are all relatively easy, too. On a scale from one to ten I don't think anything would be harder than a 3.

ANGLES: Some of the loads are easier than others and since this is intended for a walk around performance, all of the angles are something you should be able to work with. The animation/floating part of the routine can be done surrounded, providing your lighting is right, if you get my meaning.:)

VARIETY: Ray teaches viewers how to do several different handlings in terms of producing items from the box and in particular several different themes. In particular he has a routine themed with golf, a routine themed with gambling with different sized dice, etc.

There's also a handling involving making the box animate, floating, and then causing a ball to levitate out of the box. All of the handlings involve building the box in front of the audience and eventually producing things from the box.

It should also be noted that in each handling, you are clean at the end and can really give the box away at the end of the routine...though if you're doing a strolling gig where you visit 20 tables or groups of people in one night (as many restaurant/corporate magicians do) you obviously would be hard pressed to give the box away at every table.

THOUGHTS: There's a LOT I LOVE about this release and only a couple of things I did not care for. First, the positives.

There are a couple of productions that are truly magical - that slo-mo shot in the promo video of the lemon coming out of the box is soooo cool looking and with mutiple handling options, within reach of anyone. There's simply something satisfying about putting the box together and then pulling something out of it.

The box itself, being made of bright white cards with splashes of black and red, is very attractive to the eye. Additionally, I'm certain this would play just wonderfully in a parlor situation. I myself plan on using it in school shows. I wear dark colors, so the white box against the background of my dark clothes will look great. Plus, the animation of the box will look great and very visible, too.

I also love the animation of the box itself, as it looks very magical turning up on it's edges. The idea of the ball floating out of the box is also wonderful.

Ray also provides a signed card to box effect which is nice, too. His handling is attainable and the effect looks great too, but as the signed card to impossible location plot doesn't particularly excite me with any handling, I wasn't too taken for this, but if you like card work, this is another great idea.

Finally, the entire idea of the impossible box is open to so many different presentational possibilities that it's staggering. For instance, just to shoot an idea out there - instead of playing cards, I may use alphabet cards and build the box as I talk to school children about the possibilities opened up by reading skills and producing something thematically relevant out of the box.

The BIGGEST thing I love about this entire release is that it's PRACTICAL. This isn't a pipe dream with severe angle problems like some of the torn & restored card releases I've seen over the years. The Impossible Box is intended for the real world.

Now, just a couple of things I did not care for...

1. I did not care for some of the productions. Like I said, MANY of the handlings look wonderful and the spectators can see the production come out of the box. With some of the other productions, I thought, "Hey, it looks like the item is coming from _____." Turns out I was right.

I don;t consider this a huge problem, though, as the psychology of magic and spectator attention is wayyy different to playing for the camera. Nevertheless, I like the earlier referenced productions better.

2. I did not care for the actual floating of the box. The animation/movement of the box looks great and I'll use it, but as far as actually making the box float, I will quote Eugene Burger - "Less is more."

FINAL RATING: I'm going to give this a 9 out of 10. I did not care for a couple of things, but this release is so incredibly open-ended with possibilities and so practical that this release is going on my "best of" list at the end of the year.

This is advertised as a close-up product (and it rocks) but if you work parlor gigs, I really think this will shine for you, too.

Best,

Cris

New Car, Murder By Magic Countdown, and REVIEW: Five Minutes With a Pocket Handerchief

2011-11-10T18:38:00.000-08:00

Howdy!

Whew, after having over 220,000 miles on my car over the last 6 years, I finally buckled and bought a new car this week. My wife & I were both nervous about the car stranding me on the road with so many miles...especially they were all MY miles!! (I bought it new in 2006).

So this week, I rolled out in my nice new 2012 Hyundai Tucson, the steroid-injected version of my old car!! The sucker is incredible...I can talk to it and tell it who to call, tell it verbally where I want to go, etc. Unreal.

Plus, it's sleek and black, but looks bad-ass, kinda like the Christopher Nolan-directed Batman movies Tumbler vehicle. (OK, I'm a nerd!!)

I wanted to also mention that time is running out to buy my Murder By Magic: The Ultimate Corporate Magic Show program. At the end of the year, I will have the team at Hocus Pocus pull the product. I don't want a zillion people doing it. I've sold a dozen or so to multiple countries around the world, which means you're not going to have a ton of competition. In fact, in years past, I booked a ton of corporate Stage Hypnosis gigs, but despite hypnosis being a "bigger deal" than magic to most HR directors, I actually book Murder By Magic more easily because it's so unique and that's what HR directors and corporate booking agents are looking for: something unique!

So, the clock is ticking!!!

On to this week's review....I decided to review an older product: 5 Minutes With a Pocket Handerchief by Quentin Reynolds. It's available for $29.95 from Hocus Pocus.

Here's the link...http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=4867

AD COPY: An entire act that fits in your pocket. Featuring the hilarious Magic Mouse.

Quentin Reynolds is a professional magician whose specialty is children's shows. The routine taught on this DVD/Video is the highlight of his show -- a polished five-minute act which is accomplished with nothing more than an ordinary pocket-handkerchief.

You are treated to a live performance in front of a classroom of children where Quentin brings the kids to a frenzy using this handkerchief routine and the many gags and touches which make it a masterpiece. Following the performance you are taught everything you need to know to perform the act.

The routine is a brisk and upbeat sequence of effects that begins with a stretching handkerchief, a series of knots and culminates with the animation of the Magic Mouse. It is adaptable for most performing situations such as stage, parlor, close-up, walk-around, kids, adults, yet it still fits in your pocket and is very easy to do.

Effects and sequences taught:
The Stretching Hank: A handkerchief is stretched to twice its original size.
The Jumping Hank: A handkerchief repeatedly jumps out of your hands and into the audience.
Karrell Fox's Knifty-Knot: No matter how hard you try to tie a knot in the handkerchief it keeps disintegrating.
Karrell Fox's No Not: You finally make a knot but it magically unties when a spectator blows on it.
Stand-Up Hank: The handkerchief is made to stand on end and fall on command.
The Magic Mouse: The handkerchief is folded into a hat, an iron, an earring, a moustache, and finally into a mouse. The mouse is wound up and begins to wiggle its tail. The mouse seems to come to life as it runs up and down your arm, around your neck, and then leaps into the audience -- making them scream with fright. The mouse's tail is pulled and it turns back into a handkerchief. The handkerchief is folded and put back in your pocket. The act is now completely reset for your next show.
In addition to the above you are also taught: Frank Garcia's Iron Gag, Stewart Judah's Watchwinder Gag, tips from George Sands, Harry Blackstone, Sr., Dan Garrett, Martin Gardner, and tons of jokes, gags, by-play, tidbits, and advice which can only be learned from years of continuous performance. Includes a discussion on making the routine even stronger and much more.

Special DVD Features:
An additional 17 minutes of footage discussing presentational ideas, routine development, how to create your own act, a production finale and more.
Instant access to performances and explanations
DVD trailers
Dolby Digital sound
Encoded for worldwide viewing

WHAT YOU GET: A nicely produced video. My copy was a VHS tape because I bought it years ago. I'm considering upgrading to the DVD for the added material. You'll need to provide your own hanky and watch-winding gimmick.

QUALITY OF DVD: The DVD includes a live performance of Quentin performing the act in a school in front of around 40 children. Their reactions are amazing! The rest pf the DVD is Quentin explaining the routine in painstaking detail. The lighting is good, the explanations crystal clear.

QUALITY OF INSTRUCTION: As I mentioned, Quentin leaves no stone unturned. He really goes into incredible detail for such a simple routine from a technical standpoint. The detail he gives without a doubt shows that he has performed this thousands upon thousands of times. He has this routine ingrained into his DNA and has mastered it.

Quick sidebar...I love the fact that he has mastered this routine in the real world. I hate it when I buy a book or DVD and the creator reveals that a particular routine or effect was developed specifically for their lecture tour! I couldn't care less what magicians think of a routine, only paying audiences.

DIFFICULTY: There are some simple folding procedures you'll have to master as well as some simple vanishing knots. You'll also need to rehearse the movement of the mouse. None of this is particularly difficult, but to master these simple demands while maintaining a performing pace will take time. It's not hard, but put some work into a killer 5 minute act and you'll be rewarded in spades!

ANGLES: No problems at all - do it surrounded!!

AGE LEVELS: Quentin says, in addition to parlor/stage kid shows that he sometimes uses this in strolling performances for families. Personally, I feel it shines best in front of kids in a parlor setting. I have used it for audiences up to 100 kids, providing they are close to me and it just kills. In terms of ages, I find it works best for younger children, ages 4-7, so for me I use it most often in child care/daycare shows where it's been the backbone of my act for 8 years.

MY THOUGHTS: This routine is absolutely priceless. If Quentin ever puts out an extensive kids' show course, I'd buy it in an instant. This man KNOWS kids. The routine is funny, with plenty of kid humor and visual gags and when the "mouse comes to life," it generates huge belly laughs and screams that it's an amazing thing to see and experience as a performer.

Quentin understands that kids like to laugh and that 'amazing' magic is really secondary for younger children. The lessons to be learned in this video are legon for the budding kids show performer.

This is an amazing value and receives my highest recommendation. I should also mention that I chose to review this particular product as a way to remind all magicians to explore older products...not just the new stuff.

I still can't believe the reactions this gets...all from a simple hanky.

I should also mention that while I LOVE the watch winding gag and gimmick Quentin uses, when I originally bought the tape I could not find such a gimmick anywhere so I changed the routine and use a squeaker gimmick (usually I just steal one from one of my dog's well-worn doggie toys) and use a squeaker sound instead of the watch winder. If you can find the watch winder gimmick, by all means, use it - the gasps of amazement from the kids is priceless.

OVERALL RATING: This is or should be considered a kids show classic and I can't praise it enough. A perfect 10 out of 10. It simply does not get any better than this.

NEXT WEEK: The latest review of the stellar Paul Romhany booklet series!

Best,

Cris Johnson

My Little Dogs, The Impossible Box and REVIEW: Mes(s)merize

2011-11-04T17:41:00.000-07:00

Hi All,

Crazy busy this week. Isn't that how I start all my blog entries??

I do have to say, however, that most of November involves me working fairly close to home, which is great for my relationship with my family: namely my wife and our two little dogs, Frodo & Sophie. Frodo is a 17-lb "cock-a-poo" and Sophie is an 8=lb Bichon, but my friend Rodney said she looks like a cross between a hamster and a poodle, so my wife & I call Sophie our "hoodle!" They've missed me and it's great to spend time with them - the hoodle is stepping on my keyboard.:)

My buddy Paul Romhany sent me a couple of video clips of his new Impossible Box release that his associate has been performing for a looooooong time. This baby looks like one of the best new releases of 2011 in my eyes. Check out Paul's blog to check out the video. (And this looks like a real-world worker as I'm guessing those arm chair magicians from "that forum" will whine and cry, but I think the presentational possibilities are endless!)

On to the review....Mes(s)merize!

Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=18288

It's available for $30 from Hocus Pocus.

AD COPY: An impossible prediction effect

A clear wine glass is seen on a table center stage, containing a black envelope with a prediction. The spectators are asked to concentrate on a single thought, write it down on a card and seal it in an opaque envelope. At your command, they all throw their envelopes onto the stage. A random spectator selects any one of the envelopes (again: NO force!). Let's assume the thought inside reads "ICECREAM". She removes the prediction from the glass and opens it. She reads the prediction out loud: it matches the freely selected thought!

Now for the FINAL kicker: The lady is asked to open up the crumpled paper ball that was used to randomly selected her as a volunteer. It reads: "Tonight, a beautiful lady called Annie will thing of ICECREAM!"

*The spectator is randomly selected
*No switch of the paper ball
*No stooges
*No secret Assistants
*No pre-show
*No fumbling
*No sleeving
*No electronics
*They can really write down any thought
*The other envelopes all contain different words
*Spectator opens and reads the prediction herself
*Prediction and envelope, both are completely unprepared

"Brilliant and clever indeed... this gentleman has forged a total masterpiece."
- Larry Becker

"I think it's terrific prediction, and I love the final punch-finish. Clever and very practical."
- Peter Duffie

"It's perfect. The method is wonderfully simple and direct and I image it plays extremely well. I give it my highest recommendation."
- Sean Waters

"Brilliant, yet, simple, the only way to do it."
- Marc Salem

Pages: 42 - Saddle Stitched

WHAT YOU RECEIVE: a 42-page, saddle stitched booklet.

QUALITY: Very good, here. There are plenty of photos to assist the learner and the instructions are clearly written. You'll have no problem understanding the mechanics of the effect.

ANGLES: Quite good. You can do this in living rooms, on stage or parlor situations.

DIFFICULTY: This effect primarily relies on a very simple move that is properly motivated by good blocking. Stefan has thought this through.

MY THOUGHTS: I like this but I don't love this. When thinking about the impossibility of the ad copy, the fact that the spectators really do write down any thought, the fact that there's no pre-show. etc, and most of that is true, the fact is that the "prediction" envelope being claimed as not being prepared is not entirely true. To be sure, the preparation is not hard and only takes a few moments, and therefore can almost be done at a moment's notice.

All of this is juicy for a good effect and the visual of the audience flinging their envelopes at the performer is very appealing to me in terms of theatricality.

This is all good stuff for the main prediction effect, now let's move for a moment to the kicker part of the effect, the bit where the ball of paper describes the revelation as well as the name of the randomly selected volunteer.

The kicker's method actually has TWO methods. The first is a gutsy, ballsy classic "method" of mentalism that many pros will recognize and embrace. It's also a method that magicians looking to add a mental flavor to their acts will likely reject as being, in Eugene Burger's words, "Not very interesting." It's a reliable method that requires intestinal fortitude.

The second method is something that Stefan refers you to another source, which I always find a little annoying.

He also includes several bonus ideas and routine frames to get your creative juices flowing and this is nice.

FINAL THOUGHTS: There's not a lot I can talk about in this review about the product without tipping the work. The method for the "main" revelation is rock-solid while the method for the kicker is something I'm guessing many will reject. the idea of referring the reader to another source may turn off some readers. Still, the routine has that great visual of all the envelopes being thrown on stage and the elegant simplicity of the glass with the prediction envelope will look great in terms of staging.

I think this is a good effect, worth consideration. I'll give this a 7.5 out of 10.

Until next time...

Best,

Cris

I Have Seen The Light and REVIEW: Look Sharp DVD

2011-10-24T17:49:00.000-07:00

Hi Everyone,

Short blog this week as I'm swamped with shows and preparations for several clinical hypnosis sessions I will be conducting next month. I'm VERY excited about this chapter in my career. I also (just today) received word that I have passed another certification in hypnosis, this time of 5-PATH, which is very advanced and extremely beneficial for clients. Good times!

Before I get to this week's review, I want to mention something that I just recently started performing....the Chair Suspension. For years, anybody who asked me my opinion about the Chair Suspension got a reply something like this: "Oh, that's crap. Since one of the chairs does not move, no one will like it."

I used a MAK Flying Carpet for years as a birthday guy, but the angles were horendous and kids would dive to the floor to try and look up the bottom of the carpet to see the secret. After that, I bought an X-type Suspension, which looked fantastic from stage but was a pain in the butt to transport and the angles were a little tender.

I recently bought a chair suspension mostly because of my brutal travel schedule. It's an easier and lighter illusion to break down and transport and it takes less space. Still, I was worried...

Until TODAY - performed it four times to incredible reaction! I was never so glad to be so WRONG about this illusion. I'm just sorry I didn't buy one years ago! As I understand it, there are several models to choose from. Hocus Pocus offers the Elite Chair Suspension, which, as I understand, is VERY well made and can handle more weight.

Since I was a "newbie" at Chairs Suspensions, I also bought an e-book devoted to this Chair Suspension from Paul Romhany's friend Kyle Peron. His email is magic4u02@aol.com. The e-book walked me through the basics, safety, and presentation tips. It's a good value.

Now, onto this week's review: Look Sharp DVD (and gimmicks) by Wayne Goodman. It's available for $29.95 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=18968

AD COPY: "Wayne Goodman has come up with an idea I can guarantee will be used by magicians world-wide. You would be mad not to carry this!"
- Peter Nardi

Wayne's "Look Sharp" concept is simple but extremely ingenious. Imagine being able to turn a sharpie marker (something we all use) in to a chosen playing card, even in your spectators own hands. NOW THAT'S A REVELATION!

Wayne's "Look Sharp" gimmick contains two revelations. One is the full card revelation and the other a very sneaky revelation built in to the design.

Can be performed as a standalone piece or part of a longer routine.
Makes a perfect ending for a multiple card selection routine.
Can even be performed with a signed card!
Ideal for any performing situation

Wayne Goodman's Look Sharp comes complete with two custom printed Look Sharp cards, a PDF file to make your own Look Sharp Cards and an instructional DVD covering complete routines, bonus tips and handlings. *Supply your own Sharpie Marker**

Look Sharp is something you will really want in your arsenal.

WHAT YOU RECEIVE: A well-produced DVD and two gimmicks, (which I can openly talk about) and a PDF file which allows you to make your own gimmicks

QUALITY OF INSTRUCTION: Wayne Goodman and Peter Nardi take an effect that could be explained on one sheet of paper anbd expand it, offer different presentations and expert 'pro' tips. It's nice to see an effect get such detail from its creator. After watching this DVD, I have no doubt in my mind that Goodman really fine-tuned this effect for years working in the real world. It's polished and it shows.

I'd also like to point out that often, magicians gripe about 'one trick DVDs," but personally, I enjoy a really good one trick DVD as often, the creator can go into more depth and really give you the professional touches that elevate a mere trick into an effect of magic. (Yes, I'm quoting Eugene Burger.)

QUALITY OF GIMMICKS: Although the PDF enclosure on the disk allows you to make your own gimmicks, I personally won't be bothering. The supplied gimmicks are printed on Bicycle stock, so they hold up well and more importantly, from sa tactile sense, they feel good. Subconsciously (or consciously, depending on the person), people judge us on the quality of our props and while good props don't "make the magician," a crappy prop can sure de-value a performer in a hurry.

Nardi assures viewers that you can also order replacement gimmicks through Alakazam Magic, and while he admits they are kind of pricey, it's good to know the option is there.

DIFFICULTY: Goodman & Nardi walk you through the basic sleights necessary to pull this off and offer plenty of different handling options. There is even a "sleight-less" option for those dexitery-challenged folks out there. I'm not much of a finger-flinger as I usually work from stage, so happily I was delighted to have this option.

Even the most challenging handlings are within reach of most magicians, as one handling involves tacking the Look Sharp effect onto the end of your favorite Ambitious Card routine. Admittedly, this was my least favorite handling as I find the Ambitious Card plot tedious and boring.

The handling for the Look Sharp effect is not really technical at all - as you might imagine, you're simply switching a real sharpie for the gimmicked Look Sharp one and it comes down to confidence, timing, psychology and blocking - all of that none-sleight of hand stuff that really enhances a performance.

(SIDE NOTE: On the issue of timing, I discovered today that by adding a 3-second pause before an effect in my stage show, I was able to garner a much bigger reaction than the previous 6 years I did the effect.)

ANGLES: Since the effect of Look Sharp is that of a sharpie marker turning into the selected card, and the effect is built on timing of a switch, angles are not a consideration. That makes me very happy!

MY THOUGHTS: I have to admit, when Paul Gross told me he was sending me this effect, I was less than thrilled to review it. Close-up card work is just not my thing. I was much more interested in the other Alakazam recent release, Confab-SHOE-Lation. As it turns out, I actually like Look Sharp a great deal more...and after watching both DVDs, I think Peter Bardi does, too!

I haven't much to my strolling set in many years but I think Look Sharp is going in this year, which is about the highest praise I can give it. I'll give this a high grade of 9 out of 10. Highly recommended for close-up workers.

NEXT WEEK: Mes(s)merize

Best,

Cris

October Marches On and REVIEW: Confab-SHOE-Lation

2011-10-19T09:43:00.000-07:00

Hi everyone,

Finally, a day off! If you're reading this and you're in the school market, you know that October is typically one of the busiest months of the year for the full-time school magician. I'm sooooooooooooo grateful to be so busy, but also sooooooooo whooped!

Last week's schedule was insane - last Sunday drove 8 hrs to Maryland. Performed there for two days. Drove 3 hrs to Virginia. Performed there one day. Drove 10 hrs back home. Next morning, flew out to Missouri for a one hour corporate gig. Flew back home the same day. Next day, drove 3 hrs for two corporate gigs. Saturday - a night corp gig 30 min from home. Sunday - back on the road to New Jersey....Whew!

But I'm thankful for the work!!! Next week, I begin work on the November issue of Cause & Effects, the free ezine. To sign up, email me at crisjohnsoninfo@verizon.net. On to this week's review...

Confab-SHOE-Lation by Richard Bellars. It's available for $39.95 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=19048

AD COPY: Richard has taken the confabulation plot to new heights of impossibility with their shoe reveal!

Richard has been performing Confab-Shoe-Lation in his stand-up act for well over a year and then decided it would be the ideal effect to fool Penn & Teller on national TV.

Richard is a real creative thinker and a full time worker so you know his stuff is going to be practical to use in the real world!

Effect

Imagine your spectators can name any 3 items (no force) and you have predicted them correctly in a note that you have kept safe in your shoe from the beginning of the show.

On this DVD Richard Bellars and Tom Swift (who is the co-creator of the effect) take you step by step through every aspect of the effect, including how to create the gimmick with your own shoe.

*Please note construction is required and you will need to gimmick your shoe to perform Confab-Shoe-Lation

WHAT YOU RECEIVE: You receive a well-produced (for the most part) DVD that offers different presentations and ways to accomplish the effect. Tom Swift (co-creator) and Peter Nardi also join Bellars to discuss different aspects of the effect.

DIFFICULTY: Like many versions of Confabulation, there is usually a minimum of sleight of hand involved so therefore, the technical work is minimal. Pulling off a good Confab- style routine is more about presentation, buildup and (in some handlings) audience management. Like so many other effects in mentalism, this is not technically difficult.

ANGLES: Well, it's going to be tough to talk about angles on this without mentioning that there are different versions of the effect, some of which are two-man versions and a one-man version. The two-man version's angles are good and flexible. Once you understand what's going on here, you can adapt this two man method to many different venues and situations.

The one-man version was something I was a little less than thrilled with. To me, the angles are such that if you use this exactly as Bellars does, your audience can ONLY be in front of you, not on the sides at all. Also, if the front row of your audience stretches out to the right or left too far, you will be busted, unless you are really far back from the audience. You can 'cheat' this method off to one side, angling out, I suppose, but I feel it's too angle sensitive to use as-is.

TWO-MAN / ONE-MAN VERSION? HUH? To just give a bit of background, in any Confab-type prediction (where three or more random things are called out or generated by spectators are shown to match precisely a prediction of some kind) there are two ways of achieving the effect...in a two-man version, your assistant helps you to help you look completely clean. In a one-man version, you must do all the work yourself. I'm not going to say anything more than that for obvious reasons.

In the version Bellars performed for Penn & Teller, it was indeed a two-man version. Like other viewers, I thought it looked fabulous and it fooled me completely.

The one man version involves one simple, quick movement to get things into play, that is, get that prediction into your shoe. The movement is quick, simple and easy. It's not even a sleight at all. It's also completely motivated by the gambling presentation Bellars uses.

It's also the angle-sensitive thing I mentioned earlier and feel it should be reworked to be more angle-friendly for real-world performers. I only mention this because many of my corporate events are small events, 70-100 people, and the round tables are set up in front of me and off to the side, so Bellars' method would not work for me in those situations. However, if I'm in an actual stage performance, like a high school auditorium, this would work just fine. Happily, this is where I may use this because I believe high school kids would like the off-beat nature of a prediction in a shoe.

TOO-PERFECT THEORY THOUGHTS: Some folks online have blasted Bellars for making his prediction with Penn & Teller as "too perfect," because his prediction matched Penn's written "housey" word. Personally, I don't have a problem with something being too perfect. I bill myself as an entertainer, nothing more. If I really want to impress people with "real" things, they can come into my office for hypnosis.

I decided years ago, when confronted at a few early corp gigs, people asked me about 'my powers,' that I did not want that responsibility. So, I don't try to convince people I'm a real psychic, so the Too Perfect Theory is something I tossed out the window. If that's not your preference, you can certainly alter the prediction to be 'off a bit' to seem 'more real.'

THE GIMMICKED SHOE: As the ad copy states, you have to gimmick a shoe. Bellars shows his original prototype and comments on what a pain in the ass it is. You can do it yourself, but as Bellars points out, you'll probably be much better off taking it to a shoe cobbler.

The way the shoe works is very simple and is something most people (ie magicians) would not suspect, so I like it in that realm.

So, gimmicking the shoe, while elegant in its simplicity in terms of working a gig, is a pain to do. You've been warned.

WHY A SHOE? Others have complained about the lack of logic in having a prediction in your shoe. Peter Nardi, on the DVD, tries mightily to justify it with some scripting and tying everything into the gambling theme. It's a god try but I don't feel it's completely successful. They also try gamely to 'sell' the viewer that the one-man version is even stronger than the two-man. I don't feel it's a failure, but I really feel the two-man version is the stronger of the two because of how clean it is.

As far as the idea of the prediction being in a shoe, like I said, I like the offbeat nature of it. I think some audiences would be amused by it. I think too often we as magicians dismiss an idea because we have strong traditional ideas of what "should" be done.

OVERALL THOUGHTS AND RATING: I like this, but I don't love this. I think it's got potential. I definitely will NOT be replacing my own Confabulation handling with this (detailed in my book, "Cause & Effects: Volume 2" available at Hocus Pocus) but if I'm doing a show for a repeat client, I can see Confab-SHOE-Lation being a nice followup for those repeat clients.

I'll give this a 7 - it's a nice, off-beat idea. If you're new to Confabulation, I recommend my friend Paul Romhany's "Dream Prediction Lite" over this as being more practical or even my own work in the afore-mentioned book. But if you're familiar with Confabulation and looking for a unique twist on an effect for repeat audiences, this may suit you.

NEXT WEEK: I review Alakazam's new "Look Sharp," a surprisingly delightful strolling effect.

Best,

Cris

SPECIAL REPORT: Warning to Users of Shoe Business by Scott Alexander & Puck

2011-10-11T19:25:00.000-07:00

Hi all,

Doing a midweek report like this is unusual to say the least, but I had to get this out there. I've gone on record saying that Shoe Business by Puck & Scott Alexander is probably my fav new effect for 2011 thus far. However, today I was notified of a potential problem.

First, a quick review - the effect is the magician calls a practical joke hotline and pours a drink into a borrowed shoe, as per the "hotline's" directions. Of course, the volunteer's shoe is unharmed. Along the way there are some great comedy lines.

I don't want to get into exposure, so I won't discuss the workings of the trick, but one of the comedy lines on the recording involves the "Press 1 for English" prompt that drives many of us CRAZY when we're calling a business and trying to get a human on the phone. Well, after a couple of lines, we hear a man's voice say "Rizzle, Shiffle My Nizzle," or something to that effect. Obviously this part of the recording is poking fun at those annoying voice prompts and maybe poking fun at the "izzle" slang that confuses people not of that generation...namely me.

Anyway, I loved the routine and put it in my night time family show. In the 6 times I've used it, it generates huge laughs and a gasp of amazement when the cup of liquid comes out of the shoe.

I performed it last night for a family show in Maryland, audience comprised of around 300 people, different backgrounds, mix of different ethnic groups, etc.

Well, today I received a phone call from the school principal saying that a mother of one of the kids called saying that "izzle my shizzle" part of the recording was offensive. Turns out it was in reference to Snoop Dog's slang and the "For Shizzle my Nizzle" can be (and is intended to be) translated by Snoop Dog to "For sure my N-----," with the "n" word for a racial slur. And to boot, the principal explaining all of this to me was a very kind, apologetic African American man.

I had no idea that this "izzle" stuff even translated. I knew vaguely of its orginis in rap (I think) and I've seen clips of Snoop Dog "izzling" this slang that I freely admit I don't "get." I figured it was nonsensical silly stuff. I don't care for Snoop Dog so therefore I never investigated it further.

I explained to this principal (who loved my shows) that I had no idea what all that "izzle" stuff meant and apologized profusely. He took it in stride and waved it off.

Needless to say, I will be running the Shoe Business through my audio editor and removing the "izzle" stuff. I LOVE the routine, but my viewpoint as a professional performer is this: if one person speaks up to complain about something, how many more were unhappy yet didn't say anything?

Now, do I believe Puck & Scott Alexander intended on putting out a product some audiences would find offensive? Hell no. Both are accomplished performers who regularly perform in front of international crowds on cruise ships - one of the toughest markets in the world.

The reality is that some people will be offended at things that other people will not find objectionable. I believed Puck & Alexander were simply, with this routine, poking fun at those annoying voice prompts as well as the confusing-to-an-older-generation "izzle" urban slang.

My knee-jerk reaction is to just lump the complaint of this woman in with the other silly complaints I've heard over the years regarding a number of performers. I had one lady complain, 6 years ago, that Rocky Raccoon was "scary" to special needs kids....there were 5 special needs kids wayyyy in the back of the auditorium. The audience was 500 strong. That irritated me. Another complained years ago about my coloring book - despite the fact that the kids LOVED the trick, She hated it simply because she had seen other magicians do it. The point is, people do complain and much of it is warranted.

The difference, in this case, is that the person offended was referencing some slang that translates from a very charged word, emotionally. Being a white male in the U.S., I obviously have no idea what power that word negatively has on people. I can only, for the sake of business, take cautious steps in this case.

It pains me to write this, but again, if one person in my audience complains, there may be others who don't. I just wanted to warn others of my experience. Take what you will from this. Maybe Puck can record the CD again without that passage? We'll see.

Know that I LOVE the routine, but simply wanted people to be aware of the negative possibilities.

Cris

The Lion King and REVIEW: Signed Bill To Can Manuscript by Paul Romhany

2011-10-10T12:30:00.000-07:00

Hi everybody,

October is here and I'm in full swing in school shows. Before I jump to the review of the week, I want to mention a couple of tidbits....first, just to remind everyone, my "Murder By Magic" product will be GONE at the end of the year. I'm pulling it off the market. I've accomplished my goal of laying claim to the original idea of using a one-man magic show as a murder mystery. My goal was never to flood the market (hence the high price tag) as I wanted to keep it fresh for myself, as I use this all year. I've only sold a handful of the courses in multiple countries, so if you want a truly unique presentation that's been specially developed for corporate audiences, your time is running out!!

Next on list is to mention The Lion King...no, not the movie, but the theatrical stage production! It's been out for several years and my wife and I had the chance to see it a few days. It was phenomenal to say the least! The music, costumes, etc was off the charts awesome! I highly recommend it.

On to this week's review: In honor of his new baby, I'm going to review Paul Romhany's Signed Bill To Can manuscript. It's available from Hocus Pocus for $29.95.

Here's the info...

AD COPY: Ten years ago Paul Romhany caused a stir in the magic fraternity when he performed his original Impossible Bill To Can routine on national television. He was accused of using stooges because the routine was that impossible. However what magicians did not know was that Paul had worked out a routine that did not use stooges.

In 2007, Paul released the exact routine and version he used on the TV show on a DVD and is still available from magic dealers.

This new version is an alternative to the original Bill To Can routine, in many ways this is more practical for most working conditions. The routine is perfect for magicians who work in private homes, corporate functions or even on cruise ships. Paul has given his complete routine including the exact script he uses word for word. You are not only buying the method but also the complete eight minute routine as performed exactly by Paul Romhany at private homes and corporate functions around the world.

Anybody wanting a strong, commercial and hilarious routine, this is it!

Everything is taught in this in-depth manuscript complete with photos and a completely different method than th on everything you need to get you performing this very quickly. It includes a detailed description of the $100 Bill Switch with numerous photos.

The Effect: At the start of the show the magician hands out a can of baked beans, this can be held by a spectator. Later on in the show a bill is borrowed and signed, it is burnt and after a lot of hilarious bits of business the spectator brings the can on stage. It is then opened and the money inside is unfolded and found to be the signed bill!

This is a real stunner and remember, method and routine is different than the original Impossible Bill to Can.

WHAT YOU GET: A detailed booklet filled with photos, instructions, the script and more.

QUALITY OF BOOKLET: I really like the fact that this is filled with photos, not only detailing the kind of can opener needed to make the working easier but also the photos for the Bill Switch. Paul's explanations make sense and I had zero questions after I read the book - always a good sign!

ANGLES: If you read the ad copy, you know the handling relies on a Bill Switch in part. The angles for most bill switch handlings are quite good and as this is intended to be a stage or parlor piece, rest assured you are in good hands in terms of angles.

DIFFICULTY: To my eyes, the two most difficult things about the routine are getting the comedy lines/timing down and the bill switch itself. If you already do a bill switch, you can get this routine up and running very quickly. If you don't already do a bill switch, I can give my own experience as a comparison - when I learned my bill switch method (I use Kevin King's "Money Morph") it took me a couple of weeks to really nail down the physical handling. Again, nit difficult, but if you're new to it, be prepared to put in a reasonable amount of work.

THE ROUTINE ITSELF: If you're looking for some new mindblowing method, turn elsewhere. The fact that Paul mentions his extensive detailed photos and instructions for the Bill Switch handling rather tips the basic secret, but to me, this is not a bad thing. With this tidbit, the purchaser knows what she/he is getting in terms of the secret.

The real value of this is the detailed routine itself. There were a few times while reading this that I burst out laughing. To get that from reading a script is rare. Another nice thing about some of the comedy in the routine is the fact that one bit in particular will require acting to pull off. It's not Academy Award acting that's needed, but it's different from simply stating a line and waiting for the laugh. i LIKE this, as it gives the comedy a naturalness that's missing so often from a magic routine.

I know some people will complain about the price - right now there are a lot of people complaining online about "one trick/routine DVDs" and how for 30 bucks you should get more value for your money.

I can certainly see their point of view when I consider some of the one trick DVDs I have picked up in years past, but honestly, for a real-world working pro, having a polished routine with the comedy and routines worked out for you is worth its weight in gold. To give you an example, I purchased a rather expensive prop a few months ago and while the prop itself is fantastic (It's from Peter Loughran) I am annoyed with myself because the routine I had outlined for it is taking longer to fine tune. In fact, just yesterday I overhauled almost the whole thing. This is not a crticism of the prop - it's great - but merely my own frustration with myself at not creating a stellar routine for it faster!

This is a routine you can drop into your act with a minimum of effort and this is always welcome.

RATING: I sound like a broken record, but I love Paul's stuff. I'm giving this a 10 - it does what it advertises, is very funny, is very well taught and part of the method is even tipped in the ad copy. You can go into this purchase well prepared, knowing that you're getting something for real-world workers and not a pipe dream.

NEXT WEEK: I review "5 Minutes With a Pocket Handerchief," a kids' routine I've been using for 7 years. Good stuff!

REVIEW: Parasols From Anywhere

2011-10-04T08:33:00.000-07:00

Hi everyone,

Time is short, so this week I'm going to get right to it. This week's review is something I've been using for a little over two years now, so I can really speak with authority on this, having performed it in the neighborhood of about 400 times. It's Parasols From Anywhere by Joker Lam. Here's the links for the parsols themselves, the DVD teaching it all, and the 'scabbard' set, waistband, etc to hide the parasols as they are loaded on your body: DVD- $44.95 -http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=7239 Parasols: - $69.95 - http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=7238 and the 'scabbard' set - $54.95 - http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=8782

All are available from Hocus Pocus and if you're new to this kind of work, you'll need all three. There are different colors and 'prints' available for the parasols and even different 'grades' of scabbard sets. I haven't noticed much different in terms of quality in the scabbard set other than the 'elegant' set has some material made of velvert, but this does not impact the workings in my view.

EFFECT: Bright colorful parasols (umbrellas) are produced in various ways!

DVD QUALITY: The picture is clear and Joker does an acceptable job teaching the techniques. He teaches it in his native tongue and there is English dubbed over, which results in a few semantic bits of confusion as some of the translations don't make complete sense, but overall, I had no trouble understanding his intent.

The DVD also provides closeups and changes to the camera angle where needed to make learning much easier. I will say this - in a few cases, as I was first learning these techniques, there are a few 'real world' things I had to figure out on my own, such as not having the handle of the parasol get caught under the waistband. Little things like this shorten the learning curve and I wish some of it was covered in more detail.

Also, one of the 'holders' is designed to go in your pant leg and pinned in place. No mention is made of how to hide the glint of silver through your pant leg, making this technique a little less able to be worked in the real world.

QUALITY OF PARASOLS: The parasols hold up reasonably well for day to day use. In 2 years and after 400 performances, I've had two parasols wear out and tear. Bear in mind that the production of the parasols is, from the point of view of wear and tear on the parasols, pretty violent, so the quality is reasonable, but certainly not meant to last a lifetime.

MY THOUGHTS: I first began exploring the idea of a parasol act as its a form of manipulation and production that plays HUGE and is very bright and colorful. I had been doing a dove act for a long time and wanted to replace it as traveling with doves is just too difficult for the amount of travel that I do. After trying a few other routines, I tried parasols.

The first thing I noted when I bought the material and began working on it is the amount of material that is unuseable due to severe angle problems. That being said, I was still able to develop a solid routine that plays great in almost all the schools I visit. In my routine, I produce a total of 11 parasols and the routine plays wonderfully for me. It's a shame that some of the really NEAT productions are so angle-sensitive, as there's some great looking stuff here.

I can completely recommend this material with the caveat that you really need to watch your angles and keep in mind the venues you work in when putting together your routine. NONE of this material can be done surrounded, so that's another consideration.

Also, since parasols 'snap' open, doing this in someone's living room is not advisable either. I feel this material is strictly for stage. The more you can control your performing conditions, the more of this stuff you'll be able to use.

MY RATING: I love so much of this, but can't use it. However, the stuff I CAN use plays great. I'll give it a solid 8 out of 10.

'TIL NEXT TIME: Email any questions, thoughts, etc to crisjohnsoninfo@verizon.net.

A Great Peter Loughran Prop and REVIEW: The Magic Square by Luis de Matos DVD

2011-09-28T17:53:00.000-07:00

Howdy!

Cris Johnson here. Before I get to this week's a review, a few notes.

First, the next issue of "Cause & Effects" will be going out in a day or so. I'm trying to get it written early as next week's schedule is CRAZY busy. It's going to be about an "insurance policy" that no professional magician should be without. If you've not signed up yet, shoot me an email: crisjohnsoninfo@verizon.net.

Secondly, I've been rehearsing my Salt Pour routine all summer in preparation for the fall. Like Paul Romhany, I feel that the salt gimmick provided with Scott Alexander's Sugar Rush is the BEST on the market.

As much as I like the gimmick and routine, I wanted to add some punch to the routine, so I invested in Peter Loughran's Superior Salt Pour Platform. In a nutshell, it ROCKS! The entire audience LOVED it. If you haven't read up on it and you want your salt pour routine to end with a kick, check it out. I LOVE it.

On to this week's review...The Magic Square by Luis de Matos DVD. It's available for $35.00 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=18603

AD COPY: A professional Magic Square routine from the repertoire of Luis de Matos. Members of the audience call out numbers at random. Unbelievably, from these the performer is able to construct a perfect magic square. All the columns, rows, diagonals and corners add up to the same number. Not only that but this number was chosen by a spectator just a few moments earlier. No formulas. No memory work. An incredible mind boggling routine for the professional worker.

Instructional DVD includes performance footage. Bonus Feature: Luis de Matos' handling of the Instant Magic Square for impromptu work.

WHAT YOU GET: You receive the DVD as well as pdf files for the artwork necessary for the routine. You also receive a couple of little gimmicks for the impromptu version.

REVIEW OF THE AD COPY: The wording of the ad copy is very precise in that de Matos walks the line carefully without revealing too much and without (too much) building up the hopes of the performer. The claim of the number being the same as the number chosen by the spectator is accurate. The spectator is allowed to choose a number from a very large field, so while they can't name ANY number, it's also not a choice of two numbers, equivoque or anything like that.

Also, the line about "constructing the square from numbers called out by the audience" is accurate to a point...it is POSSIBLE to do that, but if certain numbers are not called out, well, it then turns into a bit of a bluff.

DVD QUALITY: This is outstanding in terms of production quality. de Matos did not shortcut the production as this looks very Hollywood-y.:)

My only quibble is that after each segment it goes back to the main menu. I couldn't find a 'play all' feature. Not a big deal, but a preference of mine.

As far as the DVD quality of teaching, de Matos does a superior job of teaching. My only experience of watching him was his performance on "The World's Greatest Magic" specials many years ago. (He did a linking rubber bands effect and two mirror effects.) I take that back - I also spotted a youtube video of his rendition of "Sands of Egypt," which was very nice.

After watching the DVD, I had zero questions and had no doubt I could put this into my show - a good sign of a good teacher.

DIFFICULTY: Here's where this routine really shines. It's dead-ass easy. If you can see, speak and hold a pen, you can do this routine. There are ZERO calculations. If you're truly looking for an easy version to use, this is it. There's a teeny bit of spectator management, but nothing major whatsoever. In terms of ease of presentation, I believe this is the new gold standard.

MY THOUGHTS: I experimented with a couple of different methods for doing a magic square 5 or so years ago. I used John Archer's basic presentation (which focused on speed) but found his actual method a bit lacking as there were a couple of calculations (more accurately comparisons!) one had to do in order to determine which square to use. This was John's way of handling the "Why are four of the numbers so frickin' BIG" problem that so many easy magic square methods have.

The actual method I used was Chuck Hickook's, out of his first "Mentalism, Inc." book. The calculations were extremely easy, but you had "Big F'in Four Number" syndrome.

I eventually put away the magic square, as it did not fit into my preferred corporate show, "Murder By Magic."

With de Matos' method and presentational possibilities, I am considering putting this into a high school or middle school show as the entire process is very interactive. I like how the spectator chooses a number which will ultimately be THE number. de Matos' "Lucky Number" presentation is pretty good, although in my mind it 'springboarded' an idea of my own!

Finally, the business of having spectators call out numbers, while not entirely true, still does a grand job of keeping the magic square interactive, and at a quicker pace, as many square presentations were just too slow for my tastes. (Keep in mind that I like the overall effect and have used it several times.)

The true beauty of de Matos' method is the fact that (to emphasize once again) there are ZERO calculations and that he's solved the "Big F'in Four Numbers" problem.

As a sidebar, the method of hiding the square formula for the impromptu handling is very cute, too.:)

Overall, I feel this is very strong. About the only quibbles I have is the fact that the aspect of having the spectators call out the numbers is not as pure as I'd like and you do have to bring some additional materials with you. In other words, this is not a "Bring the board and you're ready to go" presentation - there are a few more props to consider. It's not a huge drawback to me - I'm a prop hound - but I'm betting that many 'minimalist' mentalists will be slightly turned off. I hope I'm wrong, because de Matos has made a very manageable Magic Square method, allowing you to concentrate on presentation.

I'm further willing to bet there will be mentalists out there who scoff at the notion that not doing ANY mental calculations means you're not a mentalist. Kind of like those guys who feel that without 'risk,' the possibility that something could go wrong, you're not really a mentalist.

To them I say, hogwash - I'm paid to succeed!

RATING: Very strong - 9 out of 10.

Until next time...email questions, concerns, etc to crisjohnsoninfo@verizon.net.

Congradulations to Paul & Natalie & REVIEW: Freefal DVD by Andrew Mayne

2011-09-24T05:33:00.000-07:00

Wow! Those are some CUTE pics! If you haven't done so already, check out the new pictures of Paul & Natalie Romhany's new baby on Paul's blog.

I can't express how happy I am for Paul & Natalie, as having a child is certainly something they've wanted for some time. I'm so happy for them!

Of course, me being the sadistic bugger that I am, I gleefully told Paul to expect a lot of sleepless nights.:)

Important Note: Next month's "Cause & Effects" newsletter will feature an important article on how I avoid disaster TWICE at a recent show! It's going to be an important read! If you've not signed up, send me an email to crisjohnsoninfo@verizon.net.

One feature I plan on doing from time to time is updating readers on how new effects that I've reviewed are faring in my actual shows. As much as possible I try to review items backed by real world experience, so if I have not really performed the item yet when I review it, I will touch upon my success/lack of success with the item once it finally sees the light of day in terms of performance. I mention all of this because as many of you know, I am not a magic collector. I have nothing against those who are, but I make my living with this stuff, so that's my perspective when I do a review - will it 'fly' in the real world?

With that in mind, here are a few updates....

I've had the opportunity to perform "Shoe Business" and the reactions have been great. This is still the front runner to be my pick for the best release of 2011 (bearing in mind my review column is hardly all-inclusive of new effects)

I also recently performed "Slingshot" and I'm pleased to say the reactions were also good.
In October, at a public show, I'll be debuting Bobby Motta's "Lethal," and Bobby & his wife Alana are coming to the show!! Can you say PRESSURE, LOL?

On to this week's review....it's "Freefall," by Andrew Mayne. It's available for $14.95 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=12830

EFFECT: Make bricks, bowling balls, fish bowls even a hot cup of coffee appear from nowhere!

Here's the AD COPY: Make bricks, bowling balls, fish bowls even a hot cup of coffee appear from nowhere!

Andrew Mayne presents his innovative technique for making impossible and unwieldy objects appear from impossible places.

Bowling Ball - An updated handling on Andrew's Bowling Ball from Shopping Bag effect that makes a great show opener or closer. Includes Andrew's new handling and technique that makes this a portable, practical illusion you'll want to make a part of your show.

Brick - Make a heavy brick appear from an empty lunch bag and drop it literally at your audience's feet. This never-seen-before effect allows you to create a huge impact up close or onstage when you produce a real brick under the most challenging conditions.

Fish Bowl - Make a fish bowl appear complete with real fish! Use it as part of an Aerial Fishing routine or use the bowl to produce giveaway items or anything else you want.

Home Brew - This is Andrew's almost impromptu method for making a hot cup of coffee appear. It makes a great ice break or fun effect to do at the coffee house.

Freefall is an easy to perform effect that's almost impromptu in its simplicity. You can use it onstage with a bowling ball or up close with a brick you can leave as a souvenir. It's got multiple applications including one that's right for your show.

WHAT YOU GET: A nicely produced 20 minute DVD.

QUALITY OF DVD: The DVD is well produced, as are most of Andrew's DVDs. It's not a hollywood production, but then it doesn't need to be. The picture and angles are just fine for what Andrew explains.

QUALITY OF INSTRUCTION: Andrew is a good teacher and despite my misgivings about many of his effects, I'll be the first to say he teaches his material well. I had zero questions after watching this.

ANGLES: The angles for this are pretty good. If you've got audience members are your sides, you'll need to 'pull back' in terms of where you perform this. I think of the angles are very similar to Kevin James' bowl-A-Rama or a classic Zombie routine with many of the fancier moves.

DIFFICULTY: Freefall is not difficult to perform, but the biggest challenge is your acting ability, acting as though the bag you are picking up is light as a feather. Some of it is in the physical handling while a lot of it is also in your attitude.

MY THOUGHTS: I bought this DVD primarily for my teen shows. For years, my standard opener to most of my teen shows has been the afore-mentioned Bowl-A-Rama and I've been looking for a suitable effect to use for repeat audiences, without much success. (Performers experienced with teen audiences know how discerning this age group can be.)

I prefer to open with a bang, something fast with little or no talking, to quickly establish I am worth paying attention to.

Bowl-A-Rama works great, so I reasoned that Freefall could be the answer I was looking for. With that in mind, I like this DVD but I don't love it. The main reason is because you cannot show the bag empty before the appearance. To me, this is a problem, but I will freely admit I have not yet had the opportunity to actually perform this yet. There's a good chance that it could simply be a matter of my "magician's guilt" or something ike that.

This effect is practical and in particular I really like the fishbowl production and I feel that if any of the effects on the DVD can overcome the one flaw I pointed out, it's that effect, because manipulating water is so magical.

I'll give this a solid 7.5 out of 10. I've been pretty harsh in my distain for a lot of the stuff Mayne has put out, but I feel this has real possibilities. I'll keep you updated.

Until next week, send all questions to: crisjohnsoninfo@verizon.net

Google Struggles and REVIEW: Winning Numbers by Paul Romhany

2011-09-16T05:31:00.000-07:00

Hi Everyone,

This week's blog will be shorter than most...I'm in the middle of the busiest part of my year, the beginning of school here in the U.S.! Add to that that I'm in the middle of getting certified for a specialized form of clinical hypnosis and I am just crushed!

Well, my new blog, Professional Magic Tips, is gone already. Long story short, I got into a dispute with Google and anytime anyone gets into a dispute with Google...they lose.:) Grrrrr, Hulk frustrated! (Okay, my nerd-ness is showing!!)

I do want to take this opportunity to clear something up, too - I will be continuing my "Cause & Effects" monthly free ezine. My regular readers love it as each month I write one long form article on performing philosophy, the business side of magic and other topics. I also reveal true 'road stories' to give readers a glimpse of my life as a full time pro. Sign up for free at crisjohnsoninfo@verizon.net.

On to this week's review: Winning Numbers by Paul Romhany. It's available for just $20.00 from Hocus Pocus. Here's the ad copy: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=18310

EFFECT: The idea of predicting raffle ticket numbers, chosen at random by audience members, can be found in 13 Steps to Mentalism. However, the original method required an offstage assistant. For the past twenty years, Paul has been developing, and performing his version of this amazing effect, without the need for an offstage assistant.

This one person routine is easy to perform, and like all of Paul's work, is taken from real-world working situations. The method is highly practical, and so easy to perform, you can put this to your act straight away.

Paul explains THREE different versions of this routine that he has been performing on cruise ships, private functions and trade shows. Additional tips are included by Wayne Rogers and TC Tahoe, both of whom have now added Winning Numbers to their own repertoire.

Effect One: A prediction is handed out to an audience member at the beginning of the show. At anytime during the performance, a bowl of two hundred tickets are handed out, with three spectators each choosing their own ticket. The prediction is then read out, and the winning numbers match the ticket numbers chosen by the spectators.

Effect Two: A prediction with three raffle tickets inside is given to an audience member to hold. A bowl of raffle tickets is handed out and three different audience members each take one ticket. The three prediction tickets match the numbers of the three random tickets chosen by the spectators.

Effect Three: A large envelope is hanging on stage. A bowl or raffle tickets is passed through the audience with five people each taking one out, and looking at the numbers on their tickets. The envelope is opened by an audience member, and a large piece of paper with raffle ticket numbers is read out, they match the ticket numbers chosen by the five spectators.

WHAT YOU RECEIVE: One Softcover, Perfect bound book with Black and White photos

INSTRUCTION: As usual with Paul, he teaches the effects in the book very well. One of the reasons I sometimes give the effect I'm reviewing a less than perfect score is because of the way the effect is or is not properly taught. Let's face it, not everyone is a great writer. Paul explains his effects very clearly.

DIFFICULTY: None of the effects are difficult from a sleight of hand perspective. That's often the case with mentalism, which often relies on psychology and subtly rather than physical technique. The handling here is well within everyone's reach.

The second version of the basic effect requires a bit more set up than the first version, so when I perform this, I'll be using the first version. You may feel differently.

ANGLES: Like many mentalism effects, the angles are good. The second version probably has more angle challenges than the other two, but again, this is a stage effect and as long as no one is behind you for version one and two, you will be able to hide what you need to hide. Version three is something you can do surrounded.

MY THOUGHTS: I have been criticized on that magic forum about handing out too many 10 scores. Just off the top of my head, here are products that did not receive a 10:

Real Ghost
Slingshot
Cellular Mitosis
CM2 by Docc Hilford
Russian Roulette by Larry Becker
Mad Scientist by Peter Loughran
Thread DVD
Multiplying Bottles DVD
Stretching the TruthDead Rap
Spirit Bell by Tim Wisseman
Bewildering Blocks by Jay leslie

There's many more but that's just off the top of my head. I'm being defensive about this because I'm giving this product a 10. Here's why...

1. The product's ad description is accurate. No hyperbole. I believe that the idea of using raffle tickets in the show as motivation is a nice hook because we all like to win prizes. So the theme is strong.

2. Methodology is strong. Paul gives credit where due, as the methods are not 100% original with him. The methods are sound and the third version in particular is drastically different from the first two in terms of how it's done.

3. Theatrical - The way the prediction itself is introduced and finally revealed is not only fun but attention-getting for versions one and two. I'm not going to get into specifics, but this is something i WILL use, which is a big deal as it takes a GREAT routine to crack my own starting lineup in any set list I have.

If you're looking for something amazingly original, this may not be for you. So many of us, myself included, fall prey to the allure of the next cool thing. I'm not one of those guys who feels everything old is all you need - I think alot of the old stuff in Tarbell and Corrinda (for example) is great BUT it needs to be drastically updated. Many working pros don't have the time or desire - that's me. I'll buy the method and work out the scripting myself.

If you want three versions of a highly entertaining prediction routine that are theatrical and practical, this book is for you. 10 out of 10.

Questions? Comments? Email me at crisjohnsoninfo@verizon.net

That Magic Forum, a NEW Blog and REVIEW: Fish In A Bottle

2011-09-08T19:06:00.000-07:00

Hi-yo,

Before I get to this week's review, I want to quickly echo my friend Paul Romhany's words last week regarding the negativity in magic. There's a certain magic forum out there which is a cancer to the art form. Avoid it if you really want to grow as a magical artist and performer.

As a sidebar on this topic, I got "thumped" by a few people regarding the perfect 10 scores I give out. With that in mind, here's a quick review of how I score tricks, books etc....

1. I judge it on the quality. Will it fall apart? Is it well-made?

2. Instructions - is the product explained well? Is it easy to understand how to perform it?

3. Does it do what it claims in the ad?

4. Is it workable in the real world? I'm a real world pro and an effect for "special occasions" does not hold much interest to me.

5. Angles - an effect that has nasty angles will often get a lower score as it relates to #4.

Let's take Paul Romhany's Briefcase Illusion last week. I gave it a 10 because it's practical for the real world. Also, it fooled the hell out of me when I watched the video. The instructions to construct the prop are crystal clear. The book is well-produced so the quality is extremely high. I've seen it in action, so I know the ad copy is accurate.

Does this mean it's the perfect effect? No, as 'the perfect effect' will differ from performer to performer. What rocks my world may not rock yours...for instance, as a stage guy, I could not care less if something is "examinable" in most cases. Why? A stage guy usually does not have time to allow things to be examined as it slows the pace of the show.

In the example of the Briefcase Illusion, for a stage illusion, the angles are perfect (depending on how you use it) and since Paul teaches you how to construct it so it packs flat, it's extremely practical for the real world.

With that being said, it's a big effect so a birthday performer will not have use for it.

Still, for the realm in which it was created, the Briefcase Illusion IS a 10 out of 10 based on my parameters.

I'm also very fussy what I buy, so since I've researched something before I perform it, chances are I know it will fit my needs.

The other thing I want to announce is my NEW blog, www.ProfessionalMagicTips.com! This blog is a FREE blog that covers magic, mentalism, performing philosophy and much more. It's an off-shoot of my Cause & Effects newsletter but this blog will be updated at LEAST once a week, usually more than that. Be sure to check it out for marketing tips, guest articles, road stories, sound system tips, equipment tips, travel tips and much more!

With that out of the way, here's this week's review: Fish In A Bottle by Dick Barry. It's available for $75.00 from Hocus Pocus. Here's the ad link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=15927

AD: Fish in a Bottle by Dick Barry, its another Hocus Pocus exclusive!

A plastic water bottle is shown to contain only clear water. The cap on the bottle is secured tightly so nothing can enter the bottle.

You state the bottle contains an "INVISIBLE FISH". The bottle is handed to a spectator to hold. The spectator is asked to confirm that he/she can only see clear water in the bottle.
You drape a black silk over the bottle, STILL HELD by the SPECTATOR. Tell the spectator if they say, "I believe in magic" the fish will APPEAR. Once that is said, you slowly pull the silk from the bottle. What was once a bottle containing only water now has a BEAUTIFUL LIVE GOLDFISH swimming around inside the bottle. (What makes this such a wonderful effect is that the magic happens close-up in the spectator's hand.)

NO MAGNETS OR MIRROR TYPE GIMMICKS ARE USED.

The bottle can be seen up-close BEFORE and EVEN EXAMINED after the performance.

No sleight-of-hand involved.

No harm to the fish!

Learn in minutes!

Comes with the bottle, black silk, special gimmicks and completed instruction, including color photographs.

Furnish your own fish. A truly memorable magic effect your audience will always remember.

WHAT YOU GET: Full-color illustrated instructions, the bottle, extra gimmicks, a black silk.

QUALITY OF INSTRUCTION: The instruction is rock-solid and there are even care instructions for the fish, in particular the Siamese Fighting Fish, which Barry claims would be a good choice for the effect. Having owned several of these fish in my lifetime, I can attest to the fact that they are very beautiful and quite hardy as well.

The effect is simple to perform and looks EXACTLY as the demo video claims. There is no deception so that's nice.

ANGLES: This is the rare effect that can be done surrounded, as long as the spectators are a couple of feet away from you. An extemely observant spectator might spot "something" in the handling, but only if they literally had their head resting on your shoulder! Realistically, you've gotten nothing to worry about here.

MARKETS: It's the production of a live fish, so I'm going to go out on a limb and claim this could be done for ANY age group. I myself used to produce a fish using a different method years ago and I can tell you that causing a live fish to appear magically is very arresting for any audience.

QUALITY OF PROPS: This prop is supplied in a protective cardboard mailing tube, similar to how I transport my Clearview Airborne. Good decision, as any plastic water bottle needs protecting if it will last. The rest of the supplied props are good quality. No complaints here.

MY THOUGHTS: This almost a perfect effect as the use of the bottle and the workings of the effect allow you to use a larger fish than traditional methods of producing the fish. Since the fish can be bigger, the effect can play to a bigger audience. This is happy news.:)

I say this is "almost" a perfect effect but the fact is, before the fish makes his appearance, the little guy is OUT of water til the magic moment. Barry assures users that the fish will be fine for a few minutes and while he's technically correct, it does mean the fish is NOT happy. Since I'm a big proponent of protecting the living critters we use in a show and seeing to their comfort, I must take a little off of the score.

This feature also limits the effect to an opening effect only. I love the effect, the video looks great, and it can be performed surrounded....but the fish being out of water til the big moment does in fact make me hesitate in giving this effect a perfect score. 8 out of 10....so close!

Until next week, be sure to bookmark www.ProfessionalMagicTips.com and visit it early and often!

Hurricane Irene, The Media, Murder By Magic and REVIEW: The Briefcase Illusion by Paul Romhany

2011-08-31T06:52:00.000-07:00

Hurricane Irene came and went and while hurricanes are never something to scoff at, I do want to point out that for many parts of the Northeastern US, the effects were not anywhere near as damaging as the media would have people believed would happen.

Again, hurricanes are not a good example of my point because we need caution for those storms, but so often the media actually installs fear by saying things like, "The expected catastrophe," and other fear-inducing words. It's one reason why, other than catching the headlines every few days, I NEVER repeat NEVER read the newspaper or watch the news on TV.

On a lighter note, I wanted to let everyone know that as of December 31, 2011, the Murder By Magic product will in fact be pulled from the marketplace. I was debating whether or not to double the investment (as many have said I should) but ultimately I just decided to pull the product completely. Those who have purchased it have been universal in their praise and I have no doubt they will benefit from it. Murder By Magic truly is a unique concept and while I released it to ensure that I received proper credit, I never intended it to become the Vanishing Bandanna of the 21st century.

Don't delay because after this year, it will be GONE.

On to this week's review: The Breiefcase Illusion by Paul Romhany. It's available for $24.95 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=18517

EFFECT: Basic Performance: The MC walks on stage with a briefcase, no magician, just the case. He then places it on top of a writing desk. The lid of the case open, and the magician makes his appearance out of the briefcase.

Basic Vanish: The magician places the case on top of the writing desk, and a girl is pushed inside. The magician then picks up the case and walks off stage.

Variations: Use this for other productions with or without the briefcase. In Romhany's routine the briefcase lid opens up and an eight foot ladder appears from it, then Romhany makes his appearance out of the briefcase as though he is climbing up the ladder.

At FISM it was used to vanish TWO people. The briefcase was placed on the floor in front of the writing desk and a girl was pushed down inside. The magician then picked up the case and placed it on the table and another assistant was put inside the case. The case was then picked up and the magician walked off stage.

Produce or Vanish an assistant away from the table - use the table as a place to conceal your assistant.

Puppetry: This was also used for a puppeteer who was concealed inside the writing desk and able to operate a puppet while the performer interacted with the puppet.

WHAT YOU GET: A perfect bound soft cover book. There are drawings, photos and more galore, so you'll have NO problem understanding this. Video links and password-protected access to video tutorials are also included.

ANGLES: Here is where this illusion really shines! For most of the uses this utility illusion can be used for, a surrounded performance is indeed possible. Un-friggin'-believable.

MARKET: Wide open! The illusion looks so good that I can see this working for any age group. Obviously you wouldn't want to haul this out to a birthday show or private home gig, but for any stage show, this is fantastic!

DIFFICULTY: From a performance standpoint, the actual workings of this illusion are pretty easy, a 1 out of 10 for sure. Obviously, exiting (or entering, in some cases) must be rehearsed to perform in a fluid, magical manner, but the real question of difficulty comes from the construction of an illusion.

I myself have never felt comfortable building my own props. (Long-time readers of this blog will recall how often I grumble and complain whenever I must do such a thing!)

Nonetheless, after reading this book, I now know that even I can build this illusion. Obviously, a person must have the proper tools, so if you live on the fifth floor of an apartment building and you do not own any power tools, you're oing to have a tough time....however, the plans are so easy to comprehend, you could easily farm this out to a local carpenter or a buddy who has the tools.

PRACTICALITY: Another question facing potential buyers is the idea of practicality - "Do I REALLY want to haul a full-size DESK to a show?" Here's the really neat thing...and I hope Paul does not mind me tipping this....one thing he does VERY thoroughly throughout the book is stress how you can use pin hinges to hold the illusion together for performances, meaning you can pack it down flat and easily transport this even without a large van!

The video links also provide footage of Paul assembling the prop so you can see just how practical this is.

MY THOUGHTS: First of all, I want to thank Paul for continuing to put out stellar material. I have wanted to know the workings of this illusion for years as for a while, Paul sold the illusion complete for around $3500. I considered buying it back then, but knowing how much of a pain many illusions are, I decided to pass.

Well, this illusion was designed for the working pro who does NOT have assistants or a large moving van to haul their stuff. Paul designed this for one man shows and while he provides several ways to incorporate assistants and/or multi-performer acts, it was originally designed for a one-man show.

One thing I really like about this is the fact that the illusion itself looks like something you'd see in everyday life. To me that just adds to the innocence of the prop. Peter Loughran and I had a discussion about illusions and we both agree that illusions can look fantastical because the whole idea of magic is fantastical, but if the object looks like something in the real world, that's a nice bonus.

After I read the book and understood the principle behind the illusion, I realized I could easily add this to my school shows for the simple reason that using an illusion that looks like a desk makes perfect sense!

I also think that using the illusion with a puppet makes total sense - audiences of all ages appreciate puppetry (this is coming from a guy who used to use Rocky Raccoon in his corporate shows) so adding the seeming impossibility of this illusion with a well-crafted puppet routine would be AWESOME.

I also feel the added value of the video links (password protected) is inspired. Romany is the second performer I myself have encountered who uses this idea in conjunction with a book release and while I'm sure there are others out there, it's not nearly as widespread of an idea as I would like.

RATING: A perfect 10 out of 10. My only gripe, and I honestly considered taking a point or two off for this, is the fact that this is priced way too low. I do not say that as a means of hype or hyperbole, but there is such a thing as giving away too much value. I truly hope that this illusion does not turn into the Zig Zag of the modern era. (I've seen lay audiences groan in unison when a Zig Zag is wheeled out because it has become so common place, despite the Zig Zag being a terrific illusion).

This is an incredible bargain and I can't wait to get started on mine. This goes on my short list of best releases of 2011.

NEXT WEEK: A VERY special announcement from me and the next review will be Fish In a Bottle by Dick Barry.

Questions? Comments? Email me at crisjohnsoninfo@verizon.net

Rain-essance Festival & REVIEW: Kings Crossing

2011-08-23T15:30:00.000-07:00

Hey loyal readers,

Had a chance this past weekend to catch some really good performances of variety artists at the Sterling Renaissance Festival located near Syracuse, NY. By far the best act was London Broil, a 3-man juggling act that combined juggling skill and improv comedy. I've seen the guys before and while juggling usually bores me (no offense) these three are simply hysterical.

There were other acts I enjoyed too but what really struck me was the fact that rain or shine, the acts went on. In the middle of the day, the skies opened up and the act we were watching (two comedy singing nuns!!) kept right on performing.

WOW.

I must admit after watching these folks struggle through maintaining a crowd in the middle of a downpour that I have surely become spoiled!! It's one reason why I love my main two venues - schools and corporate!!

On another note, be on the lookout for my upcoming reviews of my friend Paul Romhany's new Pro Series booklets. I just received the first four, with the fifth on its way. These babies are INCREDIBLE and I'm stunned at just how much Paul gives away for such a low price. They are all wonderful but his Six Card Repeat booklet is so far my favorite as some of the comedy lines had me laughing out loud. Stay tuned...

This week's review is Kings Crossing by Nicholas Gignac. It's available for $58.95 from Hocus Pocus. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=16906

EFFECT: You show a stack of 20 jumbo-sized cards, and explain how you are going to simply transfer a bit of LOVE in your show. You bring onto the stage a couple of star-crossed lovers?or in a pinch, a married couple will also do.

Very fairly, deliberately, and separately, you count out the 20 jumbo cards onto the table?there are no false counts or sleights. You spread the top 10 cards in a fan, and show everyone including the volunteers that they are all King of Spades?everyone can clearly see 10 separate King of Spades. You close up the spread and give them to the man to hold safely in his hands, against his heart?all in the name of love! You then spread the other 10 cards in a fan, and show them all to be Aces of Diamonds?again the volunteers and audience can clearly see 10 separate Aces of Diamonds. You close up this spread and give them to the woman, who also holds them in her hands, against her heart. Note that from this point on, you never touch the cards again!

After a series of by-plays and funny bits, you then declare that you have now transferred 3 cards (bits of ?love?) from the man?s pile to the woman?s. To prove this, the man himself now counts the cards one at a time onto the table. There are only 7 cards. The woman is now invited to count out her cards onto the table, and incredibly there are 13! As a stunning kicker, she herself picks up the 13 cards and spreads through them, showing them to the audience. Incredibly everyone will see that there are now 3 King of Spades mixed into her spread?they are interspersed between the 10 Aces of Diamonds! An amazing and baffling magical transposition with a fun and interactive presentation has just taken place!

MY THOUGHTS: I usually save the "my thoughts' section for near the end of my review, but due to some things I'll be talking about I decided to do it early this time.

Everything you read in the ad copy is true with one major exception. Jason claims you can do this effect closeup and while it may be possible, I feel it would not be advisable. The fact that the jumbo cards are so big also makes the 'secret somethings' stand out more, especially in the fanned out displays. I feel stage or parlor is best.

The main point I want to address is the fact that most of the marketing of this effect to folks like you and me hinge upon the idea that after the cards are counted the magician never touches them again. This IS true but the way I see it, it is the solution to a problem that does not exist.

The Cards Across plot is a classic in magic and there are many successful handlings that have succeeded in entertaining people for decades. The solutions that Gignac has found for this old plot will technically work, but the quality of the props leaves much to be desired in my eyes, but more on that later...

Too often, we magicians fall prey to new versions of old effects that aren't needed. Rick Maue (Wonderful magic author from Pittsburgh, PA) once said in his writings that magic was like a lie and he was always chasing the perfect lie, one that could never be solved.

There are certain advances to certain effects that truly have advanced the effect. Sean Bogunia's Dancing Hanky advanced the effect from a multi-person effect to a one man effect very elegantly...but the fact is, not all new versions of old routines truly advance the basic effect.

My only point in saying all of this is to merely caution buyers when they are considering new versions of old effects. (I myself put forth a sincere effect with my take on the classic Airborne effect and those who purchased it have sent in several kind comments).

QUALITY OF INSTRUCTION: Jason Palter does a good job explaining how the effect plays in terms of handling as well as little touches of blocking, spec management, etc. No complaints on the instruction.

TECHNICAL DIFFICULTY: Realistically, this should be a 2 or 3 tops, but since my cards were of low quality, it's hard for me to judge the difficulty objectively as the gimmicked cards would not cooperate.

QUALITY OF PROPS: Here's where the trouble begins. The cards are gimmicked in two ways - the first way is visually and the second way is a classic of mentalism when using cards. Yes, I'm trying to tip toe around exposure. Eugene Burger spoke openly about this same kind of gimmicks on the my lovely assistant website in some of his reviews so I almost tipped the method here but hey, I definitely do not have the respect of Burger, so I'll keep tip toeing.:)

Anyway, the way some of the cards are gimmicked visually is clever enough but the way they are gimmicked would make me very hesitant to use this effect in a close up setting.

The way the cards are gimmicked in the second manner involves adding something to the cards and this adding process was not done properly so my gimmicked cards do not function as they should. After a subsequent conversation with another magician who also owns the effect, I was told he had the same trouble. I also heard a bit about the manufacture process of the cards and I felt very relieved that the fault lied with the cards and not my own incompetence. So often in magic we are quick to blame the prop but in this instance I was assured the fault was not mine this time.

So, the cards do their job in a just "OK" fashion, which is not what I expect for a $60 card trick. Not good.

FINAL THOUGHTS: If your cards function adequately, this will work for you. The DVD explains everything very clearly, so that's worth several points. As far as the low quality of the gimmicked cards, you may be able to salvage them.

The concept is good, but honestly, for my preference, the BEST Cards Across version I've ever read comes from James Biss' first book Messing With Minds and the effect is called Alpha Across and I've used it for 5 years and it's just wonderful.

I plan on sticking with that effect and putting Kings Crossing on Ebay.

I give it a 5 out of 10.

Until next week, questions, comments or other ramblings can go to: crisjohnsoninfo@version.net

Best,

Cris

Bobby Motta Show and REVIEW: Lethal by Bobby Motta

2011-08-18T07:17:00.000-07:00

Yes, it's true, this is the "all Bobby Motta" blog this week, LOL

Bobby performed a show open to the public last month in Toronto, ON. My wife and I went to see it, and as the show started, as the curtains opened, I pointed at specific props on the stage and said, "Oh! I own that, and that and that!" Cracked my wife up, but the REAL point is that the stuff Bobby sells is stuff he actually uses in the real world.

The show was superb and other than the props I own, Bobby fried me with everything. There was one effect in particular which was so mind-blowing I can't stop thinking about it. I'm not going to detail it here other than mention the $100 bill...so Bobby, if you read this, if you choose to ever put that effect out, I want the first one.:)

More important than fooling me was the fact that Bobby was a pro and he treated his audience volunteers with a tremendous amount of respect. After the show, I was able to meet with Bobby and his lovely wife Alana and it's so refreshing to meet people in the business who "get it."

Over the years I've taken my wife to a few magic shows and more often than not, she comes away disappointed. Not so with Bobby's show.

Now, onto the review...Bobby Motta's Lethal. It's available from Hocus Pocus for $1195.00. Here's the ad link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=9936

EFFECT: A card is selected, signed, shuffled, and lost. The spectator can even shuffle the cards. A knife is introduced and comedy ensues. Also, a target board is brought into play and placed around the spectator's neck, covering their torso. The deck of cards is then sprung into the air. The knife is thrown towards the target board, and in MID AIR, the knife pins ONE card to the board. Yeah, you got it; the signed selection!

WHAT YOU RECEIVE: The special high tech target board you hang around the spectator's neck, the knife, instructional DVD and a few other goodies.

QUALITY OF PROPS: Unbelievable! I had a fair idea of the workings of this before I bought it, but I was blown away by the quality. After the show, Bobby, my wife Libby and I waited by the curb of the road while builder Gerry ran to his car to get my prop. Bobby opened up the prop for me to see and said, "Isn't that sexy?" Sure is! With care, this will last forever. However, because the inner workings of the board are complex, I recommend getting a case for this prop.

In fact, I asked Bobby if they could build me a version of Lethal a little smaller than the typical unit, so mine was customized small enough to fit into one of those silver cases you can pick up at the Home Depot. (If you have seen Sean Bogunia's Animation Sensation, that's the kind of case I'm talking about). After building mine, the two are now considering making that size THE size due to other requests to have the prop fit in those silver cases.

QUALITY OF INSTRUCTION: The DVD is terrific. It includes two different live performances. Interestingly, each of the performances is different in terms of handling. There are three different ways to perform Lethal and you get to see two of them performed live, which I REALLY like.

Bobby's instruction is great, too. Multiple camera angles, close-ups, etc. This DVD was professionally produced and it shows.

He covers timing of key moves, different ways to handle the knife, blocking tips and much more. Honestly, whenever I invest this much in a prop, I usually have questions, but after watching the DVD, I didn't have a single thing that was not clear.

MARKETS: This is not one for the little kids' birthday parties!! In fact, I personally would save this for teen, college and adult shows. When we are onstage, it is easy to influence others, after all.

ANGLES: Angles are quite good on this. If you do two of the handlings, one in which the card is signed and one in which the card is not signed, you'll need to restrict your audiences to directly in front of you and the sides. Surrounded would be tough, although you may pull it off. The third presentation could be done surrounded, but again, in a stage setting, surrounded shows SUCK so I choose not to do them.:)

MY THOUGHTS: I know that there may be some people out there who question my objectivity since I bought so many other things from Bobby and have seen his show, etc etc. Well, the reason why I keep buying Bobby's stuff is because it rocks, plain and simple. Believe me, if after I bought the first Bobby Motta prop and I didn't like it, there's no way I'd keep going back. Plus, Bobby uses this stuff in his own shows, so that right there shows it was developed with real working conditions in mind.

There is so much to like about this - it's visual, amazing, comedic, theatrically "dangerous" and so much more.

About the only 'concern' is the weight of the board. My wife put it on and said a thin woman might find it a tad heavy. I'd say the board is around 4lbs, if I had to guess, so I didn't notice that at all, but it brings me to a good point - I would personally only use males for this effect. I think it's a psychological thing that most audiences will not want to see a woman "in danger" even if everyone knows it's "just a trick."

RATING: I'm sure no one will be surprised by my perfect 10 out of 10 rating. This is superb!

Until next time...

Best,

Cris

Murder By Magic Pre-Sale Ending Soon, Visiting Peter Loughran and REVIEW: Phantasm Portable Pro 2 by Peter Loughran

2011-08-09T20:30:00.000-07:00

Thank you all of you for ordering my Murder by Magic - The Ultimate Corporate Magic Show package! I've been getting feedback from clients who have ordered it and the response has been amazing!

That being said, I have not sold that many, less than a dozen. I'm thrilled that those who bought it love it and I only point that out because I don't want anyone thinking the market is being flooded with this concept. I priced it high to keep it from becoming the next Vanishing bandana, LOL.

The pre-release price of $795 will jump up to $995 on August 11, so your chance to save $200 is almost over.

On another note, last week I visited Peter Loughran, magic & illusion builder from Canada. I spent the entire day visiting and chatting with Peter and his lovely wife Lyndsy. I can't remember the last time I spent face time with someone in magic who was so refreshingly down to earth and real. I loved it and can't wait to visit them again.

Part of the reason I visited Peter was so I could pick up some larger effects, one of which I'll be reviewing today. It's Phantasm Portable Pro 2. It's available for $1699.99. Here's the link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=6719

EFFECT: With Phantasm Portable Pro you can animate borrowed objects sealed inside an examinable Plexiglas box, seemingly with only the power of your mind. You can make the objects, move, slide, levitate, float and even dance in full view while sealed inside the Plexiglas box.

All this without the aid of any special lighting or backdrops.

Use the equipment to demonstrate, telekinesis, poltergeist activity, power of levitation etc. You will receive a specially built remote control programmable receiver that allows you to personalize your own program and animation sequences. Each object you animate can have it's very own program, or choreograph more than one object together, only limited by your own imagination. The receiver is simply placed under or behind any table, chair, prop etc, and it is all controlled with one tiny key-chain mini pocket remote. So easy to perform! Sean Bogunia of Ultimate Magic Productions is responsible for designing the high tech microchips used in the electronic animation system.

You can animate a wide range of borrowed objects such as coins, pictures, keys, jewelry, credit cards, handkerchiefs, cigarettes, playing cards, and pretty much any other small to medium sized object.

WHAT YOU RECEIVE: The clear plexiglass box that's framed in metal for durability, the animation receiver, thread, monofilament, the remote control, written instructions and a custom ATA case to protect the investment.

QUALITY OF EQUIPMENT: Loughran's stuff is first rate. I've been a huge fan of his before I got to know him as a person, so I can still review things with objectivity.:) The box that the objects float/animate in is well-built, but like anything that costs any amount of money, I love the fact that it comes with a case. The animation receiver is housed in protective foam and wood and the electronics are built by Sean Bogunia so you know the electronics are rock-solid.

QUALITY OF INSTRUCTIONS: Peter really goes in depth with the instructions, here, breaking down what really is a simple process into bite-size steps so there's no questions on how any of this works. Additionally, Peter offers several different routine ideas and some of them are very good as I only had one or two ideas, and after reading the instructions, I have more ideas to ponder. Great stuff.

MY THOUGHTS: First of all, I love this. I'm super excited about the idea of being able to borrow objects from the audience and float them in the air. There's just something amazing and magical about that. What surprised me the most is the fact that the clear box can be fully examined both before and after the effect. While the box is gimmicked, its gimmicked in very subtle ways, things that will never tip anything to an audience member. So cool.

The unit I bought is able to animate 2 objects. If you want to animate three objects, it's a little more, $1999.99, but for me, two was fine, but the choice is there.

ANGLES: I feel this is best for stage. It could work in a parlor situation (invisible thread is provided) but it's a pretty big prop for a living room show, so my gut tells me this will shine best on stage. With all that being said, if you're careful with the (simple) get-ready, you can do this surrounded. Beautiful!

MARKETS: I can see this being appropriate for ANY market, adults, kids, teens, etc. Obviously, the main thing to consider is your presentation, as this could be used for a spooky effect, comedy effect, etc so it really is limitless. This is really best viewed as a toolkit, open to hundreds of applications.

RATING: This is the kind of effect that I've always wanted to perform and simply waited for someone to invent, as it's one-man, critical to my own work. A perfect 10 out of 10 and while it may seem pricey to some, it's underpriced as far as I'm concerned.

Until next week...

Best,

Cris

Murder By Magic Countdown, Nick Wenger is Awesome and REVIEW: Slingshot

2011-08-04T07:14:00.000-07:00

Howdy, everyone!

As I write this, it's just a few days away from the day my Murder By Magic: The ULTIMATE Corporate Magic Show package jumps from the pre-release price of $795 to $995, so in case you've been debating, don't forget, the date is August 11, so order before then, save $200, and have an incredibly unique service you can offer clients for the upcoming holiday season! This month, usually a dead month for many magicians, I'm performing the show five times for a total of over $7000! (Hey, for a guy who is only part-time in the market, that ain't bad!) To put it in a different perspective, you should be able to cover the meager investment with ONE booking.

Here's the ad copy link: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=18369

Before I get into this week's review of Slingshot, I also want to throw a shout out to Nick Wenger, electronics God! (Nick is, along with Sean Bogunia and Tim Wisseman, the Holy Trinity of Electronics Magic!)

Anyway, after ordering Slingshot, I decided that the trick would be easier to do with a card fountain, so I had Nick build me a remote control card fountain. This sucker ROCKS! The cards shoot up 4-5 feet in the air, operation is silent, reliable as hell and sturdy, too. This is the third thing Nick's built for me and it's top-notch.I've had a hard time finding remote control card fountains online that were NOT built in China. As many magicians know, most anything built in China is mostly CRAP, so finding Nick was a blessing for me.

You can contact Nick Wenger at nickwenger@verizon.net.

Onto Slingshot! It's available from Hocus Pocus for $695.

You can read the ad copy and watch the video here: http://www.hocus-pocus.com/magicshop/product_detail.cfm?item=18137

EFFECT: A card is chosen and shuffled back into the pack. A large aluminum slingshot is shown and a spiked ball is placed into it. Spectator throws the cards into the air and magician shoots the spiked ball into them. One card is caught on one of the spikes. It's the chosen card.

WHAT YOU GET: You receive the slingshot itself with the leather holder and (attached) spiked ball. You also receive a DVD that explains the effect.

QUALITY OF INSTRUCTION: This is a nicely produced DVD as Richard explains all of the nuances of the effect against a black background with white lights (stars) in the background. Its pleasing to the eye and looks good. Lighting and camera angles are good, too. Richard takes his time explaining the nuances of the effect, pro tips, troubleshooting and more. Great effort and much appreciated.

QUALITY OF PROPS: For $695, I expect a sturdy, well-built prop. The slingshot itself is terrific - it looks EVIL as hell and gets a great reaction when the audience sees it for the first time. The metal also is scratch resistent, so it should both last a long time and look great, too.

Unfortunately, the spike ball lost one of its spikes the first time I fired it. To be fair, Richard explains how to fix it in case this happens in the instructions. The repair process took me 2 minutes and cost $4, so it wound up not being a big deal, but it really bugged me coming out of the package.

Similarly, the leather harness (holder) came apart at one of the seams after rehearsing for a day. Again, this didn't even affect the performance of the effect but it's irritating.

ANGLES: Here's where this effect shines as opposed to card swords and other similar effects. If you're familiar with the card sword effect, you know that some models can have some angles issues and handling can be a chore. The angles on Slingshot are GREAT, and in many (not all) cases, you could pull this off surrounded. Distance would be a requirement for a surrounded performance, but with that ball bouncing around, you wouldn't want to do this in a living room anyway!

MY THOUGHTS: First of all, I bought this as an alternative to the card sword as I wanted a unique way to reveal a selected card and specifically, I bought this for audiences who have already seen my Pro Viper routine. I liked the quasi-danger aspect of the routine.

As I began working with the effect, I very quickly found out that this is NOT, repeat, NOT a "no skill required" trick. Quite frankly, I despise it when creators say that in ad copy as it implies that magic is easy to do and while it may be 'easy to do,' magic is NOT easy to PERFORM. It's like acting - anyone can recite lines in front of an audience or camera, but to PERFORM is exceedingly difficult.

Anyway, even if the trick WAS easy, I would hate the ad copy. However, the effect is NOT easy to do. Richard explains that you can't just pull back the ball and fire it through the slingshot - if you do, the ball will clang against the uprights and you will have a dead effect. Fair enough so the buyer should know this will require work.

Over the course of a few days, I used two full decks of cards practicing the effect. (Each time you use a card, it is ruined, so use cheap cards while rehearsing.)

The subtlety of aiming through (or rather higher than) the top of the slingshot's uprights proved to be quite challenging for me and it wasn't until I was up in around the 150 mark in terms of attempts that I found I could do it consistently. Be aware I am NT complaining and I am NOT saying this is a bad thing with the effect. Actually, I'm delighted that the required practice involved will keep this from turning into the Vanishing Bandanna of the 21st Century!

After all of that practice, i'm REALLY glad I got a Card Fountain as it makes the aiming part of the effect quite consistent as opposed to trying to compensate for a volunteer's clumsy toss of the deck.

After all of the rehearsal, I performed it for an actual audience for the first time yesterday and the response was terrific. I had developed a nice little routine designed for laughs and it went great.

MY RATING: Great effect and the main unit is well built. The instruction is quite good. I'll take 2 points off for the two repairs I had to make 8 out of 10.

Until next week...

Best,

Cris