Free CG Tutorials

All Tutorials

2010-04-09T14:11:00.004+07:00

How to download

1.click at the name of tutor.
2.click SKIP AD at right-top of screen.
3.select Free user
4.it's will count down 1 min Download button will show,click it.
5.when download is already,if you want to download next file must wait 15 min
but if you don't want to wait you must turn off router and turn on it again
you can immediately download next file.
*Please credit me if you want to post all tutor in this site to other site.

Update

04/09/2010
The Gnomon Workshop - Environment Creation for Production
04/06/2010
Gnomon Workshop - Robot Design with Josh Nizzi

Tutors for 3DSMAX

Digital Tutors - Introduction to Modeling in 3DS MAX
Digital Tutors - Modeling Interiors in 3ds Max
Digital Tutors - Introduction to Lighting in 3ds Max
Digital Tutors - Introduction to mental ray in 3ds Max
Digital Tutors - Introduction to Rigging in 3ds Max
Digital Tutors - Introduction to Animation in 3ds Max
Digital Tutors - Automotive Modeling in 3ds Max
Digital Tutors - Motorcycle Modeling Techniques in 3ds Max
Digital Tutors - Creating Cartoon Characters in 3ds Max
Gnomon Workshop - Robot Design with Josh Nizzi
The Gnomon Workshop - Environment Creation for Production

Tutors for Maya

Digital Tutors Introduction To Maya 2009
Digital Tutors: Maya Unlimited - Cloth
Digital Tutors: Maya Unlimited - Hair
Digital Tutors Photorealistic Car Modeling in Maya
Digital Tutors - Motorcycle Modeling Techniques in Maya
Digital Tutors - Creating Cartoon Character in Maya
Digital Tutors - Cartoon Character Rigging in Maya
Digital Tutors - Animating Cartoon Characters in Maya
Digital Tutors - Creating Cartoon Vehicles in Maya
Digital Tutors - Rigging Cartoon Vehicles in Maya
Digital Tutors - Creating Cartoon Sets in Maya

Tutors for Realflow

Digital Tutors - Fundametals of Realwave in Realflow

Tutors for Visual Effect

Turbo Training - Advanced Visual Effects 2 for 3DS MAX

Tutors for Zbrush

Digital Tutors - Introduction to Zbrush 3
Digital Tutors - Texturing with ZBrush 3

Please Comment if you want other tutors.
and write your user name.
When I have tutors I will tell you.

Thank you for Download.

The Gnomon Workshop - Environment Creation for Production

2010-04-06T12:40:00.013+07:00

The Gnomon Workshop - Environment Creation for Production

This DVD, takes you through the entire process of creating an environment with 3ds Max starting with the analysis of reference photographs and determining real world object dimensions, all the way through the 3D modeling and texturing pipeline. Master will teach you how to spot the visual cues that will allow you to quickly and accurately determine dimensions from set photographs. You will also learn how to build quick layout files for modeling and animation and how to model and texture an entire environment from photographic reference. Many artistic and technical challenges are addressed such as understanding perspective, modeling architecture, tile roofs, stone pathways as well as decay and general destruction.

Chapters :

Understanding Perspective
Layout
Pre-planning your Modeling Approach
Modeling
UV Mapping
Texture Painting
Modeling Destruction

Thank for download.

Gnomon Workshop - Robot Design with Josh Nizzi

2009-10-04T12:30:00.017+07:00

Gnomon Workshop - Robot Design with Josh Nizzi

In this DVD Josh Nizzi reveals his techniques for designing robots. He demonstrates his entire robotic design process, from sketching concepts in Photoshop® and creating a rough 3D model in 3ds Max®, to rendering the model in HyperShot™ and finishing the design in Photoshop®, Josh’s approach is particularly valuable in a production setting because it enables the artist to deliver high quality concepts very quickly while simultaneously producing a proxy 3D model that could be used in pre-vis or as a starting point for a final model.

Chaptor :

Roughs
Modeling the Legs
Modeling the Upper Body
Posing the Model
Modeling the Whips and Shield
Rendering Part 1
Rendering Part 2
Painting Over in Photoshop Part 1
Painting Over in Photoshop Part 2
New Shield
Finishing Up

Software Used :

Autodesk 3DS Max
Adobe Photoshop
Bunkspeed HyperShot

Download :
size 1 GB
part1:http://rapidshare.com/files/254450544/GWRobots.part1.rar
part2:http://rapidshare.com/files/254450861/GWRobots.part2.rar
part3:http://rapidshare.com/files/254451285/GWRobots.part3.rar
part4:http://rapidshare.com/files/254451203/GWRobots.part4.rar
part5:http://rapidshare.com/files/254450478/GWRobots.part5.rar
part6:http://rapidshare.com/files/254451212/GWRobots.part6.rar
part7:http://rapidshare.com/files/254451001/GWRobots.part7.rar

Thank for download.

Digital Tutors - Motorcycle Modeling Techniques in Maya

2009-10-03T19:29:00.001+07:00

Digital Tutors - Motorcycle Modeling Techniques in Maya

Learn a time-saving workflow to modeling motorcycles and production-ready techniques to hard surface modeling with design constraints, building complex machined and man-made parts, and methods of adding detail for realism. Contains over 8 hours of self-paced training for artists using Maya.

Lesson :

Introduction and Project Overview
In this lesson we will go over the course objectives and highlight the tools and techniques we will be learning throughout this training.

Motorcycle parts and terms
In this lesson we will talk about the history of motorcycles as well as the different varieties of bikes and bike parts.

Adding an image plane
In this lesson we will apply a reference photo to our scene as an Image Plane

Starting a frame with curves
In this lesson we will begin work on the motorcycle by drawing out the frame using cv curves.

Creating geometry along the bike frame
In this lesson we will create the remaining portions of the motorcycle frame.

Attaching the frame together
In this lesson we will merge the pieces of the frame together to create a single piece.

Adding welds to the frame
In this lesson we will add realism to the motorcycle frame by modeling in welds.

Detailing the bike frame
In this lesson we will add bolts and other details onto the frame.

Finishing the frame
In this lesson we will mirror the bike frame and add some final detail.

Starting the gas tank
In this lesson we will use curves with a Birail to create the gas tank.

Finishing the gas tank
In this lesson we will use the Extrude tool to build the bottom of the gas tank.

Modeling the wheel
In this lesson we will create the motorcycle wheel starting with primitive geometry.

Adding the tire
In this lesson we will build a tire fit to the existing wheel.

Using Booleans to add disc brakes
In this lesson we will use Booleans to create the disc brakes for the front and back.

Adding front and back tires
In this lesson we will modify the tire and wheel geometry to fit the larger back wheel.

Creating the front fender
In this lesson we will extract geometry from the tire to create the front fender.

Adding the back fender
In this lesson we will shape primitive geometry to serve as the back fender.

Building the fork tubes
In this lesson we will build the fork tubes by combining multiple pieces of geometry.

Building the triple tree
In this lesson we will use multiple pieces of geometry to build the triple tree.

Starting the exhaust pipes
In this lesson we will curves build the basic shapes of the exhaust pipes.

Detailing the exhaust pipes
In this lesson we will extract geometry from the exhaust pipes to create protective covers.

Building the cylinders
In this lesson we will construct the base for the engine cylinders.

Creating the heads
In this lesson we will begin building the engine heads from polygonal geometry.

Adding rocker covers
In this lesson we will use geometry from the head to create the rocker covers.

Building the transmission cover
In this lesson we will combine multiple pieces of geometry to create the transmission cover.

Finishing the transmission cover
In this lesson we will use Booleans to add bolt holes to the transmission cover.

Modeling the water pump
In this lesson we will model the motorcycle's water pump.

Adding the gear case cover
In this lesson we will use a variety of polygon tools to build the gear case cover.

Finishing the engine
In this lesson we will finish the engine by modeling some of the remaining parts.

Building the belt drive
In this lesson we will use multiple pieces of geometry to build the base for belt drive.

Finishing the belt drive
In this lesson we will use Booleans and the Bridge tool to finish the belt drive.

Modeling the swing arm
In this lesson we will build the swing arm for the motorcycle starting with some primitive geometry.

Adding rear suspension
In this lesson we will use several pieces of geometry, including a helix, to create the rear suspension.

Modeling the seat
In this lesson we will build the seat using primitive geometry.

Detailing the seat
In this lesson we will add some realism to the seat by modeling in several seams.

Adding front vent piece
In this lesson we will use some geometry from the frame to build a front vent piece.

Building the radiator
In this lesson we will model the radiator using several polygon tools.

Modeling the headlight and cowl
In this lesson we will build the headlight and cowl starting with a simple sphere.

Adding the brake calipers and cables
In this lesson we will use extracted geometry and curves to build the brake caliper and brake line.

Adding the handlebars
In this lesson we will combine NURBS and polygon objects to build the handlebars.

Detailing the handlebars
In this lesson we will use extracted geometry to add controls to the handlebars.

Building pegs and kickstand
In this lesson we will build and detail the pegs and kickstand for the motorcycle.

Building rear plate and taillights
In this lesson we will use a variety of simple polygon techniques to build the rear plate holder and taillight.

Modeling the mirrors and brake handles
In this lesson we will create the rear-view mirrors and brake handles from primitive geometry.

Naming and creating a hierarchy
In this lesson we will begin naming our geometry and create a hierarchy to facilitate the posing of the bike.

Setting up the lighting
In this lesson we will set up lighting for the bike, including an HDR image.

Adding materials to the bike
In this lesson we will use a car paint material on portions of the motorcycle.

Using mental ray to blend the engine block
In this lesson we will use the roundcorners node to blend together portions of the engine block.

Adding textures to the bike
In this lesson we will add file textures to some of the parts of the motorcycle.

Digital Tutors Photorealistic Car Modeling in Maya

2009-10-02T18:23:00.002+07:00

Digital Tutors Photorealistic Car Modeling in Maya

Digital Tutors - Creating Cartoon Sets in Maya

2009-10-01T10:10:00.003+07:00

Digital Tutors - Creating Cartoon Sets in Maya
Learn a time-saving workflow to creating cartoon sets, look development for environments, and production techniques for modeling, UV layout, texturing, and shader assembly.
Contains over 6 hours of project-based training and guides artists step-by-step through a proven approach to the modeling, texturing, and shading processes of creating stylized cartoon sets and environments as seen in animated feature films.

Lesson : Runtime 6 hrs. 10 min.

Introduction and project overview
In this lesson we will go over the course objectives and highlight the tools and techniques we will be learning throughout this training.

Starting the circus tent
In this lesson we will create a base for the circus tent using primitive geometry and the Insert Edge Loop Tool.

Finishing the tent
In this lesson we will complete the geometry of the tent and add stakes and ropes.

Adding flags to the tent
In this lesson we will add streamers around the tent and a flag for the flagpole.

Working with UVs and textures on the circus tent
In this lesson we will use a UV layout to quickly texture the tent.

Using blend shapes to create variation
In this lesson we will use blendshapes to quickly create varying sizes of tents.

Creating low resolution proxies
In this lesson we will create low resolution proxy geometry to match our high resolution tent.

Preparing the assets for export
In this lesson we will modify the naming and hierarchy in preparation for export.

Building the vendor stand
In this lesson we will build the base of the vendors stand from primitive geometry.

Using deformers to finish the stand
In this lesson we will finish the vendor stand with a deformer and some NURBS tools.

Working with UVs and texture on the vendor stand
In this lesson we will add a striped texture to the vendor stand.

Dressing the stand
In this lesson we will dress the stand with dolls and other props.

Building the hammer bell
In this lesson we will build the base of the hammer bell using a variety of polygon techniques.

Finishing the base of the hammer bell
In this lesson we will build the rocket and hammer for the hammer bell.

Creating 3D geometry from Illustrator curves
In this lesson we will explore the process creating shapes in Illustrator and importing them into Maya.

Building the Ferris wheel in sections
In this lesson we will build a section of the Ferris wheel framework and a seat.

Finishing the Ferris wheel
In this lesson we will finish the Ferris wheel by duplicating the section around an axis.

Starting the funhouse
In this lesson we will build the base for the clown-shaped funhouse.

Finishing the funhouse face
In this lesson we will finish the clown face and add the sign above the fun house.

Distributing lights along the funhouse sign
In this lesson we will finish the funhouse sign by distributing light bulbs along a curve.

Painting textures using UV Snapshot
In this lesson we will create a texture for the clown's face using a UV Snapshot.

Using ramps and placement nodes to quickly add painted detail
In this lesson we will create a pattern for the funhouse using ramp nodes.

Starting the terrain - adding selective subdivisions
In this lesson we will model the terrain for the amusement park.

Sculpting the terrain
In this lesson we will finish sculpting the terrain geometry.

Using UV Snapshot and 3D paint to aid in texturing
In this lesson we will use the 3D Paint Tool to create a base for building the terrain texture.

Painting the terrain texture
In this lesson we will use Photoshop to paint a texture map for the amusement park terrain.

Creating foliage 'sprites'
In this lesson we will create 2d sprites to use as foliage.

Building the roller coaster path
In this lesson we will build a base curve for the roller coaster.

Creating the track profile
In this lesson we will use a profile curve to build the rails and track for the coaster.

Building a material for the roller coaster
In this lesson we will use ramps with transparency to very quickly texture the entire roller coaster track.

Adding supports to the roller coaster - dealing with scale issues
In this lesson we will talk about dealing will scale issues in adding the roller coaster struts.

Modeling the roller coaster building using deformers
In this lesson we will build the roller coaster building using some polygon tools and deformers.

Adding 3D text in Maya
In this lesson we will add 3D Text above the roller coaster builder.

Assembling the set - referencing assets; swapping proxies
In this lesson we will explore the referencing workflow to bring assets into Maya.

Making changes to individual assets; replacing references
In this lesson we will make changes to referenced assets and replacing references.

Methods of placing foliage
In this lesson we will place foliage into our set using geometryPaint.

Conclusion
In this lesson we will review some of the work we've completed on our cartoon amusement park set.

Digital Tutors - Rigging Cartoon Vehicles in Maya

2009-09-30T13:07:00.003+07:00

Digital Tutors - Rigging Cartoon Vehicles in Maya

An advanced guide to creating vehicle rigs with emphasis on toon. Learn a production workflow to creating vehicle rigs with emphasis on cartoon performance, squash and stretch rigging techniques, and the principles of building solution-based rigs for easy animation.Contains over 8 hours of project-based training for setup artists and animators learning the processes of creating intuitive cartoon rigs with animator-friendly controls. Perfect for experienced artists.

Lesson : Runtime 8 hrs. 6 min.

Introduction and start scene overview
In this lesson we will go over the course objectives and highlight the tools and techniques we will be learning throughout this training.

Creating a MEL script for snapping objects
In this lesson we will learn how to create a MEL procedure to snap objects together and add it to our shelf.

Starting the wagon rig
In this lesson we will learn how to organize our scene using Display Layers and create a Lattice to distort our vehicle.

Creating bones to deform the vehicle
In this lesson we will learn how to create a joint chain and bind our lattice to it

Designing a MEL window to apply squash and stretch to the rig
In this lesson we will learn how to create a custom window using MEL to run a procedure

The execution command for the squash and stretch tool
In this lesson we will learn how to create our vScale procedure and create squash and stretch using a Multiply Divide Node

Finishing the squash and stretch tool
In this lesson we will learn how to finish our squash and stretch procedure

Adding volume to the squash and stretch of the vehicle
In this lesson we will learn how to create extra lattice shapes and attach them to our squash and stretch using expressions

Finishing the squash and stretch setup of the vehicle
In this lesson we will learn how to finish our volume expressions

Creating the initial controls
In this lesson we will learn how to create control objects and connect them to our wagon

Finishing the vehicle body control objects / adding a twist deformation
In this lesson we will learn how to create front controls and adjust our Advanced Twist Controls

Making the proxy cage for the vehicle
In this lesson we will learn how to duplicate our object to create a proxy cage

Controlling the spinning of the police light
In this lesson we will learn how to create a custom attribute and use expressions to control the police light

Connecting objects to polygon meshes
In this lesson we will learn how to attach an object to two edges

Beginning the setup for the antenna
In this lesson we will learn how to create joints and use a Spline IK to control the antenna

Connecting the antenna to the mesh
In this lesson we will learn how to use our earlier process to connect our joints to specific edges

Finishing the antenna
In this lesson we will learn how to use Soft Bodies to move our antenna

The setup process for the doors
In this lesson we will learn how to use clusters and blendshapes to control our door

Adding a control object to the front right door
In this lesson we will learn how to connect a control object to our door

Finishing the front right door
In this lesson we will learn how to attach our door using Custom Attributes and Set Driven Keys

Working on the front left door
In this lesson we will learn how to rig the front left door

Starting setup of the steering wheel
In this lesson we will learn how to use clusters and blendshapes to control our steering wheel

Wrapping up the steering wheel
In this lesson we will learn how to create custom attributes to finish our steering wheel

Starting on the back doors
In this lesson we will learn how to use blendshapes to drive our back doors

Final tweaks for the back left door
In this lesson we will learn how to use Set Driven Keys and how to edit them in the Graph Editor

Beginning the right back door
In this lesson we will learn how to use clusters and blendshapes to control our back door

Finishing the right back door / starting on the back lock
In this lesson we will learn how to use clusters and blendshapes to control our back lock

Finishing the back lock
In this lesson we will learn how to create a custom attribute and use the Connection Editor to control the back steering wheel

Beginning the setup of the exhaust
In this lesson we will learn how to create blendshapes for our rear exhaust to create a blowing motion

Finishing the exhaust rig
In this lesson we will learn how to create a custom attribute and use the Connection Editor to control the exhaust blendshapes

Rigging the siren with non-linear deformers
In this lesson we will learn how to use a Squash non-linear deformer to rig our siren

Tying the non-linear deformers together to create a noisy siren effect
In this lesson we will learn how to connect our non-linear deformers together using Expressions

Final tweaks for the siren rig
In this lesson we will learn how to craete a control object for our Siren and connect it using our CTM script

Starting on the tires: creating control objects
In this lesson we will learn how to create the control curves for our tires

Connecting the tire to the control object and setting up a tire follow switch
In this lesson we will learn how to use a combination ot tools to connect our tire to the car

Looking into ways to rig the tires to revolve
In this lesson we will learn how to use expressions to create various methods of controling the tire rotation

Creating the illusion of weight on the tire
In this lesson we will learn how to use a Squash non-linear deformer to let us squash and stretch the tire

Working on the connections between the tire control and squash deformer
In this lesson we will learn how to use the Connection editor and Expressions to control the squash and stretch of our tire

Completing the back right tire
In this lesson we will learn how to make final tweaks to the tire rig

Moving on to the back left wheel
In this lesson we will learn how to apply our tire rigging techniques to the back left wheel

Applying the revolve expression to the rear left tire
In this lesson we will learn how to use expressions to create various methods of controling the tire rotation

Adding the squash deformer to the rear left wheel
In this lesson we will learn how to use a Squash non-linear deformer to let us squash and stretch the tire

Starting our work on the front left tire
In this lesson we will learn how to apply our tire rigging techniques to the front left wheel

Wrapping up the general connections of the front left tire
In this lesson we will learn how to finish our front left tire

Setting up the steering control
In this lesson we will learn how to use an aim constraint to create a steering control for the tires

Working on the last wheel
In this lesson we will learn how to apply our tire rigging techniques to the final wheel

Finishing the rig for the last tire
In this lesson we will learn how to finish our final tire

Creating the wagon idle expression
In this lesson we will learn how to use an expression to make our wagon shake

Adding the idle shake to the hood
In this lesson we will learn how to apply a separate shake to the hood

Making character sets for the vehicle
In this lesson we will learn how to create Character Sets so we can easily animate

Determining a good rotation order and writing a MEL script to quickly apply it
In this lesson we will learn how to create a useful rotation order for our objects to reduce issues in the future

Smoothing the wagon model and setting up a control to switch between smooth levels
In this lesson we will learn how to create a switch for smoothing the geometry of our model

Concepts for adding a vehicle to a motion path
In this lesson we will learn how to add our vehicle to a motion path

Bonus: explanation of the Connect to Mesh (CTM) tool
In this lesson we will learn about the code that drives the CTM script

Digital Tutors - Creating Cartoon Vehicles in Maya

2009-09-29T17:45:00.004+07:00

Digital Tutors - Creating Cartoon Vehicles in Maya

Learn a production workflow to creating stylized cartoon vehicles, look development, and a multitude of time-saving techniques for modeling, UV layout, texturing, lighting, and art direction. Contains over 6 hours of project-based training for artists learning the artistic processes of creating toon vehicles as seen in animated feature films.

Lesson : Runtime 6 hrs. 40 min.

Introduction and project overview
In this lesson we will learn the topics and techniques included in the Creating Cartoon Vehicles in Maya training.

Reference artwork / blocking in the body
In this lesson we will begin building the base for the vehicle using primitive geometry.

Adding the fenders and running boards
In this lesson we will shape the base of the car and extrude out the fenders.

Shaping the beltline
In this lesson we will add resolution to the belt line and shape the car.

Shaping the front end
In this lesson we will add some resolution to the front end and shape the car.

Shaping the back end
In this lesson we will add resolution to the back end and modify the shape.

Creating the wheel wells
In this lesson we will cut out the wheel wells for the car.

Detaching the hood
In this lesson we will extract geometry from the car to define the hood.

Detailing the hood
In this lesson we will detail the hood by extracting geometry from the hood.

Cutting out the door
In this lesson we will draw the outline of the door and extract the geometry from the side of the car.

Finishing the door / cutting out the window
In this lesson we will cut out the window and build the door handle.

Adding door accessories
In this lesson we will build the rear view mirrors from primitive geometry.

Adding the windshield
In this lesson we will extract geometry from the car to create the windshield.

Filling out the interior and exterior trim
In this lesson we will fill out the geometry of the interior and add some trim around the door.

Cutting out the back doors
In this lesson we will create the back doors from the car geometry.

Finishing the back door
In this lesson we will add thickness and windows to the back doors of the car.

Detailing the back doors - adding hinges and bars
In this lesson we will add hinges and bars to the back doors of the vehicle.

Adding a lock to the back door
In this lesson we will finish the back doors by creating a lock.

Creating holes for the headlights and grill
In this lesson we will extrude in the grill area and headlights.

Building the grill pieces and bumpers
In this lesson we will use primitive geometry to build the pieces of the grill and bumper.

Building the wheels
In this lesson we will build the wheel and tire from primitive geometry.

Building the headlight
In this lesson we will build the basic pieces of the headlights.

Creating the small lights
In this lesson we will reuse the headlights to create the small front lights and taillights.

Building the siren
In this lesson we will build a siren and place it on the fender of the vehicle.

Modeling the antenna
In this lesson we will create an antenna for the police wagon.

Creating the spinning police light
In this lesson we will reuse some existing geometry to build the spinning police light.

Adding an inner security wall
In this lesson we will add a barred security wall inside the vehicle.

Modeling the seat
In this lesson we will construct a cushioned seat for the cartoon vehicle.

Adding a dashboard and steering wheel
In this lesson we will combine multiple pieces of geometry to build the dashboard and steering wheel.

Building a holding cell and adding the license plate
In this lesson we will add benches to the holding area and adding the license plate.

Checking character fit and smoothing explanation
In this lesson we will check the vehicle for fit with the watchman character.

Preparing the body for texture - UV layout
In this lesson we will layout the UVs for the body of the car.

Creating a texture for the main body
In this lesson we will use a UV snapshot to paint a texture for the door in Photoshop.

Setting up the lighting
In this lesson we will add a lighting setup to the vehicle, including HDR.

Creating a car paint shader and adding our texture
In this lesson we will add a car paint shader that includes the created texture maps.

Applying texture to the door with a projection
In this lesson we will use a projection to add a texture to the door of the car.

Adding metal shaders
In this lesson we will add metal materials to some of the other pieces of the car.

Creating a headlight texture
In this lesson we will create a headlight texture in Photoshop.

Setting up shaders for headlights
In this lesson we will set up materials for the headlights, tires, and seats.

Creating the license plate texture
In this lesson we will create and apply bump and color textures for the license plate.

Adding finishing touches - running board mats and exhaust pipe
In this lesson we will add some final details like the running board mats and exhaust pipes.

Conclusion
In this lesson we will review the work we've done on the cartoon vehicle in Maya and Photoshop.

Digital Tutors - Animating Cartoon Characters in Maya

2009-09-28T13:53:00.010+07:00

Digital Tutors - Animating Cartoon Characters in Maya

Learn a production workflow to character animation with an emphasis on toon, squash and stretch techniques, and the principles of story-telling through movement. Contains over 6 hours of project-based training for animators learning the processes of creating stylized toon animation. Perfect for experienced artists.

Lesson : 6 hrs. 25 min.

Introduction to training; preparing the scene
In this lesson we will prepare the scene for our animation project.

Discussing the storyboards; blocking in the first extreme
In this lesson we will look at the storyboards and begin posing out the major poses.

Blocking in the second and third extreme
In this lesson we will learn how to block in the surprised turn pose and the lean pose

Blocking in the fourth and fifth extreme
In this lesson we will learn how to create the fall surprised pose and recoil pose

Posing the sixth and seventh extreme
In this lesson we will learn how to block in the standing-looking pose and the look up pose

Adding a switch to constrain the hands to the hip
In this lesson we will learn how to use Set Driven Keys to connect the hands to the hip

Posing the eighth and ninth extreme
In this lesson we will learn how to block in the waist cinch pose and the beginning of the run

Finalizing the first blocking phase
In this lesson we will learn how to block in the character exit and hat fall

Modifying the character as he is driving and as the cardboard falls
In this lesson we will learn how to put a camera in our scene and begin animating to that camera

Adjusting the fingers; adding a little bit of stretch and shock effect
In this lesson we will learn how to add more keyframes between our extreme poses to accentuate the action

Blocking in the character's lower body
In this lesson we will learn how to add personality to our lower body during the jump

Blocking in the character's upper body
In this lesson we will learn how to animate our hands to respond to what is happening in the scene

Adjusting the poses in the character's exit
In this lesson we will learn how to add personality with the hands during the exit

Animating a cartoony run
In this lesson we will learn how to accentuate the cartooniness of our run

Locking down poses to prevent major sliding
In this lesson we will learn how to prevent sliding in our character

Finalizing the fall of the cardboard cut-out
In this lesson we will finish the animation of the cardboard falling.

Wrapping up the camera's animation
In this lesson we will learn how to animate our camera to work with out animation

Adjusting the character's head and shoulders (frames 1-120)
In this lesson we will learn how to block in expressions to our character

Modifying the eyes and facial expressions (frames 1-120)
In this lesson we will learn how to tweak our facial animation

Adjusting the arms and body (frames 1-120)
In this lesson we will learn how to bring out our characters personality through the arms and body

Adding anticipation to the poses (frames 40-164)
In this lesson we will learn how to add one of the animation principles, anticipation to our animation.

Modifying the arm and adding a jiggle to the upper body
In this lesson we will learn how to add jiggle to our stomach

Adjusting the feet; lower body and arms
In this lesson we will learn how to continue tweaking our character

Animating the hat as the character leaps into the air
In this lesson we will learn how to animate an object that interacts with our character

Adjusting the upper body and arms in the third polish pass
In this lesson we will learn how to polish our animation by making small tweaks to clean up motion

Adjusting the upper and lower body in the third polish pass
In this lesson we will learn how to polish our animation by making small tweaks to clean up motion

Refining the right arm as it adjusts the hat
In this lesson we will learn how a character's arm would move when it was adjusting something

Refining the left arm as it adjusts the hat and modifying the feet
In this lesson we will learn how to have our other hand also adjust the hat

Finalizing the third pass
In this lesson we will learn how to polish our animation by making small tweaks to clean up motion

Refining the final animation pass
In this lesson we will begin to refine the last section of animation.

Finalizing the hat sequence as it exits the shot
In this lesson we will learn how to create nice arcing movement with the hat

Finalizing the arms as they exit
In this lesson we will learn how to make small tweaks to the arms and hands to finish the performance

Finishing the animation on the upper body
In this lesson we will learn how to add small details that really bring the animation to life

Digital Tutors - Cartoon Character Rigging in Maya

2009-09-28T11:09:00.004+07:00

Digital Tutors - Cartoon Character Rigging in Maya

Learn a production workflow to creating advanced character rigs with an emphasis on toon, squash and stretch rigging techniques, and the principles of building solution-based rigs. Contains over 7 hours of project-based training for animators and setup artists learning the processes of creating stylized toon rigs with animator-friendly controls. Perfect for experienced artists.

Lesson : runtime 10 hrs. 30 min.

Introduction and project overview
In this lesson we will go over the course objectives and highlight the tools and techniques we will be learning throughout this training.

Discussing the scene
In this lesson we will learn how the broken bone hierarchy is set up so we can begin rigging

Using the MEL window to easily access controls
In this lesson we will learn how to use MEL to create a window for our common rigging commands

Finishing the setup of the custom window
In this lesson we will learn how to program in our MEL procedures for our rigging tools

Starting the construction of the rig - rigging the feet
In this lesson we will learn how to create IK Handles and create joints for a reverse foot

Setting up the Reverse Lock feature
In this lesson we will learn how to use Point Constraints and Orient Constraints to connect our Reverse Foot and how to Mirror it to the other side

Using a unique concept for a foot control
In this lesson we will learn how to create a control object and joint for our foot control

Finishing the setup of the foot control
In this lesson we will learn how to use Joints and Parenting to connect our Reverse Foot to its control

Connecting the custom attributes for the feet
In this lesson we will learn how to use the Connection Editor to connect our attributes

Creating an improved Foot Bank rig
In this lesson we will learn how to use Joints to create a Foot Bank that works off the edges of the foot

Adding a stretchy feature to the legs
In this lesson we will learn how to use the Distance Tool and Expressions to create a stretchy leg

Continuing the stretchy limb setup
In this lesson we will learn how to use a Multiply Divide node to fix a scaling issue with our stretchy legs

Finishing the legs
In this lesson we will learn how to create an on/off switch for our stretchy leg using expressions

Starting on the spine
In this lesson we will learn how to create hip controls using a Parent Constraint and begin to create the spine controls

Using an advanced twist setup for the upper body
In this lesson we will learn how to use Parent Constraints to connect our Control Objects to the spine and change the Advanced Twist Controls for advanced twisting

Utlizing a concept for natural spine performance
In this lesson we will learn how to use Curve Clusters to create a more natural spine performace

Creating an extendible spine
In this lesson we will learn how to use a Multiply Divide node to create an extendible spine

Adding volume as the spine squashes and stretches
In this lesson we will learn how to use expressions to scale bones and create a graphical user interface to control squash and stretch

Connecting the Volume Interface Controls to influence the spine
In this lesson we will learn how to use Expressions to tie our Volume Interface Controls to our spine

Completing the Volume User Interface
In this lesson we will learn how to limit the translation of our control objects and create an attribute to control visibility

Utilizing a concept for Multi-Parent control objects
In this lesson we will learn how to add custom attributes and Set Driven Keys to create follow controls

The head control
In this lesson we will learn how to create control curves, add custom attributes to our controls and connect the rotation using the connection editor

Rigging the eyes
In this lesson we will learn how to create our eye controls and get them ready to connect to our geometry

Wrapping up the control for the eyes
In this lesson we will learn how to connect our eyes to the controls using Aim Constraints and create follow switches for the world and head

Setting up the hat
In this lesson we will learn how to create control objects for the hat and use a Parent constraint to connect it to our head control

Starting on the arms
In this lesson we will learn how to create control curves, connect our shoulder to them with an Orient Constraint, and create IK Handles for our arms

Creating the arm controls
In this lesson we will learn how to use an expression to keep our elbow rotated relative to our arm and create the rest of the control objects

Basic connections of the left arm
In this lesson we will learn how to use Point, Pole Vector and Parent constraints to connect the arm and how to use expressions to drive the forearm twist

Basic connections of the right arm
In this lesson we will learn how to use Point, Pole Vector and Parent constraints to connect the arm and how to use expressions to drive the forearm twist

Adding a stretchy arm feature
In this lesson we will learn how to add custom attributes, use the distance tool, the multiply divide node and expressions to create a stretchy arm

The Arm Follow Switch
In this lesson we will learn how to add custom attributes and Set Driven Keys to create follow controls

Rigging the fingers for a wide range of control
In this lesson we will learn how to create custom attributes and use the connection editor to connect them to the fingers

Finishing the fingers
In this lesson we will learn how to create a switch to control finger display

Establishing good rotation orders for control objects
In this lesson we will learn how to set our object rotation order to avoid issues later on

Modeling blend shapes
In this lesson we will learn how to create blendshapes using Duplicate and the Soft Mod Tool

Seamlessly mirroring blend shapes
In this lesson we will learn how to use a Wrap Deformer to mirror blendshapes

Efficient; user-friendly control for blend shapes
In this lesson we will learn how to create a control object and set limits on the transform

Finishing the setup of the facial control
In this lesson we will learn how to use Set Driven Keys to drive our Blendshapes

Pinning the loose assets to a bound mesh
In this lesson we will learn how to attach loose assets to a bound mesh using the Rivet script

Continuing the pinning process of assets on the Watchman's shirt
In this lesson we will learn how to attach loose assets to a bound mesh using the Rivet script

Completing the pinning process for the shirt
In this lesson we will learn how to attach loose assets to a bound mesh using the Rivet script

Pinning for the lower body and preparing the setup of the flashlight and keys
In this lesson we will learn how to use blendshapes to animate a clasp opening and attach loose assets to a bound mesh using the Rivet script

Creating a control for the flashlight and attaching it to the Watchman
In this lesson we will learn how to create attirbutes for our flashlight to follow the world or our hips controls

Controlling and animating the control of an object's pivot
In this lesson we will learn how to create a locator and the Connection editor to drive the flashlight

Finishing the flashlight
In this lesson we will learn how to connect our hand control to follow the flashlight

Beginning our work on the keys
In this lesson we will learn how to connect our keys to the character's hips

Adding custom attributes to manipulate the keys
In this lesson we will learn how to use custom attributes and Set Driven Keys to spread out the keys

Continuing the connections between keys and the custom attributes
In this lesson we will learn how to use custom attributes and Set Driven Keys to create key controls

Wrapping up the keys and creating character sets
In this lesson we will learn how to use Character Sets to easily animate our character

Creating a MEL window to quickly switch between each character set
In this lesson we will learn how to modify a MEL script to easily select our Character Sets

Finalizing the rig of the Watchman
In this lesson we will learn how to add all our attributes into their Character Sets

Conclusion
In this lesson we will go over the course objectives and highlight the tools and techniques we learned throughout this training.

Project Overview
In this lesson we will go over the course objectives and highlight the tools and techniques we will be learning throughout this training.

Adding display layers to organize the scene
In this lesson we will learn how to organize our scene using groups and display layers

Building the leg chains
In this lesson we will learn how to draw the leg joints

Creating the spine, neck, head, and jaw chains
In this lesson we will learn how to draw the spine, neck, head, and jaw joints

Creating the left shoulder and arm chain
In this lesson we will learn how to draw the arm and shoulder joints

Building joints for the left hand
In this lesson we will learn how to build joints for the hand

Mirroring the left arm and Parenting assets
In this lesson we will learn how to mirror our joints and organize our scene

Binding and editing the weights of belt, pants, and shoes
In this lesson we will learn how to bind and edit weights

Refining the deformations of the pants
In this lesson we will learn how to paint weights on the pants

Binding and weighting the neck, head, and jaw
In this lesson we will learn how to paint weights on the neck, head and jaw

Finalizing the jaw's deformations
In this lesson we will learn how to paint weights on the jaw

Skinning the upper body and blocking in its weights
In this lesson we will learn how to block in weights using the Component Editor

Fine-tuning the deformations of the torso
In this lesson we will learn how to block in weights using the Component Editor

Fixing the undershirt's deformations with corrective shapes
In this lesson we will learn how to create blendshapes for the shirt

Tweaking the forearm twist
In this lesson we will learn how to add arm twist using the Component Editor

Completing the shoulder's weights
In this lesson we will learn how to finish weighting the shoulder using the Component Editor

Binding and weighting the left hand
In this lesson we will learn how to paint finger weights

Modifying the deformations of the fingers
In this lesson we will learn how to paint finger weights

Finishing the fingers and mirroring the hand's weights
In this lesson we will learn how to save time by mirroring the finger weights

Setting up an influence object for the neck
In this lesson we will learn how to create an influence object for the neck

Creating Character Sets
In this lesson we will learn how to add our bones into Character Sets

Utilizing the Move Skinned Joints tool
In this lesson we will learn how to move joints after skinning using the Move Skinned Joints tool

Digital Tutors - Creating Cartoon Character in Maya

2009-09-24T21:33:00.002+07:00

Digital Tutors - Creating Cartoon Character in Maya

Learn a production workflow to creating 3D cartoon characters, look development, and a multitude of time-saving techniques for modeling, UV layout, texturing, and shader assembly. Contains over 7.5 hours of project-based training for artists learning the artistic processes of creating stylized cartoon characters as seen in animated feature films.

Lesson :

Introduction and project overview
In this lesson we will learn the topics and techniques included in the Creating Cartoon Characters in Maya training.

Reference artwork / Blocking in the body
In this lesson we will combine NURBS geometry to create a base for the watchman's torso.

Adding a rough head shape
In this lesson we will build the watchman's head from primitive polygon geometry.

Constructing and placing the eye
In this lesson we will create the eye by modifying primitive NURBS geometry.

Modeling the eye socket
In this lesson we will construct the eye socket from the existing head geometry.

Finishing the eye socket
In this lesson we will finish the eye socket and eye lids by adding resolution and shaping.

Shaping the nose
In this lesson we will extrude out geometry for the nose of the watchman.

Finishing the nose area
In this lesson we will add important details to the topology and shape of the nose.

Adding topology for the mouth
In this lesson we will draw in edge loops for the mouth and begin to shape it.

Completing the mouth
In this lesson we will add resolution and refine the shape of the mouth.

Adding a chin with wrinkles
In this lesson we will use Extrude and the Split Polygon Tool to build the chin and associated wrinkles.

Modeling the ear
In this lesson we will build out the ear from the existing head geometry.

Working on brow / troubleshooting and finishing the head
In this lesson we will work on the brow and add wrinkles to the forehead.

Modeling the leg and pelvis
In this lesson we will build the leg and pelvis, adding detail like wrinkles behind the knee.

Building arm and shirt cuff
In this lesson we will reuse geometry we've built to create the shirt sleeve and cuff.

Modeling a base for the hand
In this lesson we will combine multiple pieces of geometry to build a good base for the hand.

Building a finger
In this lesson we will build a finger from primitive geometry.

Adding the fingers to the hand
In this lesson we will attach the fingers and thumb to the hand.

Finishing the hand
In this lesson we will shape the hand and add fingernails.

Building a base for the shoe
In this lesson we will begin to build the dress shoes for the watchman character.

Continuing to build the shoe
In this lesson we will add detail to the shoe and build the sock.

Adding the outer part of the shoe and laces
In this lesson we will build additional portions of the shoe and the laces.

Adding a shoelace bow
In this lesson we will model a bow using primitive NURBS geometry and a NURBS extrude.

Working on the body / attaching the arm
In this lesson we will modify the NURBS body and convert it to polygons.

Finishing the body
In this lesson we will add thickness to the shirt add the arms to both sides.

Adding buttons and an undershirt
In this lesson we will add details to the watchman like the undershirt and buttons.

Modeling the moustache
In this lesson we will build the moustache by adding resolution to primitive geometry.

Adding the eyebrows
In this lesson we will create the eyebrows for the watchman.

Building the hair
In this lesson we will extract geometry from the head to create the watchman's hair.

Adding a watchman's cap
In this lesson we will modify primitive geometry to great the watchman's cap.

Adding a badge and belt
In this lesson we will use a variety of types of geometry to build the belt and badge.

Adding keys and a keychain
In this lesson we will combine a number of pieces of geometry to create the keys and keychain.

Building a flashlight
In this lesson we will model a cartoon-style flashlight from primitive geometry.

Laying out the UVs on the head
In this lesson we will create a UV layout for the watchman's head.

Creating the head texture
In this lesson we will paint a texture for the head in Photoshop using a UV Snapshot.

Saving out maps for the head
In this lesson we will export color, specular, and bump maps from Photoshop.

Setting up the head shader
In this lesson we will use the textures we created to set up a material for the head.

Laying out the UVs on the hair
In this lesson we will create a UV layout for the hair of the watchman.

Creating the hair texture
In this lesson we will take the hair UV layout into Photoshop and quickly create cartoon styled hair.

Setting up the hair shader
In this lesson we will use the hair texture to set up an appropriate material.

Creating the eye texture
In this lesson we will use photographs in Photoshop to build a texture map for the eyes.

Setting up the eye shaders
In this lesson we will set up an eye material including a projection for the specular highlight.

Setting up shaders for accessories
In this lesson we will create materials for the rest of the pieces of the watchman.

Finishing shaders for accessories
In this lesson we will create the shaders for the shoes, clothing and other components.

Conclusion
In this lesson we will review the work we've done on the watchman.

Bonus Lesson: adding sub-surface scattering
In this lesson we will add the facial textures in conjunction with a fast skin shader to create a subsurface effect.

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Digital Tutors Introduction To Maya 2009

2009-09-20T11:31:00.003+07:00

Digital Tutors Introduction To Maya 2009

Discover over 9 hours of project-based training to learn the fundamentals of modeling, texturing, rigging, animating, dynamics, lighting, and rendering in Maya. Taught by four Digital-Tutors instructors, each teaching their core areas of expertise to provide an essential guide to utilizing the powerful tools available in Maya. Ideal for new and beginning artists.

Lesson :

Introduction to the training
In this lesson we will discuss the project overview for Introduction to Maya 2009

Overview of the UI
In this lesson we will learn about the key areas of Maya's user interface

Saving files and file types
In this lesson we will learn about the various file formats that can be used to save data from Maya

Setting up your first project
In this lesson we will discuss the importance of setting up a Maya project for saving files

Creating your first object & camera navigation
"In this lesson we will learn how to create primitive geometry, as well as how to move the camera within Maya"

Viewing geometry and shading in your camera view
"In this lesson we will learn how to switch between wireframe, shaded mode, and textured mode in the viewport"

How to use the QWERTY tools
"In this lesson we will learn how to move, scale, and rotate our 3D geometry within Maya"

Channel box and layer editor
"In this lesson we will learn how to manipulate objects within the Channel Box, as well as controlling their visibility within the Layer Editor"

Editing objects using the Attribute Editor
In this lesson we will use the Attribute Editor to control many aspects of our geometry

Grouping & parenting objects using the Outliner & Hypergraph
In this lesson we will learn how to group and parent objects using the Maya Hypergraph and the Outliner

Working with the Maya Hotbox
In this lesson we will explain how the Hotbox can be used to quickly access any tool within Maya

Making selections using Selection Masks
In this lesson we will use Selection Masks to control with objects are able to be selected within the scene

Writing your first MEL script
In this lesson we will learn how to create custom commands using the Maya Embedded Language, called MEL.

Working with Shelves and creating your own
In this lesson we will learn how to save commonly-used tools and custom commands to a Shelf for easy access

Modeling Project Overview
In this lesson we will get an overview of the tools and techniques we will use in the modeling portion of our training.

Lofting the engine shell
In this lesson we will create the engine shell by lofting NURBS geometry.

Revolving the engine interior
In this lesson we will revolve nurbs geometry to create the interior of the engine.

Adding primitives to the engine
In this lesson we will use primitive geometry to start building the fan.

Duplicating fan blades
In this lesson we will use Duplicate Special to quickly add multiple fan blades.

Extruding geometry for the intake
In this lesson we will add intakes and vents on the engine.

Combining geometry for the vent
In this lesson we will add geometry for the vent panels.

Extruding pipes with curves
In this lesson we will use curves and primitives to add pipes to the engine.

Drawing curves on surfaces
In this lesson we will add pipes that conform to the shape of the engine.

Building the thrust ring with instances
In this lesson we will create the thrust ring using instanced geometry.

Finishing the engine
In this lesson we will mirror the intake geometry and finish the engine.

Creating the cab from a primitive
In this lesson we will modify primitive geometry to build the cab.

Detailing the cab
In this lesson we will use extrude and the insert edge loop tool to add detail to the cab.

Adding a subdivision windshield
In this lesson we will build the windshield using subdivision surfaces.

Detailing the cab seat
In this lesson we will build and sculpt the seat.

Adding detail to the top of the cab
In this lesson we will use the techniques we've learned to add detail to the top of the cab.

Using primitives to add cable connectors
In this lesson we will add the cable connectors using polygon and nurbs geometry.

Extruding the cables
In this lesson we will create cables to connect the engines using nurbs curves.

Using Bridge to add cable struts
In this lesson we will build geometry to attach the cable to the engine.

Finishing and naming the racer
In this lesson we will add and duplicate geometry to finish the racer.

Texturing Project Overview
In this lesson we will get an overview of the tools and techniques used in texturing our project.

Overview of the Hypershade
In this lesson we will learn about using the Hypershade to work with materials.

Applying and manipulating simple materials
In this lesson we will create an apply materials to the parts of the racer.

Adding ramps
In this lesson we will use ramps to add variation to materials.

Applying multiple materials to objects
In this lesson we will add multiple materials to different parts of the racer.

Working with transparency
In this lesson we will create transparent materials.

Adding procedural texture to the cables
In this lesson we will add detail to the cables using procedural textures.

Working with file textures
In this lesson we will apply painted file textures to our model.

Working with UVs
In this lesson we will learn to prepare our models by creating UV layouts.

Combining ramps and file textures
In this lesson we will texture portions of the geometry by combining ramps and file textures.

Adding bump maps
In this lesson we will create the illusion of additional detail using bump maps.

Combining procedural nodes
In this lesson we will combine texture nodes to create dirt on the engine.

Painting textures in Maya
In this lesson we will use the 3d Paint Tool to interactively paint textures in Maya.

Introduction to the rigging & animation process
In this lesson we will discuss the overview to rigging and animation within Maya

Creating control curves for your objects
In this lesson we create control objects that can greatly simplify the animation process

Using Display Layers to organize our rig
In this lesson we will use Display Layers to control the way objects are displayed in the viewport

Organizing the scene and using selection handles
"In this lesson we will organize our Maya scene using the Outliner, and we will use Selection Handles to easily select grouped geometry"

Creating your own custom attributes
In this lesson we will create custom attributes that can simplify the animation process

Using the Connection Editor to drive values
In this lesson we will use the Connection Editor to link the attributes of multiple objects

Writing your first expression
In this lesson we will write an expression that will automatically create animation on our turbine blades

Adding a speed setting for the expression
In this lesson we will add variables to our expression which can control the speed of our engine turbine

Using Set Driven Key to simplify the rigging process
"In this lesson we will use Set Driven Keys to link the parameters of multiple objects, allowing for easier animation"

Drawing your first joint chain
In this lesson we will learn how to properly create joint chains for deforming geometry

Binding the geometry onto joints
In this lesson we will learn how to bind geometry to a joint chain

Making the scene animator friendly
In this lesson we will discuss some workflows for cleaning up your scene in order to simplify the animation process

Adding random movement through expressions
In this lesson we will write an expression that will automatically add randomized movement to our engine pods

Removing channels from the Channel Box
In this lesson we will further organize our scene by removing unnecessary attributes from the Channel Box

"Setting key frames, time slider and the Graph Editor"
In this lesson we will learn the procedure for animating objects within Maya

Managing key frames with the Graph Editor
In this lesson we will use the Graph Editor to adjust animation curves within Maya

Creating a cycling animation
In this lesson we will use the Graph Editor to create a seamlessly cycling animation loop

Animating objects using path animation
In this lesson we will create use a path to control the movement of our podracer

Using the Auto Key feature
In this lesson we will use the Auto Key feature to very quickly create keyframes for our animated objects

Modifying key frames using the time slider
In this lesson we will learn how to manipulate existing keyframes directly within the Maya timeline

Creating playblasts to preview the animation
In this lesson we will utilize Playblasts to preview the timing and motion of our animated scenes

Dynamics Project Overview
In this lesson we will learn about the following lessons in dynamics

Creating Fire (part 1)
In this lesson we will learn how to create fire using the Fire Effects tool

Creating Fire (part 2)
In this lesson we will add some fire to a small chunk of the pod racer

Adding lightning
In this lesson we will learn how to use the Lightning Effects tool

Creating particle emitters
In this lesson we will learn how to setup particle emitters

Fading the particles over time
In this lesson we will learn how to change our particle look and fade them out

Using other per-particle attributes
In this lesson we will learn how to change our particle color and size over time

Hooking up the particle shader
In this lesson we will learn how to drive our particle shader with particle attributes

Lighting and Rendering Project Overview
In this lesson we will discuss the project overview for the rendering portion of Introduction to Maya 2009

Overview of various Maya light types
In this lesson we will explore the distinctions between Maya's various light types

Exploring common attributes of Maya lights
In this lesson we will discuss the common attributes found on many Maya light types

Adding depth-map and raytraced shadows to Maya lights
In this lesson we will compare and contrast the two types of shadows available in Maya

Using Image Planes to create a renderable environment
In this lesson we will use image planes to quickly create an environment for our Maya scene

Matching light sources to a photographic environment
In this lesson we will match the look of our Maya lights to our live-action background plate

Using the Attribute Spread Sheet for editing multiple objects
In this lesson we will use the Attribute Spread Sheet to simultaneously edit attributes on multiple objects

Employing the Use Background Shader to isolate shadows
In this lesson we will create shadowing effects that match our live-action background plate

Using Light Linking to control object illumination
In this lesson we will use light linking to control light influence on specific objects

Adjusting rendered smoothness of NURBS geometry
In this lesson we will increase the rendered tessellation quality of NURBS surfaces

Adding displacement maps to shading networks
In this lesson we will utilize displacement maps to manipulate geometry at render time

Batch rendering animated sequence from Maya
In this lesson we will learn how to render our final animation from Maya

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Digital Tutors - Creating Cartoon Characters in 3ds Max

2009-09-20T10:42:00.007+07:00

Digital Tutors - Creating Cartoon Characters in 3ds Max

Learn a production workflow to creating organic cartoon characters and time-saving techniques to creating animation-friendly topology, exaggerating proportions, and adding appeal. Contains over 7.5 hours of project-driven training for artists learning the artistic processes of creating stylized cartoon characters as seen in animated feature films.

Lesson :

Introduction and Project Overview
In this lesson we will get an overview of the tools and techniques we'll use for this project.

Adding Viewport Backgrounds
In this lesson we will set up reference images using Viewport Backgrounds.

Starting the head
In this lesson we will build the profile of the head using a spline.

Creating a framework for the head
In this lesson we will start to build the frame work of the character's head.

Continuing the head framework
In this lesson we will continue to build out the main lines of topology on the head.

Adding lip geometry
In this lesson we will use Bridge to build the geometry around the mouth.

Building the nose area
In this lesson we will start completing the geometry around the nose.

Filling in the upper lip
In this lesson we will fill in the geometry of the upper lip.

Filling in the lower lip and cheek
In this lesson we will complete the geometry of the cheek and lower lip.

Building the eye socket
In this lesson we will begin extruding in the loops for the eye socket.

Finishing the eye socket
In this lesson we will use Connect to add detail to the eye socket and eye lids.

Completing the forehead
In this lesson we will complete the geometry of the forehead.

Adding the neck
In this lesson we will add a neck to the character and connecting it to the head.

Adding the ear
In this lesson we will use primitive geometry to add ears to the character.

Finishing the ear and back of the head
In this lesson we will finish modeling the ears and fill in geometry on the back of the head.

Filling in the top of the head
In this lesson we will complete the geometry on the top of the head.

Building the nose
In this lesson we will finish modeling the character's nose.

Adding detail around the lips
In this lesson we will add detail to the upper and lower lips.

Modeling the lips
In this lesson we will add resolution to the lips and finish shaping them.

Adding the mouth interior
In this lesson we will build the interior of the mouth from the lip geometry.

Building the teeth
In this lesson we will build the character's teeth from primitive geometry.

Adding the gums
In this lesson we will add gums and shape them using Paint Deformation.

Modeling the tongue
In this lesson we will place the teeth and build the tongue from primitive geometry.

Building the hair
In this lesson we will create a section of hair using the Loft compound object.

Finishing the hair pieces
In this lesson we will build additional pieces of hair and eyebrow geometry and shape the head.

Placing hair and eyebrows
In this lesson we will duplicate the hair geometry and populate the remaining scalp.

Creating a base for the body
In this lesson we will build the basic geometry for the body from a capsule primitive.

Modeling the legs
In this lesson we will model the legs and attach them to the body.

Modeling the arms
In this lesson we will build the arms and add them to the jacket geometry.

Starting the hand
In this lesson we will build the base of the hand and fingers.

Finishing the hand
In this lesson we will finish shaping the hand and attach the fingers.

Shaping the lab coat
In this lesson we will finish building the main shape of the lab coat.

Adding seams to the shoulders of the coat
In this lesson we will add seams and the lapel to the lab coat.

Building armbands
In this lesson we will detach geometry from the arm to create the arm band.

Adding a collar to the coat
In this lesson we will begin building the collar and lapel of the jacket.

Adding detail to the lab coat
In this lesson we will add cloth detail to the back of the lab coat.

Building the elastic band
In this lesson we will use TurboSmooth to build an elastic band for the back of the lab coat.

Creating trim pieces
In this lesson we will detach geometry from the coat to create some trim pieces.

Adding thickness to the coat
In this lesson we will add some thickness to the lab coat geometry.

Adding pockets to the coat
In this lesson we will use primitive geometry to add pockets to the lab coat.

Deforming the lab coat
In this lesson we will add buttons to the coat and modify the shape.

Adding wrinkles to the coat
In this lesson we will model appropriate wrinkles into the lab coat.

Building shoes and socks
In this lesson we will construct the shoes and socks from primitive geometry.

Creating the eyes
In this lesson we will model the main shapes of the eyeballs.

Finishing the eyes
In this lesson we will create a deformable eye setup.

Adding the moles
In this lesson we will use Autogrid to quickly place the moles.

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Thank for Download.

Digital Tutors - Motorcycle Modeling Techniques in 3ds Max

2009-09-18T18:11:00.006+07:00

Digital Tutors - Motorcycle Modeling Techniques in 3ds Max

Learn production techniques to hard surface modeling, creative tips and tricks to building complex geometry, and a proven workflow to modeling detailed motorcycles and parts. Contains over 8 hours of self-paced training for artists using 3ds Max 2009.

Lesson :

Project Overview
In this lesson we will talk about some of the tools and techniques involved in our project.

Motorcycle parts and terms
In this lesson we will talk about the history of motorcycles and look at a few different kinds of bikes.

Adding a Viewport Background image for reference
In this lesson we will bring in a reference image using a Viewport Background.

Drawing out the frame using splines
In this lesson we will use splines to draw out a base for the motorcycle frame.

Creating geometry along the bike frame
In this lesson we will add some basic geometry to the frame splines.

Putting the frame together
In this lesson we will start connecting the different parts of the frame into a seamless piece.

Adding welds to the motorcycle frame
In this lesson we will add some realism by modeling welds into the frame.

Modeling an initial spline cage for the gas tank
In this lesson we will use splines to build a base for the fuel tank.

Finishing the tank spline cage
In this lesson we will finish building the spline cage for the gas tank.

Connecting the gas tank splines
In this lesson we will begin connecting the tank splines together.

Finishing the gas tank
In this lesson we will use a Surface modifier to turn the gas tank spline cage into geometry.

Detailing the tank
In this lesson we will use extracted geometry to add detail to the fuel tank.

Starting the seat splines
In this lesson we will create some initial splines to define the shape of the seat.

Finishing the seat
In this lesson we will use the spline cage to create a surface for the seat of the bike.

Building a wheel
In this lesson we will combine multiple pieces of geometry to create a wheel.

Adding the tire
In this lesson we will use primitive geometry to add a tire to the wheel.

Creating brake rotors using splines
In this lesson we will use multiple splines to build the brake rotor for the wheel.

Adding front and back wheels
In this lesson we will finish adding the elements of the wheels and place them.

Building the fork tubes
In this lesson we will use several pieces of geometry to build the fork tubes.

Building the front fender
In this lesson we will build the front fender from the tire geometry.

Adding the triple tree
In this lesson we will bridge together multiple pieces of geometry to create the triple tree.

Adding the subframe with splines
In this lesson we will use splines to build a base for the motorcycle subframe.

Finishing the subframe
In this lesson we will create and detail a polygon mesh for the subframe.

Drawing out the swingarm frame
In this lesson we will start building the swingarm frame from multiple splines.

Continuing the swingarm frame
In this lesson we will connect the spline cage for the swingarm frame.

Finishing the swingarm frame
In this lesson we will finish building and detailing the swingarm frame.

Starting the exhaust pipes
In this lesson we will use NURBS curves to begin building the exhaust pipes.

Adding the mufflers
In this lesson we will use primitive geometry build the muffler.

Detailing the exhaust pipes
In this lesson we will build some detailed pieces from the exhaust pipes.

Adding the swingarm body
In this lesson we will use primitive geometry for the swingarm body.

Starting the engine
In this lesson we will begin building some of the pieces of the engine.

Modeling the right side of the engine
In this lesson we will construct additional portions of the engine using primitive geometry.

Creating the heads
In this lesson we will use the Hose extended primitive to add the heads to the engine.

Adding the rocker covers
In this lesson we will combine several pieces of geometry to build the rocker covers.

Modeling the left side of the engine
In this lesson we will model the left side of the engine.

Adding wiring to the engine
In this lesson we will use NURBS curves to add some wiring to the engine.

Building the rear suspension
In this lesson we will build the rear suspension using a helix primitive.

Adding the rear fender and detail
In this lesson we will model geometry for the rear fender.

Adding taillights
In this lesson we will connect several pieces of geometry to build the taillights.

Building the radiator
In this lesson we will modify some basic geometry to create the radiator.

Adding the head lamp
In this lesson we will model the head lamp of the motorcycle.

Modeling the front lamps
In this lesson we will use the basic lamp geometry to add details.

Building the handlebars and grips
In this lesson we will use splines to build the bike handlebars and grips.

Adding the mirrors and instrument display
In this lesson we will extrude geometry along a spline to create the rear-view mirrors.

Detailing the handlebars
In this lesson we will use detached geometry to add details to the handlebars.

Adding brake calipers and lines
In this lesson we will combine polygonal geometry to create a brake caliper and add brake lines with curves.

Adding the rear sprocket
In this lesson we will use a variety of polygon tools to build the rear sprocket.

Building the drive chain
In this lesson we will use a path constraint to build the motorcycle chain.

Looking at finishing touches
In this lesson we will take a look at some of the finishing touches you can add to the bike.

Setting up a hierarchy
In this lesson we will group geometry and set up a hierarchy for moving the bike.

Setting up lighting
In this lesson we will add lights to our scene and set up an HDR dome.

Adding materials
In this lesson we will start adding some materials to the motorcycle.

Adding textures to the bike
In this lesson we will use some image maps to texture portions of the bike.

Download : 2.6 GB
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Digital Tutors - Automotive Modeling in 3ds Max

2009-09-13T18:50:00.003+07:00

Digital Tutors - Automotive Modeling in 3ds Max

Learn a production workflow to automotive modeling in 3ds Max and a multitude of Polygon, NURBS, and Spline-based techniques that can be used for Film, Games, and Automotive Design. Contains over 7.5 hours of project-driven training.

Lesson :

Project Overview
In this lesson we will get an overview of some of the tools and techniques we'll be using the build the car.

Setting up Viewport Background images
In this lesson we will set up reference images of the car using Viewport Backgrounds.

Modeling the wheel arches
In this lesson we will use primitive geometry to build the geometry around the wheel wells.

Bridging geometry between the arches
In this lesson we will build the side of the car by bridging geometry between the fenders.

Extruding edges up along the side
In this lesson we will build up the side of the car.

Extruding out the back
In this lesson we will extrude out the back of the car's side.

Extruding out the front
In this lesson we will extrude and shape the front end of the car's side.

Tweaking the topology on the front fascia
In this lesson we will draw out the topology for the front fascia of the car.

Extruding across hood
In this lesson we will extrude across the hood geometry.

Extruding across the back and bottom
In this lesson we will build the interior of the wheel wells and bottom of the car.

Detaching the belly pan
In this lesson we will detach and mirror the belly pan geometry.

Detaching and shaping the hood
In this lesson we will detach and detail the hood of the car.

Adding edge detail to the front fascia
In this lesson we will add some thickness to the front fascia.

Extruding in the front vent area
In this lesson we will model an inset in the front fascia for a vent.

Adding struts to the grill
In this lesson we will extrude struts inside the grill and vent insets.

Adding remaining fascia details
In this lesson we will model more detail into the front fascia.

Adding the side vent
In this lesson we will build a side vent into the fascia and add edge detail

Finishing the fascia details
In this lesson we will complete the front fascia of the car.

Refining the headlight interior
In this lesson we will model the interior of the headlight.

Refining the topology of the trunk
In this lesson we will better define the topology of the back end of the car.

Detaching the trunk and taillights
In this lesson we will cut out the trunk and build the taillights.

Finishing the taillights
In this lesson we will finish the taillights and add some thickness to the trunk lid.

Adding body detail to the side
In this lesson we will reshape the side to include some contoured detail.

Detaching the panels
In this lesson we will detach and detail the back panel of the car.

Building the top of the cab
In this lesson we will use a spline to build the top rail of the cab.

Extruding down the sail panel
In this lesson we will build the sail panel down from the top rail geometry.

Building the roof
In this lesson we will extrude the roof geometry from the top rails.

Detaching the door frame
In this lesson we will detach the top portion of the door frame geometry.

Adding thickness to the panels
In this lesson we will add some thickness to the door frames

Adding the rocker panel
In this lesson we will detach the rocker panel geometry from the side of the car.

Adding details to the back end
In this lesson we will model additional detail like reflectors into the back of the car.

Adding the exhaust pipes
In this lesson we will use splines to build the exhaust pipes of the car.

Detaching the doors
In this lesson we will detach the doors from the side of the car and add some resolution.

Adding door handles
In this lesson we will build the door handles and add insets to the doors.

Cloning the quarter panel
In this lesson we will mirror a copy of the quarter panel of the car.

Modeling the fuel cap
In this lesson we will build the fuel cap and inset into the panel.

Building the windshield
In this lesson we will use a spline cage to build the windshield geometry.

Modeling the back light
In this lesson we will use NURBS curves and NURBS surfaces to build the backlight.

Adding windows to the doors
In this lesson we will extract a spline from the door frame to create the window.

Modeling covers for the quarter windows
In this lesson we will extract geometry to model the quarter windows.

Adding a scoop to the hood
In this lesson we will build a scoop into the hood of the car.

Building a spoiler
In this lesson we will extract geometry from the trunk to build a spoiler.

Modeling the trunk emblem
In this lesson we will build a corporate emblem from primitive geometry.

Modeling the grill mesh
In this lesson we will model a mesh for the front of the car's grill.

Building head lamps
In this lesson we will model headlamps for the car.

Adding an emblem to the grill
In this lesson we will import an illustrator file to use as the front emblem.

Building a tire
In this lesson we will build the tires from primitive geometry.

Adding the wheel
In this lesson we will model the basic shape of the wheel rim.

Finishing the shape of the wheel
In this lesson we will start connecting additional geometry to the base wheel.

Adding detail to the wheel
In this lesson we will add small details like lug nuts to the wheels.

Adding disc brake and caliper
In this lesson we will add a brake disc and caliper to the wheel using primitive geometry.

Modeling the rearview mirror
In this lesson we will build a rearview mirror from polygonal geometry.

Creating a UV layout for the tire
In this lesson we will create a UV layout for the tire in preparation for texturing.

Adding a car paint material
In this lesson we will add a material to the car's body and begin to create some preview renders.

Creating reflector materials
In this lesson we will build a believable material for the reflectors and lights.

Setting up a material for the tire
In this lesson we will add a material to the tire including a bump map for the tread.

Adding remaining materials
In this lesson we will create additional materials for the car.

Performing final material changes
In this lesson we will make some final tweaks to the materials and create a final rendered image.

Download :

CD1 533 MB
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CD2 564 MB
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CD3 592 MB
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CD4 582 MB
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Thank for download.

Digital Tutors - Introduction to Animation in 3ds Max

2009-09-12T08:04:00.006+07:00

Digital Tutors - Introduction to Animation in 3ds Max

Learn the fundamentals of animation and achieve greater results using a time-saving workflow to effectively using and learning the animation tools available in 3ds Max. Contains over 3 hours of project-based training for artists new to animation.

Lesson :

Introduction
In this lesson we will learn how to

Overview of Max's Time Controls
In this lesson we will learn how to playback our animation using the Time Controls.

Understanding Max's Time Configuration dialog
In this lesson we will learn how to change our playback settings.

Basic ways to set and remove keyframes in Max
In this lesson we will learn how to animate by setting keyframes in Max

Moving; Scaling; and Cloning keys on the Trackbar
In this lesson we will learn how to edit keyframe data in the Trackbar

Adding animation offsets using list controllers
In this lesson we will learn another method of animatuon using list controllers

Working with Time Tags
In this lesson we will learn how to add descriptions to the Trackbar using Time Tags

Exploring the Dope Sheet
In this lesson we will learn how to edit keyframe timing using the Dope sheet

Working with Max's Curve Editor
In this lesson we will learn how to edit keyframe's timing and interpolation in the Curve Editor

Examining Max's F-curve tangent types via the Curve Editor
In this lesson we will learn how to change keyframe interpolation

Cloning keys and F-curves in the Curve Editor
In this lesson we will learn how to duplicate animation in the Curve Editor

Manipulating tangent handles
In this lesson we will learn how to edit keyframe interpolation by hand

Modifying tangent handles for moving holds in animation
In this lesson we will learn how to change the timing of an animation by editing tangents

Breaking the continuity of tangents for weight and impact
In this lesson we will learn how to break tangents to create sudden movement changes

The menus of the Track View
In this lesson we will learn the commands in the Track View

Using the Euler Filter to correct gimbal flipping issues
In this lesson we will learn how to correct rotation issues

Ghosting animation and viewing Key Brackets
In this lesson we will learn how to use ghosting to preview animation

Working with the Parameter Curve Out of Range dialog
In this lesson we will learn how to change the animation before and after our keyframes

Animating seamless cycles - setting keyframes
In this lesson we will learn how to set keyframes for a repeating cycle

Animating seamless cycles - tweaking F-curves
In this lesson we will learn how to clean up our animation to repeat

Creating Out of Range keys
In this lesson we will learn how to convert out of range animation into keyframes

Working with the Motion Mixer which lets us edit animation quickly
In this lesson we will learn how to convert animation to clips we can use in the Motion Mixer

Blending animation clips to quickly create motion
In this lesson we will learn how to create animation by bringing together two separate animations and blending them

Using Layered Animation to create movement over already created keyframes
In this lesson we will learn how to use layered animation to easily add motion to already set keyframes

Animating along a path
In this lesson we will learn how to use a path to move an object

Utilizing trajectories to preview and view animation
In this lesson we will learn how to see where animation is going with trajectories

Working with the Link Constraint
In this lesson we will learn how to connect the animation of one object to another using the link constraint

Automating animation with expressions
In this lesson we will learn how to create motion using math in expressions

Animating with Wired parameters
In this lesson we will learn how to animate one object based off another object's parameters

Mapping animation to export keyframes into a file
In this lesson we will learn how to export keyframes and then re-import them onto an object

Collapsing animation from the Track View-Curve Editor
In this lesson we will learn how to break an animation down into keyframes

Outputting animation for a real-time preview
In this lesson we will learn how to save a video preview of our naimation

Settings to render animations our of 3ds Max
In this lesson we will learn how to render our animation into images or movies

Download :

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part2 : http://adf.ly/Ysj
part3 : http://adf.ly/Ysk

Digital Tutors - Introduction to Rigging in 3ds Max

2009-09-09T12:21:00.003+07:00

Digital Tutors - Introduction to Rigging in 3ds Max

Learn essentials of rigging and establish a solid foundation. Learn flexible rigging methods, several rigging and character setup tools, and the essentials of building animator-friendly controls with 3ds Max. Contains over 3 hours of project-based training.

Lesson :

Introduction
In this lesson we will learn about the Introduction to Rigging in 3DS Max training

Establishing naming conventions
In this lesson we will learn how a good naming convention can save time during rigging

Linking objects to create parent/child hierarchies
In this lesson we will learn how to attach objects together using parent / child heirarchies

Creating bones in Max
In this lesson we will learn how to create bones for deformations

Editing bones in Max
In this lesson we will learn how to edit already created bones

Working with a bone's fin adjustment tools
In this lesson we will learn how to edit the bone's fin display

Utilizing the HI IK and Limb IK Solver
In this lesson we will learn how to create Inverse Kinematic solvers

Rigging with the Spline IK Solver and creating IK Solvers
In this lesson we will learn how to create Spline Inverse Kinematic solvers

Building bones for the leg and connecting an IK Solver
In this lesson we will learn how to build an IK bone rig

Setting up control objects in the leg rig
In this lesson we will learn how to create control objects for easier control

Working with Max's Position and Orientation Constraint
In this lesson we will learn how to fix an object's position and orientation using a different object

Utilizing the LookAt Constraint
In this lesson we will learn how to constrain an object to point at another object

Rigging with the Link Constraint to avoid bone skewing
In this lesson we will learn howto use the link contraint

Rigging with Groups
In this lesson we will learn how to use groups to control other objects

Customizing Max's user interface
In this lesson we will learn how to edit Max's UI to create a faster rigging workflow

Wiring Parameters to control parameter values
In this lesson we will learn how to directly connect parameter values together

Working with Expressions
In this lesson we will learn how to control objects using expressions to drive parameters

Choosing a suitable Axis Order for control objects
In this lesson we will learn how Axis Order can make or break your control objects

Using Layers to organize your scene
In this lesson we will learn the importance of scene organization using Layers

Deforming a mesh with bones via the Skin modifier
In this lesson we will learn how to have our bones drive a mesh using the Skin modifier

Fine-tuning envelope deformations with the Weight Table
In this lesson we will learn how to edit our mesh-bone deformation using the Weight Table

Editing envelopes with the Paint Weights Tool
In this lesson we will learn how to easily edit Weights using the Paint Weights tool

Mirroring weights to save time
In this lesson we will learn how to paint weights on one side of our mesh and mirror them

Exporting and importing envelope data
In this lesson we will learn how to save and re-use envelope data

Using Max's Bulge Angle Deformer to correct deformations
In this lesson we will learn how to change our mesh deformations using the Bulge Angle deformer

Exploring the Skin Morph modifier
In this lesson we will learn how to drive a morph with a bone's rotation

Rigging for lip-sync animation with the Morpher modifier
In this lesson we will learn how to change the shape of our mesh

Controlling mesh deformations with the Skin Wrap modifier
In this lesson we will learn how to deform objects using other objects

Bonus: Working with Selection Sets
In this lesson we will learn how to create Selection Sets

Bonus: Creating quick and easy muscles with bones
In this lesson we will learn how to quickly create muscles and bones

Bonus: Attaching the muscle to the character
In this lesson we will learn how to make our muscle influence our character

Bonus: Setting up the bones for the FK Spline rig
In this lesson we will learn how to draw bones for a FK Spline

Bonus: Adding controls to the spline rig
In this lesson we will learn how to add controls to our rig

Bonus: Controlling the twisting of the FK Spline rig
In this lesson we will learn how to add twist to the Spline

Bonus: Finalizing the twist distribution of the FK Spline rig
In this lesson we will learn how to fix our twist distribution

Download :

Disc1 405.15 MB

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Disc2 465.19 MB

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Digital Tutors - Introduction to mental ray in 3ds Max

2009-09-09T11:33:00.007+07:00

Digital Tutors - Introduction to mental ray in 3ds Max

Learn an essential workflow to rendering with mental ray and techniques for fully utilizing the tools available inside 3ds Max to save time and see better results. Contains over 2 hours of project-based training for artists new to mental ray and experienced artists seeking a refresher.

Lesson :

Introduction
In this lesson we will look at a project overview for Introduction to mental ray in 3ds Max

Setting mental ray as the default renderer
In this lesson we will discuss the steps required to enable the mental ray rendering engine in 3ds Max

Using photon-based Global Illumination
In this lesson we will learn how to use global illumination photons to add realistic indirect lighting effects to rendered scenes

Adjusting the photon properties of lights
In this lesson we will discover how to adjust photon emission parameters on a per-light basis

Using Final Gather in mental ray
In this lesson we will discover how final gathering can be used to simulate indirect illumination

Combining Global Illumination and Final Gather
In this lesson we will see how final gathering and global illumination can be used together in the same scene

Saving and reusing indirect illumination data
In this lesson we will see how we can save and re-use indirect lighting data to dramatically increase rendering speed

Setting up image-based lighting in mental ray
In this lesson we will look at how to use HDR images as a method of lighting our scenes

Using and optimizing caustic photons
In this lesson we will use caustic photons to simulate the effect of reflective and refractive light patterns

Exploring mental ray's Architectural Materials
In this lesson we will look at the variety of material types that can be simulated with the mental ray Architectural Material

Overview of the mental ray Car Paint shader
In this lesson we will explore the various parameters of the mental ray car paint shader

Using Subsurface Scattering in mental ray
In this lesson we will see how we can use the subsurface scattering material to realistically simulate translucent objects

Utilizing ambient occlusion to enhance shadows
In this lesson we will learn how the ambient occlusion shader can be used to quickly create and accentuate soft, indirect shadows.

Adding depth of field effects to renders
In this lesson we will explore the process of adding depth-of-field effects to your render camera in 3ds Max

Rendering a depth of field pass for compositing
In this lesson we will learn how to output a simple black and white depth pass for use in compositing applications

Special mental ray light parameters
In this lesson we will look at some of the unique properties found on mental ray lights, as well as how to convert standard 3ds Max lights into mental ray lights.

Understanding contour outlines
In this lesson we will use contour lines to give our renders a flattened, 2D appearance.

Using Render Elements for compositing purposes
In this lesson we will learn how separate renders into multiple passes for compositing purposes by utilizing Render Elements

Compositing multiple render passes
In this lesson we will see how Render Elements can be composited back together and altered without the need to re-render the image

Using Scene States to output multiple renders
In this lesson we will look at how Scene States can be used to render your scenes into multiple passes

Download :

part1 : http://adf.ly/XHa
part2 : http://adf.ly/XHb
part3 : http://adf.ly/XHc

Digital Tutors - Introduction to Lighting in 3ds Max

2009-09-03T00:23:00.004+07:00

Digital Tutors - Introduction to Lighting in 3ds Max

Learn an essential workflow to lighting in 3ds Max and fundamental techniques to establishing moods and adding greater realism to your scenes through lighting. Contains over 2 hours of project-based training. Ideal for new and beginning artists.

Lesson :

Project Overview
In this lesson we will discuss the project overview for Introduction to Lighting in 3ds Max

Intensity and Attenuation controls of Standard Lights
In this lesson we will look at the standard light controls for light intensity, attenuation, and color.

Specialized parameters of spot lights
In this lesson we will explore some of the unique parameters used for positioning and rendering spotlights

Understanding and using Direct lights
In this lesson we will look at some of the unique parameters and behaviors of Direct lights in 3ds Max

Using Photometric lights in 3ds Max
In this lesson we will understand the unique behaviors and parameters found on the photometric light

Adding Shadow Maps to rendered scenes
In this lesson we will add shadows to our rendered scenes through the use of shadow maps

Using Raytraced shadows in 3ds Max
In this lesson we will use raytracing as a way of adding shadows to rendered scenes

Utilizing Area and Advanced Raytraced shadows
In this lesson we will look at specialized raytracing shadow parameters that can be utilized in the Scanline renderer

Shadow parameters of mental ray lights
In this lesson, we will explore the special features and usage of mental ray area lights.

Altering the Rendering Controls on individual objects
In this lesson we will use the Rendering Controls to alter various aspects of an object's render visibility

Adding glow effects to geometry and lights
In this lesson we will go through the process of adding glowing effects to light sources and geometry

Adding volumetric effects to lights
In this lesson we will create volumetric light rays to create a sense of atmosphere in our rendered images

Including and excluding objects from individual lights
In this lesson we will learn how to include and exclude individual objects from a light's illumination

Using the Skylight to create outdoor illumination
In this lesson we will see how the Skylight can be used together with the Light Tracer to create realistic outdoor lighting

Creating outdoor lighting using the Daylight system
In this lesson we will use the Daylight lighting setup as a method of simulating realistic outdoor lighting

Using radiosity to calculate realistic indirect illumination
In this lesson we will discuss how radiosity can be used to simulate the effects of indirect illumination

Methods for refining and enhancing radiosity results
In this lesson we will explore methods for achieving a more refined, accurate radiosity solution.

Using the Light Lister in 3ds Max
In this lesson we will learn how the Light Lister can be used to easily alter parameters on multiple lights

Using the Advanced Effects for greater lighting control
In this lesson we will use the Advanced Effects rollout to control a light's diffuse, ambient, and specular contribution to the final render.

Download: 315.24 MB

part1 : http://adf.ly/XGw
part2 : http://adf.ly/XGx

Digital Tutors - Texturing with ZBrush 3

2009-09-03T00:03:00.007+07:00

Digital Tutors - Texturing with ZBrush 3

Importing Geometry into ZBrush, Working with Morph Targets, Image-based Texture Painting, Hand-painting Texture Maps, Sculpting on Multiple Subdivision Levels, Controlling Stroke Attributes, Creating Custom Alpha Brushes, Utilizing Layers to Localize Detail, Using Stencils for Sculpting Details, Tuning Alpha Brushes, Simulating Effects of Weight & Gravity, Polypainting Techniques, Painting with Depth and Color Simultaneously, Painting Detail Cavity Masking, Using ZMapper and Displacement Exporter, Generating Normal and Displacement Maps, Using Normal and Displacement Maps in Primary 3D App.

Lesson :

1.	Introduction and project overview	2:04
2.	Setting options in ZBrush before importing geometry	5:56
3.	Defining large wrinkles on the rhino	11:12
4.	Sculpting a base skin texture	10:06
5.	Creating custom ZBrush Alphas in Photoshop	5:39
6.	Using Stencils and 3D layers to sculpt detail	8:07
7.	Using hand-sculpting techniques to emphasize wrinkles	10:05
8.	Using the Projection Master to create additional wrinkles	9:51
9.	Accentuating the wrinkles for the mouth and ears	12:03
10.	Adding high-frequency details to the facial area	8:38
11.	Sculpting detailed wrinkles into the rhino's body	14:35
12.	Layering additional wrinkles over the rhino's body	9:01
13.	Sculpting imperfections into the rhino's horn	11:08
14.	Overview of polypainting in ZBrush 3	8:20
15.	Painting color onto the mouth, eyes and ears	7:00
16.	Adding color and texture to the rest of the body	14:06
17.	Building the textures for the rhino's horns	15:47
18.	Utilizing Cavity Masks to paint skin wrinkles onto the textures	7:36
19.	Converting and exporting polypaint as a 2D texture	6:31
20.	Generating normal maps and displacement maps	14:47
21.	Mapping images as textures in ZBrush	7:28
22.	Setting up displacement maps in Maya	13:40
23.	Setting up displacement maps in XSI	9:57
	Total Run Time:	3:45:02

Download : 649.56 MB

part1 : http://adf.ly/Vw2
part2 : http://adf.ly/Vw3
part3 : http://adf.ly/Vw4
part4 : http://adf.ly/Vw5
part5 : http://adf.ly/Vw6
part6 : http://adf.ly/Vw7
part7 : http://adf.ly/Vw8

Digital Tutors - Introduction to Zbrush 3

2009-09-02T00:39:00.006+07:00

Digital Tutors - Introduction to Zbrush 3

Easily get started with ZBrush 3. Learn time-saving modeling, sculpting, and painting techniques and tools that are used throughout the Film and Games industries. Contains over 4 hours of project-based training. Great for artists learning ZBrush 3.

Lesson :

1.	Introduction and project overview	1:46
2.	Accessing and docking the various tool palettes in ZBrush	4:17
3.	Understanding the "2.5D" nature of ZBrush	4:37
4.	Working with ZTools and imported 3D geometry	7:42
5.	Various ways of moving around 3D objects and adjusting brush properties	8:10
6.	Exploring some of the various ways of subdividing your 3D geometry	10:36
7.	Hiding and revealing certain parts of your 3D geometry	8:45
8.	Masking geometry to protect certain areas from being sculpted	8:30
9.	Applying object-wide deformations to 3D geometry	7:05
10.	Looking over the various types of sculpting brushes found in ZBrush	11:47
11.	Utilizing SubTools within ZBrush 3	8:15
12.	Workflows for re-shaping geometry in ZBrush (Part 1)	9:04
13.	Workflows for re-shaping geometry in ZBrush (Part 2)	9:04
14.	Sculpting out medium-resolution detail in your 3D meshes	11:31
15.	Using the brush presets found in the Rapid UI interface	5:17
16.	Utilizing Alpha brushes to add detail to your 3D meshes	7:18
17.	Using Photoshop to create your own custom Alpha brushes	5:38
18.	Using Stencils in ZBrush to precisely control Alpha placement	8:14
19.	Using the LazyMouse in ZBrush 3 to make cleaner strokes	6:29
20.	Altering your brush's profile curve	7:39
21.	Using the Move, Scale, and Rotate functions to reposition objects	5:53
22.	Using the Mesh Extraction feature to create clothing in ZBrush 3	6:09
23.	Using Transpose and Topological Masking in ZBrush 3	7:48
24.	Using 3D layers in ZBrush 3 to turn deformations on or off	6:38
25.	Using the Morph brush to paint away any unwanted deformations	5:38
26.	Using ZSpheres to build geometry directly within ZBrush	8:20
27.	Blocking in a ZSphere creature	15:27
28.	Using the Projection Master to paint texture maps and deformations	12:01
29.	Using Polypaint in ZBrush to paint textures directly on your 3D mesh	8:20
30.	Using MatCap to create ZBrush materials based on photographs	11:21
31.	Exporting displacement maps in ZBrush	5:28
	Total Run Time:	4:04:47

Download : 560 MB

part1 : http://adf.ly/Vvq
part2 : http://adf.ly/Vvr
part3 : http://adf.ly/Vvs
part4 : http://adf.ly/Vvt
part5 : http://adf.ly/Vvu
part6 : http://adf.ly/Vvv

pass : rapidoff

Digital Tutors - Modeling Interiors in 3ds Max

2009-08-26T21:19:00.006+07:00

Digital Tutors - Modeling Interiors in 3ds Max

Learn a production workflow to interior set modeling and time-saving techniques that can be used in Film, Games, and Architectural Visualizations. Contains 5.5 hours of project-based training. Perfect for intermediate artists.

Lesson :

1.	Introduction and Project Overview	0:43
2.	Building the walls of the room	7:49
3.	Adding windows	10:04
4.	Building the front door	5:37
5.	Creating the vaulted ceiling	4:59
6.	Adding the floor and ceiling	5:09
7.	Adding trim along the ceiling and floor	5:33
8.	Building the stairway	7:21
9.	Cutting out the elevated doorway	6:49
10.	Adding a television to the front wall	5:20
11.	Starting the large shelf along the front	6:53
12.	Finishing the shelf	8:23
13.	Creating and positioning recessed lighting	5:34
14.	Building the window coverings	14:41
15.	Finishing the window coverings	4:44
16.	Starting on the sofa	11:06
17.	Refining the sofa	13:27
18.	Finishing the sofa	11:55
19.	Adding legs to the sofa	6:37
20.	Modeling the coffee table	9:30
21.	Completing the coffee table	4:38
22.	Starting the fireplace	8:32
23.	Refining the fireplace	7:17
24.	Finishing the fireplace	9:39
25.	Beginning the chair model	7:06
26.	Refining the chairs	5:02
27.	Completing the chairs	11:54
28.	Adding pillows to the chairs and sofa	8:31
29.	Building the wall art and shelves with splines	10:58
30.	Adding small plants near the steps	8:37
31.	Building the large plant	8:38
32.	Creating wall art using Section splines	5:28
33.	Building the mesh sculpture	7:20
34.	Modeling the AV component	9:28
35.	Building the overhead light fixture	7:49
36.	Modeling the track lighting	13:36
37.	Modeling the floor lamp	11:12
38.	Adding the handrail	4:19
39.	Adding a knob to the door	4:13
40.	Building the picture frames	5:15
41.	Adding area rugs	10:56
	Total Run Time:	5:23:01

Download : 1.7 GB

CD1
part1 : http://adf.ly/Vkr
part2 : http://adf.ly/Vks
part3 : http://adf.ly/Vkt

CD2
part1 : http://adf.ly/Vku
part2 : http://adf.ly/Vkv
part3 : http://adf.ly/Vkw

CD3
part1 : http://adf.ly/Vkx
part2 : http://adf.ly/Vky
part3 : http://adf.ly/Vkz

Turbo Training - Advanced Visual Effects 2 for 3DS MAX

2009-08-24T19:51:00.006+07:00

Turbo Training - Advanced Visual Effects 2 for 3DS MAX

This tutor will teach you
How to make visual effect in 3ds max.

Download : 4.2 GB
ตัวนี้มีแต่โหลดแบบบิทนะครับ
ต้องใช้โปรแกรม bittorrent ในการดาวน์โหลดนะครับ

Link : http://adf.ly/Tuv

Digital Tutors - Fundametals of Realwave in Realflow

2009-08-23T18:20:00.007+07:00

Digital Tutors - Fundametals of Realwave in Realflow

Learn an essential workflow to RealWave and time-saving techniques to creating fluid effects such as oceans, waves, foam, splashes, and other bodies of water. Contains nearly 3 hours of project-based training for artists creating fluid effects with RealFlow4.

Lesson :

1.	Introduction to RealWave	6:15
2.	Exporting RealWaves	5:10
3.	Making waves - Control Points	9:27
4.	Making waves - Fractals	5:26
5.	Fractal Speed, Scale and Seed	6:07
6.	Making waves - Spectrum	6:55
7.	Adding waves	6:30
8.	Custom RealWaves	7:10
9.	Hypermesh basics	6:05
10.	Creating Hypermesh zones	6:27
11.	Hypermesh based on camera	8:17
12.	Dynamics objects in RealWaves	7:00
13.	Working with Static Points	6:07
14.	Creating ocean spray with RW Particles	6:34
15.	Making a RealWave splash	7:30
16.	Puddle in the rain (part 1)	7:35
17.	Puddle in the rain (part 2)	6:57
18.	Creating foam textures	10:36
19.	Generating particles with foam maps	6:17
20.	Shoreline - coast distance	9:06
21.	Shoreline - Wetmap setup	5:21
22.	Making trails with RealWaves	5:03
23.	Scripting waves	5:02
24.	Image displacements with scripted waves	7:28
	รวมเวลา :	2:44:25

Download : 820.9 MB

part1 : http://adf.ly/TVQ
part2 : http://adf.ly/TVR
part3 : http://adf.ly/TVS
part4 : http://adf.ly/TVT
part5 : http://adf.ly/TVU
part6: http://adf.ly/TVV
part7 : http://adf.ly/TVW
oart8 : http://adf.ly/TVX
part9 : http://adf.ly/TVY

Digital Tutors: Maya Unlimited - Hair

2009-08-23T17:37:00.005+07:00

Digital Tutors: Maya Unlimited - Hair

Easily learn Maya Hair at your own pace with 2.5 hours of project-based training. Great for new and beginning users.

Lesson :

1.	Overview of Create Hair options	9:44
2.	Using the power of artisan to create hair follicles on the surface via the paint tool	5:27
3.	Exploring the hair system components	4:47
4.	Viewing the different positions of the hair system	7:04
5.	Using the Modify Curve tools	4:56
6.	Using constraint systems to modify hair	11:00
7.	Using the collision objects to collide the hair system with other geometry	4:09
8.	Converting selections and applying Paint FX to hair	7:06
9.	Converting curves into dynamic curves	7:41
10.	Caching hair systems	4:40
11.	Exploring the hair system node	5:57
12.	Using the scale ramp widgets	5:19
13.	Exploring dynamic attributes like dampening and stiffness to achieve really incredible looks	10:48
14.	Collisions within the hair system	7:54
15.	Hair turbulence	2:32
16.	Exploring randomization tools to adjusting the look of hair	5:13
17.	Creating curly hair	2:49
18.	Braiding hair and adding a bow to the braid	5:27
19.	Adding a ribbon to the bow	9:26
20.	Using MEL to change hair attributes	6:38
21.	Using follicles as rivets	2:42
22.	Rendering hair in mental ray	2:24
23.	Adding hair to polygon surfaces	7:13
24.	Using constraints and new hair system nodes to style the hair	10:20
25.	Working with depth map shadows to render the hair system with self-shadowing to increase its realism	2:21
26.	Utilizing the Convert to Dynamic Curve option to drive the deformation of the Buddy character	12:34

Download : 400 MB

part1 : http://adf.ly/TLf
part2 : http://adf.ly/TLg
part3 : http://adf.ly/TLh
part4 : http://adf.ly/TLi