Truth In Shredding

Francesco Artusato: The Renaissance Man: What Happened to Francesco Artusato?

noreply@blogger.com (Laurie Monk) — Wed, 8 Jul 2026 09:20:06 GMT

The Renaissance Man: What Happened to Francesco Artusato?

If the broken link scripts chewing through our 2011 archives reminded us of anything, it's that Chaos and the Primordial was an absolute watershed moment for instrumental metal. Indeed, this should get you out there searching for these classic albums on CD.

When Francesco Artusato dropped The Francesco Artusato Project in 2011, the guitar community collectively paused. Here was a Berklee graduate who possessed the terrifying alternate picking of a death metal veteran, fused with the fluid, alien legato phrasing of Allan Holdsworth. He was a harmonic anomaly.

You probably know Francesco as the rhythmic anchor for heavy hitters like All Shall Perish, Devil You Know, and Light the Torch. But his solo output from that 2011-2014 era (Our Dying Sun followed shortly after) was mandatory listening for anyone trying to push extreme metal guitar into progressive, intellectual territory. His sweeping was mathematically perfect, and his chordal voicings were incredibly dark and dense.

So, why does he feel like a "Lost Virtuoso" to the instrumental shred community today?

Because Francesco realized something most guitarists never do: Virtuosity is a mindset, not just a physical trait.

In recent years, Francesco has stepped back from the relentless touring grind and quietly pivoted his intense creative focus into the visual arts. He is currently working as a Senior Vehicle Concept Artist and 3D designer. If you look at his current portfolio of high-end automotive renders and 3D concept art, you see the exact same mind at work. The same obsession with detail, structure, and perfection that made him a world-class guitarist has made him a world-class digital artist.

He didn't fade away. He just applied his shredding to a different medium.

Required Listening:

Chaos and the Primordial (Track: "Typhoeus")

The album, released via Sumerian Records, explores themes of cosmos, quantum physics, and ancient mythology Sea of Tranquility.

Album Track Listing

Track 1: Chaos and the Primordial
Track 2: Quantum Tunneling
Track 3: Typhoeus Spotify
Track 4: Gardens of Yama
Track 5: Ceased Time

The Mythological FigureThe track takes its name from Typhoeus (also known as Typhon) Theoi Greek Mythology. In Greek mythology, he is a massive, fire-breathing, chaotic monster and the deadliest being to ever challenge the Olympian gods Wikipedia.

"Typhoeus" stands as a masterclass in modern instrumental metal, showcasing Francesco Artusato’s formal training from the Berklee College of Music. The track perfectly balances extreme metal speed with neoclassical, fusion and avant-garde composition.

Core Guitar Techniques

Ambidextrous Tapping Layouts: Artusato utilizes multi-finger fretboard tapping. He maps out wide-interval geometric patterns, tapping fifths or octaves above his fretting hand to build hyper-fast, disjointed melodies.
Polyrhythmic Note Groupings: He mixes rhythmic subdivisions, fluidly stringing together 16th notes, eighth-note triplets, and sextuplets. Altering the note-per-string count across groupings disrupts the standard rhythm.
Sweeping & Fluid Legato: High-speed sweep picking and seamless legato passages weave through unusual scales, creating an "alien," cascading wall of sound.
Exotic Modal Fusion: The harmonic framework avoids standard metal structures, relying on complex modal blending (including the Lydian mode and Mixolydian variants) to produce an unsettling atmosphere.
Multi-Track Layering: Dense walls of guitar tracks create wide stereo arrangements and complex, intertwined counter-melodies.

Gear & Production Architecture

To articulate these frantic techniques without losing note definition, Artusato uses a highly specific gear setup:

Extended Range Guitars: 7 and 8-string guitars provide low-end growl while leaving ample high-register room for solos.
High-Articulation Pickups: Active Seymour Duncan Blackouts or passive Duncan Distortions preserve strict note separation during fast sweep and tapping runs.
High-Gain Amps: Studio tracks are funneled through Engl, Soldano, and Peavey amplifiers to deliver a saturated, sharp bite.

Chaos and the Primordial (Track: "Typhoeus")

Our Dying Sun (Track: "The Last Particle")

"Layers of Corrosion - The Last Particle" is the epic, 7-minute closing track on the 2011 instrumental metal album Chaos and the Primordial by The Francesco Artusato Project. Serving as the technical climax of the record, the track leans heavily into progressive metal structures and showcases a shift toward complex, syncopated phrasing.

Album Track Listing

Released via Sumerian Records, the full 10-track journey of Chaos and the Primordial includes:

Chaos And The Primordial (06:39)
Quantum Tunneling (04:22)
Typhoeus (05:32)
Gardens of Yama (05:26)
Ceased Time (04:42)
The Metamorphosis (04:44)
Pour L'Egyptienne (02:31)
Aktion T4 (05:34)
The Madness Of... (04:15)
Layers Of Corrosion - The Last Particle (07:10)

Core Guitar Techniques

Dream Theater-Style Start-Stop Phrasing: The song relies heavily on jarring, staccato progressive metal movements. Artusato uses precise, synchronized muting to create abrupt, syncopated rhythm breaks that mimic mechanical or atomic decay.
Advanced Odd-Meter Riffing: Rather than relying on standard time signatures, the rhythm guitar architecture weaves fluidly through shifting odd meters. This framework forces the lead melodies to navigate asymmetrical accents.
Melodic Counterpoint Over Heavy Grooves: Unlike the unrelenting speed of previous tracks, this piece balances technicality with soulful, soaring lead lines. Artusato juxtaposes highly expressive string bends with dense rhythm tracking.
Extended Range Scale Runs: Utilizing the full range of his 7 and 8-string guitars, the solos bridge deep, rumbling low-register sweeps with hyper-fast chromatic runs in the highest register.

Gear & Production Architecture

To capture both the immense crushing weight and clear note separation of this massive album finale, the studio production used a deliberate audio design:

Dynamic Active Pickups: High-output Seymour Duncan Blackouts are utilized to give the complex, low-tuned start-stop riffs massive punch without turning into muddy frequencies.
Layered High-Gain Amplification: The heavy rhythm tracks are tracked using a blending of Engl and Soldano amplifiers, delivering a sharp, saturated attack that anchors the shifting rhythm section.
Wide Stereo Imaging: The production features intensely layered left-and-right rhythm guitar panning. This creates a wide sonic space that allows the solo tracks to sit clearly in the center of the mix.

The Francesco Artusato Project - Our Dying Sun

Artusato demo Ibanez RG2011SC-BK

As industry pioneers of 7 & 8 string guitars and extended range instruments for production models, Ibanez has always been on the cutting edge. Instead of focusing on the lower register, we've added higher notes, with an extended 30 fret fingerboard to create an extreme shredding machine!

The rosewood fingerboard contains 30 Jumbo frets at the standard long scale length (25.5"). Also featured is an eye-catching, extra-deep cutaway that allows access to the higher frets effortlessly while retaining the beauty of an authentic RG body shape. Other key features include a 5-screw All-Access Neck Joint with a smoother heel scoop for your thumb, which allows the maple neck to be firmly and seamlessly bolted to the resonant Alder body.

This guitar is equipped with the famous Ibanez Edge-Zero tremolo with the Zero Point System, a recessed output jack, and white DiMarzio® pickups.

Furthermore, this guitar includes a special hidden feature. We didn't want to sacrifice the tone of a Neck pickup for the extra length of the fingerboard. Instead, we retained the popular 5-way split switch and developed a Neck Pickup Simulator Circuit powered by a 9v battery, specially designed for this extremely limited edition RG. This allows for the ultimate shredding machine without compromise!

Francesco Artusato: demo Ibanez RG2011SC-BK 4K

Richie Allan: Re-Introducing The Lost Virtuoso and the Heavy Metal Ninjas

noreply@blogger.com (Laurie Monk) — Tue, 7 Jul 2026 15:39:04 GMT

The Lost Virtuoso: Re-Introducing Richie Allan and the Heavy Metal Ninjas

If you’ve been following Truth in Shredding since the early 2010s, the name Richie Allan should instantly command your respect.

Recently, while running a massive backend audit of the site’s 79,000+ posts to clear out dead links, our script tripped over a goldmine from 2013. It was a post dedicated to Allan and his New Zealand-based instrumental progressive juggernaut, Heavy Metal Ninjas.

In an era where every bedroom player with a ring light is desperately trying to play as fast as humanly possible, re-listening to Richie Allan is a masterclass in how to actually construct an instrumental song. If you have lost track of the "Head Ninja," or if you are a newer player who has never heard his name, it’s time to get educated.

Here is everything you need to know about one of the most expressive, razor-sharp guitarists to ever come out of the Southern Hemisphere.

The Biography: Who is Richie Allan?

Hailing from New Zealand, Richie Allan is the mastermind, lead guitarist, and self-proclaimed "Head Ninja" of Heavy Metal Ninjas. He also lent his highly sought-after rhythm and lead chops to the NZ dub/roots/metal fusion band Kora.

Allan’s DNA as a player is deeply rooted in the holy trinity of old-school shred—Steve Vai, Jason Becker, and Paul Gilbert. But he didn't just copy the 80s neoclassical guys. Allan took that virtuosic foundation and collided it head-on with modern progressive metal, drop-tuned 8-string riffing, and his own obsessions with cinema, space, and video game soundtracks.

His playing is defined by massive orchestral walls of sound, terrifyingly clean sweeping, and advanced harmonic tension. He doesn't just play fast; he plays smart. Allan is the kind of player who will fluidly shift from a C Lydian arpeggio sequence into an aggressive Drop-E 8-string chug, and then rip into a solo utilizing Hungarian minor scales and alien-sounding octave displacement.

His tone and technique are so distinct that Ormsby Guitars tapped him for his own signature "RA" models, featuring multiscale 7- and 8-string designs built to handle the immense low-end of his rhythm playing without sacrificing the screaming highs of his lead tone.

The Discography: Required Listening

If you want to understand how to write instrumental music that actually takes the listener on a journey (instead of just showing off for three minutes), study these two releases:

1. Heavy Metal Ninjas - EP (2011/2012)

This was the warning shot. This debut EP laid the groundwork for the band's cinematic approach to shred.

Key Tracks: The Author (a clinic in blending synthesizers with an axe attack), What If, M45, and Redshift.

The Vibe: Massive, expansive space odysseys built on wicked polymeters and intricate syncopation.

Heavy Metal Ninjas | EP | 2012

2. Interstellar Abduction (2013)

This is the magnum opus. Interstellar Abduction is a masterwork of modern instrumental metal. It is aggressive, melodic, and flawlessly produced. It proves that you can have face-melting shred without losing the emotional arc of a song.

Key Tracks: Design (an absolute clinic in arpeggio inversion, tapping, and rhythmic control), Melodyk, Propulsion (Pt. 1 & 2), and Interstellar Abduction.
The Bottom Line

Richie Allan is living proof that true virtuosity isn't just about how many notes you can squeeze into a measure—it’s about the harmonic choices you make and the atmosphere you build. He bridged the gap between old-school shred and modern prog-metal before it was cool.

Heavy Metal Ninjas | Interstellar Abduction | 2013

Go look up Design or M45, study the phrasing, and remember what top-tier musicianship actually sounds like.

Heavy Metal Ninjas: M45 (Live) - TouchMix Sessions

Watching Richie Allan flawlessly execute his incredibly complex phrasing in a live setting proves that his precision isn't just studio magic, but the result of absolute mastery over the instrument.

Live performances from NAMM

NAMM 2016: Richie Allan Live At The Dunlop Booth (Part 1)

NAMM 2016: Richie Allan Live At The Dunlop Booth (Part 2)

The promotional videos

Heavy Metal Ninjas - Design (Official Video)

A tribute to Jason Becker

Jason Becker - Altitudes By Richie Allan

A visual history

Heavy Metal Ninjas - Documentary

Fernanda Lira, Luana Dametto,Tainá Bergamaschi,Victoria Villareal: CRYPTA - Madrid 2026 - Tour Dates and Concept album

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 17:14:17 GMT

Brazilian death metal band Crypta
features members

Fernanda Lira (vocals),
Luana Dametto (drums),
Tainá Bergamaschi (guitars),
Victoria Villareal (guitars).

They are currently on their Shades of Sorrow: Final Rites 2026 summer tour, playing major European festivals before entering the studio to record their third studio album.

Current Band MembersFernanda Lira - VocalsLuana Dametto - DrumsTainá Bergamaschi - GuitarsVictoria Villareal - Guitars (joined in April 2026)New Album InformationTheir latest album, Shades of Sorrow, was released on August 4, 2023, via Napalm Records. In April 2026, the band officially confirmed they are writing and rehearsing material for their third studio album. Frontwoman Fernanda Lira stated this next record will be a "100% conceptual" release.

Upcoming Tour DatesHere is the complete schedule of known 2026 tour dates for Crypta, including their European summer dates and their major autumn tour supporting Arch Enemy across North America:

Europe & UK (Summer 2026)July 30: Vienna, Austria — Viper RoomJuly 31: Salzburg, Austria — Rockhouse
August 4: Aschaffenburg, Germany — Colos-Saal (with Kittie)
August 5: Munich, Germany — Backstage / Free & Easy Festival (with Kittie)
August 6: Nuremberg, Germany — HIRSCH
August 7: Cologne, Germany — Gebäude 9 (with Kittie)
August 9: Dublin, Ireland — 3Arena (with Sepultura)
August 10: Glasgow, UK — SWG3 Galvanizers Yard
August 11: Carlisle, UK — The Brickyard
August 12: Bristol, UK — O2 Academy Bristol
August 13: Southampton, UK — The 1865
August 14: Birmingham, UK — Asylum
August 15: London, UK —

"Wrath Across North America" Tour (Autumn 2026)Supporting Arch Enemy and The Black Dahlia Murder:
October 5: Riverside, CA — Riverside Municipal Auditorium
October 6: Tempe, AZ — Marquee Theatre
October 8: Salt Lake City, UT — The Complex
October 9: Denver, CO — Fillmore Auditorium
October 11: Dallas, TX — House of Blues
October 12: Houston, TX — House of Blues
October 13: San Antonio, TX — Aztec Theatre
October 15: Orlando, FL — The Beacham
October 16: Fort Lauderdale, FL — Revolution Live
October 18: St. Petersburg, FL — Jannus Live
October 20: Atlanta, GA — Tabernacle
October 21: Charlotte, NC — The Fillmore
October 22: Raleigh, NC — The Ritz
October 24: New York, NY — Palladium Times Square
October 25: Silver Spring, MD — The Fillmore
October 26: Philadelphia, PA — Theatre of Living Arts
October 28: Worcester, MA — Palladium
October 30: Quebec City, QC, Canada — Videotron Centre
October 31: Montreal, QC, Canada — L'Olympia
November 1: Toronto, ON, Canada — Danforth Music Hall
November 3: Chicago, IL — Concord Music Hall
November 4: Royal Oak, MI — Royal Oak Music Theatre
November 5: Cleveland, OH — Agora Theatre
November 7: Minneapolis, MN — Fillmore Minneapolis
November 8: Winnipeg, MB, Canada — Burton Cummings Theatre
November 9: Saskatoon, SK, Canada — Coors Event Centre
November 11: Calgary, AB, Canada — MacEwan Hall
November 12: Edmonton, AB, Canada — Midway
November 14: Vancouver, BC, Canada — The Key
November 16: Seattle, WA — Showbox at the Market

Concept album

Crypta’s upcoming third studio album is centered around the conceptual theme of "Madness" and psychiatric hospitals. Vocalist and bassist Fernanda Lira has revealed that she spent months conducting intensive research for the project, reading five different books to meticulously craft the album's concept, specific characters, and dark overarching storyline.

Key Details of the New ConceptA "100% Conceptual" Record: Unlike Shades of Sorrow, which was a broader "semi-concept" album about personal trauma and the various shades of human suffering, this third record will feature a fully synchronized story tracking specific characters through an asylum environment.

The Lyrics: Frontwoman Fernanda Lira has taken full responsibility for writing 100% of the lyrics herself, drawing heavy inspiration from the medical, psychological, and historical texts she researched.

The Musical Direction: The band aims to mirror this chaotic theme by evolving their sound. Fernanda teased that the new music will somehow be "more melodic, yet still more brutal" than anything they have released before.

Production & Release TimelineSongwriting Status: The band finalized the core structures for nine original tracks in early 2026 and is currently polishing guitar solos and vocal arrangements. [, 2]
Recording Schedule: Crypta is scheduled to officially enter the studio in September 2026 immediately following their European festival circuit. Because of their hectic touring schedule, recording may be completed in distinct phases.

Release Target: The album is projected to hit shelves via Napalm Records between late 2026 and early 2027

CRYPTA - Madrid 2026 Sala Revi Live

Hazuki,Tamu Murata, Haraguchi-san, Mayu: NEMOPHILA - The Meadows Brooklyn + 業- new video

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 16:55:17 GMT

Setlist:
01 Hozuki
02 Kaika Sengen
03 Anata Dare (Long version)
04 RISE
05 Change the world
06 ZEN
07 OSKR
08 PUMP IT UP!
09 VS EGO:
10 ADABANA
11 namas
12 GOU
13 BRAINWASH
14 DISSENSION
15 REVIVE
16 RAITEI
17 Good as hell quartet

NEMOPHILA - Good as hell quartet (Live in NYC 2026) 4K HDR | The Meadows Brooklyn

Vo. mayu Gt. Hazuki Ba. Haraguchi-san Dr. Murata Tamu
Director Editor: shun murakami (vil tokyo) Camera Assistant: Rio Inoue VFX: Jumpei Inomata (VANLI) VFX: Yudai Nakadono (VANLI) Production Assistant: Takuma Inose Production: vil tokyo Hair Make-up: Chiaki Hino, Sakura Kawakami Costume Customization: Miu (SANAGARA) ------------------------------- NEMOPHILA's digital single "-Go-" will be released on Friday, June 19th! This is the second EP, a companion piece to their masterpiece EP "Gozo-GOZO-" which fully showcased their unique style, and is available for pre-release streaming now! Following "Gozo-GOZO-", this is another work produced by all four members! A new facet of NEMOPHILA's sound, showcasing various facets within a heavy, gritty sound 🔥 🎧Stream the song here🎧 Now streaming since June 19th! ✨━━━━━━━━━━━━━━━✨ On Apple Music / Spotify 👇👇Click here👇👇 spaceshowerfuga.lnk.to/gou NEMOPHILA "-Gou-" Composition: Haraguchi-san, mayu, Hazuki, Murata Tamu Lyrics: mayo Arrangement Production: NEMOPHILA Artwork: Kokubozu

NEMOPHILA / -業- [Official Music Video]

Li-sa-X, Hazuki, Kanade Sato,Yunika Impact, Mirei Sakurada: KOIAI - Starting Over (Official Music Video)

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 16:44:05 GMT

KOIAI - Starting Over (Official Music Video)

KOIAI - Starting Over - Live Performance on Nippon TV (Buzz Rhythm 02)

🎧 Pre-release single "Starting Over" Released June 3, 2026 URL: https://nex-tone.link/A00219278 💿 4th EP "Starting Over" Released July 15, 2026 FRMT-0009 / ¥2,200 (tax in) [Tracklist] 1. Starting Over 2. Reboot the Abyss 3. Once in a lifetime 4. Hoax 5. Meant to be Pre Add / Pre Save ▶️
💿 4th EP "Starting Over" Released July 15, 2026 FRMT-0009 / ¥2,200 (tax in) [Tracklist] 1. Starting Over 2. Reboot the Abyss 3. Once in a lifetime 4. Hoax 5. Meant to be Pre Add / Pre Save ▶️
https://nex-tone.link/A00221266 🎙️ KOIAI LIVE TOUR 2026 "Starting Over" ・July 20 (Mon/Holiday) Osaka Music Club JANUS Doors open

🎙️ KOIAI LIVE TOUR 2026 "Starting Over" ・July 20 (Mon/Holiday) Osaka Music Club JANUS Doors open
16:30 / Show starts 17:00
・July 26 (Sun) Sendai darwin Doors open
16:30 / Show starts at 17:00
- July 31st (Fri) Tokyo Meijiza (Heavy Kawaii Fes 2026) Doors open
17:00 / Show starts 18:00

　*This is a joint event of Heavy Kawaii Fes 2026 Day1 -AKB48 Band (tentative) x KOIAI- and KOIAI LIVE TOUR 2026 "Starting Over". Please note that ticket prices and performance details will differ from other performances.・8/10 (Mon) Fukuoka DRUM Be-1 Doors open 18:30 / Show starts 19:00
・8/30 (Sat) Nagoya JAMMIN' Doors open
16:30 / Show starts 17:00
🎫【Ticket】 ◾️Osaka, Sendai, Fukuoka, Nagoya Advance tickets ¥6,000 (+1 drink charge required separately) All standing ◾️Tokyo Advance VIP seats ¥16,500 *Front seats guaranteed, includes Hebikawa Fest original T-shirt (free size) Advance General seats ¥9,900 All seating, all seats reserved Ticket Pia
https://t.pia.jp/pia/event/event.do?e...
・Lawson Ticket https://l-tike.com/search/?keyword=KOIAI
・e+ https://eplus.jp/sf/search?block=true...

【Video Production Crew】 Director & Camera Nakajima Seito ( superbly inc.) Camera Assistant: Sena Okamoto, Tetsuro Tonomura Production Manager: Eito Shimizu (superbly inc.), Tatsuro Saka (superbly inc.) Production Assistant: Taketo Kikuchi (rosyfilife inc.), Yusei Futamata (rosyfilife inc.) Producer: Seito Nakajima (superbly inc.), Rina Okubo (superbly inc.) Production: superbly inc.
Official Homepage https://koiai.fanpla.jp/
X (twitter) https://x.com/KOIAI_official
Instagram / koiai_official
Facebook Page https://www.facebook.com/profile.php?...
TikTok / koiai.band
Ask

Parker Lundgren: This Guitar Collection Changed My Life ... | Holy Grails UNLOCKED!

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 16:36:20 GMT

Welcome inside one of the most INSANE private guitar collections we’ve ever seen! 🤯🎸

In this episode of Axescurions, we team up once again with our fellow Brother in Shred - Parker Lundgren of Diablo Guitars for an exclusive behind-the-scenes tour of one of his biggest client’s jaw-dropping guitar collections — and believe it or not… this is only about 10% of what he owns!🤯🎸

From ultra-rare shred machines to some of the most collectible guitars on the planet, this collection is packed wall-to-wall with pieces you almost never see in the wild.

We get our hands on everything from rare Ibanez Joe Satriani Crystal Planet signature guitars, legendary Jackson Randy Rhoads Roswell models, wild custom shop builds, and even one of the craziest guitars we’ve ever featured — an unbelievable Erik Turner (Warrant) Trojan Condom BC Rich guitar!

Vintage shred history, rare artist models, insane graphics, and stories behind the guitars… this collection has it all.

Huge thanks to Parker Lundgren and Diablo Guitars for giving us access to this unbelievable private vault!
🔥 Shop Diablo Guitars’ inventory here:

https://diabloguitars.com/

💀 Shop exclusive Masters of Shred merch:

https://mastersofshred.com/
00:00 Collection Preview
00:30 Mr. Shred Introduction - Parker Lundgren Diablo Guitars
02:00 Shepard Fairey "Obey" Fender Telecasters
08:33 RARE Eddie Van Halen Custom Shop Bumblebee Guitar
12:55 Brad Gillis's Fernandes Strat
13:40 The Guitar That Started The Friendship: Jackson Diablo IV Masterbuilt
18:14 Jackson Roswell Randy Rhoads!
21:30 Green Crackle Roswell Reverse Headstock!
24:13 USA Joe Williams Masterbuilt Jackson Guitars! SHREDRAGEOUS
32:38 Randy Rhoads Tribute Poka Dot Jackson 1998!
36:42 Jackson "Jem" Flying V?! Steve Vai would play this!
38:50 Steve Vai Acrylic 20th Anniversary Jem!
41:14 Joe Satriani Crystal Planet Ibanez!
43:17 The Craziest Guitar Parker has ever had! 1966 Gibson Double Neck!
44:38 Matt Schulze owned 1991 Ibanez Universe! Holy Grail Guitar
49:25 Custom Shop Bernie Rico & Ron Thorn B.C. Rich?!
52:42 USA Jackson Nuclear Waste Flying V - Mike Learn!
55:00 INSANE George Lynch ESP Kamikaze Collection! Cleanest one EVER
58:58 Controversial ESP Custom Shop Guitar - INCREDIBLE - 1 of 1! ESP FRX
01:01:53 Super Controversial Dean "Rebel" ML - Yungblud is a Parker Lundgren Imitator?
01:03:56 Jerry Cantrell G&L
01:07:51 Best of Last - Erik Turner Trojan BC Rich?!

This Guitar Collection Changed My Life ... | Holy Grails UNLOCKED!

Tobias Von Lanthen: Riff - Finally got around again to compose

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 16:27:23 GMT

Finally got around again to compose and record something. Also moved into a new place back in April.

Gear:

Guitar: Balaguer Seraph Modern
Hardware: Neural DSP Quad Cortex (Leads) and Kemper Profiler (Rhythm)
Bass: Umansky Bass
Drums: Superior Drummer 3
Tuning: Drop C

You can also find me on IG: Tmalakian

Riff.exe

Tory Slusher: Hyper Fast Shred Licks in the style of Roy Marchbank but tapping

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 16:25:48 GMT

Yeah, saw one of Roy's videos demoing some licks (crazy, no?) ...and came up with some similar concepts, only obviously, the way I would approach it (and perhaps scaled down a bit), which doesn't involve picking...

Here's the album I just released, referenced in the vid
https://toryslusher.bandcamp.com/

Hyper Fast Shred Licks in the style of Roy Marchbank

Rick Graham: STOP WASTING TIME - Effective Picking Practice

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 16:05:26 GMT

'LIKE' the vid! - 30% OFF ALL LESSON DOWNLOADS HERE:
▶Download my HD guitar lessons here: http://www.rick-graham.co.uk

In this video, guitarist Rick Graham explains a method for more effective practice to save time when learning technically demanding guitar passages. Instead of aimlessly repeating a full pattern from start to finish, he advocates for a targeted approach to isolate and master specific problem areas.

Key Takeaways:
Identify Problem Areas: Focus specifically on difficult sections, such as string crossing (2:06), rather than wasting time repeating parts you already have down.
Use a Microscope Approach: Break the lick down into its component movements (4:56). Analyze the picking mechanics—such as inside picking—to understand why a specific transition is difficult.
Visual Reference: Always keep your eyes on your right hand (6:12) while practicing picked patterns to ensure your movements are correct and to avoid relying solely on feel.
Methodical Practice: Start slow and remain relaxed (6:42). Focus on uniform velocity and controlled, consistent movements without unnecessary accenting (8:04).
Gluing Components: Once the difficult individual segments (the string crossings) are mastered, you can systematically combine them to complete the entire passage (7:27).

STOP WASTING TIME - Effective Picking Practice

Steven Rothery: top 32 solos and the gear he used to make them

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 15:37:14 GMT

DISCLAIMER: No copyright infringement intended. This video is for entertainment and educational purposes only. The rights to the song and video belong to the band & the music company. Steven Rothery (born 25 November 1959) is an English musician. He is the original guitarist and the longest continuous member of the British rock band Marillion. Rothery has described his own style on the guitar as a mix of Andrew Latimer, Steve Hackett and David Gilmour. He has also cited Joni Mitchell as an influence, especially her use of open tunings, which he believed created a very harmonically rich sound. List:

00:00 - Jigsaw
02:40 - Hotel Hobbies
04:35 - Seasons End
05:35 - This Strange Engine
07:40 - Kayleigh
08:40 - Blind Curve
11:15 - Chelsea Monday
12:33 - Sugar Mice
13:45 - Easter
15:15 - When I Meet God

Steve Rothery Guitar Solos Pt.1

Timestamps

0:37 Hotel Hobbies
3:13 That Time Of Night (The Short Straw)
5:22 Dry Land
6:49 Lavender
8:28 Script For A Jester’s Tear
10:07 Incubus
11:48 Forgotten Sons
14:37 Three Minute Boy
19:02 Cover My Eyes
19:55 Alone Again In The Lap Of Luxury
21:46 This Strange Engine
23:52 The Sky Above The Rain
24:44 Ocean Clouds
26:27 When I Meet God
28:40 The Great Escape
29:50 Go!
32:09 Sugar Mice
33:25 The Release
35:00 You’re Gone
36:56 Easter
38:57 The Leavers Part V - One Tonight
40:23 Neverland

Steve Rothery Guitar Solos Pt.2

The prog titan joins us in the studio with a bevvy of classic gear! Welcome to the show. We are delighted to welcome Steve Rothery to the show… Steve is a founding member of UK progressive rock band, Marillion, now into their fifth decade of highly successful recording and touring. Alongside many other projects Steve also has his own band and is showing little sign of slowing down in terms of writing, producing and making great music. He's taken a day out from that busy schedule and joined us to walk through some of the key gear down the years AND get a look at that now legendary Squier Strat. Enjoy the show! Big thanks to Andy Rotheram for the considerable assistance today!

Pedals & Stuff used in this show
• Ernie Ball VPJR Volume/Tuner
• Boss DS-1 Distortion, Analog Man Mod
• Analogman King Of Tone • Free The Tone Fire Mist Distortion
• Kingsley Jester Overdrive/Boost
• Origin Effects SlideRig Compressor • Boss TR-2 Tremolo
• Analog Man Mini Chorus • Electro-Harmonix PitchFork
• Roger Linn AdrenaLinn
• Sweet Sound Mojo Vibe • Hughes & Kettner Tube Rotosphere
• Free The Tone Flight Time FT-2Y Delay
• TC Electronic 2290 P Dynamic Digital Delay

• Chase Bliss Audio CXM1978 Reverb If you use the following links to buy stuff - any stuff – we receive a (very) small cut, for which we are extremely grateful.

• UK & Europe: Andertons Music -
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Interesting bits and go to sections…
0:00 Intro
2:14 How it all started
3:19 Early Marillion rig
5:20 THE Squier Strat
7:20 Early days of digital
8:54 Let’s have a listen
11:30 Boss Analog Man DS-1
13:30 That Kayleigh sound
17:35 Groove Tubes Trio
18:31 Solo from This Strange Engine
20:00 Pioneers of crowd funding
27:00 We’ve never been fashionable
29:30 Upcoming solo projects
30:40 Levinson Blade RH4
32:43 Groove Tube Trio
34:30 H&K Rotosphere
36:19 Roger Linn Adrenalinn
37:00 Crafting a solo
43:20 Solo from The Crow And The Nightingale
44:29 Jack Dent guitar
46:10 Pitcher amp
52:50 Volume pedal at front of the chain
53:30 Adrenalinn again
56:20 Rockman modules
57:00 Audience questions for Steve Guitars in today’s show • Squier Stratocaster, modified by Steve • Blade RH-4 • Jack Dent Raven Amps in today’s show • Roland JC-120 • GT Trio Preamp & KSR PA50 Compact Power Amp • Pitcher Shadow 50W • Zilla Custom 412 with 2 x Celestion V30 and 2 x Jensen Raptor 100 You can buy TPS merch to support our efforts
Guitars in today’s show • Squier Stratocaster, modified by Steve • Blade RH-4 • Jack Dent Raven Amps in today’s show • Roland JC-120 • GT Trio Preamp & KSR PA50 Compact Power Amp • Pitcher Shadow 50W • Zilla Custom 412 with 2 x Celestion V30 and 2 x Jensen Raptor 100
You can buy TPS merch to support our efforts https://www.thatpedalshowstore.com Steve Rothery – Guitar Tones In Marillion and Beyond

Steve Hackett: Shadow of the Hierophant

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 15:27:21 GMT

Steve Hackett – Wuthering Nights: Live In Birmingham

Bass, Twelve-String Guitar, Vocals, Guitar – Nick Beggs
Drums, Percussion, Vocals – Gary O'Toole
Flute – John Hackett
Guitar, Vocals – Amanda Lehmann
Guitar - Steve Hackett
Keyboards – Roger King
Saxophone, Woodwind, Percussion, Keyboards – Rob Townsend

A hierophant is an ancient Greek term for a high priest, interpreter of sacred mysteries, or religious leader. In the Tarot deck, the Hierophant (often depicted as the Pope) is a Major Arcana card that symbolizes traditional values, organized religion, conformity, and rules. Steve Hackett named the epic closing track for his 1975 debut solo album, Voyage of the Acolyte, because the album was conceptually based on the imagery, personalities, and meanings of Tarot cards.The phrase refers to the ominous or restrictive "shadow" cast by rigid dogma, conventional rules, and organized religion. The song itself—co-written with Mike Rutherford and originally rehearsed by Genesis during the 1972 Foxtrot sessions—builds into a massive, repeating climax that reflects the looming, inescapable weight of traditional authority and esoteric power.

Steve Hackett - Shadow of the Hierophant

Virgil Donati, Geoff Downes, John Mitchell: Asia - "The Traveller (Into The Light)" - Official Music Video

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 15:24:27 GMT

From the upcoming new album "Indigo", out November 6, 2026.
Pre-order here: https://ffm.bio/asia-indigo

FRONTIERS MUSIC SRL ANNOUNCES THE SIGNING OF ASIA!
Frontiers proudly welcomes iconic rock supergroup ASIA — kicking off a powerful new chapter in their 45-year legacy.
Geoff Downes, a founding member, returns with an electrifying new lineup:
Virgil Donati (drums)
John Mitchell (guitar)
Harry Whitley (vocals/bass)
“This is very much a homecoming for the band,” says Downes. “We’re entering an exciting new chapter with live albums, DVDs, and a brand-new studio album set for 2026. Watch this space!”
Frontiers VP Mario de Riso adds:
“So proud and excited. Thanks to this fabulous new lineup, new music from Asia can now come to fruition. It will be a blast!”
Born in 1982, Asia quickly became a global sensation with hits like “Heat Of The Moment” and “Only Time Will Tell.”
Asia has entertained and delighted a multitude of audiences over the last forty years. Some of the world’s greatest musicians have taken up the Asia baton during that time. However, Geoff Downes believes that time is right to bring a fresh, new-looking Asia out into the light. The Year of the Dragon foretells good fortune, abundance and prosperity. The Dragon blessed 1982, the year Asia was first unleashed into the world - and now the journey has come full circle. Time for the dragon to take flight once more.

Asia - "The Traveller (Into The Light)" - Official Music Video

Philip Sayce: The Captain Meets Philip Sayce!

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 15:17:44 GMT

Join the Andertons Family with our exclusive, official merchandise! 👕 Buy A T-Shirt 👕 |
https://tinyurl.com/28oc7yuq
⏰ Timestamps ⏰ »
0:00 Intro Playing! »
» 0:53 Introducing Philip Sayce! »
» 2:07 Early Life and Career? »
» 6:28 Self-taught? »
» 8:51 What Music Means to Philip Sayce! »
» 10:00 Meeting Jeff Healey and B.B. King? »
» 14:24 Band Duties and Learning? »
» 17:32 Stepping Away From the Band? »
» 19:19 Recording Records? »
» 23:24 Gear! »
» 33:17 Pedalboard? »
» 34:17 Eric Johnson? »
» 36:42 Pedals! »
» 41:07 Amps? »
» 45:34 Set-up! »
» 47:12 Playing! »
» 52:00 Reverb? »
» 53:47 Wah? »
» 56:47 Compared to The Greats? »
» 59:02 PRS Silver Sky! »
» 1:03:13 What’s Next? »
» 1:05:48 Thanks Philip Sayce & Thanks for Watching!

Lee is joined by the phenomenal Philip Sayce for a deep dive into guitar, tone, and the music behind his incredible career! From his signature playing style and approach to gear, to life on the road and the stories behind the music! Philip shares insight and inspiration along the way! | https://tinyurl.com/katzc8kb

The Captain Meets Philip Sayce!

Philip Sayce: Alchemy Fleece Bristol 2026 05 19

Still sweeping our jaws off the floor after witnessing the absolute force of nature that is Philip Sayce at The Fleece! 🎸🔥

Philip Sayce - Guitar and bombastic solos
Sam Bolle – Bass
Bryan Head – Drums

Bristol brought the energy on Tuesday 19th night, but the undeniable highlight of the set was the spellbinding performance of "Alchemy." Watching him tear up the fretboard and channel pure sonic magic into the room was an unforgettable experience.

Philip Sayce: Alchemy Fleece Bristol 2026 05 19

Laurie Monk: Why Your Guitar Videos Are Getting Buried (And How to Fix It)

noreply@blogger.com (Laurie Monk) — Mon, 6 Jul 2026 11:19:11 GMT

Why Your Guitar Videos Are Getting Buried (And How to Fix It)

Over the past few days, I’ve been running a massive backend audit on the Truth in Shredding archives. I wrote custom Python scripts to crawl, analyze, and clean up a database of over 79,000 blog posts spanning years of guitar history.

But as I was digging through the code to fix broken links and SEO errors, a glaring pattern slapped me in the face.

I found thousands of posts featuring absolutely mind-blowing guitar videos—insane solos, rare masterclasses, and face-melting technique. Yet, despite the world-class playing, these pages were practically dead in terms of search traffic. Why? Because they were nothing but a raw YouTube embed, a one-sentence title, and maybe a link to a shop.

Seeing the data across 79,000 posts made me realize a hard truth about how we musicians share our art online—and why so many players are accidentally burying their own content.

Here is the reality check: you just nailed a flawless, one-take playthrough. The tone is crushing, the alternate picking is perfectly locked to the grid, and you upload the video with a simple title, drop a link to your merch store in the description, and hit publish.

And then... crickets.

Why does incredible playing get buried while lesser players get thousands of views? Because of one harsh technical reality: Search engine algorithms are completely deaf and don't understand music!

Google and YouTube’s search bots don't know what a diminished scale sounds like. They can’t hear the difference between a boutique tube amp and a cheap digital plugin. If you post a video with no text—or just a lone link to your shop—the algorithm assumes the page is practically blank. It has no data to rank you with, so it ignores you.

To get your videos indexed, ranked, and discovered, you have to translate your playing into text. Here is the 4-step SEO playbook for guitar players based on what actually works.

1. Geek Out on Your Gear

Search engines might not understand music, but they love specs. Guitarists are constantly searching for specific gear combinations.

Don't write: "Check out my new tone."
Do write: "Dialing in a high-gain rhythm tone using a Suhr Modern Custom into a Bogner Uberschall and a Maxon OD808."

That single sentence just turned your video into a magnet for anyone searching for those specific pieces of gear.

2. Name Your Techniques

Translate what your hands are doing into searchable keywords. If someone is trying to learn a specific style, they are typing those exact terms into Google. Break down the mechanics of what you are playing. Are you using 5-string sweep arpeggios? Strict alternate picking? Allan Holdsworth-style wide-stretch legato? Say it in the text.

3. Timestamp the Magic

YouTube and Google both heavily reward timestamps. It keeps human viewers engaged and feeds rich keywords directly to the bots. Add a quick bulleted list to your description:

0:45 - Transitioning from the minor pentatonic into the Dorian mode.
1:12 - The string-skipping tapping sequence.
2:30 - Backing track info and closing thoughts.

4. Transcribe Your Lessons

If your video includes any spoken teaching or a breakdown of a lick, type it out. A quick 300-word summary of the theory behind the lick gives the algorithm massive amounts of context. It proves to Google that your page has actual, educational weight.

The Bottom Line

Stop posting naked videos. You put the time in on the fretboard—take an extra five minutes to translate that audio into text. Feed the algorithm the keywords it needs, and it will feed you the traffic you deserve.

Eloy Casagrande: on Starclassic Bubinga

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 23:13:43 GMT

Eloy Casagrande performs Solstice by Casagrande Hanysz on the new Limited Edition Starclassic Bubinga.
This video features a high-energy drum performance by Eloy Casagrande, where he showcases the Limited Edition Starclassic Bubinga drum kit by TAMA.

Performance Highlights:

Track: The performance features the song "Solstice" by Casagrande Hanysz (from the album Liminal).
Setting: The video was filmed at the renowned Studio 606 and mixed/engineered by Paul Fig.
Technical Proficiency: Throughout the 4m 50s duration, Eloy Casagrande demonstrates his signature technical precision and intensity on the drums (0:00 - 4:50).
This video serves as a demonstration of both the musical composition "Solstice" and the sound profile of the TAMA Starclassic Bubinga series.

Filmed at Studio 606 by MixOne Cinema
Mixed Engineered by Paul Fig

Eloy Casagrande on Starclassic Bubinga

Alex Hutchings: 3 Guitars Same Track

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 23:11:44 GMT

Here i am demonstrating the use of Mini Sweeps and Target tones and how when combined make a powerful statement. There is a full lesson, Tab and backing track on my Patreon Page where I break down exactly what I'm thinking when applying these concepts. I hope it helps.
FYI when I'm playing the Musicman guitar I'm playing in Standard tuning for some reason... ;-)
Access this lesson and hours more content below. Hope to see you there!
Let's goooo!! ;-)

3 Guitars Same Track

Jung Heejung: I PRS Mark Lettieri Signature 'Fiore'

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 23:10:15 GMT

PRS Mark Lettieri Signature 'Fiore' HH-Metallic Midnight Satin Demo

‘Zip - JUNG HEEJUNG’

Performanced By 정희정 (JUNGHEEJUNG)

PRS Mark Lettieri Signature 'Fiore' HH-Metallic Midnight Satin

정희정 (JUNG HEEJUNG) - 「Zip」 I PRS Mark Lettieri Signature 'Fiore' HH-Metallic Midnight Satin Demo

Virgil Donati: Voice Of Reason Session Video

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 23:02:35 GMT

You can get your copy of In This Life here: http://virgildonati.spinshop.com

This is the session video for Voice of Reason, from 'In This Life'. As with the Red Air video (/watch?v=D6_fQIqLdls) you will notice it's an alternate drum take. Once again I extend my thanks to the other musicians for their remarkable performances.

Jared Smith: Plays "Limb of Leviticus" on a Dingwall Z + Tour Wars

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 22:58:49 GMT

Jared Smith of Archspire recently stopped by the Dingwall shop in Saskatoon and treated us to a playthrough of Limb of Leviticus. What Archspire song should he play next?

Jared Smith Plays "Limb of Leviticus" on a Dingwall Z

We caught up with Jared Smith from Archspire at Dingwall HQ to talk about life on tour, recording, bass tone, and the realities of touring across Canada.

Jared shares stories from the road with Archspire, the band’s new self-released album Too Fast to Die, surviving Canadian snowstorms in a van, and why he’s been favouring the bridge pickup for the last few years.

We also dive into:
Touring across the Canadian Shield
DIY album releases vinyl production
Nickel vs stainless steel strings
Bridge pickup tone
Neural DSP Quad Cortex
Darkglass electronics
Studio vs live bass tone
Band life tour stories

This video features an interview with Jared Smith from the technical death metal band Archspire, recorded at Dingwall Guitars HQ. Jared discusses the realities of life as a touring musician and the band's recent shift to independent operations.

Key Highlights:
Independent Release: Archspire chose to self-release their latest album, Too Fast to Die, requiring the band to take on the logistics of shipping and vinyl production themselves (0:30-2:16).
Touring Realities: Jared shares stories of the challenges of touring, particularly the vast distances and harsh weather in Canada, including a recent snowy experience in Calgary where the band had to sleep in their van (2:26-3:43, 6:18-7:30).
Band Dynamic: Beyond musicianship, Jared emphasizes that the most important trait for a touring band member is being a "good hang" and easy to live with in close quarters (5:48-6:11).
Gear and Tone:
Main Bass: Jared has used his current Dingwall bass for roughly four years, noting it has held up well during heavy touring (8:55-9:57).
Strings: While he likes the brightness of stainless steel strings for studio tapping, he prefers nickel strings for his current bass to better balance the tone (9:58-10:57).
Pickup Settings: He favors the bridge pickup for its aggressive, mid-focused tone, which he runs through a Darkglass preamp and Neural DSP Quad Cortex for live shows (11:06-12:22).

What Touring with Archspire Is Really Like | Jared Smith

John Mayer: This changed everything - Neural DSP

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 22:41:13 GMT

00:00 Intro
03:07 How John uses the plugin at home
12:44 Recording an idea
19:12 Using the plugin on sessions
20:40 Presets
21:32 Jamming with the Smooth Operator amp
28:39 Where does the plugin live?
33:36 Being intentional

In this video, musician John Mayer provides an in-depth look at how he utilizes his signature Archetype: John Mayer X plugin by Neural DSP both at home and in professional studio environments. He highlights how the plugin has simplified his workflow by replacing complex, high-maintenance hardware rigs with a streamlined digital setup.

Key takeaways from the video include:

Workflow Efficiency: Mayer explains that the plugin allows for a seamless transition between practicing, writing, and recording within a DAW (like Pro Tools). By using the plugin, he can instantly record ideas (0:40-1:06) and even layer multiple guitar parts without the logistical headaches of traditional amps, cables, and pedalboards (2:11-3:02).
Creative Intentionality: He emphasizes the importance of sticking with a single tone or preset for extended periods, rather than constantly tweaking settings. This approach encourages guitarists to focus on their playing dynamics and musical expression rather than getting lost in gear experimentation (3:44-4:03,7:26-7:52).
Versatility in Sessions: Mayer demonstrates how he uses the plugin during recording sessions, either by providing the engineer with a direct signal to process later or by committing to a specific, final tone to make decisive creative choices (19:12-20:03).
Authentic Amp Response: The video features Mayer jamming through various settings—including the "Smooth Operator" amp—to showcase how the plugin mimics the physics and responsiveness of real tube amplifiers, allowing for natural break-up and dynamic control (21:32-28:38).
Philosophy on Gear: Mayer clarifies that the plugin is not intended to replace tube amps, which he still loves and uses, but rather to provide more options, democratize access to high-quality sounds, and offer a practical solution when in a "pinch" (30:56-32:27).
The video concludes with Mayer reflecting on the importance of being intentional with one's sound and expressing his gratitude to his audience, encouraging viewers to keep creating and playing guitar (33:36-35:48).

This changed everything for John Mayer’s home and studio recording

Iree, Choi Hyun Jung: Rolling Quartz - 3rd EU Tour Episodes

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 22:33:49 GMT

This video captures behind-the-scenes moments and live concert footage from the Rolling Quartz 3rd EU Tour, specifically their show at CBE in Cologne, Germany, on April 12th, 2026.

Highlights of the video:

Behind the Scenes: The video begins with brief technical preparations and stage setup (0:20-1:35).
Live Performance: The core of the video features energetic live performance footage of the band, with the recurring theme of their track "Heat" appearing throughout (1:54-9:36).
Fan Interaction: The band shares their appreciation for their fans, known as Diadem, expressing how happy they are to be on their European tour (5:37-6:14, 10:19-10:29).
Fan Testimonials: The video concludes with interviews with attendees who share their excitement about the show, describing the performance as "life-changing" and "10 out of 10" (11:15-11:40).
Additionally, the video metadata highlights the band's upcoming 2026 North American Tour, which runs from July 15th to October 9th.

Rolling Quartz 롤링쿼츠 3rd EU Tour Episode 3 @ CBE, Cologne, Germany / April 12th 2026

This video documents the Rolling Quartz 3rd European Tour, featuring a high-energy live performance at the Backstage Halle in Munich, Germany, on April 10th, 2026.

Performance Highlights:

The band delivers a powerful set, showcasing their signature rock sound to an enthusiastic crowd (0:20-7:05).
There is a direct engagement with the audience throughout the show, with the band encouraging fans to clap, jump, and participate in the energy of the performance (12:08-12:22).
Between songs, the members express their gratitude to their fans, known as Diadem, and celebrate the success of their third European tour (7:11-7:16).
Closing Moments:

The show concludes with emotional appreciation from both the band and the fans (12:52-13:13).
A fan shares their personal connection to the band, noting how the performance provided them with inspiration and a sense of life (14:04-14:17).
Additionally, the video description includes information about the band's upcoming 2026 North American Tour, spanning from July 15th to October 9th across various cities in the United States and Canada.

Rolling Quartz 롤링쿼츠 3rd EU Tour Episode 02 @ Backstage Halle, Munich, Germany / April 10th, 2026

This video captures the first episode of the Rolling Quartz 3rd EU Tour, recorded at PROXIMA in Warsaw, Poland, on April 8th, 2026. The footage offers fans an intimate look at the band's live performance and behind-the-scenes moments.
Key Moments and Highlights:
Tour Preparation (0:23-0:40): The video opens with the members reflecting on the venue and mentioning their recording sessions, including the song Roll the Dice.
Live Performance Highlights (0:43-14:47): The band delivers a high-energy set to their Polish audience, featuring intense instrumentation and vocal performances.
Audience Interaction (14:54-23:00): The band engages warmly with their fans, expressing gratitude to the Polish Diadem (their fanbase) and sharing emotional moments during the show.
Encore and Conclusion (19:33-23:41): The band performs an encore after the crowd asks for more songs, concluding the show with a heartfelt farewell.
The video serves as a celebratory recap of their European tour, capturing the strong connection between the band and their international supporters.

Rolling Quartz 롤링쿼츠 3rd EU Tour Episode 01 @ PROXIMA, Warsaw, Poland / April 8th, 20

Rick Graham: Creative Scale Sequences For Guitarists

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 22:27:57 GMT

In this video, guitarist Rick Graham demonstrates how to break out of boring practice routines by creating creative scale sequences for guitar improvisation. Using the A major scale as a framework, he encourages viewers to move beyond standard three-note-per-string patterns by applying various sequences, rhythmic patterns, and articulation techniques.

Key Techniques and Sequences
Repeating Four-Note Patterns: A simple starting point is applying a consistent four-note group across all six strings, picking only the first note of each string (2:40 - 3:35).
String Skipping: To add melodic interest and create wider intervalic lines, Rick suggests incorporating string skipping into any sequence (3:37-3:51).
Left-Hand Mechanics: He demonstrates exercises focusing on left-hand technique, such as hammer-ons and pull-offs (e.g., the Malmsteen-esque pattern at 4:16) to build fluidity and decrease reliance on constant picking (4:00-4:35).
Chromatic Filling: You can introduce chromatic notes into standard scales to create more complex, fluid lines (6:00-6:55).
Phrasing and Articulation: Instead of linear runs, focus on slides, bends, and varied articulation to make scale practice sound more vocal and musical (7:30-10:20).
Mathematical Patterns: Rick explores non-linear sequences by varying the number of notes per string (e.g., 3-1-3-1 patterns) to break up standard, monotonous playing (11:15-12:35).
Core Philosophy
Rick emphasizes that creativity is subjective. He suggests experimenting with these patterns, discarding what doesn't sound good, and keeping what does to build your own unique musical vocabulary. He strongly advises against relying solely on repetitive scale runs, as they can become "dull as dishwater" and stifle authentic expression (10:40-14:00).

Creative Scale Sequences For Guitarists

Justin Ostrander: They fired me ON THE SPOT

noreply@blogger.com (Laurie Monk) — Thu, 2 Jul 2026 22:16:19 GMT

0:00 A song I’m working on
1:53 Let’s talk about how PROs get fired
2:34 First firing story
7:17 Second firing story
10:00 Common denominator in these situations
11:26 That time I got FIRED
14:45 Amazing musicians fired for RANDOM reasons
15:30 justinostrander.com

In this video, professional musician Justin Ostrander shares insights on why talented players sometimes get fired unexpectedly and provides advice on how to navigate professional settings to avoid these pitfalls.

Key Stories and Lessons:The Live Sound Check Firing (2:34 - 7:17): A highly recommended musician lost a tour gig because they spent too much time complaining and adjusting their in-ear monitors during a rushed line check, leaving the artist with no time to prepare. The lesson: You are the help, and you must prioritize the artist's needs and roll with imperfect situations until you can address them later.
The Studio Session Firing (7:17 - 10:00): A drummer was let go after ignoring a producer's request to stop trying to replace perfectly good pre-existing drum loops. The lesson: If a producer or artist says they are happy with what they have, don't overstep by forcing your own ideas, as time is money in the studio.
The "Full-Time" Gig Misunderstanding (11:26 - 14:45): Justin shares a personal story of being fired early in his career for subbing out a gig to take other work. He learned that many artists expect you to treat their project as a full-time commitment, even if the schedule is sparse.

Common Denominator:In all these cases, the musicians lost their gigs because their expectations did not match reality, and they struggled to adapt or keep their ego in check (10:00 - 11:26).

Final Takeaways:Be professional: Learn to separate your personal identity from your work. If someone rejects a musical idea, it doesn't mean they hate you—it just means it wasn't right for the song (10:00 - 11:26).
Manage perceptions: Sometimes, musicians are let go for reasons beyond their control, such as personality clashes or off-stage perceptions by management or partners (14:45 - 15:30).

CHECK OUT https://justinostrander.com
They fired me ON THE SPOT

Guthrie Govan: The Captain Meets - Guthrie Govan 2016

noreply@blogger.com (Laurie Monk) — Wed, 1 Jul 2026 17:42:32 GMT

The Captain Meets - Guthrie Govan

This video features Lee 'The Captain' Anderton interviewing the virtuoso guitarist Guthrie Govan. The conversation covers Guthrie's musical journey, his influences, his philosophy on technique and theory, and his various professional experiences.
Key Highlights:

Early Influences & Development (2:36 - 18:35): Guthrie discusses growing up in a musical household and his formative years. He recalls discovering heavier music and guitar virtuosos like Steve Vai, Eddie Van Halen, and Frank Zappa in his early teens, which expanded his musical vocabulary.
Philosophy on Theory & Technique (21:00 - 25:47): He shares his perspective on balancing technical proficiency with musical expression. He emphasizes that theory and technique should be tools that are fully internalized so they can support, rather than dictate, the music one hears in their head.
Career Path & Defining Projects:Academic Shift: He recounts his time at Oxford University and his subsequent decision to pursue music full-time (27:07 - 28:58).
Session Work & Asia (34:35 - 37:44): Guthrie discusses his session work, including his time touring and recording with the band Asia.
Erotic Cakes (29:26 - 31:47): The creation of his iconic solo album, Erotic Cakes, which he notes was a collaborative effort with Paul Cornford.
Pop & Grime Collaborations (44:29 - 49:23): He explains his involvement in mainstream projects, including working with Dizzee Rascal, noting his appreciation for the "Zen" challenge of playing different musical styles.
The Aristocrats (49:57 - 55:10): Guthrie describes the formation of The Aristocrats as a "telepathic" connection with his bandmates and a place to explore "forbidden music" and playfulness.
Steven Wilson (55:11 - 59:52): He discusses the creative differences and the darker, more somber tone of working with Steven Wilson, while praising the high-level musicianship involved.
Gear & Amplification (1:10:23 - 1:17:15): The two discuss the ongoing debate between digital modeling (like Kemper) and real valve amplifiers. Guthrie notes that while modeling technology is excellent for utility, he feels a more visceral, inspiring connection to traditional valve amps.
The conversation concludes with a look ahead to 2017, focusing on more touring with The Aristocrats and a desire to record new music (1:18:22).

Guthrie Govan: Some Brilliant Guthrie Govan Moments - Compilation #5

noreply@blogger.com (Laurie Monk) — Wed, 1 Jul 2026 17:40:08 GMT

Enjoy !
0:00 Intro solo to "Fix up look sharp" by Dizzee Rascal
0:50 Chromaticisms from flight of the bumblebee
2:04 Improv over the chords of "Culture clash"
4:18 "Waves" outro at NAMM 2010
5:06 Cover of "Cause we've ended as lovers" (Jeff Beck)
Some Brilliant Guthrie Govan Moments - Compilation #5

This video is a compilation of standout musical moments and improvisational techniques by virtuoso guitarist Guthrie Govan. The performance showcases his technical mastery, theoretical depth, and stylistic versatility across various settings.
Video Highlights:

Introductory Performance: The video opens with a solo rendition of Dizzee Rascal's "Fix up look sharp" (0:00).
Theoretical Insights on Chromaticism: Guthrie Govan provides an educational breakdown of playing chromatic lines. He demonstrates how to balance "ugly" chromatic notes with harmonically important chord tones to create a cohesive sound, using an A Minor example to show how stripping away non-chord tones reveals the underlying "skeleton" of the melody (0:50 - 2:04).
Improvisation & Covers:Improvisational work over the chords of his own track "Culture clash" (2:04).
A performance of the "Waves" outro at NAMM 2010 (4:18).
A cover of the Jeff Beck classic "Cause we've ended as lovers" (5:06).

Truth In Shredding

Francesco Artusato: The Renaissance Man: What Happened to Francesco Artusato?

The Renaissance Man: What Happened to Francesco Artusato?

Required Listening:Chaos and the Primordial (Track: "Typhoeus")

Album Track Listing

Core Guitar Techniques

Gear & Production Architecture

Our Dying Sun (Track: "The Last Particle")

Album Track Listing

Core Guitar Techniques

Gear & Production Architecture

Artusato demo Ibanez RG2011SC-BK

Richie Allan: Re-Introducing The Lost Virtuoso and the Heavy Metal Ninjas

The Lost Virtuoso: Re-Introducing Richie Allan and the Heavy Metal Ninjas

The Biography: Who is Richie Allan?

The Discography: Required Listening

1. Heavy Metal Ninjas - EP (2011/2012)

2. Interstellar Abduction (2013)

The promotional videos

A tribute to Jason Becker

A visual history

Fernanda Lira, Luana Dametto,Tainá Bergamaschi,Victoria Villareal: CRYPTA - Madrid 2026 - Tour Dates and Concept album

Concept album

Hazuki,Tamu Murata, Haraguchi-san, Mayu: NEMOPHILA - The Meadows Brooklyn + 業- new video

Li-sa-X, Hazuki, Kanade Sato,Yunika Impact, Mirei Sakurada: KOIAI - Starting Over (Official Music Video)

Parker Lundgren: This Guitar Collection Changed My Life ... | Holy Grails UNLOCKED!

Tobias Von Lanthen: Riff - Finally got around again to compose

Tory Slusher: Hyper Fast Shred Licks in the style of Roy Marchbank but tapping

Rick Graham: STOP WASTING TIME - Effective Picking Practice

Steven Rothery: top 32 solos and the gear he used to make them

Steve Hackett: Shadow of the Hierophant

Virgil Donati, Geoff Downes, John Mitchell: Asia - "The Traveller (Into The Light)" - Official Music Video

Philip Sayce: The Captain Meets Philip Sayce!

Laurie Monk: Why Your Guitar Videos Are Getting Buried (And How to Fix It)

Why Your Guitar Videos Are Getting Buried (And How to Fix It)

1. Geek Out on Your Gear

2. Name Your Techniques

3. Timestamp the Magic

4. Transcribe Your Lessons

The Bottom Line

Eloy Casagrande: on Starclassic Bubinga

Alex Hutchings: 3 Guitars Same Track

Jung Heejung: I PRS Mark Lettieri Signature 'Fiore'

Virgil Donati: Voice Of Reason Session Video

Jared Smith: Plays "Limb of Leviticus" on a Dingwall Z + Tour Wars

John Mayer: This changed everything - Neural DSP

Iree, Choi Hyun Jung: Rolling Quartz - 3rd EU Tour Episodes

Rick Graham: Creative Scale Sequences For Guitarists

Justin Ostrander: They fired me ON THE SPOT

Guthrie Govan: The Captain Meets - Guthrie Govan 2016

Guthrie Govan: Some Brilliant Guthrie Govan Moments - Compilation #5

Required Listening:

Chaos and the Primordial (Track: "Typhoeus")